-- MySQL dump 10.13 Distrib 5.7.12, for linux-glibc2.5 (x86_64) -- -- Host: webdb-whst-db.leeds.ac.uk Database: www_frame_leeds_ac_uk -- ------------------------------------------------------ -- Server version 5.5.40-MariaDB-log /*!40101 SET @OLD_CHARACTER_SET_CLIENT=@@CHARACTER_SET_CLIENT */; /*!40101 SET @OLD_CHARACTER_SET_RESULTS=@@CHARACTER_SET_RESULTS */; /*!40101 SET @OLD_COLLATION_CONNECTION=@@COLLATION_CONNECTION */; /*!40101 SET NAMES utf8 */; /*!40103 SET @OLD_TIME_ZONE=@@TIME_ZONE */; /*!40103 SET TIME_ZONE='+00:00' */; /*!40014 SET @OLD_UNIQUE_CHECKS=@@UNIQUE_CHECKS, UNIQUE_CHECKS=0 */; /*!40014 SET @OLD_FOREIGN_KEY_CHECKS=@@FOREIGN_KEY_CHECKS, FOREIGN_KEY_CHECKS=0 */; /*!40101 SET @OLD_SQL_MODE=@@SQL_MODE, SQL_MODE='NO_AUTO_VALUE_ON_ZERO' */; /*!40111 SET @OLD_SQL_NOTES=@@SQL_NOTES, SQL_NOTES=0 */; -- -- Table structure for table `compositions` -- DROP TABLE IF EXISTS `compositions`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions` ( `comp_code` varchar(50) NOT NULL, `person_code` varchar(50) NOT NULL, `title` varchar(300) NOT NULL, `form` varchar(7) NOT NULL, `published` int(11) DEFAULT NULL, `synopsis` text, `reception` text, `critical` text, `editions` int(11) NOT NULL, PRIMARY KEY (`comp_code`), FULLTEXT KEY `title` (`title`), FULLTEXT KEY `text` (`synopsis`,`reception`,`critical`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions` -- LOCK TABLES `compositions` WRITE; /*!40000 ALTER TABLE `compositions` DISABLE KEYS */; INSERT INTO `compositions` VALUES ('Nonklara','Aaron1949','Le Non de Klara','Prose',2001,'
Through her protagonist Klara, Aaron examines the difficulties faced by concentration camp survivors in re-adapting to everyday life. The story is told from the viewpoint of Klara\'s sister-in-law, Angelika. Klara has been the guinea pig of many medical experiments while in the camps and is forced to sacrifice her baby that is born from forced sexual relations with German camp guards. On her return to Paris, Klara refuses to see her daughter, born at the beginning of the war and eventually leaves for America, unable to remain in a country that reminds her constantly of her past life and her suffering. Therefore the \'no\' of the title can be seen as her refusal that the horrors that she has lived through should affect the lives of those around her.
Aaron received the Bourse Goncourt 2002 du Premier Roman, the Prix Emmanuel Roblès de la ville de Blois, the Prix du frère et soeur Scholl in Germany, and the Prix Amnesty International Belgique 2003 for this novel.
','Frey, Pascale, Lire, December 2002 / January 2003
','',4),('Dernierjournazi','Aba1921','Le Dernier Jour d\'un nazi','Theatre',1982,'','','',1),('FosseBabel','Abellio1907','La Fosse de Babel','Prose',1962,'second volume of a trilogy. A novel described as \'part political thriller, part psychological novel, part religious/philosophical meditation\' (see essay at link in \'selected critical studies\'),
','','http://systar.hautetfort.com/archive/2006/03/13/la-transcendance-noire-de-babel-1.html accessed 9/11/2010
',1),('Heureuxpacifiques','Abellio1907','Heureux Les Pacifiques','Prose',1946,'','','',2),('YeuxEzechiel','Abellio1907','Les Yeux d\'Ezéchiel sont ouverts','Prose',1949,'','','',1),('Duneprison','Abetz1903','D\'Une Prison','Prose',1949,'The book begins with an account of the trial of OA, the ex-Ambassador of the German Reich in Paris, in which Bernard-Derosne is at pains to stress the considerable efforts which OA made to protect the French from the worst excesses of the German Occupation and expresses regret that OA was found guilty, though with some extenuating circumstances. Then follows OA\'s own unemotional description, written in French, of the efforts made by himself and the German Embassy to alleviate the orders which came from Germany between 1940 and 1944, with quotations from many German and French witnesses. He refers also to the Embassy\'s diminished role during his absence of a year when he was recalled to Germany in disgrace. The evidence of key witnesses, notably General von Choltitz, responsible for saving Paris from destruction, and Paul Reynaud, is followed by the statements of Counsel for the Prosecution, Captain Flicoteaux, and for the Defence, René Floriot.
','','',1),('epee','Adam1908','L\'Epée dans les reins','Prose',1944,'The first part, \'L\'Ennemi invisible\', chronicles the disintegration of the French Army in 1940. Set in the Ardennes, with occasional skirmishes in the forest, and a menacing sense of the gathering German forces, the experiences of the French are told through a small cast of recurring characters, as they head to inevitable defeat through the absence of proper leadership (with some exceptions), the defeatism of many in the officer class, the failure of the military leadership to understand the nature of the war they are fighting, the failure to provide the right kinds of weapons, and the disastrous tactics involving a lengthy retreat of exhausted soldiers who dump their weapons to be able to continue. The main protagonist, Antoine Correbois, is finally taken prisoner in Bar-le-Duc. The treatment of groups of \'tirailleurs sénégalais\' is very stereotyped. In the second part, \'Les Prisonniers de Bar-le-Duc\', thousands of men are held in a former hospital and sent out into the countryside on work details to bring in the harvest. With growing rumours of deportation to Germany, Antoine decides to try and escape, and, with the help of a local paysan, who shelters him and where he first hears French broadcasts from London, he evades capture and eventually regains Paris to continue the fight. Throughout the novel, the moral strength and determination of the paysans repeatedly reaffirmed. The novel ends a few pages later with the Germans coming to arrest him in 1943. Through his wife Germaine, the story of the emptying of Paris in the exodus and the first days of the occupation are told.
','','',2),('lappel','Adam1908','A l\'Appel de la liberté','Prose',1944,'An extract of L\'Epée dans les reins, starting with Antoine and others as prisoners of the Germans. p.10: (Ce récit fait partie d\'un ouvrage beaucoup plus important par ses dimensions: L\'Epée dans les reins que l\'auteur a commencé en janvier 1941. Les seuls changements apportés au texte ont été nécessités par le passage de l\'optique du roman à celle de la nouvelle.)
','','',2),('Village1940','Ade','Un village français 1940','Prose',2009,'Synopsis from amazon.fr (11/11/2010): En juin 40, Villeneuve, petite ville du centre de la France, est bouleversée par l\'arrivée de l\'armée allemande. L\'Occupation vient de commencer et va durer cinq ans. Hortense, Jean, Raymond, Marie étaient des Françaises et des Français ordinaires, maris, femmes, notables ou paysans... ils deviendront patriotes, traîtres, collaborateurs ou résistants. Après s\'être effondrée, la France se reconstruit jour après jour, mais à l\'heure allemande. Avec cette période incertaine et dangereuse de notre histoire s\'ouvre une ère nouvelle : aux règles imposées par l\'occupant répondent celles de la désobéissance civile ou de la clandestinité. On y a peur, on y a faim, on s\'y déchire au nom des valeurs et d\'une certaine idée de la France... ou parfois simplement par amour.
','','',2),('village1941','Ade','Un village français 1941','Prose',2010,'','','',1),('routeinutile','aderca','La Route inutile','Prose',1961,'','','',1),('Pitchipoi','Adler1971','Pitchipoï','Prose',2002,'Writing in the first person, the author recounts an organised voyage to Auschwitz undertaken in 1997, with family members and other travellers (some of them camp survivors). He reminds us that \'Pitchipoï\' means \'pays merveilleux\' in Yiddish folklore and was the name given by Jewish children detained in Drancy to their unknown destination. The account opens in an hallucinatory manner, alternating between past and present and attempting to reconstruct his Jewish family\'s experience, but then becomes a more coherent, documentary study of their journey. Whereas the author\'s father refuses to discuss the death of his parents and sister, his more belligerent son feels the need to retrieve and restore his family\'s memory of suffering and its part in the Shoah.
','','',1),('BeMaho','Agenor1940','Bé-Maho, Chroniques sous le vent','Prose',1996,'','Won the prix RFO (1997) and finalist for the prix Carbet de la Caraïbe (1996).
','',1),('Relaiserrants','Aime1902','Relais des errants','Prose',1945,'DA\'s account of the conditions experienced by the Jews during the German Occupation of France, and of life in the women\'s camp at Drancy. She begins, writing in the present tense, with extracts from the laws of 1940 and 1942 promulgated against the Jews, and describes her great desire at this time to escape from these restrictions which force her to stay at home. With a change to the past tense, \'Drancy sous l\'étoile jaune\' describes how she was arrested in 1942 at Christmas and was sent to the concentration camp at Drancy, where she found many friends and relations. Despite the atrocious conditions, hunger was not a problem and, as a convert to Catholicism, she was sustained by her faith and the friendship of a Hungarian hospital worker and his girl-friend. The worst distress was caused by the horrific deportations and she was lucky to avoid these. She finally left Drancy with diphtheria, went into a hospice, where her Catholic husband was able to visit her, and then went home. When she was menaced with further arrest and deportation, it was arranged that she be declared insane and sent to the Asile Sainte-Anne. She was finally liberated by the Forces françaises libres. The second part of her book, \'La Condition juive\', is an objective and historical discussion of what it is to be Jewish and the place of Jews in the world, with an appendix of texts from St Paul and Renan.
','','',1),('bonmonsieur','Alboni','Ce Bon Monsieur Fred','Prose',1949,'','','',1),('Clairiere','Albrand1927','La Clairière','Prose',1967,'A young girl leaves Paris to spend her summer holidays with her aunts in the Creuse, for the first time in two years. This time her friends from numerous past holidays are no longer in the village, the boys having joined the local Resistance. Depiction of village life during the Occupation.
','','',2),('demonsaube','Allegret1907','Les Démons de l\'aube','Film',1946,'The film depicts the liberation of Tunisia by the Free French. The ordinary soldiers seem more interested in quarrelling amongst themselves, play fighting and drinking. The arrival of a new recruit, Serge, reminds the Lieutenant Claude Legrand of his return home from captivity in Germany and the betrayal of his wife. This new recruit, a former Resistance fighter, believes that the officer betrayed him in France, as Legrand did not pass on letter to the Resistance that he was given, and consequently he seeks his revenge, a difficult task given the respect that the men of the company hold for their officer. In the Provence landings, at the end of the film, the men land at the site of the Lieutenant\'s former home. Both men die having made a sort of peace, and the honour of the French nation is saved as Frenchmen are shown to have liberated their own homeland. This is very much a propaganda film meant to valorise the modern French army born out of the Free French forces, after the shame of the 1940 defeat.
','','',1),('Eclairsombre','Allemand1927','Les Éclairs de l\'ombre','Prose',1997,'The novel describes the adventures of Marie-Jeanne Olivier and her son Jean, aged twelve in 1939, whose estranged father is a general. In July 1945, Marie-Jeanne is due to be interned in a psychiatric hospital in southern France. A flashback then recounts their odyssey from Brazzaville in November 1939 to their attempts to survive occupation and liberation.
','','',1),('Marechalnousvoila','Amat','Maréchal, nous voilà?','Film',2008,'','','',1),('Grandesvacances','Ambriere1907','Les Grandes Vacances 1939-1945','Prose',1946,'Though described as a novel, this is a documentary account based on the author\'s experiences as a prisoner of war, incorporating testimony from other sources in its various editions. Ambrière was one of the small minority of NCOs who refused to undertake work (as allowed by the Geneva Convention); as a result he was submitted to a harsher regime than most POWs. His account is extremely informative, mixes tragic and comic episodes, and reveals him as a man of strong moral principles.
','Awarded Prix Goncourt 1940 retrospectively in 1946
','',2),('2leopards','Amette','Les Deux Léopards','Prose',1997,'','','',2),('tempsiecle','Amiel1926','Le Temps du siècle','Prose',2000,'','','',1),('etsiunreve','Amiel1926','Et si....: un rêve imaginé','Prose',2005,'1962, Une famille heureuse. La naissance d\'un fils, la circoncision, la joie. L\'évocation d\'un passé glorieux. Et soudain tout bascule... Après \" La Rafle \" Editions du Cerf, 1993 et \" Les temps du siècle \" Editions du Marais, 2000, Jo Amiel, utilisant une méthode insolite, nous fait revivre l\'époque la plus trouble du vingtième siècle, et analyse le comportement de certains des participants qui façonnèrent l\'Histoire. from amazon.fr
','','',1),('rafle','Amiel1926','La Rafle: un sana très ordinaire 1942-','Prose',1993,'Jo Amiel raconte, à partir de son expérience personelle, le drame de tous ceux qui, après 1940, ont vécu dans la crainte d\'être arrêtés ou déportés. Ce livre, si documenté sur la vie des juifs tuberculeux en sanatorium, impressione par sa simplicité et son absence d\'exhibitionnisme. Il revêt une importance historique autant que pédagogique. (from publisher\'s website)
','','',1),('Balconhiroshima','Amila1910','Au Balcon d\'Hiroshima','Prose',1985,'Two pre-war bank robbers are freed from prison by RAF bombs and set about looking for their accomplice who evaded arrest. He escaped to Japan, but loses business, wife and children in an Allied bombing raid. He is then accused along with others in the French community, by the Japanese authorities of being a spy and imprisoned on a farm. Meanwhile in France the two former bankrobbers have reinvented themselves by joining the Resistance, and have gathered enough money through this activity to travel to Japan, where they too are arrested and placed under house arrest, with their former accomplice, near Hiroshima. It is from this camp that they witness the horrors caused by the atomic bomb dropped on Hiroshima.
','','',1),('Luneomaha','Amila1910','La Lune d\'Omaha','Prose',1964,'The intrigue focuses on the sector of the D-Day landing beach of Omaha. The death, in 1964, of a local man, employed as a gardener at the American cemetery, is the catalyst for the exposure of secrets that reveal much about the complicated relations between the French population and the American soldiers, both at the time of the Liberation and twenty years later. An American soldier, Georges Hutchins, deserted on that 6th of June and returns twenty years later to the landing beaches to reclaim his identity, a situation that his French wife, who has constructed a new identity for him, is unable to accept. The novel is an enigma that unfolds gradually but that the reader is incapable of putting down.
','','',4),('Onziemeheure','Amiot1935','La Onzième Heure','Prose',1984,'The first-person narrator is a disgraced prefect, who in 1945 has been convicted by a court of justice and sentenced to demining a beach. A fervent supporter of Pétain, by late 1943 he is trapped between the Germans and the Resistance. By blocking a plot to assassinate a German officer, he saves his ex-wife, who has been arrested, but as a result is himself shot and imprisoned. Before his ex-wife is able to intervene in his favour, he is blown up by a mine. Though praised by reviewers, this is an unengaging fiction; the author prefers stagey dialogues between characters about their moral and political dilemmas to creating situations and incidents that would bring them to life.
','','',1),('lancien','Amoz1955','L\'Ancien crime','Prose',1999,'Une jeune provinciale qui se fait appeler Judith, parce que ce prénom biblique est celui d\'une héroïne fière, monte à Paris pour retrouver la trace de son grand-père, un homme dont l\'existence semble avoir été occultée par la famille. Contre toute attente, ce dernier a fini par se manifester. \"Nous arracherons les masques\", a-t-il écrit à Judith dans les annonces de Libération. Plusieurs personnes croient avoir décrypté ce message : Hopenot, commissaire hanté par ses démons, Védèche, avocat mondain et cynique, Vasserand-Katz, historien de l\'Occupation. Confrontés à la recherche de la vérité, les acteurs de ce drame s\'aperçoivent que les anciens crimes expliquent les crimes du présent. Dans ce troisième roman noir, Claude Amoz poursuit avec justesse et sensibilité son exploration des fêlures de l\'âme humaine. (présentation de l\'éditeur)
','','',1),('racines','Amoz1955','Racines amères','Prose',2002,'','','',2),('epaves','anceau','Épaves','Prose',1961,'','','',1),('LAmoura','Andre1920','L\'Amour à l\'aveugle','Prose',1992,'Au Lycée Louis-le-Grand, dans l\'immédiat après-guerre, deux adolescents se
prennent d\'une vive amitié. [synopsis from Le Temps des cerises catalogue]
','','',1),('Rougeblanc','Andreu1909','Le Rouge et le Blanc 1928-1944','Prose',1944,'The author tells us he flirted briefly with \'socialisme fasciste\' in the 1930s. He spent the final weeks of the Occupation in Vichy, and his anti-communism and friendship with Paul Marion led to his being placed on a CNE black list at the Liberation. He was removed after six months, his case was dismissed by the purging committee, and he became a radio journalist.
','','',1),('Fortressesacrifiee','Andrevon1937','La Forteresse sacrifiée: Vercors, juillet-août 1944','Prose',2006,'Henri, a young teenager is placed with his aunt and uncle by his Polish-Jewish father at the beginning of the war. With the arrival of the German army in Grenoble in September 1943, he is forced into hiding. His youthful enthusiasm, more than any strong ideological commitment, motivates him to join the anti-German demonstrations in the city and later the Resistance movement in the Vercors. The horrors of the German assault on the plateau in late July 1944 are described in graphic detail and the emphasis on the sacrifices of the young during this battle are intended to inform the anticipated teenage readership of the role of young people of their own age during the Occupation.
This book forms part of a collection sponsored by the French Ministry of Defence which depicts the involvement of teenagers and young adults in French conflicts of the Twentieth Century.
','','',1),('Peignenecaille','Angel1938','Le Peigne en écaille','Prose',2008,'A semi-autobiographical novel and family saga. The eleven-year-old narrator, Simon Crespi, and his Jewish family are arrested in July 1942 and interned in the Vel d\'Hiv, and then in Beaune-la-Rolande camp. Separated from his mother and sister, Simon and his friend David escape and survive. After the war, Simon moves to the USA and throws away the comb which he has kept as a relic. Forty years later, he discovers the names of his family members in Klarsfeld\'s Memorial.
','','',1),('Tempspaille','Anglade1915','Le Temps et la paille','Prose',2006,'A semi-autobiographical novel and sentimental family saga. The first-person narrator, Jacques Saint-André, is an old man recalling his early life in provincial France. During his military service, he is caught up in the 1940 debacle and loses an arm. Evacuated from Dunkirk, he is repatriated to France in 1941, becomes a teacher, marries, and moves to Tunisia. About 70 pages cover the Occupation period, but as a \'mutilé de guerre\', he does not play an active role.
','','',1),('lafoi','Anglade1915','La Foi et la montagne','Prose',1961,'','prix des libraires 1962
','',2),('Bitos','Anouilh1910','Pauvre Bitos ou le dîner de têtes','Theatre',1958,'Maxime has invited a group of friends who were all at school together to a \'wig party\', where they come disguised as characters from the French Revolution. Bitos is disguised as Robespierre, and the butt of the evening\'s entertainment. The re-enactment of debates about the Revolution is equally directly a violent diatribe against the épuration.
','First production 1956 at the Théâtre Montparnasse, Paris.
','Philip Thody, Anouilh, Edinburgh, Oliver and Boyd Ltd., 1968.
',2),('antigone','Anouilh1910','Antigone','Theatre',1946,'a modern version of Sophocles\'s play first produced during the Occupation in 1944 and denounced as pro-Vichy in the clandestine Lettres françaises. It has also frequently been read as a pro-Resistance play.
','','',1),('Especehumaine','Antelme1917','L\'Espèce humaine','Prose',1947,'Writing in the first person, present tense, RA gives an account of his unpleasant experiences of life in a \'kommando\', or work, camp, Gandersheim, which had no gas chamber but reduced morale with annihilating solitude, and his horrific experiences in a concentration camp, Buchenwald. He was taken from Buchenwald in 1944 by the SS, sent to Dachau and finally freed from there. This text has had an extraordinary literary, cultural and philosophical resonance.
','','Robert Antelme, textes inédits sur \'L\'espèce humaine\': essais et témoignages, ed. by Daniel Dobbels (Paris: Gallimard, 1996)
Translation - On Robert Antelme\'s The human race: essays and commentary, ed. by Daniel Dobbels (Evanston Ill.: Northwestern, 2003); Martin Crowley, Robert Antelme, l\'humanité irréductible, Editions Léo Scheer, 2004
',2),('Fillecarillonneur','Antier1928','La Fille du carillonneur','Prose',2009,'Whilst on the run from the Gestapo Patrice meets Joanna, the daughter of a bell ringer, who agrees to hide him in the \'combles\' of Rouen\'s cathedral. This proves to be the perfect site from which to observe the comings and goings of the town which he then reports back to London. Insight into the months before D-Day.
','','',1),('Grandeffarement','Antona1923','Le Grand Effarement','Prose',1968,'A young man and his mother are forced to remain at home because the grandmother is too ill to flee. They watch refugees passing and try to help as many as possible, but are soon overwhelmed. Inactivity is the major theme of the story.
','Add nostalgia.
','',2),('Dernierfrere','Appanah1973','Le Dernier Frère','Prose',2007,'Raj, a young boy of Indian origin, loses his two brothers during a monsoon. This loss makes the family move from a poor sugar-cane plantation community in order for his father to take up a new job on the island\'s prison. After a severe beating by his father, he is admitted to the prison hospital to recover. Here he meets a young blond orphaned Jewish boy, David, that he previously noticed on his visits to the prison. A deep friendship grows quickly between the two boys, based on their mutual loss. When the other members of David\'s group rebel, the young boy escapes and Raj attempts to protect them both by setting out for his former village, but David dies on route of malaria. The story is told by Raj, as an old man nearing the end of his life and making his first visit to David\'s grave. The novel is inspired by the true story of a boat load of Eastern European Jews who were refused entry to Palestine in 1940 and subsequently imprisoned by the British on Mauritius until the summer of 1945.
The novel won the prix du roman Fnac in 2007.
','Magazine Littéraire, no 469, Novembre 2007
','',1),('bonsvoisins','Aragon1897','Les Bons Voisins','Prose',1943,'French police or milice - only identified as \'ces Messieurs\' - carry out a raid on a couple, suspecting them of listening to English radio. They have an extremely unpleasant manner and behaviour, turn the place upside down, interrogate them on their attitudes to \'Président Laval\', and carry off legitimately acquired oil and butter. It turns out to be a case of mistaken identity. The couple are furious that as a consequence they have missed the news on English radio that comes through the wall from the neighbours\'.
','','See entry for Servitude et grandeur des Français
',1),('collaborateur','Aragon1897','Le Collaborateur et autres nouvelles','Prose',2001,'Contains \'Les Rencontres\', \'Le Collaborateur\' and \'Le Droit romain n\'est plus\'. See Servitude et grandeur des Français for the synopses.
','','',1),('mouton','Aragon1897','Le Mouton','Prose',1944,'see Servitude et grandeur des Français for the synopsis
','','',2),('penitent','Aragon1897','Pénitent 43','Prose',1943,'A priest lies to the French police and German soldiers to protect the Resister who has carried out a bomb attack and who has taken refuge in the church. He invites him back for a meal.
','','',1),('portraits','Aragon1897','Les Portraits','Prose',2000,'Conversations in a grocery between the owners, César and Rose Delavignette, and their customers, about food, rationing, and the shifting around of the portraits on the wall - they have removed Darlan. One customer is trying to announce some news - that the Germans have entered the town - but is being thwarted by César and Rose because of the presence of another customer, Mme Guillebouton, since no-one knows what she really thinks.
','','',1),('Servitude','Aragon1897','Servitude et grandeur des Français','Prose',1945,'1. Les Rencontres
: A journalist meets Emile, a steel worker and amateur cyclist, and the brother of one of the paper\'s secretaries, at the Vélodrome d\'Hiver before the war, and frequently enough to get to know him and his wife. He even interviews him and his family, including his very politically involved brother-in-law, for the paper. Their paths cross during the strikes of 1936, and during the war when Emile conveys the fierce determination of the workers to continue fighting in 1940, and to resist through sabotage and other means thereafter. During the Occupation it is clear Emile and his family are in the resistance, while the journalist is still thinking about it. He ends up doing a short prison sentence after being caught in an affair of false papers, where again he meets up with Emile, and joins a group escape with him. He remains emotionally and intellectually reluctant to commit until the notice of Emile\'s execution when he engages fully with the armed Resistance.
Keywords: Everyday, commitment, resistance, class, communism
2. Les Bons Voisins
French police or milice - only identified as \'ces Messieurs\' - carry out a raid on a couple, suspecting them of listening to English radio. They have an extremely unpleasant manner and behaviour, turn the place upside down, interrogate them on their attitudes to \'Président Laval\', and carry off legitimately acquired oil and butter. It turns out to be a case of mistaken identity. The couple are furious that as a consequence they have missed the news on English radio that comes through the wall from the neighbours\'.
Keywords: police, everyday, radio, Vichy.
3.
Pénitent 43
A priest lies to the French police and German soldiers to protect the Resister who has carried out a bomb attack and who has taken refuge in the church. He invites him back for a meal.
Keywords: Everyday, resistance, Catholicism.
4. Le Mouton
A man is being interrogated and beaten in prison by the Germans. He is haunted by the fear of a \'mouton\', a grass. As two others join him in his cell, one at least shares this fear. Which one of them is \'the grass\'. On the orders of a French doctor they are moved to hospital, and then taken away by the \'Gestapo\' who turn out to be maquisards. The suspect one of the three turns out to have set the escape in motion.
Keywords: Resistance, Germans, violence, prison.
5. Le Collaborateur
Grégoire Picot repairs radio sets and is in favour of collaboration. His son was killed during the \'exode\', though he does not blame the Germans for this. He and his wife hold anti-Semitic views, and he considers the Occupation is a reality one has to accept. He is presented as being very isolated in the village for his views, but believes he is only being logical in his wish for a peaceful existence. The reality of German behaviour is brutally exposed by the deliberate killing of his 3-year-old grandson with which the story ends.
Keywords: collaboration, Germans, everyday
6. Les Jeunes Gens
The story follows three young men from very different milieux who undergo very different experiences. Elisée, born in 1918, has a difficult childhood in rural France, becomes quite bitter and angry, and prone to telling lies to give himself some importance, with dreams of visiting death and destruction on all around. Marcel, born in 1914, from a difficult working class background, ends up in a \'régiment de travailleurs\' at the outbreak of war, being badly treated. He escapes from being a prisoner of war. Guy, born in 1918, from a more privileged background, joins Les Compagnons (a youth movement supported by Vichy). Guy and Marcel meet in the maquis. Elisée welcomes the war, boasts of his connections with the Germans, writes letters of denunciation, and enthusiastically denounces Jews in hiding and Resisters to the two German officers who seek him out; who are Guy and Marcel (the letters are intercepted by the Resistance) and who execute him.
Keywords: collaboration, masculinity, Vichy, everyday, class, communist party, denunciation, everyday, resistance
7.
Le Droit romain n\'est plus
The story is told through the interior monologue of two German characters, the Commandant von Lüttwitz-Randau, an aristocrat and former professor of law, and the secretary Lotte Müller with who he is having an affair. He is concerned to apply the \'Germanic law\' as opposed to Roman law, since the former accords with Germany\'s interests. The brutality, anti-Semitism and cynicism of the Germans is conveyed through both characters, and a Gestapo Oberleutnant. Having taken the wrong train and ended up stranded in the countryside, the Commandant and Lotte are taken by members of the maquis, including a priest, who subject the former to a kind of trial, and then give him a guided tour of the site of atrocities and murders carried out by the Germans before shooting him.
The 1964 edition (in Mentir-vrai) carries a note at the end, reproduced in subsequent printings, where Aragon dissociates himself from the virulence of the feelings he has expressed in this story, and refers (in an inexact quotation) to Manouchian\'s famous farewell letter expressing his lack of hatred for the German people.
Keywords: Resistance, maquis, Germans, violence, trials.
Overall comment: The distortions and changing meanings of language, either imposed by the Germans and Vichy or discovered through the taking of new political positions, is major theme, as is the question of unity across the classes and with Catholics, aligned with the PCF\'s positions on national unity which is generating much of the social vision of the resistance in these stories.
','','See Aragon, Oeuvres romanesques complètes, vol II, edited by D Bougnoux, Paris, Gallimard: Bibliothèque de la Pléiade, 2000, for detailed notes on these short stories in this collection and on Aragon\'s activities during the war and occupation; Angela Kimyongür, Memory and Politics: Representations of the War in the Work of Louis Aragon, University of Wales Press, 2007. Les Annales de la Société d\' Aragon et d\'Elsa n°6- Aragon et Triolet en résistance, Ouvrage Collectif, 2005. (\"Comme d\'autres écrivains, mais sans doute plus que bien d\'autres, Aragon et Elsa Triolet ont été mêlés à l\'histoire en train de se faire, ont nourri leurs œuvres de cette histoire et ont aussi façonné cette histoire de leurs œuvres.\" C\'est par ce constat que Henri Bertholet, le maire de Romans, ouvrait le colloque consacré au rôle des deux écrivains, de novembre 1942 à septembre 1944, lorsqu\'ils étaient clandestins à Dieulefit et Saint-Donat. L\'ambition des participants de ce colloque, qu\'ils soient historiens, chercheurs en littérature, acteurs ou témoins des événements de cette période, était grande. From Le Temps des cerises catalogue, accessed on-line August 2010)
',1),('troiscontes','Aragon1897','Trois Contes','Prose',1945,'Collection of short stories. See Servitude et grandeur des Francais for synopses.
','','',1),('communistes','Aragon1897','Les Communistes','Prose',1949,'The final part of the \'Le Monde réel\' cycle, a novel in 6 parts and 5 volumes (original edition); 4 volumes (Livre de poche edition).
','Republished many times, including : Les Editeurs français réunis, Robert Laffont (1966-7), Le Livre de poche (1967-8), Les Œuvres croisées d\'Aragon et de Triolet réunies. It was extensively rewritten for the OC/Livre de poche publications, notably removing many passages relating to the Paul Nizan character (Patrice Orfilat) and the thematics of betrayal.
','Corinne Grenouillet, Lecteurs et lectures des \'Communistes\' d\'Aragon, Presses universitaires franc-comtoises, 2000; Angela Kimyongür, \'Louis Aragon: (Re) Writing the Nazi-Soviet Pact\' E-Rea 4.2, 2006 (web). Angela Kimyongür, Memory and Politics: Representations of War in the Work of Louis Aragon, University of Wales Press, 2007.
',2),('Aurelien','Aragon1897','Aurélien','Prose',1944,'The novel is set primarily in 1923 and recounts the existence of Aurélien Leurtillois and his circle of family and friends against the background of the artistic, business and political milieu of Paris at the time. Central to the novel is Aurélien\'s aimless and dissolute life. He is unable to recover from the impact of his youth having been spent deeply involved in the fighting of World War One. His relationship with Bérénice Morel, a married cousin of his close friend Edmond Barbentane, is set apart from his many superficial love affairs by his obsessive passion for her and his romantic, unrealistic view of the situation. She returns his love, but a combination of confusion, misunderstandings, and ambivalence in both characters\' feelings causes the relationship to founder. Bérénice ultimately returns to her husband.
The novel\'s epilogue takes place in the final days of the fall of France in 1940. Aurélien, now married with a family and a successful manager in the family factory, has joined the French army. There are detailed descriptions of his unit\'s movements and reactions as they are caught in the final retreat beyond the Loire and face the defeat of France. Local communities have mixed responses to the French forces, some rejecting them for fear of German reprisal when they are occupied. Aurélien\'s unit is billeted in Bérénice\'s home town. Hers in now a marriage in name only. Their meeting reawakens Aurélien\'s obsession for her. Bérénice\'s reaction is a mixture of love, acceptance that their relationship is now in the past, and disgust at the capitulation of the men fo France, including Aurélien. The country\'s defeat parallels Aurélien\'s sense of defeat in their relationship, a theme which runs throughout the novel and reaches its climax in the World War Two scenes. As Aurélien continues to hope for a happier resolution, he and his companions are ambushed in their car by the advancing Germans. Aurélien makes light of his injured arm, incapable of recognising that the same bullet has fatally injured Bérénice.
','','',2),('lacitedinj','Arban','La Cité d\'injustice','Prose',1945,'','','',1),('Grandcarnival','Arcady1947','Le Grand Carnaval','Film',1983,'This comedy depicts the relations between the American army and the Pied-Noir community in Algeria, following the Allied landings in North Africa in 1942. After initial indecision, including a farcical attempt (the carnival) at resistance by the Vichy troops, the Americans are welcomed with open arms and several Pied-Noir shopkeepers and businessmen make the most of the situation, engaging in black marketeering and staging illegal dances. The film provides an engaging portrait of pied-noir society of the period and hints at the reasons that motivated the war of Independence which was to begin twelve years later.
','','',1),('Commefini','Arega1908','Comme si c\'était fini','Prose',1946,'A detailed and interesting account in journal form, divided into two parts. In Part 1 LA recalls his life in the Foreign Legion, beginning with signing on, then seeing action and being captured, and in Part 2 he recalls his experiences as a prisoner in Hohenfels, Bavaria from 1940 onwards. LA escaped three times and found it hard to be accepted when he finally succeeded in getting home.
','','',1),('memefleuve','Arega1908','Le Même Fleuve','Prose',1953,'Four stories linked by the main characters, set in a village in the Pyrenees where a couple and a French officer are waiting to be taken to Spain. The couple, whose child died in 1939 at 7 months old, have left L\'Isle-sur-Sorgue because \'Ci-gît le juif Charles Benvenido\' was daubed on their roof. They think she might be pregnant. The cure persuades them to wait a week and let Joseph the passeur take a soldier from Alsace. Joseph\'s father in Montmartre, a doctor, has allowed a woman to persuade him to carry out an abortion to protect her prisoner husband; he wanders the streets before finally killing himself. Joseph\'s girlfriend Eliane is removed from him, and placed in a sanatorium, because she is dying of TB. Joseph takes the soldier by an unusual short cut where they meet a patrol. Joseph commits a kind of suicide by running towards them. It is implied the Germans will reach the village to find the others. This is a story with metaphysical overtones, in the fight being against evil rather than the enemy.
','NL 28/10/1954
','',1),('Surterremenacee','Arland1899','Sur une terre menacée','Prose',1941,'Autobiographical essays describing the wait for the outbreak of war, the first days and call-up, the civilian point of view and the defeat of France. The first part, \'Attente\', was first published in periodicals before the war.
','','',1),('helene','Armoux1884','Hélène et les guerres','Prose',1945,'','','',1),('Antizyklonatroces','Arnaud1928','L\'Antizyklon des atroces','Prose',1998,'Philippe Brichet, a far-right sympathiser (and son of a member of the PPF and later the Waffen SS) attempts to sell left-over poisonous gas made by a French firm for the German gas chambers more than fifty years before. He has even constructed his own version of a gas chamber on his farm to test the product in preparation for one day running his own extermination camp, mainly to kill immigrants. A group of former deportees pay Le Poulpe to investigate, revealing former Waffen SS in hiding and neo-nazi civil servants.
Part of Le Poulpe series
','Industrial collaboration
','',1),('Mauditblood','Arnaud1928','Maudit blood','Prose',1998,'Louise and Etienne have been on the run from their family since the end of the Second World War. During the Occupation, they and Louise\'s family pretended to act as people smugglers, helping Jews cross from South West France into Spain. Instead they robbed these people, then killed them or handed them over to the German authorities. Since the end of the war, they have tried to escape Louise\'s family, moving often and constantly changing identity. But they are eventually tracked down and the older sister begins to threaten the couple\'s daughter Charlotte who knows nothing of their history. The narrative demonstrates a strong pro-Pétain sentiment in post-war France that has allowed the couple to remain undetected and the incomprehension of the younger generation when faced with the acts of their parents.
','','',1),('Spoliation','Arnaud1928','Spoliation','Prose',2000,'Daisy, an old lady, realises that squatters have moved into part of her flat that she has shut up. She believes that they are the Jewish family that her husband hid there during the war and then later betrayed and stole their money and property. She stricks up a friendship with one of the squatters, desperate to think that she is the descendant of the family\'s youngest child and attempts to hide their presence from her children, who live in a luxury and fear inspired by their father. It is the greed of the squatters who attempt to sell some of the Jewish family\'s effects that finally leads to everyone\'s downfall.
','','',1),('Amoursdissidentes','Arnold1899','Les Amours dissidentes','Prose',1956,'The first-person narrator, Maurice Maurel, recounts his homosexual awakening as a schoolboy, then a succession of adventures which he enjoys in his early twenties with German officers during the Occupation. His connections with the Germans mean that he is asked for many favours by compatriots, some of which could count as acts of resistance (e.g. securing the release of British detainees). But the novel makes little effort to address ethical issues, evoking instead a gay fantasy world untroubled by the grimmer realities of the period depicted.
','Extracts from the novel were published in Arcadie, 2, Feb. 1955, pp.20-24. Second-hand copies are for sale on several websites, which promote it as a gay classic.
','',1),('jardinnoir','Arnothy1930','Le Jardin noir','Prose',NULL,'Yves Barray happens to meet Sigrid Dutz, a German and the daughter of the notorious Dr Dutz who carried out medical experiments at Dachau. She is followed by Israeli agents, keen to use her to get at her father in South America. They have an affair in his family home in Deauville which is empty, about to be demolished. His unhappy marriage with Hélène, his relations with his grownup children, are described in some detail. He also mentions his regret that he didn\'t join the Resistance during the Occupation. Sigrid carries the burden of her father\'s activities, frequently describing herself as the daughter of a monster, has at one point in the past had a relationship with one of the Israeli agents, and seems to be gaining large amounts of money through blackmail. She is enigmatic and in some kind of existential despair. Memories of her childhood at Dachau, and of the destructive effect on her mother of the discovery of Dutz\'s activities, are important strands. Both her father\'s associates and the blackmail victims would be keen to eliminate her. Yves falls in love with her and is desolate at their separation. The novel seems to be set in the late 1950s - there is one reference to Salut les copains on the radio.
','Prix des Quatre-Jurys. Among other editions: J\'ai Lu 1970, France-Loisirs 1978, Livre de poche 1981.
','',4),('quinzeans','Arnothy1930','J\'ai quinze ans et je ne veux pas mourir','Prose',1954,'Dans le conflit mondial qui ravage le continent européen de 1939 à 1945, la Hongrie est restée longtemps hors des atteintes de la guerre. Et puis, à son tour, elle est en feu. Les Allemands qui y sont entrés en maîtres se sont retranchés dans Budapest et entendent défendre la ville qu\'assiègent les Russes.
C\'est ce siège de deux mois, vécu dans la cave de leur immeuble, pris, au bord du Danube, sous les feux croisés des belligérants, que raconte Christine Arnothy. Ils sont là une douzaine à attendre l\'avance russe avec l\'espoir qu\'elle marquera la fin de l\'oppression et de l\'horreur.
Mais bientôt, les parents de Christine décident de quitter le pays. Ils aboutissent dans un camp de réfugiés en Autriche d\'où Christine veut s\'arracher à tout prix. Cette existence recommencée est le thème de Il n\'est pas facile de vivre qui fait suite à J\'ai quinze ans et je ne veux pas mourir. Et sa sobriété même rend le témoignage d\'autant plus poignant sur ce qui fut le sort de tant de gens, de trop de gens, pendant et après la seconde guerre mondiale. [synopsis from 1976 livre de poche edition of J\'ai quinze ans et je ne veux pas mourir suivi de Il n\'est pas si facile de vivre]
','Le Grand Prix Vérité
','',2),('pasfacile','Arnothy1930','Il n\'est pas si facile de vivre','Prose',1957,'Dans le conflit mondial qui ravage le continent européen de 1939 à 1945, la Hongrie est restée longtemps hors des atteintes de la guerre. Et puis, à son tour, elle est en feu. Les Allemands qui y sont entrés en maîtres se sont retranchés dans Budapest et entendent défendre la ville qu\'assiègent les Russes.
C\'est ce siège de deux mois, vécu dans la cave de leur immeuble, pris, au bord du Danube, sous les feux croisés des belligérants, que raconte Christine Arnothy. Ils sont là une douzaine à attendre l\'avance russe avec l\'espoir qu\'elle marquera la fin de l\'oppression et de l\'horreur.
Mais bientôt, les parents de Christine décident de quitter le pays. Ils aboutissent dans un camp de réfugiés en Autriche d\'où Christine veut s\'arracher à tout prix. Cette existence recommencée est le thème de Il n\'est pas facile de vivre qui fait suite à J\'ai quinze ans et je ne veux pas mourir. Et sa sobriété même rend le témoignage d\'autant plus poignant sur ce qui fut le sort de tant de gens, de trop de gens, pendant et après la seconde guerre mondiale. [synopsis from 1976 livre de poche edition of J\'ai quinze ans et je ne veux pas mourir suivi de Il n\'est pas si facile de vivre]
','','',1),('juifsmeurent','ascot1928','Les Juifs meurent aussi','Prose',1973,'','','',1),('enfantssquare','ascot1928','Les Enfants du square des Vosges','Prose',1977,'','','',1),('Cliente','Assouline1953','La Cliente','Prose',1998,'Through this novel, the author reflects upon the continuing obsession to be found within French society regarding the period of the Occupation. A biographer while undertaking research on a writer, comes across thousands of denunciation letters written during the Occupation, including one about family friends, deported to the concentration camps. This family had been denounced by one of their clients, who still continued to buy from them in the post-war period. The author becomes so obsessed with the story that he mimics the act by sending his own anonymous letters to the \'client\'. He finally learns that she was summarily judged for her actions in the period immediately following the Liberation. Even following the client\'s death towards the end of the novel, the period of Occupation continues to haunt the writer.
','','',2),('Fleuvecombelle','Assouline1953','Le Fleuve combelle','Prose',1997,'Assouline explains how in seeking to write a biography of the collaborationist journalist, Lucien Combelle, he was in part also seeking to discover something about his own past. This is not a biography of Combelle, but a partly fictionalised account of his relationship, even friendship with the journalist.
Combelle wrote for Action française and Révolution nationale during the Occupation. Post-war he was imprisoned and then re-integrated the world of journalism, admittedly as a lower level and as what he describes as the \'collabo/ épuré de service\'.
Assouline also uses this novel to denounce what he claims to be the blind eye that was turned in respect of numerous other collaborationist journalists who managed to reppear immediately postwar as culinary critics.The author also explains how his interest in this period of history began.
','','',1),('Lutetia','Assouline1953','Lutetia','Prose',2005,'A fictionalised account of the Hotel Lutetia and its denizens during the Occupation and Liberation, recounted in the first person by Édouard Kiefer, the house detective. The hotel was first requisitioned by the Germans as the HQ of the Abwehr, then used after their defeat as a reception centre for returning deportees. This reads more as fictionalised journalism/popular history than as a convincing novel: the author\'s research is rather more impressive than his story and characters.
','','',1),('septjoursexil','Astierdela','Sept Jours en exil','Prose',1946,'','','',1),('Septfoissept','Astierdela','Sept Fois sept jours','Prose',1947,'From the defaite (\'Sept jours de défaite\') to the post-liberation (\'Sept jours de liberté\' starting septembre 1944).
','','',2),('septjoursete','Astierdela','Sept Jours en été','Prose',1944,'Seven days in Paris in August 1943.
','','',1),('Septjours','Astierdela','Sept Jours','Prose',1945,'','','',1),('mielabsinthe','Astierdela','Le Miel et l\'absinthe','Prose',1957,'','','',1),('ducristal','Attali1943','Du cristal a la fumée','Theatre',2008,'Le samedi 12 novembre 1938 au matin, à Berlin, deux jours après la sanglante Nuit de cristal, les principaux dirigeants nazis se réunissent secrètement, sous la direction de Goering. Himmler, Heydrich, Goering, Funk, Daluege sont là, entres autres. Hitler, resté à Munich, suit la réunion minute par minute. C\'est de ce conseil des ministres surréaliste, grotesque, monstrueux, où se mêlent les détails les plus sordides et les envolées les plus barbares, où se révèlent les haines opposant les nazis les uns aux autres, qu\'est sortie la décision d\'en finir physiquement avec les Juifs. Bien avant la réunion dans une villa du lac de Wannsee, le 20 janvier 1942. Sans que rien ne soit jamais dit explicitement.
Jacques Attali reconstitue ici minutieusement, avec l\'aide d\'archives récemment retrouvées en Allemagne, les dialogues hallucinants de cette réunion au sommet où fut conçue la pire décision jamais prise par un groupe d\'hommes : l\'extermination d\'un peuple.
','','',1),('Journalcollabo','Aubert','Journal d\'un collabo','Prose',1984,'The fictional diary of a retired, elderly NCO and widower Antoine Sartori, an embittered and solitary character, who is both unsympathetic and a boring complainer. He is a \'collaborator\' mainly in his opinions (anti-Semitic, anti-communist, anti-allies), but does not belong to any group or party. He befriends a Jewish girl whose parents have been arrested, but finally hands her over to the authorities, perhaps unaware of her likely fate.
','','',1),('mereallem','Aubert','La Mère allemande','Prose',1991,'','','',1),('lagamelle1','Auboyneau','La Gamelle dans le dos','Prose',1972,'From sleeve notes: La Gamelle dans le dos! La Gamelle dans le dos! C\'est en chantant cette marche guerrière de 1940 que le bataillon des « Aigles « vivra - suivant en cela le sort de toute l\'armée française - la grande vadrouille de la « bataille de France ».
Le livre commence le 9 mai 1940 dans les environs de Saint-Quentin où le 4e bataillon du 510e R.I.M. somnole dans la drôle de guerre. Il se termine le 4 juin à Dunkerque où le fantassin de deuxième classe Plume tire la leçon de trois semaines de combats : « Ce n\'est pas les prisonniers que je compte, répondit Plume entre deux hoquets, c\'est les cons. »
Entre ces deux dates historiques, les hommes du 4e bataillon - depuis son chef le commandant Mishlein, « surnommé le Pneu par un de ces jeux de mots si mauvais qu\'ils finissent par en devenir excellents », jusqu\'à l\'âme de l\'unité, le cuisinier Lépi, ancien chef de chez Maxim\'s (« A partir de ce moment, note Lépi, le 10 mai 1940, dans son carnet de route, je ne cuis pas, j\'accommode. ») - auront vécu vingt-six jours mémorables. Ils auront avancé en Belgique, reculé en France, tourné en rond dans les deux pays, pour échouer, après des pérégrinations tour-à-tour cocasses, tragiques, et même parfois héroïques, dans la poche de Dunkerque.
Médecin militaire en 1939, le docteur Jean Verdier a, lui-même, vécu, sur le terrain, la campagne de France. Robert Auboyneau, neveu du glorieux marin de la France Libre, s\'est toujours posé des questions sur cette inexplicable défaite. De leur collaboration naît un ouvrage hautement révélateur sur ces « jours qui ébranlèrent le monde » et entraînèrent la chute de la France. Délaissant les grandes explications stratégiques et historiques, Robert Auboyneau et Jean Verdier ont reconstitué, jour par jour, et presque heure par heure, l\'aventure d\'une poignée d\'hommes pris dans la tourmente de la guerre-éclair : c\'est donc de l\'intérieur et sur un ton entièrement nouveau qu\'ils font revivre la tragi-comédie qui, parce qu\'elle a dépassé tous ses acteurs, n\'a pas encore reçu, à ce jour, un éclairage valable.
Le résultat est saisissant : Courteline affrontant Hitler, Clochemerle dans le vrombissement des Panzers et sous le mugissement des Stukas. Mais aussi, par éclairs, Les Croix de Bois d\'une génération trop souvent mise en accusation. A la guerre comme à la guerre !
','Prix de la Maison de la Presse, catégorie Document 1972
','',1),('Partirontivresse','Aubrac1912','Ils partiront dans l\'ivresse','Prose',1984,'An autobiographical account of Lucie Aubrac\'s family life and work as a Resistance activist in the final years of the Occupation. Some episodes and incidents have probably been embellished or fictionalised (adding to the controversy surrounding the Aubracs\' exact role in the Resistance and their veracity). Her successful rescue of Raymond from the Gestapo in October 1943 is the most dramatic event of the book.
','The controversy surrounding the Aubracs included allegations stemming from Klaus Barbie that Raymond was a double agent. Susan Rubin Suleiman offers a dispassionate analysis of the affair in Crises of Memory and the Second World War (Harvard UP, 2006).
','',3),('Amourallemand','Auclair 1920','Un amour allemand','Prose',1950,'The first-person narrator, Pierre Larmort, a former history teacher and member of the Resistance, is a lieutenant in the French army in post-war occupied Germany, whose main task is ostensibly recovering works of art looted by the Nazis. He begins a relationship with a young German woman, Angelica, whose brother Hans Hencken was the deputy commander of a concentration camp before fighting on the Eastern front. Hencken\'s journal reveals that he was a fanatical Nazi and sadistic anti-Semite; he is captured and tried by a military court, while the narrator helps his sister to escape to France. Much of the novel consists of wordy dialogue about German guilt and identity and the French need for revenge or judgement, inviting comparison with Sartre\'s play Les Séquestrés d\'Altona (1959).
','Awarded Prix Interallié, 1950.
','',1),('petitcheval','Audiard1920','Le Petit Cheval de retour','Prose',1975,'','','',1),('lanuitlejour','Audiard1920','La Nuit, le jour et toutes les autres nuits','Prose',1978,'Publisher\'s presentation: Au cours d\'une nuit d\'errance dans les rues de Paris, entre Montsouris, Pigalle et Montparnasse, Michel Audiard invoque ses fantômes et ses souvenirs. Requiem, complainte ou rêverie hallucinée, La nuit, le jour et toutes les autres nuits ressuscite un Paris populaire marqué dans sa chair par les années noires de l\'Occupation. On y croise Quenotte, fille d\'un \" charbon, vins, liqueurs \" de la rue Saint-Jacques, tondue le dernier jour d\'août 1944, et Myrette, la prostituée aux yeux couleur d\'huître. On y retrouve la grosse Sophie Clodomir, ancienne championne de basket et joueuse de banjo, ou encore l\'inénarrable Pamela de Sweerte, la femme du monde \" aurifiée, emperlousée, sertie, damasquinée \", dont le narrateur guette les fabuleuses apparitions. Une dérive de noctambule inspiré, avec la drôlerie et la verve irrésistibles du dialoguiste des Barbouzes et des Tontons flingueurs.
','','',1),('femmeseule','Audinet','La Femme seule','Prose',1955,'Marcelle Toudieu tells the story of her life, and her unhappy childhood and adolescence, with her mother dying when she was 17. She marries Raoul Breillat, a decent man for whom she feels no attraction. Her daughter Catherine is born. She continues to feel she is already the \'cadavre vivant\' she will become. She greets the outbreak of war as happening for her, to save her from \'l\'enlisement quotidien\'. Her daughter dies in 1940. The novel continues with an account of her relationships, (Raoul is a prisoner of war), including with Germans - her farms are burnt down and she spends time in prison for this. She has two abortions, the first after becoming pregnant by a German soldier. She describes herself as mad, unreal, dead, a ghost, skeleton-like, going from relationship to relationship. The second part of the novel starts in 1949 and continues her rather unhappy journey.
','Nouvelles Littéraires, 22/12/1955
','',1),('tardfete','Audouard1914','Il se fait tard pour faire la fête','Prose',1976,'','','',1),('Adolescencetemps','Augieras1925','Une adolescence au temps du Maréchal et de multiples aventures','Prose',1968,'A lively, humorous account of the author\'s adolescence during the Occupation. He joined a Vichy-sponsored youth movement, although this involves guarding railway tracks against saboteurs rather than ideological collaboration. At the Liberation, he joined the French navy.
','See: www.membres.lycos.fr/assoaugieras
','',2),('Chantcimes','Aujoulat1928','Le Chant des cimes','Prose',2006,'At the outbreak of war Noël and his parents flee Paris, returning to the Lozère, their region of origin. His mother, a primary school teacher, finds a job and the family lives above the school.
Although he is aware of the conflict in the background, these war years are the opportunity for him to discover rural France and his ancestors.
','','',1),('lapatrie','AuryPaulhan','La Patrie se fait tous les jours','Prose',1947,'A collection of 97 texts by 61 authors, including essays, poems, short stories and extracts of non-fictional and fictional texts. It is divided into 6 parts: L\'Introduction, Prélude, I La Drôle de guerre, II L\'Occupation et l\'exil, III L\'Insurrection, IV La Libération. Poems form the majority of the texts. The short stories and extracts of novels, diaries and memoirs are by George Adam (from L\'Epée dans les reins), Emmanuel d\'Astier (from Sept Jours), Dominique Aury (from \'Un Village et son maquis\' published in Les Lettres françaises in October 1944), Claude Aveline (from le Temps mort), Simone de Beauvoir (from Le Sang des autres), Henri Calet (from Le Prison), André Gide (\'La Délivrance de Tunis\'/diary - first published clandestinely in Chroniques interdites), Jean Guéhenno (from Dans la prison/Journal des années noires), André Malraux (from La Lutte avec l\'ange), Elsa Triolet, \'Yvette\', Vercors, (from \'Le Silence de la mer\'), plus an extract of Les Mouches by Jean-Paul Sartre.
','','',1),('tempsmort','Aveline1901','Le Temps mort','Prose',1944,'The short story opens with Clémence arriving in a women\'s prison, and recounts her arrest and interrogations in flashback. She is a member of a resistance group, in love with the leader, and desperate not to name him. Her interrogations continue, and several members of the group are arrested and tortured, and brought before her. The women sing La Marseillaise when anyone is taken out to be executed. There is mention of one of the women having been denounced by an employee, and of another who is arrested because of her relationship with a German soldier who has been stealing to give her presents. The story ends with their deportation to a camp in Germany, two days and two nights in a train and the words: A l\'aube au troisième jour, nous sommes arrivées ICI.
','','',5),('poidsfeu','Aveline1901','Le Poids du feu','Prose',1958,'From the Livre de poche edition: Le docteur Rudolf Ried ressent une angoisse mêlée de stupeur quand on l\'avertit discrètement qu\'il est le premier d\'une liste de suspects : à l\'automne de 1944, en Autriche opprimée par le nazisme, cela signifie l\'envoi à bref délai dans un de ces camps dont peu reviennent. Par contre, sa jeune femme Clara réagit aussitôt. Il faut escamoter toute la famille jusqu\'à la fin de la guerre attendue pour le printemps.
L\'entreprise fantastique est réussie. Il n\'y a plus de pédiatre Ried, personnalité d\'Innsbruck, c\'est le professeur Raimund, de Graz, qui s\'installe dans un chalet du Tyrol avec son épouse Claudia, ses deux filles et Martha, leur servante passionnément dévouée aux enfants.
L\'isolement de la montagne enneigée pèse sur tous et surtout sur Rudolf. Une maladie de Trudi, son aînée, apporte une diversion - et une profonde entente s\'instaure entre eux. Sont-ils sauvés ? Peu avant Noël, le drame éclate, sous une forme aussi imprévisible qu\'intolérable.
Pour Clara, l\'heure de la victoire devra être aussi celle de la vengeance. Alors dans le chalet coupé du monde commence une attente que le destin dénouera avec l\'arrivée des premiers chars alliés au printemps, sans que le cauchemar prenne encore fin.
//
Set in Austria. Dr Ried is deported to a camp in northern Germany. Martha denounced him, and is prevented from doing the same for an escaped French prisoner.
','','',2),('viesmorts','axelrad1956','Vies et morts d\'Esther','Prose',1993,'A portrait of the author\'s Jewish grandmother.
','','',1),('dusilence','Aymard1954','Du Silence sur les mains','Prose',2008,'présentation de l\'éditeur: Dans un petit village du Midi, les habitants surveillent Toni, garçonnet énigmatique au sourire béat, qui marche inlassablement sur la terre, collectionne des fossiles de crustacés. Toni cherche son père et ne trouve que du silence sur les mains et dans les cœurs. Sa mère muselée par les secrets lui ment, manigance le passé, l\'aime avec rage. Elle ne sait plus qui tient l\'autre par la main. Un guerrier samburu, une centenaire délaissée par son mari contorsionniste, et un ancien résistant devenu tueur de cochons les aideront à traverser les épreuves. En quelques heures, un drame dans la nuit lente de juin dénouera leurs solitudes.
','','',1),('vielente','Aymard1954','La Vie lente des hommes','Prose',2010,'présentation de l\'editeur: 1939, c\'est la mobilisation générale. Bussy, 13 ans, est emmenée de Paris par son père, violoniste ombrageux, pour être soustraite à le guerre. Tristan, qui a lui aussi subi l\'exode, aperçoit Bussy dans la foule à la Libération. Ils se marieront. Le temps passe, la vie de Bussy semble enfermée dans un secret. Ils ont une fille, Esther, qui nous raconte l\'errance de sa mère. L\'auteur de Courir dans les bois sans désemparer (2006) et Du silence sur les mains (2008) se tient de nouveau au plus près d\'êtres qui refusent le destin que leur a fait la vie et qui, comme Bussy, parviennent à se rendre libre.
','','',1),('Cheminecoliers','Ayme1902','Le Chemin des écoliers','Prose',1946,'A vivid, debunking account of life in occupied Paris, as experienced by middle-class adolescents and their families; survival is shown to involve abandoning traditional values and moral scruples, or to be simply a matter of chance.
','','',1),('Passemuraille','Ayme1902','Le Passe-Muraille','Prose',1943,'A collection of ten short stories, often blending realism and the fantastic, three of which deal specifically with life under German occupation. \'La Carte\' is cast as a fictional journal, describing the disastrous effects of the introduction of time-rationing. In \'Le Décret\', time is advanced by seventeen years in order to speed the end of the interminable war. \'En attendant\' recounts the life stories of people waiting in a queue during the war of \'1939-1972\', and becomes a chronicle of the privations endured during the Occupation.
','','',2),('Uranus','Ayme1902','Uranus','Prose',NULL,'The novel describes the reign of terror imposed by the Communist Party on a small town in the months following the Liberation. Allied bombing did far more damage to the town than the Germans. Ex-collaborators and their associates are ruthlessly pursued, and tortured, beaten or executed. Those associated with the Resistance are typically thugs, apparatchiks or self-serving hypocrites. Aymé\'s indignation at this savagery gives the novel a splendid, satirical verve, even if one notes its tendentiousness. Claude Berri\'s film adaptation, by contrast, is an uninspired exercise in heritage cinema.
','','Lloyd, Christopher, Marcel Ayme, Uranus, La tête des autres (Glasgow: University of Glasgow French and German Publications, 1994)
Müller,D., Discours réaliste et discours satirique:l\'écriture dans les romans politiques de Marcel Aymé (Paris, Campion-Slatkine, 1993)
',6),('VinParis','Ayme1902','Le Vin de Paris','Prose',1947,'A collection of eight stories, four of which deal with the Occupation and Liberation periods. In \'L\'Indifférent\', the callous narrator engages in murderous exploits in occupied Paris. In \'Traversée de Paris\' (filmed by Claude Autant-Lara), two black-marketeers transport the carcass of a pig across Paris during the night-time curfew; Aymé\'s novella is much bleaker than the film adaptation. \'Le Faux Policier\' practises extortion, denunciation and murder, until he is finally arrested. In \'La Bonne Peinture\', set in liberated Paris, the painter Lafleur\'s works are found to have literally nourishing properties, giving art a new and unexpected commercial value.
','','',2),('Ouedcrue','Bachir','L\'Oued en crue','Prose',1979,'Ahmed, the oldest son, dies in 1940 while trying to save a French officer. His army pay was a necessity for a family heavily affected by poverty, unemployment and injustices in colonial Algeria. Mohamed the father disappears during the massacres of May 1945 in the Constantinois and Mouloud, the second son, an immigrant worker in France, dies during torture at the hands of French soldiers during the Algerian war. The novel recounts the effects of all of these difficult experiences on Houria, the mother, and through her suffering is portrayed the plight of the Algerian nation.
','','',2),('jeunefemme','Baconnet','Jeune Femme au livret rouge','Prose',1994,'présentation de l\'éditeur: Marielle Forlanne, jeune chef d\'orchestre de réputation internationale, décide de s\'installer près de Zurich. Elle veut résider dans le chalet que son parrain, Serge Morfert, aujourd\'hui sénateur, vient de lui donner.
Elle y découvrira un document manuscrit contenant de terribles révélations liées au trafic des tableaux volés aux Juifs déportés pendant la dernière guerre. Est-ce le fait du hasard ? Cela a-t-il été méthodiquement préparé ? Et si toutes ces traces n\'avaient été disposées là que pour assurer une définitive emprise du mal ?
Dans une quête qui l\'emporte, malgré elle, de nos jours aux années quarante, Marielle parcourt et découvre des espaces et des temps qui l\'obligent à revivre l\'histoire. Elle retrouve des chefs-d\'œuvre de la peinture qu\'on croyait disparus, comme cette Jeune femme au livret rouge, et, au-delà, des vérités ensevelies.
Elle plonge dans sa propre mémoire, dans celle des siens, et dans celle du monde moderne.
','','',1),('lemiroir','Baguet1922','Le Miroir allemand','Prose',1997,'Quatrième de couverture
: J\'ai entendu les blindés allemands, j\'ai vu les étoiles jaunes, sans comprendre, sans jamais prendre la mesure de l\'événement... Comment cette cécité fût©elle possible ? La culpabilité d\'avoir été un homme ordinaire en un temps qui faisait craquer les normes est au coeur de ce roman. Pour comprendre, le narrateur interroge son enfance, son adolescence en milieu chrétien traditionnel, ses rapports avec un père bouquiniste toujours perdu dans ses livres et son rêve, jusqu\'à ce beau matin du joli mois de mai quand Ia terre s\'ouvrit. La guerre. Le mal insondable au centre de l\'Europe à l\'âge de nos vingt ans.
','','',1),('Souvenirsendormi','Bailhache1911','Souvenirs d\'un endormi: Récit','Prose',1947,'Writing three years after his experiences during the war, JB had come to terms with what he had suffered and felt able to give an analysis of his own feelings and those of others. He writes in the past tense until the middle of the book, with a change to the present tense when he describes being wounded and escaping back to France.
','','',1),('Cettedroleguerre','Balbaud','Cette drôle de guerre','Prose',1941,'RB says in his preface that this is not a novel: he could not have deformed the facts. He left his wife and child in Dieppe on mobilisation and made his way to Belgium by May 1940. This is a detailed account of his travels written from notes and given as journal entries in the present tense, ending with his being taken off at Dunkirk. The last chapter is an analysis of the fall of France and trust in the future, admiration for and gratitude towards the British.
','','',1),('alecoute','Baldran1930','A l\'écoute infinie de la nuit','Prose',1990,'','','',1),('Manipulation','Ballet','La Manipulation','Prose',1996,'Un écrivain, ancien résistant, militant, est interviewé à la télévision. Ce n\'est pas lui-même
qui parle, mais un double, que personne, pas même lui, ne peut distinguer de
l\'original. [synopsis from the catalogue of Le Temps des cerises]
','','',1),('LHotel','Ballet','L\'Hôtel des gares','Prose',1994,'Un journaliste collaborateur, au moment de la Libération de Paris. [from Le Temps des cerises catalogue accessed on-line August 2010} Dans ce roman qui se passe à Paris pendant l\'été 1944, traîne une guerre qui n\'en finit pas et l\'ombre de Drieu La Rochelle dont le héros Roc, est censé être très proche. Robert Rocher, alias Robert, alias Roc, est un homme traqué qui a beaucoup à se reprocher. Lié aux tortionnaires de la rue Lauriston, il a longtemps cherché sa voie pour finalement se rallier à Doriot et à son parti. Cet ancien surréaliste a viré \"facho\" après avoir assisté en 1934 au congrès de Nuremberg d\'où il revient subjugué et écrit une nouvelle en l\'honneur de la foule nazie, La belle inconnue de Nuremberg. La musique, les oriflammes, les cohortes noires des troupes d\'élite le transportent de ferveur et de joie. Cette jouissance extrême rejoint l\'analyse de Wilhelm Reich qui parle dans cette identification de « dérèglement de la sexualité. »
Vailland stigmatisera ce genre d\'individus dans Drôle de jeu, leur faisant crier « Plutôt Hitler que le Front populaire! » Élégant, séduisant, il fréquentait le One Two Two, la maison close la plus réputée de l\'époque et écrit pour son maître Doriot et son parti le PPF. Mais la belle vie ne dure qu\'un temps, les maquis enflent, les Alliés s\'approchent, les boutiquiers liquident les stocks. Roc donne un dernier conseil à un petit vendeur à la sauvette qui lui dit : « Schön, Schön », « Non, lui répond-il, maintenant il faut dire beautiful. » Louis-Ferdinand Céline s\'est enfui avec sa femme Lucette et son chat Bébert mais la guerre le rattrapera lui aussi du côté de Sigmaringen. Roc est piégé dans Paris insurgée qui attend Leclerc et ses troupes. Et il devra se méfier aussi bien de ses ennemis que de ses anciens amis qui voudraient bien le rendre muet. Définitivement.
[synopsis from wikipedia accessed 02/08/2010]
','','',1),('Flictourmente','Ballyot1903','Un flic dans la tourmente','Prose',1992,'The author was promoted to the rank of commissaire de police in Paris in 1937, despite his lack of experience and short stature. He became a commissaire principal in September 1941. He was suspended at the Liberation, reinstated, and promoted, having demonstrated his Resistance credentials as a member of the Kléber network. His account stresses the dilemmas experienced by many senior police officers, sometimes with tragic consequences. Sceptics may feel that he grossly minimises the role played by the police in collaboration and anti-Semitic persecution.
','','',1),('laplusbelle','Bantman1950','La Plus Belle','Prose',2006,'Présentation de l\'éditeur
Avant, quand je ne l\'aimais pas, Mme Kramer disait souvent qu\'elle était revenue d\'Auschwitz parce qu\'elle était la plus belle femme du camp. Née sur un des plus grands cimetières de l\'Histoire, une jeune fille brûle de vivre. Mal née, mal grandie, héritière d\'un passé qui a faussé sa vie, Louise est restée une vieille enfant de déportés, un peu perdue dans ce monde. Entre un père sauvage, hanté par ses morts, et une mère spectrale à la beauté mythique, à travers la révolte impossible contre ces victimes intouchables, elle tente d\'échapper à la dépression familiale. Jusqu\'au jour où un grand amour, providentiel et catastrophique, renverse les murs de sa vie. Sur fond de sixties, Béatrice Bantman signe un brûlant et radieux portrait de femme sacrifiée sur l\'autel de l\'Histoire. Avec une émotion abrupte, elle aborde un sujet tabou: le chemin de croix psychique, la souffrance interdite des enfants de survivants.
