Research Data Leeds Repository

Citation

Williams, Sean (2016) The Hohner Electronium: a 1950s portable monophonic valve synthesizer. University of Leeds. [Dataset] https://doi.org/10.5518/160/31

Dataset description

In the early 1950s René Seybold designed the electronic accordeon for the Hohner company, names the Electronium. This design ostensibly allowed an accordeonist to play with more volume, and also allowed sounds in the lower octave ranges to be loud enough to be heard in more festive and noisy situations. In the early 1960s Harald Bojé started playing the Electronium as a tabletop keyboard instrument rather than using the shoulder straps, and modified his instrument to allow for this. Within the context of the electronic music made in Cologne at the time, the use of a piano style keyboard was anathema. The two electronic instruments initially present in the WDR Studio for Electronic Music at its inception – the Melochord and the Monochord – had been summarily ejected primarily because the keyboard interface was a problematic link to an old fashioned way of thinking about music. Bojé’s choice of instrument, then, to play mostly compositions by Karlheinz Stockhausen within the Cologne Ensemble was a strange one. Through documents including photographs and letters, this paper will show the evolution of Bojé’s Electronium, and the reactions of technicians and co-performers will illustrate the reception of this electronic instrument in the key period of the mid 1960s when portable synthesizers were not yet available. The many modifications made to the instrument and its appearance in Stockhausen’s compositions from 1967 to 1973 provide great early examples of repurposing and DIY culture in electronic music performance practice, and I will demonstrate how the design of the instrument itself affords many of these modifications, and therefore influences the sound of the music made and composed with this device.

Subjects:	W000 - Creative arts & design > W300 - Music W000 - Creative arts & design > W300 - Music > W310 - Musicianship/performance studies > W316 - Electronic/electro-acoustic music performance
Divisions:	Faculty of Arts, Humanities and Cultures > School of Music
Related resources:	Location Type https://eprints.whiterose.ac.uk/119074/ Publication https://doi.org/10.1017/S135577181700005X Publication https://hughdaviesproject.wordpress.com/ Website
Date deposited:	27 Jul 2017 19:33
URI:	https://archive.researchdata.leeds.ac.uk/id/eprint/213
Additional details Additional details Creators or authors: Creators ORCID Other ID Email Primary affiliation Primary affiliation ID Primary affiliation ID type Secondary affiliation Secondary affiliation ID Secondary affiliation ID type Williams, Sean https://orcid.org/0000-0001-9828-7182 University of Edinburgh https://ror.org/01nrxwf90 ror Type of data: Dataset Publication date: 2016 Legal and ethical issues: The data is made available for the purposes of not for-profit research or teaching or personal educational development. Resource language: English Metadata language: English Publisher: University of Leeds Last Modified: 13 Aug 2024 13:19

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