Research Data Leeds Repository

Dataset

Andean, James (2016) Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/37

Angliss, Sarah (2016) Keynote 3: Music at any cost - fulfilling our desires for intense sonic experiences in the electric and pre-electric eras. University of Leeds. [Dataset] https://doi.org/10.5518/160/32

Austin, Kevin (2016) A Brief Speculative History of EA in Canada. University of Leeds. [Dataset] https://doi.org/10.5518/160/33

Bertolani, Valentina (2016) The First Festival of Live Electronic Music at the University of California Davis (1967). University of Leeds. [Dataset] https://doi.org/10.5518/160/06

Born, Georgina (2016) Keynote 5: How can and should we write alternative histories of electronic musics? New thoughts on time, history, and electronic musics. University of Leeds. [Dataset] https://doi.org/10.5518/160/49

Bosma, Hannah (2016) The (lack of) documentation and canonization of interdisciplinary electroacoustic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/01

Bowers, John (2016) The Victorian Synthesizer. University of Leeds. [Dataset] https://doi.org/10.5518/160/14

Brilmayer, Benedikt (2016) The Trautonium: Oskar Sala and the development of electronic music in Germany. University of Leeds. [Dataset] https://doi.org/10.5518/160/20

Cox, Geoffrey (2016) ‘Sound was an end in itself’: Early documentary sound and the prefiguring of musique concrete. University of Leeds. [Dataset] https://doi.org/10.5518/160/45

Dack, John (2016) The language connection in early electronic music: French and German approaches. University of Leeds. [Dataset] https://doi.org/10.5518/160/44

Dal Farra, Ricardo (2016) Why didn’t you tell me this before? (Maybe you didn’t want to hear this side of the story). University of Leeds. [Dataset] https://doi.org/10.5518/160/34

Emmerson, Simon (2016) Keynote 1: The Many Histories. University of Leeds. [Dataset] https://doi.org/10.5518/160/13

Feshareki, Shiva and Hewitt, Ivan (2016) ‘Still Point’ - An Unknown Precursor of Today's Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/41

Gardner, James (2016) The Don Banks Music Box to The Putney: The genesis and evolution of the VCS3 synthesiser. University of Leeds. [Dataset] https://doi.org/10.5518/160/42

Green, Owen (2016) A role for contingent histories in teaching electronic music? University of Leeds. [Dataset] https://doi.org/10.5518/160/02

Haworth, Christopher (2016) The Hauntological Turn: Genealogy, History Making, and ‘the Contemporary’ in Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/03

Helliwell, Ian (2016) Tape Leaders - Excavating early British electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/39

Hession, Paul (2016) Tony Oxley: Music from Knives and Egg Slicers. University of Leeds. [Dataset] https://doi.org/10.5518/160/30

Kim, Suk-Jun (2016) Searching for Alternative Histories in Electronic Music through a Survey on Discourses of Space-Place Relations. University of Leeds. [Dataset] https://doi.org/10.5518/160/46

Kolkowski, Aleks and Reuben, Federico (2016) Singing Arcs: Sounding the Early History of Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/15

Landy, Leigh (2016) Keynote 4: Rethinking the History of Sound-based Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/38

Magnusson, Thor (2016) Generative Music: A Form without a Format. University of Leeds. [Dataset] https://doi.org/10.5518/160/25

McLean, Alex (2016) Unravelling live coding. University of Leeds. [Dataset] https://doi.org/10.5518/160/24

Monroe, Alexei (2016) Industrial Activity: Kraftwerk's Radio-Activity as dystopian sonic template. University of Leeds. [Dataset] https://doi.org/10.5518/160/05

Mooney, James and Boon, Tim and Schampaert, Dorien (2016) International Conference: Alternative Histories of Electronic Music, 2016. University of Leeds. [Dataset] https://doi.org/10.5518/160

Morgan, Frances (2016) The problem with pioneers: how media narratives of exceptional women distort the history of female involvement in electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/47

Ojanen, Mikko (2016) Electroacoustic music in Finland in the 1960s and 1970s: a case study of Erkki Kurenniemi’s music and instrument design. University of Leeds. [Dataset] https://doi.org/10.5518/160/36

Otto, Andi (2016) Fello demo. University of Leeds. [Dataset] https://doi.org/10.5518/160/16

Otto, Andi (2016) The early years of STEIM. Ambiguities of "Electro-Instrumental" music. University of Leeds. [Dataset] https://doi.org/10.5518/160/29

Palermo, Settimio F. (2016) Serendipitous and Subversive: A Critical Organology of Hugh Davies’s Found Instruments. University of Leeds. [Dataset] https://doi.org/10.5518/160/28

Parolini, Giuditta (2016) Music Without Musicians: Pietro Grossi’s Experience in Electronic and Computer Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/27

Patteson, Thomas (2016) Organic Instruments: Early Electrophones and the Valorization of Technology in the Weimar Republic. University of Leeds. [Dataset] https://doi.org/10.5518/160/19

Pigott, Jon (2016) Electromechanical Perspectives of Sound and Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/23

Pinch, Trevor (2016) Keynote 2: Electronic Music Filtered Through Science and Technology Studies. University of Leeds. [Dataset] https://doi.org/10.5518/160/22

Price, Peter (2016) The Cosmic Vision and Telepathic Following of Bruce Haack. University of Leeds. [Dataset] https://doi.org/10.5518/160/10

Richards, Tom (2016) Mini Oramics: Potential and Actuality. University of Leeds. [Dataset] https://doi.org/10.5518/160/40

Saladin, Matthieu (2016) Electro-acoustic feedback and the birth of sound installations. University of Leeds. [Dataset] https://doi.org/10.5518/160/09

Schampaert, Dorien (2016) The Ondes Martenot: Constructing Narratives of Obsolescence. University of Leeds. [Dataset] https://doi.org/10.5518/160/21

Schedel, Margaret (2016) Color is the Keyboard. University of Leeds. [Dataset] https://doi.org/10.5518/160/26

Sinsheimer Vandagriff, Rachel (2016) The Pre-History of the Columbia-Princeton Electronic Music Center. University of Leeds. [Dataset] https://doi.org/10.5518/160/11

Smirnov, Andrey (2016) Music out of Noise, Light and Paper. Russia’s contribution to the history of electronic music and audio technology. University of Leeds. [Dataset] https://doi.org/10.5518/160/17

Teboul, Ezra (2016) Silicon Luthiers: a component-level history of electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/08

Watson, Joe (2016) Interference patterns: reframing historical perspectives on interconnections between electronic music and cybernetics. University of Leeds. [Dataset] https://doi.org/10.5518/160/04

Weium, Frode (2016) Popular entertainers, radio hobbyist and film composers. Alternative (pre)histories of electronic music. University of Leeds. [Dataset] https://doi.org/10.5518/160/18

Williams, Sean (2016) The Hohner Electronium: a 1950s portable monophonic valve synthesizer. University of Leeds. [Dataset] https://doi.org/10.5518/160/31

Wilson, Daniel (2016) Failed Histories of Electronic Music. University of Leeds. [Dataset] https://doi.org/10.5518/160/48

Zattra, Laura (2016) Collaboration and Musical Assistants at IRCAM, CCRMA, and CSC. University of Leeds. [Dataset] https://doi.org/10.5518/160/12