','','',1),('Peurroute','Barbeau1952','Juin 40: Peur sur la route','Prose',2003,'Georges\' town of Blois is inundated with refugees escaping from the advancing German army. His mother is a nurse in the town\'s hospital, his father is missing after having been mobilised in September 1939. Orders are given that all young men have to leave the town and Georges, aged fourteen, sets off southwards on his father\'s bicycle. Story of food shortages, stealing between refugees and fear of attack by German airplanes and young love. Georges later returns to the German occupied town with his girlfriend Mireille to find his mother forever scarred by her experiences of the exodus.
One of Les Romans de la mémoire series.
','','',1),('PCGeneral','Barbey1900','P.C.du Général: Journal du chef de l\'Etat-major particulier du général Guisan, 1940-1945','Prose',1947,'BB gives an account of the running of a poste de commandement and a useful analysis of the anxieties suffered by the Swiss over the six years of the war, during which time the country was in a state of alert and Army headquarters made constant efforts to maintain the troops in readiness in case of attack by Germany. This work consists, however, only of fragments of a much longer diary, from which the interesting parts describing the politics of Swiss neutrality have been eliminated.
','Neutral states
','',1),('Monpere','barbier1911','Mon Père, ce héros','Prose',1958,'Roger Villedieu, a young man about 18 or 19 years old, is in front of a juge d\'instruction, accompanied the lawyer his father has hired for him, and by his father, a Resistance hero devastated by the impact of this situation on himself, especially as he is standing in a local election,. Roger is joyous at this revenge. The novel will expand and explicate this scene. When Roger was 8, his father was arrested by the Gestapo and deported. The family (generally quite isolated) was shunned until the liberation approached and people hurriedly caught up with fraternity and patriotism. The liberation is a time of great kermesse, and also great fear (bombings etc). Roger gets unusually positive attention as a \'fils de déporté\'. His father eventually returns in very poor physical shape. Roger learns every part of his story by heart, and with great pride. But gradually everything turns sour; the social visits drop away. He experiences great anguish at his pet rabbit being killed, by his father, and eaten, especially as it was Roger who had the job, while his father was away, of killing the rabbits they bought live (being cheaper) from the market. He has carefully kept his pet rabbit\'s bones for 10 years now. This family story is combined with the other strand of the novel, the crime - the killing of an old woman - of which it emerges Roger is accused with his two close friends Calas and Antonetti. In his cell Roger remembers his father\'s attempts to ingratiate himself with the local elites, who patronise and insult him and Roger\'s self-effacing mother whom his father frequently blames for his lack of success and generally treats badly. Roger also meets a former fellow inmate of his father\'s who suggests his father survived by denouncing others in the camp. A picture emerges of an insufferably obsequious man, always eager to please the powerful, and generally despised and shunned by all who come into contact with him. Roger becomes driven by both shame and anger. On the night of the outing to rob the old woman, Roger is left outside to guard. Hypersensitive to what he considers a slight, he pleads guilty alone to her murder, but in the face of the facts, is unlikely to be able to sustain the lie. Tel père, tel fils. A complex investigation into the role of others and public discourse in the construction of identity, and the difference between public and private morality.
','','',1),('Ravage','Barjavel1911','Ravage','Prose',1943,'This is a science-fiction novel recounting the collapse of civilisation after the disappearance of electricity in 2052. Led by the virile peasant François Deschamps, a band of survivors re-establish a primitive but thriving agricultural community in southern France. There are obvious allegorical parallels with the defeat of 1940, Pétain\'s dubious programme of moral regeneration, and the fascistic undertones of the Vichy regime.
','','',2),('Tarendol','Barjavel1911','Tarendol','Prose',1946,'The story of Jean Tarendol\'s growth to manhood, and his love for Marie, thwarted by her parents and the circumstances of war. Unlike Barjavel\'s other novels, this is a realistic narrative; some may find its lyricism and sentimentality cloying and long-winded, despite the author\'s well-observed portraits of characters and events.
','','',1),('Voyageurimprudent','Barjavel1911','Le Voyageur imprudent','Prose',1944,'An inventive science-fiction novel, which combines a realistic account of the beginning of the war and the privations of the Occupation with the fantastic voyages to the future and past undertaken by the time-travelling hero and his companions. Clearly influenced by H.G. Wells, and by the domination of wartime Europe by totalitarian societies, Barjavel paints a grim picture of humanity\'s future evolution to a state where all individual identity has been lost. The time traveller\'s attempt to alter the course of history also fails and leads to his own destruction.
','','',2),('26hommes','baroncelli1914','Vingt-six hommes','Prose',1941,'','','',1),('Tunisie','Barre1886','Tunisie 1942-1943','Prose',1950,'GB commanded the troops in Tunisia in February 1942 when they had to retreat before an Allied landing, and remained in command after the arrival of the Germans and Italians until Tunis finally fell. This is a \'plaidoyer pro domo\', justifying GB\'s actions, but an important book nevertheless.
','','',1),('christopheou','bartillat1930','Christophe ou la traversée','Prose',1979,'from le Livre de poche: L\'expérience joue dans la vision que l\'on a des êtres, des choses ou des événements le rôle de filtre sélecteur et correcteur. Sans lui, comment s\'y retrouver dans les chimères- nées des ombres et des lumières que projette sur la réalité le flamboiement de l\'imagination ? Comment ne pas se sentir évoluer dans un monde fantastique ? Ce monde, Christophe de Ruminy n\'en est pas encore sorti bien qu\'il ait atteint sept ans, l\'âge de raison. Il a un long chemin à faire pour obtenir le filtre, liquider ses chimères, devenir adulte.
C\'est l\'esprit toujours embrumé de mirages qu\'il voit son père mourir, son oncle s\'installer au château, sa soeur folle partir vers un asile, la guerre bouleverser les rythmes familiers. Un singe appelé Planetti hante-t-il les caves du château de Ruminy ? Christophe mettra longtemps à conjurer son ombre symbolique qui l\'accompagne dans son lent cheminement à travers l\'adolescence - voyage initiatique sur deux plans constamment mêlés, le magique foisonnant sur le réel, l\'imaginaire se nourrissant du biographique et donnant au récit des résonances de légende, à la démarche de son héros un profil où beaucoup pourront se reconnaître.
','','',1),('freres','Bassompierre1914','Frères ennemis','Prose',1948,'Ambroise Colin, author of the first part of the volume, was Bassompierre\'s lawyer, and gives an account of the trial. Bassompierre\'s text is an account of his life, contrasted to that of his brother who died fighting for the Allies.
','Description of the 2006 republication, by a website sympathetic to the political views of Bassompierre, can be found at http://division-charlemagne.xooit.com/t408-Freres-ennemis-le-sacrifice-de-Bassompierre.htm
','',2),('AbbeC','Bataille1897','L\'Abbé C.','Prose',1950,'Charles C. receives a visit from a deportee who shared a prison cell with his identical twin brother, the Abbé Robert C. Charles learns that his brother confessed on his deathbed that, when interrogated by the Gestapo, he had denounced Charles and their shared mistress (who died after being deported), although he did not betray the names of his Resistance associates. Although this information is revealed in the closing pages, there are hardly any references to the Occupation and its dramas in most of the novel, which is entirely preoccupied with the tormented relationship between the brothers and their sexuality.
','','',2),('Boulevardperiph','Bauchau1913','Le Boulevard périphérique','Prose',2008,'Visiting his beloved daughter-in-law, Paule, in hospital during her treatment for cancer brings back memories of the disappearance and death of his friend Stéphane during the war.
Their friendship grows through numerous climbing expeditions, a skill that Stéphane teaches the narrator and which becomes a symbol for the trust that is established between them. At the end of the war he hears of Stéphane\'s death, but can only learn more by helping Marcello, who left Stéphane\'s resistance group and joined the SS, and through meetings with Stéphane\'s killer, Shadow, a white Russian emigre who became a SS officer. But these meetings continue to haunt the narrator throughout his life. One death mimics another over a sixty year interval and final reveals the secrets of a third.
','Le Magazine Littéraire, no. 471, Janvier 2008,\'Henry Bauchau - Un roman éboulissant au soir de la vie\', Le Monde des Livres, 25/01/08, Thierry Detienne, \'Direction centre-ville\', Le Carnet et les Instants, no.150, 01/02-31/03 2008.
The novel won the Prix du livre Inter in 2008.
','',1),('Passagelignes','Bayen','Passage de lignes','Prose',1946,'The moving account of MB\'s escape from Germany addressed to \'Antilope\', a fellow prisoner with whom he planned the escape but who did not get out with him. He escaped with two others through a tunnel, got onto a train but was recaptured. MB escaped again and reached home a month before the death of his mother. His book is written in a mixture of past and present tenses.
','','',1),('Deserteurs','Bayle','Les Déserteurs','Prose',1958,'An intense novel summarised as follows on the back cover:
Pendant la retraite allemande, en 1944, cinq déserteurs allemands parviennent à une ferme sur le causse de Larzac. Ce sont le feldwebel Kroll et les soldats Stunk, Lehmann, Warndt et Kurtweiler. Les Français - le fermier Jouve, sa fille Pauline, Lucas et le vieil Escabene, berger - les prennent en pitié et les abritent dans une cabane. Ils leur donnent de la paille, mais leur premier mouvement s\'arrête là : c\'est déjà beaucoup pour l\'époque et dans cette région bien tenue par les maquis.
Les Allemands, fous de froid et de faim, attaquent la ferme. Au cours de la fusillade, Wardnt est blessé. Il meurt dans la ferme, où les Français l\'ont recueilli. Kroll et Lehmann s\'entretuent. Les gens de la ferme décident alors à accepter Stunk et Kurtweiler.
Lorsque les maquisards font une descente dans la ferme, à la recherche des déserteurs allemands, Jouve et les autres les cachent et nient les avoir vus. A la nuit, Stunk et Kurtweiler tentent de forcer le barrage de FTP et de gendarmes. Stunk est abattu. Kurtweiler, sur le point d\'être pris, se tue.
Dans ce récit, qui rappelle La Grande Illusion de Jean Renoir, la fraternité des hommes éclatent à l\'état pur. Dans l\'esprit de Georges Bayle, un déserteur, traqué par tout ce qui porte un uniforme, devient une charge sacrée pour tout homme de bonne volonté. Sans philosophie, sans grandiloquence, Georges Bayle raconte une histoire attachante et mouvementée, qui confirme les dons de conteur que nous avait révélés son livre, très remarqué, Le Pompiste et le chauffeur.
','Les Nouvelles littéraires 11/09/1958
','',1),('mandarins','Beauvoir1908','Les Mandarins','Prose',1954,'An ambitious fresco of postwar politics and society opening in 1944, the novel recounts the dilemmas and difficulties of a group of intellectuals grappling with the new realities of the postwar world. The novel alternates the first person narratives of Anne Dubreuilh, a psychiatrist married to Robert Dubreuilh, a leading politically committed intellectual and writer, and Henri Perron, former resister, editor of L\'Espoir, a major Resistance newspaper, and writer. Translating the aspirations born in the Resistance and Liberation into the realities of class and Cold War conflicts proves immensely complex, provoking serious clashes between the characters and disillusionment over the existence of Soviet camps, and allegiance to political parties, both established ones such as the PCF, and the S.R.L. that Dubreuilh has founded to forge a new relationship to the working classes. The Occupation casts a long shadow too, with former collaborators, or those suspected of collaboration, part of the picture. There are references to the épuration, to treatment of the Jews, to Drancy, and to the shaving of women\'s heads. Both Anne and Perron develop passionate love affairs with others in the course of the novel. The novel was widely believed to be a roman à clé, showing Sartre/Robert Dubreuilh, Camus/Perron and Beauvoir/Anne Dubreuilh, although Beauvoir vigorously denied it. She drew on her relationship with Nelson Algren for the love affair between Anne and Lewis Brogan, much to Algren\'s displeasure and hurt.
','Prix Goncourt 1954.
','E Fallaize, The Novels of Simone de Beauvoir, Routledge, 1988;J Leclerc Riboni, Des Mandarins aux Samouraïs, la fin d\'un mythe, Peter Lang 1997; M Atack, \'Useless Passions: Intellectuals and the Liberation in Les Mandarins and Les Justes Causes\', in J Dolamore (ed.), Making Connections : Essays in French Culture and Society in Honour of Philip Thody Peter Lang, 1999; S J Scholz and S M Mussett (eds.), The Contradictions of Freedom: Philosophical Essays on Simone de Beauvoir\'s The Mandarins, State University of New York Press, 2005.
',2),('sangautres','Beauvoir1908','Le Sang des autres','Prose',1945,'The action in the present which is the framework to the narrative is a single night during the Occupation. Several members of a Resistance group are gathered together, while in the next room one of them, Hélène, lies fatally injured. Jean, her friend and lover, is spending the night at her bedside, and recalls his past, from his childhood to the events of the previous evening. Some chapters are narrated in the third person and focus on Hélène\'s story. As the title indicates, the key dilemma of the novel centres on taking responsibility for the deaths of others. Jean\'s journey from bourgeois childhood to Resistance activist, carrying out attacks on Germans for which hostages will die, traverses a series of conflicts - class conflicts between bourgeoisie and working class, violent political conflicts between right and left in the 1920s, the Spanish civil war and the Occupation - as well as periods of hoping for non-violent means of tackling social and political divides - trade union activism, and the Popular Front. Interspersed with this is the account of the relationship between Jean and Hélène, where his aim not to become involved and influence her life is shown to be unrealisable, since the distance he imposes has its own dynamic on her behaviour, culminating in a painful and dangerous illegal abortion. Estranged at the beginning of the Occupation by her attempt to pull strings to get him out of the combat zone in 1940, they take different paths - Jean to Resistance, Hélène moving in collaborationist circles - until she sees her own behaviour as a betrayal and asks to join his group. Her fatal injury reactivates his old fear of responsibility for the death of others, but before dying she insists it has been her choice, not his, and he is able to take the decision to continue with the Resistance action planned for that day. The novel also includes graphic description of the exodus of refugees during the debacle, and of the anti-Semitic measures in Paris, as a Jewish friend has to flee, and Hélène witnesses a rafle where a Jewish mother is separated from her child. This last scene was included as a short story in La Patrie se fait tous les jours (see separate entry), under the title \'La Rafle\'. There were plans, overtaken by events as the Occupation came to an end, for an extract from the novel, presumably this one, to be published in the clandestine Editions de minuit.
','','A Hughes, Le Sang des autres, Glasgow French Guides, 1995; M Atack, Literature and the French Resistance, Manchester University Press, 1989; C Davis, Ethical Issues in Twentieth-Century Fiction, Palgrave Macmillan, 1999; E Fallaize, The Novels of Simone de Beauvoir, Routledge, 1988.
',1),('Linvitee','Beauvoir1908','L\'invitée','Prose',1943,'The novel is written largely from the point of view of Françoise, a young writer. She and Pierre, an actor, have a settled relationship, the basic values of which reflect fundamental existentialist thinking, including absolute honesty between them and acceptance of every individual\'s ultimate freedom. When Françoise invites Xavière, an immature and volatile young woman from Rouen, to come to Paris and to train with Pierre\'s theatre company, a complex three-way relationship develops between the characters. The novel explores at length the many subtle and complex stages of this relationshp and the constant shifting of power from one character to another. It describes the different ways in which each struggles to achieve control, how each reacts to loss of control, and how each engages with other characters as a result of the presssures of the trio\'s relationships. This applies in particular to Gerbert, a young actor with whom both Xavière and Françoise have an affair. Françoise suffers many periods of distress over the destabilisation of her relationship with Pierre, whilst simultaneously prolonging her problems by honouring the principles of openness and respect for others\' freedom, but ultimately she changes course. She resists feelings of guilt, kills Xavière, and enters a new phase of feeling truly free.
The significance of the War can be seen at two levels in the novel. Firstly, it foms a factual background to the development of the trio\'s relationship. There are a few, infrequent references throughout indicating that it is set during the Phoney War. The final chapters recount in more detail the official call to arms, with Pierre and Gerbert both enlisting immediately. The descriptipon of Pierre\'s reporting for duty portrays a confused and lethargic reaction from the military authorities. Secondly, the impending conflict can be seen as an unsettling context for all the characters and their plans, both as individuals and as a theatre company hoping to build on recent successes. The confusions, struggles and losses suffered by the characters can be viewed in a wider sense as a representation of the effects of war on individuals and their relationships.
','','',2),('MemoiresPehun','Beauvois','Les Mémoires de Péhun: Souvenirs roses sur des temps noirs','Prose',1946,'\'Je vous présente \"Péhun\"\' by Pierre Dac precedes the title-page and PB begins with thanks for his help to Renaudot, his old \'chef de réseau\'. These are fictional stories about the amusing adventures of \'agent secret\' Péhun, which are based on PB\'s own experience of the lighter moments of life in the Resistance.
','','',1),('Josee','Beck1914','Josée dite Nancy','Prose',1981,'A portrayal of a young woman \'mauvaise graine aux yeux des bien-pensants, (...), milieu des désinhérités\' (Angelo Rinaldi quoted in 1988 preface) living on the margins and coping with everyday living as best she can, dealing with police, social workers and other institutions about her children. She has a huge capacity for inventing stories about herself and others, for \'magical thinking\', for cruelty and for generosity. She disappears out of the life of the writer who narrates her as suddenly as she entered it. Frequent references to her birth, as a result of group sex with Germans during the occupation, in her ongoing battles with her mother over her daughter.
','nb died 30/11/2008
','',2),('LeonM','Beck1914','Léon Morin prêtre','Prose',1952,'Barny, a young widow, begins a friendship with a young priest, Léon Morin. Following their discussions and his recommended readings, she decides to return to her Catholic faith. The events take place against the backdrop of the end of the German Occupation and the Liberation of the town, by the FFI and then the Americans and the épuration process. Barny, in memory of her Jewish husband, shelters Jewish refugees and helps the Resistance. The novel provides a limited insight into the role of the church during the Occupation and the moral dilemmas that this period posed to practising Catholics. The novel won the Prix Goncourt in 1952.
','','Do, Tess, \'Confesseur et pécheresse: Conversion et subversion dans Léon Morin prêtre de Béatrix Beck\', Women in French Studies, 2001, 9, 79-91
',7),('unemort','Beck1914','Une Mort irrégulière','Prose',1950,'Barny, also called Adrienne, is living with her daughter France, also called Fanette, in the Alps. Her husband, Chaïm Aronovitch, whom she calls Vim, is at the Front. Vim is Russian, Jewish, and a Communist. Barny is Belgian. She has many problems - money, papers - because of her foreign status. Barny lodges with Madame Sinant and her four daughters and makes her living as best she can giving English lessons. Vim comes home on leave; soon after his return to the front, Barny is notified of his death. The official notice does not carry the words \'mort pour la France\', making her ineligible for pension and other benefits. She continues to survive through a series of small jobs. She is convinced Vim has been murdered and finally receives a letter explaining his suicide, though questions remain at the end. The novel is economically written and offers an understated, though at times acerbic insight into the lives of those at the fringes of French society - in spite of the commitment that service at the front would, they hope, represent.
','','',1),('jeandesautres','Belleval1926','Jean des autres','Prose',NULL,'Jean grows up in a family dominated by an authoritarian grandfather, then by his father who beats his mother, and who does not hide his relations with other women. There are huge rows between mother, grandmother and aunt. On 6 February 1934, his father returns home covered in blood. They leave Paris in the exodus; Jean is abandoned on the way and taken in by two kindly elderly women, as eventually his mother is too. Jean is taken with a fellow school pupil Odette, though she has to disappear with her family as they are Jewish to escape Pétain\'s milice. They return to Paris, to a harsh life. His father listens to London radio, though he expresses extreme anti-Semitic views, including appreciation to the Germans for removing the Jews. Jean joins the Resistance in 1943, and is denounced at the Commissariat by his father. The police suggest he should move away. He finds the resistance to have \'cowboy and indian\' attitudes, seeking heroes and villains, and finding traitors (for example women and head shaving) to ensure their status as heroes. He joins the army and is sent to Normandy, and generally continues a brutish existence. After time in occupied Germany, he returns to Paris, thence to Marseille, Africa.
','','',2),('Enfanttue','Benjamin1885','L\'Enfant tué','Prose',1946,'RB\'s son was killed in 1945.
','','',1),('Hommerechercheame','Benjamin1885','L\'Homme à la recherche de son âme: Témoignage d\'un Français sur le drame de ce temps','Prose',1943,'RB writes for those who understand the meaning of \'âme\', describing the difficulties of the last fifty years through his personal memories. He begins with family life and his dislike of Paris, but love of the family and home on the Boulevard Magenta. He discovered his faith aged eleven, and his family moved to the area near the Sorbonne which he loved. He describes his studies, his great love of theatre and art, 1914 and the war, then his marriage, his visits to Touraine and the châteaux, friendships with Carvalho, Copeau, Barrès and Maurras, and the horror of WW2, with his son at the front. He ends the book rapidly in some emotion.
','','',1),('Printempstragique','Benjamin1885','Le Printemps tragique','Prose',1940,'An apparently autobiographical account of the French defeat in 1940, written by an anoymous first-person narrator convalescing near Tours. Much of the text reads like a novel, however, with secondary characters and dialogue that appear to be fictional. The narrator observes local eccentricities and follows the collapse of allied forces and exodus of civilian refugees. The government is treated with derision, although Pétain and Weygand are spared criticism. One character blames the defeat on French cultural decadence, and the closing chapters degenerate into the pétainist propaganda to be found in the author\'s later writings.
','','',2),('moisson40','benoist1901','La Moisson de Quarante','Prose',1941,'A memoir in the form of a diary by a high profile collaborator. Relates his experiences from 25 June, having recently been taken prisoner, to August when he is freed from a camp, having worked in the camp\'s office organising the liberation of groups of men according to their professions. There is no detail representation of the fighting, but reflexions on the defeat, on France and the nature of the French, on Germany and the Germans, England and Churchill. After first being held in a factory in Chartres, where they work to bring in the harvest (the beauty of the province of Beauce is much commented on), the men are transferred to a camp in Voves. The narrator is upset at the sight of a flag with the swastika flying from a church steeple, and there is debate represented at the attack of Mers-el-Kebir. One supporter of the English action is told \'va donc te faire \"gauller\" by another, and the narrator himself considers and rejects the idea of joining de Gaulle. There is extended reflection on the 1200 Arabs and Blacks held in the camp, with very negative judgments on the Arabs, and \'positive\' but very colonialist and demeaning judgements (\'le bon sauvage\', \'leur innocence\') on the Sénégalais and other black troops. The Germans are presented as culturally different but otherwise quite neutrally. The narrator, builds good individual relations with some of the officers - he has explained he is a historian and has written on Germany. The general tone is one of respectful negotiation on both sides.
','','',1),('Sacrificematin','Benouville1914','Le Sacrifice du matin','Prose',1946,'Not wishing to accept defeat after having fought in 1939-1940, GdB avoided capture after the Armistice and escaped to North Africa, where he was imprisoned. He was brought back to Toulon, and finally acquitted. He began to work with Resistance groups in 1941. Following Henri Frenay, the founder of Combat, he organised links with the Swiss and the Americans, and pursued his activities always under threat from the Gestapo. In 1944 he went to fight on the Italian front and entered Rome with the French troops. After the Normandy landings he returned to France to take charge of the Bureau FFI (Forces françaises de l\'intérieur) at the Commissariat de la Guerre. His personal memories of life in the Resistance are so wide-ranging that he is able to give here the history of the entire Resistance movement in the south.
','','',2),('Biblioquete','Benson1959','Biblio-quête','Prose',2001,'A historian, Jacques Joesandi, is murdered while attempting to set fire to a number of books in the brand new, fully digitised Lyon library. One of the investigating police officers and her husband, another historian, are also murdered, although their deaths are masked to look like suicide. The investigations of the elite European police force reveal that Joesandi\'s burning of books was a publicity stunt to draw the authorities\' attention to the fact that the digitisation of books was a means for holocaust deniers to remove passages from books that contradicted their ideology. A reminder of the scandal that broke in the 1990s over the Lyon academics who promoted holocaust denial in their work.
','','',1),('TraitreB','Bentegeat','Un Traître','Prose',2000,'A man awaiting a death sentence in April 1945 writes a confessional account to his son. He was a Jewish bookseller blackmailed by a policeman into betraying a Resistance agent, in return for not being arrested with his family. A prologue informs us that the son is shot in mysterious circumstances in 1993, and an epilogue that the bookseller was in fact denounced by his wife, a communist Resistance agent, when she discovered his betrayal. Both characterisation and plotting are perfunctory and this is a dull read.
','','',1),('Perilsroyaume','Berenboom','Périls en ce royaume','Prose',2006,'Horrified by the number of people who have disappeared during the Occupation, Michel, a former civil servant, decides to become a private detective. His first case is that of Yann, a former member of the Resistance who worked post war in the Ministry of Foreign Affaires, and who has suddenly disappeared. This case reveals how certain Belgians became rich after stealing Jewish money and also gives an insight into the struggles between republicains and monarchists in the 1940s.
','','',1),('Messagespersonnels','Bergeret','Messages personnels','Prose',1945,'','','',1),('Sentiersguerre','Bergot1930','Les Sentiers de la guerre','Prose',1981,'','','',1),('Aluminium','Bernard','Aluminium','Prose',1953,'It opens in 1935 in front of the Bourse, with speculation affecting firms dealing in copper and aluminium. Through a large cast of characters, predominantly male though with some very strong female characters too, it presents high finance and industrial circles, and aristocratic and popular classes. Individuals manoeuvre to gain best advantage for their firm, and for themselves. This world of financial, industrial, and international politique intrigue, a world of manipulation and manoeuvre, of bluff and counter-bluff, is dominated by the language of warfare. It explores complex class relations, with reflections on capitalism, communism and world order, as well as personal relations and relationships and sexuality added to the mix. After the defeat, characters take a variety of options (Vichy, Resistance, including a network for London, collaboration), but those in the Resistance often continue to serve their own interests (eg making sure anti-German industrial sabotage on machines takes out the old ones to position them strongly for postwar revival with new machines).
','NL 15/10/1952
','',1),('villesans','Bernardi','La Ville sans regard','Prose',2008,'Présentation de l\'éditeur
Paris, 1942. La Ville lumière est occupée depuis deux ans. Quelques Parisiens rejoignent l\'un ou l\'autre camp, la plupart tentent seulement de survivre. Petit voyou avant la guerre, Xavier Dailans a rejoint la Gestapo. Au cours de l\'interrogatoire d\'un résistant, il apprend que les Allemands font partir vers le Reich des convois de tableaux dérobés. Alors qu\'il se lance lui-même dans le vol de ces toiles, sa route va croiser celle de Thomas Lavrenti, un jeune policier français qui a juré sa perte. La Ville sans regard est un roman captivant qui ménage aussi bien le suspense que la finesse psychologique. Au travers d\'une galerie de personnages parfaitement esquissés, on découvre le Paris de l\'Occupation, ses douleurs, ses changements, ses peurs, mais aussi ses espoirs
','','',1),('Mohaguerrierberbere','Bernie','Moha ou Hamou, guerrier berbère','Prose',1945,'','','',1),('Journal19421944','Berr1921','Journal: 1942-1944','Prose',2007,'Diary of a young Jewish Parisian women detailing her family life during the Occupation in Paris and her attempts to avoid arrest, her work for approved Jewish organisations helping Jewish children, and her growing love for the man who became her fiancé. She writes eloquently of life in Paris as a student, her love of English literature, having to wear the yellow star, and the restrictions placed on Jews generally. Powerful descriptions of the impact of arrests and deportations; her father, a wealthy and well-connected businessman, was held in Drancy for a time. Later rearrested with Hélène and her mother. None returned from deportation. Written for her fiancé who was fighting with the Free French.
She regularly gave parts of her diary to the family cook for safe keeping. For fifty years this diary remained in the family archives. Archivists from the Mémorial de la Shoah persuaded the family to have it published.
','\'Le journal d\'Hélène Berr, une fille juive sous l\'occupation\', Travaux publics, France Culture, 15/01/2008
Levisalles, Natalie, Libération, 20/12/2007
Czarny, Norbert, \'Du soleil à l\'horreur\', La Quinzaine Littéraire, no. 962, 01-15/02/2008, p.6
','Lafitte, Michel, Juif dans la France allemande (Paris: Tallandier, 2006)
',2),('Ingrid','Bertho1922','Ingrid','Prose',1976,'Depicts the multifarious inhabitants of the German city during wartime, including STO workers.
','','',1),('Angenuit','Berthomieu1903','L\'Ange de la nuit','Film',1942,'Based on a play by Marcel Lassieux entitled the Famine-Club (original title in English). It has proved impossible to source any further details about this work.
Pre-war a group of students establish a restaurant in the Quartier Latin. A poor young women, Geneviève, is taken on to work there and one of the students Bob falls in love with her. On the outbreak of war, all the young men of the group are mobilised. Jacques, a scuplture student, returns blinded, and Bob is missing in action. Geneviève agrees to model for Jacques, who traces her forms with his hands and because of her beauty and his talent he becomes a well known artist. Bob then returns from captivity in a Prisoner of War camp, placing Geneviève in a terrible position as she loves both men. But Bob, understanding Jacques\'s love for and reliance on Geneviève, decides to leave.
A film that was meant to show the moral fortitude of French young men despite their suffering on the battlefield and the difficult war-time situation.
','Centre Catholique du cinéma; \"Film émouvant, montrant de sympathiques sentiments d\'entraide et de dévouement. Camaraderie intime entre jeunes gens et jeunes filles, amours libres, allusion à la débauche, d\'ailleurs réprouvée.\"
','',1),('Paradeimpies','Bertin1920','La Parade des impies','Prose',1946,'Describes the lives of young women in occupied Britanny.
','','',1),('lajeunefemme','Besnault','La Jeune Femme','Prose',1959,'First-person narration, interior monologue. A young woman takes refuge from the Gestapo in her deserted family house. Before committing suicide, she recalls her past life: her son, her Spanish lover Luis (a communist caught by the Germans), her escape from arrest.
','','',1),('DernierAuvernois','Besson1927','Le Dernier des Auvernois','Prose',1981,'Last in the trilogy which began with La Marie-des-Bois. Vincent, a young lumberjack, returns from fighting in the army in the Summer of 1940. His native village is very close to the demarcation line and so is soon inundated with various populations (escaped POWs, Jews) all trying to cross into the southern zone. Vincent and his mother Marie quickly begin to organise a network to aid these people and for Vincent this is a first step that will lead to him later joining the local maquis.
','','',2),('Cestenhiver','Bialot1923','C\'est en hiver que les jours rallongent','Prose',2002,'Starting with the boat setting out from Odessa in May 1945, taking freed deportees on their journey back to Marseille, this is a first person autobiographical account of Auschwitz. The return journey is interspersed with accounts of Bialot\'s experiences in the camp up to the liberation by the Russians, his journey on foot to Kracow and thence to Odessa, and also references to his resistance activities in France. It ends with his return to Paris and reunion with his family. The récit is characterised by its matter-of-fact tone. It relates the brutality of the experiences, the obsession with food, experiences of severe illness, friendships, a large variety of encounters, and anecdotes of the experiences of many others. It includes descriptions of the life of the work details, of particular groups such as the Russian prisoners, the Communists of many countries and their organisation in the camp, and the \'mousoulmanes\' on the verge of extinction.
','','',2),('jourAlbertEinstein','Bialot1923','Le jour où Albert Einstein s\'est échappé','Prose',2008,'An old man (known as Einstein to his close friends) placed in a home by his family, decides to escape and find the woman, Paula, he loved during his youth, when they were both in the Resistance during the war. He will be helped by a Senegalese taxi driver, to whom he recounts his life, especially his activities during the war.
','A plus d\'un titre, France Culture, 14/04/2008
','',1),('SaintMartinfermee','Bialot1923','La Station Saint-Martin est fermée au public','Prose',2004,'From back cover (Points edition) A la fin de la Seconde Guerre mondiale, un jeune homme agonisant est ramassé par des soldats américains sur une route allemande parsemée de cadavres. Surnommé Alex, il a tout oublié de l\'enfer qu\'il a traversé. Jusqu\'à son propre nom. La seule identité qui lui reste, c\'est un matricule tatoué sur l\'avant-bras gauche. Auschwitz. Soigné par des médecins militaires français, il réapprend à vivre et découvre l\'amour avec son infirmière. Lentement, reviennent par bribes les images de son passé : l\'arrestation, la détention au camp de Gurs, dans les Pyrénées, et sa déportation.
Au gré de son errance dans un Paris qui, comme lui, veut panser les plaies de la guerre, les éléments épars de son existence reprennent chair. Un nom frappe sa mémoire, celui d\'une station de métro, disparue au moment de la mobilisation générale. La retrouver, c\'est renouer les fils d\'une mémoire occultée, refaire le chemin qui mène jusqu\'à soi-même.
','','',2),('Cargomer','Biette','Mon cargo sur la mer','Prose',1949,'The adventures of a commander in the merchant navy given an old cargo boat at the start of the war and sailing with the Flotte française libre. After the Liberation EB left the sea.
','','',1),('Sipetiteflamme','Bigot1933','Une Si Petite Flamme','Prose',1995,'Antoine buys a pipe that reminds him of the craftwork of a Jewish neighbour who disappeared during the war, but whose daughter Antoine and his wife brought to live with them. The discovery of the pipe leads the couple to encourage the young girl to recount her memories of the war, which in turn motivates her to research what happened to her parents.
','','',1),('Beauxjoursbarbizon','Billy1882','Les Beaux Jours de Barbizon','Prose',1947,'The history of Barbizon, in the forest of Fontainebleau, and the famous people who had worked there, including Jean-François Millet and Théodore Rousseau, with photographs of their studios, followed by details of AB\'s own visits. These are fascinating memories of a literary circle which included Rouveyre, Carco, and Dorgelès and his wife Hania Routchine. Later AB and his family moved there altogether and AB recalls WW2 with references to Jean Luchaire and other collaborators and to Drue Tartière, an American woman living in Barbizon who arranged the escape from France of six airmen.
','','',1),('HHhH','Binet','HHhH','Prose',2010,'Amazon.fr (22/11/10) : Découvrez le récit explosif de Laurent Binet, HHhH, et laissez-vous transporter dans la tourmente de la Deuxième Guerre mondiale, à Munich, Berlin, Londres, Paris, Kiev, faites un petit détour par le Moyen Age et repassez par 2010 pour atterrir à Prague, en 1942. HHhH raconte l\'histoire de l\'attentat contre Heydrich et de la folle traque qui s\'ensuivit pour s\'achever dans une église au centre de Prague où sept hommes soutinrent un siège de sept heures face à sept cent SS. Reinhard Heydrich, « l\'homme le plus dangereux du IIIe Reich », était le bras droit d\'Himmler mais chez les SS, on disait « HHhH », ce qui signifiait : « le cerveau d\'Himmler s\'appelle Heydrich ». A l\'heure où le débat fait rage autour des rapports tumultueux entre Histoire et fiction (cf. l\'affaire Lanzmann-Haenel), dévorez sans attendre ce roman étonnant qui reconstitue les faits avec une précision maniaque fondée sur un travail de documentation impressionnant mais qui se pose sans cesse la question, entre deux déflagrations : comment raconter une histoire vraie ? Sélectionné pour le Goncourt du premier roman.
Présentation de l\'éditeur
A Prague, en 1942, deux hommes doivent en tuer un troisième. C\'est l\'opération « Anthropoïde » : deux parachutistes tchécoslovaques envoyés par Londres sont chargés d\'assassiner Reinhard Heydrich, chef de la Gestapo, chef des services secrets nazis, planificateur de la solution finale, « le bourreau », « la bête blonde », « l\'homme le plus dangereux du IIIe Reich ». Heydrich était le chef d\'Eichmann et le bras droit d\'Himmler, mais chez les SS, on disait : « HHhH ». Himmlers Hirn heißt Heydrich – le cerveau d\'Himmler s\'appelle Heydrich. Tous les personnages de ce livre ont existé ou existent encore. Tous les faits relatés ont été vérifiés. Mais derrière les préparatifs de l\'attentat, une autre guerre se fait jour, celle que livre la fiction romanesque à la vérité historique. L\'auteur, emporté par son sujet, doit résister à la tentation de romancer. Il faut bien, pourtant, mener l\'histoire à son terme.
','Prix Goncourt du premier roman 2010
','',1),('instantmamort','Blanchot1907','L\'Instant de ma mort','Prose',1994,'Blanchot\'s narrative concerns a moment when a young man is brought before a firing squad during World War II and then suddenly finds himself released from his near death. The incident, written in the third person, is suggestively autobiographical - from the title, several remarks in the text, and a letter Blanchot wrote about a similar incident in his own life - but only insofar as it raises questions for Blanchot about what such an experience might mean. The accident of near death becomes, in the instant the man is released, the accident of a life he no longer possesses. The text raises the question of what it means to write about a (non) experience one cannot claim as one\'s own, and as such is a text of testimony or witness.
','','Derrida, Jacques, Demeure, fiction et témoignage in Passions de la littérature: Avec Jacques Derrida (Paris : Editions Galilée 1996)
',4),('femmearnaud','Blancpain1909','La Femme d\'Arnaud vient de mourir','Prose',1958,'The narrator, Louis, relates his journey from a peasant background to social success, through success in education (as a \'scholarship boy\' at the lycée of Laon), and a post as a governer in a rich family, and also of his lifelong love-hate relationship with Coralie, who lived in the \'manoir\'. Presented as a confession, the narrative moves backwards in time, from the eve of his fortieth birthday, and includes his years in a prisoner of war camp and in Indochina. Through Coralie\'s daughter Lise, with whom Louis also has a sexual relationship, the different attitudes of the post-war generation are explored. The novel presents a quasi-feudal world of masters and servants, in his mother\'s attitudes to the \'manoir\' and her aspirations for Louis, and in Coralie\'s attitudes and behaviour in Indochina, and Louis laments the associated psychology this has forged in him. It ends with him leaving for America, implicitly effecting a symbolic break with old world attitudes. (There is one mention of the Algerian War).
','','',2),('Rageconvaincre','BleusteinBlanchet1906','La Rage de convaincre','Prose',1970,'This is his second volume of memoirs, in which he describes his adventures as a pilot during the war and his life in advertising.
','','',2),('Surmonantenne','BleusteinBlanchet1906','Sur mon antenne: Souvenirs d\'une radio libre','Prose',1947,'A \'journal parlé intime\' recounting the history of Radio-Cité up to the Armistice, and personal memories of people and events, the Resistance and the Liberation.
MBB recapitulates many of the details in his Les Ondes de la Liberté: Sur mon antenne 1934-1984, [Paris]: J.C. Lattès, 1984, 281,[1]pp. (FDLL C.S. 659), which is a revision of his memories of the pre-war period in which he moved from promoting advertising on the radio to creating Radio-Cité, which prospered from 1935 to 1940, closing down when the Germans entered Paris, an analysis of the importance of radio and the press during the war years, a description of a number of politicians, including Pierre Laval, and of his own wartime experiences, which include his contacts with the Resistance, his escape first to the \'zone libre\' and then to England via Spain, and his time as a pilot in the American Air Force. A long preface to this book describes also his post-war experiences as president of the Publicis advertising group and the creator of Régie-Presse.
','','',1),('Joursheureux','Bloch1906','Mes Jours heureux','Prose',1946,'PB\'s wartime experiences after joining the French army in 1939 as a \'brigadier d\'artillerie\'. Imprisoned after the Armistice as a Jew, he escaped from camp in France and was arrested when he attempted to join de Gaulle; after being in various prison camps, he escaped and finally reached Britain where he joined the Forces françaises libres. A prominent Socialist, he was a founder member of the Comité d\'action socialiste (CAS) fighting against the Vichy régime.
','','',1),('grandescirconstances','BlochMichel1912','Les Grandes Circonstances','Prose',1949,'JBM is not trying to write a book about the war which will bring him recognition, nor is he writing the story of his own war, but is relying on his description of small events to create an vivid effect. This is a sober and lucid account in which récits are interspersed with reflections, on, for instance, the part fear and vanity played in the Resistance movement.
','','',1),('Cavouri','Blot1923','Le Soleil de Cavouri','Prose',1956,'Sylvain Clément, brought up with his divorced mother in England, fights in France until the defeat and again with the invasion of June 1944. Injured, in hospital, he starts searching for this father, who is in Drancy awaiting trial for having betrayed sons of his workers to the authorities. They didn\'t return from Germany where they were sent to work. His father does not match the physically and morally heroic picture Sylvain had created. Sylvain rejoins the Army, and is fighting in the east where his father visits him, to use his influence to get an entitlement to go to England, which Sylvain refuses, helped by his commanding officer McKinley. Sylvain is injured, evacuated to London, and later discharged from the Army. The second half of the novel is devoted to Greece, the relations of a young boy and his father, and Syvlain\'s with his former colonel Mckinley. The meditation on fatherhood, on \'le père déchu et le fils traître\' continues.
','ADD JUSTICE
','',1),('Laisseescompte','Bober1931','Laissées pour compte','Prose',2005,'','','',1),('Quoideneuf','Bober1931','Quoi de neuf sur la guerre?','Prose',1993,'The first part of the novel takes place in 1945-46, in a Parisian tailor\'s workshop. The employees\' (virtually all of whom are Jewish) conversations provide insights into their experiences of the war (deportation, resistance) and into what it was like to be a Jew in France immediately after the war. There are also numerous insights into the lives of Jewish children orphaned by their parents\' deportation, through the friendship between the boss\'s son Raphaël and an orphan, Georges, which forms at a colonie de vacances. The second part of the novel is set nearly forty years later and takes the form of extracts from the adult Raphaël\'s diary, in which he recounts the acts of annual commemoration of the Holocaust by the Jewish community and the anti-Semitic attacks of 1981-1982. The first section of the novel has multiple narrators, enabling the reader to enter more fully into the personal lives of each character. The early lives of the characters in Poland are evoked through constant story-telling.
Bober himself started his working life as a tailor, so the novel can be judged to have a strong autobiographical element.
The novel won the Prix du Livre Inter in 1993.
','','',6),('envoye','Bodin1909','De Notre Envoyé spécial','Prose',1950,'The novel opens in September 1944. André Albin, a journalist (and first person narrator) and Saint-Pierre, a photographer, are covering the war for a Paris newspaper, a great Resistance newspaper, starting with their search for the pipeline across France bringing petrol to the American troops. They witness all kinds of combat, destruction, tortures, atrocities, rapes and looting, are regularly taken for spies, pass French, German, SS and American casualties and meet FFIs. They go to the east and the fighting in Metz, to the Pyrenees and Spain (where there are Republicans fighting, and French miliciens and collaborators are being smuggled). Everywhere ordinary soldiers are sacrificed while military commanders live in comfort. Their travels also cover Brussels and fighting in Belgium, Buchenwald (Halbwachs\'s death is mentioned), Rome and Milan, the Struthof camp in Alsace (now holding collaborators), Fresnes and the treatment of collaborators there (he is so moved he cannot even write about it), and Nuremberg. American views of the French Resistance are recorded (useful for future comforting stories of national heroism; Americans will be written out); the novel is also notable for expressions of racism (in depiction of black American soldiers) and sexism. André is driven by humanism and hope of a new world unfurling, but no cause comes out well, and petty and sordid revenge and reprisals dominate. It\'s the \'bitter peace\', the beginning of \'German-American collaboration\'. A large number of historical figures are referred to.
','NL 16/11/1950
','',1),('Plastiqueuse','Bohec1919','La Plastiqueuse à bicyclette','Prose',1975,'The author left France for England in June 1940, joining the FFL Volontaires françaises in January 1941, for whom she worked as a secretary until spring 1942. Thanks to her training as a chemist, she then joined a laboratory designing sabotage materials, based in the lycée français in London. She was finally accepted by the BCRA in August 1943 (when the ban on female agents was lifted), appointed as a sabotage instructor, and parachuted into Brittany in February 1944. Her bicycle allowed her to pass unnoticed, although she narrowly escaped death and arrest on several occasions. She was awarded the croix de guerre, médaille de la Résistance and Légion d\'honneur. The author makes light of the enormous risks which she ran and presents herself as a naive but feisty character, whose heroism is all the more impressive for this modesty.
','','',2),('Lepre','BoileauNarcejac1906','La Lèpre','Prose',1955,'The novel takes the form of a first-person confession, written in 1957 by Marc Pradier, a supposed Resistance hero and successful politician, to his adopted son Christophe, an officer fighting in Algeria. While teaching in Clermont-Ferrand in 1944, Pradier was befriended by Dr Préaux, only to discover that Préaux was a notorious collaborator and a target for assassination by the Resistance. By a strange coincidence, he also discovers that he knows Préaux\'s ex-wife Armande de Chatelus, the guardian of his orphaned pupil Christophe and a Resistance activist. While Armande\'s group recruits Pradier and orders him to kill Préaux, Préaux expects Pradier to help him escape to Brazil. When Pradier is arrested by the Milice after driving Préaux\'s car back from the station, they assume he has indeed killed the doctor; Pradier is freed by the maquis, losing three fingers when wounded, and thus becomes an accidental hero, marrying Armance and becoming a junior minister. However, in 1957 Pléaux returns to France and threatens to expose Pradier\'s deceit. Pléaux is shot by an unknown assailant, but not before Pradier\'s guilt has destroyed his marriage and career. A final chapter reveals that Christophe killed Pléaux, but that he too is killed in action before he can reveal this; Pradier commits suicide.
','','',1),('Louves','BoileauNarcejac1906','Les Louves','Prose',NULL,'','','',2),('etatmajor','Bonnamy','L\'Etat-major s\'en va-t-en guerre','Prose',1941,'The story of Baraton\'s experiences in the army from August 1939 when he is called up as a \'lieutenant de réserve\'. The generally light-hearted and amusing anecdotes of army life accentuate the absurdity and monotony as they wait for the Germans to attack. In February, Baraton is evacuated, suffering from double pneumonia. He takes a turn for the worse and dies. From above, he watches as the war starts and roads become quickly impassable because of the exodus of refugees. He bemoans the lack of action by the military, the failure to take a stand, is bewildered by the unorthodox German methods which are not in the French rule book, and watches the full-blown rout of the debacle develop. He sarcastically comments on army vehicles taking women civilians and saving the honour of French gallantry. Villagers are not interested in helping the army or taking a stand. The \"odious Regime\" collapses. France is lost, but, just as Sparta and Carthage might once again rise, so in the future it is hoped a \'true Patrie\' might rise again. A first person narration which is probably partly autobiographical - part memoir, part autobiography, part fiction.
','','',2),('pseudovaincu','Bonnamy','Souvenirs d\'un pseudo-vaincu: Occupation et Libération de Paris','Prose',NULL,'A fictionalised account of life in Paris during the Occupation and the days of the Liberation in August 1944 which slips between genres (novel, récit, reportage, memoir and diary), starting with the return of Baraton (the main character of L\'Etat-major s\'en va-t-en guerre), having been demobilised, in July 1940. It records his shock at Paris covered with German notices, the presence of Germans, their oppressive imposition of rules, their obsessive purchasing driven by the favourable exchange rate. Many public notices, from the Germans and from the French, are quoted in full to chronicle the reports of attacks, punishments and reprisals. Anti-Jewish measures, such as the wearing of the yellow star, banning from public places, are mentioned, and the protests and imprisonment of those who are not Jewish wearing the star. Pétain and Vichy are systematically criticised. Pétain\'s note of condolence to the Germans on the attacks is reproduced, though censorship of his complaints at his \'demi-liberté\' is also mentioned. There are picturesque episodes such as collecting an uncle\'s coffin from the other side of the demarcation line or cycling into the countryside to negotiate some food from the very ungenerous paysans. It records the terror, suffering and difficulty of everyday life, the anger and hostility to the Germans, and euphoria at the Liberation. It slips into first person narration with the dramatic events of the days of the Liberation.
','','',1),('resistantialisme','Bonnamy','Résistantialisme','Prose',1948,'The story of Patrice Piron, a lycée teacher living a rather bohemian life in Paris, his existence focused on a series of relationships with women, a constant battle with an overwhelming sense of ennui and indifference, and socialising with his group of like-minded friends. He serves in the first world war, and remains aloof from political events through the 1920s and 1930s. He experiences mobilisation, the débâcle, the lack of appetite for a fight, the misery of defeat. He is drawn into active armed Resistance, is arrested but freed through the intervention of a former mistress, loses a leg after an armed confrontation as the Germans retreat from France. There are episodes presenting rafles of Jewish children by Germans, collaboration by some, as well as unexpected support for the Resistance from Patrice\'s elderly headmaster. In the last few pages, he and his fellow resister Jacques reflect on \'résistantialisme\', the phenomenon which the novel presents as the Resistance, a minority movement, being invaded by cheats, crooks, and a sudden and extraordinary increase in numbers. Patrice decides not to follow Jacques to the colonies, and now embraces willingly the teaching career he found so irksome before the war.
','','N Hewitt, \'La Droite intellectuelle et le mythe de la terreur rouge\', French Cultural Studies, 1994, pp. 281-292
',1),('Samba','Bonnet1908','Samba - Héros de l\'empire','Prose',1941,'This thinly disguised work of colonial propaganda tells the life story of Samba, a tirailleur from Guinea, from his birth to his death on the battlefields of Northern France in 1940. The novel places great emphasis on France\'s civilising mission in its colonies and on the long-standing sacrifices of its loyal if childlike colonial soldiers. The work is obviously an attempt to prove that the empire allows France to remain a great and strong nation even in the face of Occupation.
','Add propaganda
','',1),('cheminhonneur','Bonte1890','Le Chemin de l\'honneur: De la Chambre des Députés aux prisons de France et au bagne d\'Afrique','Prose',1949,'FB, a Communist député, was arrested with some of his associates by Daladier\'s government and accused of having attempted to reinstate the Communist Party, which had been dissolved at the outbreak of war. He tells here the story of his arrest, trial and imprisonment first in France and then in Algeria. He was finally freed by General Giraud along with other political prisoners.
','','',1),('Anneesdoubles','Bood1926','Les Années doubles: journal d\'une lyceenne sous l\'Occupation','Prose',1974,'A schoolgirl\'s observations about life under Occupation, which range from the charmingly trivial to the more perspicacious.
','','',1),('Gang','Borniche1919','Le Gang','Prose',1975,'This is the story of the police\'s attempts to capture the notorious \'Pierrot le fou\' and his violent associates, written in the style of a novel, generally using the present tense and invented dialogue, though based on fact. Borniche frequently links the criminality of the post-war years to what he calls the \'gangrene\' of the Occupation. Thus the gang leader Pierre Loutrel owed his rise to working for the Gestapo, as did Boucheseiche and Danos; whereas Attia had survived deportation to Mauthausen and Naudy was a former resister. Hence their sarcastic comment that \'La France réconciliée, c\'est nous\'. The author notes too that police corruption was rife during and after the Occupation, typified by the Joanovici affair. Ironically, Loutrel died after accidentally shooting himself.
','','',2),('8moissante','Borschak1895','Huit mois à La Santé: Journal 1940-1941','Prose',1946,'EB was imprisoned by the Germans in the Maison d\'arrêt de La Santé.
','','',1),('sourdeoreille','Bory1919','La Sourde Oreille','Prose',1958,'François-Charles Hermemont is an Aspirant in the Armistice Army, stationed on an island off Marseille and rather detached from the war (it is 1941). This is a novel of reflexion, as he is maintained in enforced inactivity, with visits to Marseille, its crowds, its \'oriental\' districts. The sous-lieutenant Félicien Calife recalls the fighting and defeat of 1940. Hermemont visits his uncle, who considers no-one, neither London nor Vichy, has the monopoly of truth. Comments on Pétain and Vichy accentuate the artificiality and falsity of the regime. There are frequent derogatory references to Pètain. Everything is infected by the \'comme si\' and \'ersatz\'. There are references to Jumainville, where he comes from, the town of Mon Village à l\'heure allemande, and on one occasion to some of its characters. It ends with him leaving the island at the end of his service to pick up his studies again. Mention is made of Jews wearing the yellow star in the Occupied Zone.
','','',1),('Villageheureallemande','Bory1919','Mon Village à l\'heure allemande','Prose',1945,'The novel depicts daily life in a small French village during May and June 1944. The village is awash with rumours and intrigues as the Allied landings approach and then take place. The multiple viewpoint narrative highlights the complexity of people\'s reactions to the Occupation and provides an \'avant-goût\' of the post-war épuration process, through the retributions dealt out by both the Resistance and the Milice. The village is thought to be heavily based on the village of Méréville in which Bory was born and grew up.
The novel won the Prix Goncourt in 1945.
','Garcia, Daniel, Jean-Louis Bory: 1919-1979 (Paris: Flammarion, 1991)
Jardin, Marie-Claude, Jean-Louis Bory (Paris: Belfond, 1991)
','',9),('Jeudisaint','Borzeix1941','Jeudi saint','Prose',2007,'The author claims that this is a work of local history, a récit that is told using literary devices (flashbacks, suspense, symbolic title) (Interview with author on \'La Nouvelle Fabrique de l\'histoire\', France Culture, 30/05/2008). It is a moment of history refoulée, that the author was able to investigate as he came from the very village where the massacre took place and so people felt comfortable talking to him. The intrigue centres around the deportation of around a hundred Jews who had been hidden in this part of the Limousin, and the execution of four hostages. The author also draws a parallel between these massacres and the Rwandan genocide that began exactly fifty years after this first event.
','','',1),('Antiroir','Bost1901','Un An dans un tiroir','Prose',1945,'Notes of a writer (mobilised only in April 1940) written in captivity from June 1940 to June 1941, which include memories of other prisoners, with serious and thoughtful meditations on the strain of imprisonment, and PB\'s feelings on learning of his freedom.
','','',1),('Hautefourche','Bost1901','La Haute Fourche','Prose',1945,'Laurence alone lives in the family home, La Haute Fourche, having lost her brother at Dunkirk, her mother in an accident during the exodus, her father (a man broken by the earlier deaths who does survive long after his arrest and temporary imprisonment by the Germans) and, symbolically, her sister (to collaboration). The man she loved before the war, Rémi, has also disappeared without news. She is shaken our of her ironic detachment and anger by the sudden arrival of a man seeking refuge, who works with Rémi in the Resistance and has just arrived from London. Through a their long conversation, the extent and importance of resistance is explored, and the oppressive nature of the occupation established. Unfortunately, when the local German officer arrives to complain yet again about her curtains not being drawn, through a combination of tension and naivety she reveals the presence of the man in hiding.
','','Steel, James, Littératures de l\'Ombre - Récits et nouvelles de la Résistance 1940-1944 (Paris: Presses de la Fondation Nationale des Sciences Politiques, 1991)
',1),('derniermetiers','Bost1916','Le Dernier des métiers','Prose',1946,'','','Michel Contat, \'Jacques-Laurent Bost\', le Monde, 23 septembre 1990.
',1),('VeldHiv','Bott','Vel d\'Hiv','Prose',2008,'Two children, Simon the son of a Jewish doctor and Raymond the son of the concierge of the Vélodrome d\'Hiver, spend all their free time in this stadium, where they witness the greatest sporting and political events of the immediate pre-war period. But this place will also be where Raymond glimpses sight of his best friend and his father for the last time when they are arrest in July 1942 and held in the stadium, awaiting deportation. A very touching portrait of childhood friendship.
','La Quinzaine Littéraire, no. 975, 1-15/09/08
','',1),('Indigenes','Bouchareb1959','Indigènes','Film',2006,'This film had a highly political aim, that of forcing the French government to unfreeze the pensions of soldiers from the former French colonies and to bring their military role during the Second World War and their contemporary plight to the attention of the French public. The film follows four \'native\' soldiers and their Pied Noir officer through battles in Italy and the Liberation of France. Though they are well received by the French public, who view them as liberators like any others, the racism and discrimination that they suffer at the hands of their army officers is evident: insufficient and inappropriate kit and food, their use as cannon fodder, the lack of possibilities for promotion and restrictions on leave and relationships with French women. The film ends with one of the men, now an old man exhausted by years of manual labour in France returning to visit the graves of his comrades.
','','Cooper, N., \'\'Days of Glory?\' Veterans, reparation and national memory\', Journal of War and Cultural Studies, 1(1), 2008, p.91-106
',1),('Coinazur','Bouchaud1936','Un Coin d\'azur','Theatre',1995,'The play takes place in a cheap hotel in Marseille a few days before Pétain visits the city in November 1940. One of the guests, a German Jew, kills a policeman who has been blackmailing him, and the rest of the hotel\'s clients (including a Vichy civil servant) and several of the local residents help him to cover up the murder.
','','',1),('GrandGuingouin','Boucheron','Lo Grand Guingouin','Prose',1984,'A comic book published in Limoges, recounting the exploits in the Limousin of the famous communist resistance leader Georges Guingouin (who subsequently fell foul of the PCF hierarchy). The storyline is somewhat confusing and suffers from information overload; Guingouin remains a cipher. Some dialogue is in Occitan.
','','',1),('Bonneaffaire','Boudard','Une Bonne Affaire','Prose',1982,'An army veteran finds himself back in Paris unemployed and penniless. At the local soup kitchen/ cut price restaurant he meets a mixture of people who fell on hard times at the Liberation, including a fomer collaborator, who offers him \'une bonne affaire\'; stealing a painting by Matisse to sell to a white Russian.
','','',2),('Mariette','Boudard','Mariette','Prose',1982,'A young man falls in love with a girl that he meets at a fair. She pays for everything. One day the police inform him that she is a prostitute and that her husband is not a prisoner of war, but an armed robber imprisoned at La Santé.
This short story gives an interesting insight into the sexual morals at the end of the war.
','Add prostitution
','',2),('PrisonnierB','Boudard','Le Prisonnier','Prose',1982,'A former member of the FFI finds himself fighting alongside the Americans in Eastern France. He describes in detail the material, ideological and organisational differences between the two armies and appears to believe that De Gaulle has sent men like him on to the battlefield simply to save face in relation to the other Allied nations. The Americans take a German prisoner, feed him and treat him well, but the FFI makes the most of an opportunity, hands him over to the French authorities, where he is tortured and the FFI is subsequently rewarded with a medal. Hardly a glorious portrayal of Resistance fighters.
','','',2),('Murdestinee','Boudou1935','Le Mur de la destinée','Prose',2003,'The novel follows two characters Elizabeth (Lisa) and Leo from their childhoods during the war through to the 1960s. The two characters\' lives have much in common and appear to cross at many times, but it is not until the end of the novel that they finally meet. In 1940, Elizabeth having been told that she has lost both of her parents goes to live with her grandparents in the countryside. However she is later to meet her father, and learn many family secrets, when she joins the local Resistance. At the same time in Paris, Leo is arrested for being Jewish but manages to escape the train that is to deport him and is taken in and hidden for the rest of the war by a family living near Clermont Ferrand.
','Won the Prix Gandois from L\'Académie des Sciences, Arts et Belles Lettres de Clermont- Ferrand.
','',1),('Maisonoccupee','Bouissounouse1903','Maison occupée','Prose',1946,'A diary begun in July 1940 when JB\'s house was occupied by the Germans, arranged in two parts: \'Maison occupée\' and \'Les Chevaux de Marly\'. It is an account of daily life written in the present tense including conversations, showing antagonism towards the Germans, the news on the radio, JB working in the Bibliothèque nationale, the departure of the Germans in 1941, a radio message from her husband, Louis de Villefosse, in England while serving with the Flotte française libre and meetings with writers such as Giraudoux, Éluard and Desnos. JB was interrogated by the Germans, but released. The house was finally occupied by the French.
','','',1),('quelquepartfront','Boulenger','Quelque Part, sur le front...: Images de la présente guerre','Prose',1940,'JB\'s letters sent to the editor of Le Temps, 12 October 1939-6 January 1940 and originally published as articles. A truthful picture of life at the front, not substantially altered by the censor. No personal material. Interesting insight into writing on war (skirmishes, reflection on war, total war, on Germany, Nazism) from the front before the invasion.
','','',1),('metierseigneur','Boulle1912','Un Métier de seigneur','Prose',1960,'A writer, Cousin spurred on by literary visions of glory, joins a \'groupe franc\' in 1939, managing to avoid any real action, but every event provides inspiration for more stories, at least in his own mind. He is desperately worried about appearing to do the right thing, and quick to judge others, fiction and fact quickly get mixed up. He decides to join De Gaulle in England and then is sent on a reconnaissance mission to France. He is captured and tortured by the Gestapo, and his companion Morvan dies. Cousin then takes on another mission with Morvan\'s sister, Claire. There is also the character of Dr Fodd, a psychiatrist who judges future spies\' aptitudes, aided by another young doctor, Austin, who is parachuted into France, alongside Cousins to observe him. Claire spies on Cousins to see whether he betrayed her brother, encouraged by mother. German secret service obtain tape where Cousins admits all, with which they then try to blackmail him, Cousins later kills the German officer and destroys the tape, then kills himself. The title is drawn from a phrase that writer had once read \"Le métier d\'espion est un métier de seigneur\", which is repeated by a German secret service operator in the novel.
','Nouvelles Littéraires, 21/1/60
','',2),('Pontkwai','Boulle1912','Le Pont de la rivière Kwaï','Prose',1954,'The novel describes the building of the Bangok-Rangoon railway, especially the track over the river Kwaï, by British prisoners of war in Japanese camps. The British soldiers try to delay the progress of the railway by working the bare minimum, but the English engineers are incapable of forgetting their training and advise the Japanese on how best to complete the difficult engineering feat and it is the most senior officer that eventually alerts the Japanese to the fact that the British Secret Service is trying the blow up the bridge, feeling that this act is unsporting. The author is divided; he admires the discipline of the British soldiers and especially their officers, but is highly critical of class divisions. The Japanese are described as virtually sub-human.
','','',2),('sacrilege','Boulle1912','Le Sacrilège malais','Prose',1951,'Set in Malaysia, the novel explores the changing fortunes of a rubber plantation company, acronym: Sophia, set up by individual planters just before the First World War, but now under Parisian control, and of the individuals working for it, French and Malaysian, their relations with the British and the English colonial, hierarchical culture and practices, their relations with servants and \'natives\'. Key drivers of the novel are the tensions between the feminised company and the feminised tropical jungle, and the attempts to introduce taylorist practices, systems methods into the plantation; tensions between the French and the English. The war provides the context of the final chapters, but is primarily part of the historical setting rather than explored in detail. The declaration of war seems to have a disruptive effect on \'master-servant\' relations, with a sudden lack of deference from the \'boys\' waiting on Europeans. At first no employee is allowed to join up, but several do, including volunteering for La France libre. Reference is made to the Japanese landing on 7 January 1942. There is one reference to France: \'L\'invasion de la France, l\'apparition d\'un parti collaborationniste l\'avaient profondément affecté.\' And this is contrasted to the unanimous support in the company for \'l\'alliance anglaise\' and \'la France libre\' (p.288). That the Japanese meet no resistance in their advance has resonances for a French audience. Bombings in Singapore, liberation of Paris and end of the war in 1944 and 1945, are mentioned as historical anchoring points in the context of individual stories.
','','',1),('BanditsAtlas','Bounemeur1945','Les Bandits de l\'Atlas','Prose',1983,'Bandits control the mountainous region of Algeria in which the story is situated and steal the livestock of the locals, the only resources that these families have left having had their land expropriated by the local caïd and the French authorities. When these two powerful groups decide to challenge the bandits, the local population get caught in the cross-fire and die in large numbers. Hassan, who has lost his father to the bandits and the rest of his family to the caïd, decides to seek revenge. The dire effects of the war, which has caused famine and poverty, are evident. There is also a strong sentiment that the events of this period are direct and important causes of the later Algerian War of Independence.
The novel won first prize in a competition to celebrate the twentieth anniversary of Algerian Independence in 1982. It is the first novel in a series of five that describes the period up to the war of Independence and the war itself. L\'Atlas en feu, Paris, Gallimard, 1987, Cette guerre qui ne dit pas son nom, Paris, L\'Harmattan, 1993 Les Lions de la nuit, Paris, Gallimard, 1985, La Pacification, Paris, L\'Harmattan, 1997.
','','Sélom Komlan Gbanou, La Guerre d\'Algérie en questions, Etudes littéraires, Vol. 35, ,no. 1, 2003
http://www.erudit.org/revue/etudlitt/2003/v35/n1/008634ar.html
',1),('Attaquelignemaignot','Bourcier','L\'Attaque de la Ligne Maginot','Prose',1940,'','','',1),('renaitra','bourrette1894','Tout renaîtra','Prose',1959,'The narrator is returning in the 1950s, after 40 years away, to Saint-Agreve in the Vivarais, revisiting his childhood haunts. The war is not far away, some parts are in ruins. René, who came to the area to escape the S.T.O., gives him the notes of the school master M. Bourret who has recently died. Starting with the arrival of African soldiers at the liberation, the notebooks record his account of \'les années noires\', the stark simplicity of life all were reduced to , having to live like their grandparents - ironically living Pétain\'s dream of the \'retour à la terre\'. The contrast between town and country is a recurrent theme, as is the importance of religion, protestant and catholic, in the area and the points of conflict between them . Catholics are said to be more sympathetic to Pétain, and the regional head of the Légion des Volontaires Français is hostile to protestants. The communion in the immense and dramatic landscape supports the solitude of the protestant, the individual in face of God. The author of the notebooks notes the humiliation of the defeat, the collapse of the schoolteacher\'s values of democracy, progress, science, the growth of marché noir, the atmosphere of suspicion, hatred, suppressed anger. The development of Resistance starts bringing hope again. They see their first German soldiers in November 1942, and the maquis also gets under way. The land/landscape is said to protect them from the milice in particular on their track. They follow the débarquement, and see allied troops after the 15 August débarquement in Provence. And the area is suddenly full of Resisters. This is followed by the story of René who like everyone else looked to Pétain for a time, then became involved a Resistance information network. The final 100 pages of the novel is primarily focused upon families, and the family house while giving some details of René\'s resistance work during the Occupation.
