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Number of items: 47.

Mooney, James and Boon, Tim and Schampaert, Dorien (2016) International Conference: Alternative Histories of Electronic Music, 2016.9 University of Leeds. [Dataset] https://doi.org/10.5518/16010

Austin, Kevin (2016) A Brief Speculative History of EA in Canada.11 University of Leeds. [Dataset] https://doi.org/10.5518/160/3312

Zattra, Laura (2016) Collaboration and Musical Assistants at IRCAM, CCRMA, and CSC.13 University of Leeds. [Dataset] https://doi.org/10.5518/160/1214

Schedel, Margaret (2016) Color is the Keyboard.15 University of Leeds. [Dataset] https://doi.org/10.5518/160/2616

Price, Peter (2016) The Cosmic Vision and Telepathic Following of Bruce Haack.17 University of Leeds. [Dataset] https://doi.org/10.5518/160/1018

Gardner, James (2016) The Don Banks Music Box to The Putney: The genesis and evolution of the VCS3 synthesiser.19 University of Leeds. [Dataset] https://doi.org/10.5518/160/4220

Saladin, Matthieu (2016) Electro-acoustic feedback and the birth of sound installations.21 University of Leeds. [Dataset] https://doi.org/10.5518/160/0922

Andean, James (2016) Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music.23 University of Leeds. [Dataset] https://doi.org/10.5518/160/3724

Ojanen, Mikko (2016) Electroacoustic music in Finland in the 1960s and 1970s: a case study of Erkki Kurenniemi’s music and instrument design.25 University of Leeds. [Dataset] https://doi.org/10.5518/160/3626

Pigott, Jon (2016) Electromechanical Perspectives of Sound and Music.27 University of Leeds. [Dataset] https://doi.org/10.5518/160/2328

Wilson, Daniel (2016) Failed Histories of Electronic Music.29 University of Leeds. [Dataset] https://doi.org/10.5518/160/4830

Otto, Andi (2016) Fello demo.31 University of Leeds. [Dataset] https://doi.org/10.5518/160/1632

Bertolani, Valentina (2016) The First Festival of Live Electronic Music at the University of California Davis (1967).33 University of Leeds. [Dataset] https://doi.org/10.5518/160/0634

Magnusson, Thor (2016) Generative Music: A Form without a Format.35 University of Leeds. [Dataset] https://doi.org/10.5518/160/2536

Haworth, Christopher (2016) The Hauntological Turn: Genealogy, History Making, and ‘the Contemporary’ in Electronic Music.37 University of Leeds. [Dataset] https://doi.org/10.5518/160/0338

Williams, Sean (2016) The Hohner Electronium: a 1950s portable monophonic valve synthesizer.39 University of Leeds. [Dataset] https://doi.org/10.5518/160/3140

Monroe, Alexei (2016) Industrial Activity: Kraftwerk's Radio-Activity as dystopian sonic template.41 University of Leeds. [Dataset] https://doi.org/10.5518/160/0542

Watson, Joe (2016) Interference patterns: reframing historical perspectives on interconnections between electronic music and cybernetics.43 University of Leeds. [Dataset] https://doi.org/10.5518/160/0444

Emmerson, Simon (2016) Keynote 1: The Many Histories.45 University of Leeds. [Dataset] https://doi.org/10.5518/160/1346

Pinch, Trevor (2016) Keynote 2: Electronic Music Filtered Through Science and Technology Studies.47 University of Leeds. [Dataset] https://doi.org/10.5518/160/2248

Angliss, Sarah (2016) Keynote 3: Music at any cost - fulfilling our desires for intense sonic experiences in the electric and pre-electric eras.49 University of Leeds. [Dataset] https://doi.org/10.5518/160/3250

Landy, Leigh (2016) Keynote 4: Rethinking the History of Sound-based Music.51 University of Leeds. [Dataset] https://doi.org/10.5518/160/3852

Born, Georgina (2016) Keynote 5: How can and should we write alternative histories of electronic musics? New thoughts on time, history, and electronic musics.53 University of Leeds. [Dataset] https://doi.org/10.5518/160/4954

Richards, Tom (2016) Mini Oramics: Potential and Actuality.55 University of Leeds. [Dataset] https://doi.org/10.5518/160/4056

