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Items where Subject is "W000 - Creative arts & design > W300 - Music > W310 - Musicianship/performance studies > W316 - Electronic/electro-acoustic music performance"

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Group by: Creators | Item Type13
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Number of items at this level: 47.

A

Andean, James (2016) Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music.14 University of Leeds. [Dataset] https://doi.org/10.5518/160/3715

Angliss, Sarah (2016) Keynote 3: Music at any cost - fulfilling our desires for intense sonic experiences in the electric and pre-electric eras.16 University of Leeds. [Dataset] https://doi.org/10.5518/160/3217

Austin, Kevin (2016) A Brief Speculative History of EA in Canada.18 University of Leeds. [Dataset] https://doi.org/10.5518/160/3319

B

Bertolani, Valentina (2016) The First Festival of Live Electronic Music at the University of California Davis (1967).20 University of Leeds. [Dataset] https://doi.org/10.5518/160/0621

Born, Georgina (2016) Keynote 5: How can and should we write alternative histories of electronic musics? New thoughts on time, history, and electronic musics.22 University of Leeds. [Dataset] https://doi.org/10.5518/160/4923

Bosma, Hannah (2016) The (lack of) documentation and canonization of interdisciplinary electroacoustic music.24 University of Leeds. [Dataset] https://doi.org/10.5518/160/0125

Bowers, John (2016) The Victorian Synthesizer.26 University of Leeds. [Dataset] https://doi.org/10.5518/160/1427

Brilmayer, Benedikt (2016) The Trautonium: Oskar Sala and the development of electronic music in Germany.28 University of Leeds. [Dataset] https://doi.org/10.5518/160/2029

C

Cox, Geoffrey (2016) ‘Sound was an end in itself’: Early documentary sound and the prefiguring of musique concrete.30 University of Leeds. [Dataset] https://doi.org/10.5518/160/4531

D

Dack, John (2016) The language connection in early electronic music: French and German approaches.32 University of Leeds. [Dataset] https://doi.org/10.5518/160/4433

Dal Farra, Ricardo (2016) Why didn’t you tell me this before? (Maybe you didn’t want to hear this side of the story).34 University of Leeds. [Dataset] https://doi.org/10.5518/160/3435

E

Emmerson, Simon (2016) Keynote 1: The Many Histories.36 University of Leeds. [Dataset] https://doi.org/10.5518/160/1337

F

Feshareki, Shiva and Hewitt, Ivan (2016) ‘Still Point’ - An Unknown Precursor of Today's Electronic Music.38 University of Leeds. [Dataset] https://doi.org/10.5518/160/4139

G

Gardner, James (2016) The Don Banks Music Box to The Putney: The genesis and evolution of the VCS3 synthesiser.40 University of Leeds. [Dataset] https://doi.org/10.5518/160/4241

Green, Owen (2016) A role for contingent histories in teaching electronic music?42 University of Leeds. [Dataset] https://doi.org/10.5518/160/0243

H

Haworth, Christopher (2016) The Hauntological Turn: Genealogy, History Making, and ‘the Contemporary’ in Electronic Music.44 University of Leeds. [Dataset] https://doi.org/10.5518/160/0345

Helliwell, Ian (2016) Tape Leaders - Excavating early British electronic music.46 University of Leeds. [Dataset] https://doi.org/10.5518/160/3947

Hession, Paul (2016) Tony Oxley: Music from Knives and Egg Slicers.48 University of Leeds. [Dataset] https://doi.org/10.5518/160/3049

K

Kim, Suk-Jun (2016) Searching for Alternative Histories in Electronic Music through a Survey on Discourses of Space-Place Relations.50 University of Leeds. [Dataset] https://doi.org/10.5518/160/4651

Kolkowski, Aleks and Reuben, Federico (2016) Singing Arcs: Sounding the Early History of Electronic Music.52 University of Leeds. [Dataset] https://doi.org/10.5518/160/1553

L

Landy, Leigh (2016) Keynote 4: Rethinking the History of Sound-based Music.54 University of Leeds. [Dataset] https://doi.org/10.5518/160/3855

M

Magnusson, Thor (2016) Generative Music: A Form without a Format.56 University of Leeds. [Dataset] https://doi.org/10.5518/160/2557

McLean, Alex (2016) Unravelling live coding.58 University of Leeds. [Dataset] https://doi.org/10.5518/160/2459