','NL 08/10/1959
','',2),('aerodrome','boussinot1921','Aérodrome','Prose',1954,'Set in rural France south of Bordeaux, the novel opens in 1936. Turning a field into an aerodrome and starting a flying club is one of the plot lines, which inevitably becomes more acute under the Occupation . It opens in 1936, with the Front Populaire. The novel is suffused with the political analyses of the communist left: the rich Count is anti-Semitic, and involved in trafficking with the German \'Bureau d\'achats\' in Bordeaux under the Occupation. The bourgeoisie is considered to have betrayed France (in France and in Poland, they prefer defeat by Hitler to the power of the people); the discipline of the German army, when it arrives, contrasts with the chaos of the French army. The town is in the unoccupied zone, near the demarcation line. The prison is Bordeaux is full of bourgeois black market traffickers. The school\'s director and the teacher are keen to advance the cause of the people, as is the republican municipality (said to counter the influence of the \'two hundred families\' of left-wing lore. Vichy removes the elected mayor, and a socialist councillor agrees to take on the post (without elections). Fernand Villembits leaves in the opening scenes to fight in Spain for the Republic. He and his wife are involved in Resistance - she dies in Ravensbruck. The \'paysans\' are a \'site of debate\' in the novel, as to whether they are a progressive or a reactionary force. The First World War is recalled through the politically aware letter Fernand\'s poilu father wrote to him, and through the memories of the school director who taught all those remembered on the war memorial. The postwar period is presented as a further defeat of the people, as collaborators are left in peace in the name of harmony. De Gaulle is described as a royalist, and the MRP as aligned with priests and bishops . It\'s the same coach with new horses, ever the same ones in the coach, ever the same ones in the mud of the road. By 1948, the Countess is seeking to take over land, the CRS are brutal beasts, and old scores against the Resistance are played, culminating in the lynching of Fernand, as opposed to the \'occupation américaine\' as he was to the German one.
','NL 05/08/1954
','',1),('guichets','boussinot1921','Les Guichets du Louvre','Prose',1960,'A first person narration constructed retrospectively from the present day, and telling the story of a young man\'s attempt to intervene in the great \'rafle\' of the 16 July 1942 in Paris. On the day he is due to catch a train to return home, a fellow student bursts into his room and explains what is about to happen (it later transpires contacts in the police have informed him); 50 people are being contacted and asked to go to the Marais and save a Jew. The narrator is horribly embarrassed, feels very awkward at drawing attention to the Jewishness of his interlocutors and the peril they are in as Jews. His attempts are unsuccessful - he sends two small boys back home to get permission from their mother to come back to his room for safety, but they don\'t reappear and he fears he\'s sent them straight into the danger their mother had probably tried to protect them from by sending them out of the area to play; one elderly woman reacts with panic when he explains he is not a policeman and rushes away from him. A range of views of the non-Jewish spectators is expressed, both anti-Semitic and also absolutely horrified; he is often told by Jews also that only foreign Jews are at risk. There is police brutality. He does help a young Jewish woman to escape, only at the end for her to go to UGIF - Union Générale des Israélites de France, set up by the German authorities, which for him means she will be taken. He blames his immaturity and awkwardness about their sexual attraction for failing to save her. The metaphor of the \'broken mirror\' is here used to designate his deliberate elimination of the day at the end of the day itself; contemporary anti-semitism reawakens the memory and prompts him to reconstitute his mirror. The novel (which is often referred to as autobiographical and a memoir) and subsequent film were criticised for their representation of the passivity of the Jews in Paris and of UGIP, though the fact it was the French police and not the Germans arresting people is shown to be a major factor in the acceptance of the situation.
','','',4),('DrameVichy','Bouthillier1901','Le Drame de Vichy','Prose',1950,'A \'plaidoyer médiocrement convaincant\' by a senior official in the Third Republic who campaigned for the Armistice and the creation of the Vichy Government. Volume I covers the period from June 1940 to February 1941, including the Armistice and the attempted ousting of Laval from the Government. YB sets out an apology for Pétain\'s politics and has harsh words only for Laval. Volume II includes YB\'s defence of his own policies while a minister, in the fields of politics, finance and the economy.
','','Entry in D.S. Bell et al (eds), Biographical Dictionary of French Political Leaders, 1990.
',1),('Vercorscombat','Bouton','Vercors: le combat des résistants','Prose',1994,'A graphic novel recounting the adventures of Antoine, \'un jeune maquisard\', and the tragic defeat of the maquis in the Vercors in July 1944. The narrative is informative and readable, although the tone is pious and didactic, and the role played by French collaborationist auxiliaries and by strategic blunders in the defeat is not mentioned.
','','',1),('Argentvif','Boutron1912','L\'Argent vif','Prose',1954,'Autel, an employee of the Eaux et Forêts, attempts to map a local village destroyed in a landslide many years previously. The villagers, pleased with their new lives, are suspicious of his research. He discovers a mine on the site, through which he hopes to make his fortune. On his mobilisation in 1939 he dynamites the mine to prevent others from profiting from his work. A few years later, Autel returns to the village with a head wound that has causes memory loss and wanders aimlessly trying to find the mine. He ends up dying in an avalanche, a great relief for the local visitors who were debating whether or not to murder him.
','Injury
','',2),('Enfantsmatin','Boutron1912','Les Enfants du matin','Prose',1953,'','','',1),('Hans','Boutron1912','Hans','Prose',1950,'Hans, a German officier and orchestre conducter, leaves his prison camp at the end of the war to work on a French farm. The son of the farmer Louis, an older teenager, lost his hand whilst fighting in the Resistance and his father is paralysed so they need help. Louis sets out from the beginning to hate the prisoner of war, but finds himself incapable of letting him die in a logging accident. In turn Hans helps to cover Louis\' tracks when he takes revenge for the killing of members of his resistance group, mainly to protect Louis\' mother. But Hans feels he has betrayed his country and so leaves to work in a logging camp, where he begins to learn to live freely again.
','','',2),('MonsieurLeon','Boutron1947','Monsieur Léon','Film',2006,'Monsieur Léon, a retired rural doctor, takes in his daughter-in-law and grandson, who have fled Paris, because of food shortages and the fear of arrest as they are Jewish. Neither side holds the other in much esteem. The little Yvon is disgusted by his grandfather\'s pro-Pétainist views and his close relations with the local German Occupying forces, but these are simply a cover for his important role in the local Resistance. When the activities of his network are discovered, and Yvon\'s own mother looks likely to be arrested for her own Resistance activities, Monsieur Léon puts himself at great danger by smuggling the two of them across the demarcation line. He is subsequently arrested. When he returns at the end of the war, his grandson treats him as a hero.
The director claims that he was inspired by Le Père tranquille by Noël-Noël and Le Vieil Homme et l\'Enfant by Claude Berri.
','Telefilm
','Télédoc, pedagogical resource produced by the SCEREN (CNDP).
',1),('Cotentincolmar','Bouverat1922','Du Cotentin à Colmar avec les chars de Leclerc','Prose',1947,'BCLF: \'Témoignage d\'un combattant obscur d\'une unité d\'élite\', fighting with the Forces françaises libres in England in 1940, in Normandy 1944-1945. BN Catalogue: The campaign of the 44e Division Blindée.
','','',1),('Piege','Bove1898','Le Piège','Prose',1945,'Joseph Bridet, a former journalist, tries desperately to leave France to join De Gaulle in London. While attempting to make use of his pre-war contacts he becomes embroiled in Vichy politics, where his contact Basson is investigated because of his Gaullist sympathies. Persuaded by his wife, he returns to their home in Paris, where he is arrested and detained in La Santé, then taken to a camp in the Oise. Finally he is shot by the Germans to avenge the death of one of their soldiers.
The novel is a strong condemnation of moral and physical attributes of Vichy officials as well as the French police who collaborate with the Germans. A constant theme is the gullibility or naivety of his wife Yolande (possibly an representation of la France pétaIniste), who always believes that there has been a mix up and that the authorities are there to help her and her husband, indeed Bridet often blames his arrest and detention solely on her.
','','\'Dossier critique sur Mes amis et Le Piège d\'Emmanuel Bove\', Roman 20-50, no.31, June 2001
Emmanuel Bové, Europe, no.895 - 896, November/ December 2003
Ouellet, François, \'L\'Altérité subjective d\'Emmanuel Bové: Le cas du Piège\', Etudes Littéaires, 1994-1995 Winter, 27(3), 101-109
',5),('Jeuxinter','Boyer1920','Jeux interdits','Prose',1952,'A young girl, Paulette, loses her parents, gunned down in a German airplane\'s attack on a refugee column in 1940. Following an injured dog, she wanders away towards a small settlement of 2 farms. Michel Dollé, 10 years old, persuades his father to take her in. She buries the dead dog, and becomes increasingly fascinated by dead animals, clearly traumatised by her experiences. Michel is drawn into her games (she is very matter of fact and dominating), starts killing animals for her. His elder brother Georges dies after being hit by a horse, there being no medical care available in the area. The children steal crosses from the local cemetery, fuelling the already strong conflict between the two families in the small settlement who accuse each other, to make a cemetery for the animals. Michel (probably) dies falling from the church trying to steal the cross from the roof, and Paulette puts him in the stream. The story ends with her running after a hare, back towards the main road.
','The back cover of the 1952 edition suggests it had major success overseas, particularly in the United States, before being published in \'le club du livre\' in 1951.
Had been translated into 17 languages before the film adaptation came out, had had several \'book club\' editions and sold over a million copies in the united states (information from the Folio edition)
Back Jacket cover of the Editions de minuit edition includes 4 extracts from the French press reviews, and 4 from the American press reviews.
','',3),('Artbrut','Brami1950','Art brut','Prose',2001,'The artist Emile X was used as a guinea pig for electric shock treatment during World War Two. Forty years later he is still in the same mental hospital.
','add art
','',1),('Histoirepoupee','Brami1950','Histoire de la poupée','Prose',2000,'A twelve year old Polish girl is deported and manages to smuggle [a doll?] into the camp
','Magazine Littéraire, no. 392, novembre 2000
Won the Prix Bernard-Palissy in 2000.
','',1),('fortunat','Breitman','Fortunat ou l\'enfant adopté','Prose',1955,'Noël Fortunat ferries people across a river in the Sologne/Berry region, from the Occupied to the non-occupied zone . Fortunat is rather solitary, not interested in politics, lives with his mother who runs his hardware store. He has lost one hand, and was not mobilised. The commandant Laffricain and the priest ask him to take people over; after Laffricain takes over as mayor in place of the one Vichy suspected of being Jewish, Fortunat will only take Jews across since he supports the former mayor, though we are told it is possible he despised also \'his\' Jews. He takes two children across at the request of their mother Mme Jonathas, whose Jewish husband has been arrested. He is drawn to them, goes over by day to visit them and is rather adopted by them. Reflects on whether children are really \'d\'une autre race\'. A package arrives with her husband\'s clothes, and she accepts he has died, and in her turn crosses to join her children. After being arrested, spending time in prison, and having his boat confiscated, Fortunat swims across, stays with them, developing a relationship with their mother. In the zone sud, one of the boys joins the scouts; both have difficulties coming to terms with being Jewish. The novel underlines Jewish physical characteristics. Father returns. Post 45, they search for the father among the returnees, and eventually he appears at the Lutetia hotel, having spent three years in a mine in Silesia. Fortunat suffers at the closeness of the elder boy and his father and returns to Menetrel, to find one of the institutrices he arranged crossings with has been shot by the Germans, and Laffricain has been shot by the maquis. He abducts the boys and takes them to Grenoble, changes their names. Discovered, they are returned to their parents, who understand but Fortunat is told: they are not yours, \'pas de ta chair, pas de ton sang\'. But he seems to find happiness in his memories of them.
','NL 27/10/1955
Film adaptation has removed the Jewish part of the story.
','',2),('Atelierphoto','Brenner1922','L\'Atelier du photographe','Prose',1954,'The three parts of the novel - 1. L\'Innocent Paradis, 2. Le Dernier Eté, 3. Les Occupations imprévues - set out a metanarrative from the beginning. Each chapter is focused upon an individual character or family, some of whom appear in other stories. The problems and pains of adolescence of various young people are both real and painful, as they face difficult family situations (often involving relationships with very authoritarian fathers), school, and particularly the discovery of sex and sexuality, from infantile sexual games of masturbation at school, to losing their virginity, issues of sexual orientation, lesbianism and homosexuality, going to brothels, free love. But this physical, carnal world is the innocent paradis from which they are going to be expelled by the war and occupation. The novel chronicles the impact of the times, from defeat to occupation, the S.T.O., increasing violence and repression, to the bombings and fighting of the Liberation. The young people go through this with varying degrees of cynicism and commitment. The novel incorporates references to arrests and imprisonments of Jews in Drancy (and later of those accused of collaboration), Doriot and the PPF, the LVF, divisions between the French and the indifference of the majority, collaboration and the épuration.
','Nouvelles littéraires 30/9/1954
','',1),('Damesboisboulogne','Bresson1901','Les Dames du Bois de Boulogne','Film',1945,'The story is based on Diderot\'s Jacques le Fataliste (1796).
Hélène seeks to take revenge on her former lover Jean, who has left her. She tricks him into falling in love with a former prostitute and dancer Agnès. Hélène has Agnès completely under her control, as she has provided Agnès with enough money to lead a new life, and as a result she persuades Agnès to promise to only reveal her true background to Jean after their wedding. When this day comes and Agnès makes her revelation, Jean in anger drives off and she falls unconscious with the shock. On his return he is told that Agnès is dying and so he visits her. Moved by her contrition, he forgives her.
','','Prositution
',1),('couronne','Brest','La Couronne d\'orties','Prose',1959,'The sergent François Auclair is working for the Mission Française de Liaison with the Corps Expéditionnaire. There are multiple anecdotes of these forces not being particularly competent (Lord Haw-Haw announces their arrival in Metz before they left the North; failure to make sure shops are open to feed the masses of refugees), of petty jealousies (English one side of the village, Scots the other) and of the \'pittoresque anglais\' (footnoted definitions what \'ce n\'est pas du cricket\' means. They are constantly on the move, and gradually worn down by the continual \'strategic retreat\' before the Germans\' advance. Generally keeping up appearances prioritised over taking necessary practical measures. The lack of resistance and counterattack from the BEC, lack of allied places or anti-aircraft guns are deplored. Dunkirk and Bray-Dunes, as 3000 men wait under enemy fire, is a \'spectacle grotesque\', and the French come second to the English (\'mes hommes d\'abord, les mangeurs de grenouilles après, s\'il y a de la place). They are just atoms dancing in a hurricane. He records the numbers of countries and categories of soldiers (including \'Hindous\') present. From Dover they go to London, Southampton, then back to France (Cherbourg), astounded the British press treats it all as a victory. Still impossible to stem the German advance. On to Casablanca. Auclair\'s personal diary attacks \'nos gouvernants\' as weak and emasculated, badly prepared at every level, but he is determined to rebuild his father\'s factory if necessary as his father did in 1919.
','','',1),('vertemoisson','Brunel','La Verte Moisson','Prose',1959,'An unnamed, third-person narrator recounts the Resistance exploits of a group of eighteen schoolboys (who are young men rather than children). From defacing pictures of Pétain and circulating propaganda, they progress to obtaining plans of the local German air base, producing false papers for réfractaires and Jews, and finally to killing a German soldier (a postmaster). Betrayed by a local delinquent, they are arrested and the three rungleaders are shot. A group of younger schoolboys tries to imitate them, but their activities amount only to hooliganism. The book is written in a lyrical, gushing manner, and the author proves unable either to breathe life into his youthful heroes or to offer plausible explanations of how they achieved their exploits. Its hollow, epic fantasising recalls the parodic Resistance novel satirised by Marcel Aymé in Uranus (1948).
','','',2),('barreauxfaucons','Bujeaud','La Barre aux faucons','Prose',1955,'The aristocratic Commandant de Rochard discovers a wounded prisoner in the woods and rescues him. The man, Jean Ferrand, loses an arm in an emergency operation, but recovers; we learn that he was a Resistance agent and former musician, who was betrayed by his radio operator but survived a firing squad thanks to the complicity of a German NCO and fellow musician. Assuming he has died, his girlfriend plans to marry a German officer, also a musician. When a German cook from the local garrison is found dead, Rochard is deported in reprisal (thereby saving the life of the child who killed the German). An epilogue shows Rochard\'s return to the community. This is essentially a regional novel, with the added dramatic dimension of the conflict between the local community, the German occupiers and possible traitors.
','','',1),('coldie','Bureau1912','Coldie ou la part de l\'eau','Prose',1957,'This first person narration novel is divided into five sections, each introduced by the narrator looking back. Starts with Paris flooded, and the narrator remembering 15 years previously being in the same place, and as a little girl, watching the river deposit its corpses against the grid of the sluice. Serial deaths of animals and people are a constant of her life. She lives with an eccentric aunt, who works in the Bureau des Finances and goes to the office at night; she goes to Paris to see her eccentric mother. The episodes of the defeat and déroute are told, as is the rest of the novel, with a sardonic humour and frequent punch-lines, underlining the absurdity and heartless ridiculousness of life, of dysfunctional families, social upheaval and death. She passes the war in America, returning to Paris in November 1944, and a flat that had been used for torture by the Germans, now transformed into an allied hospital. She joins friends rushing around to the bits of the war still going on, like La Rochelle where she is asked to liaise with the Russians who had been incorporated into the German army and who had surrendered. A returning deportee regrets having risked his life for nothing, regrets having survived, and confides the \'intransmissible\' to her, that they had a good time. There are various suicides, a friend Joan falls and aborts her child, another carries out a murder. It ends with the wish that Coldie\'s body will be let through the sluice with the others to the sea.
','NL 17/10/1957
','',1),('Enfantcache','BurkoFalcman1935','L\'Enfant caché','Prose',1997,'During the war, Esther was renamed Estelle and hidden to protect her from deportation. Fifty years later she decides to talk about her experiences and her difficulties in readjusting to everyday life. There are two narrativel viewpoints; the first the diary kept by Esther/ Estelle during the war and the second, the modern diary of the narrator the grown up Esther/ Estelle.
','','',1),('prenomrepub','BurkoFalcman1935','Un Prénom républicain','Prose',2007,'The author was \'assignée à residence\' in a small village in South-West France with her mother, while her father was first sent to Pithiviers, then Auschwitz, where he died. The little girl attends school and leads a generally normal life. In 1945 the two return to Paris and the mother becomes involved with the Bund, a Polish Yiddish revolutionary group. Through this and the numerous Jewish international young groupsand camps that the author attends the author meets numerous people who she feels have suffered more than her. This guilt at not having suffered enough prevents her from ever telling her own story. It is combination of the war in Iraq and then the opening of the Shoah memorial in the rue Geoffroy l\'Asnier in 2005 that alters this view.
The title refers to the fact that birth registery clerk refused to register her with a Polish first name, insteading forcing her father to choose one from the calender of Saints\' days. The author has therefore spent her life with a name she feels alienated from.
','','',1),('OmahaCrimes','Bussi1965','Omaha Crimes','Prose',2007,'Alan, a young GI deserts the army after being wounded on D-Day and lives with a young Normande, without telling her anything of his past. After twenty years he disapears during a trip to the USA. Alice, the fiancée of one of the dead American soldiers, Lucky, discovers twenty-years later that he had been paid to swap places with another soldier, the son of one of the richest families in America, but that this soldier had never paid his debt. It is Alan who witnessed this contract and so Alice hires a private detective to find him, a hunt that takes her all across the Midwest, only to find that Alan is dead. The rich and powerful mother is willing to kill all the people involved to protect her family name.
','Won the prix Sang d\'Encre de la ville de Vienne in 2007, the Grand Prix du Premier livre policier de la ville de Lens, the Prix littéraire lycéen de la ville de Caen 2008, the Prix Octave Mirbeau de la ville de Trévières 2008 and the prix du jury du festival \"Polar à la plage\" au Havre.
','',1),('Dansgriffesnazies','Busson','Dans les griffes nazies: Angers, Fresnes, Ravensbrück, Mauthausen','Prose',1946,'SB\'s harrowing account of the horrors of the concentration camps written for her son in order to show him how she and her husband, Adolphe Busson, had suffered. She was originally arrested when visiting her husband and both were sent to Fresnes. The first part of the book was destroyed in Mauthausen; she rewrote it on her return home. She was finally freed in 1945, but her husband had died. Volume 2 contains a collection of documents and pieces of evidence, not this time personal, the photographs being provided by the Ministère de l\'Information.
','','',1),('Rencontrehommes','Caceres1916','La Rencontre des hommes','Prose',1950,'BC\'s autobiographical presentation of a difficult childhood in Toulouse living in an old tannery, with the death of his father when he was eight and his mother\'s suicide attempt, after which she went into hospital, leaving her three children to bring themselves up on their own. He describes his time at school and having to leave to become an apprentice carpenter. He continued to read books whenever he could, overcoming his embarrassment and borrowing them from the library. Part 2 describes the soul-destroying work conditions, the working-class and trade unions, WW2 and BC\'s work for the Resistance; after the war, when his horizons were extended by the contacts he made then, life did not seem the same. As a successful working-class autodidact BC is well aware of the deprivation suffered by other workers, whose hard life prevented them from having any education or experience of culture.
','','',1),('Bouquet','Calet1904','Le Bouquet','Prose',1945,'','','',1),('MonsieurP','Calet1904','Monsieur Paul','Prose',1950,'In this first person narrative, a father, (surname Schumacher), addresses his infant son Paul, nicknamed Monsieur Paul. He recounts his life and relationships, and the circumstances of Paul\'s conception and birth. It is a picaresque tale of a life not well lived, of multiple unsatisfactory affairs, of crime (the theft of a considerable sum) and its consequences. Driven by a fundamental dissatisfaction with living, routine, order and obedience, the narrator chronicles his chaotic life, his fantasies of accusation and judgment, violence, murder and suicide, his fears of a forthcoming war. Reference is made throughout to social and political events, including his time as prisoner of war, and reflections on Jewish experience and Jewishness (his son\'s mother is Jewish, as is his wife). There is a good deal of aggression and anger in the text. The relationship with his son emerges as a very strong one, and his final farewell is poignant and moving.
','','Europe, nov-déc 2002 on Calet.
',1),('MursFresnes','Calet1904','Les Murs de Fresnes','Prose',1945,'Experiences of captivity, recorded by HC, with great sensitivity, from graffiti scrawled by prisoners on the cells walls at Fresnes.
','','',2),('Toutsurtout','Calet1904','Le Tout sur le tout','Prose',1948,'','','',1),('Ptesnuits','Carne1906','Les Portes de la nuit','Film',1946,'Diego, a former Resistance fighter, returns to a postwar Paris still governed by wartime restrictions. One of his dining companions is Guy, a former member of the Milice who at the Liberation invented a glorious past in the Resistance and is now treated as a local hero. When Diego confronts Guy over the betrayal of one of his Resistance comrades, Raymond, Guy finds it impossible to live with the guilt and throws himself under a train.
Judith Butler describes how contemporary critics focused less on the question of collaboration and more on the terrible social conditions in the Parisian slums.
Some sources claim that at the time this was the most expensive French film ever made.
','','Bultler, Judith, Film and Community in Britain and France (London: I.B.Taurus, 2004), pp.85-87
',1),('Appelaitchatte','Carre1908','On m\'appelait La Chatte','Prose',1975,'A further instalment from the notorious double agent, which is a much fuller version than her earlier memoir. She presents herself as the victim of manipulation by both Abwehr and Resistance cadres, striking a more feminist note, and claiming she wishes to be left in peace.
','','',1),('Etechatte','Carre1908','J\'ai été \"La Chatte\"','Prose',1959,'An autobiography by the notorious double agent known as \'la Chatte\'. She was recruited by a Polish friend in autumn 1940 to work as an agent for the Interallié network, linked to British Intelligence. She was arrested in November 1941, turned by the Abwehr agent Hugo Bleicher, and used as bait to entrap many Resistance activists. She was allowed to go to England in 1942, where she was arrested in July and imprisoned. She was finally brought to trial in January 1949 and received a death sentence, commuted to twenty years\' imprisonment. She was released in 1954, after twelve years in prison.
','','',1),('Romanrusse','Carrere1957','Un Roman russe','Prose',2007,'The author has always felt imprisoned by family secrets that his mother refuses to reveal; the story of her father who disapeared during the period of the Liberation, probably killed for having collaborated. The novel recounts Carrère\'s investigation of his Russian roots (but not his grandfather\'s story), which he undertakes through the filming of two documentaries; one for Envoyé spécial on France 2 about a Hungarian POW who spent more than fifty years in a Russian mental hospital and the second about daily life in this same Russian town. Though such investigations liberate him and his mother (to whom this novel is a form of love letter), they ultimately destroy his relationship with his partner Sophie, the woman for whom he wrote the erotic short story (L\'Usage du Monde) published in Le Monde in July 2002 and which is republished in full in this novel.
','Noiville, Florence, \'\" J\'avais l\'impression d\'être enfermé \"\', Le Monde des Livres, 2 mars 2007
Crom, Nathalie, \'Emmanuel Carrère affronte ses fantômes familiaux dans un récit autobiographique maîtrisé et émouvant\', Télérama, mars 2007
','',1),('Pionsechiquier','CartaultdOlive1913','Pions de l\'échiquier','Prose',1947,'Captured in 1940, FCdO was sent to a work camp in Germany, escaped in 1942, was recaptured and made to do forced labour. On his second escape he reached Holland, but was caught and sent back by police to Arnhem. He was again sent to a labour camp and managed to get some work outside, but only returned home at the end of the war. He refers to himself as \'Frédéric\' in the text.
','','',1),('Demonoubli','Castillo','Le Démon de l\'oubli','Prose',1987,'A journalist commits suicide in 1962 and an elderly man, an acquaintance from the war years, decides to investigate the circumstances surrounding his death. The journalist used to write for Action française.
','','',2),('2actes','Catroux1877','Deux actes du drame indochinois','Prose',1959,'','','',1),('BatailleMediterranee','Catroux1877','Dans la bataille de la Méditerranée','Prose',1949,'C played an important part in the events of 1940 to 1945 owing to his position and his contacts with Pétain\'s men in the East and North Africa and with General de Gaulle, of whom he was a faithful companion. He provides a clear and well-written account of events leading to the elimination of the French in the East, together with information about Free France and the Vichy Government.
','','',1),('Monlieutenant','Cau1925','Mon lieutenant','Prose',1985,'During the June 1940 debacle, Lieutenant Valentin and his section are given the task of guarding a bridge in a rural location. They are massacred when they vainly attempt to repel the Germans. The novel alternates satirical episodes presenting invented characters and historical figures (Churchill in the bath, Reynaud\'s gymnastics); the tone is cynical and lacks human sympathy. However, a deaf-and-dumb peasant girl bears the lieutenant\'s child, implying hope for rebirth.
','','',1),('RetourTanteEmma','Cayatte','Le Retour de Tante Emma','Film',1949,'The film formed part of a larger work entitled Retour à la vie which also included short films by Clouzot, Lampin and Dréville. It depicts the return from Buchenwald of a women called Emma. She goes to live with her brother and his children. Under pressure from her brother she agrees to sign away her legacy for the benefit of her nephews, who, he claims, have suffered as much as her. The film seems to suggest that despite her return from the camps Emma\'s suffering is far from over, either emotionally or physically.
','','',1),('Chateauautre','Celine1894','D\'un château l\'autre','Prose',1957,'The work begins as a diatribe against the post-war society from which Céline has been excluded because of his conduct during the war. He places emphasis on the perceived inequalities in terms of wealth, food and power that exist in the mid 1950s in France, based on people\'s stances during the Occupation. The novel is written in short, abrupt phrases, as if the author was speaking to his reader and was having difficulties in organising his ideas. During moments of delirium, Céline also describes his interrogation and period of imprisonment in Copenhagen and the time spent in the Château of Sigmaringen in Germany with the most powerful and famous of the French collaborators. This section of the text insists upon the sense of chaos that reigned amongst the leaders of collaborationist France following the liberation.
','','Coen, Stanley, Louis-Ferdinand Céline\'s Castle to Castle: The Author-Reader Relationship in its Narrative Style\', American Imago: Studies in Psychoanalysis and Culture, Winter 1982, 39(4), 343-368
Décarie, David, \'Un Assassin-écrivain: Poétique métaphorique et \'interfiguralité\' dans la trilogie allemande de Louis-Ferdinand Céline\', Roman 20-50 - Revue d\'étude du roman XXe siècle, 2004, 37, 103-114
Destruel, Philippe, Louis-Ferdinand Céline (Paris: Nathan Université, 2000)
Flambart-Weisbart, Véronique, \'Mémoire collective et mémoire individuelle: L\'Emotion dans la trilogie célinienne\', Romance Language Annual, 1993, 5, 29-32
Harris, Frederick, \'Céline in Germany: D\'un château l\'autre, Nord, and Rigodon\' Yearbook of Comparative and General Literature, 1989, 38, 100-106
Harris, Frederick, \'Réalité et imagination dans la trilogie allemande de Louis-Ferdinand Céline\', Francographies, 1995, 1, 33-44
Hewitt, Nicolas, \'Memory and Chronical: Louis Ferdinand Céline and the D\'un château l\'autre trilogy\' in European Memories of the Second World War, ed. by Charles Burdett and Claire Gorrera (New York, NY: Berghahn; 1999)
Loselle, Andrea, \'Fading Images: The Touristic Itinerary and Spatial Representation in Céline\'s Germanic Trilogy\', Symposium, Spring 1993, 47(1), 16-35
',17),('Chezarmeeanglaise','Cendrars1887','Chez l\'armée anglaise','Prose',1940,'Articles published in various papers in 1940 on BC\'s experiences of wartime with the British forces.
','','',1),('maincoupee','Cendrars1887','La Main coupée','Prose',1946,'Describes World War One, but is dedicated to his sons, one of whom was killed in action during World War Two.
','','',1),('Tropiques','Cesaire1913','Tropiques','Prose',1978,'René Ménil, Georges Gratiant and Aristide Maugée collaborated with Césaire on the review as did Césaire\'s wife Suzanne.
The review finally ceased publication in 1943 under the pressure of Vichy\'s propaganda.
','Add literary review to generic keywords.
','',1),('MystereStAmbroise','Cestac1949','Mystère à St Ambroise','Prose',1992,'Story told from the viewpoint of a 12 year old schoolboy. He has recently been sent to a boarding school near the demarciation line. The centre of the intrigue is the sudden disappearance of several schoolchildren, and the protagonist and his new friend decide to investigate, a means for the authors to educate the readers about the deportation of Jews during the Occupation, and the efforts to hide Jewish children. For the headmaster turns out to be a member of the Resistance, but the children and their pro-Gaullist teacher are denonced by the pro-Pétainist art teacher and arrested. The story finishes suddenly leading the reader to believe that there might be a sequel.
To solve the mystery the reader is advised to look for the clues in the text (which are in capitals) and in the images.
','','',1),('Troncveuve','Chaboud','Le Tronc de la veuve','Prose',2002,'Chloe, a history PhD student and journalist, is investigating with the help of an archivist, the links between the art world under the Occupation, the Resistance and the Freemasons.
','Add art
','',1),('innocents','chabrol1925','Les Innocents de mars','Prose',1959,'A depiction of brutalised \'Hitlerjugend\' children in Germany towards the end of the war, and of the brutalising effect of war on adults too.
','','',1),('Juliettecerisiers','Chaix1942','Juliette, chemin des cerisiers','Prose',1985,'Chaix recounts the same events as in Les Lauriers du lac de Constance - Chronique d\'une collaboration, but this time from the viewpoint of Juliette, the family\'s servant. The récit also includes details of Juliette\'s early life (born in 1905) as well as years of retirement. There are also several passages written in the first person when Marie recounts her visits to Juliette or when Juliette speaks of her own experiences working for the author\'s family.
','','',1),('Lauriersdulac','Chaix1942','Les Lauriers du lac de Constance: chronique d\'une collaboration','Prose',1974,'The author charts the role of her father as the right hand man of Jacques Doriot, before, during and immediately after the Second World War. Though multiple viewpoints (Third person narration, Mother\'s narration, Father\'s narration, Grandfather\'s narration and Marie\'s narration (of events that she was too young to remember)) a portrait is sketched of the father\'s political and collaborationist activities and their effects on his family. However, there is very little insight into daily life under the Occupation.
The second part of the novel deals with the period following the Liberation (Summer/Autumn 1944 onwards), describing the sense of panic and the infighting that beset the French collaborators. Chaix constantly seeks to present her father as being on the sidelines of political intrigue of late 1944 and early 1945, a man whose main concern is the welfare of his men and his son who has accompanied him. She claims that he is a scapegoat for the French judicial system as all the other PPF leaders had been killed. Chaix presents a touching and sensitive portrait of the effects of this period on her mother. The novel won the Prix des Maisons de la presse in 1974.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (London: Macmillan Press, 1998)
Gorrara, Claire, \'Remembering the collaborating father in Marie Chaix\'s Les Lauriers du lac de Constance and Evelyne Le Garrec\'s La Rive allemande de ma mémoire\' in European Memories of the Second World War, ed. by Charles Burdett, Claire Gorrara and Helmut Peitsch (New York: Berghahn, 1999)
Morris, Alan, Collaboration and Resistance reviewed - Writers and the Mode Rétro in Post-Gaullist France (Oxford: Berg, 1992)
',3),('DrPetiot','Chalonge1937','Docteur Petiot','Film',1991,'','','',1),('Texaco','Chamoiseau1953','Texaco','Prose',1992,'Chamoiseau, a graduate student, arrives in Texaco, the illegal settlement above Fort-de-France, and is knocked unconscious by a rock. One volatile inhabitant has responded viscerally to the city official come to order the razing of his home. Others notice the coincidence between Chamoiseau\'s arrival and more positive events. Thus, in hope, and fear of police reprisal, they revive this \"Christ,\" and bring him to Marie-Sophie Laborieux. In \"the battle of her life\" Texaco\'s founder begins to persuade the \"Bird of Cham\" to preserve her story and that of her people, to spare her town. Commentary
So begins a long, intricate novel of multiple \"oral\" and written texts, one that is eminently readable yet subtle in its meldings of narrative voices, times, and perspectives. In its long span from the pre-Columbian era, through the arrival of the Europeans, their importation of first Africans, then others, as slaves, the period of decolonization, and the contemporary postcolonial era, Texaco provides an African-Caribbean counterpoint to the African-American experience. The use of Creole and the representation of oral history heighten the reader\'s pleasure in learning from a well-drawn, self-reflective, strong-yet-vulnerable personage and narrator, Marie -Sophie Laborieux. (from litmed.med.nyu.edu/Annotation?action=view&annid=1122) The two world wars form part of the historical sweep of the narrative.
','','',2),('derniervillage','Chamson1900','Le Dernier Village','Prose',1946,'The novel follows a group of soldiers from the early skirmishes of the winter 1939-40, near the Ligne Maginot, to the announcement of the armistice when they have retreated far to the south and are coming under attack from both German and Italian planes. It opens with their attempt to halt the chaos in a village in the south (the earlier periods are told in flashback), and provide food and structure for the exhausted men arriving in large numbers. Not all of these wish to continue to fight; those who do have many anecdotes of the repeated orders to retreat which continually prevented them engaging with the enemy. There are many comparisons and contrasts with their experiences during the First World War, and reference too to 1870. Some are developed individually: Rabaud for example is a socialist and former pacifist, driven to fight against fascism since 6 February 1934. Commitment to the Republic, to freedom and the patriotic defence of France are shown to be undermined by sympathy for fascism, and materialistic attitudes which broadly indict the bourgeoisie. The view that the Germans will bring order and put an end to anarchy is frequently expressed. Contrasting with the attitudes of the military hierarchy, the ordinary men and women of France (the diverse origins of the soldiers being expressed by reference to their differing accents, reinforcing the sense of the people representing the nation) are shown to have the will to fight, though to be confused by the speeches and attitudes of Pétain in particular. It is suggested that he might have brokered an agreement with the Germans during his time in Madrid (as French Ambassador) to offer only token resistance in order to save the Army and impose a new social order in France. For those in despair at the turn of events, de Gaulle\'s tactics and resistance from England are inspiring. Betrayal, indifference, and lack of fighting spirit are the primary causes suggested for the disaster of defeat.
','','',3),('lepuits','Chamson1900','Le Puits des Miracles','Prose',1945,'The novel is set in a small town which at the end is occupied by the Germans as they invade the whole country. The first person narrator records the strange events and characters in the town, starting with the activities of a dog killer in a courtyard below him. The town divides into two camps, the poor and the wretched are indignant at the massacre of the dogs, the rich and powerful support the dog killer. The increasing desperation and wretchedness of ordinary people is contrasted with the profiteering and hypocritical moralising of the rich, who are clearly identified with Pétain and the ideology of Vichy, through procise references which also situate the group as enemies of the Popular Front and the Republican tradition. As the dog killer becomes a torturer and killer of men, the Milice is evoked, as are Vichy\'s \'Ecole des cadres\' and the round-up of large numbers of Jews in the summer of 1942. The narrator presents life under the occupation as a time of nightmarish, hallucinatory confusion, but clarity is restored with the arrival of the Germans who are welcomed by the rich and powerful group. There are also allusions to the Resistance, and the novel ends with an affirmation of future armed resistance.
','','Leonard H. Rolfe, The Novels of André Chamson, New York, Vantage Press, 1971.
Peter Tame, \'André Chamson\'s Novel Le Puits des Miracles: France at War?\', Forum for Modern Language Studies, vol 41 part 2 April 2005, 226-37.
',3),('Armeesecrete','Chapelle1960','Armée secrète','Prose',1997,'A graphic novel recounting the adventures of Jean Moulin, adopting a pious and pseudo-documentary manner; this is BD as pedagogic propaganda, but the visual impact is impressive.
','','',1),('FeuilletsHypnos','Char1907','Feuillets d\'Hypnos','Prose',1946,'During his time as a courageous member of the Resistance, fighting under the name of Captain Alexandre, RC kept a notebook in which he recorded his feelings, his thoughts and his observations about the many distressing sights he witnessed. His views on the war and his philosophy of life are given in brief poetic paragraphs, like aphorisms, written under the strain and tension of the fighting and the more powerful for their simplicity.
','','Mingelgrün, Albert, \'Feuillets d\'Hypnos de René Char\' in Littérature et Résistance, ed by Reichelberg and Kauffmann (Reims; PUR, 2000)
',2),('brulure','Chauffin1905','La Brûlure','Prose',1958,'In a long monologue, Madame César tells her life story to a young man she meets in the street. She reflects a great deal on death and dying, having suffered a second near fatal heart attack the night before, on her wretched and lonely existence, and the secrets and suffering of the past. Throughout the account, she has an intense dialogue with God, and an attraction/repulsion for the intense spirituality represented by the church and some of its priests. Married young to Antoine, she found it difficult to accept his close relationship with his step-mother Nathalie, only 10 years older than him. Infertile as a result of a caesarean, with her baby only living a few hours, she and Antoine eventually adopt a child, arranged by Nathalie. She is convinced Nathalie is Antoine\'s mistress, and that the child is theirs. Nonetheless she experiences a passionate maternal love for him (Noël), and refuses to tell him he is adopted, despite Antoine and Nathalie\'s pleas. After the defeat of France, Antoine is a prisoner of war. Nathalie becomes involved in the resistance, and involves Noël as well, now aged 16. The final drama involves the inhabitants of the village being rounded up, fearing for their lives, and three young men, resisters, brought forward for execution. Noël\'s impassioned account of Nathalie\'s request to be substituted for them provokes the narrator into an angry revelation that he is not her son, with her suppositions of his parentage. Noël leaves that evening, and she never sees him again. Nathalie informs her he reached England. The village is evacuated to Rennes, where the house she is staying in is bombed. She takes the identity of a dead woman called Madame César, and escapes. The young man is never identified, but it is clear he has a role in orientating her confession, as she calls it, towards an ever greater self-knowledge, and seems to be identified with a Christ-like figure at the end. The possibility is increasingly raised that the narrator is unreliable, having misjudged Nathalie and failed to understand her goodness, being dominated by her suspicions, becoming increasingly unstable, and haunted by the ghosts of Noël and Nathalie who are continually with her. The novel recalls L\'Immoraliste with its narrator\'s first person account of her behaviour becoming increasingly destructive of others, and also anticipates some aspects of La Chute, in the relationship with the silent interlocutor, and the importance of the relationship for the diegetic development.
','Some websites suggest Chauffin received this prix femina for this novel, but she doesn\'t figure in the list of \'lauréats\'.
','',1),('carrelage','Chauffin1905','Le Carrelage','Prose',1961,'The first person narrator is passing his life in review, from the 1930s onwards, particularly his courtship of Anne and marriage in 1939, and their experiences in the war, which play a major part in the first part of the novel. He spent five years as a prisoner of war after being captured with his whole division in the Vosges. His son and father-in-law are killed by a bomb in the exodus. Their Paris flat was occupied by the Germans, but his entrepreneurial mother gets it back, in a dreadful state, and tries to get her business going by working with the \'Organisation Todt\', though it still fails, and she subsequently dies. He recounts his experiences of being liberated and flown back to France, noting the clichés of their reception, and the numbers of wives who had abandoned their prisoner husbands. He is very sarcastic about his wife\'s use of cliché and noble sentiments in her letters to him during the war, he is angry the destructive effects of his wartime experiences (eg continuing nightmares) are not taken more seriously, and cynical about the carelessness of the Americans needlessly killing 15 prisoners at the camp\'s liberation. Anne was in the Resistance, and only talks about it after an exhibition \'Morts pour la France\', where she parades him as \'her prisoner\', but where she breaks down after seeing some dreadful photos. Acknowledging many in the Resistance were corrupt and self-serving, she laments those who were \'purs\'. The second half of the novel is dominated by the account of their relationship .
','Les Nouvelles Littéraires, 14/12/1961
','',1),('rendezvousaube','chavardes1924','Le Rendez-vous de l\'aube','Prose',1957,'Daniel Froidevaux (not his real name) travels to the South-west to carry out an assassination for the Resistance. His contact is Ryse (real name Manuela) who turns out to have been married to his friend Christian, killed fighting in Spain. His cover is as a young priest and teacher, and his target is another priest, Joseph Carrère, who has denounced many and who draws on the Bible for his anti-Semitism. 3000 Jews \'et leur progéniture\' being held in the Vélodrome d\'Hiver is mentioned. The opening in the train, with a child called Philippe after Pétain, and the mention of a German poster announcing the execution of four students and a worker, sets the social context of the Occupation, where the resisters have political backgrounds (Spanish civil war; Daniel was imprisoned in Italy in 1938), and the conflict under the Occupation, between Resistance, Vichy, Germans and collaborators, is a brutal and murderous one.
','','',1),('Manteaunoir','Chawaf1943','Le Manteau noir','Prose',1998,'The author\'s own life has been fictionalised through the character of Marie-Antoinette, who is born at the same moment that her mother dies during the Allied bombing of the Parisian Renault car factories in September 1943. As the child grows up, living unbeknown to her with adoptive parents, the full impact of such a traumatic birth and first few months of life is evident is her fragile health and mental state. The second section of the novel focuses on the search for the birth family undertaken by the fifty year old protagonist after her adoptive mother\'s death. She searches for visual signs of the bombing on the Parisian landscape and interviews actors from the period, without ever being able to reveal her true identity to them and therefore to herself.
','Régine Deforges, \'Le Manteau Noir de Chantal Chawaf\', L\'Humanité, 10/03/1998, http://www.humanite.fr/journal/1998-03-10/1998-03-10-411467
','Metka Zupancic, \'Chantal Chawaf: la déchirure originelle, le mal initial\' in Des Femmes écrivent la guerre (Frédérique Chevillot and Anna Norris eds.) Les Editions Complicités, Paris, 2007, pp. 219-232.
',1),('Retablereverie','Chawaf1943','Retable, la rêverie','Prose',1974,'The traumatic conditions of her birth (removed from the dead body of her mother who died in a bombing raid) inform Retable, the first of the two texts in this volume. An example of the experimental \'écriture féminine\', which used new forms, new kinds of language to express women\'s experiences and realities, Retable opens with a poetic explosion of violence, warfare and bodies. The relationship with the adoptive mother, and the mother-daughter relations, are major themes.
','','',2),('Penseresistance','Cherer1961','Quand je pense à la Résistance','Prose',1993,'Marianne had to write a presentation on the Resistance for a regional competion. She decides to incorporate a lot of personal testimony into her talk to make it come to life. She takes inspiration from a story of a young Resistant, Justin, who died during torture by the Germans, a story that she discovers in a book that belonged to her grandfather. But when she wins the prize she feels uncomfortable that it is her being rewarded and not Justin. An insight into the teaching of the history of the Occupation in French schools.
','','',1),('Plaintesespoirs','Chevalier','Plaintes et espoirs de détenus: Souvenirs de Montluc','Prose',1946,'Some of LC\'s own poems from captivity, followed by his collection of writings, letters, songs and poems from other political prisoners - Deslandes, Carmille, J. Santopietro, Philibert Morel, Jean Gardenet, in Montluc during the German Occupation.
','Add verse
','',1),('Guerrierdesoeuvre','Chevallier1895','Le Guerrier désoeuvré','Prose',1943,'','','',1),('Petitgeneral','Chevallier1895','Le Petit Général','Prose',1951,'A first-person satirical narrative by a French reserve officer mobilised as a lieutenant aged thirty-six in 1939. Many of his superiors are revealed as pompous incompetents, notably the diminutive General of the title, \'ce foetus étoilé\'; the professional army has become \'un métier de petits fonctionnaires trembleurs\', so the reasons for the defeat are not hard to find. (Chevallier himself was in Genoble in May/June 1940, and not at the front, so the battle scenes are not based on personal experience.)
','','',1),('premierepierre','Chevallier19xx','La Première Pierre','Prose',1958,'The novel follows an aristocratic family from pre-war to post-war times, starting with the relationship between Etienne, son of the comte de Verbois, and Esther, a Jewish actress. The war is greeted by many as a return of bellicose instincts and a great purificator. The chaos of the defeat and exodus are described in detail. Marie-Laure meets and falls in love with Wilhelm, a German soldier who is also a musician in a scenario familiar from Vercors\'s Le Silence de la mer and Morgan\'s La Marque de l\'homme. Wilhelm will finally die on the eastern front. The difficulties of daily life in Paris are chronicled, and a range of different attitudes to the Occupation and one\'s duty. Etienne starts writing for a collaborationist journal. Esther is arrested and sent to Drancy. Michèle, Philippe and Marie-Laure, with her difficult secret, join a resistance group. Esther escapes from train. Germans raid a resistance flat, and one, Agnès, is arrested, tortured and killed; a Frenchwoman assisting at the torture scene. After Wilhelm\'s death, Marie-Laure has a daughter. Michèle is sent to Ravensbruck. As the Liberation fighting start, the massacre at Oradour is described; one of the German soldiers stops people going there. In the camp, a female guard risks her life to give Michèle food. The message is clear, and underlined: no absolutes of good and evil. The mob violence in the streets , the arrival of the American tanks with black soldiers throwing sweets and cigarettes to the starving natives, precede Marie-Laure being accused on various counts and being taken off to have her head shaved. Etienne is arrested and kept in Drancy, in the same cell as Esther earlier. Refers to the people of the \"R.M.S\", Résistance du Mois de Septembre, who will come out of it all well. Philippe describes the country he\'s returning to as \'une jungle grouillante où des loups s\'entre-dévorent\' (301). Etienne is found not guilty. The title and the quotations \'en exergue\' point to the moral of the story, that easy judgements are impossible and no-one can consider themselves pure enough to throw the first stone.
','Les Nouvelles Littéraires 23/10/1958
','',1),('Resistanceordinaire','Chevrillon1907','Une Résistance ordinaire - Septembre 1939-Août 1944','Prose',1995,'Claire Chevrillon wrote this autobiography for her grandchildren. It recounts her daily life in the phoney war and then under Occupation as well as her motivations for joining the Resistance in the Autumn of 1942 and then her role in this Resistance organisation (code breaker, message carrier). It also tells of the experiences of her Jewish parents (she and her siblings had been baptised pre-war) and the lives of the French cultural elite during this period. The book is divided into twenty-eight chapters, each of which includes a summary of the main events at the beginning. In the epilogue she gives details of the fate of the Resistance fighters that she evokes in her récit. The text is illustrated with family photographs.
','','',2),('5ansResistance','ChoiseulPraslin','Cinq années de Résistance','Prose',1949,'from 1940 onwards CP was active in his dislike of the Vichy régime and its politics of abandonment and collaboration, and fought with the Resistance, working with the Combat movement in Périgord and the Limousin. Arrested by the Gestapo, he was interned at Évaux, but escaped. CP is trying to show that there were traditionally right-wing sympathisers in the Resistance, though as an adherent of L\'Action française he was shocked to see its director become a champion of the Vichy régime.
','','',1),('Femmeperdue','Choux11887','La Femme perdue','Film',1942,'Jean, a sailor, falls in love with Marie, but has to return to sea. He leaves a note for her, but this and his subsequent letters are intercepted by a jealous rival. Marie finds herself pregnant and has to leave her family, still believing that Jean has abandoned her. She is befriended by a forestry plantation owner Pierre, who finds her work and welcomes her and her daughter. The pair later marry and Pierre adopts Marie\'s daughterJeannette. The war breaks out and following the defeat in 1940, Pierre returns home with his two new friends, Abbé Munier and the sailor Jean, who had saved Pierre\'s life. Jean and Marie, after recovering from the shock of meeting again, discover the truth about their separation and tell Pierre about their shared past. Pierre allows Marie to chose between him and Jean. Marie choses her husband and a distraught Jean threats to kidnap Jeannette. But the Abbé convinces Jean to leave, to preserve Marie\'s happiness.
','','',1),('MonAlgeriance','Cixous1937','Mon Algériance','Prose',1997,'','','Scharfman, Ronnie, \'Narratives of Internal Exile: Cixous, Derrida and the Vichy Years\', in Murdoch, A & Donadey, A, Postcolonial Theory and Francophone Literary Studies (Gainesville: University Press of Florida, 2005)
',1),('Piedsnus','Cixous1937','Pieds nus','Prose',1997,'Cixous\' short story is a loveletter to her native city of Oran; its mixture of cultures, nationalities and creeds, all protected by the towering and imposing structure of the church of Santa-Cruz. Her happy childhood is altered by Vichy\'s anti-Jewish measure which reduce the family to poverty; her father is no longer allowed to exercise his profession as an army doctor. She believes at first that such measures will bring her closer to the city\'s Arab inhabitants and that she will no longer be viewed as being part of the colonial system. But an encounter with an Arab shoe-shine boy proves that in the eyes of the very poorest and most oppressed, Algeria\'s Jewish population are still judged to be on the side of the oppressor.
','','Scharfman, Ronnie, \'Narratives of Internal Exile: Cixous, Derrida and the Vichy Years\', in Murdoch, A & Donadey, A, Postcolonial Theory and Francophone Literary Studies (Gainesville: University Press of Florida, 2005)
',2),('coeurvivants','Clavel1923','Le Cœur des vivants','Prose',1964,'','','',1),('femmedeguerre','Clavel1923','La Femme de guerre','Prose',1978,'This is the third volume in Les Colonnes du ciel series.
','','',2),('fruitshiver','Clavel1923','Les Fruits de l\'hiver','Prose',1968,'It is the third volume in the La grande patience series.
','Prix Goncourt 1968
','',2),('grandsmalheurs','Clavel1923','Les Grands Malheurs','Prose',2004,'The beginning of the Iraq war makes the author consider his views on and feelings about war. This is achieved through recounting the life story of Xavier Roissard. His father and uncle both fought in the First World War; the former was injured and gassed and the latter deserted and married a German girl while he was a prisoner of war, remaining in Germany after the war. Xavier\'s childhood is filled with stories of this conflict. The story then goes on to portray Xavier\'s own experiences during the Second World War and his reflections on war in his old age, when he finally comes to understand his father\'s objections to conflicts of all kinds.
','ML, no, 438, janvier 2005
','',1),('silencearmes','Clavel1923','Le Silence des armes','Prose',1974,'','','Dine, Philip, \'The Inescapable Allusion: the Occupation and the Resistance in French fiction and film of the Algerian war\' in Kedward, H.R and Nancy Wood, Liberation of France - Image and Event (Oxford: Berg, 1995)
',1),('voulaitvoirmer','Clavel1923','Celui qui voulait voir la mer','Prose',1963,'A elderly couple of small holders are haunted by the worry of what will happen to their seventeen year old son should the Germans occupy their town. Constant references are made to the father\'s experiences during the First World War, a recurrent theme in many of Clavel\'s novels. They experience the exodus on May/ June 1940 first hand as their region is transit route from the north and the east of France, and therefore decide to encourage their son to leave. Their son however has a vastly different view of the exodus, using it as an opportunity to discover new horizons, as the title suggests. A touching portrait of semi rural peasant life in Eastern France.
It is the second book in the series, La grande patience
','','',2),('Femmesdelombre','Claverie1943','Les Femmes de l\'ombre','Prose',1958,'The novel recounts the adventures and experiences of Julie Domenecq and her family, including her rivalry with her younger daughter for the heart of a resistance activist. Third-person narration alternates with Julie\'s viewpoint and her daughter Marion\'s journal (the tone of which owes a great deal to the Groult sisters\' Journal à quatre mains, whose inspiration is acknowledged). The book is written with readable facility and evokes places and landscapes skilfully, although most characters tend to be clichéd stereotypes. Nevertheless certain episodes are gripping and moving: the execution by panicking French soldiers of a bewildered German-speaking Swiss maid in 1940; Julie\'s survival and return to the surviving members of her family after her deportation to Ravenbrück.
','','',1),('Blockhaus','Clebert1926','Le Blockhaus','Prose',1955,'After the D-Day landings, six workers for the Todt organisation seek refuge from the fighting in a coastal blockhouse. When the entrances are destroyed by bombardment, they are trapped inside, but have enough supplies to survive. As the months and years pass, two are driven to suicide, a third dies, and a fourth is killed by his homosexual partner. The two survivors run out of lights and are finally rescued in August 1950 after six years. A harrowing and understated account of entombment, the struggle for survival, and moral and spiritual degradation.
','','',2),('Bataillerail','Clement','La Bataille du rail','Film',1946,'This film started life as a documentary on the resistance activities of railway workers. It depicts their attempts to smuggle men and messages across the demarcation line as well to disrupt the running of the French railway system and therefore the German war effort. Hostages are shown to stoically accept their fate. Bulk of film shows the period after the D-Day landings. Omnipresent narrator.
','Grand Prix international de la mise en scène and Prix du Jury international at the 1946 Cannes film festival
','Lindeperg, Sylvie, Les écrans de l\'ombre - La Seconde Guerre mondiale dans le cinéma français (1944-1969)(Paris: CNRS éditions, 1997)
',1),('Parisbrule','Clement','Paris brûle-t-il?','Film',NULL,'','','',1),('Grandcirque','Clostermann1921','Le Grand Cirque','Prose',1948,'Extracts from the daily diary of a French flying ace fighting with the RAF. PC says that the entries have not been retouched since he wrote them during his active service in order that his family might know something of his career in the event of his death, but they are remarkably full and descriptive. He paints a dramatic picture of his experiences including his thirty-three aerial victories.
','','',2),('Croixmer','Coatmeur1925','Des Croix sur la mer','Prose',1991,'Sébastien Palu, a nurse in a small Breton village dreamed of joining the Resistance but was prevented by his poor health. He takes revenge on his wife\'s lover, himself a member of the Resistance by writing a denunciation letter which he never sends. As the German army withdraws from the village, it takes 17 men hostage including Sébastien. The majority of the novel describes the hours that he spends standing against a wall with a machine gun pointing at him. During these hours he looks back on his life, his failed career and mariage and decides that if only he can destroy the letter of denunciation his past cowardliness will be forgiven.
','1992 - Prix de Bretagne
Prix Pierre Mocaër des écrivains bretons
','',2),('Quatriemecommand','Coffinet','Le Quatrième Commandement','Prose',1949,'A novel where exchanges and confrontations on the meaning of life, its principles and values, both religious and non-religious, form part of the development of the story. The central figure, Vivien, pursues a philosophy of supreme individualism and power, and scorns the mediocrity of his parents\' narrow horizons, of conventional values of Church, Nation and Patriotism.
','','',1),('Etoilevesper','Colette1873','L\'Etoile vesper','Prose',1946,'C writes in her old age, with many references to the present, bedridden, but enjoying her rooms in the Palais Royal with the visits of many friends. She recalls memories of various periods in her life, with reminders of some of her books including Chéri, the time of the birth of her daughter, friendships, with Hélène Picard in particular, the pain and anxiety of the years of WW2, the touching evidence of her love for her third husband, Maurice Goudeket (who was imprisoned by the Germans as a Jew, though he managed to get back to Paris and went into hiding), and the relief of the Liberation.
','','',1),('Parisfenetre','Colette1873','Paris de ma fenêtre','Prose',1944,'A picture of C\'s life in Paris during the German Occupation, spent in her appartment in the Palais Royal, with memories of other times and hopes for the future.
','','',2),('321Sautez','CommandantGuyenne','3...2...1...Sautez','Prose',1945,'French and British pilots working together. Learning how to jump from a plane. Hachache thought it would be exciting to be in parachute regiment, liked the respect they got. In Scotland for training. Takes him three months, impatient wants to be fighting. Details of training. But first jump is not from plane, but a balloon. Then plane. This is flashback as story starts and end with briefing before his first mission.
','','',1),('3emeevasion','CommandantGuyenne','La Troisème évasion','Prose',1945,'German prisoner of war camp. Main characters actor and farmer. Actor organised a performance of a Beaumarchais play. Keeps the moral of the prisonners up. Max Bréval has German uniform made, allegedly for play but really for escape. First attempt, German officer points out that uniform isn\'t correct. Is moved to another camp, 2nd attempt in April, keep metal tins from parcels that they use to dig a tunnel. But tunnel not long enough and Germans at end, Max makes it back to his bed. 2nd failure. 3rd attempt has to brush up leaves in front of camp. Takes clothes from nearby house. Makes it to port town and onto a Swedish ship
','','Prisoner of war camp
',1),('AgonieScharnhorst','CommandantGuyenne','Agonie du Scharnhorst','Prose',1945,'Liberty ships crossing to Scotland and then to Murmansk to rearm Soviets. French submarines given names of famous men Estienne d\'Orves or events (Narval) and ships that carry the names of the German submarines that they have sunk. Alongside British navy. Come into contact with Germans on Xmas day 1942. Scharnhorst is name of cuirassé that hits part of convoy but head of British home fleet comes to the rescue. The Jamaica torpedos it. It sinks and more than half its crew of 1500 die.
','','',1),('ArthurManille','CommandantGuyenne','Arthur à Manille','Prose',1945,'Beautiful American heroes on ships waiting to retake more islands of the Philippines. Congratulations to MacArthur. Attack on US ships by Japanese. Finishes with the arrival of the general in Manilla.
','','',1),('Bombardementnuit','CommandantGuyenne','Bombardement de nuit','Prose',1945,'French pilots in England planning a bombing raid on the steelworks of the Ruhr. Lots of little details; special lighting to accustom pilot\'s eyes to the light, have to leave all objects that could identify them back at base. Preparations on the ground. Navigator is most important. Fly over Holland shot at by German anti-aircraft. Detail of dropping bombs. On way back after crossing Holland, they can eat their sandwiches and think of their girlfriends.. Want to sleep on return but are questioned by intelligence officers.
','','',1),('Chasseurscamion','CommandantGuyenne','Chasseurs de camion','Prose',1945,'The German airforce has sent in reinforcement against the Allies in Normandy, it is only the bravery of the Allied airforce and especially of the French pilots of the Groupes Lorraine and Lafayette who can protect the troops on the ground and take enough photos to help plan the advance towards Paris. Despite their inferior numbers the French always triumph. But the real hero of the story is Target, one of the French pilots\' dogs who is taken along on all the missions. The lorries referred to in the title are those of the retreating enemy. A proper boy\'s own adventure story.
','','',1),('ChevalBachMa','CommandantGuyenne','Cheval de Bach-Ma','Prose',1945,'','','',1),('Conquetedesert','CommandantGuyenne','A la Conquête du désert','Prose',1945,'Same characters as in Trois gars du Tchad.
','','',1),('Encommando','CommandantGuyenne','En commando','Prose',1945,'Again another dog this time called Zorah. Unit of commandos, led by former history students. Retaking of Alsacien village, with a group of tabours Marocains. House to house fighting against SS. Huge losses, 41 out of 300 survived. Have to fight against tanks. Finally FFL tanks arrive. Sent to help out Americans.
','','',1),('Parachutesmaquis','CommandantGuyenne','Parachutés dans le maquis','Prose',1945,'Three members of the Resistance. Meant to demonstrate support of the local population for the Resistance. L\'Alsacien, career officer, escaped from POW camp and joined FFL. Fought in Algeria and Sicily and was parachuted in to Corrèze to be a radio operator. Champagne, wine merchant. Jean, petty thief. Listen for a message via BBC which alerts them to another parachutage. Spotted by Germans, injure Resistance fighters who then kill them. Jean who has always had a difficult life is rebaptised lucky boy by Brit.
Means of paying homage to Resistance fighters, willing to sacrfice their lives for their country. Story gives the impression that they were very numerous; \"Durant toute la guerre la France n\'a pas manqué d\'hommes comme celui-là [brave]. Et des hommes comme celui-là ont toujours su attirer auprès d\'eux d\'autres hommes disposés à sacrifier leur vie s\'il fallait pour sauver la patrie.\" (p.9).
','','',1),('PaulineAgentsecret','CommandantGuyenne','Pauline, Agent secret','Prose',1945,'Post war(?) Secret service operator of the Ministry of War, mets again one of his former agents Pauline from when he was in the Resistance/ Free French. One of their best agents, but one that they had to stop using after she was arrested by the Germans. Then she tells about how she was arrested. Had sniffed out a double-agent. Crosses into occupied zone with radio. Arrested because she didn\'t dry off her umbrella that she had used to cross marshes with passers. Put into prison, they claim she is a spy, she pretends she is involved in black marketeering. Spends 9 days in prison. Bus driver kept hold of suitcase containing radio for her. Worked in Resistance again afterwards. Still wants to help. Brave mademoiselle Pauline! Si, si brave...
Only one with flashbacks, tries more daring forms as they go on.
','','',1),('Routierssables','CommandantGuyenne','Routiers des sables','Prose',1945,'','','',1),('TroisgarsTchad','CommandantGuyenne','Trois gars du Tchad','Prose',1945,'','','',1),('viescelerate','Conde1937','La Vie scélérate','Prose',1987,'Saga of the Louis family, descendants of slaves, who make their fortune in the import-export business, as narrated by their descendant Claude. The family maintain a difficult relationship with France, anxious to conform to its social and moral dictates, and constantly angered and saddened by its refusals. The period of the Second World War provides an opportunity for personal enrichment for the narrator\'s grandfather, both financial through his link\'s with the island\'s Vichy governor and also intellectually through a visit organised by the latter, to New York where Jacob becomes a disciple of the early forms of the Black Power movement.
','','Morrison, Anthea, \'Emancipating the voice - Maryse Condé La Vie scélérate \', Callaloo 18.3 (1995), 616-625
',3),('Dissidence1','Confiant1951','La Dissidence','Prose',2002,'Firmin Léandor is the foreman of a sugar plantation in Martinique. The novel describes the period of Amiral Robert\'s rule of Martinique from Léandor\'s viewpoint; the dire food shortages, the return to old slavery power structures, the cult of Jeanne d\'Arc and the beginning of the Resistance movement on the island.
The plot is interspersed with dated diary entries for an engagé volonteer (un blanc-france), as he travels from Brest to Oran in a convoy to protect liners and then his time in Martinique and his frustrations with the Vichy regime.
','','',2),('NegreAmiral','Confiant1951','Le Nègre et l\'Amiral','Prose',1988,'The novel chronicles the reign of Admiral Robert over the island of Martinique, a period which was experienced by the islanders as a double occupation; by both French colonisation and German occupation. The French colonisers exploited the exotic image of Martinique and its population to please the German occupiers and therefore the two occupiers collaborated in order to further subjugate the colonised. The main character, a mixed-raced former teacher Amédée Mauville, provides an insight into the meetings of the Negritude movement in wartime Paris. The novel closes with the formation of a Free French force and questions over whether fighting another European war will advance the cause of the island\'s inhabitants.
The novel won the Prix Antigone in 1989.
','Anquetil, Gilles, \'La révolte littéraire de Raphaël Confiant: la passion créole\', Nouvel Observateur, no. 1254 (18-24 novembre 1988), 61-63
Bosquet, Alain, \'Raphaël Confiant: Le Négre et l\'amiral\', Magazine Littéraire, no. 257 (septembre 1998), 81
Brincourt, André, \'Raphaël Confiant: cette histoire qui raconte les vagues\', Figaro Littéraire, no. 13734 (24 octobre 1988), 22
Charlery, Audile, \'Le Negré et l\'amiral de Raphaël Confiant ou la quête d\'une identité mosïaque\', Afrique Littérature, no.85 (1989), 38-60
','Murdoch, Adlai, \'The Language(s) of Martinican Identity: Resistance to Vichy in the Novels of Raphaël Confiant\', L\'Esprit Créateur, Volume 47, No 1, Spring 2007
',3),('Ravinesdevantjour','Confiant1951','Ravines du devant-jour','Prose',1993,'The author\'s autobiography in which he describes his childhood in Martinique during the war-years.
','','Murdoch, Adlai, \'The Language(s) of Martinican Identity: Resistance to Vichy in the Novels of Raphaël Confiant\', L\'Esprit Créateur Volume 47, No 1, Spring 2007
',2),('Souvenirstirailleur','Conombo1917','Souvenirs de guerre d\'un tirailleur sénégalais','Prose',1989,'','','',1),('Pasheros','Conte1920','Les Hommes ne sont pas des héros','Prose',1959,'The novel is in three parts titled: 1 Les Ecoles (avant-guerre), 2 Le Monde (la guerre) 3 Les Villes (après-guerre), and centres on the Forner family: father Sébastien, a farmer who is 45 in 1938 when the novel opens, who has only left his village for military service and his four years at the front 1914-18, which he recalls occasionally, his sons Gaudérique (age 21, weak heart), Georges (aged between 17 and 18) and Jean-Jacques (one year younger) , and his daughter Anna (16). His wife is also from a \'vieille famille magnacienne\'. The first part spans 1938-1941, and focuses on the lives of the children - Gaudérique developing into a gifted businessman with a growing number of vineyards, Georges aiming for a brilliant academic career as a philosopher, Jean-Jacques as a sportsman. The radio is a device to document the approach of war and the family discussions and reactions, and integrate it into the daily routine. The reflections of Sebastian, and also Georges, give more extended comments on newspaper reports and opinions of commentators such as Drieu la Rochelle and Montherlant, and on events, their implications and their impact. The incongruity of the prospect of mass destruction compared to the daily routine, and the role of chance in individual destinies in wartime, are major themes.