Parolini, Giuditta (2016) Music Without Musicians: Pietro Grossi’s Experience in Electronic and Computer Music.57 University of Leeds. [Dataset] https://doi.org/10.5518/160/2758

Smirnov, Andrey (2016) Music out of Noise, Light and Paper. Russia’s contribution to the history of electronic music and audio technology.59 University of Leeds. [Dataset] https://doi.org/10.5518/160/1760

Schampaert, Dorien (2016) The Ondes Martenot: Constructing Narratives of Obsolescence.61 University of Leeds. [Dataset] https://doi.org/10.5518/160/2162

Patteson, Thomas (2016) Organic Instruments: Early Electrophones and the Valorization of Technology in the Weimar Republic.63 University of Leeds. [Dataset] https://doi.org/10.5518/160/1964

Weium, Frode (2016) Popular entertainers, radio hobbyist and film composers. Alternative (pre)histories of electronic music.65 University of Leeds. [Dataset] https://doi.org/10.5518/160/1866

Sinsheimer Vandagriff, Rachel (2016) The Pre-History of the Columbia-Princeton Electronic Music Center.67 University of Leeds. [Dataset] https://doi.org/10.5518/160/1168

Kim, Suk-Jun (2016) Searching for Alternative Histories in Electronic Music through a Survey on Discourses of Space-Place Relations.69 University of Leeds. [Dataset] https://doi.org/10.5518/160/4670

Palermo, Settimio F. (2016) Serendipitous and Subversive: A Critical Organology of Hugh Davies’s Found Instruments.71 University of Leeds. [Dataset] https://doi.org/10.5518/160/2872

Teboul, Ezra (2016) Silicon Luthiers: a component-level history of electronic music.73 University of Leeds. [Dataset] https://doi.org/10.5518/160/0874

Kolkowski, Aleks and Reuben, Federico (2016) Singing Arcs: Sounding the Early History of Electronic Music.75 University of Leeds. [Dataset] https://doi.org/10.5518/160/1576

Cox, Geoffrey (2016) ‘Sound was an end in itself’: Early documentary sound and the prefiguring of musique concrete.77 University of Leeds. [Dataset] https://doi.org/10.5518/160/4578

Feshareki, Shiva and Hewitt, Ivan (2016) ‘Still Point’ - An Unknown Precursor of Today's Electronic Music.79 University of Leeds. [Dataset] https://doi.org/10.5518/160/4180

Helliwell, Ian (2016) Tape Leaders - Excavating early British electronic music.81 University of Leeds. [Dataset] https://doi.org/10.5518/160/3982

Hession, Paul (2016) Tony Oxley: Music from Knives and Egg Slicers.83 University of Leeds. [Dataset] https://doi.org/10.5518/160/3084

Brilmayer, Benedikt (2016) The Trautonium: Oskar Sala and the development of electronic music in Germany.85 University of Leeds. [Dataset] https://doi.org/10.5518/160/2086

McLean, Alex (2016) Unravelling live coding.87 University of Leeds. [Dataset] https://doi.org/10.5518/160/2488

Bowers, John (2016) The Victorian Synthesizer.89 University of Leeds. [Dataset] https://doi.org/10.5518/160/1490

Dal Farra, Ricardo (2016) Why didn’t you tell me this before? (Maybe you didn’t want to hear this side of the story).91 University of Leeds. [Dataset] https://doi.org/10.5518/160/3492

Otto, Andi (2016) The early years of STEIM. Ambiguities of "Electro-Instrumental" music.93 University of Leeds. [Dataset] https://doi.org/10.5518/160/2994

Bosma, Hannah (2016) The (lack of) documentation and canonization of interdisciplinary electroacoustic music.95 University of Leeds. [Dataset] https://doi.org/10.5518/160/0196

Dack, John (2016) The language connection in early electronic music: French and German approaches.97 University of Leeds. [Dataset] https://doi.org/10.5518/160/4498

Morgan, Frances (2016) The problem with pioneers: how media narratives of exceptional women distort the history of female involvement in electronic music.99 University of Leeds. [Dataset] https://doi.org/10.5518/160/47100

Green, Owen (2016) A role for contingent histories in teaching electronic music?101 University of Leeds. [Dataset] https://doi.org/10.5518/160/02102

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