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Items where Subject is "W000 - Creative arts & design > W300 - Music"

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Group by: Creators | Item Type14
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Number of items at this level: 50.

A

Andean, James (2016) Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music.15 University of Leeds. [Dataset] https://doi.org/10.5518/160/3716

Angliss, Sarah (2016) Keynote 3: Music at any cost - fulfilling our desires for intense sonic experiences in the electric and pre-electric eras.17 University of Leeds. [Dataset] https://doi.org/10.5518/160/3218

Austin, Kevin (2016) A Brief Speculative History of EA in Canada.19 University of Leeds. [Dataset] https://doi.org/10.5518/160/3320

B

Bertolani, Valentina (2016) The First Festival of Live Electronic Music at the University of California Davis (1967).21 University of Leeds. [Dataset] https://doi.org/10.5518/160/0622

Born, Georgina (2016) Keynote 5: How can and should we write alternative histories of electronic musics? New thoughts on time, history, and electronic musics.23 University of Leeds. [Dataset] https://doi.org/10.5518/160/4924

Bosma, Hannah (2016) The (lack of) documentation and canonization of interdisciplinary electroacoustic music.25 University of Leeds. [Dataset] https://doi.org/10.5518/160/0126

Bowers, John (2016) The Victorian Synthesizer.27 University of Leeds. [Dataset] https://doi.org/10.5518/160/1428

Brilmayer, Benedikt (2016) The Trautonium: Oskar Sala and the development of electronic music in Germany.29 University of Leeds. [Dataset] https://doi.org/10.5518/160/2030

C

Cox, Geoffrey (2016) ‘Sound was an end in itself’: Early documentary sound and the prefiguring of musique concrete.31 University of Leeds. [Dataset] https://doi.org/10.5518/160/4532

D

Dack, John (2016) The language connection in early electronic music: French and German approaches.33 University of Leeds. [Dataset] https://doi.org/10.5518/160/4434

Dal Farra, Ricardo (2016) Why didn’t you tell me this before? (Maybe you didn’t want to hear this side of the story).35 University of Leeds. [Dataset] https://doi.org/10.5518/160/3436

E

Emmerson, Simon (2016) Keynote 1: The Many Histories.37 University of Leeds. [Dataset] https://doi.org/10.5518/160/1338

F

Feshareki, Shiva and Hewitt, Ivan (2016) ‘Still Point’ - An Unknown Precursor of Today's Electronic Music.39 University of Leeds. [Dataset] https://doi.org/10.5518/160/4140

G

Gardner, James (2016) The Don Banks Music Box to The Putney: The genesis and evolution of the VCS3 synthesiser.41 University of Leeds. [Dataset] https://doi.org/10.5518/160/4242

Green, Owen (2016) A role for contingent histories in teaching electronic music?43 University of Leeds. [Dataset] https://doi.org/10.5518/160/0244

H

Haworth, Christopher (2016) The Hauntological Turn: Genealogy, History Making, and ‘the Contemporary’ in Electronic Music.45 University of Leeds. [Dataset] https://doi.org/10.5518/160/0346

Helliwell, Ian (2016) Tape Leaders - Excavating early British electronic music.47 University of Leeds. [Dataset] https://doi.org/10.5518/160/3948

Hession, Paul (2016) Tony Oxley: Music from Knives and Egg Slicers.49 University of Leeds. [Dataset] https://doi.org/10.5518/160/3050

K

Kim, Suk-Jun (2016) Searching for Alternative Histories in Electronic Music through a Survey on Discourses of Space-Place Relations.51 University of Leeds. [Dataset] https://doi.org/10.5518/160/4652

Kolkowski, Aleks and Reuben, Federico (2016) Singing Arcs: Sounding the Early History of Electronic Music.53 University of Leeds. [Dataset] https://doi.org/10.5518/160/1554

L

Landy, Leigh (2016) Keynote 4: Rethinking the History of Sound-based Music.55 University of Leeds. [Dataset] https://doi.org/10.5518/160/3856

M

Magnusson, Thor (2016) Generative Music: A Form without a Format.57 University of Leeds. [Dataset] https://doi.org/10.5518/160/2558

McLean, Alex (2016) Unravelling live coding.59 University of Leeds. [Dataset] https://doi.org/10.5518/160/2460

Monroe, Alexei (2016) Industrial Activity: Kraftwerk's Radio-Activity as dystopian sonic template.61 University of Leeds. [Dataset] https://doi.org/10.5518/160/0562

Mooney, James (2016) Hugh Davies, "Galactic Interfaces", "Mobile with Differences", and "Printmusic"; Alex McLean, "Printmusic - Live Coded"; and David Keane, "Les Voix Spectrales": Performances by Grey Area and Alex McLean, with pre-concert lecture by James Mooney.63 University of Leeds. [Dataset] https://doi.org/10.5518/5764