Georges is mobilised, Jean-Jacques volunteers to be able to stay with him. After the defeat, Jean-Jacques goes to England, Georges returns to work for a time in a Chantier de Jeunesse before going to Germany as a \'déporté du travail\' through the S.T.O. Gaudérique continues to build his empire, working with Jacob Silverstein, a Jewish moneylender - we are told there has been a small Jewish community of about 50 families since the Middle Ages - for whom he obtains false identity papers after the defeat. Anna disappeared before the outbreak of war. Georges\'s experiences in Germany form the bulk of the second part. After initial passivity, he is drawn into transmitting information to the Allies; after the bombing of the factory he is arrested, tortured, and sent to a camp and thence back to the factory. Jacob has been taken away. Jean-Jacques is fighting against the Japanese in Indochina. The third part is primarily devoted to Georges\'s life as a politician, his addiction to heroine, his continuing sense of alienation. There is no reference to Algeria until the 13 May 1958 events.
','Nouvelles littéraires, 04/06/1959
','Nouvelles littéraires, 04/06/1959
',1),('leipzig','cordelier1912','Retour à Leipzig','Prose',1957,'Delorme fell in love with Frieda during his five years as a prisoner of war in Germany. The subject of the novel is his return to Germany in 1954, crossing the \'iron curtain\', and seeing Frieda again. He is now a writer, whose account of his years of captivity has met with some success. While there are frequent comparisons with 1945 in the opening section, the novel is focused upon the emotional development between Delorme and Frieda and her family (a brutal husband, children and grandchildren).
','','',1),('yeuxtete','cordelier1912','Les Yeux de la tête','Prose',1953,'Summary from inside front cover :
Leipzig, juin 1943. Fait prisonnier en 40, le docteur Morel s\'efforce de poursuivre son métier de médecin dans les infirmeries et les lazarett bondés de captifs de tous pays. Mais soigner, guérir quand on peut, défendre les intérêts des vrais - et des faux - malades au prix d\'une lutte incessante et sans grandeur, cela, la médecine comme cette petite guerre dérisoire, ne suffit ni à remplir l\'esprit ni à combler la chair, ni même à satisfaire le cœur d\'un homme jeté comme une épave dans la misère.
Alors Morel se tourne vers les autres, ceux qui ne sont pas prisonniers, celles qui appartiennent encore au monde des vivants. Et successivement, avec deux Allemandes, Frieda Tellier et Klara Schmidt, il essaiera de trouver l\'amour dont il a besoin, par delà l\'hostilité qui l\'oppose au peuple de ses gardes-chiourmes. L\'amour, qui va aussi - peut-être - le venger.
Après de dures épreuves, et notamment le terrible bombardement qui anéantit Leipzig, sonne enfin l\'heure de la liberté. Les troupes soviétiques arrivent. Morel et quelques camarades font tout pour défendre les Allemandes qui se sont abandonnées à eux. C\'est en vain. Le Français veut fuir vers l\'ouest avec Frau Schmidt. Mais la voie est barrée. La guerre, qui a cessé de détruire les villes, continue de détruire ce qui est resté d\'humain dans les êtres. Dans un geste suprême de fidélité à ce qu\'il porte de meilleur en lui, Morel se fera tuer pour défendre Frau Schmidt - inutilement.
','','',1),('Enfantsous','Coulonges1923','L\'Enfant sous les étoiles','Prose',1996,'Further adventures of Millette, now aged eighteen, who has a child with her Resistance lover.
','','',1),('Flammes','Coulonges1923','Les Flammes de la liberté','Prose',1997,'A further sequel in the Millette saga. When her father and members of his Resistance group are arrested, the local Gestapo chief offers to release them if they surrender their weapons. Their leader Millaud agrees, but other members of the Resistance brand him as a traitor. Coulonges states in his preface that the novel is inspired by the Resistance leader Grandclément\'s controversial deal with the Germans. Nevertheless, the clichés continue to flow thick and fast, the dialogue is ever more wooden (\' -Halt! cria le teuton\'), and the writing is so lacking in density and texture that it gives the impression of having been produced in a state of semi-consciousness.
','','',1),('Madelon','Coulonges1923','La Madelon de l\'an quarante','Prose',1995,'The fifteen-year-old Millette Lassale dreams of being chosen as the annual \'Madelon\' in her village, but history has other plans: as France struggles to recover from defeat, she is drawn into the Resistance. A readable, sentimental, bland narrative, in effect a peasant equivalent of Régine Deforges\'s Bicyclette bleue saga (Millette too is often on her bike).
','','',2),('Adieufemme','Coulonges1936','L\'Adieu à la femme sauvage','Prose',1979,'About the end of the war in Germany, as experienced by various refugees, particularly a mother and daughter who endure the fire-bombing of Dresden.
','','',1),('Rivesirrawaddy','Coulonges1936','Les Rives de l\'Irrawaddy','Prose',1975,'A young French man attempts to liberate his German student girlfriend from an internment camp, by passing himself off as a member of the economic service of the SS. They are captured, then liberated by the girlfriend\'s student friends and hidden in the woods. During this period of hiding, it becomes apparent that the war has irreparably altered their relationship, her anti-nazi resistance activities take priority and their different nationalities have become an insurmountable barrier.
','','',2),('Placerouge','Courtade1915','La Place rouge','Prose',1961,'The novel follows Simon Bordes from 1935 to 1958, examining his changing attitudes towards Communism and the USSR. The sections covering the years of the Second World War find him training in North-Eastern France and having to grapple with the Nazi-Soviet pact and issues of class with the ranks. Constant references are made to how little has changed since his father fought in the First World War. In 1940 he is on the Loire, as backup for the fighting in the Marne and he describes his joy on hearing that the Soviets had entered the war on the side of the Allies. By April 1944, he has joined the Resistance and the novel provides an insight into the fear felt by the French public about Allied bombings and German controls on travellers. Later episodes depict Bordes rediscovering and describing a Paris that he has not visited since the Armistice and the section set in 1946 depicts how the narrator readapts to everyday life and the difficulties he faces in deciding how to remember his comradeswho died during the war.
','','Flower, John, Pierre Courtade - The making of a party scribe (London: Berg, 1995)
Matonti, Frédérique, \'\"Il faut observer la règle du jeu\". Réalisme socialiste et contrebande littéraire: La Place Rouge de Pierre Courtade\', Sociétés & représentations, no.15 (2002), 293-306
',4),('Viecombat','Cribeillet','Vie et combat de partisans: Carnet de routes et souvenirs du Capitaine Grillon','Prose',1947,'Details of the heroic actions of a group of Franc-Tireurs et Partisans français in Saint-Amour described by their section chief, including parachute drops, radio communication, the organisation of derailments and other exploits.
','','',1),('Dernieresequence','Crifo','La Dernière Séquence','Prose',2000,'The detective is a fourteen year old called Yannick Lerufet, also known as Le Furet. At the end of a visit to the cinema Le Scarlett with his aunt and uncle, Yannick discovers the dead body of what turns out to be the film\'s star. The cinema is later destroyed in an explosion along with two others in the town. The actor turns out to be the owner of these cinemas. Yannick and the actor\'s daughter find a key which leads them to a little cinema at the back of a garage where the projector is set up to screen a film that shows the former owner of Le Scarlett collaborating with the German occupiers, organising parties and private screenings all in the presence of the town\'s former mayor and MP. This politican had previously been accused of collaboration and it becomes apparent that the actor had been killed for having found evidence to prove this. An interesting, fast paced story which proves to its young readers that the period of the Occupation is far from dead and buried.
','','',1),('Memecielbleu','Crouzet1873','Et c\'est le même ciel bleu: Journal de guerre d\'un maire de village 1939-1940','Prose',1950,'An interesting account of the daily tasks imposed by the war on PC, a notable academic and radical socialist and mayor of a small village in the Languedoc.
','add local politics
','',1),('gibier','Curtis1917','Gibier de potence','Prose',1949,'The novel follows the main character Marceau le Guern from his childhood in an orphanage to his arrest for murder. He is the turbulent adolescent in revolt, drawn to violence, sex and transgression. He has great beauty, and is described on the first page as a beautiful Lucifer. After the orphanage he becomes involved in pornographic photography, and moves in self-destructive mode in a world of corrupt pleasure. His best and very saintly friend Lucien wishes to become a monk (the orphanage is run by them and is a fairly brutal place). Mobilised in 39, 3 years a prisoner, on his return his promises to live a purer life are not kept; Paris is presented as a world of dark sexual corruption, prostitution and black market. He resumes his life with the rather older Madame Alice (whose previous close friend killed himself). AFter the war he discovers Lucien died of tuberculosis in August 1944. The second part takes place in the south west, and characters from Curtis\'s previous novels Les Jeunes Hommes and Les Forêts de la nuit reappear. Marceau and Alice stay with the rich Philippe Argelouve, who comments scornfully on the nature of postwar society, the playing out of the themes of occupation and war, for example the usefulness of having had a young relative come back from the maquis to stop the baying mob at the gate. Marceau falls for Dominique, Argelouve\'s young niece, and it all ends badly with him killing Alice in a struggle.
','','P Roy, Jean-Louis Curtis romancier (Julliard, 1971).
',2),('justescauses','Curtis1917','Les Justes Causes','Prose',1954,'Starting with scenes of the liberation of Paris and the tanks of Leclerc in Paris, the novel follows four young men of different political allegiances (Forces Françaises libres, Vichy, left-wing journalism, collaboration (in German uniform) through the postwar years, intercalating substantial accounts of the thirties and ending with February 1951 and the death of Gide. Personal and political divisions in postwar France, particularly in the milieu of the intellectuals, is a major theme, showing the nation as \'éternellement écartelé entre \"les justes causes\" qui dressent les Français les uns contre les autres.\', as the J\'ai Lu edition puts it. Other themes includes antisemitism by and about intellectuals, from Dreyfus onwards, and postwar commitment as the character Roland volunteers to serve (and dies) in Indochina.
','(Nouvelles Littéraires, 24/06/1954)
NB ADD YOUTH OR GENERATIONS TO THE KEYWORDS? THESE YOUNG PEOPLE ARE TOO OLD FOR ADOLESCENCE, BUT YOUTH STILLA MAJOR THEME.
','Margaret Atack, \'Useless Passions: Intellectuals and the Liberation in Les Mandarins and Les Justes Causes, in James Dolamore (ed.), Making Connections, Peter Lang, 1999, pp. 147-59.
',1),('lesforets','Curtis1917','Les Forêts de la nuit','Prose',1947,'The novel is set in the small town of Saint-Clar, in the Béarn, on the demarcation line. Principal characters are some of the people living in the town, notably the Balunsun family, whose 17-year-old son Francis de Balunsun is involved in the Resistance, taking people across the demarcation line. Most of those portrayed are middle class, with the exception of Fernande Arréguy and her son Philippe (also 17 and becomes involved in active collaboration). The Germans are shown to be integrated in the life of the small town. The jealousies, tensions, ambitions, helped by some bad luck, conspire to produce a pessimistic, even tragic ending. An inoffensive, elderly woman has her head shaved as a collaborator whereas another one, who has a much greater responsibility for her views and actions in relation to the Germans and Francis\'s fate, is not troubled. Francis dies at the hands of the Gestapo. The political wheeler-dealer Darricade exploits the Resistance for his own career. The novel presents a fresco of the small town where only the reader has the overview to know that true virtue goes unrecognised, that punishment rarely falls on the guilty, and that there is a gulf between rhetoric and individual behaviour.
','Prix Goncourt 1947
','Paulette ROY, Jean-Louis Curtis romancier, Paris, Julliard, 1971
Review by Jacques Tourneur, La Table ronde, vol 1 Jan 1948, pp. 128-133
Robert Kanters, \'Jean-Louis Curtis, romancier sans alibi\' in Des Ecrivains et des hommes, Paris, Julliard, 1952, pp. 253-67.
',1),('siegfried','Curtis1917','Siegfried','Prose',1946,'First part is first person narration, often a near stream of consciousness monologue, of Kurt, 13 years old at the beginning, and begging, successfully to join the Hitlerjugend. He follows the progress of the war with avid enthusiasm, unlike his older brother Heins, first stationed in France (there are also comments on French prisoners of war working Germany) then sent to Russia where he dies. Heins is weary with the tragedy of German violence. Kurt mobilised towards end of war, aged 18, and fights in in the east - presumably eastern France. He loses his best friend during battle with \'Marocains\' in a village. Second Part is a third person account of the occupation of Germany, through the eyes and experiences of Jean Morel, who gradually builds up a friendship with Kurt, though he is never entirely sure that Kurt is not at the same time conspiring to attack and kill him as a member of the hated occupying forces. Many parallels are drawn with the German occupation of France, and there is detailed reflexion on the nature of Germany, the lessons of Buchenwald and Dachau, and Franco-German relations. The title indicates how Kurt shifts between representing the mythical German figure of the past, associated with violence, instinct, patriotism, forests, and the aspirations to a more humanist \'man first, German second\', as Jean tries desperately to fathom his views and psychology. The theme of friendships between young men, the intensity but also the betrayals, familiar from Curtis\'s other novels, is also important here. Jean\'s friendship with Ingrid, who was Kurt\'s first girlfriend, adds to this. There are some further references to Moroccan and Arab soldiers in the occupation of Germany (being treated more harshly than French soldiers for pillage; and in relation to sexually predatory behaviour).
','','',1),('Andromede','Curtis1917','Andromède','Prose',1996,'En 1941, une jeune enseignante du nom d\'Anne Germond arrive à Saint-Clar, petite ville du Sud-Ouest. Jolie, enjouée, intelligente, elle attend de rencontrer celui qui la rendra heureuse. Et ce n\'est pas par hasard, ou par désœuvrement, qu\'elle lie connaissance avec son voisin de palier, un veuf de quarante ans du nom de Clément Dauge. Comment, pour demeurer auprès de cet homme médiocre et laid, en qui rien ne l\'attire, Anne finira par renoncer à tout et gâcher sa vie, c\'est ce que nous découvrirons peu à peu.
L\'ennui, la compassion, le temps qui passe feront leur œuvre. Et aussi les peurs ou les faiblesses de la jeune femme, que Clément devine et dont il joue avec perversité... Ce dernier roman de l\'académicien Jean-Louis Curtis, disparu en 1995, explore des abîmes psychologiques : ceux où se scelle l\'alliance de la victime et du bourreau, où les forces de la vie sont peu à peu minées, vampirisées par la lâcheté et l\'hypocrisie.
Une sombre et fascinante scène de la vie de province, dans la tradition de Julien Green ou de François Mauriac.
From www.decitre.fr/livres/Andromede accessed 05/08/2010.
ABOUT half the novel takes places under the Occupation, in Saint-Clar (location of Les Forêts de la nuit. There are references to material difficulties, attitudes to the Germans and Vichy. Scenes at the Liberation include the shaving of women\'s heads, and of a young man, a homosexual. Anne Germond sleeps with a German soldier who is about to leave for an unknown destination, an episode that has various consequences in the plot. She falls in love with Yves de Balansun (a variation on the figure of Francis de Balansun in the earlier novel), but the sinister relationship with her neighbour Clément Dauge is the primary relation in the novel. HIstorical events of the Occupation and the war, up to the liberation of the camps and the bombing of Hiroshima, index the historical reality of the text; the presentation of the Liberation of Saint-Clar is extremely cynical in terms of the ethics of people\'s behaviour.
','','The \'Discours de réception\' by Francis Jacob at the Académie française (http://www.academie-francaise.fr/immortels/discours_reception/jacob.html) gives detailed views of Curtis\'s novels.
',1),('Cartonjaune','Daeninckx1949','Le Carton jaune','Prose',1999,'Jack Ben (Jacques Benzara) is recruited by a Parisian football team after being spotted playing football on a beach in Tunis. The last years of the 1930s witness his triumphal rise to fame including a place in the French world cup team of 1938. But the outbreak of war excludes him from the sport, because he is a Jew. He works as an extra in the cinema industry, where his wife is a minor star, but is captured during the Rafle du Vél d\'Hiv.
The story was inspired by that of a Tunisian Jewish boxer, Victor Young Perez. (His story is also told in the Bande Dessinée Champion by Gilles Rapaport.
','Sport
','',2),('Chienslions','Daeninckx1949','Les Chiens et les lions','Prose',2003,'In June 1940 during the invasion of France Jean Moulin refuses to sign a German decree stating that colonial troops had murdered and raped French civilians. For this he is thrown into a cell alongside a Senegalese soldier, about to be executed, who asks Moulin to inform his brother of his death. Three years later Moulin attempts to find out the truth about the defence of Lyon by the colonial troops, information that he would take to his grave.
This short story is based on true events.
','','',2),('Complainteoubliee','Daeninckx1949','La Complainte oubliée','Prose',2001,'The narrator returns to the Brittany coast, to the place where he first met his recently deceased partner. One evening he hears an old man sing a song in Breton, a song that causes the man to be thrown out of the bar and later murdered. The narrator embarkes on a search for details about the events related in this song that leads him to discover the existence of Breton nationalist groups who had a pro-collaborationist stance during the war. The descendants of one of the members of the Breton SS now control the present day economic life of the region and are willing to murder to protect their secret.
','Regional nationalism
','',1),('Fautdesobeir','Daeninckx1949','Il faut désobéir: les trois secrets d\'Alexandra','Prose',2002,'Alexandra\'s grandfather tells her the story of his and her grandmother\'s childhood during the war. His story is a neat overview of the sanctions and dangers faced by France\'s Jewish population. His family was saved from deportation by a tip off from a local policeman. The story ends with the first meeting between the grandfather and the policeman for over half a century, as the policeman is awarded a medal for his courage.
On each page is a photograph and a short piece of text which give a historical overview of the period.
The story is dedicated to Pierre Marie, a policeman and his seven colleagues from the central police station in Nancy, who in June 1942 saved the lives of around 300 Jews by disobeying the orders of Vichy (direct translation from the book).
','','',1),('Figurants','Daeninckx1949','Les Figurants','Prose',1998,'Valère becomes a cinema addict while searching for a way to escape his uphappy domestic life. While attending a cinema festival in Lens, he is shown an extract from an unnamed and undated film. His search for more information leads him to the members of a former women\'s resistance movement in the north, as the film is discovered to be a work of Nazi propaganda.
','','',1),('FXEEUARFR','Daeninckx1949','F.X.E.E.U.A.R.F.R','Prose',1992,'The story opens with a scene where German soldiers take an entire village hostage in order to find the killers of two of their own. The reader then realises that they are watching the events as part of a television audience. The presenter interviews a woman who experienced these events as a small girl and who has gone on television in order to find her adoptive brother, who disapeared during these events, but instead of being reunited with his sister the man is identified as an armed robber and shot by the police.
','Zapping was warded the Prix Louis Guilloux in 1993
','',1),('Gareencheres','Daeninckx1949','Gare aux enchères','Prose',2000,'A Parisian family relocates to the Loiret, after the death of one of their children in a car accident, where they buy a former station in an auction. Out on a walk one day the father meets a woman who travelled along the trainline that served this former station, in July 1942. She was on her way with her family to the internment camps of Beaune-la-Rolande and Pithiviers. The man is struck by the way these camps have been erased from the landscape and makes a link beween the death of his stepchild and those of the Jewish children of the camps
','','',1),('guetteuse','Daeninckx1949','La Guetteuse','Prose',1993,'An old woman dies and and young man moves into her flat, a space full of memories and old letters. These include a number of letters denouncing her Jewish neighbours, which the young man finds out lead to the deportation of this family and the local priest who had provided false baptism certificates. The woman continued writing these letters until her death, denouncing illegal immigrants instead of Jews, and the young man, who we learn is her son, takes up his mother\'s crusade.
','','',1),('Itinerairesalaudordinaire','Daeninckx1949','Itinéraire d\'un salaud ordinaire','Prose',2006,'In contrast to Meurtres pour mémoire which highlights the involvement of high-ranking officials in the most sombre moments of French history, this novel depicts the actions of an ordinary policeman Clément Duprest and his colleagues, and their wide-ranging consequences. The involvement of the Parisian police in the Rafle du Vel d\'Hiv, their use of Radio-Paris, the police\'s taste for torture, their close collaboration with the Gestapo are all described in minute detail. At the Liberation, Duprest is briefly imprisoned at Fresnes before being pardoned because of his father-in-law\'s contacts with the FFI. Post-war he is involved in police activities which aim to suppress decolonisation movements in Indochina, Morocco and Algeria, the student protests of May 1968 and Coluche\'s attempt to become President in 1981. However, the last page of the novel reminds the reader that Duprest is forever haunted by memories of his role during the Occupation.
','','',2),('Jetueil','Daeninckx1949','Je tue il','Prose',2003,'The daughter of coffee producers in New Caledonia falls in love with and marries a much older and well-known French writer, recently arrived from the Métropole. Her parents disapprove of the marriage and only refer to their son-in-law as him (IL). Her husband\'s involvement in a murder reveals that he has assumed another man\'s identity, because of his shady past during the period of Occupation in metropolitan France. The novel also provides an interesting insight into the effects of the presence of the America army in New Caledonia during and immediately after the war.
','','',2),('MeresGlorieuses','Daeninckx1949','Mères Glorieuses, Mères Angoissées','Prose',2007,'A young actress is murdered in her home in Paris, by a man posing as her brother. The police eventually discover that her death is a revenge killing, linked to an armed robbery in central Paris several years earlier. But their investigation is hampered by that undertaken by the German authorities, as the actress was the mistress of an SS officier.
The novel includes the character of Duprest, the police officer who is the central protagonist in Daeninckx\'s novel, Itinéraire d\'un salaud ordinaire.
','','',1),('Meurtresprmemoire','Daeninckx1949','Meurtres pour mémoire','Prose',NULL,'Roger Thiraud, a young history teacher is caught up in and killed during the pro-independence demonstration staged by Algerian nationalists in Paris on the 17th of October 1961. 20 years later his son, Bernard, is shot in Toulouse. Both men were killed because of the historical research that they were undertaking into the deportation of Jews by the Vichy regime, and their transit via the camp at Drancy. Their assassin is a police chief desperate to cover up his past in the Section des Affaires Juives in Toulouse during the war. This novel marks one of the first times that the events of the 17th of October had been evoked outside the Algerian immigrant community. It is especially damning in its portrayal of the degree of responsibility held by French governmental officials in both the violence used on such an occasion on unarmed protestors and the subsequent official cover up.
The novel forms part of the Inspector Cadin series (Mort au premier tour (1977), Le Géant inachevé (1984), Le Facteur fatal (1990), Le Bourreau et son double (1986)). It won the Grand Prix de la littérature policière 1984 and the Prix Paul Vaillant-Couturier 1984.
','Hugely successful novel
','Gorrara, Claire \'Historical investigations: Didier Daeninckx, Meutres pour mémoire (1984)\' in The Roman Noir in Post-War French culture (Oxford: Oxford University Press, 2003)
Gorrara, Claire, \'Reflections on Crime and Punishment: Memories of the Holocaust in Recent French Crime Fiction\', Yale French Studies, 2005, 18, 131-45
Steele, Stephen, \'Daeninckx, quand le roman policier part en guerre\', French Studies Bulletin: A Quaterterly Supplement, 1999 Summer, 71, 9-10
',10),('missak','Daeninckx1949','Missak','Prose',2009,'A road is going to be named after the Groupe Manouchian. In January 1955, Louis Fragère, a journalist a the Communist Party newspaper L\'Humanité, is asked to prepare a report on Manouchian and his fellow resisters of the FTP-MOI (Francs Tireurs et Partisans de la Main d\'Oeuvre immigrée), who were shot by the Germans on 21 February 1944 - and the subject of the \'Affiche rouge\', the poster put up after their deaths displaying their faces with the legend \'L\'Armée du crime\' and discovers a rather more complicated story than he expects. He learns that Trotskyist involvement in the events, and the possible denunciation of the Group, were just two of the elements airbrushed out of Communist Party history. He also learns some awkward truths about the realities of post-war communism. In spite of combining the quest for knowledge with the story of his girlfriend and mother, the floods in Paris, arctic cold weather and his increasing discomfiture at dealing with so-called renegades , trotskyists and outcasts, shaking his core beliefs, it does tend to be the detailed history lesson that dominates the narrative. The novel features a range of historical figures, some appearing in person: Louis Aragon, Henri Krasucki, Charles Tillon, Charles Aznavour. 1950s popular culture is frequently used to anchor the social history of the narrative. Through the personal history of Manouchian, his family and colleagues, the history of migration from Armenia to France in the twentieth century is sketched in.
','Roger Martin, \'L\'Enigme de l\'Affice rouge: Daeninckx rouvre l\'enquête\', L\'Humanité, 3 Décembre 2009
','',1),('missakenfant','Daeninckx1949','Missak, l\'enfant de l\'affiche rouge','Prose',2009,'Synopsis posted on the FNAC website: Avec « Missak, l\'enfant de l\'affiche rouge », Didier Daeninckx transpose son célèbre roman « Missak » en album jeunesse, pour mieux faire comprendre aux plus jeunes le courage de ce jeune résistant organisateur du réseau qui porte son nom : Manoukian. D\'origine arménienne, ayant du fuir son pays de naissance à cause du génocide turc, il devient un orphelin du monde élevé au Liban, rêvant de la France et de ses poètes.
Arrivé dans la patrie des droits de l\'homme au moment où les années folles font place à celles de la crise, il n\'en sera, malgré ses difficultés personnelles, que son plus fervent défenseur quand la seconde guerre mondiale éclate. Il fut exécuté avec ses camardes de combat le 21 février 1944 par les nazis, dont l\'affiche rouge qu\'ils placardèrent sur les murs de Paris et qui devait assimiler ces jeunes français de fraîche date à des terroristes, est devenue à contrario un des emblèmes de la Résistance. Avec émotion et pudeur, Didier Daeninckx dévoile le poète derrière le résistant, dans un texte accessible et sensible que les illustrations et la mise en page savante de Laurent Corvaisier savent élégamment magnifier.
Les dernières pages de l\'album reproduisent l\'ultime lettre de Missak Manoukian à sa femme Mélinée. Un trésor d\'émotion malgré la tristesse de l\'événement qu\'elle précède, dont la beauté et la force inspirera la chanson de Léo Ferré : « L\'affiche rouge ».
','Cet album a obtenu le Baobab 2009 du « Prix de la presse des jeunes » du 25e salon du livre et de la presse jeunesse de Montreuil.
','See http://pagesperso-orange.fr/memoire78/pages/moi.html for details of the FTP-MOI
',1),('Mortnoubliepersonne','Daeninckx1949','La Mort n\'oublie personne','Prose',1990,'The novel denounces the attitude of the post-war French authorities towards former Resistance fighters, especially those of the working class origins. It takes place over three time periods; 1944 - the entry into the Resistance of Jean Ricouart, 1963 - the suicide of resistance fighter\'s son, 1987 - the investigations of young historian Marc into the Resistance in the Pas-de-Calais. Two first person narratives interweave describing how the historian interviews the former Resistance fighter and the various operations in which Jean took part, his arrest, deportation and his post-war trial for the murder of a printer.
','','Lebrun, Jean-Claude, \'Haute tension\', Révolutions, no. 462 (6 janvier 1989), 53
',3),('Nazismetro','Daeninckx1949','Nazis dans le métro','Prose',1996,'Part of the Le Poulpe series.
A former Resister, André Sloga, is attacked and Le Poulpe decides to investigate. At first it appears that Sloga\'s novel about a nurse who infected her patients with Aids and then was herself murdered, could be at the origin of the attack. It then becomes apparent that Sloga was also researching far-right and neo-nazi publishers, bookshops and newspapers in the Parisian region.
','','',1),('Pagecornee','Daeninckx1949','La Page cornée','Prose',1994,'spanish civil war
','','',1),('Psyshowpathe','Daeninckx1949','Le Psyshowpathe','Prose',1992,'The presence of a commemorative plaque to a Resistance fighter leads a young women to question the inhabitantsof her appartment building about what happened during the war; instead she discovers the sexual fantasies of her neighbour.
','','',1),('Routerom','Daeninckx1949','La Route du Rom','Prose',2003,'On his death bed an old man reveals to his great-nephew what happened to him during the war. This man is then killed while attempting to corraborate his uncle\'s story. It is only when Le Poulpe, who had known the nephew, arrives for his funeral that investigations are begun and the truth of Vichy government\'s treatment of the Gypsy population is revealed, all traces having been destroyed by the post-war local administration who attempted to reinvent a more glorious past for themselves.
Part of the Le Poulpe series.
','Add Romanies
','',1),('Trainoublies','Daeninckx1949','Le Train des oubliés','Prose',2003,'Four teenagers die in an abandoned mine and one of their fathers decides to investigate. He discovers that this mine was used during the First World War to stock shells and during the Occupation to stock Zyklon B gas made by a French firm and which was destined for use in the concentration camps. The teenagers appeared to have been killed when they discovered this secret.
Daeninckx based his story on the historical study by Annie Lacroix-Riz, Industriels et banquiers français sous l\'Occupation : la collaboration économique avec le Reich et Vichy (Paris: Armand Colin, 1999)
','Industry
','',1),('forteresse','Daix1922','La Dernière Forteresse','Prose',1950,'An account of daily life in a concentration camp (La Forteresse) drawing on the author\'s experiences in Mauthausen, starting around 1944, focusing on a wide range of characters, and highlighting the role of the communist and resistance organisation within the camp (looking after new arrivals, the sick etc), with very detailed exposition of the different kinds of prisoners, the work details, the psychology of the prisoners, and the constant efforts to keep informed of the progress of the war. It goes up to the final days of the camps, the liberation and return of the narrator to France (Hotel Lutetia) via Switzerland, the news of the fate of his fellow resisters, and his incomprehension at the refusal of ministers to act to free the camps and those still being retained in them.
','','',2),('revenantes','Daix1922','Les Revenantes','Prose',2008,'Aux tous derniers jours de l\'Allemagne nazie, Julia - dont le mari s\'est tué à Paris pour lui épargner la torture dans les locaux de la Gestapo -, Claudine, infirmière communiste, Lucette, mannequin de haute couture, Gisèle, violoniste, se trouvent brusquement libérées d\'un centre de réclusion en Saxe. Katie, officier anglais sortie d\'un camp de la mort, les y rejoint. Elles découvrent qu\'elles sont un gage dans une tentative de paix lancée lors de la chute du Reich par Himmler, patron des SS. Ceux-ci se déchargent de la tâche de les conduire en Suède sur Franz Werfer, lieutenant de la Wehrmacht. Tandis que les armées russe et américaine établissent leur jonction sur l\'Elbe, ces femmes rencontrent le fond de l\'enfer dans l\'Allemagne disloquée. Franz se décide alors à les conduire chez les Alliés tout proches. Roger, maquisard reconverti en correspondant de guerre, va les y escorter. Charles, rescapé, attend Julia au Lutetia, à Paris, où rentrent les déportés. Tel est le point de départ du roman Les revenantes. La victoire venue, qui voudrait entendre d\'où et de quoi elles reviennent ? Et pourront-elles retrouver la vie \" normale \" des jours sans guerre ? Pierre Daix a vécu, à la fin d\'avril 1945, la libération des femmes occidentales détenues à Mauthausen. Il a écrit entre 2001 et 2008 ce roman de survivant qu\'il a porté sa vie durant. (from amazon.fr)
','','',1),('mortdEric','Dalens1910','La Mort d\'Eric','Prose',1943,'The hero Eric and his friend Christian, both in their late teens, join up in 1940 as officer cadets. As the novel forms part of a series written to promote the values of Scouting, the two young men\'s bravery is shown to stem from their scouting background, in contrast to the increasing demoralisation of the other French troops. The hero is eventually killed on his eighteenth birthday, with his friend being taken prisonner.
Penny Brown writes that when this novel was published in German in 1950, it was described as a plea for the two nations to work together for peace.
The book, because of its subject material was aimed at seventeen year olds, not at fourteen years old like the remainder of the Prince Eric series.
','','Brown, Penny, A critical history of French Children\'s Literature (Abington: Routledge, 2008)
',2),('Hidden','Dali1904','Hidden Faces','Prose',1975,'The novel, first published in English (New York, Dial Press, 1944), recounts the tormented, abortive love affair between the Count de Grandsailles and Solange de Cléda. Their aristocratic circle and faithful retainers are peripherally involved in both resistance and collaboration, but Dali is more interested in sub-Proustian dissection of their neurotic emotions and overblown descriptions.
','','',1),('Idyllequartier','Danoen1920','Idylle dans un quartier muré','Prose',1952,'Story of populations evacuated from the poorest areas of Le Havre so that the German authorities could expand their Atlantic wall. One of these families is a young fisherman and his wife who move in with an old man. Jean agrees to help a British airman escape, but is later betrayed to the German authorities by a fellow fisherman, Bulot. First Jean then Lydie, decide to hide in the abandoned area. Lydie is then deported and Jean joins the Resistance. The final section of the novel is a strong condemnation of the Allied bombing of the city, a campaign that only benefits the collaborationist Bulot, by providing him with the ultimate way out.
Second volume in the series, Une maison soufflée aux vents
','','',2),('Bataillesroute','Dard1921','Batailles sur la route','Prose',1949,'The plot overlaps with the end of La Crève, with the judgement and execution of Petit Louis told from the point of view of the narrator. The narrator Pierre is one of a group of resisters asked to carry out summary executions - one is Petit Louis. Very struck by Petit Louis\'s father wiping the face of his dead son, Pierre returns later to the school where the executions were carried out, unconsciously looking for him, as he later realises. He goes into the room where women are being held and experiences love at first sight for Petit Louis\'s sister Hélène. He is able to take her away, the guards presuming he wishes to rape her as others have already done to the other women there. He hides her shaved head under a bandage, and they leave to build a new life together in a small village. Only the local doctor knows their secret. Eventually he realises her connection to Petit Louis, but does not tell her. Working driving trucks to Paris and elsewhere, he meets a fellow resister who unwittingly reveals to Hélène that Pierre shot her brother. Hélène returns herself to prison.
','','',2),('Creve','Dard1921','La Crève','Prose',1946,'An intense \"huis clos\" in four parts (La Nuit, L\'Aube, Les Périls, Le Chemin de haine), set in a room where a family of four has gathered at the Liberation. Albert Lhargne, the father, works on the roads. Constance Lhargne, his wife, is seriously ill with a \'fibrome\' (a large tumour) now in an advanced stage which has given her an enormous stomach. Petit Louis, their son, is a milicien with many deaths of resisters behind him, knowing he will be killed if he ventures out. Hélène, his sister, has slept with German soldiers, particularly a M. Otto, and knows she will have her head shaved. They reflect on their choices, on how they have come to this situation, on their relationships with each other, on the possibility and meaning of the no doubt imminent death of Petit Louis. After the intense blackness of the night, dawn brings a huge fire lighting up the town, and sounds of fighting. Troops, resisters, townspeople are out on the streets below their window. It is agreed Hélène will cover her hair to disguise herself and go and ascertain how they might leave the town. But she is recognised after dancing with a soldier and taken to prison. Her head is shaved. She leads them to her family, and Petit Louis is judged and taken out to be executed immediately with two others.
','','D Jeannerod, San-Antonio et son double, PUF, 2010
',2),('Batterieerrante','Dautun','La Batterie errante','Prose',1941,'Presented as a \'récit de guerre\' written in captivity, this is a semi-fictionalised account of the author\'s experience of the 1940 debacle. The narrator joins an artillery unit and is promoted to brigadier; they are stationed on the Belgian frontier in May 1940. Their objective is to block the Germans\' crossing of the Meuse, but in a major tactical blunder they are ordered to withdraw, abandoning their ammunition and equipment. Dautun offers scathing criticism of the egotism and incompetence of NCOs and officers, and expresses an obsessive hatred of Jews and the British. Their retreat turns into a rout, their battery is destroyed by bombing, and the survivors are captured by the Germans.
','','',1),('Quatrestalag','Dautun','Quatre du stalag','Prose',1944,'An autobiographical novel (the main narrator is called Yves), effectively a sequel to La Batterie errante. Back in France after his release from the prison camp, the narrator recounts the experiences of three other comrades, from the degrading (but varied) nature of POW camps to the tormented love affair between one comrade with another\'s wife. Two of them join the LVF, one perishing on the Eastern Front, in what becomes a quasi-fascistic melodrama. Although the book is dated September 1943, Dautun continues his anti-Semitic and anti-British ranting.
','','',1),('Guadeloupe1943','Davy1939','Guadeloupe 1943: Sous le vent de la guerre (Antan Sorin)','Prose',2003,'Benjamin, an 18 year old sailor, is arrested when taking men to Dominica in order to join the Free French forces stationed on this British island. He later manages to escape and joins three metropolitan French activists in the Resistance movement in Guadeloupe. Even though it is a children\'s book, the novel does not shy away from discussing the differing motivations between the metropolitan French and the Guadeloupians, and even the latent racism of the former towards the latter. It also highlights the return, under the Vichy regime, to a power structure of slavery society.
This book forms part of a collection sponsored by the French Ministry of Defence which depicts the involvement of teenagers and young adults in French conflicts of the Twentieth Century. The other novels in the series which depict the period of the Second World War are Andrevon, Jean-Pierre, Vercors 44 : La forteresse sacrifiée, Nathan, 2006, Barbeau, P, Juin 1940 : Peur sur la route, Nathan, 2003, Davy, Pierre, Cambodge 1941 : Le Sourire des dieux, Nathan, 2005, Syrie 1941 : La Reine aux deux empires, Nathan, 2007, Descornes, Stephanie, Juillet 42 : Sous une mauvaise étoile, Nathan, 2002, Grenier, C, Août 44: Paris sur scène, Nathan, 2002, Montardre, H, Les Chantiers de la Jeunesse 1940-1944 : Une vie en suspens, Nathan, 2005, Scheid, G, 1944-1945 : Les Sabots, Nathan, 2003
','','',1),('reinedeuxempires','Davy1939','La Reine aux deux empires','Prose',2005,'Jean is a French army officer in Indochina, with a Vietnamien mistress. Appalled by France\'s collaboration with the Japanese and inspired by his mistress\' political ideas, Jean decides to desert with his colonial troops and is hidden by French archaeologists in the temple complex of Angor Wat. An interesting insight into the war in a remote part of the French empire. Part of Les Romans de la mémore series.
','','',1),('Souriredieux','Davy1939','Le Sourire des Dieux','Prose',2005,'The story centres on Jean de la Chazalière, a young French soldier and administrator in Cambodia, a pleasant character who although he is convinced of the importance of colonialisation, is nevertheless respectful towards the Cambodians and their culture. Disgusted by the acceptance by his superiors of Vichy\'s armistice with the Japanese, he tries to join the Free French Forces in Laos. Unable to do so he is taken in by the Vietnamese population, where the Viet-minh attempt to convince him to join them. For the first time, Jean is confronted with the colonised views of the French presence, a point of view that he finds more and more difficult to deny. The story jumps suddenly three years forward to March 1945 when the French administrators are placed in Japanese POW camps and it becomes evident that the French police are collaborating with the Japanese. Then another jump to October 1945, the Japanese are defeated everywhere else but in Cambodia where chaos reigns. His Vietnamese mistress joins the Communist rebels. Finally Jean is sent to fight in another conflict, the Indochinese war.
This book forms part of a collection sponsored by the French Ministry of Defence which depicts the involvement of teenagers and young adults in French conflicts of the Twentieth Century. The other novels in the series which depict the period of the Second World War are Andrevon, Jean-Pierre, Vercors 44 : La forteresse sacrifiée, Nathan, 2006, Barbeau, P, Juin 1940 : Peur sur la route, Nathan, 2003, Davy, Pierre, Guadeloupe 1943 : Sous le vent de la guerre, Nathan, 2003, Syrie 1941 : La Reine aux deux empires, Nathan, 2007, Descornes, Stephanie, Juillet 42 : Sous une mauvaise étoile, Nathan, 2002, Grenier, C, Août 44: Paris sur scène, Nathan, 2002, Montardre, H, Les Chantiers de la Jeunesse 1940-1944 : Une vie en suspens, Nathan, 2005, Scheid, G, 1944-1945 : Les Sabots, Nathan, 2003
','','',1),('Justepourplaisir','Deambrosis1955','Juste pour le plaisir','Prose',2008,'In 1942 Inspector Lambert investigates a series of terrible murders, at the same time he is involved in the round up of the Vel d\'Hiv and profits from the seizure of their property. Fifty years later he is racked with guilt over his actions and seeks out actors from the period.
The novel asks whether it is the period that encourages barbarism in individuals or whether such people are in their very nature evil.
','Lire, February 2009; Livres Hebdo, January 2009
','',1),('mareebasse','Debouzy','A marée basse: Chronique du temps des miradors','Prose',1949,'The journal of a prisoner interned in Eastern Prussia in the camps established for cadets whom the Germans and the Vichy government were trying to convert into \'révolutionnaires nationaux\'. The sincerity and good sense revealed in RD\'s account show the sane response of French youth to the lies and ruses of the Germans
','','',1),('cimetieres','Debrise1902','Cimetières sans tombeaux','Prose',1945,'An account of the author\'s deportation from the camp of Compiègne to Mauthausen and Ebsensee. As well as the different prefaces, there are differences in the text between the two editions.
','','',2),('Soldatfrancaoui','Debry','Le Soldat françaoui','Prose',2007,'Desperate to escape his badly bombed city of Rouen and to be a hero, a young man signs up in the French Army, but instead of fighting for the liberation of France, he is sent to Algeria, where he is involved in the repression of the demonstrations of May 1945. It is far from being the glorious and heroic struggle that he imagined and instead of arriving as a liberator he feels that he has turned into the oppressor. The author tells his father\'s story, but by including details of other source material, seeks to justify to the reader the story\'s historical accuracy.
','','',1),('Jourfinitplus','Decotter','Le Jour n\'en finit plus','Prose',1951,'The novel depicts the exploits of Mauricien soldiers who fought for the British Army. After their capture by Axis troops in Libya, they are moved from one POW camp to another in North Africa and then Italy and occupied France. After D-Day they are to be deported to Germany, but the lead protagonist manages to escape and is taken in by a family of French Resistance fighters. The shared language allows the Mauricien officer to develop a friendship with these people that he could never have hoped for with his British superiors and he begins a relationship with the daughter of the family. A past failed love affair however prevents him from falling in love and he decides to return home. The novel was written as part of the author\'s campaign to have the island of Mauritius returned to French control.
','','',2),('barreindochine','Decoux1884','A La Barre de l\'Indochine: histoire de mon gouvernement général, 1940-1945','Prose',1949,'JD was the Governor-General of French Indochina from the Armistice in 1940 until the Japanese seized the colony in March 1945. This is an important document by the administrator responsible for representing the Vichy Government in the face of the Japanese take-over, in which he describes many events unknown to the French public and suggests that the inefficiency of the provisional government was responsible for undermining France\'s position in Indochina.
','','',1),('101avhenrimartin','Deforges1935','101 avenue Henri Martin','Prose',NULL,'The novel is the second in a series of nine novels that follow a family of Bordeaux wine growers, and through them the major events in French history from 1939 to 1962. Lea, the second daughter, is fully engaged in minor Resistance activities. She also has to deal with economic difficulties with the family vineyard, her sister\'s pregnancy by a German officer and food restrictions. Her on-off relationship with François Tavernier, who plays a double-jeu between the Occupiers and the Resistance, continues.
101 avenue Henri Martin was the site of the Gestapo headquarters in Paris.
','','Laroche, Jacques M., \'A Success Story in French Popular Literature of the 1980s: La Bicyclette bleue\', The French Review, 60 (4), March 1987, 502-510
',4),('Bicyclettebleue','Deforges1935','La Bicyclette bleue','Prose',NULL,'The novel is the first in a series of nine novels that follow a family of Bordeaux wine growers, and through them the major events in French history from 1939 to 1962.
The story centres upon Léa, the second daughter, whose life of flirtations and parties is turned upside down by the outbreak of war. Her family and friends are split equally between pro-Pétain and German sympathies and a commitment to the Resistance. She begins a relationship with François Tavernier, who appears to be playing a double jeu between the two. The novel offers a pastiche of Gone with the Wind, and in fact was at one point taken to court for plagiarism by Margaret Mitchell\'s estate.
The novel won the Prix de la Maison de la Presse in 1983.
','','Laroche, Jacques M., \'A Success Story in French Popular Literature of the 1980s: La Bicyclette bleue\', The French Review, 60 (4), March 1987, 502-510
',4),('Diableritencore','Deforges1935','La Diable rit encore','Prose',1985,'The novel is the third in a series of nine novels that follow a family of Bordeaux wine growers, and through them the major events in French history from 1939 to 1962.
Lea and her friend Camille are forced into a clandestine life because of their Resistance activities. The Milice manage to infiltrate the movement and Camille is killed during a series of arrests. As Allied victory becomes more certain, life becomes increasing more difficult for Lea\'s sister Françoise and the son she had with a German officer. The novel provides a detailed description of the Liberation of Paris, insisting on the role of the French troops and giving a highly romanticised image of a close and respectful collaboration between Rol-Tanguy and the Forces Français Libres. In the autumn of 1944, Lea joins the Red Cross as an ambulance driver, ending up in Germany via London. Her childhood friend Mathias, unable to accept the German defeat joins the SS and is killed during fighting in Berlin.
','Davida Beth Brautman, La Bicyclette bleue (3): Le Diable en rit encore by Regine Deforges, The French Review, Vol. 59, No. 4 (Mar., 1986), pp. 643-644
','',3),('Noirtango','Deforges1935','Noir Tango','Prose',1991,'The novel is the fourth in a series of nine novels that follow a family of Bordeaux wine growers, and through them the major events in French history from 1939 to 1962.
Léa accompanies the Red Cross delegation to the Nuremberg trials, haunted by what she has seen at the liberation of Belsen. Her Jewish friend Sarah relives her suffering in Ravensbruck and Belsen, especially that at the hands of the camps\' doctors. She refuses to participate in the trials and attempts to track down her former aggressors and take revenge. At the end of the novel Léa is finally convinced by her family to return to the family vineyards, rebuild the house destroyed by the Milice and re-launch the business.
','','',2),('quandviendra','Deforges1935','Et Quand Viendra La Fin du voyage','Prose',2007,'François Tavernier accompanies De Gaulle on a presidental visit to South America, where the president places him in charge of organising the extradition of former war criminals, such as Klaus Barbie. Léa joins him in Bolivia, where her adopted son Charles \'joins\' Che Guevara\' s revolutionary group. Barbie is kidnapped but finally Tavernier is forced to return him to the Bolivian authorities in exchange for the freeing of Régis Debray. Tenth volume in the Bicyclette bleue series.
','','',1),('Perruche','Dekobra1885','La Perruche bleue: journal d\'une courtisane','Prose',1945,'The author presents the novel as an authentic journal written by a woman during the Occupation and delivered to him in New York. Louise is the caissière in the Perruche bleue, a Montmartre nightclub which is actually a brothel. When the brothel is requisitioned by the Germans, a series of comic and melodramatic episodes follows. While the owners are collaborators and black marketeers, Louise favours the Resistance. An escaped prisoner describes how he used a cow to facilitate his flight (cf. the Fernandel film). After Louise learns that her son was blinded and lost an arm during the debacle, she takes revenge by poisoning a German general. A Sûreté inspector whose advances she had spurned assists her flight, while the profiteering patronne Marguerite is shot by the Germans.
','','',2),('40ansjournalisme','Delahaye','Quarante ans de journalisme','Prose',1946,'Anecdotes from ED\'s forty years in provincial journalism written for his grandchildren and beginning with his first assignments in Rennes. He describes the years of WW1 and his work on various papers, including La Province, the fight against Freemasonry and anti-Semitism, his arrest by the Germans in WW2 and the final ordeal of the Liberation.
','','',1),('BagneAurigny','Delbars','Le Bagne d\'Aurigny','Prose',1945,'YD claimed that these are the memories of a man called Glaize, who fought with the Resistance army. They are confirmed by two other men with whom he was arrested and sent to the British island of Alderney which was occupied by the Germans. After six weeks in the Camp du Vernet d\'Ariège, he was sent to Germany and escaped from a train.
','','',1),('AuschwitzI','Delbo1913','Aucun de nous ne reviendra','Prose',1970,'The first part of the Auschwitz et après trilogy, a highly literary memoir of scenes of the camp with an at times very poetic structure and language, organised in chapters, some of which are just a few lines long, and interspersed with poems. Part narrative, part reflection, the chapters\' headings are often generic and elliptical (examples include : \'Rue de l\'arrivée, rue du départ\', \'Dialogue\', \'Les Mannequins\', \'Les Hommes\', \'L\'Appel\', \'Un Jour\', \'Marie\', \'Le Lendemain\', \'Le Même jour\', \'La Jambe d\'Alice\', \'Sténia\', \'Le Jour\', \'L\'Adieu\', \'La Nuit\', \'La Soif\', \'Weiter\'). The extreme and overwhelming nature of these experiences of life and death, and the importance of the women\'s solidarity, are powerfully rendered. Reference is also made to the present, as the narrator sits to write in a café (p.49)
','','Rose Yalow Kamel, \'Written on the Body: Narrative Re-Presentation in Charlotte Delbo\'s Auschwitz and After\', Holocaust and Genocide Studies, 2000 14(1):65-82; Nicole Thatcher,A Literary Analysis of Charlotte Delbo\'s Concentration Camp Representations, Edwin Mellen Press, 1999; Esther Sánchez-Pardo, \'Who will carry the word? The threshold between unspeakability and silence in the Holocaust narratives of Charlotte Delbo and Jorge Semprun\', European Journal of English Studies, vol 14, 1 April 2010, 37-48; Colin Davis, \'Charlotte Delbo\'s Ghosts\', French Studies, vol 59, 1, 2005, 9-15.
',1),('AuschwitzII','Delbo1913','Une Connaissance inutile','Prose',1970,'The second volume of testimony on the experience of Auschwitz, including the transfer to Ravensbrück and liberation, where again chapters are interspersed with poems, though they are on the whole constituted by much lengthier sequences of narrative than in the first volume. The content is again heart-breaking in its depiction of cruelty and loss.
','','See Aucun de nous ne reviendra
',1),('AuschwitzIII','Delbo1913','Mesure de nos jours','Prose',1971,'The third volume of Delbo\'s trilogy focuses upon the life in France after the return from the camps. Using a similar structure to the previous volumes, some chapters are here given to other characters - for example Gilberte, Mado, Poupette, Marie-Louise, Ida, Loulou, Jacques - narrating in the first person their difficulties as survivors, and the complicated nature of memory.
','','See Aucun de nous ne reviendra
',2),('leconvoi','Delbo1913','Le Convoi du 24 janvier','Prose',1965,'A remarkable work of testimony that records biographical details for each one of the deportees of this convoi, the reasons why they found themselves on it, their number at Auschwitz and details of their life, and, for the majority, death there. 49 returned of the 230 women who were on the train from Compiègne, who left there singing and who (those who survived the train journey) famously entered Auschwitz singing La Marseillaise.
','','See Aucun de nous ne reviendra
',1),('memoirejours','Delbo1913','La Mémoire et les jours','Prose',1985,'From Rosette Lamont\'s introduction to her translation: Days and Memory constitutes a series of vignettes, some written in the form of a monologue addressed to the invisible, attentive author, some in the form of a dialogue between the author and a friend. Some of the scenes and situations do indeed come from the German concentration camp experience, dominant throughout Delbo\'s previous writings; other moments and aspects of the Second World War appear in the sketches of the French police\'s round up of Paris Jews; of the uprising of the Warsaw ghetto and , also in Warsaw, of the Polish partisans; of the mass execution by the Germans of all the men in a Greek village. But also remembered are the events in Greece - and in Spain - that belong to the decades that followed the war. And Days and Memory also includes the days, still closer to us, of the women of Buenos Aires who would assemble in the Plaza de Mayo to remember and protest the disappearance of their fathers, husbands and sons. Finally, the book ends with an appeal on behalf of the prisoners in the Soviet gulags, those most forgotten of the forgotten. (pp. ix-x)
','','See Aucun de nous ne reviendra
',2),('Bleusurpeau','DelPappas1949','Bleu sur la peau','Prose',1998,'Constantin, a former photographer, is targeted by a car bombing. The clue to solving the mystery seems to be an old photo he took of a young women, Alix. She stole documents from her adopted father and returns to Marseille years later to blackmail him. The documents reveal that he was in the Milice during the war and that he was involved in the operation to destroy the old areas of Marseille and to deport their Jewish population. Constantin has a personal connection with this period as his next door neighbour was deported from Marseille as a young teenager. The novel finishes with her story.
It is only about 60 pages from the end of the polar that links with the Occupation become clear. Part of the Constantin (name of his main protagonist) series.
','','',1),('dissidence2','Delpech1921','La Dissidence','Prose',1991,'From back cover: La Dissidence, un roman où se jouent le destin d\'une île, la Martinique et celui d\'un homme l\'Amiral Georges Robert.
C\'est la Seconde Guerre Mondiale, un parcours historique dans la trame de « La Dame de Balata ». La Martinique abrite les 300 tonnes d\'or de la France, 100 avions de combat et plusieurs navires aux noms prestigieux, l\'Emile Bertin, le Barfleur, le Béarn, la Jeanne d\'Arc.
Autour de Ma Bé, la guerre influence le comportement des uns et des autres. Souffrances, humiliations, déportations, famine, tous ces maux vont-ils permettre aux amours de Damien et Marie-Aymée de briser le tabou racial ?
Eudora la secrète, les époux Laroche et Le Flahec, Lygie, Thierry et l\'égoïste Charles, tous découvrent l\'étranger qui dormait en chacun d\'eux.
Scandales, crimes et secrets dévoilés éclaboussent l\'île.
Deux personnages, hauts en couleur, naissent de ce climat de violence. « L\'Homme Marron » et Carmen Mendata.
Dans le camp de Balata, la Dissidence va jaillir ardente, combative, rayonnante, guidée par le Commandant Tourtet.
L\'Amiral joue et perd.
C\'est l\'émergence d\'un peuple plus fort dont les lettres de noblesse sont Honneur et Liberté.
Dans le ciel des Caraïbes Ma Bé et ses compatriotes regardent, scintiller de mille feux, la Croix de Lorraine.
','','',1),('Antanrobe','Delsham1946','An Tan Robe - Roman Antillais','Prose',1994,'The first forty pages provide a fast overview of one mulatto family from the French Revolution to the beginning of the Second World War. The second part covers the beginning of the Second World War and the period of Vichy rule in the island. The novel depicts the story of Ida, a young black women and her family, struggling through the food shortages. Through this character the author denounces sexual violence and exploitation against black women by all three of the island communities as well as the Békés-France, culminating in the attempted rape of Ida\'s daughter Carmen. The békés are shown to side with the Vichy administration in a desperate attempt to retain the traditionally hierarchical society on the island, a situation that the end of the novel suggests that De Gaulle\'s forces may threaten. The text also includes an interesting depiction of the close ties that are forged between the black population and the West-African colonial troops stationed on the island.
This is the second part of a series entitled Le Siècle which tells the story of three families (one béké, one mulatto and one black) in Martinique during the Twentieth Century.
','Brautman, Davida, \'Delsham, Tony:An Tan Robe, The French Review, 1996, 521
','',1),('KZ','Delteil1939','KZ - retour vers l\'enfer','Prose',1987,'One night a journalist saves a former déporté from a group of skinheads. The two men become friends and the journalist begins to write a book based on the man\'s life in a concentration camp in Poland. Here the man, along with other members of the Resistance, attempted to stockpile weapons to use to liberate the camp as the Allies advanced. The novel is a detailed description of hierarchy in the camps, especially among the Communist prisoners. It becomes apparent that the man needs to tell his story to unburden his conscience.
','','',2),('satraperouge','Delteil1939','Mort d\'un satrape rouge','Prose',1993,'The polar focuses on the investigation of the murder of a Communist mayor, former member of the Resistance. He is killed using a German pistol that the mayor himself had taken from a German soldier during the war. It becomes evident that although generally well liked by his electors, the maire has made numerous enemies, within the party hierarchy (who do not appreciate that he has struck out on his own), the immigrant community in his town and former Resistants. Constantly links are drawn between the far-right wing candidate for the post of mayor and the milice and SS, claims that are never proved but act as the ultimate form of insult. The investigation is narrated by the editor of the municipal newspaper.
','','',1),('Herosdiscret','Deniau1928','Un héros très discret','Prose',NULL,'A first-person narrator tells the story of Albert Dehousse, head of the French secret service in post-war occupied Germany, but eventually convicted and imprisoned for bigamy. As a child and young man, he is curiously cut off from his surroundings, and spends the Occupation as a linen salesman in the Lille region. During the turmoil of the Liberation, he abandons his family, flees to Paris, and invents an imaginary past for himself as a Resistance activist with the FFL in London. His bluff is so successful that he is appointed to military intelligence with the rank of colonel. The narrator finally admits that he was Dehousse. The novel offers an atmospheric and witty depiction of the Liberation period, with the implication that the protagonist\'s imposture was typical of many self-promoting Resistance heroes. A stylish film version directed by Jacques Audiard was released in 1996.
','','',3),('Borsalino','Deray','Borsalino','Film',1970,'About two Marseille gangsters, Spirito and Carbone, who were very powerful in the city in the 1930s and who collaboratored with the German authorities during the war.
','','',1),('Notessudafricaines','Deroisin','Notes sud-africaines: Capetown 1941-1944','Prose',1946,'Diary entries of life in Cape Town during WW2. Occasional references are made to SD\'s own life and family, but in general these are impressions of soldiers met in the course of her work.
','','',1),('Memoiresjeune','DesCars1911','Mémoires d\'un jeune','Prose',1945,'GDC is writing his memoirs at the age of thirty, beginning with 1914 and early memories of the war, continuing with college recollections, travel notes, journalism and his first books and concluding with WW2 and the end of his youth. He wonders if he will write more memoirs when he is fifty and again when he is an old man.
','','',1),('officier','DesCars1911','L\'Officier sans nom','Prose',1941,'An account of the experiences of an officer, from mobilisation to defeat, as he participates in the fighting in the north and the east. The chaos, the strength of the German Army, and the lack of airpower for the French, are noted. It is suggested by a German prisoner that the French have no appetite for a fight: \'beau pays où l\'on s\'amuse trop\', one of the many statements in keeping with Vichy\'s perspective. Generally the French are not painted in a flattering light. The final pages give further illustration of Vichy\'s positions: a mayor denounces the elections of the past which have destroyed the country, past ignorance in which the French have been kept of family, work (labour) and Patrie is deplored; criticism of a Belgian is followed by recognition that there are \'de bons étrangers qui sont de vrais amis de notre pays\', and for the \'Chef qui mettra bon ordre à tout celà (sic). These and other expressions, as well as some anti-Semitic denunciations of Israelite bankers, are significantly changed or removed in the 1955 edition.
','further editions in the 1960s and 1970s attest to its popularity.
','',3),('senvatenguerre','DesCars1911','L\'Amour s\'en-va-t-en guerre','Prose',1953,'Three generations of women live in the Pohu residence in Saint-Gratien-sur-Sarthe. Eugénie, born in 1846, Brigitte, born in 1876, and Victoire, born in 1919. The novel opens with the three women watching the parade of the Division Leclerc from their balcony, and Victoire seeing the love of her life Jacques among the troops. Eugénie and Brigitte had a great love for a soldier in1870 and 1914 respectively. After relating the earlier history, the novel picks up the story of the second world war from the \'drôle de guerre\' onwards. Eugénie and Brigitte both demonstrate against the Germans in front of the town\'s war memorial ; the mayor flees. They refuse to house a German officer, and are the centre of the \'moral resistance\'. A Parisian from Belleville in German uniform - this is Jacques - is found by Eugénie hiding in their back garden, having been parachuted into the area. Each of them becomes aware of his presence (hiding in the greenhouse) as he awaits orders from London, and does not tell the others. A German arms depot explodes. The mayor is freed by the English, and heads off to join the maquis and the resistance (\'tous les malins en faisaient autant en ce moment\'). The Germans flee and Leclerc\'s troops arrive. Presence of black soldiers is noted (Brigitte, épanouie, entourée de trois nègres; ... charmants, les nègres américains; les noirs riaient à gorge déployée). A plucky story of patriotic Frenchwomen.
','L\'amour s\'en va-t-en guerre est l\'histoire de trois jeunes filles d\'une même famille : Eugénie, Brigitte et victoire, pour qui l\'uniforme possède un incomparable prestige ...
C\'est aussi l\'histoire de trois générations de femmes françaises. 1870 : Eugénie est folle d\'un dragon de la garde. 1914 : Brigitte rêve d\'un capitaine de hussards. 1944 : Victoire trouve l\'amour sous les trait d\'un parachutiste.
C\'est dire que l\'amour règne en souverain absolu dans ces pages où jamais n\'apparaît la guerre, la guerre qui tue tout ce qui est amour.
L\'amour s\'en va-t-en guerre est avant tout un roman gai, un roman très français aussi, dont toute l\'action se déroule dans une petite ville de la Sarthe. J\'ai Lu resume on guy des cars section on livresethistoires site
','',1),('Condamne','Devigny1916','Un Condamné à mort s\'est échappé','Prose',1956,'A celebrated account of the author\'s heroic and ingenious escape from Montluc prison in August 1943, which inspired Robert Bresson\'s masterful film. Devigny points out that five prisoners were shot in reprisal after his escape.
','','',2),('Jefus','Devigny1916','Je fus ce condamné','Prose',1978,'A sequel to Devigny\'s earlier memoir. He explores the circumstances surrounding his arrest in 1943, celebrates the sacrifices made by the minority of genuine resisters, and comments bitterly on how criminals and imposters usurped the Resistance legend after the war.
','','',1),('LieutenantKouta','Diabate1938','Le lieutenant de Kouta','Prose',1979,'A colonial soldier returns to his home village after winning numerous medals and glory in the French army. His extravagant lifestyle draws the attention of the villagers.
First novel in a trilogy.
','The trilogy won the 1987 Grand Prix international de la Fondation Léopold Sédar Senghor.
','',1),('Prisonnierregard','Diakhate1928','Prisonnier du regard','Prose',1975,'The short story recounts the recruitment of young men from an African village twenty-four years previously and describes the hardship of their imprisonment in a German labour camp. It ends with the arrival of a stranger who claims that he has been walking for over fifty years, therefore since the beginning of the First World War. This stranger is meant to be Blaise Diagne and so the story is a criticism of African politicians who recruited their fellow countrymen for European wars.
The story was written in 1964.
','','',1),('Prisonstragiques','Diamant Berger','Prisons tragiques, prisons comiques, prisons grivoises','Prose',1947,'A moving preface by LDB\'s brother is followed by LDB\'s account of captivity: being arrested on a trumped-up charge in 1941 and sent to La Santé prison and then to Fresnes, deported in 1943, sent to Mannheim and Saarbrücken and released by the Americans from Bayreuth in 1945, sixteen days before he was to go to Nuremberg. LDB began to record his impressions in 1942 and thereafter wrote everything down, giving full details of his life in Fresnes, in the Infirmary as a patient in 1941 then as a surgeon until 1943, with descriptions of other prisoners. He writes with humour and warmth, and records that life in Fresnes, at least, was not too painful. There are some diary fragments.
','','',1),('Incendie','Dib1920','L\'Incendie','Prose',1954,'Second part of Dib\'s Algerian trilogy.
','','',2),('Metiertisser','Dib1920','Le métier à tisser','Prose',1957,'Third part of Dib\'s Algerian trilogy.
','','',3),('Sarzan','Diop1906','Sarzan','Prose',1955,'Sarzan is a mispronunciation of the word for sergeant.
','','',2),('Thiaroyeterrerouge','Diop1946','Thiaroye, terre rouge','Theatre',1981,'In 1940, the men of a Senegalese village, struck by famine, refuse to be enlisted by force into the French army; a stance that they view as their first step to self-determination. Their revolt is short lived, ending in a massacre by a local tribe under French command. In 1944, on their return from combat in France, the army tries to send them back to their villages without their pay. A tirailleur, Naman, can\'t forget the parents and child that he lost to famine before the war, nor his suffering in German POW camps. He now leads the revolt, encouraging his fellow soldiers to look further into the future towards independence. The tirailleurs are helped by the local villagers, who have been reduced to a state of poverty and humiliation by the colonisers. The epilogue is a conversation between two soldiers killed in the massacre, during which they challenge the audience to wake up to the suffering of Francophone Africa.
','','Forsdick, Charles, \'Ceci n\'est pas un conte, mais une histoire de chair et de sang\': representing the colonial massacre in Francophone literature and culture\', in Milne, Lorna (ed), Postcolonial Violence, Culture and Identity in Francophone Africa and the Antilles (Bern: Peter Lang, 2007)
',1),('retourfront','Dorgeles1885','Retour au front','Prose',1940,'Collected articles of 1939 to 1940 when RD was sent to the front as a war correspondant. This books was seized by the Germans in 1940 and surpressed, but RD later published the essential chapters, together with reportages written later, in La Drôle de guerre 1939-1940. These are moving accounts of the day-to-day lives of ordinary soldiers, which reveal RD\'s own horror of war and his pacifist feelings.
','journalism; pacifism
','',1),('Souvenirs19181944','Dorlodot','Souvenirs 1918-1944','Prose',1944,'RD gives an impersonal view of politics and his approach to WW2
','','',1),('MortspourFrance','DoumbiFakoly','Morts pour la France','Prose',1983,'Although this work claims to be a novel, it is in fact a list of historical events in which West African colonial soldiers played a central role, loosely held together with the thoughts of a few characters. The two central themes are the continuity of the sacrifice of tirailleurs, as many of the soldiers involved are veterans of the First World War, and the deportation of tirailleurs to the concentration camp of Buchenwald. It appears that this work was heavily influenced by Osmane Sembene film, Le Camp de Thiaroye.
','','',2),('2joursChurchill','Duchese','Deux jours avec Churchill','Prose',2008,'','http://passouline.blog.lemonde.fr/2008/07/22/ici-londres-un-anglais-parle-aux-francais/
','',1),('Maisonmortes','Dufournier1915','La Maison des mortes','Prose',1945,'DD\'s obituary in the Daily Telegraph (January 31, 1994), refers to her book as a \'classic of concentration camp literature\'. She joined the Resistance in 1942, working openly as a defence lawyer while helping airmen to escape to Spain as a member of the \'Comet Line\'. Arrested when the Line was betrayed in 1943, she was interrogated by the Gestapo, put into solitary confinement at Fresnes for six months, then transferred to Ravensbrück, where conditions were appalling.
