Research Data Leeds Repository
Items where Subject is "W000 - Creative arts & design > W300 - Music > W310 - Musicianship/performance studies > W316 - Electronic/electro-acoustic music performance"
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- Joint Academic Coding System (JACS) (940)
- W000 - Creative arts & design (89)
- W300 - Music (57)
- W310 - Musicianship/performance studies (55)
- W316 - Electronic/electro-acoustic music performance (47)
- W310 - Musicianship/performance studies (55)
- W300 - Music (57)
- W000 - Creative arts & design (89)
A
Andean, James (2016) Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/37
Angliss, Sarah (2016) Keynote 3: Music at any cost - fulfilling our desires for intense sonic experiences in the electric and pre-electric eras. University of Leeds. [Dataset] https://doi.org/10.5518/160/32
Austin, Kevin (2016) A Brief Speculative History of EA in Canada. University of Leeds. [Dataset] https://doi.org/10.5518/160/33
B
Bertolani, Valentina (2016) The First Festival of Live Electronic Music at the University of California Davis (1967). University of Leeds. [Dataset] https://doi.org/10.5518/160/06
Born, Georgina (2016) Keynote 5: How can and should we write alternative histories of electronic musics? New thoughts on time, history, and electronic musics. University of Leeds. [Dataset] https://doi.org/10.5518/160/49
Bosma, Hannah (2016) The (lack of) documentation and canonization of interdisciplinary electroacoustic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/01
Bowers, John (2016) The Victorian Synthesizer. University of Leeds. [Dataset] https://doi.org/10.5518/160/14
Brilmayer, Benedikt (2016) The Trautonium: Oskar Sala and the development of electronic music in Germany. University of Leeds. [Dataset] https://doi.org/10.5518/160/20
C
Cox, Geoffrey (2016) ‘Sound was an end in itself’: Early documentary sound and the prefiguring of musique concrete. University of Leeds. [Dataset] https://doi.org/10.5518/160/45
D
Dack, John (2016) The language connection in early electronic music: French and German approaches. University of Leeds. [Dataset] https://doi.org/10.5518/160/44
Dal Farra, Ricardo (2016) Why didn’t you tell me this before? (Maybe you didn’t want to hear this side of the story). University of Leeds. [Dataset] https://doi.org/10.5518/160/34
E
Emmerson, Simon (2016) Keynote 1: The Many Histories. University of Leeds. [Dataset] https://doi.org/10.5518/160/13
F
Feshareki, Shiva and Hewitt, Ivan (2016) ‘Still Point’ - An Unknown Precursor of Today's Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/41
G
Gardner, James (2016) The Don Banks Music Box to The Putney: The genesis and evolution of the VCS3 synthesiser. University of Leeds. [Dataset] https://doi.org/10.5518/160/42
Green, Owen (2016) A role for contingent histories in teaching electronic music? University of Leeds. [Dataset] https://doi.org/10.5518/160/02
H
Haworth, Christopher (2016) The Hauntological Turn: Genealogy, History Making, and ‘the Contemporary’ in Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/03
Helliwell, Ian (2016) Tape Leaders - Excavating early British electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/39
Hession, Paul (2016) Tony Oxley: Music from Knives and Egg Slicers. University of Leeds. [Dataset] https://doi.org/10.5518/160/30
K
Kim, Suk-Jun (2016) Searching for Alternative Histories in Electronic Music through a Survey on Discourses of Space-Place Relations. University of Leeds. [Dataset] https://doi.org/10.5518/160/46
Kolkowski, Aleks and Reuben, Federico (2016) Singing Arcs: Sounding the Early History of Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/15
L
Landy, Leigh (2016) Keynote 4: Rethinking the History of Sound-based Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/38
M
Magnusson, Thor (2016) Generative Music: A Form without a Format. University of Leeds. [Dataset] https://doi.org/10.5518/160/25