Mooney, James (2016) Hugh Davies, "Quintet" and "Music for a Single Spring"; Stockhausen, "Verbindung" and "Intensitat" from "Aus den Sieben Tagen"; Christian Wolff, "Edges"; and Owen Green, "Neither the Time nor the Energy": Performances by Grey Area, with pre-concert lecture by James Mooney.65 University of Leeds. [Dataset] https://doi.org/10.5518/3866

Mooney, James (2016) Hugh Davies, "Voice", "Not to be Loaded with Fish", and "Birth of Live Electronic Music"; plus improvisations: Performances by Steve Beresford, Phil Minton, Aleks Kolkowski and Sean Williams, with pre-concert lecture by James Mooney.67 University of Leeds. [Dataset] https://doi.org/10.5518/5868

Mooney, James and Boon, Tim and Schampaert, Dorien (2016) International Conference: Alternative Histories of Electronic Music, 2016.69 University of Leeds. [Dataset] https://doi.org/10.5518/16070

Morgan, Frances (2016) The problem with pioneers: how media narratives of exceptional women distort the history of female involvement in electronic music.71 University of Leeds. [Dataset] https://doi.org/10.5518/160/4772

O

Ojanen, Mikko (2016) Electroacoustic music in Finland in the 1960s and 1970s: a case study of Erkki Kurenniemi’s music and instrument design.73 University of Leeds. [Dataset] https://doi.org/10.5518/160/3674

Otto, Andi (2016) Fello demo.75 University of Leeds. [Dataset] https://doi.org/10.5518/160/1676

Otto, Andi (2016) The early years of STEIM. Ambiguities of "Electro-Instrumental" music.77 University of Leeds. [Dataset] https://doi.org/10.5518/160/2978

P

Palermo, Settimio F. (2016) Serendipitous and Subversive: A Critical Organology of Hugh Davies’s Found Instruments.79 University of Leeds. [Dataset] https://doi.org/10.5518/160/2880

Parolini, Giuditta (2016) Music Without Musicians: Pietro Grossi’s Experience in Electronic and Computer Music.81 University of Leeds. [Dataset] https://doi.org/10.5518/160/2782

Patteson, Thomas (2016) Organic Instruments: Early Electrophones and the Valorization of Technology in the Weimar Republic.83 University of Leeds. [Dataset] https://doi.org/10.5518/160/1984

Pigott, Jon (2016) Electromechanical Perspectives of Sound and Music.85 University of Leeds. [Dataset] https://doi.org/10.5518/160/2386

Pinch, Trevor (2016) Keynote 2: Electronic Music Filtered Through Science and Technology Studies.87 University of Leeds. [Dataset] https://doi.org/10.5518/160/2288

Price, Peter (2016) The Cosmic Vision and Telepathic Following of Bruce Haack.89 University of Leeds. [Dataset] https://doi.org/10.5518/160/1090

R

Richards, Tom (2016) Mini Oramics: Potential and Actuality.91 University of Leeds. [Dataset] https://doi.org/10.5518/160/4092

S

Saladin, Matthieu (2016) Electro-acoustic feedback and the birth of sound installations.93 University of Leeds. [Dataset] https://doi.org/10.5518/160/0994

Schampaert, Dorien (2016) The Ondes Martenot: Constructing Narratives of Obsolescence.95 University of Leeds. [Dataset] https://doi.org/10.5518/160/2196

Schedel, Margaret (2016) Color is the Keyboard.97 University of Leeds. [Dataset] https://doi.org/10.5518/160/2698

Sinsheimer Vandagriff, Rachel (2016) The Pre-History of the Columbia-Princeton Electronic Music Center.99 University of Leeds. [Dataset] https://doi.org/10.5518/160/11100

Smirnov, Andrey (2016) Music out of Noise, Light and Paper. Russia’s contribution to the history of electronic music and audio technology.101 University of Leeds. [Dataset] https://doi.org/10.5518/160/17102

T

Teboul, Ezra (2016) Silicon Luthiers: a component-level history of electronic music.103 University of Leeds. [Dataset] https://doi.org/10.5518/160/08104

W

Watson, Joe (2016) Interference patterns: reframing historical perspectives on interconnections between electronic music and cybernetics.105 University of Leeds. [Dataset] https://doi.org/10.5518/160/04106

Weium, Frode (2016) Popular entertainers, radio hobbyist and film composers. Alternative (pre)histories of electronic music.107 University of Leeds. [Dataset] https://doi.org/10.5518/160/18108

Williams, Sean (2016) The Hohner Electronium: a 1950s portable monophonic valve synthesizer.109 University of Leeds. [Dataset] https://doi.org/10.5518/160/31110

Wilson, Daniel (2016) Failed Histories of Electronic Music.111 University of Leeds. [Dataset] https://doi.org/10.5518/160/48112

Z

Zattra, Laura (2016) Collaboration and Musical Assistants at IRCAM, CCRMA, and CSC.113 University of Leeds. [Dataset] https://doi.org/10.5518/160/12114

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