','','',2),('Criprofondeurs','Duhamel1884','Cri des profondeurs','Prose',1951,'After an introductory chapter in the third person, the novel switches to the first person, becoming a confessional account by Félix Tallemand. He emerges as an obnoxious egotist who has taken advantage of his position as director of a medical laboratory to work for the Germans and to buy the shares in the business owned by a Jewish associate, Winterberg, whose family perish after being deported. By hiding Winterberg, Tallemand escapes retribution at the liberation; the fact that, unknown to him, some of the laboratory workers had used the cellar as an arms depot, also allows him to claim spurious Resistance credentials. The novel ends with Tallemand near death and seeking forgiveness.
','','',1),('LesChaleursaout','Dumay1916','Les Chaleurs d\'août','Prose',1945,'Diary entries extracted from a work to be published later entitled A ciel fermé (no trace found of this). RD evokes the extraordinary atmosphere of the Liberation in August 1944 and the holiday feeling as the Germans leave, despite the continued killing.
','','',1),('Pluscalmevisage','Dumay1916','Mon plus calme visage','Prose',1942,'RD begins his journal with the general mobilisation in 1939, giving an account of his daily experiences which reveals his fatalistic attitude towards the war. He stresses the boredom and solitude of military life, but omits descriptions of the fighting as he cannot bring himself to describe the tragedies. His own participation in the war ended in 1940 with the fall of France, which caused him great sadness.
','','',2),('Tempsillusions','DuMoulin','Le Temps des illusions: Souvenirs (juillet 1940 - avril 1942)','Prose',1946,'HDMdL\'s experience as a member of the Vichy Government, beginning with 1940 and the Vichy régime, with a detailed description of Weygand, Laval, Pétain and their foreign policy. He left France for good in 1942.
','','',2),('Journeesdaout','Dupin','Les Journées d\'août, Paris 1944: Souvenirs et méditations','Prose',1945,'','','',1),('Jairepondu','Dupontel1919','J\'ai répondu (1940-1941). Un Béret rouge (1941-1947): Roman vécu dans les bataillons parachutistes','Prose',1948,'','','',2),('Sautez','Dupontel1919','Sautez! Souvenirs d\'un saboteur parachutiste dans les S.A.S. français et anglais','Prose',1949,'','','',1),('Etpourtant','Duquesne1930','Et pourtant nous étions heureux','Prose',2003,'An autobiographical account of the author\'s childhood in the industrial Nord before and during the Occupation. References to 1940 suggest that much of La Grande Triche is based on fact. In fact, Duquesne\'s writing is far more evocative and readable when it is not filtered through middlebrow fiction.
','','',1),('GrandeTriche','Duquesne1930','La Grande Triche','Prose',1977,'The boy Justin becomes a first-hand witness of the devastation of war, as the Germans advance inexorably in spring 1940. Justin\'s experiences are intercalated with those of Lieutenant Valère Manotti, whose military ambitions are cut short when he is killed in Justin\'s presence on the last page.
','','',1),('JosephLondres','Durand1923','Joseph et les hommes de Londres','Prose',1994,'From Le Temps des cerises catalogue (accessed on-line 02/08/2010): Grâce à ce livre, on comprendra mieux comment des hommes et des femmes que tout séparait, voire opposait, ont mené un combat commun contre le fascisme hitlérien et pour la libération de la France.
From amazon.fr, accessed 03/08/2010: Souvent invité à parler des années noires devant de jeunes auditoires, je choisis toujours d\'évoquer Georges Beaufils et le colonel Rémy pour leur faire comprendre à quel point la Résistance fut à la fois complexe et simple.
Beaufils et Rémy : il fallait bien une guerre mondiale pour que leurs chemins se croisent...
L\'un, ouvrier, athée, révolutionnaire communiste ; l\'autre, issu de la bourgeoisie la plus traditionnelle, catholique convaincu, ancien camelot du roi, conservateur autant qu\'on peut l\'être.
Leurs relations ne pouvaient être que conflictuelles puisque le premier ne se lassait pas de réclamer des moyens que le second, quoi qu\'il en eût, se révélait incapable de fournir.
Pourtant, une amité profonde les unit, qui survécut à toutes les péripéties et persista bien au-delà de la guerre, puisque Georges Beaufils, tombé trois décennies plus tard dans un traquenard bien manigancé et poursuivi devant la Cour de Sûreté de l\'Etat, vit son vieux camarade lui apporter un vibrant témoignage.
Ce livre bourré d\'informations, vibrant d\'une émotion intacte après tant d\'années, passionnant d\'un bout à l\'autre, apporte une réponse salutaire aux falsificateurs de l\'Histoire.
Grâce à lui, on comprendra mieux comment des hommes et des femmes que tout séparait, voire opposait, ont mené un combat commun contre le fascisme hitlérien et pour la libération de la France.
[Georges Beaufils, pseudonym Joseph, was Rémy\'s \'interlocuteur\' in the contact between La France libre and the Parti Communiste français].
','','',1),('AlbertCapitales','Duras1914','Albert des Capitales','Prose',1985,'The short story recounts the interrogation and torture of a former member of the French Gestapo by a female Resistance fighter, Thérèse, in the period immediately following the Liberation of Paris. In the preface, Duras claims that Thérèse is in fact her. There reigns an extremely tense atmosphere, where the euphoria of the liberation and the ensuing exhaustion has stoked feelings of revenge and agression and Thérèse\'s own violence is portrayed as the result of being virtually the only woman in a male dominated world.
','','',1),('AureliaParis','Duras1914','Aurélia Paris','Prose',1985,'','','',1),('Douleurvolume','Duras1914','La Douleur','Prose',1985,'Contains six short stories: La Douleur, Monsieur X. dit ici Pierre Rabier, Albert des Capitales, Ter le Milicien, L\'Ortie brisée and Aurélia Paris.
','Craig, Georges, \'The horror of what happened to happen\', Times Literary Supplement, no. 4357 (October 3rd 1986), 1112
Poirot-Delpech, Betrand, \'La Douleur de Marguerite Duras: l\'art qui a vu la mort de près, les armes à la main\', Le Monde des Livres, no. 12510 (19 Avril 1985), 28
','Crowley, Martin, \'\'Il n\'y a qu\'une espèce humaine\': Between Duras and Antelme\' in Andrew Leak (ed.), The Holocaust and the Text: Speaking the Unspeakable (New York: Macmillan, 2000)
Jacobs, Gabriel, \'Spectres of Remorse: Duras\' Wartime Autobiography\', Romance Studies, 1997 Autumn, 30, 47-57
McArthur, Robin, \'The Search for Identity in Marguerite Duras\' Agatha and La Douleur\', Romance Notes, 1997 Fall, 38(1), 15-24
Michelucci, Pascal, \'La motivation des styles chez Marguerite Duras: Cris et silence dans Moderato Cantabile et La Douleur\', Etudes Françaises, 2003, 39(2), 95-107
Noetinger, Elise, \'At the sharp end of waiting: A study of La Douleur by Marguerite Duras\', Esprit Créateur, 2000 Summer, 40(2), 61-74
O\'Riley, Michael, \'Tales of the Crypt: The Durative Douleur of Duras\', Romance Languages Annual, 1998, 10(1), 103-110
Ramsay, Raylene, \'Writing and Ethics: Representations of the Holocaust and the Occupation in the \'New Autobiographical\' Texts of Alain Robbe-Grillet and Marguerite Duras\', Romance Studies, 2001 June, 19(1), 71-85
Wilson, Emma, \'La Douleur: Duras, Amnesia and Desire\' in Charles Burdett and Claire Gorrera (eds.), European Memories of the Second World War (New York: Berghahn, 1999), 141-148
',9),('MonsieurX','Duras1914','Monsieur X. dit ici Pierre Rabier','Prose',1985,'Monsieur X. tells the story of Duras\'s chance encounter near the end of the Occupation period with a member of the French Gestapo, who had arrested her husband, Robert Antelme, for his Resistance activities. She conducts a relationship with this man in order, she claims, to gain information about her husband.
In the foreword Duras claims that this is a true story, a claim that was later challenged by Mitterrand\'s biographier Pierre Pean (Une Jeunesse française: Francois Mitterrand, 1934-47 (Paris: Fayard, 1994))
','','Willging, Jennifer, \'True down to the last detail: Narrative and Memory in Marguerite Duras\' Monsieur X\', Twentieth Century Literature, Fall 2000, 369-386
',2),('Ortiebrisee','Duras1914','L\'Ortie brisée','Prose',1985,'','','Crowley, Martin, \'\'Il n\'y a qu\'une espèce humaine\': Between Duras and Antelme\' in Andrew Leak (ed.), The Holocaust and the Text: Speaking the Unspeakable (New York: Macmillan, 2000)
Jacobs, Gabriel, \'Spectres of Remorse: Duras\' Wartime Autobiography\', Romance Studies, 1997 Autumn, 30, 47-57
McArthur, Robin, \'The Search for Identity in Marguerite Duras\' Agatha and La Douleur\', Romance Notes, 1997 Fall, 38(1), 15-24
Michelucci, Pascal, \'La motivation des styles chez Marguerite Duras: Cris et silence dans Moderato Cantabile et La Douleur\', Etudes Françaises, 2003, 39(2), 95-107
Noetinger, Elise, \'At the sharp end of waiting: A study of La Douleur by Marguerite Duras\', Esprit Créateur, 2000 Summer, 40(2), 61-74
O\'Riley, Michael, \'Tales of the Crypt: The Durative Douleur of Duras\', Romance Languages Annual, 1998, 10(1), 103-110
Ramsay, Raylene, \'Writing and Ethics: Representations of the Holocaust and the Occupation in the \'New Autobiographical\' Texts of Alain Robbe-Grillet and Marguerite Duras\', Romance Studies, 2001 June, 19(1), 71-85
Wilson, Emma, \'La Douleur: Duras, Amnesia and Desire\' in Charles Burdett and Claire Gorrera (eds.), European Memories of the Second World War (New York: Berghahn, 1999), 141-148
',1),('TerMilicien','Duras1914','Ter le Milicien','Prose',1985,'','','',1),('douleurstory','Duras1914','La Douleur','Prose',1985,'The title story of the collection.
First person narrative by author, written in diary form, which retraces Duras\' wait for her husband to return from the Nazi concentration camps and his first few weeks in Paris. It provides an interesting insight into treatment of returning prisoners and deportees and the suffering and anger of their families who feel unable to join in the victory ceremonies taking place all around them.
Duras claims in the preface that she found the diary in her holiday home in the early 1980s, but had no recollection of writing such a piece at the time that the events took place.
','','',1),('Bonbeurre','Dutourd1920','Au bon beurre','Prose',1952,'A family of Parisian crémiers make a substantial profit because of war-time rationing and their involvement in the black market. They justify their acts by pretending that they would otherwise go to ruin. Changing sides as the war progresses they become know as patriots, a reputation that along with the marriage of their daughter to a MP ensures their post-war prosperity. The story of one of their neighbours, Léon Lécuyer is told in parallel. An escaped POW he joins the Resistance through a chance meeting and is later imprisoned having attempted to kill Pierre Laval.
','','Chadwick, Kay, Jean Dutourd, Au Bon Beurre: scènes de vie sous l\'Occupation (Glasgow : University of Glasgow French and German Publications, 2003)
',15),('MarieOctobre','Duvivier','Marie-Octobre','Film',NULL,'','','',3),('Courir','Echenoz1947','Courir','Prose',2008,'The novel is based on the real story of the Czech athlete Emil Zátopek. It begins with his teenage years during the German occupation of his home state of Moravia in the modern day Czech Republic. He is saved from a mundane job in a shoe factory by his talent for running, a talent that will be exploited for ideological gains first by the Germans, and then post-war by the Soviet backed government in Czechoslovakia. But finally having angered the authorities he is sent to work in the mines or as a rubbish collector on the streets of Prague, where the welcome he receives from the local population demonstrates that he is still a national hero.
','La Quinzaine Littéraire, no. 977, 1-15/10/08
Le Magazine Littéraire, n° 479, octobre 2008, p. 24-25
','Add Russian army, Sport
',1),('Turne3','EdmondAbout1914','Turne 3','Prose',1945,'The novel opens with a group of students gathering in their study (\'turne\'), with the Director of the college, in 1939, and follows them (particularly Annie, Jacques, twins Pierre and Jean) through to the liberation, chronicling views and reactions to events from a range of perspectives. Annie marries a rich factory owner André - the flight from Paris in the exodus, and her experiences of giving birth to their first child, are dramatically described, including her patriotic refusal of medical help from a German officer, a gynaecologist in civilian life, and the impact of hearing de Gaulle\'s voice on the radio. In the second part, Annie and André allow their Paris flat to be used by the Director for resistance beginnings. The twins take opposing views, Pierre supporting de Gaulle, Jean Pétain. All agree both are heroes. Jacques joins the resistance; Annie returns to the château where, in an ironic \'retour à la terre\', she turns it into a farm to meet the food shortages. The increasing violence and spectre of civil war is documented, as resisters are called terrorists, and collaborators receive coffins. Jean joins the LVF and leaves to fight in Russia - for the director and his friends, the purety of his choice and his patriotism are however in no doubt. The Germans occupy the château. A young woman is killed by a lynch mob for having relations with a German soldier, who turns out to have been Polish and conscripted by force. The third part is devoted to fighting provoked by the D-Day landings as a village in Normandy where one of the former students is a teacher is the scene of a massacre. Annie\'s château becomes a resistance headquarters (it\'s murmured by those of a different class (\'les petits rentiers, les petits boutiquiers, les petits cultivateurs\') they have a \'châtelaine anarchiste\'). After Jean\'s death, Pierre commits virtual suicide by a lone attack on a group of Germans. It is concluded that Pétain has killed both twins by forcing each one to commit suicide. The bitterness of the fighting in June 44, with reprisals on both sides, is documented, as is the \'épuration sauvage\', with some cases seeming rather doubtful. More than once money is extorted by FFI, only for it to emerge they were criminals using the situation. The novel ends with the arrival of American tanks.
The novel includes some strongly antisemitic views from positive characters like the Director of the college (eg p.117, also p 161) which are never countered. Gender is an important feature: eg the resistance and role of women, their suffering at the deaths of their menfolk in war, the sexualised description of a woman collaborator, Annie and André\'s very traditional expectations of their roles in marriage.
','','Nouvelles littéraires, 19/04/1945
',1),('Lesannees','Ernaux1940','Les Années','Prose',2008,'Selected for the Prix du livre Inter 2008.
','\'Affinités électives\', France Culture, 14/02/2008
','',1),('Detourprenfer','Errer1934','Un détour par l\'enfer','Prose',1987,'Jean Maurepain is honored by the préfet for his part in the local resistance. But the inspector Lesourd is suspicious and decides to investigate what Jean really did do during the war. The text is interspersed with passages in italics which relate key moments from Jean\'s shady past life; a story full of suspense.
','','',1),('Ellipseloup','Esteve','L\'Ellipse du loup','Prose',2006,'A young man, having moved from his native Alsace to Paris, receives a strange letter from his closest childhood friend, Christophe. Included in the package are letters from Christophe\'s mother who died when he was very young. These letters, written to an Alsacienne refugee in South-West France, reveal numerous details about life in Alsace under German Occupation; Germanisation, rounds ups, STO and the deportation of both of Christophe\'s parents.
','add Germanisation of Alsace-Lorrain
','',2),('enfantetsoldat','Etienne1945','L\'Enfant et le soldat','Prose',2006,'The novel documents the lives of the family of a French army officer posted to Indochina just before the beginning of the Second World War. The majority of the novel is narrated by the officer\'s eldest daughter, Nine. As well as dealing with the changes caused by the war, her life is also turned upside down by the arrival of her younger sister Sophie. Other viewpoints are provided by the diary entries of Nine\'s father Orso, during his flight after the events of the 9th of March 1945 and through the testimonies of two Japanese officers, Imuta and Furukawa, at their trial for war crimes in the post-war period. The novel also provides an insight into the distrust of the Gaullist towards the French of Indochina, regarded as collaborators, an attitude that lasted long after the war.
','','',1),('Commescorpion','Evrard1920','Comme le scorpion sous la lauze','Prose',1997,'Garcia becomes involved in black marketeering from the very beginning of the war, bringing him to the attention of the Gestapo for whom he starts working in 1942. After a few easy missions, he is chosen to infiltrate a resistance group, but his plan unravels when he falls in love with Nathalie, a young Resistance fighter.
He has to chose between love and making his fortune.
','','',2),('Souvenirsdetheatre','Fabre1869','De Thalie à Melpomène: Souvenirs de théâtre','Prose',1947,'EF begins by saying that it is acceptable to speak of oneself when one has witnessed important events. His memories of the theatre include contacts with Becque, with whom he corresponded, Gémier, Antoine and D\'Annunzio, and he refers to his time as administrator at the Comédie-Française during WW2.
','','',1),('Aprespluie','Fajardie1947','Après la pluie','Prose',1998,'Two army veterans, who met in the Free French forces in North Africa, feeling abandoned and disgusted by French postwar society decide to set up a private detective agency. Their first major case is an investigation into the death of a man who fell from a plane over the channel.
A highly descriptive portrait of French society in the immediate post-war period which is still settling the scores of the Occupation and Liberation.
','Add veterans & prostitution
','',2),('PontsurLoire','Fajardie1947','Un pont sur la Loire','Prose',NULL,'','','',3),('Theorie1','Fajardie1947','La Théorie du 1%','Prose',1981,'A smalll town in Normandy witness a spate of killings over a few days. Each of the victims has been killed in such a way as to leave a message. The police inspector discovers a link between these murders and the conduct of the town\'s inhabitants during the Occupation, they were definately not the glorious resistance fighters that they portrayed themselves to be in the post-war era.
','','',1),('Boubousoldat','Fanton','Boubou soldat','Prose',1981,'Boubou, a young child from Chad, loses both his parents and is adopted by a group of Free French Forces as their mascot. Even though he is only seven Boubou shows great courage in the fighting in North Africa, Italy and Normandy. He takes two enemy soldiers prisoner in Libya, for which is awarded the Croix de Guerre. Although the story follows a number of colonial stereotypes (Africans supposed inability to stand the cold, wonder at French civilisation in Paris), Boubou is shown to have real feelings, unlike most African protagonists. The story ends with Boubou awaiting repatriation to Africa in Southern France.
','','Deroo, Eric, La Force noire (Paris: Tallandier, 2006)
',1),('Dejeunerssoleil','Farge1876','Déjeuners de soleil','Prose',1942,'Paris during the Occupation: thoughtful essays on many facets of daily life, with practical details as, for instance, the 1941 telephone directory only being received at the start of 1942. LPF says that there are times when memoirs are read and times when they are written; the present as he writes is a time for living and leaving the memoirs on the shelf: \'L\'Histoire est devenue notre pain quotidien\'.
','Literary Autobiography
','',2),('chaquemin','Farge1899','Chaque minute compte','Prose',1953,'Jean has escaped from prison, the forteresse in Sisteron. He arrives in a village, stays overnight, and continues on to the house he has been told to go to, with a special sentence as password. He opens the door, thinking of a girl, and laughing. A German soldier shoots him with a machine gun. Anti-Legion and anti-German sentiments are expressed in various conversations in the village.
','','',1),('echo','Farge1899','L\'Echo des batailles','Prose',1953,'Mme veuve Duplan treats her maid badly. Her son and daughter-in-law live with her, having fled Lyon. The latter\'s rich Jewish father went bankrupt a few days after their wedding. Madame remembers this smugly when it is said the war was lost because of the Jews. She relishes covering up seditious pro-resistance phrases written on banknotes with a Travail Famille Patrie stamp. The local wine dealer gets hold of huge quantities of wine. Everyone has as many bottles as they can fill, and Madame\'s dealings with ration cards (against her full cellar) no longer work. Another story from the class war, of bourgeois financial self-interest and support for Vichy.
','','',1),('exode','Farge1899','L\'Exode','Prose',1953,'Portrays the a wealthy bourgeois couple as cowardly and self-interested, feeling with their money and jewellery as the Germans approach (though their 20-year-old daughter stays and is ashamed of them). They are further situated socially by their hostility to the introduction of \'congés payés\'.
','','',1),('lesarbres','Farge1899','Les Arbres restent bons','Prose',1953,'Mathilde Perrier wants a tree cut down for a Christmas tree to cheer up some poor children. The tree man says no. Other characters discuss Japan\'s intentions, and the way the évaronneurs (who ensure disease-free coats of cattle) have been made to keep secret inventories of cattle stocks. There is mention of the fear of speaking out and being arrested; the bûcheron is arrested by police. The grocer has plenty of food and wine, off rations, for those with money to pay, and all feel obliged to do this.
','','',1),('Lesvaches','Farge1899','Les Vaches sont casaniers','Prose',1953,'The Germans attack a village, kill a man and a boy, and take the cows. Maquisards ambush the Germans and intend to take the cows themselves to feed the maquis. They kill the Germans, but the cows have disappeared; they have gone home.
','','',1),('Onnepeut','Farge1899','On ne peut vivre sans rien faire','Prose',1953,'Two men spend a day in the country and return to find the working class district on fire and the Jewish area surrounded. They attack and kill an SS soldier who is pulling a woman along by her hair, and flee. One crosses the forest by night to reach the maquis de la Loire. The protection of the forest is palpable.
','','',1),('Rebellessoldats','Farge1899','Rebelles, soldats et citoyens: Carnet d\'un commissaire de la République','Prose',1946,'YF, an active member of the Resistance in Lyon from 1941, was given the post of \'Commissaire de la République\' for the Rhône-Alpes region by the CNR (Conseil national de la Résistance) in spring 1944, and he describes here the many complications of the ultimately successful work he had to undertake to keep order until the liberation of the region was finally completed. In this important document on the Resistance YF also addresses the problem of the movement\'s political failure.
','','',2),('revnat','Farge1899','La Révolution nationale','Prose',1953,'The story of Bocquin, a cobbler, who was taken prisoner in 1940, but escapes back to his village (Mercruy), centred on juxtaposed scenes highlighting the selfishness and ruthlessness of the bourgeoisie, and their hostility to the Republic and Republican values. Bocquin resigns from the Légion des Combattants, which meets twice monthly under a huge portrait of Pétain, to defend France from London and Moscow. Their long list of local complaints being ignored, they believe the secret forces of the Republic must be still at work to destroy the Etat français. Bocquin does not approve of their public demonstration, and defends the \'école laïque \' - where children are freezing cold while wealthy villas are warm. Not what Le Maréchal would wish, he asserts. He denounces them as Nazis when told he no longer has the floor, and as a \'fuyards\'. The lawyer M. Dupin receives at home - only his elderly mother seems horrified at the cost of the feast for the guests - and Bocquin is mentioned. The next day Bocquin is arrested after a denunciation, and his wife and children leave the village.
','','',1),('simplemot','Farge1899','Un Simple Mot','Prose',1953,'Marcelline is examining notes and letters and remembering the afternoon of 10 June 1940, when the Germans had reached Lyon. The lieutenant Henri Perrier and his troop of Sénégalais soldiers were in the village of Chassay, determined to stop the German advance. The owner of the local château, Mme Anselme Dufayard, who knew Henri as a boy, offers her grounds as a base. In the fight many were killed, but they held out for five hours. In the centre of the village, the Germans shoot dead one Sénégalais soldier who suddenly appeared (from a different group and apparently lost), and then le père Prottin, who had cried out in horror. A priest witnesses the execution near the château of about sixty Sénégalais, a column of bodies then crushed by tanks driven over them. Henri Perrier, le Sergent Diouf and two others were discovered and shot in a barn where they had taken refuge. Perrier dies in the arms of the black sergent. Marcelline writes and prints the story. The police search for the author and the printing press. The \'simple word\' is \'resistance\'.
','','',1),('UnSimple','Farge1899','Un Simple Mot','Prose',1953,'A collection of 22 short stories with 8 set in the Occupation and addressing issues (two rather marginally). The rest are focused primarily on stories in French villages, some serious (eg the family that can only welcome their son and his black wife after his mother\'s death), with lengthy descriptions of physical settings of mountain, countryside and forest.
','','',1),('Chantherissons','Fasquelle1933','Le Chant des hérissons','Prose',1997,'The story of two children, Jacques and Hélène, whose mother is arrested by the French Gestapo and never seen again. A sententious and tedious account of the loss of childhood innocence.
','','',1),('Colonnenuees','FaureBiguet1893','La Colonne des nuées: Récit','Prose',1948,'Suspected of treachery, JNFB, with his family and friends, is detained and examined by soldiers during \'l\'exode\'. They finally get away when the soldiers have left after damaging the tyres of their car, but JNFB feels bitter despite the adventure ending well. He is shocked by the Armistice.
','','',1),('PelotonLeclerc','Fenouillere1925','Le Peloton du général Leclerc','Prose',2002,'This is the author\'s journal de marche. It has been enriched with the memories of other veterans and contains numerous photos, drawings by the author and maps. It recounts the battles fought by Leclerc\'s 2ème DB and the fifty anniversary of the liberation of Alsace in 1994.
','','',1),('EnferBreendonck','Fischer1875','L\'Enfer de Breendonck: Souvenirs vécus','Prose',1944,'','','',1),('Furenthommes','Flavian1902','Ils furent des hommes: Essais et documents','Prose',1948,'Part of this book was previously published as De la nuit vers la lumière. CLF was one of the men who, refusing to resign themselves to defeat in 1940 and accept collaboration, began straight away to organise secret resistance. His work in South-East France brought him into contact with many well-known Resisters and he also encountered the Italian \'Gestapo\', the OVRA. This is an admirable psychological and historical document.
','','',1),('Nuitverslumiere','Flavian1902','De la nuit vers la lumière','Prose',1946,'Memories of the Resistance. Republished as part of Ils furent des hommes: Essais et documents
','','',1),('RegneBete','FlorianParmentier1879','Le Règne de la Bête; ou, La Tragique et Sublime Épopée de 1939-1946','Prose',1948,'EFP, novelist, poet and playwright, lived through the Vichy régime in a small village in Burgundy. He reports what he saw and suffered personally and tries to describe the atmosphere in which the French lived in thrall to this brutal oppression
','','',1),('Aubeafricaine','Fodeba','Aube africaine','Prose',1951,'A farmer Naman, is called upon by the village chief to go and fight in a white man\'s war, leaving behind his young wife. Although news does not reach the village often, it is known that Naman\'s heroism has been recognised and rewarded by his superiors and that later he was taken prisoner by the Germans. But at the end of the war, his wife learns that he has been killed by his own at Thiaroye, as the sun was rising. The story claims that Thiaroye will mark another dawn, that of African independence.
Notes are given in the text to specify that the story should be interspersed with Cora music.
','','',2),('Godillotslourds','Fombeure1906','Les Godillots sont lourds: Récit','Prose',1948,'A light-hearted view of the war during 1939 and 1940 from a \'sergent de réserve\' in the colonial infantry (who did not see the fighting), full of dramatic and amusing adventures and giving no idea of the awful reality.
','','',1),('Hommebarbele','Fontanel1957','L\'homme barbelé','Prose',2009,'Ferdinand is a first world war hero. After returning from the 1919 Syria campaign, he marries Thérèse and they have four children. He is such a tyrannical father and husband that when he is arrested, deported and killed in Mauthausen for Resistance acts, his family are more relieved than saddened. A nuanced portrait of a Resistance hero.
','','',1),('Prisonnieremaquis','Fontclaire1923','Prisonnière au maquis: Souvenirs d\'une jeune fille','Prose',1949,'A true account of NF\'s experiences when captured by le maquis and accused of being Austrian. NF was very badly treated and her friend Roland was killed. She gives a straightforward description of everything that happened, in the present tense, changing only the names of people and places (though real names were given in her original manuscript).
','','',2),('ainsiexiles','Forrester1927','Ainsi des exilés','Prose',1970,'Sarah has fled to a Dutch seaside town to escape her past during the Second World War and her memories of loved ones deported. She has chosen this place for its calm and the peace that the ocean brings; the ocean that is the subject of lengthy, beautiful descriptions. She pushes everyone away, even her young lover. As the novel progresses, we realise that the entire town is haunted by their memories of the period and of what they did not see or prevent.
','','',2),('nuitetbrouill','fougeresyves','Nuit et brouillard (Nacht und nebel)','Prose',1948,'A spy thriller that opens with German soldiers imprisoned in France in March 1946 but is set primarily in occupied Germany. Alternating first person narratives of le Lieutenant Weber, a German SS officer who took part in the Oradour massacre, and le lieutenant Prieur, a member of the Deuxième Bureau, the novel recounts the attempts of a network of former Nazis, centred around Lake Constanze, to provoke major civil disorder in Germany (by making Americans and Russians believe they had attacked each other) and create the conditions to bring back a Nazi regime. Rather ponderously written, though it does liven up towards the end, it involves false identities as Prieur, masquerading as a journalist, and his group work underground in Germany, and Weber and his group, having escaped from the French prison, similarly conspire. N.N. , standing for Nacht und Nebel, is the code name for the respondent to the coded messages Weber sends from his clandestine transmitter. There is no mention of the use of the term in concentration camps. There is little by way of social comment. In the final battles as the French thwart the wicked plans, it is Moroccan troops who are deployed.
','awarded the Prix du Quai des Orfèvres
','',1),('JusquaBergen','Francis1900','Jusqu\'à Bergen','Prose',1947,'A moving account of LF\'s imprisonment in various camps, with great suffering caused by constant hunger. Parcels from the Red Cross were kept by the Germans and the men had to catch crows in order to survive. When LF\'s camp was evacuated they marched in the bitter cold of winter 1945 then went by train to Lübeck camp. He was liberated by the British from Bergen and saw Belsen and the Nazi atrocities perpetrated there.
','','',1),('Courtepaille','FrancoisPoncet','La Courte Paille','Prose',1977,'This novel is a first-person account by Simone Lagrange, a graduate in English whose husband is a POW and whose children live with their grandparents, who is persuaded to take care of an American aviator, Tony Plummer. At first she resents his dangerous intrusion into her life, but nevertheless agrees to help him in a journey across France to the Spanish border, and finally desires him. After a series of perilous escapades (arrest and escape), she assists him in crossing the border, informing us that subsequently he will be shot down on 11 October 1943. The novel is written in a wooden style, Tony barely has a personality, and somewhat improbably nearly everybody they encounter on their voyage treats them sympathetically, including miliciens and gendarmes.
','','',1),('Carnetscaptif','FrancoisPoncet1887','Carnets d\'un captif','Prose',1952,'Extracts taken from AFP\'s extensive diary giving a day-by-day account of his three years of captivity in the Château d\'Itter and elsewhere from the time of his imprisonment in 1943.
','','',1),('2ansOranienburg','Franqueville','\'Rien à signaler\': Deux ans à Oranienburg','Prose',1946,'A vivid and detailed account of the horror of life in German prison camps and the extraordinary violence used by the SS, which RF describes here in order to demonstrate the total lack of human sensitivity shown by the Germans. He was finally liberated by the Americans from Oranienburg.
','','',1),('Nostalgiemaquis','Fraysse1920','Nostalgie du maquis: Souvenirs','Prose',1947,'In 1943 MF was working as a \'scribouillard\' in an office on \'l\'exploitation forestière\' and was thus excused the call-up, but he joined the maquis when the Germans threatened him. He describes the pleasures of comradeship and his love of the countryside, and deplores the death of many maquisards braver than he.
','','',1),('Nuitfinira','Frenay1905','La Nuit finira: Mémoires de Résistance, 1940-1945','Prose',1973,'','','',3),('Collabos','Freville1895','Les Collabos','Prose',1946,'\'En guise de préface\': stories written or conceived during clandestinity; contrasts the true France of prisons and martyrs to the abjection of collaboration. Collaboration as embodiment of class; Vichy was a counterrevolution; collaborators were many - long list of examples. \'Les Collabos\': a small town where all the notables, all on the side of \'order\', enjoy good relations with the Germans. After an act of sabotage, the Germans demand that the mayor hand over the guilty parties, or they will shoot hostages: 3 of the town \'notables\', including the mayor, two communists, or one Jew. The mayor tricks the local blacksmith who is an Arab, into declaring himself Jewish to the Germans; the mayor witnesses his execution, and returns to his negotiations over the sale of his crop of apples with the Germans. The story presents all the town\'s notables as prepared to do anything to further their own interests, primarily financial ones. \'Descente dans la nuit\': returning from a mission over Germany, French pilot has to bail out over France. He persuades with some difficulty a local farmer, Sarazette, to help him reach Spain by lending him clothes and temporarily employing him. Sarazette\'s son and daughter-in-law are very anxious he\'s going to sell the farm. Daughter-in-law recognises the old coat the new worker is wearing, and when the Germans come looking for the airmen, she denounces Sarazette. The Germans take away Sarazette, his wife and the daughter-in-law, shoot the son when he tries to run away, and set fire to the farm. \'Sans Appel\': the president of the Section spéciale court condemns a prisoner to death, who denounces the sentence and proclaims patriots will avenge him. A colleague is assassinated; he receives a coffin in the post, and becomes increasingly terrified. He no longer believes his own argument, that he had no choice but to take this post. He becomes increasingly hysterical, and hallucinates non-existent attacks in the course of which he kills himself. \'Un Bon Fromage\': the commandant Argout, presented as an honest patriot, loses his position at the ministère du Ravitaillement. Through a wheeler dealer acquaintance, he is appointed to the Commissariat général aux questions juives as an administrator, which means he is to remove Jews from their businesses, take them over and run them for his own profit. When he discovers the business he is supposed to remove from its Jewish owner belongs to a family he met and helped in a train, he walks away from the position. \'L\'Heure des trusts\': the setting is a factory established as a result of the First World War. After the defeat, the factory works with the Germans. The workers are stupid and need everything explaining to them; the owners bring in Germans who can speak French well, but they still do not understand the worker\'s own language. It gradually becomes clear that the whole thing is an exercise in sabotage. The head of quality control manages to ensure a major piece of machinery cannot function at all, though identifying himself to the Germans in the process. The next night the factory is blown up. \'Le Dernier Cercle\' recounts the journey taken by a member of the Division Charlemagne, Frenchmen fighting in German uniform, as he tries to fight and kill his way through Germany back to France and freedom. He joins a group of French deportees, pretending to be a prisoner of war whose identity he has stolen. They are suspicious and read his notebook, which reveals him to have attended courses at the Ecole d\'Uriage, presented as a fascist training camp teaching torture techniques and fascist ideology.
It is worth noting a) the importance of language. The Arab, Germans, a maid all speak versions of French, phonetically transcribed to demarcate them; the \'patois\' in the countryside and the worker\'s language also referred to. B) nearly all the women depicted are even more agressively serving their own interests than the men, pushing their husbands into collaboration. C) in one sense the stories are a good example of \'résistantialisme\', i.e. all the virtuous are on the side of the working class and the resistance, but the collection is mobilising this in the fight against anti-communism.
','','',1),('Pleinvent','Freville1895','Plein Vent','Prose',1951,'Resistance stories: opens with FFI fighting in Normandy in 1944; returns to 1940 and defeat onwards by flashback.
','','',1),('Commeunverger','Friang1924','Comme un verger avant l\'hiver','Prose',1978,'Dedicated to the author\'s Siamese cat, this is a rather bitter and ponderous account of an odious impostor, Gérard Bonhomme, who marries Jeanne-Claude after she survives deportation, although it was Gérard who betrayed her to the Gestapo. He exploits her reputation to promote himself as a war hero, while driving her to commit suicide. All those who know the truth about him perish, while Gérard continues to thrive.
','','',1),('Regardetoi','Friang1924','Regarde-toi qui meurs','Prose',1970,'Friang was expelled from her Parisian lycée in spring 1941 for spreading Gaullist propaganda and subsequently joined the military network of the BCRA. She was betrayed by a comrade to the Gestapo, seriously injured by a bullet wound, and deported to Ravenbrück in May 1944. She was freed in May 1945 after escaping from a death march. Friang offers a gripping, unsentimental account of her survival and postwar career as a fearless war correspondent.
','','',2),('Traversgrandegrille','Gadala1881','A travers la grande grille','Prose',1946,'Notes and reflections giving a personal slant on the war based on what MTG learnt when she was ill in Vichy over a long period. She kept a diary in which she gives an interesting account of events from 1940 onwards, seen from the point of view of a supporter of the Allies.
','','',1),('Fontainesmort','Gaillard1909','Aux fontaines de la mort (Poste de secours)','Prose',1944,'On reverse of title-page: \'Plusieurs de ces nouvelles ont paru en édition originale à la librairie Gründ sous le titre Poste de secours (Lithographies de Jacques Lechantre, Paris: Librairie Gründ, 1943, 83pp. L/C). This is a collection of twelve stories, each dedicated to a different author (the first \'Poste de secours\' is dedicated to Georges Duhamel, who served as a doctor in WW1), in which RG vividly brings to life the stresses and strains of life for a small medical team left behind to help the wounded in the face of the advancing Germans. Most of the stories are written in the first person and these are likely to be based on RG\'s own experiences.
','Medical care
','',1),('Jourspenitence','Gaillard1909','Jours de pénitence, mes évasions: Journal d\'un prisonnier de guerre en Al','Prose',1942,'','','',2),('Pacteassassins','Gallo1932','Le Pacte des assassins','Prose',2008,'This \'roman-histoire\' recounts the life of Countess Julia Garelli, a witness of major events of the 20th century, and notably the \'pact of the assassins\': the alliance between the Nazis and the Soviets. She is detained in both Soviet and Nazi camps. Written in homage to Margarete Buber-Neumann, who survived similar experiences to bear witness against totalitarian oppression. The book reads more like a chronicle than a novel.
','','',1),('Patriotes','Gallo1932','Les Patriotes','Prose',2001,'A four-volume novel cycle, comprising: L\'Ombre et la nuit (2000); La Flamme ne s\'éteindra pas (2001); Le Prix du sang (2001); Dans l\'honneur et par la victoire (2001). Presented as a \'roman d\'Histoire\', where invented characters meet real people (but only important ones), and exchange historical information in wooden fashion. The central characters Bertrand and his lover Geneviève are resisters from 1940. This is classic middlebrow fiction: informative, facile, consensual, and devoid of literary invention. Thus the Dieppe fiasco of 1942 is mentioned in one sentence, as an attempt to \'évaluer les défenses allemandes\'. The books are over-weighted with information, tend to deliver lectures, and are rather light on engaging action and narrative.
','','',2),('Accentmonpere','Gandebeuf1926','L\'Accent de mon père','Prose',2002,'Frédéric is ashamed of his father\'s accent, which he thinks makes his father sound German. Admitting this fact begins a discussion that lasts for over thirty years during which the father reveals details about his own experiences of the war and accompanies his son, who later becomes a history teacher, in his historical research. The novels examines the multitude of different ways in which the Occupation was experienced by the population of this one département (because of geographical and linguistic concerns) and the extent to which such events remain unknown to both the locals as well as to what the Mosellans label the \'Français de l\'intérieur\'.
','','',1),('A26','Garnier1949','L\'A26','Prose',1999,'Bernard is dying of cancer and worries about what is going to happen to his sister Yolande. She has not left the house since the day when, at the end of the war, she had her head shaved. Years later she still sees German soldiers and Resistance fighters everywhere. Outside their home the new A26 motorway is being built and it is here that Bernard buries the bodies of the hitchhikers and other waifs and strays that he picks up. Yolande\'a inability to face the world has meant that they both now live a life on the margins of society, in a home where nothing is ever thrown away, where the concept of time has no sense.
','Family (brothers and sister)
','',1),('Niceprmemoire','Garnier1954','Nice pour mémoire','Prose',1980,'During a holiday in Nice, Noémie Fogelman, so affected by the trauma of abandonment transmitted by her mother, begins to experience the Occupation years as if it was her and not her mother who had lived through them. There are flashbacks to the life of Sarah (the narrator\'s mother) who was a young teenager at the beginning of the war. Sarah is sent from Paris to Nice to await her mother, who never arrives, having been deported. Other scenes depict Noémie\'s relationship with a young German, whose father died during the war, while fighting in France. Hans, like Noémie, is searching to break the silence of his father. Noémie is only liberated by from the traumatic experience of recalling and reliving her mother\'s past, by an impending earthquake.
The novel provided the author with the means to examine her own mother\'s and grandmother\'s story of which she originally knew very little and therefore acts as the critics (Morris) suggest, as a form of therapy. Its fragmented narrative, both in terms of voice and chronology, are claimed by Gorrera to be common to works about the Holocaust written by the second generation.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (London: Macmillan Press, 1998),pp.112-117
Morris, Alan, Collaboration and Resistance reviewed - Writers and the Mode Rétro in Post-Gaullist France (Oxford: Berg, 1992), pp.98-101
',1),('Cerfsvolants','Gary1914','Les cerfs-volants','Prose',1980,'Ludo falls in love, as a child, with the daughter of a Polish noble family who spend their summers in Normandy. He is welcomed by the family because of his mathematical skills, but marriage between him and Lila is unthinkable because of their dramatically different social status. He returns from a visit to Poland just before the German invasion of that country, but never forgets Lila, even talking to her, which leads the local population to class him as being mentally deranged. Ludo spends the war as part of a local Resistance network and helping his uncle to build his kites, which through the figures and events they depict consitute in themselves forms of Resistance. Ludo finally manages to save Lila who has managed to escape Poland and arrive in France by becoming the mistress of numerous influential men. The end of the novel ironises over the facility with which numerous people, especially the restauranter and family friend Marcellin, manage to move skilfully from one regime to another.
','','',1),('Grandvestiaire','Gary1914','Le grand vestiaire','Prose',1948,'Lucien loses his father, killed in the Resistance, just days before the arrival of the Allies. He is taken to Paris to a children\'s home but escapes and is taken in by a \'family\' who initiate him into the world of black marketeering. The novel describes a world run by teenagers who only need adults to protect them against the police
','','Bellos, David, \'Oliver Twist à Paris, Romain Gary à New York : Le grand vestiaire et les tabous de l\'après-guerre\' in Romain Gary, l\'ombre de l\'histoire (Toulouse: Presses universitaires du Mirail, 2007)
',3),('Promesseaube','Gary1914','La promesse de l\'aube','Prose',1960,'In this autobiographical novel Gary describes his life, especially his love for his mother and her utter devotion to him, as well as his years of service in the Free French Forces during World War Two. On his return to Nice in 1945 he discovers that his mother has already been dead for three years and that she had entrusted hundreds of letters to a friend who had sent them on one by one to Gary to his mother\'s demise.
','','',3),('Tulipe','Gary1914','Tulipe','Prose',1946,'A former deportee, Tulipe, has left Europe to start a new life in America. Depressed and lost he begins a hunger strike, reinventing himself as the white Gandhi of New York. He seeks to denounce the self-satisfaction of the wartime victors and the racism that exists in American society, but his manipulation of the media and the crowd echo the dictators of the inter-war years. The novel is a highly ironic portrait of first world post-war society. De Gaulle : \"Dans Tulipe vous peignez - admirablement - ce trait principal de notre époque que tout y confine à tout : l\'idéalisme et le cynisme, l\'apostolat et la fumisterie, la douleur et le ricanement. Je suis heureux de votre talent et toujours sensible à votre pensée. Soyez assuré, mon cher Romain Gary, de mes sentiments de fidèle amitié.\"(lettre à Gary du 19 mai 1970 communiquée par Jacques Layani)
','Letter written to the author by Général de Gaulle, \"Dans Tulipe vous peignez - admirablement - ce trait principal de notre époque que tout y confine à tout : l\'idéalisme et le cynisme, l\'apostolat et la fumisterie, la douleur et le ricanement. Je suis heureux de votre talent et toujours sensible à votre pensée. Soyez assuré, mon cher Romain Gary, de mes sentiments de fidèle amitié.\"
','',3),('Prisonsjaponaises','Gaultier','Prisons japonaises: Récit vécu','Prose',1950,'A simple and objective account by a French officer in Indochina of the abominable suffering of prisoners of the Japanese in 1945. MG highlights the degradation caused by misery and despair and describes the violence and occasional humanity shown towards the prisoners by their captors.
','','',1),('Magnus','Germain1954','Magnus','Prose',2005,'The novel won the 2005 Prix Goncourt des Lycéens.
Un enfant amnésique découvre progressivement que son père adoptive était médecin au service des nazis.
','ML, no. 445, sept 2005
','Goulet, Alain, \'Magnus: conte, roman d\'apprentissage, fable\' in Michel, Jacqueline and Dotan, Isabelle (eds), Sylvie Germain et son oeuvre (Paris: EST, 2006)
Koopman-Thurlings, Mariska, \'Dire l\'indicible: Sylvie Germain et la question juive\', in Michel, Jacqueline and Dotan, Isabelle (eds), Sylvie Germain et son oeuvre (Paris: EST, 2006)
',2),('RadioToulouse','Gildas','Radio-Toulouse','Prose',1948,'These are notes written in the present tense on \'l\'exode\' and GG\'s travels round France with her husband and son in June 1940, in which she describes the countryside and its inhabitants as she goes. GG stresses her reliance on the radio, from the broadcasts of Paul Raynaud to \'Ici Radio Paris\' and the broadcasts of General de Gaulle. She describes her flight from the Germans into the Pyrenees where she was arrested and kept under supervision until the end of the war.
','','',1),('Mirador','Gille1937','Le Mirador','Prose',1992,'An imagined memoir of the author\'s mother, based on Némirovsky\'s own writings. It ends with her deportation in July 1942.
','','',2),('Paysagecendres','Gille1937','Un paysage de cendres','Prose',1996,'An autobiographical novel based on the author\'s wartime experience and painful adjustment to the loss of her parents and Jewish identity. The five-year-old Léa is rescued by sympathetic resisters and nuns after her parents are deported, but as she grows up and is forced to suppress her family memories and Jewish identity, she becomes emotionally withdrawn; her suffering increases when as a teenager she discovers the full horrors of genocide.
','','',2),('coupon44','Gilles1917','Le Coupon 44','Prose',1956,'','Nouvelles Littéraires, 29/3/1956
','',1),('jetons','Gilles1917','Jetons de présence','Prose',1954,'Set in Brussels during the Occupation (in 1942 as it is made clear in the sequel), the novel is centred upon a large chemical firm Chimobel, its director Max Tissot, François Tissot his nephew who is hoping to fill the vacancy on the board, and his administrator Léon Koch, who is also hoping to be chosen for the vacant position. Tissot is manoeuvring with Koch to sell a factory to the Germans, while making sure this does not become public - they are well aware lists of collaborators are being drawn up. The novel presents this business as extremely affluent, living the expensive high life in spite of the occupation, and corrupt, with everyone involved (including le baron de Roclanges, le sénateur Lamy) driven by self-interest. When Tissot fails to buy out another factory, and is insulted as a collaborator by its owner, he eventually has his revenge by arranging, through contacts, to have the factory denounced and bombed by the English. The plot is driven by the intrigues for the top places, and the interpersonal intrigue over president Tissot\'s inheritance as his mistress Tamara is pregnant; François\'s mother manages to use this to compromise Koch (who is presumed to be Jewish and despised for it). Koch himself takes hefty secret commissions on the firm\'s transactions, and turns his disgrace to his advantage as he flees to England. François and others manoeuvre to be involved with the local resistance run by colonel Croiset (whom Max Tissot makes sure he helps free from prison when arrested by the Germans as an \'insurance\' for the future). Koch\'s son Yves is involved with a group producing tracts, denouncing traitors, and wishing to sweep away the old order. The mass of the population is presented as indifferent to the war, interested only in food and survival (p.237: \'Quatre vingt quinze pour cent de fraudeurs, et cinq pour cent de patriots qui pensent surtout à l\'après-guerre). The machinations extend to their personal lives: Max Tissot casts out his wife Hélène for Tamara who presents him with his first child. François, married to Daisy, is having an affair with Bettina (who is pregnant and refuses to have an abortion), the wife of co-Resister Villandry. The \'jetons de présence\' are handed in by the members of the board of Chimobel for their cheques for their attendance.
','Nouvelles littéraires 01/04/1954
','',1),('Justeapresguerre','Giorda1938','C\'était juste après la guerre','Prose',1998,'Jérôme goes to spend the summer of 1948 on a farm in the Vercors. While undertaking farm work he meets a German prisoner of war, hated by the rest of the villagers. Jérôme undertakes a little investigation to find out why the villagers hate the German so much and finds about the terrible massacres of the summer of 1944 on the plateau.
','','',1),('Amitraitre','Giovanni1923','Mon ami le traître','Prose',1977,'The brothers Georges and François Galtieri return to Liberation France, the evil hunchback François rapidly committing suicide. Georges had been released from a prison sentence in return for working as a German police auxiliary, but tries to do a deal with the French secret service agent Adrien Rove: to save his skin by betraying his German associates (who are planning a terrorist act). The plot is foiled, but Georges is arrested by the DST and sentenced to death for treason. A sardonic account of double-dealing in the style of the série noire, partly based on fact.
','','',2),('Mesevasions','Giraud1897','Mes évasions','Prose',1946,'','','',1),('Seulbutvictoire','Giraud1897','Un seul but, la victoire','Prose',1949,'','','',1),('Appelbled','Gleize1898','L\'Appel du bled','Film',1942,'A young concert pianist from Paris marries an agricultural engineer who takes her to live in the Algerian desert. After a miscarriage, she returns to Paris to her family and upon learning that she can not have any more chidren, she asks for a separation. In 1940 while giving a concert for the Red Cross, she learns that her husband is fighting on the frontline. When she is told that he has gone missing, she returns to Algeria to taken over his most important project, bringing irrigation to a desert community, she also establishes a small clinic. After the armistice, she receives a telegram asking her to go to Algiers where she is reunited with her husband, who has lost his left arm in the fighting. She takes him back to their plantation which promises them a happy and peaceful life.
The film was made to reflect the sentiment in Vichy propaganda that the Empire could be the saviour of France, a means for it to remain a world power. Young men like the film\'s protagonist were encouraged to travel to the colonies to improve their infrastructure and agricultural production.
','Centre Catholique du cinéma; \"Film sur un thème élevé, où les idées de courage et de dévouement sont à l\'honneur. Il aborde avec discrétion de questions délicates. On regrette qu\'une jeune femme renonce trop aisément à son mariage parce qu\'elle ne peut pas avoir d\'enfants.\"
','Duty
',1),('echappee','Goby','L\'Echappée','Prose',2007,'16-year-old Madeleine is a waitress and chambermaid at l\'Hôtel des Ducs in Rennes, which has been transformed into an officers\' barracks. Madeleine meets a German officer/pianist, Joseph Schwimmer, lodging at the hotel who asks her to assist him turning the pages of musical scores in his practice recitals. A love affair quickly ensues. Schwimmer is drafted to the front and Madeleine hears no further news of him. In 1941, she gives birth to their child. At the Liberation she is shaved and tattooed with a swastika for her \"collaboration.\" Having been cut off by her parents at the announcement of her pregnancy, Madeleine sets out on a ten-year odyssey with her daughter, Anne, where they will move to a new town each year. When Anne finally sees the tattoo Madeleine has tried to conceal from her, Madeleine decides to tell her about her German father. Determined to declare pride rather than shame about her heritage, Anne begins to draw the swastika on her own breast and to call herself by her father\'s surname. Her detachment and aggressive behaviour alienate her from other children, their parents and her teachers. Finally when her first love dismisses her out of hand after he learns of her past, she begins to understand, identify with, and adopt her mother\'s attitude of shame.
','','',2),('Quitouchecorps','Goby','Qui touche à mon corps, je le tue','Prose',2008,'This novel follows three characters; the abortionist, her last \'client\' and her executioner in the run up to the abortionist\'s execution. As the novel progresses the reader realises that each of these characters has been deeply affected by their relationship with their mother. But it is the question of the body and the power that each character has over other people\'s bodies (through abortion or execution) and in turn the power that this gives them over their own body and therefore their entire life that is central to this novel. Goby in interviews also refers to a fourth body (le corps social) and the entrapment that each of the characters experiences, the negative pressure exerted by society on their existence. It becomes evident that the two woman use abortion as a means of rebellion against the place in society allotted to them by the Vichy regime. Both the abortionist and the executioner are based on real people. A powerful and gripping work.
','Elle, no. 3269, 25/08/08
','',1),('Feuilleauvent','Godefroy','Comme la feuille au vent. (Un Normand au pays des Tziganes)','Prose',1948,'PG was arrested in 1940 and imprisoned in Germany, then sent to Poland and the Ukraine. He describes his various escape attempts, the many adventures he had and the help he was given which finally enabled him to reach Hungary, where he suffered more brutalities before getting home.
','','',1),('Zaide','Goldenberg1931','Le Zaïde','Prose',1994,'A young girl\'s parents are killed in a plane crash and she is taken in by an elderly Jewish man, which turns his quiet existence upside down. He decides to teach her about Jewish history through visits to important sites throughout Paris. At the end of his life he realises the extent to which his life has been enriched by her presence.
','','Brown, Penny, A critical history of French Children\'s Literature (Abington: Routledge, 2008)
',2),('DickVercors','Gonnet','Dick-Vercors','Prose',1945,'A scientist, fearing arrest as the Germans enter Lyon, passes his scientific secrets (about a new form of weaponry) onto his future son-in-law, who hides the documents near to Voiron. He is interrogated by the Gestapo in what was to become Barbie\'s HQ, who try to purchase these military secrets then torture him. His daughter is ready to do virtually anything in order to free him. The son-in-law joins the Resistance in the Vercors, saddened by the reaction of his fiancée, who in turn joins the Resistance in Lyon in order to redeem her earlier actions. A portrait of a heroic Resistance fighter who always puts the needs of his nation first, but still has the time to break hearts on the way.
','Add science
','',1),('Nuitbrascasses','Gouiran1946','La Nuit des bras cassés','Prose',2003,'Three brothers in different cities discover severed heads in appartments. Their father had fled Italy in 1943, fearing retribution for his role in Italy\'s fascist regime. The blackmailer claims that he stole an art treasure (sketches by major artists) that he was meant to deliver for a German soldier during his flight. The brothers set out to find their father\'s accomplice, another Italian immigrant, in order to learn about their father\'s past and the whereabouts of the art works. It turns out to be a member of the American government who is blackmailing them, in his quest to return the artwork stolen by the Nazis to their rightful owners, and this American reveals himself to be the brother-in-law of the oldest brother.
A rather drawn out story whose central character is really the Italian immigrant community in the Marseille suburbs.
','Prix Sang d\'Encre des Lycéens 2003
','Add art; immigrants
',1),('Sspaves','Gouiran1946','Sous les pavés, la rage','Prose',2005,'Against the backdrop of the May 1968 demonstrations in Marseille, Jackie, a young worker who was put up for adoption as a baby, decides that he wants to find out more about his birth family. His search leads him to the village of Sainte-Apostasie in Provence, which later is the scene of the murder of seven men, all of the age to have been young men during the Occupation.
At the Liberation there was a spate of summary acts of epuration. Several young women, including the main protagonist\'s mother, had their heads shaved and were then gang raped. Jacky\'s mother becomes pregnant from these rapes and has her baby put up for adoption. The family then become more and more marginalised. It is only at the end of the novel that while the police believe that it is Jacky\'s mother Thérèse and her brother who are responsible for these deaths, it is in fact Jacky who is the author of these crimes.
','','',1),('Trainbleunoir','Gouiran1946','Train bleu, train noir','Prose',2007,'Three old men take the train to Munich alongside a group of football supporters, but they are not going to watch the match but to take revenge for another train journey fifty years early which took them and/ or their families from Marseille first to Compiègne and then onto various concentration camps. The round-up also coincided with the destruction of the oldest areas of the city, an operation that lined the pockets of both the French and the German authorities. The three men aim to kill the German officer that organised the roundup, but finally it is revealed that he has been killed by another Marseille deportee and it is instead one of the three old men who is scheduled to die for an act committed in an attempt to avoid his own deportation.
Passages in italics in the early part of the text give the \'historical\' background.
','','',1),('Vraisdurs','Gouiran1946','Les vrais durs meurent aussi','Prose',2008,'There is a spate of murders of Foreign Legion veterans in Marseille. They are linked back to an Algerian who aims to avenge the rape of his mother by a group of Legionnaires during the Algerian war. But a private detective digging deeper finds that a group of these veterans were also linked by their tour of duty in Indochina, from where they brought back wives and children, who were then \'held\' in a camp in South-Western France. The main protagonist was a fomer German SS officer and it is revealed that his death is not due to the Algerian\'s revenge, but was committed by the Indochinese sons of his friends. They are desperate to recover the Nazi treasure trove that the fomer SS officer had been involved in hiding and had later told his comrades about.
The polar reflects the rumour that many members of the SS manage to reinvent themselves by signing up to a tour of duty in the French Foreign Legion, and therefore receiving a new identity.
','','',1),('Balconenforet','Gracq1910','Un balcon en forêt','Prose',1958,'The novel is the spiritual quest of a young officer, Grange, against the backdrop of the \'drôle de guerre\' in France. The war appears as only a distant rumour, Grange\'s life is filled instead with his love affair with a widow Mona, his friendship with his three subordinates and his exploration of the forest. He is described as a deserter in spirit. Grange\'s denial of the increasing state of war around him serves as a symbol of the denial demonstrated by the French public during the same period. The text is not autobiographical, Gracq has stressed that his own war experience was not as solitary.
','','Murphy, Carol J., The allegorical impulse in the works of Julien Gracq : history as rhetorical enactment in Le Rivage des Syrtes and Un balcon en forêt (Chapel Hill: U.N.C. Dept. of Romance Languages, 1995)
',6),('Autre','Green1900','L\'Autre','Prose',1971,'The novel opens with the suicide of a young woman in 1949, it is alleged that she killed herself out of guilt about her relationship with German soldiers during the war and the subsequent shunning by the local population. There is then a flashback to her relationship with a young Frenchman (Roger), holidaying in Copenhagen in order to escape the sense of approaching war, written from his point of view. The novel then moves to Roger\'s return to Copenhagen ten years later, a man broken by his capitivity in a German POW camp and desperate to make Karine return to her faith. Green appears to use Denmark, another occupied country, to discuss the effects of war on society.
Green draws on his memories of a visit to Copenhagen in 1937.
','(QL, no. 115, 1-15/4/71)
','O\'Dwyer, Michel, Julien Green: A critical study(Paris: Plon, 1971), pp.83-87
',2),('Lonekhussard','Greif1944','Lonek le hussard','Prose',2000,'The novel relates the life of the author\'s father, beginning with his life in Poland and his piano studies moving onto his student days studying medicine in Paris. During the war he joins the French army and then after the defeat, the Resistance. A known ladies-man he is denounced as a Jew by one of his former lovers. He is then arrested and deported to Auschwitz at the end of 1943.
','Add autofiction
','',1),('Mesenfants','Greif1944','Mes enfants, c\'est la guerre','Prose',2002,'A group of children spends the summer of 1939, just like previous years, at Mimizan-Plage, south of Bordeaux. Certain children (including the narrator himself) will be forced to spend the entire war in this beach side holiday camp. The story is based on interviews conducted by the author, with the director of the holiday camp and her son, one of the children involved.
This novel originally appeared in a shortened version under the title of De trop longues vacances (Je Bouquine, 1996).
','','',1),('Ringmort','Greif1944','Le Ring de la mort','Prose',1998,'Moshe emigrates from Warsaw to Paris in the 1930s to escape persecution and to build a better life. He refuses to believe that he could again face danger in his adopted homeland, but is eventually rounded up, sent to Pithiviers and then Drancy before being deported to Auschwitz. He manages to survive life in the concentration camp by taking part in boxing matches organised by the SS guards; a terrible choice, it is only by killing others that he can save himself.
The novel is partly based on the experiences of the author\'s father and a friend of his father, Maurice Gabarz, both of whom were deported to Auschwitz.
','Add sport; autofiction
','',2),('Sansaccent','Greif1944','Sans accent','Prose',2001,'Le narrateur est le fils de Lonek et de Malvina. C\'est-à-dire moi, ou presque.
Dès que je suis en âge de comprendre les mots \"douche\" et \"gaz\", j\'apprends que mon père revient d\'un camp où l\'on envoyait les mères et leurs enfants dans des chambres à gaz déguisées en cabines de douche. Du coup, je me méfie. Je ne dis pas à mes copains que je suis juif. Le jour où les Allemands reviendront, je filerai en Amérique.
Une particularité de ce récit, c\'est que Lonek et Malvina, qui sont de glorieux héros dans leurs livres respectifs, deviennent d\'affreux tyrans dans celui-ci.
Mes enfants, c\'est la guerre (École des Loisirs, collection Medium).
','','',1),('avantune','Grenier1919','Avant Une Guerre','Prose',1971,'Set in the period approaching the Second World War, the novel opens with the suicide of the narrator\'s father, and the near-breakdown of his mother. The narrator is 14 years old, his brother Jacques 17. Christian Ibost, a kind of healer figure, appears, and much of the novel is the account of the relationship of this family with him, plus others in the region. The boys are antagonistic towards his belief in his supernatural powers, and the power he wields through the admiration that their mother and others have towards him. The story is interspersed with references to the approaching war, the sense of a final summer of reprieve, of a time that will be swept away forever but played a fundamental role in the destinies of the young people. After the invasion of Poland and the declaration of war, the narrator notes that they approach this war with the mentality of 1914 and the first World War, expecting trenches and mustard gas, not police, denunciations, arrests, yellow stars
','','',1),('Oeilauberge','Grimbert','L\'oeil de l\'auberge','Prose',2009,'Amélie Viscomte, the local café owner, is arrested by the Milice having been denounced by her neighbour for having hidden a resistance fighter. The only person to witness this arrest is Amélie\'s son, Secret. His first name reflects the fact that his mother has always hidden him away from the rest of the village, in an attempt to protect him from the insults that she feared that he would suffer because of his physical handicap. Secret decides to take revenge on both the Milice and the collaborationist neighbour.
','','',1),('Secret','Grimbert1948','Un secret','Prose',2004,'François always believed that he had a brother, despite being an only child. It is on his fifteen birthday that a family friend reveals the hidden past of his parents; his father\'s first marriage and first son and the deportation of this mother and child, captured by the Germans while crossing the demarcation line. These revelations destroy the story constructed by his parents, but allow François to discover and reclaim his real identity.
','Won the 2004 Prix Goncourt des lycéens and the 2005 Grand Prix littéraire des lectrices de Elle.
','',3),('Journalaquatre','Groult1920','Journal à quatre mains','Prose',1962,'A lively diary of the Occupation jointly kept by the sisters Benoîte and Flora, covering their emotional yearnings, material problems and broader issues. The sub-title describes the book as a \'roman\', perhaps indicating that there have been some factual alterations and omissions.
','','',2),('officiertradition','Groussard1921','Un officier de tradition','Prose',1954,'The novel recounts the post-war existence in occupied Germany of M. Brücken, an ex-Wehrmacht colonel reduced to penury. A rigid, inhuman figure, he is accused of committing war crimes while commanding an SS Panzer regiment in 1944, but escapes with a lenient sentence and eventually retrieves his rank and status as an officer. However, the brother of two Poles he had killed during the war tracks him down and exacts personal vengeance.The humiliations and privations suffered by the defeated Germans are described sympathetically.
','','',1),('PromeneurchampsMars','Guediguian1953','Le Promeneur du champs de Mars','Film',2005,'At the end of his life President Mitterrand agrees to confide his life story to a young journalist, Antoine, who is to write his autobiography. Antoine also meets many of the President\'s friends and adversaries in order to gain a more rounded image of the man. Of all the moments of the President\'s long political career it is his wartime experiences that intrigue Antoine most and he, disbelieving the official story of a glorious resistance past, starts to dig around, interviewing former comrades and searching the archives in Vichy and in doing so he incurs the dying President\'s displeasure. An interesting insight into the myth that Mitterrand had constructed around his life during the Occupation.
Based on Georges-Marc Benamou\'s book Le dernier Mitterrand.
','','',1),('Journalannees','Guehenno1890','Journal des années noires','Prose',1947,'An Occupation journal, reflecting on personal and national suffering and the need to resist Nazism and collaboration. Extracts were published clandestinely by the Éditions de minuit as Dans la prison in 1944.
','','',2),('Poulpes','Guerin1905','Les Poulpes','Prose',1953,'A PoW novel based on personal experience: \'le récit fantasmagorique des trois ans et demi de captivité du Grand Dab, et de son retour à Paris en 1944\' (cover blurb). The nicknames used disguise real people. The author suggests that at least a month is needed to read this book....
','','',2),('Represailles','Guerin1905','Représailles','Prose',2006,'An account of the Liberation and trials of the épuration in diary form, from 20 August 1944 to 15 October 1944. It relates the author\'s experiences of the celebrations of the Liberation, as the Germans leave, and his dismay at the continuing power of former collaborators. On 17 September he attends trials of members of the Milice. It ends with detailed reflexion on the difficulty of eradicating \'la Barbarie\', as he designates fascism, from the world, as it is suggested it has changed the very experience of everyday life.
','','',1),('Hommesmeilleursvie','Guignabodet','Car les hommes sont meilleurs que leur vie','Prose',1991,'','','',1),('Jeupatience','Guilloux1899','Le Jeu de patience: Roman','Prose',1949,'An elaborate and detailed first-person narrative in which the author analyses his own life and that of his circle of friends in his home town, Saint-Brieuc, from WW1 onwards, analysing in particular the period when the town was occupied in WW2, trying to determine whether or not he should continue to observe and record his ideas and finishing by adding his most recent comments to the pile of material already collected.
','','',1),('okjoe','Guilloux1899','O.K.Joe','Prose',1976,'The main protagonist (the author himself) after his role in the Resistance, is taken on as an interpreter by the American Army, to work on court marshal trials. He is astonished to find that all the accused are young black GIs on murder or rape charges. As well as revealing the endemic racism in the US army at the time, the novel also provides a fascinating picture of small town life in France immediately after D-Day and allows the reader to understand the fascination of the French population for their American liberators and what must have seemed to be their extravagant wealth; a situation that obviously makes the author extremely uncomfortable.
','','Kaplan, Alice, The Interpreter (Chicago: University of Chicago Press, 2007)
Kaplan, Alice, \'Liberation : The view from France\', Contemporary French and Francophone Studies, 2004 Summer, 8 (3), 239-252
',2),('salido','Guilloux1899','Salido','Prose',1976,'Salido is a member of the Spanish Republican troops who has fled to France with his unit. The action takes place in the middle of September 1939, when this town in Brittany is also filling with refugees from the border regions of Northern France and Jews from Germany, therefore the novella emphasises the extent to which not just France but also Europe, was on the move in the period of the drôle de guerre. Salido is desperate to escape the fate of being placed in a holding camp and decides to travel to the USSR via Paris, an attempt that ultimately fails and he ends up wandering the streets like so many hundreds of thousands of others during the period. The narrative demonstrates that it was not the French authorities that organised the reception of these diverse populations, but that it was through the generosity of ordinary people that they were provided with food and shelter.