Monroe, Alexei (2016) Industrial Activity: Kraftwerk's Radio-Activity as dystopian sonic template.60 University of Leeds. [Dataset] https://doi.org/10.5518/160/0561

Mooney, James and Boon, Tim and Schampaert, Dorien (2016) International Conference: Alternative Histories of Electronic Music, 2016.62 University of Leeds. [Dataset] https://doi.org/10.5518/16063

Morgan, Frances (2016) The problem with pioneers: how media narratives of exceptional women distort the history of female involvement in electronic music.64 University of Leeds. [Dataset] https://doi.org/10.5518/160/4765

O

Ojanen, Mikko (2016) Electroacoustic music in Finland in the 1960s and 1970s: a case study of Erkki Kurenniemi’s music and instrument design.66 University of Leeds. [Dataset] https://doi.org/10.5518/160/3667

Otto, Andi (2016) Fello demo.68 University of Leeds. [Dataset] https://doi.org/10.5518/160/1669

Otto, Andi (2016) The early years of STEIM. Ambiguities of "Electro-Instrumental" music.70 University of Leeds. [Dataset] https://doi.org/10.5518/160/2971

P

Palermo, Settimio F. (2016) Serendipitous and Subversive: A Critical Organology of Hugh Davies’s Found Instruments.72 University of Leeds. [Dataset] https://doi.org/10.5518/160/2873

Parolini, Giuditta (2016) Music Without Musicians: Pietro Grossi’s Experience in Electronic and Computer Music.74 University of Leeds. [Dataset] https://doi.org/10.5518/160/2775

Patteson, Thomas (2016) Organic Instruments: Early Electrophones and the Valorization of Technology in the Weimar Republic.76 University of Leeds. [Dataset] https://doi.org/10.5518/160/1977

Pigott, Jon (2016) Electromechanical Perspectives of Sound and Music.78 University of Leeds. [Dataset] https://doi.org/10.5518/160/2379

Pinch, Trevor (2016) Keynote 2: Electronic Music Filtered Through Science and Technology Studies.80 University of Leeds. [Dataset] https://doi.org/10.5518/160/2281

Price, Peter (2016) The Cosmic Vision and Telepathic Following of Bruce Haack.82 University of Leeds. [Dataset] https://doi.org/10.5518/160/1083

R

Richards, Tom (2016) Mini Oramics: Potential and Actuality.84 University of Leeds. [Dataset] https://doi.org/10.5518/160/4085

S

Saladin, Matthieu (2016) Electro-acoustic feedback and the birth of sound installations.86 University of Leeds. [Dataset] https://doi.org/10.5518/160/0987

Schampaert, Dorien (2016) The Ondes Martenot: Constructing Narratives of Obsolescence.88 University of Leeds. [Dataset] https://doi.org/10.5518/160/2189

Schedel, Margaret (2016) Color is the Keyboard.90 University of Leeds. [Dataset] https://doi.org/10.5518/160/2691

Sinsheimer Vandagriff, Rachel (2016) The Pre-History of the Columbia-Princeton Electronic Music Center.92 University of Leeds. [Dataset] https://doi.org/10.5518/160/1193

Smirnov, Andrey (2016) Music out of Noise, Light and Paper. Russia’s contribution to the history of electronic music and audio technology.94 University of Leeds. [Dataset] https://doi.org/10.5518/160/1795

T

Teboul, Ezra (2016) Silicon Luthiers: a component-level history of electronic music.96 University of Leeds. [Dataset] https://doi.org/10.5518/160/0897

W

Watson, Joe (2016) Interference patterns: reframing historical perspectives on interconnections between electronic music and cybernetics.98 University of Leeds. [Dataset] https://doi.org/10.5518/160/0499

Weium, Frode (2016) Popular entertainers, radio hobbyist and film composers. Alternative (pre)histories of electronic music.100 University of Leeds. [Dataset] https://doi.org/10.5518/160/18101

Williams, Sean (2016) The Hohner Electronium: a 1950s portable monophonic valve synthesizer.102 University of Leeds. [Dataset] https://doi.org/10.5518/160/31103

Wilson, Daniel (2016) Failed Histories of Electronic Music.104 University of Leeds. [Dataset] https://doi.org/10.5518/160/48105

Z

Zattra, Laura (2016) Collaboration and Musical Assistants at IRCAM, CCRMA, and CSC.106 University of Leeds. [Dataset] https://doi.org/10.5518/160/12107

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