McLean, Alex (2016) Unravelling live coding. University of Leeds. [Dataset] https://doi.org/10.5518/160/24
Monroe, Alexei (2016) Industrial Activity: Kraftwerk's Radio-Activity as dystopian sonic template. University of Leeds. [Dataset] https://doi.org/10.5518/160/05
Mooney, James and Boon, Tim and Schampaert, Dorien (2016) International Conference: Alternative Histories of Electronic Music, 2016. University of Leeds. [Dataset] https://doi.org/10.5518/160
Morgan, Frances (2016) The problem with pioneers: how media narratives of exceptional women distort the history of female involvement in electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/47
O
Ojanen, Mikko (2016) Electroacoustic music in Finland in the 1960s and 1970s: a case study of Erkki Kurenniemi’s music and instrument design. University of Leeds. [Dataset] https://doi.org/10.5518/160/36
Otto, Andi (2016) Fello demo. University of Leeds. [Dataset] https://doi.org/10.5518/160/16
Otto, Andi (2016) The early years of STEIM. Ambiguities of "Electro-Instrumental" music. University of Leeds. [Dataset] https://doi.org/10.5518/160/29
P
Palermo, Settimio F. (2016) Serendipitous and Subversive: A Critical Organology of Hugh Davies’s Found Instruments. University of Leeds. [Dataset] https://doi.org/10.5518/160/28
Parolini, Giuditta (2016) Music Without Musicians: Pietro Grossi’s Experience in Electronic and Computer Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/27
Patteson, Thomas (2016) Organic Instruments: Early Electrophones and the Valorization of Technology in the Weimar Republic. University of Leeds. [Dataset] https://doi.org/10.5518/160/19
Pigott, Jon (2016) Electromechanical Perspectives of Sound and Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/23
Pinch, Trevor (2016) Keynote 2: Electronic Music Filtered Through Science and Technology Studies. University of Leeds. [Dataset] https://doi.org/10.5518/160/22
Price, Peter (2016) The Cosmic Vision and Telepathic Following of Bruce Haack. University of Leeds. [Dataset] https://doi.org/10.5518/160/10
R
Richards, Tom (2016) Mini Oramics: Potential and Actuality. University of Leeds. [Dataset] https://doi.org/10.5518/160/40
S
Saladin, Matthieu (2016) Electro-acoustic feedback and the birth of sound installations. University of Leeds. [Dataset] https://doi.org/10.5518/160/09
Schampaert, Dorien (2016) The Ondes Martenot: Constructing Narratives of Obsolescence. University of Leeds. [Dataset] https://doi.org/10.5518/160/21
Schedel, Margaret (2016) Color is the Keyboard. University of Leeds. [Dataset] https://doi.org/10.5518/160/26
Sinsheimer Vandagriff, Rachel (2016) The Pre-History of the Columbia-Princeton Electronic Music Center. University of Leeds. [Dataset] https://doi.org/10.5518/160/11
Smirnov, Andrey (2016) Music out of Noise, Light and Paper. Russia’s contribution to the history of electronic music and audio technology. University of Leeds. [Dataset] https://doi.org/10.5518/160/17
T
Teboul, Ezra (2016) Silicon Luthiers: a component-level history of electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/08
W
Watson, Joe (2016) Interference patterns: reframing historical perspectives on interconnections between electronic music and cybernetics. University of Leeds. [Dataset] https://doi.org/10.5518/160/04
Weium, Frode (2016) Popular entertainers, radio hobbyist and film composers. Alternative (pre)histories of electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/18
Williams, Sean (2016) The Hohner Electronium: a 1950s portable monophonic valve synthesizer. University of Leeds. [Dataset] https://doi.org/10.5518/160/31
Wilson, Daniel (2016) Failed Histories of Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/48
Z
Zattra, Laura (2016) Collaboration and Musical Assistants at IRCAM, CCRMA, and CSC. University of Leeds. [Dataset] https://doi.org/10.5518/160/12