','','',3),('Nouvelleprison','Guingouin1913','Nouvelle de prison','Prose',1955,'A story written during the author\'s postwar imprisonment, recounting how the gendarmes Barthès and Besse attempt to ambush some maquisards but are rapidly outwitted. Barthès belatedly joins the maquis. In a skirmish on 16 July 1944, they kill 342 Germans and miliciens, while losing only 38 maquisards. Ostensibly based on fact, but owes more to adventures of Robin Hood....
','','',1),('Quatreanslutte','Guingouin1913','Quatre ans de lutte sur le sol limousin','Prose',1974,'Recounts the author\'s wartime exploits (but says little about his postwar tribulations).
','','',1),('Quatreans','Guitry1885','Quatre ans d\'occupations','Prose',1947,'A massive exercise in self-exculpation: Guitry proclaims that he was only defending French culture by continuing to perform during the Occupation, that his contacts with Germans largely involved obtaining favours for people in trouble, and that his accusers are envious hypocrites.
','','',1),('Journalcaptivite','Guitton1901','Journal de captivité 1942-43: Extraits','Prose',1943,'JG would like to tell all and be completely sincere, but feels he must be content with saying something straightforward. His dated journal of captivity starts with the 605th day and highlights the monotony of his existence, listening to Marshal Pétain on the radio and learning of the fall of France.
','radio
','',1),('HotelRetour','Gutman1946','L\'Hôtel du Retour','Prose',1991,'David tries to find Claire, the girl that he met and fell in love with in the first volume of the series. This leads him to join the Resistance. After the Liberation the first deportees return to Paris and he waits desperately for his parents.
Second part of the series La loi du retour.
','','',1),('maisonvide','Gutman1946','La Maison vide','Prose',1989,'Gutman partly based the story of his protagonist David on the experiences of his father in Lyon during the war and on that of the children of the Maison d\'Izieu (deported en masse). David is moved from one home to another throughout the war, a process that he finds entirely baffling. First he is sent by his parents to live with a non-Jewish neighbour, an act which saves him from being arrested alongside his family in July 1942. Then it is to a Catholic boarding school and later an orphange, each time avoiding arrest by chance, a fact that fosters an ever increasing sense of guilt that he has survived.
First part of the Loi du retour series.
','Won the Prix Européen de la Littérature de Jeunesse.
','Brown, Penny, A critical history of French Children\'s Literature (Abington: Routledge, 2008)
',1),('RueParis','Gutman1946','Rue de Paris','Prose',1993,'David learns that his parents have died in a concentration camp. As the war ends he decides to leave Paris and take a boat to a new life in Palestine.
Third part of the Loi du retour series.
','','',1),('Baraque3','Haedrich','Baraque 3, chambre 12: Récit de captivité','Prose',1942,'','','',1),('PetitsVaincus','Haedrich','Les Petits Vaincus','Prose',1942,'','','',1),('Souvenirscaptivite','Haedrich','Souvenirs de captivité, \"Monsieur le marquis\"','Prose',1942,'','','',1),('Sanglotsfete','Hanin','Les Sanglots de la fête','Prose',1996,'An old man has lost his memory. The only thing that he can recall is the history of his sister Blanchette, raped at the age of 13 by a member of the foreign legion, then sent to Paris where she becomes a dancer and marries a much older man. At the outbreak of the Second World War, she flees to Marseille, fearing for her life because she is Jewish, then only weeks before the Liberation she is arrested by the Milice and deported to Ravensbruck.
','','',1),('6moisFresnes','HanyLefebvre','Six mois à Fresnes','Prose',1946,'The story of NHL\'s imprisonment in Fresnes between June and December 1943. She was arrested on suspicion of working with the Resistance and sheltering the British, but she managed to hide the truth of this. She describes the conditions of life at Fresnes and the methods of communication with other prisoners and also with her mother, to whom she sent messages embroidered on her washing, which was sent in and out of the prison in parcels. Eventually freed, she felt unwilling to leave the friends she had made. NHL lists the true names of those of her fellow prisoners who are now dead. [
','','',1),('Amerevictoire','Hardy1911','Amère victoire','Prose',1955,'Two British officers are given a dangerous mission by a general eager to restore his own reputation, despite their mutual hostility (both are rivals for the same woman). The mission succeeds, but one is killed and the other is disgraced. Was filmed by Nicholas Ray as Bitter Victory (1957).
','','',3),('Derniersmots','Hardy1911','Derniers mots','Prose',1984,'An autobiography published shortly before the author\'s death. He denies ever collaborating with the Germans and maligns Resistance comrades (e.g. Bénouville and Aubry).
','','',1),('Livrecolere','Hardy1911','Le Livre de la colère','Prose',1951,'A self-justifying memoir, recalling Hardy\'s many years in prison, both before and after the betrayal of Jean Moulin. Inconvenient episodes and the archival evidence against him are either elided or ignored. He presents himself as the victim of an establishment run by officials who are far more guilty than he is.
','','',1),('Troisiemenuit','Hardy1911','La Troisième Nuit','Prose',1952,'A story about railway workers. The train driver Gontier is joined by a saboteur, but the journey passes without incident. The next day, the same train is blown up.
','','',1),('Selguerre','Harlay1968','Le Sel de la guerre','Prose',2008,'A man returns to his native Camargue after fifty years of working in Italy. Soon afterwards he saves a teenager drowning in the salt marshes, then later on the dead body of a young girl is found nearby. The young man is then accused of the murder of this girl. Paul Simian, a Marseille police inspector finds it difficult to conduct his investigation, hampered by both the Vichy authorities and the German occupiers, but everything unravels at the moment of the city\'s liberation.
','','crime, german occupation
',1),('AParissousoccupation','Hassan1952','A Paris sous l\'occupation','Prose',2000,'','','',1),('grandperetombeciel','Hassan1952','Un grand-père tombé du ciel','Prose',1996,'Leah\'s grandfather, who she has always regarded as a cranky and bad tempered individual, comes to live with them in Paris. He slowly reveals his past, his experiences of the Holocaust and the loss of his first family at Auschwitz. He also teaches Leah about her Jewish heritage. She in turn gives him back a taste for life. The central theme is the importance of the transmission of memory and traditions.
','Won three prizes: Roman jeunesse du ministère de la jeunesse et des sports ( jury des jeunes); Grand prix du jeune lecteur de la PEEP (1998); Le prix sorcières (1998)
','Brown, Penny, A critical history of French Children\'s Literature (Abington: Routledge, 2008)
',1),('JaifuiAllemagnenazie','Hassan1952','J\'ai fui l\'Allemagne nazie: journal d\'Ilse, 1938-1939','Prose',2007,'','','',1),('LeonoreFrance3945','Hassan1952','Pendant la Seconde guerre mondiale: Léonore, France, 1939-1945','Prose',2005,'Aimed at 8 to 12 year olds.
','','',1),('Profmusique','Hassan1952','Le professeur de musique','Prose',2000,'','','',1),('Promesse','Hassan1952','La Promesse','Prose',1999,'','','',1),('QuandAnnariait','Hassan1952','Quand Anna riait','Prose',1999,'','','',1),('Taxitobrouk','Havard1923','Un taxi pour Tobrouk','Prose',1961,'A small French force fighting alongside the British launches an attack on Tobruk. The drive across the desert gives the men time to discuss the multiple reasons that led them to join the Free French. The mission goes wrong and the men find themselves trapped in Tobruk. They capture a German vehicule, take a soldier prisoner and try to return to camp. During this difficult return journey, their initial suspicion of the German turns into respect and even compassion. The novel ends with the beginning of the battle of El-Alamein, and the realisation by both the German and the French soldiers of the loss of life that will be the result.
','Nouvelles Littéraire, 26/4/61
','',1),('esthermazel','Hebrard1927','Esther Mazel','Prose',2000,'A businesswoman returns to the Cévennes for the funeral of her brother Jean, provoking a return to the memories of her life. Left in 1941 at the age of three with a Protestant couple by her Jewish mother, who was involved in the resistance and would be deported and die in Ravensbrück, Esther would be adopted by them. The novel recounts her education, decision to become a parfumier, her discovery after his death of her real father, a rich American, and her life in America, her love for her husband Paul, her friendships, her worldwide success with her perfumes, and the losses and tragedies that befall her. Jean, twenty years her senior, marries Gwen, one of her mother\'s companions in Ravensbrück, and Esther finally learns the story of her mother\'s death there. The importance of history and memory for the Protestants of the Cévennes, and of Jewishness, are major themes, as is the importance of religion and belief; it is striking also how many of the novel\'s characters have mixed national and religious inheritances.
from paperback back cover: Née de père inconnu, Esther Mazel a grandi dans une France plongée dans la nuit et le brouillard où sa mere a disparu, déportée sans retour au camp de Ravensbrück. D\'elle, Esther n\'a gardé que le souvenir d\'un parfum, son seul héritage. Un parfum que depuis, elle s\'est juré de recréer.
Aujourd\'hui, Esther Mazel, talentueuse créatrice de fragrance, a imposé son nom à New York, Paris, Rome, Berlin. Sa richesse, elle la doit à son énergie mais aussi à sa bonne étoile: \"mazel\" ne signifie-t-il pas \"chance\" en hébreu?
Mais dans sa lutte pour sauver les vestiges du passé n\'a-t-elle pas sacrifié l\'éphémère bonheur des jours présents?
','','',2),('Legout','Helena1919','Le Goût du sang','Prose',1953,'Jacques Vallon is the son of the Président du Tribunal, frustrated with the poverty and mediocrity of his existence and the prison of life with his parents. The fact that he is small in stature and unattractive is important too. Celebrating the bac in the traditional way (in a brothel), he overhears Jojo, the brothel owner, discussing Resistance activities. He eagerly joins them and becomes a killer. The story opens with the execution of a collaborator that Jacques, now 19, has carried out. It traces his work for the Resistance, his lack of success with girls, his hatred of all those more handsome and richer than he, and who seem to be collaborating, the intense eroticism of the experience of assassination. At one point a member of the milice who could be his double in terms of angry resentment at the \'gosses de riches\' and sexual failure stalks him to kill him, though Jacques triumphs again. The second part is set some time into the postwar period. Jacques is in a black mood; he recalls the heady days of the Liberation, the elimination of collaborators, the admiration of crowds, but the rest of his resistance group have gradually all returned to civilian life. He is again frustrated at his limited horizons. Jojo\'s brothel has been closed, he\'s now running a bistrot. Jacques continues his killings. His parents find his revolver. For the next killing he takes Jojo with him, and the reader is given a graphic description of Jacques\'s transformation while killing. The police is now on his track, leading towards the bloody finale. The novel also chronicles the frustrations of his father, his limited career and wasted life. His son\'s activities will have definitively ruined it. There is extensive referencing of the black market, collaboration and the milice, and mention of the confiscation of Jewish property.
','','',1),('salaudsviedure','Helena1919','Les Salauds ont la vie dure','Prose',1949,'This detective novel is a stinging attack on the collaborationist activity of the French police, the Milice and the criminal underworld with the German occupiers. The protagonist Maurice is a professional criminal, whose actions appear to be ruled by his heart; he has to go on the run after shooting his girlfriend who had been having an affair with a French member of the Gestapo and the rest of the récit is littered with his romantic encounters. The question of friendship is also vital; he is without pity when betrayed by a friend who has joined the Gestapo. While on the run, Maurice is hired by a mysterious American secret service organisation as a professional assassin and when he does eventually join the maquis it is to keep an eye on a woman. Therefore Héléna can be seen to be suggesting that joining the Resistance was not always a question of heroic, personal sacrifice.
The same characters appear in the book\'s sequel, Le festival des maccabées (Paris: A Fleury, 1951)
','Revue Polar, no.23 and 24,
Exhibition at la Bilipo in Paris in 2001
','',5),('Harmattan','Henard','Harmattan','Prose',1944,'Autobiographical poems together with journal entries covering the desert campaign of 1939 onwards and showing the beauty of the African desert.
','','',1),('Jetaisespion','Henriot','J\'étais un espion; ou, Quatre ans de combat dans les Forces françaises de l\'intérieur','Prose',1945,'H says that from 1935 he was warning of the German preparations for war and later he went to fight with the Resistance and the maquis, for which he received the Croix de Guerre from France, though he was not well received on his return to Belgium. He gives detailed descriptions of his own experiences and those of many others, both patriots and traitors, and although he tries to give an overall and fair picture of the war, he shows a bitter hatred of the Germans, giving many examples of the atrocities they committed.
','Hatred
','',1),('1vie3guerres','Hermant1862','Une vie, trois guerres: Témoignages et souvenirs','Prose',1943,'The Franco-Prussian war, WW1, WW2. Arranged in three parts: \'Jadis et naguère\', describes the shock of AH\'s early days at his new lycée in 1870 and a feeling of being only one in a multitude; \'Pages de journal\', describes AH staying in Paris in 1940 as he had in the previous war, with dated journal entries and memories of WW1 with many reflections; \'L\'Avenir\' expresses messages for the future, and the hope of maintaining \'le génie français\'
','','',1),('Episodes19401944','Herriot1872','Épisodes 1940-1944','Prose',1950,'This is a collection of extracts from EH\'s unpublished memoirs, in four parts: \'La ruée allemande\', \'L\'armistice de 1940\', \'Mon arrestation\', \'Une fausse libération\', which provides an interesting day-by-day account of the Vichy régime, accompanied by many documents. In 1940 EH was Président de la Chambre des Députés, but as he could not accept the aims of the Vichy Government, he was placed under house arrest and deported to Germany in 1944.
','','',1),('Ouragan','Hivert','L\'Ouragan','Prose',1952,'The novel depicts the exodus from Paris as the German army advances on the city. The protagonist is part of a convoy of employees and archives from the Ministry of Colonies, which soon encounters problems. Numerous intimate portraits of other travellers and refugees give the impression of a country and especially a government badly prepared for war - intellectually, ideologically and materially. Comparisons with events of the First World War are a recurrent theme.
','','',2),('Ankoulevetoi','Houdaer1969','Ankou, lève-toi','Prose',2008,'A Lyon journalist is searching for a film shot by American soldiers during the Liberation of Brest in 1944. The film depicts Ankou, named the \'ouvrier de la mort\', a grim reaper-esque character discovered by the soldiers hidden in a farmer\'s cart. The journalist has to travel to the US to find out more and begins to notice how local superstitions are strangely familiar on both sides of the Atlantic.
','','',1),('Apres4ansoccupation','Houtman','Après quatre ans d\'occupation','Prose',1945,'Writing in 1945, after the liberation of Belgium, F.-J. Van de Meulebrœck agrees with MH in longing for the \'apaisement\' of his country and admires him for his patriotism in recording the steadfastness in adversity of the Belgian nation and the atrocities committed by the Third Reich. In the first part of his book MH describes his own experiences, and at the same time the course the war was taking, the suffering of the Belgian people, the atrocious conditions prevailing in the concentration camps and the unfair and cruel behaviour of the German camp officials. He vigorously attacks \'cette fausse pitié alternant avec une brutalité cynique, cette hypocrisie rusée, cette déloyauté de pensée et d\'action\' which typifies \'le caractère teuton\' (p.83). MH, a respected lawyer, was first arrested by the Germans in September 1940 and kept in solitary and secret confinement in the Prison de Saint-Gilles for a month. In July 1941 he was arrested again, this time in company with other notables such as Raoul Tack, Président de l\'Association bruxelloise de la Presse, and F.-J. Van de Meulebrœck, Bourgmestre de Bruxelles. He and his eleven companions, \'sénateurs\', \'députés\' and \'anciens ministres\', were sent from the Prison de Saint-Gilles to the Forteresse de Huy as \'hostages\' because a German had been killed. They were better treated than the political prisoners, who suffered a great deal. Most of the younger prisoners were eventually deported. More hostages arrived from Breendonck, of \'sinister reputation\', in a very bad state. MH was finally freed, only to be arrested again in December 1942 and sent to the Forteresse de Huy as one of a hundred Belgian hostages, being released again in 1943. The second part treats wider issues, beginning with Germany\'s many violations of the international treaties and conventions signed in the aftermath of WW1. MH is full of admiration for the great majority of Belgians who served their country loyally, but feels he must reveal the names of the few who collaborated with Germany and hopes to see them brought to justice. He goes on to discuss the punishments which may be meted out to traitors. He concludes his observations with an analysis of the heavy responsibility which the Third Reich must bear and a criticism of totalitarian régimes. The book closes with an anthology of protestations made by the Belgian authorities and delivered to the German army of occupation in an attempt to preserve the rights of the Belgian nation.
','','',1),('Bunker','Huet1942','Bunker','Prose',2008,'In the aftermath of the 50th anniversary of the D-Day landings, the local population of a Normandy village is still obsessing over the events of this period. They become suspicious of a German tourist who has remained in the village after the commemoration and who spends his days wandering the landing beaches consulting maps. Anti-German sentiment is revived, led by Alfred Fournier, in an attempt to cover up his less than glorious past during the Occupation. Grangier, an old man who lives in one of the blockhouse on the beach threatens to reveal the truth, but is then found dead, killed by a bullet from an American WWII pistol.
An exciting novel which paints a picture of a small town in France still struggling to come to terms with its past.
','','murder
',1),('Souvenirsresistance','Humbert1896','Souvenirs de résistance. Paris 1940-1941. Le Bagne. Occupation en Allemagne','Prose',1946,'Humbert chronicles her part in one of the first Resistance movements in France, based in the Musée de l\'Homme, as well as other aspects of daily life under Occupation. She also describes her imprisonment in Fresnes and her deportation to labour camps in Germany. She appears as a very strong and principled, but also compassionate woman.
','http://news.bbc.co.uk/today/hi/today/newsid_7634000/7634154.stm - article about Humbert and this work which appeared on the release of the translation of the work into English.
','',2),('Origineviolence','Humbert1970','L\'Origine de la violence','Prose',2009,'','','',1),('Empreinteange','Huston1953','L\'Empreinte de l\'ange','Prose',1998,'Saffie, a young German woman, marries a young Frenchman musician for whom she works as a housekeeper. He was drawn to her because of her mysterious silence and unspoken pain. She only opens up and reveals the traumas that have scarred her when she meets and falls in love with a Hungarian Jew, András, who has escaped to Paris following the Hungarian uprising of 1956. Later the memories of the previous war will cause their sexual relationship to turn violent, and Saffie offers herself as a means of cleansing German guilt. András forces her to acknowledge what is taking place around her, that her war is not the only one and that they are living in the middle of another conflict, the Algerian war, in which András is a \'porteur de valise\', because he believes that the state\'s treatment of Algerians echoes their earlier treatment of Jews. But tragedy strikes after the husband learns of the affair. A beautifully written novel.
','Gosselin-Schink, Constance, French Review 2000, p1009-1010
','Day, Lorraine, \'Trauma and the bilingual subject in Nancy Huston\'s L\'Empreinte de l\'ange\', Dalhousie French Studies, 81
',2),('Lignesfaille','Huston1953','Lignes de faille','Prose',2006,'The plot is told from the viewpoint of four six year old children, over four generations, starting in the present day and working back to war time Germany. The lives of these four people have been affected by the fact that the eldest was \'adopted\' through the Lebensborn programme from the Occupied Baltic states, even if they do not become aware of this fact until a family reunion near Munich in 2004. Each of these children\'s voices is highly convincing and the plot is cleverly set against the backdrop of other post-war conflicts (1980s civil war in Lebanon and the Iraq war). This novel won the 2006 Prix Fémina.
','Magazine Littéraire, no. 456, Sept 2006
','',1),('lapeau','hyvernaud1902','La Peau et les os','Prose',1949,'Starting with the impossibility of communicating the reality of five years in a prisoner of war camp to friends and family on his return, the narrator recounts his experiences, the physical difficulties, but above all the psychological and philosophical destructiveness of these years, the loss of all meaning, the forms of madness displayed by the prisoners, and how revealing they were of the human condition and life as it was lived before the war. He highlights the inadequacies of historical discourse and other kinds of rhetoric (Péguy is singled out) to the expression of experience and reality.
','reprinted 1985, 1993, 1998
','',2),('wagonvaches','hyvernaud1902','Le Wagon à vaches','Prose',1953,'The 42-year-old first person narrator of this very spoken text comments on his life at work, his colleagues, acquaintances, and the local efforts to build a new War Memorial for the Resistance dead. He remembers his fellow soldiers in the 5e Compagnie, their time during the drôle de guerre and their journey in the cattle truck to the prisoner of war camp. Dominated by reflections on the absurdity of his existence and of that of those like him, the novel takes a critical stance on any kind of official language, high blown rhetoric as well as the banal clichés of the \'bien pensants\'. Memories of both the first and the second world wars reinforce this position and the presentation of everyday life as meaningless. He details the lack of clarity of moral judgement relating to behaviour during the Occupation. Representations of women frequently involve their sexual infidelities, including with German soldiers.
','reprinted 2002 (pocket) (BNF)
','Georges Hyvernaud (1902-1983) By: Lecarme, Jacques, Roman 20-50: Revue d\'Etude
du Roman du XXe Siecle, 1989 Mar., 7: 131-142; Georges Hyvernaud, emule et victime de Jean-Paul Sartre By Renard, Paul, Roman 20-50: Revue d\'Etude du Roman du XXe Siecle, 2005 June 39, 169-76; La Peau et les os de G. Hyvernaud: Precis de decomposition By, Carmignani,
Paul, Compar(a)ison: An International Journal of Comparative Literature, 2000,
1-2, 85-97; Lettres de Georges Hyvernaud Roman 20-50: Revue d\'Etude du Roman du XXe
Siecle, 1993 May, 15, 79-85; Georges Hyvernaud : les années d\'après-guerre, 1945-1955 : \"La peau et les os\", \"Le wagon à vaches\" : de l\'édition à la réception / constitution et présentation du dossier, notes, notices et annexes par Guy Durliat, Châteauvieux : Société des lecteurs de Georges Hyvernaud, [ca 2008]
.
',2),('nosdeserts','Ikor1912','A Travers nos déserts','Prose',1950,'The novel follows a group of young men from childhood, through their various political allegiances in the 1930s, to the war. It opens with Bertrand Gall, his childhood when his father is away in the trenches, his primary school friends, particularly Lucien Sirot, and his new middle and upper class friends like Armand Watremeau and the very rich Jacques Meynadier when he, a working class child continues, unlike Lucien, to the lycée. Politics become a central focus in their lives from the time of the bac onwards; Bertrand becomes a socialist, Lucien a communist. Armand joins the rightwing Action Français1e, Jacques expresses support for communism. At various times the narrative is focalised through each of these characters, and others, male and female, introduced during the student years. The novel charts the street battles of left and right, fascism and anti-fascism, referring to the Stavisky Affair, the events of February 1934, and the Spanish civil war, until the build up to the hostilities. The period 1939-1944 is dominated firstly by the military experiences, as all the male characters are mobilised, with detailed accounts of the fighting at the front and during the retreat, followed by extensive passages, in a stream of consciousness style, devoted to Bertrand\'s life as a prisoner of war. Armand\'s career at Vichy (major positions, including in the Parti Populaire Français), and his breakdown after Bertrand scorns his help and he discovers his sister has married a Jew, is also narrated from his point of view.
Alongside the major political developments of the 1920s and 1930s and the military experiences of the war and occupation, is the psychological development of the characters, particularly in relation to sexual experiences, from the sexual games of children to their relationships and marriages. There are several strong female characters insisting upon sexual equality. Their relationships, as a generation, with their parents, and the intricate complexities of family and class, are equally important. The novel also has a philosophical dimension in the reflection on the meaning of their lives, the nature of commitment and its ethical implications, the judgements of themselves and of others. It can be compared to Beauvoir\'s Le Sang des autres and Vailland\'s Drôle de jeu in its historical and political themes.
','','',1),('Carnetsderoute','Jamet1910','Carnets de déroute','Prose',1942,'A diary of CJ\'s experiences of captivity in Saarburg and Oflag III, Lübben, into which he put all his feelings. Written in two parts, \'L\'année fatale 1939-40\' and \'Je suis un prisonnier 1940-41\', the diary records his thoughts, his dreams, including many about his wife, and the books he has read; his memories are his only defence against the boredom of camp life.
','','',1),('Fifiroi','Jamet1910','Fifi roi','Prose',1947,'A self-justifying memoir criticising the supposed injustice of the post-Liberation purges. After writing in the collaborationist press, Jamet was on a CNE blacklist and was arrested in November 1944, then released in February 1945. Despite being acquitted by a Chambre civique, he lost his teaching post.
','','',1),('Journaltresintime','Jamet1910','Journal très-intime','Prose',1948,'This is the intimate and harrowing account of the death of CJ\'s wife from breast cancer, which he explains in his brief preface is his only way of keeping her with him for a while longer. It is also the account of their love for one another, from the days when they first met as students to the dreadful days after her death, when he had to keep going for the sake of their four children. The book begins with diary entries for the last days of his imprisonment in Lübben (the seventh prison-camp he had been in), and his ecstasy on returning home which is destroyed by the discovery that his wife is dying. This account is broken here by a return to CJ\'s \'Carnets anciens\' which date from their first meeting up to the war, his time in the army and his imprisonment, throughout which he talks constantly of his love for Marguerite. Returning to his main theme he describes, in painful detail, the progression of his wife\'s illness and her tragic death in 1941. His only consolation at this time is the rereading of her brave and touching letters to him, some of which he only saw on his return home from captivity, which he reproduces here. The final chapter, \'Outre-tombe\' describes his utter desolation at being left alone, only mitigated by the presence of his children. CJ calls himself Claude Dutillet in the text, but the remarks he makes about the \'journal intime\' suggest that he intends to tell the unvarnished truth.
','Carnet
','',1),('Amourcommeguerre','Jamet1936','A l\'amour comme à la guerre','Prose',1991,'','','',1),('Notreapresguerre','Jamet1936','Notre après-guerre: comment notre père nous a tués : 1945-1954','Prose',2003,'When the author\'s father is freed from Fresnes in February 1945, having been incarcerated for collaboration, the family believe that everything will return to normal. But he takes refuge in his nostalgia of the war years, surrounding himself with those who committed the same deeds and shutting his family out. The step-mother takes her anger and frustration out on her children, destroying the family.
','\"Ce livre haletant s\'engloutit d\'une traite et provoque ce choc insolite : un enthousiasme complexe.\"
Antoine Perraud, Télérama, 01/01/2007
','Nostalgia
',2),('TraitreJ','Jamet1936','Un traître','Prose',2008,'Jean Deleau was in charge of the French police in Western France between 1942 and 1945 and therefore responsible for a large number of arrests of Jews and Resistance fights. Postwar he manages to escape from the French police by hiding in his mother\'s house for over twenty-years. The author followed his trial in 1965 quite by chance, a trial during which he was condemned to death (the last French man to receive this sentence for having collaborated) but then pardoned by De Gaulle. The book paints the portrait of a young violent man (he was only 22 in 1942) who is reduced by his period of hiding into an almost ghost like figure. It also provides an insight into French attitudes towards the war in the 1960s.
Jamet claims that the story of this man interested him because the man himself was so ordinary and that the stories of bureaucratic, meticulous collaborators are rarely told.
But that it was also such banality that meant he waited so many years before writing the novel. Several historians have criticised his version of this collaborator\'s life.
','La Fabrique de l\'Histoire, France Culture, 02/02/2009
','',1),('UnpetitParisien','Jamet1936','Un petit Parisien, 1941-1945','Prose',2000,'The book follows the life of the author from the age of 5 to 9 in Occupied Paris. He is grieving for a dead mother, feels abandoned by his cold father and is at constant war with his brothers. His father, a Socialist and Pacifist, is actively involved in intellectual collaboration, through his journalism, an activity which is to lead to the family\'s downfall at the Liberation.
','Prix France Télévision de l\'essai 2000
','Intellectual collaboration.
',3),('Betebon','Jardin1934','La Bête à bon Dieu','Prose',1980,'A fourth volume of the writer\'s obsessive quest for his father, whom he barely knew during his childhood. Jardin senior never recovered from his exclusion from public service postwar; despite his hatred for de Gaulle, he found it expedient to become a Gaullist around 1952-53.
','','',2),('Guerreguerre','Jardin1934','Guerre après guerre','Prose',1973,'A further instalment.
','','',2),('Guerreneuf','Jardin1934','La Guerre à neuf ans','Prose',1971,'A fictionalised memoir of the author\'s childhood, and his father Jean Jardin (1904-76), who was Pierre Laval\'s directeur de cabinet in 1942-43. He offers an engaging account of life at Vichy from a child\'s perspective, but with an adult\'s awareness of its tragi-comic outcome. The family took refuge in Switzerland in November 1943. The sequels fail to capture the verve and freshness of this volume.
','','',2),('Nainjaune','Jardin1934','Le Nain jaune','Prose',1978,'A third volume on his relationship with his father.
','','',1),('Enfantspays','Javaux','Les Enfants du pays','Film',2006,'An old man and his two grandchildren are the only inhabitants not to have fled a village in the Ardennes. One day, as he hears news of the German invasion, a group of Senegalese colonial soldiers, without their French officier, arrive lost in the village. Playing cleverly on contemporary racial stereotypes, the plot depicts how respect and affection quickly grow between the family and these soldiers. A humorous film that highlights the often forgotten role of colonial troops in the defence of France in Spring 1940.
','http://www.grioo.com/info6617.html - interview with Pierre Javaux.
','',1),('babyfoot','Joffo1931','Baby-foot','Prose',1977,'The author and his brothers return to Paris after having to spend the war years hiding in the Southern zone (Le Sac des Billes). The capital is filled with American troops and the young boys are fascinated by their clothes, music and chewing gum. Jo and his friends try to make money by black marketeering with American troops. A very humorous depiction of Paris at the Liberation.
','','',1),('Sacdebilles','Joffo1931','Un sac de billes','Prose',1973,'This autobiographical novel relates the flight of two Jewish boys from Paris through the South of France, to Savoie and their attempts to avoid arrest and deportation. The story is full of humour and provides an interesting insight into daily life under the Occupation and its impact on children. The role of the Church and the Chantiers de Jeunesse in protecting Jewish children is also examined. The post-liberation period in Paris is depicted in Joffo\'s sequel, Babyfoot
','\'Ce récit du temps de l\'occupation est exemplaire en ce qu\'il témoigne, par petites touches, d\'une réalité autrement complexe que conventionelle \"tout bon ou tout mauvais\" qu\'on nous impose le plus souvent\', Jean-Paul Seligmann, Le Méridional, 10th March 1974
','Simmons, Tony, Joseph Joffo: Un sac de billes and other writings (Glasgow: University of Glasgow French and German publications, 2002)
',25),('Rage','Joly','La Rage','Prose',2002,'The novelist-narrator lives in voluntary isolation in the woods. His only friend is a teenage boy who joins him on fishing trips. The boy\'s family, recent arrivals in the region, become the target of threats, arson attacks and even attempted murder. The local police and authorities refuse to take such actions seriously and protect the family. The narrator learns that the family\'s house was used a torture centre by the Milice and that locals are fearful that the family will reveal aspects of this past that will implicate them. So the narrator decides to protect the family through whatever means necessary. There is also a parallel story running through the novel that examines the legacy of the narrator\'s military service in Algeria, which has become the main subject of his novels.
This is a highly entertaining novel which is difficult to put down.
','','',1),('Moloch','Jonquet1954','Moloch','Prose',1998,'Several different stories that are linked by the fact that they are all concerned with crimes committed against children.
Moloch a valu à Thierry Jonquet et à son éditeur un procès pour violation du secret de l\'instruction dans l\'affaire Kaskaz. S\'il reconnaît aisément s\'être inspiré de cette sordide histoire d\'empoisonnement pour l\'écriture d\'une partie de son récit, l\'auteur affirme (et avec lui la justice puisqu\'il fut relaxé) que c\'est à travers le traitement fait par la presse qu\'il a constitué la matière de son inspiration et non en allant piocher dans les dossiers du juge.
','Trophée 813 du meilleur roman francophone en 1998.
Prix Mystère de la critique en 1999 (meilleur roman français).
','',2),('Orpailleurs','Jonquet1954','Les Orpailleurs','Prose',1993,'There is a serial killer on the loose in Paris. He targets women, killing them by cutting off their hands and leaving them to bleed to death. There appears to be a Polish connection. In addition, the investigating judge rents her flat from a former deportee and also has her own family links to deportation. The investigation finally leads the judge and the police to Auschwitz and the local population\'s pillaging of the site of the former concentration camp.
','add spoilation.
','',1),('passetablerase','Jonquet1954','Du passé faisons table rase','Prose',1982,'The novel opens with four murders that the reader later realises are perpetrated by the Communist Party in order to keep secret the past of its current leader René Castel (in real life Georges Marchais). A young Communist party member is trying to blackmail the hierarchy, threatening to reveal these secrets to the press. The attempts to silence her reveal the internal divisions in the party.
The story of Castel\'s wartime past (STO, Black marketeering, Collaboration) is interspersed throughout the novel, in italicised sections
','','',2),('ArbreGoethe','Julitte1910','L\'Arbre de Goethe','Prose',1965,'Goethe\'s oak was notoriously the only tree inside the camp at Buchenwald; its death was said to foretell that of the Third Reich. Written in a clear, engaging, documentary style, this fictionalised autobiography relates the struggle for survival of the narrator and his comrades and their attempts to sabotage the production of V2 rockets in the factory where they are slave workers. The tree and factory were destroyed by bombs on 24 August 1944, as Paris was being liberated.
','Awarded Prix littéraire du comité d\'action de la Résistance, 1965.
','',2),('Resistant','Juminer1927','Le Résistant','Prose',1972,'Patriotic, anti-Vichy fervour has gripped Guadeloupe and Mam\'zelle Loulouse is disappointed by the fact that she has no male relatives to send off to join the Resistance. She therefore attempts to convince her godson to join up. Although he appears to follow her plan, he actually reverts back to his normal behaviour, drinking and laziness. The two main characters provide a portrayal of a society led by dynamic women with young men being worthless layabouts.
','','',2),('tempsangoisse','Jurquet1922','Du temps d\'angoisse: Souvenirs et nouvelles','Prose',1946,'Sad and distressing war memories which describe how JJ was sent to work in Berlin in 1943 by the Germans, then escaped and with many others led the life of a \'réfractaire\' in the forest, eventually ending up in hospital.
','','',1),('3chiensmorts','Kaa1945','Trois chiens morts','Prose',1992,'De Steuwers, a farmer and former Resistant, is murdered in an event that is meant to look like a hunting accident. The story is told from the point of view of the village\'s mayor, an outsider. The murder was preceded by the killing of three dogs in the village. Resistant only from April 1944, originally joined the maquis as a spy of the Milice. The two other dog owners also viewed as collaborators (blackmarketeering and a relationship with a German soldier). More \'accidents\' happen in the homes of those who talk to the police or the mayor. Killing of dogs is an echo of an similiar event committed by the SS in the area in August 1944. Turns out farmer was killed by daughter-in-law who he had raped. Former SS of Das Reich left car in village and killed 3 dogs to alert villagers to his presence. Had contact with Tavernier, whose house was torched, who was not a former POW but a member of the milice with contacts with the SS. Involved in trafficking stolen art. A young policeman also involved. Art works and gold had been hidden in a small village house since the end of the war and the retreat of Das Reich.
','','',1),('Aventureambigue','Kane1928','L\'Aventure ambiguë','Prose',1961,'Depiction of childhood in Dakar during the Second World War.
','','Little, J.P, Cheikh Hamidou Kane - L\'aventure ambiguë (London: Grant and Cutler, 2000)
',1),('Armeeombres','Kessel1898','L\'Armée des ombres','Prose',1943,'Written in London to promote and celebrate the cause of Resistance. The novel focuses upon a Resistance leader, Philippe Granier, and his group operating in both the Northern and Southern zones. He rejoins his group in Marseille and kills the man who informed on him. The Gestapo pursues him. It is Mathilde, a member of the Parisian network, who helps him to escape again and is herself arrested. The Network decides to sacrifice her, fearing that she will comprise them in order to save her own daughter. The group\'s activities are both violent and heroic.
The work depicts the importance of the concept of loyalty to the ideals of the Resistance, and how different characters cope with imprisonment and torture. While every attempt is made to free members of the organisation, tactical decisions often have to be taken, resulting in their death, in order to save others. The link between the Resistance in France and the Free French in London is an important subtext.
A memorable film version directed by Jean-Pierre Melville was released in 1969; this is even more sombre than the novel.
In the preface, Kessel describes his methodology in writing this novel, focusing especially on the dilemma that writing such a récit may place his comrades in danger and the difficulties for a writer to do justice to such a dramatic and serious series of events.
','','Tassel, Alain, \'La Transfiguration mythique de l\'histoire dans le roman kesselien\', Travaux de Littérature, 1996, 9, 253-68
',8),('Bataillon','Kessel1898','Le Bataillon du ciel','Prose',1947,'A novel describing the training and heroic mission of French paratroopers as part of the liberation of Brittany in 1944. The action is often dramatic and gripping, though the characters are cartoonish stereotypes. Though attributed to Kessel, the book was actually written up by his nephew Maurice Druon from Kessel\'s outline scenario (according to Alain Tassel, La Création romanesque dans l\'oeuvre de Joseph Kessel, 1997).
','','',2),('Lesmaudru','Kessel1898','Les Maudru','Prose',1945,'Date at end of the text: Anthéor, 16 février 1941.
The story portrays the impact of the German invasion in 1940 on one particular family and their small community between Calais and Boulogne. It opens with a detailed description of the shooting down of a French Air Force plane in the days immediately following Dunkirk. Désiré Maudru, the pilot, is unharmed, but his gunner is killed and the other crew member injured. On his return to his home town, after some weeks on the run, the Germans have already reached the region. The older members of the community appear to accept the defeat (with some considering it a victory) and the first signs of collaboration are emerging. Désiré is disgusted to see that his own father, Tancrède, has established good relations with the first German soldiers to enter the village, and had discouraged two young men, Simon and François (l\'Innocent) from joining the French forces in England. Tancrède harbours a longstanding prejudice against the English, following his young wife\'s brief and meaningless affair with an English student many years earlier. As a result, he chose to give up his vocation as a trawlerman and establish his family in a farm in the coast.
Désiré is deeply depressed by the French defeat and attitude on the villagers. He responds positively to an early broadcast from London assuring the French that the war is not over and that they need Frenchmen to fight from England. His determination to cross the Channel is temporarily shaken by the British attack on the French fleet off North Africa, where his brother is killed. Nonetheless he escapes to England with Simon and François, their small boat coming under German fire before they are rescued by a British ship. He is placed with the RAF, and volunteers for a mission to investigate unexplained luminous signals and fires on the French coast, probably on his father\'s farm. He and his fellow officer are shot down, but make the safety of his home area. HIs reunon with his parents is happy and proud, as his father reveals that he has set up the signals and fires to alert the British to a new arms depot installed by the Germans in a nearby quarry, informaton which he has acquired thanks to his early efforts to befriend the enemy soldiers. He and Désiré set sail together for England to pass on this intelligence.
','','',1),('memoiretatouee','Khatibi1938','La Mémoire tatouée','Prose',1971,'Memories of childhood in Casablanca during the war. Descriptions of American soldiers and rationing.
','','',1),('Notesrefugie','Klein1862','Notes d\'un réfugié: 1940, l\'exode, l\'armistice, la politique de Vichy','Prose',1945,'','','',1),('OrdenerLabat','Kofman1934','Rue Ordener, Rue Labat','Prose',1994,'A largely autobiographical story of a young Jewish girl in the 18e arrondissement of Paris during the war. Her father, a Rabbi of Polish origin, is deported and dies in Auschwitz and her brothers and sisters are sent to be hidden in the French countryside. She always refuses to leave her mother and ends up having to be hidden by a former neighbour. Ironically it is this woman who separates the young girl emotionally from her mother and in consequence from her religion. Even after the war, the young girl still returns to this foster mother for love and support, emotions that her mother is unable to show her.
','','Leibovici, Solange, \'Remembering, acting out, working-through: The case of Sarah Kofman\', http://web.clas.ufl.edu/ipsa/2003/kofman.html
',2),('PasKaddish','Konop1948','Pas de Kaddish pour Sylberstein','Prose',1994,'Inspector Samuel Benamou investigates the murder of a fomer SS officer, Rudolf Stotz, by an old Jewish brocanteur, Katz. Katz gave himself up to the police explaining that he had wanted to avenge the massacre by the SS of his village in the Ukraine in Spring 1944. The old man dies soon after in prison. However Benamou decides to continue his investigation into former Nazi criminels against the backdrop of a reunified Germany.
','','Fraiser, David, \'Polarcauste: law, justice and the Shoah in French detective fiction\', International journal of Law in Context, 2005, 1(3), 237-259
',2),('AttendantEliane','Korkos1955','En attendant Eliane','Prose',1996,'Simon runs an oriental patisserie in Barbès. He recounts, to an (imaginary?) customer the story of his early life, especially the flight from Algeria following the 1934 Constantine pogrom, his récit culminating in the Rafle du Vel d\'Hiv. He appears convinced that his younger sister is about to appear for the first time in over fifty years. He has kept her doll with him at all times and appears to be unable to accept that she has died during deportation, whereas he managed to escape from the Parisian holding camp. A very poignant story that demonstrates the difficulties faced by survivors in reconstructing their lives.
The postface includes a historical overview of the Rafle du Vel d\'Hiv and the pogrom of Constantine.
','','',1),('Monneoutragesdefis','Kourouma1927','Monnè, outrages et défis','Prose',1990,'Strong critic of French colonialism in a vast novel that spans the entire period of colonial rule in French West Africa.
This novel was awarded the Prix des Nouveaux Droits de l\'homme, Prix Cirtef and the Grand Prix de l\'Afrique noire
','','Harrow, Kenneth, \'Monnè, outrages et défis: Translating, Interpreting and Lies - Travelling along the Möbius strip\', Research in African Literature, 22(2), 1991, 225-230
Traoré, Karim, \'Kourouma\'s Monnè as aesthetics of lying\', Callaloo, 23(4), 2000, 1349-1362
',3),('SouvenirBerlin','Krivine1959','Un souvenir de Berlin','Prose',1990,'An old farmer is killed, run over by his combine harvester. It is first of a series of murders of former members of a Resistance group who were betrayed in 1942. A young journalist also disappears at the same time, a disappearence that later is shown to be linked to the murders, as she was investigating the history of the group to which these men once belonged. There are even suggestions that the Soviet secret service may be responsible for all of these mysterious events.
','','',1),('Petitgarcon','Labro1936','Le Petit Garçon','Prose',1990,'Generally recognised as an autobiographical novel, the events are seen through the eyes of a child, telling us the story of a family during the occupation, in the unoccupied zone, from the armistice to the Normandy landings and the postwar years. The prologue and epilogue frame the narrative of the occupation years and their aftermath, and are situated in the present day (40 years later). The mysterious nature of the events and conversations to a child accords well with the secretive nature of the activities, especially the father\'s connections with the resistance, and his \'employment\' of a large number of \'gardeners\', which is a mechanism to hide Jewish refugees and others. German soldiers are billetted at the family home; later there is one who will be involved in the Oradour massacre. There are references to deportations and round-ups, the involvement of the French police, the crossing of the \'ligne de démarcation\', reprisals, an older brother in the maquis, the \'bals de la Libération\', and the emerging cold war with oblique references to communist allegiances (\'les lendemains qui chantent\'). The sighting of a former collaborator in Paris allows the novel to establish that not all the guilty will be punished.
','La Villa, à l\'écart d\'une petite ville du sud-ouest de la France, ressemble, avec son immense jardin, à un paradis où rien ne peut arriver. C\'est bien ce qu\'avait voulu le père, un homme juste et sage. Voyant approcher la guerre, il avait quitté Paris pour mettre sa jeune femme et leurs sept enfants à l\'abri. Mais quand déferlent les années quarante, le malheur atteint les univers les plus protégés. Bientôt, la Villa se peuple d\'étranges jardiniers et cuisinières. Ce sont des hommes, des femmes, des enfants traqués, en danger de mort. Puis les Allemands vont arriver et violer le sanctuaire. La paix revenue, le père sacrifie repos et confort ; il arrache ses enfants à leur paradis afin de mieux assurer leur avenir. Cette histoire est vue par un enfant. Il traverse des tragédies et rencontre des solitudes, il connaît l\'enchantement de la découverte de la vie, la nature. Jamais le petit garçon n\'oubliera l\'imposante figure de ce père au passé mystérieux; cettte mère qui semble une grande soeur; Dora la juive allemande qui feint d\'être muette; Sam, le jeune prof aux manières insolites; et les jambes gainées de soie de la jolie Madame Blèze... Sur le même ton limpide de sincérité, l\'auteur de L\'étudiant étranger nous livre son portrait de la province, sa vision de la famille , le tableau nostalgique d\'une enfance qui a peut-être été la sienne.
','',3),('Nousvoila','Laclaventine1954','Nous voilà','Prose',2009,'Pétain\'s coffin is stolen by a far-right group of war veterans that wish to rebury it at the First World War memorial at Douaumont. After a few days hunt the police find it in a garage in a Parisian suburb, the coffin is reburied on the Ile d\'Yeu and the all appears to return to normal. However, the novel claims that in fact there was a cover up and the coffin was only found more than thirty years later. Larzac militants attack the far-right protest on the Champs de Mars and unwittingly seize the coffin. Two of these men jealously guard the coffin for all this time and the novel is an interesting insight into the transformations of the French far-left over this period.
','La Quinzaine Littéraire, 01/03/2009 - 15/03/2009
','',1),('Liberations','Lacretelle1888','Libérations','Prose',1945,'Contains \'La nuit longue\', \'Ils sont là\', \'Paris occupé, Paris libéré\', \'Athènes est libéré\', \'La demoiselle d\'Arnhem\', \'Le sentiment national dans la littérature française\', \'Ce qui condamne l\'Allemagne\'
','','',1),('Nuitlongue','Lacretelle1888','La Nuit longue: Lettre à un Américain','Prose',1945,'Memories of the German Occupation of France, published also in Libérations, taken from notes begun in 1940 and continued until the liberation of JdL\'s village Montfort-l\'Amaury.
','','',1),('Ceuxvivent','Laffitte','Ceux qui vivent','Prose',1947,'This is a moving account of JL\'s wartime experience of captivity. Having escaped from prison camp in Orléans in 1940, he joined the Resistance and describes the work he did then, until he was captured in 1942 and sent to the Prison de La Santé and Fresnes. He was deported to Germany and suffered the horrors of Mauthausen camp, finally returning to France after being liberated from Ebensee.
','','',2),('RoseFrance','Laffitte','Rose France: Roman','Prose',1950,'This novel is a moving account of life in the Resistance with episodes concerning a brave young woman teacher, member of a communist network.
','','',1),('Trainsoir','Lagorce1937','Le Train du soir','Prose',1983,'Three children, two boys from a small village in South-Western France and a young girl, a Jewish refugee, become very close friends during the war, the two boys going on to hide the girl when the Germans round up the Jewish refugees in March 1944. When thirty years later one of the men commits suicide, the other two characters (who have married each other and then divorced in the meantime) look back on these wartime years, moments that all three had always claimed were the best of their lives.
','sport; nostalgia
','Dine, Phillip, \'The Inescapable Allusion: the Occupation and the Resistance in French Fiction and Film of the Algerian War\' in The Liberation of France: Image and Event, edited by H. R. Kedward (Oxford, Berg, 1995)
',2),('Crimeevacuations','Lahire1878','Le Crime des évacuations: Les Horreurs que nous avons vues','Prose',1940,'','','',1),('Reveurcasque','LaMaziere1922','Le Rêveur casqué','Prose',1972,'The author\'s father was a senior cavalry officer of extreme right-wing views who refused to join the Resistance and dissuaded his son from doing so. In August 1944 he joined the Waffen SS and survived the final destruction of the Third Reich and post-war imprisonment. La Mazière presents himself as a naive but courageous figure, and skirts over the atrocities committed by the SS and the moral issues raised by his choices.
','','',2),('Cendrefumee','Landry1909','La Cendre et la fumée, [I:] Le Temps des amandiers','Prose',1942,'In his preface CFL talks of his \'mémoires\' and proposes several volumes on his life, his experiences and the lessons he has learnt. Here he recalls memories of his youth, describes his wife, family and friends, and, in particular, his friendship with \'Damien\', analyses himself and his relationships with others and affirms his love of the countryside. He also gives a poetic description of the fall of France. No further volume in this series has been found.
','','',1),('nommeLangdon','Langelaan','Un nommé Langdon: Mémoires d\'un agent secret','Prose',1950,'An alert and lively account of GL\'s experiences as a secret agent, in which he describes the organisation and training of agents and the painstaking methods of achieving successful missions, but recalls only the curious and amusing events as he feels there are too many gloomy memories. An excellent book, written in French despite GL\'s education in England
','','',1),('bagages','Langfus1920','Les Bagages de sable','Prose',1962,'The story of Maria, a Holocaust survivor, who is living alone in Paris. She has family there (an uncle aunt and cousin) who are very well off, but forges no emotional links with them. Members of her family she has lost visit her often as if they were still alive. An elderly man, Michel Caron, takes an interest in her, and she journeys with him to the South of France. Like her, he has lost family in the war. There she gets to know a group of young children, particularly Anny, who has very troubled relationship with her mother and step-father and who moves in with Maria. The decision to send her to boarding school provokes her suicide. When Michel falls ill, his wife appears to take care of him, and Maria leaves. The novel ends with her waiting at the bus stop. The tenuous hold of Maria and Michel on life and purposefulness is very well portrayed.
','Prix Goncourt 1962
Claude Roy, Libération, 20 novembre 1962.
','J Friedemann, Langages du désastre:Robert Antelme, Anna Langfus, André Schwarz-Bart, Jorge Semprun, Elie Wiesel, Librairie Nizet, 2007; Interview with Maurice Marc. Les Lettres Françaises, August 23-29, 1962; Interview. Nouvelle Critique, June, 1965; Cottenet-Hage, Madeleine. \"Anna Langfus et les risques de la mémoire\" Les Lettres Romanes. Special issue: \"La Littérature des camps: la quête d\'une parole juste entre silence et bavardage\"; Fine, E. A. \"Le Témoin comme romancier: Anna Langfus et le problème de la distance\" Pardès 17 (1993); Lévy, Clara. \"La guerre dans les textes littéraires d\'Anna Langfus: La mise à distance de l\'expérience\" L\'Esprit Créateur 40/2 (Summer 2000): 52-60; Schaneman, Judith Clark. \"Writing to Survive: The Novels of Anna Langfus.\" Women in French (2001): 9: 92-105.
',2),('sautebarb','Langfus1920','Saute, Barbara','Prose',1965,'Saute, Barbara (Jump, Barbara, 1965), the last of Langfus\'s novels, is also set in France and follows a similar course [to her previous novel Les Bagages de sable]. The inability of a survivor to let go of the past and turn to the business of living is told through the story of Michel, a Pole, who escapes from Germany with a child he abducted because she reminded him of his daughter. He has named the girl Barbara in her memory. In a conclusion that restates the impossibility of building a new life, Michel returns Barbara to Germany and dies after shooting a German—thus accomplishing an act of revenge that Maria failed to accomplish in the previous novel—or so an ambiguous ending suggests. (Madeleine Cottenett-Hage, Langfus entry, encyclopedia, jewish women\'s archive)
','','See Bagages de sable entry
',1),('selsoufre','Langfus1920','Le Sel et le soufre','Prose',1960,'The novel - which has also been described as autofiction because it draws so closely on Langfus\'s life - opens with German bombing of Warsaw. The narrator, Maria, and her husband Jacques are staying with her parents and her nanny, increasingly fearful for their vulnerability as Jews. They are expelled from their flat to the ghetto behind barbed wire. Even though the (non-Jewish) nanny has had to leave them, Maria stresses her childlike impatience and demands that her needs continue to be met. The novel chronicles the appallingly cruel events they have to face: Maria and Jacques escape from the ghetto, (though her parents will eventually be deported), only to be dependent on those exploiting them for money. Time and again they are nearly captured. She becomes involved in a Polish resistance network. At one point a rather eccentric German soldier takes care of them both for a while. Both she and Jacques are captured by the Gestapo; she endures dreadful tortures and Jacques is shot. After time in a brutal women\'s prison, she escapes and manages to walk back to Lublin. The novel is very powerfully written.
','Prix Charles Veillon
','See Bagages de sable entry
',2),('Quandlamer','Lanoux1913','Quand la mer se retire','Prose',1963,'In 1960, Abel Leclerc and other Canadian veterans visit the Normandy beaches where they landed in 1944. Reliving past experiences induces some post-traumatic stress in Abel.
','Keywords needed: Normandy landings/D-Day and Canadians?
','',2),('CalvaireBreendonck','Lansvreugt','Le Calvaire de Breendonck','Prose',1945,'As the \'Livre noir de Breendonck\', covering from 1940 to the Liberation, has yet to be published PL and RL, as members of the Association nationale des Rescapés de Breendonck, describe their personal experience of the appalling prison conditions and the atrocities committed by the Germans at Breendonck between September 1942 and July 1943. Each writes seven chapters, beginning with RL\'s arrival at the camp. RL describes the forced labour, the hunger, the German idea of discipline, the vermin, the executions and the torture chambers and PL describes the cruel camp officials and their punishments and the mental and physical torture which the prisoners suffered daily.
','','',1),('Centurions','Larteguy1920','Les Centurions','Prose',1960,'Although the action takes place first in a Vietminh Prisoner of War camp and then against the backdrop of the war in Algeria, the experiences of these soldiers from the parachute regiment during the Second World War influence each of their decisions and actions.
','','',1),('niagara','Lasvergnas1902','Le Mystère Niagara','Prose',1956,'Colette Lambert, whose husband was killed in Dunkirk, discovers a corpse, a woman killed with cyanide. She turns detective, and the plot hinges upon the past of the victim, Henriette Pascal, and her husband Robert Calvet. A member of the resistance, he escaped when his group was arrested. Half were shot, the rest deported, only three returned. It was suspected he had betrayed the group, and the three survivors were now set on exacting revenge. The plot also involves a Gaullist consul called Clovis Nègre, and a naturalised American, David de la Chesnaie, whom the narrator considers even more guilty of betrayal than Calvet, for having abandoned his fellowcountrymen to their fate.
','','',1),('dormeurdebout','Laurent1919','Le Dormeur debout','Prose',1986,'Léon Faypoul (also called Léon-Léon), Emile Clondandron and Pascal Zilia are involved in extreme-right wing politics in the 1930s, and told to carry out a murder, the victim Amadieu, a friend of theirs, having allegedly pocketed money intended for bribes when smuggling arms from Italy. In 1945, Faypoul and Clonandron are miliciens, and in Germany; Clodandron dies from a shot to the head. In both cases, Faypoul seems to be the one responsible, but this is not totally explicit from the narrative. He is a writer, very interested in the multiple of layers of reality and imaginary, and the novel itself similarly exploits the confusions of different and multiple interpretations, in both narrative action and literary representation thereof, with particular emphasis on representations of heroism (his father proves to be a false hero), on \'being a man\', and on the complex relations between memories of the past and other representations of it. Alcide, the son of the first victim, and Sabine, the daughter of Zilia, (who dies in the fighting of 1940) are major characters in a plot that combines psychological intrigue, chance occurrence, and sexual attraction for a passably baroque result. The action is interrupted with extracts from Faypoul\'s writings; the first extract in fact transposes the first murder and advances the narrative action ; the second is an 18th century Sade-ish pastiche of political and psychological intrigue at a royal court. The tone of libertinage is continued in the accounts of the various sexual relationships between the main characters, and their interest in the boundaries of gendered and sexual identity and behaviour. Faypoul ends up in Fresnes, though characters appear to attest to his actions for the Resistance, on whose orders he apparently joined the Milice. He later accuses himself of the murders of Amadieu and Clondandron and finally disappears (suicide?) as he has done for large parts of the novel while interpretations of his behaviour are in the foreground.
','','',2),('Petitcanard','Laurent1919','Le Petit Canard','Prose',1954,'Disillusioned on discovering his girlfriend Sophie has slept with a Pole, Antoine joins the LVF. In 1945, after his execution for treason, Antoine\'s father attempts to explain his son\'s behaviour, which owes more to stubborn pride than political commitment. The initial premiss seems ludicrous and nothing in the subsequent narrative alters this.
','','',1),('Souvenirsbagne','Leboucher','Souvenirs de bagne d\'un grand-père, de Caen à Oranienburg: Récit d\'un déporté politique.','Prose',1950,'A moving account of ML\'s experiences in German camps. Having been warned by the Resistance that he would be taken as a hostage by the Germans, he was arrested in 1942 after his office had been raided three times. His wife Denise was also arrested and finally imprisoned in Ravensbrück. ML was sent from Rouen to Compiègne then Sachsenhausen where he helped a little with medical tasks. By the end of the war he was still likely to be shot at any time, but was liberated by the Russians and found his wife safe too.
','Russian army
','',1),('Temoignage','Lebrun1871','Témoignage','Prose',1945,'President of France 1932-1940. This book is a historical view of the war years of AL\'s presidency from 1939 to 1940, and the record of his deportation to Germany in 1944.
','','',1),('memoirechacale','LeCarvennec','La mémoire chacale','Prose',1983,'','','',1),('Souvenirsexil','Leclere','Souvenirs d\'exil','Prose',1946,'JPL has written his book in three parts, of which the first begins with a brief biography. Born in Fontoy (Moselle) he and his family lived there until they were expelled in 1940 and went to Lyon. His grand-daughter died in 1943, aged nineteen, and his wife died in 1944. He went back to Fontoy in 1944 after it had been occupied by the Germans for four years. The second part contains poems and describes Fontoy as JPL knew it from 1918 onwards, and the third part contains stories in patois, poems and anecdotes. JPL has concentrated more on memories of Fontoy and its people than on himself.
','Verse
','',1),('Ritournellefaim','LeClezio1940','Ritournelle de la faim','Prose',2008,'Ethel grows up in a family who have exiled themselves from Mauritius. At the beginning of World War Two, she has reached adulthood and is trying to save the family from the bankruptcy that has resulted from her father\'s failed business plans. In 1942, the family leave for Nice, where they are haunted by constant obsession with finding food.
At the end of the war her English fiancé (himself also of Mauritian origin) returns to find her and they marry. At the end of the novel, it is their son who returns to Paris to seek out the Vel d\'Hiv, from where so many of his paternal family were deported, and to retrace the childhood steps of his mother. A novel written as a love letter from the author to his mother, to whom he dedicates the work in its very last lines; \"J\'ai écrit cette histoire en mémoire d\'une jeune fille qui fut malgré elle une héroine à vingt ans.\"(p.207)
','Le Magazine Littéraire, no.479, Octobre 2008; Le Quinzaine Littéraire, no.978, 16-31/10/08
','',1),('Deprisonenprison','Lecoin1888','De prison en prison','Prose',1947,'In his \'Avis aux lecteurs\' LL explains that he was imprisoned because of his hatred of war. His family was poor and his mother ill during his childhood, which was, however, relatively happy. He went as an apprentice to Paris, was sent to prison for going on strike, became involved in union work, joined the Communist Party, went on hunger strike for Jeanne Morand, and worked hard to free Sacco and Vanzetti. A dedicated pacifist, he refused to fight in WW2 and his hatred of fascism led him to be imprisoned under the Vichy régime. He was in prison for twelve years in all.
','Pacifism
','',1),('Cellule16','Lefebvre','Cellule 16: Journal d\'un détenu politique de Loos','Prose',1944,'','','',1),('Combatpournoscadavres','LeGallois','Combat pour nos cadavres','Prose',1948,'In his preface JL says that he is already dead and his spirit is waiting to be released; he lives only for others now. He was freed from a German camp-hospital at the age of twenty, with no money, no possessions and no job, only to find that his father had died. Finally he went to live with his uncle and, feeling unable to go out into society, stayed alone in the garden writing his reminiscences of childhood. Finding he had leprosy, injected by an SS doctor, he decided he must write to record his ideas and philosophy and to warn his contemporaries against the annihilation of man by man.
','','',1),('Nopassaran','Lehmann1958','No passaràn, le jeu','Prose',1996,'Three French schoolboys are on a school trip to London. Obsessed with video games, they discover a specialist shop during an outing. The shop is run by an old man, who upon seeing a nazi emblem pinned onto one of the boys\' jackets, chases the boys from his shop but also gives them a game that teaches them about the deportation of the Jews during the war and dangers of neo-nazism.
','','',1),('tribulations','lepidis1920','Tribulations d\'un commis voyageur','Prose',1996,'Un jeune homme, sous l\'Occupation, veut fuir l\'univers familial et devient représentant... [from le temps des cerises catalogue, accessed July 2010] Dans l\'un de ses tout derniers livres, \"Les Tribulations d\'un commis voyageur\", il raconte les aventures d\'un adolescent de Belleville qui lui ressemble comme un frère et qui, pendant l\'Occupation, fait ses premières armes comme représentant de commerce, vendeur de lames de rasoir, de brosses à dents et de capotes anglaises. Il fut ainsi lui-même tour à tour représentant en produits de beauté, apprenti cordonnier, fabricant de chaussures, photographe... Et c\'est dans cette expérience sociale diverse qu\'il a puisé la matière picaresque de ses livres. Fils d\'immigré, il a connu le racisme, mais aussi la vie partagée des hommes et des femmes d\'origines diverses, le brassage heureux des cultures et l\'échange des musiques que font les peuples. [from Francis Combes\'s obituary in L\'Humanité, see links to acam-france and humanité.fr. accessed 06/08/2010]
','','',1),('armenien','lepidis1920','L\'Arménien','Prose',1973,'\"En ce temps-là, chaque quartier de la capitale avait sa vocation : les girls à Montmartre, les peintres à Montparnasse, les diamantaires à Cadet et les morts au Père-Lachaise ; mais la
chaussure, c\'est à Belleville qu\'on la trouvait. (…)
C\'est à Belleville que l\'Arménien Aram Tokatlérian posa le pied, pour la première fois. C\'était un petit homme aux cheveux noirs, au teint sucre brûlé, au nez cassé à angle vif, l\'oeil
percé d\'un éclat de charbon. Il portait une grosse valise entourée de courroies et un lourd
paquet… »
Venu d\'Istanbul, Aram, le cordonnier arménien a choisi la France pour réaliser un rêve de
liberté. Les canons de 14-18 se sont tus depuis plusieurs années déjà et en regardant les toits de Paris, du haut de la colline de Belleville, on peut croire au bonheur. Le travail, l\'amitié et l\'amour seront au rendez-vous. Mais l\'Occupation arrive et le rêve se fissure. L\'Arménien pourra-t-il définitivement s\'enraciner dans sa terre d\'accueil ?
Le roman de Clément Lépidis ne cesse de poser cette question de l\'intégration. À travers une galerie de personnages hauts en couleurs, il peint l\'instabilité d\'une époque, mais aussi l\'inconstance des êtres humains. Salué par l\'ensemble de la critique lors de sa première parution, l\'Arménien offre au lecteur d\'aujourd\'hui un portrait de déraciné, toujours d\'actualité. [synopsis from http://www.acam-france.org/bibliographie/auteur.php?cle=lepidis-clement, accessed 06/08/2010] ;
A travers le parcours d\' Aram Tokatlérian, jeune Arménien d\'Istanbul, immigré à Paris pour apprendre le métier de la chaussure dans le quartier de Belleville où étaient réunis tous les maîtres bottiers dans les années 1930, l\'auteur fait découvrir la fraternité du petit peuple cosmopolite (Grecs, Arméniens , Polonais, Français de souche) puis les heures sombres que les mêmes personnages vivront sous l\'occupation, avec la peur des rafles et des contrôles.
Malgré la gravité du sujet, l\'auteur n\'abandonne jamais son humour désinvolte et sa tendresse. [from wikipedia, accessed 06/08/2010]
C\'était le temps des Georges Milton, des Joséphine Baker, des Max Dearly, le temps idéal pour s\'installer à Belleville. Quand on est Arménien, quand on vient d\'Istanbul avec une seule valise, quand on a économisé le prix du voyage pour connaître enfin le Paris des cartes postales, quand on prend la semeuse du timbre pour une jolie femme dont on ne s\'explique pas le geste, quand on vient à Paris éclaircir ce mystère, Belleville est prêt à vous accueillir. Aram Tokatlérian était prêt à aimer Belleville, Belleville prêt à l\'adopter.
Le Belleville de la chaussure, le Belleville de la plomberie, d\'Eugène Gopic et de sa sueur Charlotte - qui ressemble si fort à la femme du timbre - le Belleville du père Sabaut qui persiste à dormir pendant que Garbiz Budurian, l\'ancien confident du Négus, vante la qualité du café éthiopien devant Poitrine d\'Acier, devant Yelen le Polonais, Rebourg le rouge, Tatave le garçon...
Le temps qui prend un goût d\'amertume un jour de février 34, le jour qui annonce les grandes rafles de l\'Occupation. Aram réapprend la peur dans le Belleville de l\'impossible bonheur. Grâce à Clément Lépidis qui ne cesse de regarder l\'homme, et le plus désarmé d\'entre les hommes, Aram devient le frère du lecteur, du moins un frère à qui il n\'a manqué qu\'un peu d\'amour.
From Le Livre de Poche edition
','Prix de l\'Académie française, prix de la Société des gens de lettres.
','',3),('Rouille','LePorrier1913','La Rouille','Prose',1954,'The unnamed first-person narrator loses his family to bombing during the debacle, as well as his job as a journalist. He takes refuge in a Norman village, where he is gradually integrated into the community and overcomes \'la rouille de l\'âme\'. He becomes aware of Resistance activities, but when he attempts to rescue a Jewish woman and her child, she commits suicide. He leaves for England. A readable and amusing account of provincial life under Occupation.
','','',1),('Nouslesterroristes','Leproux1898','Nous, les terroristes: Journal de la section spéciale de sabotage','Prose',2008,'This book, dedicated to the Section Spéciale de Sabotage, is intended to be as complete a compilation as possible of the memories of members of the Resistance, a project originally thought of by Rémy, but realised by ML. In his preface Rémy speaks of some of the great Resistance heroes. ML begins with his own memories, then quotes from the experiences of as many members of the Resistance as he can, describing various Resistance organisations, the maquis, the many brave men and women who died, and the suffering endured by many at the hands of the Gestapo and in the deportation and concentration camps. The second volume also has details of the various sabotage schemes and the progress towards victory. The conclusion thanks all those who contributed their memories.
','Sabotage
','',1),('Furioso','Lestienne1932','Furioso','Prose',1971,'Set in the months following the fall of France in 1940, the novel recounts how four French adventurers are sent on a secret mission to Germany in order to save the honour of the Queen of England, in an inventive and humorous reworking of Dumas\'s Les Trois Mousquetaires. The sequel Fracasso (Fayard, 1973) follows their further exploits in the fashion of Vingt ans après. Some readers may find the humour tediously puerile and the caricatural representation of historical figures like Churchill crudely stereotyped. For a more enthusiastic appreciation, see:http://www.pastichesdumas.com/php/fiche.php?code=Fracasso.
','','',2),('LePasseur','LevisMirepoix1942','Le Passeur','Prose',2008,'This novel is written in the form of a fable. A lock keeper, Juste, son of Eastern European immigrants, becomes a people smuggler for Resistance fighters in Southern France. He is shown to be incredibly good in this role because of his deep understanding of nature. Post-war we follow Juste in his wandering around the world. There is a second voice in the novel, that of another people smuggler, much older than the lock keeper, who compares the period of the Occupation with other moments of world crisis.
','La Quinziane Littéraire, no 976, 16/09/2008 - 30/09/2008
','Comparison with other events
',1),('Journalexile','Levy1876','Journal d\'un exilé','Prose',1949,'PL, the director of the magazine Aux Écoutes, was obliged to escape from the Germans to the Alpes Maritimes in 1940 and was then persecuted by the Vichy Government and prevented from continuing as a journalist. He confided his reflections to his diary (dated from February to September 1942), inspired by events and the distressing picture of the German press taking over French publications.
','Journalism, Censureship (Literature)
','',1),('Enfantsliberte','Levy1961','Les Enfants de la liberté','Prose',2007,'A first-person narrative about foreign Jewish MOI resisters based in Toulouse, dedicated to the author\'s father and uncle, who are probable models. The adolescent brothers Raymond and Jeannot join a resistance group of foreigners who carry out sabotage and assassinations of German officers and collaborators. Most of the group is arrested (the official Resistance makes no effort to assist them), but the brothers and a comrade manage to escape from the last deportation convoy from France, on 26 August 1944. In 1983, their achievements are belatedly recognised by the French government. The narrative is highly sentimental, often implausible, and written in clichéd language.
','','',2),('Grandemeutte','Limur','La grande meute','Film',1944,'','Animals
','',1),('Bienveillantes','Littell1967','Les Bienveillantes','Prose',2009,'The novel is a Faustian first-person narrative by Dr Max Aue, living under a false identity in post-war France, recounting his involvement as an SS/SD officer in Nazi atrocities and other crimes committed during World War Two in France, Germany and Eastern Europe. The narrator is a bureaucratic assassin, jurist and pseudo-philosopher incapable of accepting moral responsibility for his actions. Voyeuristic realism is coupled with hallucinatory fantasies (motivated by the protagonist being wounded in the brain at Stalingrad). Atrocities and killings are described in repellent detail; neither narrator nor author seem capable of either aesthetic or ethical restraint. The reader also has to endure interminable lectures about Nazi philosophy and related cultural matters (from lace-making to the languages of the Caucasus). As is often the case in this type of fiction, the narrator encounters many important historical personages, from Brasillach to Eichmann, Himmler and Hitler. But behind Hitler, the disabled business mastermind Dr Mandelbrod (escorted by three voluptuous Nazi amazons and a cat) pulls the strings, eventually defecting to the USSR.
','Hailed as a masterpiece by some reviewers, while denounced as meretricious Holocaust pronography by others, the novel was awarded both the Prix Goncourt and the grand prix de l\'Académie française in 2006.
','Marc Lemonier, Les Bienveillantes décryptées (Pocket, 2008). Helpful introductory guide.
',2),('medecinfrancais','Loheac','Un médecin français en déportation, Neuengamme et kommandos','Prose',1949,'This is a valuable account of the appalling conditions in the death camps. PL, a surgeon in Le Morbihan, was arrested by the Germans for refusing to denounce a maquis leader, imprisoned in Rennes and Royallieu then sent to Neuengamme. After working in Hamburg he was employed as a \'Kommando\' doctor, then contracted typhus fever and was finally freed by the British Army. He gives details of the dreadful diseases which had to be cured with whatever was to hand and numerous examples of physical and moral endurance.
','','',1),('MemoiresFrancais','LoustaunauLacau1896','Mémoires d\'un Français rebelle: 1914-1948','Prose',1948,'GLL begins with some memories of his childhood, education, being sent to the military school at Saint-Cyr and the war, and follows these with personal memories of 1919 to 1934 with many details on the army and political life up to 1939, together with documents of the time and his own writings. He gives a detailed account of his experiences in WW2, being badly injured and, as he was forty-six, sent back to Paris under the Geneva Convention. He was sent to Africa, then imprisoned in Pau, liberated in 1942 and arrested again in 1947. GLL was clearly anti-Vichy, but felt that Pétain was not the worst offender. These are very readable memoirs and GLL intended to write more.
','','',1),('drolevie','Luchaire1921','Ma drôle de vie','Prose',1949,'CL\'s life was dominated by her father, Jean Luchaire, director of the collaborationist newspaper Les Nouveaux Temps, with whom she went everywhere, and profoundly affected by the war, during which she was accused of spying, her father was involved with Otto Abetz, with Vichy and Fernand de Brinon, and she attempted suicide. She went to Germany with her father and her baby, then was accused of collaboration, and at the age of twenty-seven was imprisoned with her father in Fresnes and then in Nice. Her father was eventually shot as a traitor. CL describes her career in films, encouraged by Micheline Presle and her grandmother, Madame Dauriac, the wife of Julien Luchaire, with memories of film work in England, travel and friends such as Michel Simon and Ali Khan.
','Suicide; Cinema
','',1),('Labièvre','LuzyPoussy','La Bièvre coulait encore sous les étoiles','Prose',1997,'Un témoignage sur la vie populaire, du Front populaire à la Libération, par un
ancien habitant de la cité-jardin d\'Arcueil. (from Le Temps des cerises catalogue, accessed August 2010)
','','',1),('CarnetsGoumier','Lyautey1893','Carnets d\'un Goumier: Allemagne 1945','Prose',1945,'Describes relations between French and American armies, French officiers come to appreciate American directness. Offensive only described as a competition between the two armies, but it appears to be the Americans who are in command. Récit finishes with the capture of Stuttgart.
','','',1),('EchellesLevant','Maalouf1949','Les Echelles du Levant','Prose',1996,'An unnamed narrator captures the story of Ossyane, a Lebanese man who had joined the Resistance while he was studying medicine in Montpellier. During this period he met Clara, a Jewish Resistance fighter, and the pair later marry. On his return to Beirut, Ossyane is portrayed as a true hero of the Resistance.
','','',1),('unbaiser','magali1898','Un Baiser sur la route','Prose',1942,'Florine is working in an institution for children when a soldier appears and persuades her to take his son Francis as he leaves to rejoin his regiment. The institution has to be evacuated and she joins the exodus with Francis and two little girls. They end up in the south near a village near Lancelot and are taken in by two \'vieilles filles\' (presented as old as well as spinsters, one later specified as being in her forties), sisters who have pursued a generation-long vendetta against two elderly brothers whose land borders theirs. It turns out the soldier is their nephew, having eloped with the daughter (who subsequently died) of one of the brothers. Through an accident to Francis, and the work of the lovely Florine, all are reconciled and the soldier and Florine can pledge their love. There are many references to rationing and other difficulties, though it is made clear this region is not suffering much, and its inhabitants need the occasional lecture on the importance of pulling together and welcoming the refugees. Many lyrical references also to the beauty and emotional importance of the land and the countryside, quite consistent with the ideology of Vichy. One mention of the \'voix du grand homme\' announcing the armistice on the radio. The word \'Allemand\' does not appear.
','Reprinted 1953, 1972, 1981, 1982.
','Diana Holmes, Romance and Readership in Twentieth Century France: Love Stories, Oxford University Press, 2006.
',1),('ungrison','magnan1922','Un Grison d\'Arcadie','Prose',1998,'Présentation de l\'éditeur (Gallimard): À Manosque, Pierrot, 15 ans, part à l\'aube cueillir des escargots dans les collines. Il entend un coup de feu. Nous sommes en 1945, des coups de feu Pierrot en a entendu beaucoup au cours des années précédentes. Il pense que son voisin, le boulanger, qu\'il voit s\'enfuir de la ruine où il se cachait, vient de braconner quelque faisan, mais, sa cueillette achevée, il se heurte au cadavre d\'un personnage considérable. C\'est le capitaine Patrocle, un héros de la Résistance. Quelque chose est en train de glisser du portefeuille du mort : c\'est une lettre sur papier bleu qui est la clé du mystère. Pierrot s\'en empare et remet le portefeuille en place. Dès lors il ne va plus vivre que dans la crainte d\'être dépossédé de cette lettre qu\'il a glissée dans son béret. Ce béret qui à la fin fera éclater la tragédie.
','','',2),('deuxfoislememe','Magnan1929','Deux Fois dans le même fleuve','Prose',1971,'Set in Arles in the final months of the Occupation, the novel relates the activities and choices of Gilles, the central character, joining other young men in actions against the Germans, reacting to the bombing of the town. This is interspersed with Gilles\'s relations with Laurence, a 12 year old girl and fantasy figure, the reincarnation of his dead mother. The prostitutes\' district plays a central role in the narrative, especially as Gilles is particularly close to Henriette, who also sleeps with German soldiers, and Dominique who marries his father. In all this, the novel moves seamlessly between fact and fantasy. The war is presented as burlesque and comedy, with an air of unreality and role-playing, and a strong emphasis upon the accidents and ironies of chance, the confusion of the Liberation period with its summary justice, and the secrets of disguises (for example a major constructor for the Germans turns out to be one of the leaders of the local Resistance). Germans soldiers are consistently described as \'malgré-nous\' from Eastern Europe.
','','',1),('enmourir','Magnan1929','A En Mourir','Prose',1973,'A variation on the themes and plot devices of Deux Fois dans le même fleuve (early loss of (adulterous) mother, relationships with women of \'loose morals\', fantasised repetition in Alain\'s mind of their meeting as children with Brigitte, daughter of Gilbert, his mother\'s lover, and who is both a key supplier of works to the Germans and a major figure in the Resistance. The Liberation period is used as the setting for this complex emotional and sexual plotting, with the departure of the Germans, the arrival of the Americans, and a series of internal (French/French) settling of accounts, including key female characters having their heads shaved, though were having relationships with conscripted Polish and Czech \'malgré-nous\', intertwined with gangsterism (dealing in petrol) and the narrator\'s shifting loves, resentments and dislikes.
','','',1),('Etoilenoire','Maillet1948','L\'Etoile noire','Prose',1990,'Sidonie, a young woman from Martinique studying medicine in Bordeaux, is deported to Ravensbruck. During the journey, her daughter dies and her son is separated from her. At Ravensbruck, the camp doctors undertake medical experiments on her and the other black women. Sidonie puts herself at great risk by attempting to keep a written testimony of her experiences, which she hopes will survive and tell her story and those of her fellow inmates even if she dies. Throughout the story, Sidonie compares her situation to that of her ancestors, during the period of slavery and gains comfort and strength from their stories of resistance.
The novel is one of the very rare texts to portray the experiences of black deportees, a marginal subject in Holocaust studies. It was awarded the Prix de la Licra in 1990.
','','Mireille Rosello, \'Michele Maillet\'s L\'Etoile Noire: Historian\'s Counter-History and Translator\'s Counter-Silence\', Callaloo, Vol. 16, No. 1 (Winter, 1993), pp. 192-212
',2),('120ruegare','Malet1909','120, rue de la gare','Prose',1943,'This is the first work in the Nestor Burma series (39 in total including Brouillard au Pont de Tolbiac (1957) Les Neiges de Montmartre (1974)). The detective returns to France from a prisoner of war camp in Germany to solve a mystery conferred on him by a fellow prisoner just before his death. The atmosphere of the Occupation, with its rationing and curfews, proves the perfect setting for a roman noir intrigue. For the confusion of the retreating French troops in June 1940 has supplied the perfect cover-up for criminal activity, which continues throughout the war, exploiting the loopholes between the double level of administration, German and French. The novel through the character of the detective, who refuses to cooperate with the French police, offers a critique of the French administration which is portrayed as having compromised itself by collaborating with the occupying power.
','','Emmanuel, Michelle, From Surrealism to less-exquisite cadavers: Léo Malet and the evolution of the French Roman Noir (Amsterdam: Editions Rodopi B.V, 2006)
Gorrara, Claire, \'Malheurs et ténèbres: Narratives of Social Disorder in Léo Malet\'s 120, rue de la Gare\', French Cultural Studies, 2001 October, 36(3), 271-83
\'Origins and Beginnings: Léo Malet, 120 rue de la Gare (1943)\' in Claire Gorrara, The Roman Noir in Post-War French culture (Oxford: Oxford University Press, 2003)
Schulman, Peter, \'Le \'Stylo-Caméra\': Léo Malet vu par Jacques Tardi\' in Jacques Migozzi (ed), De l\'écrit à l\'écran : Littératures populaires : Mutations génériques, mutations médiatiques (Limoges: PU de Limoges, 2000)
',10),('Aurevoirenfants','Malle1932','Au revoir les enfants','Film',1987,'Based on Louis Malle\'s childhood experiences. Julien is a pupil in a Catholic boarding school. He develops a friendship with Jean, who he discovers is Jewish. The Gestapo arrive and take Jean and two other Jewish children who are deported to Auschwitz. A priest is also arrested for his resistance activities and deported to Mauthausen.
','','',1),('LacombeLucien','Malle1932','Lacombe Lucien','Film',1974,'Lucien contacts his former school teacher wanting to join the Resistance, a demand that is refused, as he is too young and \'useless\'. A bicycle accident places him in contact with the Millice. He joins them, revelling in the power, wealth and sense of belonging that they can offer him. His activities also bring him into contact with a Jewish family in hiding, and he develops a relationship with the daughter France, with whom he falls in love.
','Chance
','',1),('Soussignetriangle','Mallet','Sous le signe du triangle','Prose',1949,'MM\'s distressing experience of concentration camps across Germany, including Saarbrücken, Ravensbrück and Oranienburg. First MM\'s husband was arrested, escaped, helped other prisoners then was arrested again. MM was then arrested, and had to leave her young children and wear the \'triangle rouge\' for \'déportés politiques\'. After atrocious sufferings she escaped back to France and later her husband was freed, only to die of tuberculosis. MM feels she is still a \'prisoner\' because she no longer has any will-power.
','','',1),('Collineoubliee','Mammeri1917','La Colline oubliée','Prose',1952,'The novel portrays the effects of the Second World War on the life of a Berber village in the Algerian mountains. Though the fighting is far away, the working and social life of the village is severely affected by the enlistment of its young men into the French Army and the dramatic price rises caused by the conflict. Indeed the question of distance characterises the entire relationship with the colonial power, which never actually appears in the novel. The stirrings of independence can be seen in the discourse of the village sheikh, who blames the problems that befall the villagers on the willingness of young Muslim men to participate in an European war.
The novel is the first part of a trilogy that continues with Le Sommeil des justes and L\'Opium et le Baton.
','','Adam, Jeanne, \'Le Thème du désarroi dans La Colline oubliée et chez Si Mohand\', Revue Celfran, 1984 February, 3 (2), 3-7
Mortimer, Mildred, \'Le Monde traditionnel: La Colline oubliée\', Revue Celfran, 1984 February, 3 (2), 23-25
',3),('Sommeiljuste','Mammeri1917','Le sommeil du juste','Prose',1955,'','','',2),('Fatale','Manchette1942','Fatale','Prose',1977,'Aimée, a professional conwoman and killer, arrives in a sleepy seaside town for her next assignment. The town is struck down by food poisioning, which has originated in the newly opened fishmarket. As the investigation progresses old rivalries dating from the war come to the surface; the journalist that handed over parachutist to the Germans and the industrialist that helped the occupiers build the Atlantic war. The Baron threatens to reveal these hidden secrets to the press and so Aimée proposes her services to those blackmailed. Although she does kill the Baron, the rest does not go according to plan. She murders her clients, but the reader is unsure whether she herself dies at the end of the novel.
','','',2),('Queos','Manchette1942','Que d\'os','Prose',1976,'First novel of the Inspector Tarpon series, the second was Morgue pleine (1984). Tarpon was a former policeman turned private detective.
Philippine, a young blind woman goes missing and her mother engages a private detective to find her. The detective survives numerous assassination attempts undertaken by accomplices of the girl\'s father a Breton nationalist who had joined the Milice and later the Bonny-Laffont gang. Inspector Tarpon is aided in his investigation by a former journalist Haymann, who lost much of his family in the concentration camps and by two former Spanish Republicans.
','','',3),('Corpsnoir','Manotti1942','Le Corps noir','Prose',2004,'The text juxtaposes the story\'s action with news reports detailing the Allies\' advance following the D-Day landings and the text is divides into dated sections. This intrigue provides a damning portrait of collaboration between French businessmen, French police and the German occupiers. This is a period that is rarely examined from the viewpoint of the occupiers, and therefore the soon to be defeated power, especially in the French capital.
','Ferniot, Christine, \'Le Sang des torturés, Lire, May 2004
','',2),('Nosfantastiques','Manotti1942','Nos fantastiques années fric','Prose',2001,'The Elysée is torn apart by quarrels between the President\'s own police protection forces and the Renseignments Généraux, over the death of a high class call girl and illegal arms trading during the Iran/Iraq war. It does not take long before the subject of the President\'s numerous roles during the Occupation rears its head again. An unusual polar as the detective is both female and from an ethnic minority.
This is the third work in a trilogy that denounces Mitterrand\'s first term as president. The other works are A nos chevaux and Kop.
','Prix Mystère de la Critique 2002; Prix du roman noir du Festival de Cognac 2002
','',2),('pasperdutemps','Marcenac1913','Je n\'ai pas perdu mon temps','Prose',1982,'Les mémoires du poète et résistant Jean Marcenac, qui fut un compagnon de Pablo Neruda, Éluard, Aragon... [from Le Temps des cerises catalogue, accessed on-line August 2010]
','','',1),('Aupayslimousi','MarieFrance','Au pays limousin: Journal de Marie-France','Prose',1946,'Memories of a young Parisian girl staying in the Limousin with her grandmother from 1940 to 1944, with pleasant sketches of provincial life and a study of the customs of the local people.
','','',1),('Cellule209','Marquet1895','Cellule 209','Prose',1949,'A self-justifying account of the author\'s detention in the autumn of 1944. (Some historians allege that she actually denounced her son for his Resistance activities and was involved in sexual collaboration.)
','','',1),('AffairePeiper','Martin1950','L\'Affaire Peiper','Prose',1994,'Beginning with the protagonist\'s supposed death in a fire in 1972, the author retraces the life of the former German SS officer Peiper and the reactions of the French press and authorities to the fact that he was living openly in France post-war. But as the investigations progress it becomes apparent that the body is not that of Peiper. The book is part novel but the investigation based on real life events.
','Historical investigation
','',1),('Jusqumortensuive','Martin1950','Jusqu\'à ce que mort s\'ensuive','Prose',2008,'','Review by Didier Daeninckx on Amnistia.net (www.amnistia.net/biblio/litter/mortsensuive_0810.htm)
','',1),('Hommebete','MartinChauffier1894','L\'Homme et la bête','Prose',1947,'An unemotional yet telling description of LMC\'s experiences in prison camps. At first imprisoned in France, then deported to Germany, he was in the camps at Montluc, Compiègne, Neuengamme, and Bergen-Belsen, but managed to survive, despite illness and appalling suffering.
','','',1),('Guerregusses','Mattei1933','La Guerre des gusses','Prose',1982,'','','Dine, Phillip, \'The Inescapable Allusion: the Occupation and the Resistance in French Fiction and Film of the Algerian War\' in The Liberation of France: Image and Event, edited by H. R. Kedward (Oxford, Berg, 1995)
',2),('Deboutcesiecle','Mauberret1906','Debout dans ce siècle anthracite','Prose',1998,'Un homme a vécu la Guerre, la Libération, la mine à la Mure, la présidence
ouvrière du Conseil d\'administration des Houillères… (Le Temps des cerises catalogue, accessed on-line August 2010)
','reprinted Nîmes, Aum éd, 1999; Debout dans ce siècle anthracite: 1909-2000, 2007, édition refondue et réactualisée: DVD, Aum éd, (BNF entry).
','',1),('Ombrepere','Maxence1946','L\'Ombre d\'un père','Prose',1978,'This book is a memoir of the writer Jean-Pierre Maxence (1906-56) by his son. The essential argument is that Maxence had \'un rôle courageux et paradoxal pendant l\'Occupation allemande\', as a \'Vichyssois-résistant\'. After being released from a POW camp in February 1941, working for the Vichy régime from 1941-44 in the Commissariat aux prisonniers and writing in the Vichy nationalist press, Maxence was sentenced to twenty years\' hard labour in 1947, by which time he had already fled to Switzerland. But his son claims that, despite his articles in anti-Semitic journals, his father had assisted large numbers of Jewish children and réfractaires to escape persecution.
','','',1),('Dissidences','Maximin1947','Dissidences','Prose',2004,'Valéry decides to join the Resistance less as an act of patriotism than in order to escape from his father and to launch his career as a musician. The story paints the picture of an island under strict military surveillance, where Amiral Robert\'s sailors didacted their own rules and repressed violently any form of resistance.
','','',1),('Isolesoleil','Maximin1947','L\'Isolé soleil','Prose',1981,'','','',1),('Ditesle','Maximoff1917','Dites-le avec des pleurs','Prose',1990,'Disgusted with the lack of attention devoted to the internment and massacre of the Romanies during the Liberation, Maximoff decided to write this book to bring the history of his community to the attention of non-Romanies. He also felt that the ignorance of non-Romany authors caused them to exaggerate. The author includes numerous témoignages to make his récit more compelling.
','','Parent, Sabrina, \'L\'exception « tsigane »dans la France de Vichy : littérature et devoir de mémoire\', Contemporary French and Francophone Studies, 12:3 (2008),331 — 339
',1),('Ursitory','Maximoff1917','Les Ursitory','Prose',1946,'« Les Ursitory », paru en 1946, plusieurs années après avoir été écrit, pour cause de guerre et de pénurie de papier, est le premier roman de Matéo Maximoff. C\'est l\'histoire aventureuse et passionnée d\'Arniko, un jeune Rom orphelin de père et dont les Ursitory - les anges du destin - ont déterminé l\'avenir à la naissance. Avenir très compromis puisqu\'il ne doit vivre que jusqu\'à ce que la bûche qui brûle sous la tente ou sa mère Téreina vient de le mettre au monde soit entièrement consumée. Mais c\'est sans compter sur la finesse et la ruse de Dunicha, la vieille sorcière, qui trouve le moyen de contrecarrer la malédiction prononcée à l\'encontre de son petit-fils. Mais pour combien de temps ? La vie aventureuse, l\'amour et la jalousie d\'une femme trahie ne vont-ils pas amener Arniko à une perte inéluctable ? Ce roman, écrit avec la naïveté et la maladresse de la jeunesse, révèle au public un véritable talent de conteur qui ne fera que se confirmer et s\'affiner tout au long de la carrière d\'écrivain de Matéo Maximoff. (from author\'s Facebook site).
Ecrit en 1938
','','',1),('laseptieme','Maximoff1917','La Septième Fille','Prose',1969,'From author\'s Facebook site: 3ème roman du premier écrivain authentiquement tzigane, première parution en 1969. L\'action se déroule dans un camp d\'internement français au cours de la seconde guerre mondiale. Une vieille sorcière sur le point de mourir doit absolument transmettre ses pouvoirs à une enfant de 4 ans qui est la septième fille d\'une septième fille.
','','',1),('Ladenonciation','Mazeau1949','La dénonciation','Prose',2009,'Following the French defeat in 1940 Julia\'s husband and brother return from the army to the family farm. The two men were long time enemies and the war only served to exacerbate the problem. The husband, Léon, buys the local cafe which becomes the meeting place for collaborators, while the brother Pierre, works hard on the farm. The rivalry between the two men and their vastly different political views, tear the family apart.
','','',1),('Nstsassassins','Meckert','Nous sommes tous des assassins','Prose',1952,'Un homme habitué à tuer pendant la guerre a continué à la Libération. Arrêté, il risque la peine de mort.
','','',2),('Carrefoursolitudes','Megret','Le Carrefour des solitudes','Prose',1957,'','Won the 1957 Prix Femina
(Nouvelles Littéraires, 26/9/57)
','',1),('Statuesel','Memmi1920','La Statue de sel','Prose',1953,'Autobiographical novel written in the first person, which details the life of Alexandre Benillouche from his early childhood in the Jewish quarter of Tunis, his education in the French colonial school system, until he leaves for France to continues his studies. One of the most striking sections of the novel is the effect of Vichy\'s rule on the Jewish population of the Tunisian colony.
','','Sean Hand, \'Don\'t look back\': Albert Memmi\'s La Statue de sel\' in L. Ibnlfassi and N. Hitchcott (eds), African Francophone Writing (Oxford: Berg, 1996)
',3),('Mortmetier','Merle1908','La Mort est mon métier','Prose',1952,'The novel is a first person narrative relating the life of a Bavarian, Rudolf Lang, from 1913 to 1945. His life is marked by his brutality and violence, from his involvement in massacres in Turkey in 1916, to anti-Communist witch hunts as a member of Nazi party in the 1930s. However it is on his appointment as the commander of Auschwitz in 1940, that the most detailed narrative is based. There are chillingly graphic descriptions, devoid of emotion, of how Lang organised the systematic mass slaughter of the camp\'s inmates. The character of Rudolf Lang is directly inspired by the life of the commander of the camp of Auschwitz, Rudolf Höss.
','','',4),('WendZudycoote','Merle1908','Week-end à Zuydcoote','Prose',1949,'The novel follows the soldier Maillet over the course of a weekend as he attempts to join the British evacuation from Dunkerque. Detailed portraits are also given of his three compagnons, who have set up camp near the beach and who provide a tight knit support group for each other. German bombers circle constantly overhead and the men sit it out, waiting to be taken prisoner by the advancing German Army.
The novel won the Prix Goncourt in 1949.
','','Atack, Margaret, \'Weekend à Zuydcoote and La Mort dans l\'âme: History, Politics and Sexuality\', in France 1940: Literary and Historical Reactions to Defeat, ed. by Anthony Pugh (Durham: University of Durham, 1991)
',4),('Treize','Merle1936','Treize reste raide','Prose',1997,'The journalist Laurent Laugier discovers sinister links between the murder of old people in contemporary Marseille and gangsters in the 1930s and 1940s. For aficionados only.
','','http://www.ecriture-partagee.com/Fili/00_Cursives/49cur_merle.htm
(Interview)
',1),('Ventsdeterre','Merrien1905','Vents de terre, vents de mer','Prose',1956,'The novel centres on the Quintin family : father René, mother Gisèle, sons Gildas (who is in a wheelchair as a result of childhood polio), Ghislain and Luc, and daughter Marie. René, with the experience and memories of the First World War, expresses the view that men should be treated as men first and foremost, and generally stays detached from the multiple commitments around him. He expresses solidarity with the choices of each of his children. Marie\'s husband has been killed early in the war in fighting in Norway. She is involved in local Resistance. Gildas supports the Breton national movement, for autonomy rather than independence, even though the Germans are helping the movement. Ghislain is a gifted entrepreneur, dealing in the marché noir, and cynical about political commitments. Luc supports Vichy, especially in its fight against communism, would logically join the LVF if not for repugnance at wearing a German uniform. The seven quotations at the head of the novel and the titles of parts 1 and 3 (see notes) underline the theme of the complexity and ambiguity of patriotic allegiance, with as many \'patries\' as there are characters. The dedication (see notes) and the closing sentiments of the novel accentuate the need for reconciliation across the many choices made during the Occupation. In the course of the novel, Gildas abandons active involvement in the breton movement, and falls seriously ill with pernicious anaemia. Luc falls in love with Thérèse, marries her and settles in Rennes where they run the bookshop inherited from her aunt which Ghislain\'s money has allowed them to relaunch. Marie\'s cover is burnt and she abandons resistance work to look after Gildas. Ghislain is drawn progressively into Resistance. Their home is requistionned by the Germans, and Gildas makes a friend of one of the soldiers (not a Nazi supporter). Luc writes a report on Brittany for Vichy. In the chaos of the liberation fighting, Marie is arrested, René drawn into helping Resistance. Several members of the family are threatened or arrested on various accusations of collaboration; various parts of the resistance turn on each other as a member of communist network denounces the local network to save his own (because his \'patrie\' is the USSR).
','Nouvelles littéraires, 12/04/1956
','',1),('Ceuxquinedormaientpas','MesnilAmar','Ceux qui ne dormaient pas','Prose',1957,'The work is composed of Journal des temps tragiques and some of the articles the author wrote post war (1945-1946) for the publication of the Service Central des Déportés Israélites. The title is taken from one of these articles that sought to blame a wide range of groups (French, Germans, assimilated Jews) who stood by during the war, refusing to take a stand against Nazi atrocities. Her diary recounts her period after her husband\'s arrest in July 1944 up to and including the Liberation of Paris.
','Le Monde des Livres, 16/01/2009
','',2),('Jenetaispasprisonnier','Metzger','Je n\'étais pas prisonnier','Prose',1950,'The title describes AM\'s strange travels between 1940 and 1942. As a \'médecin de réserve\' he was sent with other doctors to treat prisoners in Germany, but the Germans refused to accept the voluntary nature of his work and he found it hard to get out again. AM\'s lively observations and judgements about the Germans and their prisoners are penetrating and sometimes humorous.
','Medical care
','',1),('Rueliberte','michelet1899','Rue de la liberté','Prose',1955,'Rue de la Liberté est un livre d\'Edmond Michelet, racontant sa déportation à Dachau. Le livre commence sur son arrestation par la Gestapo \"à l\'heure du laitier\", et enchaîne sur toute son histoire, sa détention à Fresnes, son arrivée à Dachau et sa vie au camp, les rapports entre les Français et les détenus d\'autres nationalités, les épidémies de typhus, la messe à laquelle il assistait en secret, etc... jusqu\'à la libération du camp par les alliés en 45. Rue de la liberté est un chef d\'œuvre de témoignage chrétien. (Wikipédia.org)
From the back cover: Le livre tiré par Edmond Michelet de ses notes de Dachau constitue un des documents les plus vivants et les plus honnêtes sur l\'aventure concentrationnaire. Avec une objectivité remarquable, Michelet décrit ce que fut la vie d\'un résistant français qui a dû et pu tenir près de vingt mois dans un block de Dachau ; il analyse les conflits qui surgissaient entre classes de détenus - politiques et « droit-commun » - allemands, latins et slaves ; il démonte la curieuse machine politique qui avait fini par s\'organiser, l\'équilibre des pouvoirs dans une cité d\'esclaves hantés par la mort et qui, pourtant, ne cessaient de regarder vers la vie. Une galerie de beaux portraits psychologiques alterne avec des scènes dramatiques et de larges fresques, comme l\'épidémie de typhus de l\'hiver 44-45 et la pagaille ubuesque d\'une libération de fantômes. Le témoignage du chrétien, qui dit qu\'il a tiré force de sa foi, est porté sans ostentation et noblesse. Il n\'était pas possible de faire ressortir plus honnêtement l\'ambiguïté d\'une aventure où l\'homme a révélé les pires côtés de sa nature, mais aussi ses virtualités héroïques et son irrépressible spiritualité. Pierre-Henri Simon.
','','',2),('Laminoirrecitdeporte','Miller1917','Le Laminoir: Récit d\'un déporté','Prose',1947,'The title of this book describes the monstrous methods used by the Germans to break those condemned to death in the extermination camps - hunger, cold, physical and mental torture and exhausting work. Many books have written of the horror, but this is the first to describe the conditions in which the political deportees organised themselves to resist the Nazis. SM gives a vivid and moving account of his experiences in Buchenwald and Kommando camps and the secret resistance in which he participated.
','Political prisonners
','',1),('Jollec','Mirror1958','Le Jollec','Prose',1994,'L\'Abbé Jollec was the local priest who worked hard for the internees of the camp. preface by Serge Klarsfeld, \'présentation historique\' by Jacques Sigot. More information about Montreuil-Bellay in the war, including this publication, can be found at http://jacques-sigot.blogspot.com/2009/07/montreuil-bellay-en-livres.html
','','',1),('Tsiganes','Mirror1958','Tsiganes','Prose',2008,'This graphic novel depicts the internement of more than 3000 Romanies by the Vichy government. It also pays homage to the abbé Jollec, who defended the Romany community.
Before authoring this graphic novel, Kkrist interview several of the Romanies that were interned in this camp. The graphic novel is prefaced by Serge Klarsfeld.
Présentation de l\'éditeur:
Le décret de loi du 6 avril 1940, signé par le président de la république Albert Lebrun \" astreint à résidence, sous surveillance policière, tout nomade... \". Après la capitulation française, le gouvernement de Vichy va l\'appliquer. Près de Saumur, un camp de concentration administré par la gendarmerie française a interné plus de 3 000 gitans dans des conditions inimaginables. Pour réaliser ce témoignage en bd sur ces \" Tsiganes oubliés \", le dessinateur Kkrist Mirror a rencontré de nombreux témoins ainsi que des gens du voyage. Son récit rend également hommage à l\'abbé Jollec, cet homme qui a sacrifié sa vie pour la communauté tsigane. En bande dessinée, un document exceptionnel et indispensable sur la France et ses nomades pendant la Seconde Guerre mondiale.
','','',1),('Carcasse','Mit','Carcasse à vendre','Prose',1950,'A fictionalised autobiography. Serge Mit joins the LVF in May 1943, transfers to the Waffen SS, and recounts his adventures in the USSR. In spring 1945, he manages to switch to being an interpreter in the US army, claiming to be an STO worker.... Comparable to Saint-Loup.
','','',2),('bellestunis','Moati1938','Les Belles de Tunis','Prose',1983,'Story of three generations of women in a Tunisian Jewish family, including details of difficulties faced by Tunisia\'s Jewish population during German occupation of the protectorate.
','','',1),('MitterrandVichy','Moati1946','Mitterrand à Vichy','Film',2008,'Screened on France 2 on the 22th of April 2008 at 8.50pm. The docu-fiction was followed by a documentary Mitterrand à Vichy, le choc d\'une révélation (Hughes Nancy, 2008).
Adapted from the book by Pierre Péan, Une jeunesse française.
','Television docu-fiction
','2000 ans d\'histoire, France Inter, 14/04/2008
',1),('VillaJasmin','Moati1946','Villa Jasmin','Prose',2003,'The novel retraces the lives of the author\'s parents, part of the Jewish (naturalised French) population of Tunis, up to and during the period of the Second World War. The officials of Vichy in the colony are shown to play on the old divisions between the Muslim and Jewish communities in increase their powerbase. The important role of the colonies as a means of retaining power and prestige in Vichy propaganda is also evident, as are the internal struggles and suspicions within the Vichy regime. It is after the Allied landings in Algeria in November 1942, that the Germans arrive in Tunisia and requisition the family home, which becomes the official residence of the German ambassador. Therefore as the title suggest, the house itself becomes a leading protagonist and through it the narrator, though not yet born, situates himself with the story. The Nazi authorities pass draconian anti-Jewish measures (forced labor, internment camps), which neither Vichy nor the Bey oppose and which the Jewish community itself organises. The author\'s father is arrested for resistance activities and deported to a concentration camp in Germany, where he lives with a crushing sense of guilt that he has survived because the SS have never discovered that he is Jewish, a guilt that the novel shows that the author himself has inherited (and which is explored in the imaginary conversations between father and son, as the father died too young to ever hold such discussions for real).
','','',3),('boulevardsceinture','Modiano1945','Les Boulevards de ceinture','Prose',1972,'The narrator attempts to track down his father, who had abandoned him previously several times in his life. The father has become involved in black marketeering and moves in the same circles as a former legionnaire and the editor of a collaborationist newspaper. It is by writing for this publication that the narrator gains an introduction to the circle and attempts to protect his father, who is obviously despised by the others. The novel portrays the collaborationist circles as riddled by vice and corrupt morals.
','','Nettelbeck, Colin et Penelope A. Hueston, Patrick Modiano pièces d\'identité. Ecrire l\'entretemps (Paris: Editions Lettres modernes, 1986)
',3),('DoraB','Modiano1945','Dora Bruder','Prose',1997,'The starting point for the narrative was a missing person announcement that Modiano read in 1988, in the edition of Paris-Soir, published on the 31st of December 1941. The author retraces his quest for more details about the girl and her family, constantly linking his life with hers, through the locations that they both visited or inhabited. He notes the irony that so many details are only to be found in the records of the round up of Jews in 1942, for so long forgotten or hidden at the Ministère des Anciens Combattants. Various aspects of her existence, such as her life in the religious boarding school, are imagined and recreated through interviews. Modiano also places them in the wider context of daily life for Paris\' Jewish community during that period, including details of his own family\'s life. There is an attempt to inscribe the history of Parisian Jewish population during the war onto the city\'s landscape, with detailed descriptions of street names and of how the city\'s topography had altered in the intervening fifty to fifty-five years.
Voyages de Noces (see separate entry) is a work of fiction inspired by the story Dora Bruder, but written before Modiano had amassed such a wealth of information.
','Fin 1988, Patrick Modiano lit dans le Paris-Soir du 31 décembre 1941 l\'avis de recherche d\'une jeune fille, Dora Bruder, «1,55 m, visage ovale, yeux gris-marron, manteau sport gris...». Ces lignes hantent l\'auteur de La place de l\'Etoile qui engage alors une enquête minutieuse, obsessionnelle. Il met quatre ans avant de découvrir sa date de naissance (25 février 1926), puis deux ans pour retrouver son lieu de naissance. Inlassablement, il arpente le quartier de Clignancourt, où les parents de Dora, des réfugiés juifs d\'Europe de l\'Est, se sont installés. Des heures durant, il s\'interroge sur la fugue de Dora, pensionnaire dans un établissement religieux de la rue Picpus. Le nez dans les archives, à l\'écoute des témoins éventuels, il reconstitue au gré des rafles allemandes le parcours de la jeune juive. Petit à petit, elle entre dans sa famille, telle une petite sœur, et les époques se chevauchent, les sentiments se mêlent: Dora n\'aurait-elle pas été dans le même panier à salade que son père, en février 1942? A-t-elle vécu comme le jeune Modiano en fugue «un jour de froid et grisaille qui vous rend encore plus vive la solitude et vous fait sentir encore plus fort qu\'un étau se resserre»? Des zones d\'ombre demeurent, Patrick Modiano, dépositaire de la mémoire de l\'Occupation, «lance des appels, comme des signaux de phare». Une chose est sûre, Dora Bruder faisait partie du convoi du 18 septembre 1942 pour Auschwitz, comme son père, comme mille autres. (Payot, Marianne, \'Dora Bruder\', Lire, Mai 1997)
','Avni, Ora, D\'un passé l\'autre : Aux portes de l\'histoire avec Patrick Modiano (Paris: L\'Harmattan, 1997)
Cima, Denise, Etude sur Patrick Modiano: Dora Bruder: jeux de miroirs biographiques (Paris : Ellipses, 2002)
Cooke, Dervilla, Present Pasts: Patrick Modiano\'s (Auto)Biographical Fictions (Amsterdam: Rodopi, 2005)
Czarny, Nobert, \'Contre l\'oubli\', La Quinzaine Littéraire, 16 April 1997
Dubosclard, Joël, Patrick Modiano, Dora Bruder (Paris: Hatier, 2006)
Kawakami, Akane, A Self-conscious art: Patrick Modiano\'s Postmodern Fictions (Liverpool: Liverpool University Press, 2000)
Lepape, Pierre, \'La disparition\', Le Monde des Livres, 4 April 1997
Morris, Alan, Patrick Modiano (Amsterdam: Rodopi, 2000)
Roux, Baptiste, Figures de l\'occupation dans l\'oeuvre de Patrick Modiano (Paris : L\'Harmattan, 1999)
B Damamme-Gilbert, \'Au-delà de l\'auto-fiction: écriture et lecture de \"Dora Bruder\" de Patrick Modiano\', French Forum, vol 29, January 2004, pp. 83-99.
',9),('Fleursruine','Modiano1945','Fleurs de ruine','Prose',1991,'','','',1),('Livretfamille','Modiano1945','Livret de famille','Prose',1977,'Registering his first daughter\'s birth causes Modiano to reflect upon questions of identity; his own and most especially that of his father\'s, both resulting from the father\'s clandestine life during the Occupation. Modiano also tells stories from various moments of his life and about numerous other characters; that of his mother (on the day of the invasion of Belgium), of the death of a stranger in a cafe in Paris, which all seek to fill in the blanks found in the protagonist\'s life story.
','','Perramond, Daniel B., \'Livret de famille de Patrick Modiano: grandeur et misère de la mémoire\', The French Review, 66(1), October 1992, 69-76
',2),('PlaceEtoile','Modiano1945','La Place de l\'Etoile','Prose',1968,'This is the first of a highly polemical trilogy about the Occupation with La Ronde de nuitand Les Boulevard de ceinture. The main character is the young Jewish narrator Raphaël Schlemilovitch upon whom is bestowed the character traits of the imaginary Jew in anti-semitic propaganda, traits that he feels that he has to live up to and even surpass. Indeed the novel has been read as a parody of Céline\'s anti-Semitic pamphlets (Dhénain). At the same time the narrator tries desperately to be accepted into French society, through his friendships, education or relationships. The novel ends with a trip to a highly militarised and disciplined Israel where he is shunned to the same extent as in Europe. Post-war France is presented as still conserving wartime mentalities and prejudices, namely a great distrust of a supposedly all powerful Jew and of the Republic.
The novel won the Prix Roger Nimier and the Prix Fénéon in 1968.
','','Avni, Ora, \'Narrative Subject, Historic Subject: Shoah and La Place de l\'Etoile\', Poetics Today, 1991 Fall, 12 (3), 495-516
Avni, Ora, D\'un passé l\'autre : Aux portes de l\'histoire avec Patrick Modiano (Paris: L\'Harmattan, 1997)
Berl, Emmanuel, \'Un jeune homme doué. Patrick Modiano: La Place de l\'Etoile\', La Quinzaine Littéraire, 53 1er au 15 juillet 1968, 13
Bersani, Jacques, \'Patrick Modiano: La Place de l\'Etoile\', Nouvelle Revue Française, 1968, 189, 334-335
Cooke, Dervilla, Present Pasts: Patrick Modiano\'s (Auto)Biographical Fictions (Amsterdam: Rodopi, 2005)
Czarny, Nobert, \'Contre l\'oubli\', La Quinzaine Littéraire, 16 Avril 1997
Dhénain, Françoise, \'Identité et écriture dans l\'œuvre de Patrick Modiano\' in Patrick Modiano, ed. by Jules Bedner (Amsterdam: Rodopi, 1993)
Kauffmann, Judith, \'Patrick Modiano, un \'Juif imaginaire?\' Une relecture de La Place de l\'Etoile\', The Hebrew University Studies in Literature and the Arts, 1984, XII (3), 130-145
Kawakami, Akane, A Self-conscious art: Patrick Modiano\'s Postmodern Fictions (Liverpool: Liverpool University Press, 2000)
Lepape, Pierre, \'La disparition\', Le Monde des Livres, 4 April 1997
Morris, Alan, Patrick Modiano (Amsterdam: Rodopi, 2000)
O\'Keffe Charles, A Riffaterrean reading of Patrick Modiano\'s La Place de l\'Etoile: Investigating the Family Crime (Summa Publications, 2005)
Roux, Baptiste, Figures de l\'occupation dans l\'oeuvre de Patrick Modiano (Paris : L\'Harmattan, 1999)
',4),('Remisepeine','Modiano1945','Remise de peine','Prose',1998,'A highly autobiographical novel, where the protoganist even shares the same first name as the author. Unlike Modiano\'s other novels this time it is the brother and not the father that looms large. The protagonist and his brother are being cared for by three women, in a house that appears to be the location of illegal activity.
','','Adam, Jean-Michel, Mémoire et fiction dans Remise de peine de Modiano, RITM, n.6, \"Autofictions & Cie\", Université de Paris X-Nanterre, p.43-58
',1),('rondenuit','Modiano1945','La Ronde de nuit','Prose',1969,'','','Cima, Denise, Etude sur La Ronde de nuit (Paris: Editions Ellipses, 2000)
Douncey, Bruno, La Ronde de nuit(Paris: Editions Hatier, 2001)
',3),('Voyagenoces','Modiano1945','Voyage de noces','Prose',1990,'The narrator Jean, motivated by the suicide of a former aquaintance, Ingrid, decides to investigate her life and that of her husband during the war years, when they had to hide to protect her from arrest, given that she was Jewish. Jean undertakes this project at a time in his life when he himself is looking for answers, having become disenchanted with his life as an explorer and documentary maker. He retraces their lives in Paris at the same time as remembering his own youth in the city. This novel was inspired by a missing person advert dating from the Occupation that Modiano discovered in 1988. This same information was later to inspire the récit/ historical investigation, Dora Bruder.
','','',3),('CampagneItalie','Mohrt1914','La Campagne d\'Italie','Prose',1965,'A semi-autobiographical novel about the experiences of a young army officer, Lt Talbot, stationed on the French-Italian border during the 1940 debacle. As hostilities end, the Italians belatedly launch an unsuccessful attack against his sector. Although the tone is charmingly light-hearted and farcical incidents abound, the incompetence and humiliation of the French army are made plain.
','','',2),('Guerrecivile','Mohrt1914','La Guerre civile','Prose',1986,'A novel written in the first person by Alain, who chronicles the lives of a group of friends during the turbulent decade between 1934 and 1944. While the narrator is involved in Resistance, Olivier works for Vichy and publishes a novel called La Guerre civile in 1942. Olivier\'s father is shot by the Resistance, and Olivier himself is drowned in November 1944; their demise symbolises the defeat of their far-right ideals.
','','Marie Ferranti, Le Paradoxe de l\'ordre, essai sur l\'œuvre romanesque de Michel Mohrt, Gallimard, 2002.
',2),('Rapaces','Moi1955','Rapaces','Prose',2005,'The narrator was a student at Beaux-Arts in Hanoi at the beginning the war when he fell in love with his model. He later returned to the family business, bronze casting, and bowed to family traditions by marrying a women chosen by his mother. However he never forgets his first love who subsequently dies in the great famine of 1944-1945, caused by requisitioning of rice by French and Japanese forces.
Each chapter of the novel begins with an extract from the autobiography of Admiral Decoux (Decoux1884) or from some of his wartime speeches, as to emphasise the gulf that separates his version of wartime events from those experienced by the Vietnamese population.
','','',1),('morthomme','Molaine1906','Mort d\'homme','Prose',1946,'A first person narration, the story of Christian in which he meditates on himself, his fears, motivations, being a man, and his relations to others, his sense of contempt for all. At 16 he is expelled from a seminary, at 19 he is discharged from the army. His parents died young: his father on the battlefield in the first World War, his mother giving birth to him. He is brought up by his grandmother who dies 3 months after he leaves to fight. On patrol, his dominant emotion is fear, and humiliation at the thought he might be a coward. After convalescence from pneumonia, he returns in June 1940 to the chaos of the fighting and the disintegration of the army in defeat. He is surrounded by death, of soldiers and civilians, though escapes harm himself. He is taken in by Guillaume, an enigmatic character, who looks after him, takes him to a town where in a brothel, Guillaume attacks a prostitute Lola and then hands her over in this battered state to Christian. Guillaume is working with Germans, possibly procuring women for them. He appears to have fought in the first World War, possibly having been held prisoner for some time. He arranges for Christian to cross the demarcation line, in the course of which Christian kills two German soldiers, and is then taken in by a blacksmith whose 15 year old daughter is ill and dying . The Germans announce they are holding 20 hostages who will be shot in reprisal for the two soldiers if the person responsible is not found. The novel ends with Christian facing execution. There are various short snapshots of social attitudes to the war in the course of the novels - \'paysans\' watching the defeat as though it didn\'t concern them; a sense of desolation at the defeat in the town.
','','The synopses of Mort d\'homme and De blanc vêtu... are transposed on the site: http://jeangabrielfaure.free.fr/les_romans_067.htm (31/08/2011)
',1),('violences','Molaine1906','Violences','Prose',1944,'This is a first person narration as Ter Korsakoff, who grew up in Russia and has made a career in the military, in the White Army in Russia and in the Foreign Legion, tells his story. He is now in France, working as a porter, and, he says, approaching death. He celebrates his life as a combatant and \'warrior\', and the importance to him of warfare and of the heroic figures he fought with. He recalls various episodes of the past, including being rescued at death\'s door in Vladivostock, and watching a German doctor shoot and throw off the train any one he deemed unlikely to survive. The major part of the novel is devoted to his seeking out his friend and fellow warrior Soltan Attrache, living in a village with Pietr Petrovitch, wife and family. It becomes clear he is sleeping with his 16-year-old step-daughter. Having witnessed the grand spectacle of the exodus and the debacle, the deaths of refugees by bombing, the lack of appetite for a fight in some French soldiers (who they then dispose of in a quarry) as well as the courage of others (who feel betrayed by the armistice), the three men and the step-daughter join a group of black colonial troops (with their stereotypical laughter) to resist the Germans, carrying on alone when the others have been killed. One is killed, but the epic exploits of the others eliminating large numbers of German soldiers are never picked up and Ter returns home. The novel ends with the newspaper article he notices wrapping the meat he\'s just bought, relating the family murders carried out by Soltan, followed by his suicide.
','Les Nouvelles Littéraires, 03/05/1945
','',1),('Deblancvêtu','Molaine1906','De Blanc Vêtu','Prose',1945,'The novel\'s narrator recounts in the first person his experiences on the battlefield and subsequent events arising from his deep comradeship with four other soldiers, and in particular with Monclar. The early chapters describe harrowing battle scenes in which two of the group are killed. The narrator himself suffers a near-death experience following grave injuries to his face which leave him permanently disfigured. On recovering, he has returned to his mountain home, where he works as a tourist guide. Some time later, Monclar unexpectedly visits him. They renew their friendship, and Monclar stays on in the narrator\'s home for many months. Both are deeply traumatised by their battle experiences and deaths of their comrades, though each has very different perspectives on how to reconcile themselves to the past. The novel explores the silent and supportive bonds that this creates between them, the different solutions which each needs to cope in the longer-term, and the inevitability of their ultimate separation. The memory of his comrades\' sufferings and of the dead dominates the narrator\'s outlook. He cannot put these behind him, and therefore finds conducive his established home, the security of the small mountain community, and the isolation of the area. Monclar must resolve commitments to his fiancée, deciding finally not to marry because of his war injuries. He has a deep Christian faith, and leaves the mountain community to join a silent holy order. On his arrival there, accompanied by the narrator, they find another of their war comrades, Fra Domenico. The theme of white and whiteness in the title runs throughout the work. It is associated first with the pallor of the dead in battle and subsequently with people and landscapes, culminating in the white robes of the monks receiving Monclar into their community.
','','The synopses of Mort d\'homme and De blanc vêtu... are transposed on the site: http://jeangabrielfaure.free.fr/les_romans_067.htm (31/08/2011)
',1),('lesang','Molaine1906','Le Sang','Prose',1967,'Synopsis can be found at http://jeangabrielfaure.free.fr/les_romans_067.htm and at http://www.e-litterature.net/publier2/spip/spip.php?page=article5&id_article=776. A novel in 3 parts covering the \'drôle de guerre\', the occupation and the resistance.
','','',1),('bataillesmourir','Molaine1906','Batailles pour mourir','Prose',1945,'A synopsis is available at: http://jeangabrielfaure.free.fr/les_romans_067.htm (31/08/2011). A novel presenting daily life of a tank crew
','','',1),('oujevais','Molaine1906','Où je vais nul ne meurt','Prose',1975,'Synopsis available at: http://jeangabrielfaure.free.fr/les_romans_067.htm (31/08/2011). A novel about the \'bagaudae\', revolting against Roman rule in Gaul, a reference to the Resistance.
','','',1),('Fantomebarrage','Mondoloni','Le Fantôme du barrage','Prose',1997,'The retreat of German army is told from the point of view of a young man (Charles-Maurice) of the FTP de la Glières. His double nom de guerre reflects his admiration for both Resistance leaders. At the liberation he is sent to kill a collaborator, but he lacks the courage to do so.
52 years later a slogan is painted on the hydro-electric dam at Tignes, \'Je te sortirai du béton et je te vengerai\'. This is followed by other slogans and a flag on which is marked Pétain\'s famous slogan \'Travail, Famille, Patrie\'. Charles-Maurice worked for EDF post-war, and his son, who works at the dam, asks him to investigate. He discovers that the former collaborator had finally been killed a few years after the war and his body dumped on the construction site of the new dam and buried in concrete. It turns out to be the collaborator\'s grand-daughter, who lives with a Front National sympathiser, who had painted the slogans and later attacked CM. In addition her boyfriend had tried to blow up the dam.
The investigation brings CM out of his dull retirement and brings him closer to his estranged son.
','','',1),('Assassinfrere','Morris1924','Assassin mon frère','Prose',1955,'Four former resistance fighters are working in a American repatriation camp in Le Havre. One is murdered and neither the American nor the French authorities seem very interested in investigating the crime. There are numerous possible motives for the crime - black marketeering, tensions between the Americans and the \'Frenchies\'. One of the other resistance fighters decides to take on the task of solving the crime himself. The badly bombed city of Le Havre, lying in ruins in 1944, is the backdrop for this story. It is partly autobiographical, the author having worked in a similiar camp.
','Won the 1955 Grand Prix de Littérature Policière.
','',2),('Soldatssansespoir','MorvanLebesque1911','Soldats sans espoir','Prose',1947,'The sight of defeated soldiers marching brings back memories of the men coming back after WW1 and a sense of defeat pervades the book; ML knows more dead men than living ones and realises that nothing has been learnt from either war. Chapter titles include \'Boulevard de la Défaite\', \'Champ de Mars\' and \'Cimetière\'. There may be fictional elements but the book is clearly drawn from life.
','','',1),('LesCarnets','Mouchotte1914','Les Carnets de René Mouchotte, 1940-1943','Prose',1949,'The carnets of one of the greatest heroes of WW2. A \'sergent-pilote de réserve\' in 1940, he stole a plane and escaped to Gibraltar to enrol in the RAF.
','','',1),('Premiercombat','Moulin1899','Premier combat: Journal posthume. (Chartres 14-18 juin 1940)','Prose',1947,'The best-known member of the French Resistance, JM, known as \'Rex\' and then as \'Max\', was the representative of General de Gaulle in France and the President of the Conseil national de la Résistance (CNR). At the start of the war JM was the Préfet of Chartres and his journal, published by his sister, is a description of the events which took place after the fall of France, when he was almost alone in trying to maintain order in a town deserted by its inhabitants and crowded with refugees from Paris. He was obliged to deal with every emergency from the restoration of the town\'s water supply to arranging the baking of bread and housing the refugees. After the Germans entered Chartres JM was arrested and ordered to sign a document blaming black soldiers in the French Army for the violent deaths of a number of French civilians. Despite being tortured, he refused to sign and slashed his throat in a vain attempt to kill himself before they came for him again. When the French doctor and nurse discovered how he had been treated, the Germans were obliged to release him, suggesting that he had misunderstood the situation. His account finishes with this release, though the final entry refers to the interview four months later in which Feld-Kommandant Ebmeier told him of his dismissal from his duties by the Vichy Government. A number of appendices reveal JM\'s bravery and patriotism. (When JM was again arrested by the Gestapo in 1943, he was well known to them as a hero of the Resistance and was cruelly tortured until he died of a heart attack, having revealed none of the secrets he held.)
','','',2),('RadeauMeduse','Moussinac1890','Le Radeau de la Méduse: Journal d\'un prisonnier politique 1940-1941','Prose',1945,'Most of LM\'s journal from before his arrest was destroyed and the first part of this book, \'10e division, cellule 16\', contains details of his reflections, readings and thoughts during imprisonment. Part 2, \'L\'exode des prisons de Paris\' and Part 3, \'Camp de Gurs, îlot B\', consist of the diary of LM\'s life in the prison camps, his trial and final release.
','','',1),('Petitefille','Muller1933','La Petite Fille du Vel\' d\'Hiv\'','Prose',1991,'This memoir is dedicated to the author\'s mother, who died after being deported. The author was detained at the age of nine, along with 4,000 other Jewish children, in the infamous round-ups of July 1942, and gives a harrowing account of conditions in the cycling stadium used as a staging post. Both she and her three brothers had French nationality and managed to find refuge in a Catholic orphanage; nuns also helped their father to escape and survive.
','','',1),('NegrePotemkine','NDjehoya1953','Le Nègre Potemkine','Prose',1988,'Two former tirailleurs are invited to take part in the ceremonies of the 14th of July 1985. What follows is a highly entertaining description of their rediscovery of France forty years after the Liberation, and the journey in the opposite direction of several Franco-African students attempting to learn more about these veterans\' stories. A wonderful use of African French dialect.
','','Drame, Kandioura, \'Bwanapolis or Africa-on-the-Seine\', Research in African Literatures, (26:1) [Spring 1995]
',1),('Suitefrancaise','Nemirovsky1903','Suite française','Prose',2004,'Némirovsky planned a lengthy saga chronicling the intertwined destinies of several individuals and their families during the defeat and occupation of France, but was able only to complete draft versions of the first two parts about the fall of France and life in a village occupied by the Germans. She saw the novel partly as an act of revenge for the ostracism and persecution she suffered as a stateless Jew: the debacle reveals the worst aspects of human behaviour, particularly among the wealthier classes, while the few people who demonstrate altruism achieve little. Her account of life under occupation is less caustic, with the more sympathetic characters being drawn towards resistance and patriotic solidarity. Suite française was published posthumously in 2004 and awarded the Prix Renaudot. The work was hailed as a masterpiece both in France and abroad, although most reviewers seemed more affected by Némirovsky\'s own fate and the miraculous appearance of her book sixty years after her death than by the novel\'s intrinsic merits.
','Won the Prix Renaudot 200?
','Jonathan Weiss, Irène Némirovsky, Éditions du Félin, 2005 (English translation published by Stanford UP, 2006)
http://perso.orange.fr/guillaumedelaby/in_index.htm; Angela Kershaw, Before Auschwitz: Irène Némirovsky and the Cultural Landscape of Inter-war France, Routledge, 2009.
',3),('Actualitesfr','Neuhoff1956','Actualités françaises','Prose',1992,'On the eve of his execution for treason in February 1945, the journalist Frédéric Valentré reflects on his life. The character is calqued on Brasillach, although Brasillach and other historical figures are separately name-checked. Despite the author\'s evident historical knowledge, neither the protagonist nor the period are successfully brought to life, however.
','','',1),('Carrefourenfantsperdus','Noe','Le Carrefour des enfants perdus','Film',1943,'','','',1),('Camaradesmorts','Nord1900','Mes camarades sont morts','Prose',1947,'This is PN\'s fascinating and truthful account of his experiences fighting with the Resistance after the Service de renseignements français had been officially dissolved in 1940, with memories of his dead friends and their achievements, with substantial documentary detail. Volume 2 discusses the counter-espionage operations and the results they obtained, backed up with documents. [
','Counter-Espionage
','',1),('peloton','Nord1900','Peloton d\'exécution 1944','Prose',1945,'A adventure story of spies and double agents, bluff and double bluff, actual and feared betrayal, intertwined with a romance story equally full of poignant misunderstandings, from the opening sections when Françoise, an extremely refined and extremely tough young lady, meets two men of striking physique, large and small, who present themselves as circus performers, on a train evacuating refugees from Alsace to Lyon. They are all aiming to engage or reengage with the Resistance. The story progresses through many dramatic reversals, involving time in Alger with senior officers of the French Army, and clandestine journeys to London, and spectacular Resistance attacks on a German garrison.
Peloton d\'exécution 1944 is an adaptation of Peloton d\'exécution, published in 1939 (Le Masque no 19, 244 pp) and set in the first world war. The initial sequences are fairly close to the original, except that the train is taking \'des rapatriés\', women and children, out of the occupied north since the Germans will no longer feed them. The author\'s claim that the story is however extensively rewritten is true in relation to the main plot and the ending.
','','',4),('Delirelogique','Nothomb1913','Le Délire logique','Prose',1948,'A semi-autobiographical novel. Hubert is betrayed to the Germans by a Resistance comrade, and after being tortured agrees to collaborate with his interrogators. He betrays key leaders in order to save hostages, until his wife persuades him of the folly of such behaviour. He attempts to escape using a revolver which she smuggles into his prison, but is gunned down by the Germans, and subsequently denounced as an informer by the communist press.
','','',2),('Acide','Nothomb1967','Acide sulfurique','Prose',2005,'An innovative television reality show establishes a concentration camp and films the daily brutal routine of selected detainees and their guards. The programme attracts a vast audience. A caustic satire of the exploitative voyeurism and moral bankruptcy of the contemporary audiovisual media, or a tasteless fable which further reveals the author\'s creative anorexia and shameless self-promotion? Opinion is divided.
','','',1),('Nomcode','Notin1970','Nom de code: La Murène','Prose',2008,'A hard-up historian Victor Bécaux is forced by his publisher to write an unflattering portrait of De Gaulle. While conducting research for this book he stumbles across details of a top-secret Resistance organisation, La Murène, whose mission was to arrest and assassinate Jean Moulin.
Notin\'s standing as a historian leads the reader to question whether he has used a work of fiction to reveal a true story that would be too scandalous to develop in a historical text.
','','',1),('Allemande','Nourissier1927','Allemande','Prose',1973,'The novel portrays the lives of a group of upperclass lycéens under the Occupation. Their world hardly seems touched by the war, the only signs are a scarcity of food and heating, air raid alerts and the night-time curfew. Instead their lives are ruled by school, love affairs, and tennis matches. Lucien, of more modest family circumstances than the others, is an admirer of collaborationist authors, without ever espousing or even questioning their ideas. Lucien\'s inner thoughts are written in italics. None of them can see further than the bac or really see the suffering around them, they even live the liberation of Paris from the sidelines.
','','',1),('Enavant','Nourissier1927','En avant, calme et droit','Prose',1987,'Hector Vachaud is the son of a First World War hero, a fact that his mother dines out upon and never lets him forget. During the 1930s while at school in Paris he seeks to escape his family life and to integrate with his richer school friends by learning to ride and training with French cavalry units. After the defeat of 1940 one of his former lovers takes him to Vichy where he becomes involved with the Chantiers de Jeunesse. As the liberation approaches recognising the end of the regime he returns to Paris and post-war he reintegrates the equestrian school where he worked pre-war. The beginning and end of the novel is related by one of his pupils from the 1960s who paints the portrait of a man without political or social convictions, whose life has been governed by his love of working with horses.
The author cites the influence of Henri Amouroux\'s books on the Occupation and Gérard Mourgue\'s novel Château-fer on this work.
','','add sport
',1),('Gardienruines','Nourissier1927','Le Gardien des ruines','Prose',1992,'','','',1),('ChansonHannah','Noziere1943','La Chanson de Hannah','Prose',1990,'Louis, a young boy, is the son of a Polish coalminer. It is only in Autumn 1940 that he learns that he is Jewish and is immediately told to hide this fact. He works in a cafe. One day he insults German soldiers believing they won\'t understand him, but they do, so he is blackmailed into helping German army, by spying on the cafe\'s customers. Family live in constant fear. Recounts what happens to Jews. Louis starts working as a passer. He is so angry and confused about being Jewish. Parents are arrested, he manages to escape. He is taken over demarcation line by friend of cafe owner into Jura, but there was an anoymous tip off and he is arrested too.
Aimed at children from ten year upwards.
','','',1),('UnefoisMJoseph','Nury1976','Il était une fois en France: L\'Empire de Monsieur Joseph','Prose',2007,'Through a series of flashbacks, told from his deathbed, the reader learns about the story of Joseph Joanovici from his childhood in Romania (when he escapes a pogrom during which his parents were killed) to his arrival in France in 1925 and his economic collaboration during the war and his later problems with the police. He is portrayed as a likeable character who has been clever enough to profit from the ups and downs of French history. This is the first volume in a series of six about Joanovici\'s life.
','','',1),('UnefoisVolnoir','Nury1976','Il était une fois en France: Le vol noir des corbeaux','Prose',2008,'Despite the possibility of leaving for America, Joanovici decides to remain in Occupied Paris, changing his name to hide his Jewish identity. The BD investigates why Joanovici decided to stay and demonstrates that his black marketeering often places him in difficult and dangerous situations which he can not control, caught in between the violence of both sides, which reject him in equal measure. The rest of his family faces the same fate of the majority of France\'s Jewish population, internment and deportation. This is the second volume in a series of six about Joanovici\'s life.
','','',1),('PlaisirDieu','Ormesson1925','Au plaisir de Dieu','Prose',1974,'A saga about an upper-class family in the twentieth century which inspired a TV adaptation, but which nonetheless is written in a highly literary manner, with a distinctly Proustian ironic tone. Part 2, chapter 5 and part 3, chapter 1 cover World War Two: the Germans appear, family members are killed, the narrator is arrested and deported. The family\'s collective experience of history is more important than the fate of individuals, it seems.
','','',2),('montagnechacals','Ouary1916','La Montagne aux chacals','Prose',1981,'Said, an agricultural worker on a large French farm, is mobilised into the French colonial army following the American landings, causing great worry about how the extended family will survive, for he is the only breadwinner for more than 10 people in an area ravaged by famine. Said takes part in liberation of Tunisia and Italy, slowly rising through the ranks, though held back by racism of his commanders. He hears about the massacres of Sétif and becomes aware of how French colonial authorities draw upon old feuds between their different colonial subjects to put down rebellions. Upon Saïd\'s return to Algeria, the latent racism of the colonial society means that his rank and heroism allows him no privileges or even equal treatment. He returns to his native village to find it in ruins, inhabited only by jackals. He takes off into the maquis in order to gain his freedom for the first time.
','','',1),('moulinfoulon','Oury1933','Le Moulin à foulon','Prose',1986,'Été 1940. Un village de l\'Ouest. Les déchirements au sein de la population entre la
Résistance et la collaboration. [synopsis from le Temps des cerises catalogue, accessed August 2010] Eté 1940. La débâcle, l\'exode et les traumatismes de la défaite bouleversent un paisible village de l\'ouest de la France. Bientôt, entre les habitants et les réfugiés la vie s\'organise. Des hommes et des femmes s\'entraident. D\'autres se préparent à collaborer avec l\'occupant. Jusqu\'au jour où de jeunes campeurs viennent s\'installer dans un pré, non loin du \" Moulin-à-foulon \"… Ils sont armés…
Ce roman montre les humiliations, les souffrances et les déchirements entre Français au moment où l\'action de chacun déterminait l\'avenir. On y voit comment pour la beauté du geste d\'amour on peut vivre ou mourir, protéger ou tuer.
[résumé on his website]
','','',1),('commandos','Oury1933','Commandos sur l\'estuaire','Prose',1987,'Sur l\'estuaire de la Loire dans la nuit de l\'Occupation. A cinq mois d\'intervalle deux commandos fort différents frappent l\'arrogante armée nazie. Ces deux événements d\'une audace apparemment insensée vont pourtant sonner le réveil de la conscience nationale et insuffler dans les masses un esprit patriotique nouveau et une volonté plus forte de libérer le territoire.
Pour la première fois une approche romanesque permet de faire revivre ces tournants de la Résistance que furent l\'exécution du Feldkommandant de Nantes, la fusillade des otages de Châteaubriant le 22 octobre 1941, et, le 28 mars 1942, le coup de main britannique sur Saint-Nazaire où des civils français prirent spontanément les armes contre l\'occupant.
Ce roman continue l\'action des principaux personnages mis en scène par l\'auteur dans Le Moulin à foulon, avec le même souci de vérité historique et la même sensibilité nourrie de souvenirs d\'enfance. [résumé from author\'s website accessed 07/08/2010; see also the section on \'mon combat d\'écrivain]]
','','',1),('dumaquis','Oury1933','Ohé! du maquis','Prose',1989,'En 1942 et 1943, au coeur des \"Années Noires\", des milliers de jeunes Français
vivent dans les bois afin d\'échapper à l\'oppression nazie et de lutter pour la
libération de leur pays. C\'est l\'épopée de ces réfractaires, de ces résistants qui, bien
souvent, ne sont que des gamins, que Louis Oury retrace dans cet ouvrage avec son
sens habituel de l\'agencement dramatique. La vie fruste au maquis; l\'attaque d\'une
caserne allemande, la nuit, par quatre partisans; l\'héroïsme des jeunes gens sous la
torture face au peloton d\'exécution, sont autant d\'images qui marquent l\'esprit du
lecteur. Ce roman continue l\'action des principaux personnages mis en scène par
l\'auteur dans Le Moulin à Foulon et dans Commandos sur l\'estuaire, avec le même souci
de vérité historique et la même sensibilité nourrie de souvenirs d\'enfance. [résumé appearing on both author\'s website and Le Temps des cerises catalogue, accessed August 2010]
','','',1),('ausoleil','Oury1933','Au Soleil de la victoire','Prose',1999,'Un roman sur l\'histoire des poches de l\'Atlantique, la Résistance dans l\'Ouest, les
combats de la Libération. [from Le Temps des cerises catalogue, accessed August 2010] Avec Au soleil de la victoire s\'achève la saga Les années noires. On retrouve les principaux personnages mis en scène dans Le Moulin à foulon, Commandos sur l\'estuaire et Ohé ! du maquis, mais en abordant un épisode de l\'histoire qui n\'a jamais fait l\'objet de roman : ce qu\'on a appelé \" les poches de l\'Atlantique \", précisément celle de Saint-Nazaire où l\'occupant ne se résigna à déposer les armes que le 11 mai 1945.
Ce roman fait revivre les heures patriotiques de l\'été 1944, l\'habileté de certains collaborateurs pour se faire reconnaître comme Résistants, les règlements de compte, les passages de la ligne pour aider les déserteurs allemands ou ravitailler les 100.000 Français affamés par les 30.000 occupants qui refusent de se rendre. Puis ce sont les joies de la Libération, le retour des prisonniers de guerre, les difficiles retrouvailles de l\'après-guerre, les premiers US go home qui fleurissent les murs.
Dans Au soleil de la victoire, Louis Oury confirme le sens de l\'agencement dramatique et la sensibilité que ses lecteurs apprécient depuis ses débuts d\'écrivain. Ce roman se veut aussi une contribution à l\'écriture de l\'histoire et à la formation de la mémoire collective.
[from author\'s website accessed August 2010]
','','',1),('50otages','Oury1933','50 Otages','Prose',1990,'Octobre 1941. Depuis seize mois la France est écrasée sous les bottes de l\'arrogante armée nazie, quand, à Nantes, trois jeunes Résistants exécutent un colonel allemand, Feldkommandant local de l\'armée d\'occupation.
En représailles Hitler ordonne une exécution de 50 otages afin d\'intimider la population.
Mais l\'héroïsme de ces fusillés, ceux de Châteaubriant notamment, va d\'autant plus jeter la France entière dans les bras de la Résistance, que de Londres se fait entendre la grande voix du général de Gaulle.
Sans céder à la caricature, un monde et une époque sont ici recréés, avec les bourreaux (nazis), les traîtres (pétainistes), les victimes (otages) et les justiciers (Résistants), tous évoluant avec leurs motivations. [from author\'s website accessed August 2010; virtually identical one on Le Temps des cerises catalogue]
','','',1),('lecourscinquante','Oury1933','Le Cours des cinquante otages','Prose',1990,'Nantes im Oktober 1941 unter der deutschen Besatzungsmacht. Ein französisches Widerstandskommando erschießt den ranghöchsten deutschen Offizier der Stadt. Die Nazis üben brutale Vergeltung. 48 Menschen werden als Geiseln ermordet. Der Bericht des Nanteser Romanciers und Historikers Louis Oury, der zum 25. Jahrestag der Städtepartnerschaft Nantes - Saarbrücken veröffentlicht wird, zeigt die Wechselwirkung zwischen der deutschen Besatzungspolitik und der Formierung der Widerstandsbewegung in Frankreich.
L\'ampleur tragique soutenue dans ce récit des premières luttes armées de la résistance française ainsi que des fusillades d\'otages que les nazis exercèrent en représailles, apporte une étonnante clarté sur des événements qui pendant un demi-siècle laissèrent un contentieux entre les peuples allemand et français. Cet ouvrage, édité à I\'occasion du 25ème anniversaire du jumelage de Nantes et de Saarbrücken, révèle comment et par qui, Allemands et Français, furent désignés les otages à fusiller.
Ce livre a été édité en 1990 par la ville de Saarbrücken jumelée avec la ville de Nantes.
Il est préfacé par les maires de chacune de ces deux villes.
[from author\'s website accessed 07/08/2010]
','','',1),('rueroi','Oury1933','Rue du Roi-Albert','Prose',NULL,'Enquête historique sur l\'attentat du 21 octobre 1941, à Nantes, mené par un
commando de Fabien, dirigé par Spartaco. L\'occupant réplique en faisant fusiller
les otages à Chateaubriant.. [from Le Temps des cerises catalogue accessed August 2010] Après les premiers coups de feu de Fabien au métro Barbès le 21 août 1941, les Allemands croyaient pouvoir circonscrire la rébellion dans la région parisienne et ainsi l\'anéantir. En allumant des brûlots de lutte armée en province, les commandos de l\'OS vont mettre l\'occupant dans une situation qui dévoilera son despotisme en fusillant massivement des otages, massacre dont résultera une première fissure dans la collaboration.
Dirigé par Spartaco Guiso, l\'attentat du 20 octobre 1941 à Nantes atteignant par hasard le Feldkommandant des troupes d\'occupation, et des otages à fusiller en représailles ayant été désignés localement, après la Libération s\'ensuivra l\'une des plus conséquentes falsifications historiques de la Seconde Guerre mondiale.
Cette bataille de la mémoire, depuis les tractations de désignation des otages par des Vichystes, jusqu\'à l\'agression du secrétaire général du PCF dans la carrière de Châteaubriant cinquante ans plus tard, en passant par les révélations sur le destin des membres du commando et de dizaines d\'autres Résistants dont les actions avaient été occultées par un culte des otages institué par Vichy et continué depuis, font de Rue du Roi-Albert un apport majeur à la conscience collective et à l\'histoire de la Seconde Guerre mondiale.
Les découvertes de Louis Oury et de l\'historien allemand Peter Bierbrauer en 1990 dans les archives de la Wehrmacht ont permis, sans complaisance, à partir de documents inédits, de restituer le contexte héroïque et dramatique de la lutte contre la bête immonde, depuis l\'enrôlement de Spartaco dans les Brigades internationales en 1936, sa diffamation posthume, sa réhabilitation par le Parti communiste, puis, en 2001, la reconnaissance officielle de son combat de Résistant.
Cette troisième édition apporte de nouveaux éléments sur les débuts de l\'occupation et les drames d\'octobre 1941, notamment en mettant fin à la légende d\'un drapeau français sur la cathédrale de Nantes en 1940, et en publiant le rapport de l\'officier allemand qui commanda le peloton d\'exécution des otages, tandis qu\'en fin d\'ouvrage, Louis Oury relate son combat et ses démarches jusqu\'à ce que les autorités nationales honorent ces Résistants qui montrèrent à leurs concitoyens le chemin de l\'honneur menant à l\'insurrection générale de l\'été 1944.
En couverture, Spartaco Guisco, condamné à mort en 1942, identifié en 1987.
[from http://www.letempsdescerises.net/noyau/index.php?menu_id=20&type=livre&idLivre=301 accessed 06/08/2010; identical to synopsis on back cover]
','','',3),('duneenfance','Oury1933','D\'une enfance dans la guerre aux combats d\'un écrivain','Prose',2002,'Né dans une ferme en 1933, Louis Oury raconte comment son enfance rurale
pendant la Seconde guerre mondiale fut marquée par les événements dramatiques
de sa région. Débâcle de 1940, collaboration inconsciente avec l\'ennemi, premières
actions de résistance armée, fusillades d\'otages, bombardemetns meurtriers et pour
finir la liesse de la Libération confinant à l\'imposture des combattants de la
dernière heure s\'intitulant Résistants au détriment de ceux de 1941. L\'auteur met en
parallèle l\'impact des événements de son enfance sur l\'assise de son oeuvre littéraire
quand, autodidacte devenu ingénieur puis écrivain, il parvint à obtenir, grâce à ses
travaux de chercheur et une documentation sans faille, plusieurs décisions
ministérielles qui officialisèrent un recalage historique de ce qui avait été un
tournant de la Résistance et de la Seconde Guerre Mondiale en France. [from le Temps des cerises catalogue accessed August 2010; identical description on author\'s website] ]
','','',1),('VieuxNegremedaille','Oyono','Le Vieux Nègre et la médaille','Prose',1956,'','','Corcoran, Patrick, Oyono: \'Une vie de boy\' and \'Le Vieux Nègre et la médaille\' (Critical Guides to French Texts) (London, Grant & Cutler, 2003)
',1),('Evasion44','Pagniez1896','Évasion 44','Prose',1949,'This is the sequel to Scènes de la vie du bagne in which YP describes her escape with her friend Françoise from a train leaving Torgau for Ravensbrück, and their subsequent experiences. Françoise was soon arrested, as eventually was YP, but she was fortunate to be saved by two German officers from a return to Ravensbrück.
','','',1),('ressusciteront','Pagniez1896','Ils ressusciteront d\'entre les morts','Prose',1950,'This sequel to Évasion 44 describes YP\'s five months in prison on Lake Constance and her contacts with other prisoners, then being set free and finally getting home to Paris and her husband and son. This volume also includes a report on the capitulation of the Schwäbisch-Gründ camp.
','','',1),('Scenesviebagne','Pagniez1896','Scènes de la vie du bagne','Prose',1947,'These are distressing memories of captivity beginning with YP\'s deportation in a train carrying two thousand men and six hundred women. She gives horrific details of camp life, which include memories of suffering from dysentery, seeing a woman torn to pieces by a dog, and the existence of chain-gangs. YP escaped from a train going to Ravensbrück and avoided the camp at Königsberg, but gives descriptions of the outrages committed there, taken from the experiences of friends.
','','',1),('Fillepuisateur','Pagnol1895','La Fille du puisateur','Film',1940,'Pascal Amoretti digs wells in the Provence countryside. He is a widower and father of six daughters. His eldest daughter Patricia falls in love with an airforce officer, Jacques, and becomes pregnant. When he is called away, he gives his mother a letter to pass onto Patricia, but she, disaproving of the match, destroys the letter. When the war breaks out, Patricia admits all to her father who sends her away to her aunt\'s to give birth. Felipe, one of Pascal\'s workers, returns on leave and offers to marry Patricia and to adopt the child. Jacques is reported as missing presumed dead, and his grieving parents demand that the child should live with them, which Pascal refuses. After the 1940 defeat Jacques returns home and marries Patricia.
This film appears to start a trend for films in which the defeat of 1940 leads to the adoption of children born out of wedlock (See also Choux - Fille perdue).
','Centre Catholique du cinéma; \"Scène un peu vive d\'attaque de la jeune fille qui se défend. Le puisateur élève dignement sa famille dans le sens de la tradition et de l\'honneur. La faute de la fille est considérée comme grave, elle est fortement sentie avec peine et dignité. Tout s\'arrange trop facilement grâce aux circonstances.\"
','',1),('Adieucamarades','Pannequin1920','Adieu camarades','Prose',1977,'Sequel to Ami si tu tombes, covering post-war years. Pannequin notes how FTP cadres in the regular army were systematically downgraded by right-wing superiors, while collaborators escaped unscathed. He refers to prosecutions of FTP members for executing collaborators, citing a death sentence passed by the Cour d\'assises in Saint-Omer. (A likely source for novels by Daeninckx and Perrin.)
','','',1),('Amisitutombes','Pannequin1920','Ami si tu tombes','Prose',1976,'Pannequin describes his wartime experiences as soldier, teacher, Resistance activist and prisoner. He reserves particular contempt for senior school inspectors and administrators, magistrates and policemen who assisted the Germans in pursuing resisters but nonetheless converted to Gaullism at the liberation.
','','',2),('Socrate','Parain1897','La Mort de Socrate','Prose',1950,'Socrate Patenôtre and Jérôme Lantenois have been friends since 1917 at the front. The former, the seventh child of a working man who took his name from the \'pages roses\' of the Petit Larousse, became a priest in 1923. The story proper begins with their meeting in Paris in 1941, where Socrate has returned after escaping from a POW camp in Germany, having been captured in October 1939 (\'l\'attaque de la Warndt\'). He discusses the complexity of his feelings and uncertainties with Jérôme and also later with Jacques Barthélémy, a collaborator who is as driven as Socrate is by feelings of \'ennui\', of the inadequacy of language and the fundamental reality of death, and who seems to be deliberately taking on a sacrificial Judas-like role. Socrate crosses the demarcation line (behind an empty coffin, wearing his religious dress and thus avoiding being challenged). He meets Paul Colin, who had crossed with an ausweis (obtained through Barthélémy; Jérôme had asked Socrate to ask him for it); Colin informs him Jérôme\'s daughter Germaine (Jewish through her mother) had been arrested, and he\'d had to leave because denounced by Pierrot, a young fellow resister. Socrate questions Colin closely about the certainty of this judgement. Colin asks Socrate to return to help Jérome dismantle and remove their clandestine printing press. Socrate does so, after having written an article for Barthélémy\'s collaborationist journal on the long view of civilisation change and the limitations of language and judgements. In Paris, he agrees to ask Barthélémy to help Germaine who is in Drancy. Mention is made of a young normalien arrested by French police for wearing the yellow star when not Jewish, and who is still being held in Drancy. They discuss Pierrot - Socrate meets him and thinks him an unlikely traitor, though the issue continues to be examined. They agree on how to remove the press. It transpires that Barthélémy cannot help Germaine as he is already involved in trying to free another Jewish woman from Drancy. Socrate is arrested with a suitcase full of letters, taken to Le Cherche-midi prison, then finally to Compiègne (by the police), and by cattletruck to a concentration camp, where he is shot for protesting at a fellow prisoner\'s treatment. This novel offers a complex meditation on the inadequacy of language and judgement, on death, God, love, and France. The First World War is a constant reference, point of comparison and source of anecdotes.
','need to add \'death\', can\'t find it. and France.
','Critique no 169, juin 1961, G. Perros \'Avec Brice Parain\'; NRF no 223, 1971 \'Hommage à Brice Parain\'. Sartre, \'Aller et retrour\' in Situations I.
',1),('Presbyterebagnesnazis','Parguel','De mon presbytère aux bagnes nazis: Mémoires d\'un prêtre déporté en Allemagne','Prose',1946,'PP was arrested in March 1944 and after thirty-three days in the camp at Royallieu he was deported to Neuengamme. He describes here his own sufferings and those of his companions.
','','',1),('Commando','Paris1947','Le Commando des salopards','Prose',1980,'A German officer is tasked by Hitler in April 1945 with assassinating Göring, using five volunteers from the British SS Corps. The cover blurb claims the existence of this small group of traitors has been covered up, although other novels have in fact exploited their adventures (e.g. Guy Walters, The Traitor, 2002). There is much ponderous historical exposition, with Hitler, Churchill and co putting in appearances. After the mission fails, the Allied governments ensure that the surviving witnesses are liquidated by sabotaging their aeroplane. The title echoes that of the film Douze salopards (Robert Aldrich, The Dirty Dozen, 1967.)
','','',2),('paillenoire','Parrot1906','Paille noire des étables','Prose',1944,'Elie Chaméane, a teacher by profession, is a member of the resistance, carrying out armed attacks on German soldiers and actively sought by them. He changes address every few days. One evening he finds a young girl, Catherine, aged 14, hiding behing the door and he takes her in. The story shifts back in time, to the French police bringing her to a convent, having found her working as a prostitute. The mother superior\'s hopes of rescuing her from this life are dashed when the Germans come to reclaim her, saying she is working for them. She encourages \'réfractaires\', young men living in the maquis, having refused to go to Germany to work, to give details of their location which she then passes to a local \'mouchard\', someone passing information to the Germans. As she sleeps, Chaméane reflects on the physical and moral wretchedness of the occupied town, and establishes affinities between the wealthy and powerful upper classes and those in favour of the German occupation now. There are references to the shooting of hostages, round up of Jews, and Jewish children being hidden to save them. The Germans- who are referred to as \'ils/eux\'/\'they/them\', are presented as agents of debauchery and moral baseness. There is a hint Chaméane joined the Communist Party before the war. There is a strong vein of religious symbolism running through the story, with the reference to the straw in the stable of the Nativity scene being made explicitly, and t the false patriotism of the upper classes being denounced by comparing their France to the Christ of the final Stations and cruxifiction. The joylessness and physical harshless of life under the Occupation is picked up in the descriptions of the poor, delapidated working class town in the middle of winter.
','','',3),('ursule','Parrot1906','Ursule la laide','Prose',1947,'An allegorical narrative of resistance and oppression that draws on biblical references (the story opens and closes with quotations from Joshua VI) to construct a poetic, mythical and at the end quasi-mystical tale of corruption, destruction and redemption of humanity. Ursule is an outsider, abandoned in the town as a child, now a prostitute in a house outside the town. The first person narrator works in the factory in the centre of the twon, and, like the other workers, lives in barracks in the suburbs. There are references to the threats from a neighbouring land, and the links forged between the enemy troops and the masters of the town. The vocabulary of \'barracks\' and \'camp\', add sinister overtones. Ursule hides two men sought by the town\'s police as spies and, recognising her as a kindred spirit, and her purity and innocence, they promise her protection when the town is punished for its wickedness. The topography of the town and the surrounding landscape of mountains, rocks and peaks, are important elements of the narrative itself, as are both the day and the night and their associated colours, transmitting the mystical and metaphysical hints of a world of shadows invisible to ordinary men, yet capturing the moral realities of their destinies.
','','',2),('Souvenirs','Passy1911','Souvenirs','Prose',1947,'Volume I describes the establishment in 1940 of a small army of Free French under General de Gaulle, the organisation of the Intelligence Service and their expectation of victory in 1941. Volume II describes the French Secret Service, counter-espionage plans, the forces in Africa and the activities of General Weygand. Volume III refers to General Giraud, General de Gaulle and the Comité français de Libération nationale, and discusses P\'s organisation of the Bureau central de renseignements et d\'action militaire. A fourth volume in preparation on the secret services, La D.G.E.R., décembre 1943-décembre 1945, has not been found.
','Counter-espionage
','',1),('Entredeuxguerres','PaulBoncour1873','Entre deux guerres: Souvenirs sur la IIIe République','Prose',1945,'JPB gives some details about his own life, but then concentrates on historical events up to 1940 and his experiences as a high-ranking Socialist politician who was strongly anti-Vichy
','','',1),('nuitmerveilleuse','Paulin1902','La Nuit merveilleuse','Film',1940,'The film is a re-telling of the Christmas story as a means of depicting the plight of refugees during the exodus. A young couple returns to the man\'s parents farm in order to seek safety and make a living. On their route, every hotel and inn is full of refugees and so the women, heavily pregnant, has to give birth in a stable. A local shepherd meets a Chinese sailor, an intellectual and a Senegalese colonial soldier in the mountains and leads them to the stable, drawn by the light burning above the door. Each of these men give the baby boy presents from their own cultures. The farmer whose has welcomed the family, asks them to save and offers the husband a job.
This film seeks to reassure the French population by demonstrating the nature of their plight. It also reflects the strengthened position of the church under Vichy.
','Allegory
','',1),('Bldbranques','Pecherot1953','Boulevard des Branques','Prose',2005,'Nestor a private detective, remains on in Paris, a city virtually deserted after the exodus. Then goes to Chartres to investigate the arrival of a train of patients from the asylum in Clermont.
','','',1),('rireogre','Peju1946','Le Rire de l\'ogre','Prose',2005,'Paul goes on a language exchange to Germany in the early 1960s where meets and falls in love with a mysterious girl named Clara, daughter of a doctor in the Wehrmacht. Clara continues to appear in Paul\'s life over the years, seeking refuge from her political engagements and her work as a war photographer. Paul becomes a sculptor, living in the Vercors, and taking inspiration from the suffering which that landscape and its people experienced during the Occupation.
','Magazine Littéraire, no. 144, Octobre 2005
','',3),('Bonheurogres','Pennac1944','Au bonheur des ogres','Prose',1988,'Benjamin works in a large Parisian department store, as the scapegoat whose role is, through his acting skills, to dissuade customers from seeking compensation from the store. When the store is hit by a series of bombs, investigations reveal that the victims are all linked through a cannibalistic cult dating from the Occupation. A real page turner enriched by stories from Benjamin\'s strange and funny extended family.
This novel is the first in Pennac\'s Malaussène series, composed of five novels and two short stories - La Fée carabine (1987), La Petite Marchande de prose (1989), Monsieur Malaussène (1995), Monsieur Malaussène au Théâtre (1996), Aux fruits de la passion (1999), Appellez-vous Malaussène? (2000).
','','',3),('Sanglotslongs','Perrault1931','Les Sanglots longs','Prose',1970,'A collection of nine stories, most of which are about WW2 or its memory and after-effects. \'Rapport au Reichsführer SS\' is a counterfactual account of the Germans\' victory and imposition of a racist regime and mass slavery. In \'Le Retour de Bibendum\', a man encounters his former Gestapo interrogator. \'Le Rendez-vous du Lion de Belfort\' depicts a Resistance hero who has become a drunk and is executed by the OAS in Algeria. In \'L\'Adieu aux nuages, World War Three breaks out and characters await nuclear armageddon. The best and most ambitious story is \'Les Sanglots longs\', which is recounted by multiple narrators. The son of a dead Resistance hero who has become a rebellious tearaway discovers that his father betrayed his network. But when he tracks down the former gestapiste Rudi von Merode in Hamburg, his father proves in fact to be innocent. Many of these stories strike a bleak, pessimistic note. [Rudy de Mérode was the pseudonym of a notorious Gestapo agent in occupied Paris.]
','','',1),('Exiljoconde','Perrier1948','L\'Exil de la Joconde','Prose',2000,'The chief curator of the Louvre decides to send the most precious paintings to a chateau in the Lot, to protect them both from bombings and also from looting by the Germans. Roland Courrèges a young member of the Resistance, desperate to escape the STO, accompanies these works of art. An adventure novel that describes how the Resistance attempted to protect France\'s cultural heritage.
','','',2),('4anneesaupouvoir','Petain1856','Quatre années au pouvoir','Prose',1949,'This is PP\'s view of his years in power, in the form of notes written in his cell in the Fort de Montrouge from 24 April to 23 July 1945, in reply to questions from the magistrates of the Commission d\'Instruction.
','','',1),('goumiersaid','Peyre1895','La Légende du Goumier Saïd','Prose',1950,'The novel follows the life of the Moroccan berber soldier (Goumier) Saïd. It begins with the difficulties of reinsertion of these men into civilian life at the end of the Second World War, a situation that encouraged many to fight in Indochina. The narrator is an European. Overtones of colonial rhetoric; a \'native\' soldier unfailingly loyal to his senior officer, but not intelligent enough to take decisions for himself. There is then a flashback section that recounts Saïd\'s early life and his period of service in the army, during the Rif war and the second part of the Second World War.
','','',2),('LouveVichy','Piat19xx','La Louve de Vichy','Prose',2002,'This novel is a sequel to Paname (2001) and only the last fifty pages deal with the Occupation years. The first-person narrator, Marie-Laure Brisach, is married to Vichy\'s ambassador to the Germans, comte André de Frémont. She has a son, Emmanual, from a previous marriage. Despite her Jewish origins, she is considered an \'aryenne d\'honneur\'. (The couple is evidently modelled on Fernand de Brinon and his Jewish wife Lisette.) While her husband flees to Sigmaringen in 1944, she and her son join the maquis. After the liberation, she visits André in Fresnes prison. (De Brinon was executed for treason in 1947.) Apart from this historical echo, this is a wearisome family saga, in the sense that acquaintance with these characters is unrewarding.
','','',1),('Marchaismalgremoi','Piatek1969','Je marchais malgré moi dans les pas du diable','Prose',2006,'François, a teenager flees the advancing German army taking refugee in South-Western France. On his return to Strasbourg, his life is altered completely by the rules of the new rulers (obligation to speak German and to germanise first and family names). François is forced to join the Hitler youth movement and later the German army in order to save his family from imprisonment and possible deportation, as his elder brother has fled and joined the Resistance.
','','',1),('Bonnesmauvaises','PierreDescaves19xx','Les Bonnes et les Mauvaises','Prose',1956,'Though writing in the style of personal reminiscences, the author states that the characters depicted have no connection to real people. The female narrator records her experiences with different maids and domestic servants over the years (hence the punning title). Having lived in a grand style in the occupied Rhineland, where her husband is an army officer, the narrator and her household then endure the dangers and deprivations of occupation by the Germans. The author is more interested in domestic portraits, family relations and child-rearing than wider social or political issues; we learn nothing about the missions undertaken by her husband.
','','',1),('Prisondeportation','Piguet1887','Prison et déportation: Témoignage d\'un évêque français','Prose',1947,'This is GP\'s declaration of his experience of captivity, made on his release from prison but not published immediately because his state of mind did not permit it. As Bishop of Clermont-Ferrand he was arrested by the Germans in May 1944, experienced their cruelty, and was deported at the same time as the Prince de Bourbon. He describes the horror of prison life in Dachau, the \'Nacht und Nebel\' convoys and the widespread starvation. He was sustained by his faith and was finally liberated by the Americans.
','','',1),('simpleverite','pineau1904','La Simple Vérité','Prose',1961,'(From back cover) Cette SIMPLE VÉRITÉ, Christian Pineau est un des hommes les mieux qualifiés pour l\'écrire sur les années qui vont de 1940 à la Libération. Il en a vécu le sens et le drame historique comme organisateur et chef du réseau « Phalanx », comme fondateur d\'un hebdomadaire clandestin Libération-Nord, comme premier interprète de la Résistance des Français occupés auprès du général de Gaulle, enfin, après diverses incarcerations, comme déporté au camp de Buchenwald où il demeura un an et demi.
Ces mémoires de la guerre clandestine et du calvaire concentrationnaire se distinguent des innombrables témoignages qui les ont précédés et point seulement par la personnalité politique de leur auteur. Le recul que Christian Pineau a pris par rapport à l\'expérience et aux événements qu\'il relate, lui permet d\'entrer dans des détails jusqu\'alors négligés et d\'obtenir d\'un bout à l\'autre de ses souvenirs une exactitude irrécusable. Quant au ton généreux et modeste du récit, il reste constamment à la hauteur des idées, des sentiments et des situations. De ce livre il se dégage, à l\'insu sans doute de son auteur, la figure émouvante d\'un héros.
','','',1),('Amepreteeoiseaux','Pineau1956','L\'Ame prêtée aux oiseaux','Prose',1998,'An elderly woman, Lila, lets out rooms to a Guadelopean nurse and her son, who she comes to adopt as her family. Over time she tells the younger woman of her wartime experiences; the Jewish family who were deported, her German soldier lover and the Black GI that she met at the Liberation. The nurse takes the old lady to New York to find this former GI and realises that he had return to the US with his and Lila\'s baby, as she could not accepted having a mixed race child. The novel is an interesting insight into the racism in Paris after the Black GIs are demobilised and how quickly the euphoria of the post-liberation period fell.
','Spear, Thomas C., \'L\'Âme prêtée aux oiseaux, The French Review, 2000, vol 7, no. 6, 1263-1264
','',1),('Parolesterrelarmes','Pineau1956','Paroles de terre en larmes','Prose',1996,'','','Condé, Maryse, \'Femme, terre, natale\' in Cottenet-Hage, Madeleine and Jean-Philippe Imbert (eds), Parallèles: anthologie de la nouvelle féminine de langue française (Montréal: L\'Instant-même, 1996)
',1),('PrisonnierP','Pingaud1923','Le Prisonnier','Prose',1958,'Antoine and his associates endure the last months of the Occupation in Paris. The title refers to a painting by Georges de la Tour. A long-winded and dull roman d\'analyse.
','','',1),('Valisenoire','Poitau1923','La valise noire: 3 nouvelles','Prose',2008,'These short stories tell the story of first the exodus and then the Occupation through the eyes of a sixteen year old (maybe the author herself).
','','',1),('PrisonniersaNeufBrisach','Poizot','Prisonniers à Neuf-Brisach','Prose',1945,'The memories of a prisoner in Neuf-Brisach, Alsace, and Nuremberg Oflag XIII, from July 1940 to January 1941, with his initial hope and then despair, and his impressions of life in Alsace.
','','',1),('SergeantJunot','Porcher','Sergeant Junot...Goumier, roman d\'action','Prose',1948,'','','',1),('Deuilen24','Pozner1905','Deuil en 24 heures','Prose',1942,'Starting with a disoriented blind man caught in a bombing raid, this well-observed novel presents the diverse experiences of multiple characters during the French defeat in 1940. Many are soldiers, and a central recurring character is Caillol, a communist and military chauffeur, who is wounded by aircraft attack during the retreat south. Many officers are shown to behave despicably.
','','',3),('Genspays','Pozner1905','Les Gensdupays','Prose',1943,'The novel is set in a coastal village called Tréfleur, on the English channel, occupied by a German garrison. When a German soldier attempts to desert, he accidentally falls off a cliff and is killed. The stubborn and imbecilic German officers claim the deserter was murdered (even though they are aware the death was accidental) and have the mayor, priest, and school mistress shot in reprisal. When another soldier accosts the heroic Yvonne on the cliffs, she throws him to his death. The novel ends with Yvonne\'s escape and the disappearance of a third soldier. Material which could have made a powerful novella is unfortunately stretched out in a melodramatic and unconvincing fashion, with a great deal of redundant speechifying.
','','',1),('AutrefoisDiana','Predali1959','Autrefois Diana','Prose',1997,'A law student, is recruited to archive the library of the former local landowners during his university summer holidays. His work reveals the collaboration of such families with the Italian occupiers and subsequently former members of the island\'s Resistance groups decide to speak for the first time about heir own roles. The attitudes of the young student reveal much about the limited transmission of the island\'s history during the Occupation to the younger generations.
','','',1),('Chroniquelorraine','Printz','Chronique lorraine (1940-1944)','Prose',1945,'A dated journal of the German Occupation of Lorraine. AP was imprisoned at first in the Grand Séminaire de Metz then with his family in a village occupied by the Germans. They were liberated by the Americans.
','','',1),('Souvenirsguerre','Prioux1879','Souvenirs de guerre: 1939-1943','Prose',1947,'These are notes on the conduct of the war, including Saint-Quentin in 1939, the battle for Belgium and the situation of the army in Africa, abandoned by General Giraud in 1943. The epilogue covers 1945.
','','',1),('miroirsded','Prou1920','Miroirs d\'Edmée','Prose',1976,'The novel is in four parts, the second situated during the years of war and occupation. The first part is narrated in the first person by Edmée\'s school friend. Edmée is 14, the narrator a year younger. Both are outsiders, new to the town. Edmée lives with her mother, an anxious and controlling woman, and her father, a military man, who retains dreadful memories of his experiences of the First World War, and who served in the colonies after the war. They are of a lower social class than the narrator\'s family. Edmée runs wild, getting the narrator to cover for her lies. The narrator is drawn into Edmée\'s theatrical games as they dress up and act out famous women\'s roles (echoes of Genet\'s Les Bonnes), and is fascinated by Edmée\'s precocious and provocative flaunting of her sexuality. There are hints of a lesbian attraction. Edmée is drawn to the femme fatale figure, and particularly the parricidal figure of Violette Nozières. Edmée shows little emotion when her own mother dies. She takes her rebellion into politics, becoming part of an extreme right-wing group, and very politically active as a student. After the defeat, the group espouses the collaborationist cause, and Edmée becomes a powerful figure in the town, by her actions and her flamboyant style (leather boots, military type belt). Relations with her widowed father are explored in detail as he becomes progressively more and more estranged from her, culminating in his despair and suicide. At the Liberation she has her head shaved, and flees to South America. She returns to the town in the third part, with her son Maxime. Apparently wealthy, and as flamboyant in her appearance as ever, she cultivates a new relationship with a lawyer, whose friends successfully dissuade him from marrying someone of her class and background. As she goes through an ever greater number of relationships, her son becomes progressively estranged. He starts to move in political student circles, is arrested during May 68, and finally leaves to do his military service overseas. The first person narrator returns for the final part, and recounts Edmee\'s physical and mental decline. The mirrors of the title are picked out throughout the novel, underlining the importance of the theme of performance, not only in the constructions of sexuality and femininity, but also in the deliberate if hypocritical performances of conventional roles and attitudes valued by what is presented as a narrow-minded and convention-bound town.
','','',3),('Traversee','Proux1914','La Traversée','Prose',1981,'A colonial adminstrator undertakes a long journey by boat in order to take up a posting in Indochina. Through out the story he seeks to paint himself as the bridge between the two opposing factions, pétainistes and gaullistes.
The text includes a large number of references to events that took place in the locations visited at earlier points in the war (e.g the British attack on Mers-el-Kebir) as well as numerous updates on contemporary events; British and German defeats and victories. This story was written as the prelude to La pluie de mangues, which chronicles the five years that the narrator spent in Annam until the Japanese coup in March 1945.
','','',1),('Mavie','Pucheu1899','Ma vie: Notes écrites à Ksar-es-Souk, à la prison civile de Meknès et à la prison militaire d\'Alger','Prose',1948,'Notes written in prison to explain PP\'s actions during the war, presented in journal form, and describing his family life, together with his very personal view of the history of the war. An influential member of the Vichy Government, he was responsible for the execution of hostages by the Wehrmacht. He left Vichy on the return of Laval and joined General Giraud in North Africa, but was arrested by de Gaulle\'s men and shot. The Preface and Epilogue record the circumstances of his death.
','','',1),('Refus','Quercy','Le Refus','Theatre',1999,'This play was inspired by the autobiography of Jean Moulin (Premier Combat) and a novel by Ferdinand Oyono (Le Vieux nègre et la médaille). It was written for and staged at festival at the Musée Jean Moulin, which celebrated the centenary of Jean Moulin\'s birth.
A griot tells the story of Jean Moulin and his refusal to sign a German document that sanctioned the massacre of Senegalese troops on supposed grounds of rape in June 1940 to Meka, the main character of Oyono\'s novel, who himself lost two sons who fought in the French Army during the war. In a twist at the end of the play, the Senegalese soldier which whom Moulin shares a prison cell, following his refusal to follow German orders, is revealed to be Meka\'s son. The aim of the story is to create understanding and links between French and African communities through the bias of the shared moment in their histories.
','','Chalange, Sylvie, \'Jean Moulin et le vieux nègre - Quand le théâtre rappelle le sens de l\'histoire\' - interview avec Jean Quercy\', Africultures, no. 25 (fev 2000) pp.33-35
',1),('Aimerapeine','Quint1949','Aimer à peine','Prose',2002,'Sequel to Effroyables Jardins.
','','',1),('EffroyablesJardins','Quint1949','Effroyables Jardins','Prose',2000,'During a visit to the cinema, a young man learns of his family\'s past in the Resistance. The father and the uncle blew up an electricity transformer and in retaliation the Germans took them (in ignorance) and two other men hostage. Postwar the father dresses up as a clown to pay homage to these two men and to the German soldier who had tried to amuse them and so take their mind off their terrible fate. The son had never before understood this clown\'s disguise and had even hated and been ashamed by it.
As an adult, the son in turns adopts this clown custom while following Papon\'s trial, in order to honour the memory of these Resistance fighters.
','','',4),('Maldelicieux','Quint1949','Et mon mal est délicieux','Prose',2004,'A love story between two young people, Max and Luz, which grows during rehersals of the play Le Cid by Corneille, told by the protagonist now become an old man to the narrator, an aspiring writer, in the monastery where the young lovers first met. The exodus brings a young actor, called Gérard , to the village who replaces Max in Luz\'s affections. And Max returns to his old life in Montpellier. In November 1942, the German army requisitions their holiday home in Avignon and arrests his parents, his father being Jewish. Max goes to live with Luz and her aunt in the ruins of the monastery, earning money as a rag and bone man. Luz never forgets Gérard, following his career in the newspapers and worrying that he might discover the state of paraysis into which her body descends in the post-Liberation period. Max promises to go to Paris to find Gérard. In Paris he discovers his father, a very ill man returning from the camps, who refuses to live when he finds out his wife is dead. In 1951, Max takes Luz to watch Gérard act in Le Cid in Avignon. Max finds out that Gérard was never in Avignon in 1940 and tracks down the man that was. At the end Max admits having searched out the narrator so that his story would be written down and remembered.
','','',1),('Max','Quint1949','Max','Prose',2008,'Chapters alternative between the two points of view of the fictional character Agathe, a history student, and Jean Moulin/Max, de Gaulle\'s envoy sent to unify the Resistance. They meet regularly in Lyon, though he also travels to Paris and Nice. It is focused on his Resistance work, and particularly his thoughts on the internal politics as the various leaders of movements jockey for position and at times try to bypass him, on his fear at not being up to the major task ahead of him, and, once arrested, his fear of not being able to keep silent, a fear that proves unfounded. Agathe\'s work on the bloody politics of Roman imperial history has obvious resonances with his present. She becomes involved with Maurice, and his work for the Resistance. Betrayal is a major theme, not only in the preparation for the famous meeting at Caluire where Moulin is arrested, but also in the fear of giving oneself away to the wrong person, or betraying secrets once arrested. The novel opens with a scene of Liberation summary justice in a hanging and a head shaving witnessed by Agathe, who wonders what Max would have thought of the France he gave his life for. The seriousness and commitment of the leading characters is thus intertwined with a portrayal of the Resistance and of France as riven with tensions and political intrigue, and profoundly divided. There is a list at the beginning of the 24 historical characters of the Resistance portrayed, and their main pseudonyms.
','','',2),('Uneombre','Quint1949','Une ombre, sans doute','Prose',2008,'The protagonist, a 59 year old architect, attempts to investigate his parents\' past following their death. He discovers that he was registered under an English spelling of his first name (George), leading him to believe that his mother had an affair with an English pilot who his parents had hidden on their farm. But there is also the legacy of his parent\'s friendship with a German farmworker who had lived with them pre-war.
','','',1),('Bonheurnazi','Rachline1933','Le Bonheur nazi, ou la mort des autres','Prose',1972,'The author warns us in his preface that this novel may seem to be \'une apologie du nazisme\', but that it is a \'roman-piège\' intended to warn us about the threat posed at all times by fascism. The novel itself is a first-person account written in 1971 by Frédéric Morelle, who was born French in 1911 but considers himself to be a German. He is a doctor, who no longer practises since he cannot dissect living patients, and an impenitent Nazi. In the late 1920s, he moves to Germany, becomes a Nazi agent, and enjoys much gay sex; he also performs experiments involving sexual torture, recounted in unpleasant detail. He meets Horst Wessel, and subsequently Hitler and Hess (although these episodes read like puerile fantasies and are utterly implausible). Only the last part deals with the war years, during which Marelle progresses from working in Dachau to Auschwitz. He omits to recount his post-war activities, other than to say that in the 1970s he is tracked down by Wiesenthal\'s organisation while living under a false name in Paris and agrees to join in the hunt for bigger war criminals. The book inevitably invites comparison with Littlell\'s Les Bienveillantes for its complicity with Nazi atrocities and blend of fact and fantasy; it is at least mercifully shorter.
','N.B. Keyword Nazism needed!
','',2),('Soeuryeuxasie','Ragon1924','Ma soeur aux yeux d\'Asie','Prose',1982,'The defeat of France and the exodus provide the opportunity for a half-brother and sister to finally get to know each other, while taking refugee at their aunt\'s home in the Vendée. Odette is the result of a relationship between a French soldier stationed in Indochina and his native mistress. The father brought her to France at the end of his period of service.
','','Slawy-Sutton, \'Indochine 1910 et Vendée 1940 dans Ma soeur aux yeux d\'Asie de Michel Ragon: Une mise en scène de l\'histoire\', French Cultural Studies, February 2008, 19(1), 17-38
',2),('Nour','Rahrimanana1967','Nour, 1947','Prose',2001,'Ambahy, a former colonial soldier recounts the massacre of the indigenous people in Madagascar by the colonial army and administration. Flashbacks give great insight into the regime of forced labour installed for the war effort in 1940, the invasion of the island by the British and the role of the Madagascan tirailleurs in the European theatres of war. The novel describes the disappointment of this latter group that their sacrifices during the war did little to change the colonial system. There is a wide use of traditional story-telling techniques throughout the novel.
','Magazine Littéraire, no. 339, juin 2001
','Forsdick, Charles, \'Ceci n\'est pas un conte, mais une histoire de chair et de sang\': representing the colonial massacre in Francophone literature and culture\', in Milne, Lorna (ed), Postcolonial Violence, Culture and Identity in Francophone Africa and the Antilles (Bern: Peter Lang, 2007)
Delmeule, Jean-Christophe, \'Nour ou le tressage des mots\', Interculturel Francophonies, no. 1 (2001), 145-160
',2),('Champion','Rapaport1965','Champion','Prose',2005,'The narrator tries to imagine the fight organised at Auschwitz by the prison guards between the former French featherweight boxing champion and a German soldier, placing great emphasis on the Germans\' anger that one of their own can be beaten by a Jew. The narrator also gives a brief overview of the boxer\'s life, both within the story (describing his life in Tunis and his relationship with his mother) and in a brief biography at the end of the text.
','Add sport
','Bd or illustrated book2
',1),('PassageLigne1','Rassinier','Passage de la Ligne: Du vrai à l\'humain','Prose',1949,'PR recalls here the horrors he suffered after being deported to Buchenwald and sent to the Kommando de Dora. He feels it is now possible after several years to write as an impartial witness and describe the reality of the situation without passion or hatred. The picture differs little from all the others - it shows the sad state of physical and moral degeneration to which the deportees were reduced in the death camps.
','Many details of this account have more recently been challenged. See Nadine Fresco, Fabrication d\'un antisémite, 1999.
','',1),('Decombres','Rebatet1903','Les Décombres','Prose',1942,'','','',1),('matiere','Recatala19','Matière','Prose',2002,'Synopsis from Le Temps des cerises catalogue (accessed on-line 2/8/2010): Un journaliste mène une enquête sur une figure de la Résistance. Très vite, une
double question se pose : Qui est Dominique Versaint et quel rôle a-t-il joué ? A-t-il
été le héros célébré afin d\'accréditer une légende ? Trente ans après les
événements les protagonistes ne sont que les fantômes hasardeux de ce qu\'ils ont
été. Matière défie les « genres » et disloque des formes, mêle la fiction et la réalité.
Synopsis from amazon.fr, accessed 2/8/2010: Un journaliste mène une enquête sur une figure de la Résistance. Il recueille des témoignages. Très vite, une double question se pose : Qui est Dominique Versaint et quel rôle a-t-il joué ? A-t-il été le héros célébré afin d\'accréditer une légende ? Trente ans après les événements les protagonistes ont changé. Ils ne sont que les fantômes hasardeux de ce qu\'ils ont été. Certains sont \"rentrés dans le rang\" quand d\'autres défient encore le conformisme. Les rencontres ménagent ainsi une succession de surprises mais Matière ne se résume pas à un roman d\'énigme, stimulé par des rebondissements ou des déceptions. Bien qu\'inspiré en partie par l\'esthétique dite \"de l\'épouvantail\" en Espagne, où la noirceur le dispute à un certain grotesque, Matière défie les \"genres\" et disloque des formes, mêle la fiction et la réalité. Le réel fracture l\'imagination et c\'est pourquoi Matière comprend également un récit rejeté à la fin du livre. Enfin, précisons que l\'auteur dépeint une tragédie d\'où l\'humour n\'est pas absent. Amazon.fr: presentation de l\'editeur
','','',1),('ilscroyaienteternite','Regina1947','Ils croyaient à l\'éternité','Prose',1997,'Story of two families, later joined by mariage, the Partouches (Jewish) and the Régniers (Catholics) in Oran. The novel describes how
','','',1),('Soutane','Reiner1921','La Soutane','Prose',1977,'Maurice Hélias and his Jewish family do not have French nationality. After his family is arrested, Maurice acquires false papers, disguises himself as a Catholic priest, and takes refuge with Jewish children at an isolated farm. After the war, he trains to be a priest.
','','',1),('Chroniqueguerreperdue','Remy1904','Chronique d\'une guerre perdue','Prose',1979,'Six volumes that recount the defeat of the French army in 1940
','','',1),('Lignedemarcation','Remy1904','La Ligne de démarcation','Film',1964,'','','',2),('Memoiresagentsecret','Remy1904','Mémoires d\'un agent secret de la France Libre','Prose',1947,'Rémy explains in Volume I that he is writing in the hope of tracing his fellow Resistance fighters, whose real names he never knew. In 1940 he had to leave his wife and four children to begin his work with the Resistance movement in England. A baby was born and one of his other children died in his absence, but he brought his family to England in 1942. Volume II,1 describes his work with the Resistance and includes photographs of friends who had been in concentration camps and a description of the traitor Capri. Volume II,2 remembers Odette, the organisation in London, Colonel Passy, and the fate of women sent to Germany, and gives a list of Capri\'s victims. Volume III mourns the loss of the réseau and the awful fates of those concerned, with a day-by-day account of the sad events. Volume IV contains the story of the traitors Tilden and a radio operator called Masny, with their arrests and documentary evidence. Volume V recalls his work with \'Wagon\' and F.P. Miller in London in 1943, his trip to Algiers with de Gaulle, his return to France and the réseau CND. His family left in Vannes suffered a great deal on his behalf. Volume VI is a catalogue of horrifying accounts of suffering given by people returning from concentration camps. Every volume contains many photographs. This is a highly revealing history of the Resistance with many details of R\'s personal experience.
','','',1),('Noussommesainsifaits','Remy1904','Nous sommes ainsi faits','Prose',1950,'','Les Nouvelles Littéraires, 16/2/1950
','',1),('Chatte','Remy1911','La Chatte','Prose',1958,'Raoul Messinier, a radio operator for a Resistance network, is arrested by the Germans and replaced by his wife Cora. Bernard Muller, a German officer, uses her to decimate the network. Cora is discredited and shot by the Resistance. The novel was filmed by Henri Decoin (1958) and is loosely based on the case of Mathilde Carré (aka \'la Chatte\'). But it is sentimental and stereotyped and captures little of the messy complexity of this affair. Decoin produced a sequel, La Chatte sort ses griffes, scripted by Rémy, in 1960.
','','',3),('grandhomme','Remy1937','Un Grand Homme','Prose',2005,'On the death of his father, André Spiel, the narrator discovers a correspondence with one of the most notorious literary figures, Vincent Lange, associated for ever with active collaboration with the Germans. More than intrigued by the relationship he discovers, he pursues the quest to discover more about Lange. The social and cultural history of the interwar period iin Paris and Berlin - the latter as a highly charged and sexualised environment - is reconstituted, with many writers and militants appearing as characters. Lange has great success as a writer, is described as a precursor of Bataille, among others, with his challenge to bourgeois social and sexual norms. Lange was active in the antifascist movement, and subsequently in the resistance. However, his strange relationship with Mine, the precocious 16 year old daughter of the German cultural attaché Vanghem, who actively pursues him, and spends time at the one of the Pontigny meetings with him, culminates in violent rape as he physically, sexually and psychologically abuses her during a week they spend together in Brittany. When she reappears during the Occupation, an abject figure, addicted to heroin and psychologically damaged, with a beautiful young daughter in tow who may be his, he allows himself, through his guilt and wish for redemption, to be blackmailed by a colonel \'Kurtz\' into protecting her through high profile collaboration with the Germans in Paris. He is tried and imprisoned and dies on the eve of the death of Gide in 1951. He leaves a written confession for his legitimate daughter; it is clear he has inappropriate, not fatherly, feelings for his illegimate daughter Nina, who, it is finally revealed, was the secret mistress of the narrator\'s father for many years.
resume from COPAC entry: Un homme découvre la correspondance que son père, écrivain et académicien qui vient de mourir, a échangé de 1937 à 1943 avec l\'écrivain Vincent Lange. Son attention se porte sur la vie et la personnalité de Lange qui a fait partie du Paris des lettres de l\'entre-deux-guerres et en 1943, en contradiction avec ses positions antifascistes, est devenu collaborateur.
resume from back of livre de poche: A la mort de son père, académicien et écrivain consacré, un homme découvre sa correspondance avec Vincent Lange, auteur célèbre de l\'entre-deux guerres, rayé des histoires de la littérature, mort en 1951 dans le déshonneur et l\'oubli. En recomposant sa vie, il prend conscience du mystère qui plane encore sur ce personnage: comment le compagnon de route de tous les congrès antifascistes de l\'entre-deux-guerres, l\'ami de Gide, le romancier, polémiste, résistant, a-t-il pu, en 1943, basculer dans la collaboration la plus noire ? A travers le portrait de Vincent Lange, Pierre-Jean Remy nous plonge au cœur d\'une des périodes littéraires et politiques les plus dérangeantes et fascinantes de notre Histoire, pour explorer le côté obscur d\'un homme en quête d\'un impossible rachat.
','','\'Hommage à Jean-Pierre Angremy, BNF Chroniques, no 55, septembre-octobre pp. 18-19.
',2),('4ansdanslombre','Rendier1903','Quatre ans dans l\'ombre','Prose',1949,'Memories of the French Resistance.
','','',2),('Souvenirsdeportation','Rendu','Souvenirs de déportation: Neuengamme, Bergen-Belsen, 19 mai 1944-3 juin 1945','Prose',1947,'','','',1),('MesprisonsSouvenirs','Reynaud1878','Mes prisons: Souvenirs','Prose',1947,'PR reviews his memories of the war. Président du Conseil in the French Government of 1940, he was obliged to resign over the question of the Armistice and was interned by the Vichy Government, accused of not being prepared to surrender. After some initial indecision, PR was sent to prison with Georges Mandel, was handed over with him to the Germans and deported to Germany, where he remained until 1945. PR was to have been shot, as was Mandel, but was saved, it is said, by Laval. He was liberated by the Americans.
','Add national politics
','',1),('Tempscatastrophes','RibemontDessaignes1884','Le Temps des catastrophes: Récits','Prose',1947,'Stories about \'l\'exode\' of 1940, written in the first person, which discuss the effect of events on people being moved about under the threat of the German Occupation of France.
','','',1),('Faireface','Richard1889','Faire face','Prose',1947,'With her substantial experience of the work of the French Secret Service, MR found herself during WW2 in a unique position to liaise with Resistance groups and help escaped prisoners, parachutists and others to hide from the Germans and to escape over the frontiers. She describes some of her contacts and the unmasking of collaborators and ends with a discussion of the unfortunate exploitation of young French girls by the Germans. The covers of the book show the text of the certificates of thanks given to MR by the United States and Britain.
','','',1),('Hauteursville','Robles','Les Hauteurs de la ville','Prose',1948,'Smail Ben Lakhdar is arrested while destroying recruitment posters for the Organisation Todt in the streets of Algiers. He promises himself that he will seek revenge on Almaro, the head of the pro-Axis militia.
Written in 1946.
','','',1),('Debonneguerre','Roch1961','De bonne guerre','Prose',2006,'Fictional account of life in an Oflag.
','','',1),('ChuteBarcelone','Rolland1922','La Chute de Barcelone','Prose',1952,'The novel is about three lycéens who leave school in 1939, on the day of the fall of Barcelona. After the fall of France, they seek to join the Communist party and two are arrested. The mood is one of revolutionary romanticism (cover blurb).
','','',1),('Dimancheinoubliable','Rolland1922','Un dimanche inoubliable près des casernes','Prose',1984,'In autumn 1968, the first-person narrator attends the funeral of his teacher Georges Granet, an influential figure in the post-war French Communist Party. He recalls their Resistance activities and growing disillusionment with the post-war PCF. The title refers to an attack launched against an Italian barracks, although the narrator recalls little about this event. We learn that Granet planned a novel denouncing the excesses of the Party, but died before completing it.
','Awarded Grand prix du roman de l\'Académie française, 1984
','',1),('Surrivesrien','Romain1899','Sur les rives de rien: Récit','Prose',1949,'These are WPR\'s memories from 1910 to 1947, though he begins with 1939 and his work with the Resistance, for which he was given a medal. He was deported but saved from death by a miracle. He describes his mother as a saint, who has seen him through all his troubles, marriage and divorce. Much of the book describes his love, dating from WW1, for a girl called Nicole, whom he saw again during the German Occupation of France in WW2
','','',1),('sappelaitsarah','Rosnay1961','Elle s\'appelait Sarah','Prose',2006,'Quatrième de couverture, 2007: Paris, mai 2002. Julia Jarmond, journaliste pour un magazine américain, est chargée de couvrir la commémoration de la rafle du Vel\' d\'Hiv. Au cours de ses recherches, elle est confrontée au silence et à la honte qui entourent le sujet. Au fil des témoignages, elle découvre, avec horreur, le calvaire des familles juives raflées, et en particulier celui de Sarah. Contre l\'avis des siens, Julia décide d\'enquêter sur le destin de la fillette et de son frère. Soixante ans après, cela lui coûtera ce qu\'elle a de plus cher. ...
Paris, le 16 juillet 1942 : la rafle du Vel\' d\'Hiv\'. La police française fait irruption dans un appartement du Marais. Le petit Michel, paniqué, se cache dans un placard, et sa grande soeur Sarah, dix ans, l\'enferme et emporte la clef en lui promettant de revenir. Mais elle est arrêtée et emmenée avec ses parents...
','Awarded le prix Chronos 2008, catégorie Lycéens, vingt ans et plus, le Prix des lecteurs du livre de Poche - Le Choix des Libraires and le Prix Gabrielle d\'Estrées. Over 2 million copies sold.
','',2),('memoiremurs','Rosnay1961','La Mémoire des murs','Prose',2002,'Présentation de l\'éditeur (éditions Héloïse d\'Ormesson)
Lorsqu\'on entre quelque part, on peut s\'y sentir merveilleusement bien ou, au contraire, horriblement mal. Comme si les lieux dégageaient une sensation puissante, comme si les pierres s\'imprégnaient de joie ou de chagrin pour plus tard s\'en décharger et les restituer.
Fraîchement divorcée, Pascaline, informaticienne de quarante ans, vient de trouver l\'appartement de ses rêves. À peine installée, elle apprend que ces murs ont été témoins d\'un crime. Lentement, par touches infimes, ce drame fait surgir en elle une ancienne douleur, une fragilité restée longtemps enfouie. Pour en finir avec son passé, elle se lance alors sur les traces d\'un tueur en série. Une quête obsessionnelle qui ravive ses blessures et l\'amène à la lisière de la folie. It is explained on the author\'s blog that the past is the day of the rafle du Vel d\'Hiv, and that she proceeded to start Sarah\'s Key immediately after finishing La Mémoire des murs.
','Discussed on the author\'s blog: http://www.sarahskey.com/article-18843686.html
','',1),('Derniereballeperdue','Roubaud1932','La Dernière Balle perdue','Prose',1997,'Laurent, a little boy, grows up in the Pays Basque, is completely addicted to golf and it is through this addication that he views the war. Laurent makes a promise to his friend NO, in return for having saved Laurent\'s father from arrest, that he will collect 55,555 lost golf balls for NO, a collection that he starts at the end of the war. This strange promise provides a safety net for him, when he loses both mother and father, allowing him to keep the memory of his Resistance hero father alive, but also entirely restricts his life, he abandons the idea of future studies in order to work as a professional caddy, therefore allowing him to add to his collection daily, and refuses to fall in love. He simply waits for the day when he can deliver his promise. A promise he finally finds out is based on a lie.
','Sport - golf, Promise
','',1),('Parcsauvage','Roubaud1932','Parc sauvage','Prose',2008,'The novel is narrated by Dora, a young Jewish girl, who spends the summer in a large country house owned by Catalan republicans in Southern France. This is only meant to be a stopping off place for her, her uncle and another Jewish child Jacques, en route to freedom, through Spain. Numerous other people inhabit the house including a British spy, and it is his presence that leads the children to flee the house fearing arrest by the Germans. The narrator shows how the dangers of war are mixed with the excitement of new discoveries, friendship and unrestricted freedom for this young girl.
Jacques (whose adult voice is present in italicised passages throughout the text) returns to the house in 1992 to discover the fate of its former inhabitants.
Each chapter ends with a play on words, a sign of Roubaud\'s Oulipo writing philosophy.
','Le Magazine Littèraire, no. 471, Janvier 2008. \'La Fabrique de l\'histoire\', France Culture, 01/02/08, Télérama, no.3026, \'Un été à l\'abri des tempêtes\', Le Monde des Livres, 25/01/08, \'Affinités électives\', France Culture, 24/01/2008
','',1),('Joursnotremort','Rousset1912','Les Jours de notre mort','Prose',1947,'In a brief preface DR explains that he has used the techniques of a novel but that every detail of the book is authentic. To extend the first-person record of his own experiences he has used the memories of many others and thus is able to give a complete picture of the dreadful sufferings in concentration camps, notably Buchenwald and Auschwitz. He provides detailed and harrowing accounts of daily life in the camps, with documents and maps.
','','',1),('Journaldessine','Roux','Journal dessiné d\'un prisonnier de guerre: 1940-1941','Prose',1942,'The 1945 edition has the complete illustrated text originally published in Marseilles in a mutilated state. AdR describes the horrors experienced by Stalag prisoners.
','','',2),('Valleeheureuse','Roy1907','La Vallée heureuse','Prose',1946,'These episodes describing air warfare and flying with the RAF on bombing missions are in novel form but based on JR\'s experience.
','Won the Prix Renaudot in 1946.
','',1),('Bonheuroccas','Roy1909','Bonheur d\'occasion','Prose',1945,'Bonheur d\'Occasion started life as a newspaper article. Roy won the 1947 Prix Femina for the novel and the Governor General\'s award of the same year for its English translation.
','','',1),('Saisonviolente','Roy1915','Saison violente: Journal d\'un témoin 1940-1945','Prose',1945,'','','',1),('Chasseurzero','Roze1954','Le Chasseur Zéro','Prose',1996,'When Laura Carlson\'s American father is killed by a Japanese kamikaze pilot in 1945, her French mother returns to Paris, where her delicate mental state worsens and her daughter is brought up by a domineering grandmother. It is not until her early teens when Laura forces her family to admit what happened to her father, from then on Laura is haunted by the sound of the kamikaze\'s plane, a noise that leads her to cut herself off from the entire world, even the man she loves. The novel is a damning tale of the negative and lasting effects of silence on an individual\'s life.
','This novel won the 1996 Prix Goncourt.
','Add Japanese
',1),('Itsik','Roze1954','Itsik','Prose',2008,'The story of Yitzhok Gersztenfeld, born in Warsaw in 1904 to a very poor family whose children have to leave to find work. He falls in love with Maryem, who is desperate for them to live in Paris. He leaves for Berlin, to work in his brother\'s workshop, and from there to France, recruited to work in a mine. Once in Paris, he brings Maryem over, and they buy a machine to establish their own sewing workshop. He follows the international events with increasing anxiety - the early references to train journeys signal clearly that he will not escape. He volunteers for the French army which is not straightforward for a foreign Jew , and witnesses the debacle and the exodus of refugees trying to join the regiment he is belatedly assigned to, though never sees any action as a soldier. In the unoccupied zone he finds work and is given the chance of establishing himself there with his family, but tackles this badly with Maryem and ends up returning to Paris, registering as Jewish, and being interned in Pithiviers for some considerable time. He receives permission to leave and stay with his family in Paris when Maryem is very ill, but decides he must return and is deported to Auschwitz. His family survives, though we are given no details as to how. His constant faith in law and order is extremely ironic for the knowledgeable implied reader.
Summary from evene.fr : Yitzhok Gersztenfeld est né à Varsovie en 1904, dernier d\'une famille de neuf enfants. C\'est le plus blond, le plus doux, le plus silencieux. Il vit dans le quartier juif où il y a peu de travail et peu d\'argent. Même s\'il aime sa vie, il devra s\'en aller, devenir un oiseau, comme le petit Itsik. Pour Maryem, qu\'il aime et qui préfère une existence moins rude et surtout moins religieuse, il part pour Berlin où son frère aîné dirige un atelier de confection. Puis il s\'enfuit vers la France , travaille à la mine avant de gagner Paris. Dans la capitale il peut enfin fonder une famille avec Maryem et un atelier de tricots. Mais l\'Histoire gronde. Accords de Munich. Invasion des Sudètes. Nuit de cristal. Armistice. Le danger se rapproche, si inconcevable. Convoqué par les autorités françaises en mai 1941, Yitzhok est emmené au camp d\'internement de Pithiviers. Lorsque Maryem tombe gravement malade, il obtient une permission de sortie à condition de revenir. Quelle décision va-t-il prendre ? L\'histoire de Yitzhok est de celles qui ne se referment pas. Elle se tient au-dessus de nos têtes comme les lèvres d\'une blessure à jamais ouverte.
','France Inter, \'J\'ai mes sources\', 12/03/2008
','http://blogs.lesoir.be/vincent/2008/04/06/ce-passe-qui-ne-passe-pas/
',2),('Amoursansresistance','Rozier1963','Un Amour sans résistance','Prose',2003,'60 years after the events, the narrator, whose gender remains indeterminate throughout, tells the story of his family during the Occupation to an unidentified interlocutor. His/her sister, whose pro-Vichy husband is shot by the Resistance, has sexual relations with an SS officer, Volker, very regularly; after the Occupation her head is shaved and she is raped by a neighbour in reprisal. The narrator is a German specialist with a passion for German literature. S/he translates German anti-semitic propaganda for the French Army during the drôle de guerre, and is physically attracted to the young soldier who brings the text to him/her. His/her father is a prisoner of war and absent throughout the occupation. After the defeat, s/he teaches German at the local secondary school for girls, hides forbidden German writings in a part of their cellar to be able to read them regularly. The narrator marries Claude, gender also unspecified of course, though the marriage is not consummated. The local Gestapo invite the narrator to work as their translator, which leads him/her to witness Jews being rounded up including many he/she knew as a child. S/he is able to rescue the young soldier who appears among a group of Jews, and hides him in the cellar. He is a tailor, called Herman. They read German literature together. S/he manages to recuperate the volume of Heine in Yiddish he had hidden in his previous lodgings. They embark upon a sexual relationship. The narrator reflects upon language, Jewish identity, the similarities and differences between the Yiddish and German languages, German culture, sexuality, sequestration and questions of power, the morally ambiguous nature of stances towards the German occupation, and guilt. Claude commits suicide. The narrator kills Volker and buries him in the cellar. Herman insists on leaving the cellar, does so in Volker\'s uniform and is shot by a Resister. In the same way that she never commented on her daughter\'s behaviour, the narrator\'s mother never returns to the subject of Volker\'s murder that she found out about, nor mentions the fact she witnessed Herman leaving the cellar in his uniform, much to her bewilderment. The narrator relates the fate in the postwar period of all the other characters, and his continuing interest in the past. He has an annual personal ritual to commemorate the death of Herman.
','ML, no. 427, janvier 2004
','',2),('Projectionsprivees','Rozier1963','Projections privées','Prose',2008,'Bernadette and her second husband Philippe move to Orléans to open a pharmacy, which is soon the object of vandalism, threats and finally an arson attack. Philippe lays the blame for these attacks firmly at the feet of the supposed anti-Semitic sentiments of the town\'s inhabitants. In parallel the teacher of the couple\'s son investigates the past of his own family, a grandfather and an aunt who were deported, and has to face up to both his own reluctance and that of his mother to accept this heritage.
The author specifies that he took inspiration from his own family histories of deportation in order to write the novel.
','Le Magazine Littéraire, no. 472, Fevrier 2008
','',1),('Sanglotslongsviolons','Rutman','Les Sanglots longs des violons','Film',2004,'The title echoes the line of Verlaine\'s poetry used by the BBC on the eve of D-Day, 5th of June 1944 to alert the Resistance groups in Normandy to the imminent landings. The documentary retraces the story of these groups through a mixture of archive footage and personal testimonies of around twenty of such Resistance fighters. It examines why these men and women became involved in such groups and the diversity in the ways they chose to resist German occupation. The films seeks to emphasise the important role played by the Resistance in the liberation of Normandy and therefore in the Liberation of France as a whole.
','','Télédoc, pedagogical resource produced by the SCEREN (CNDP).
',1),('Wagon','Rykner1966','Le Wagon','Prose',2010,'A novel inspired by the appalling experience of some 2,000 men, mostly resistance activists, who were deported to Dachau from Compiègne on 2 July 1944; 25% of them died on the three-day journey. The narrative is presented through the consciousness of a young resistance activist, possibly Jewish but using a fake Swiss identity. As always with second-hand deportation narratives which dwell insistently on degradation and extreme violence,some readers may wonder whether the author has overcome or even understood the aesthetic and ethical challenges of his enterprise.
','','',1),('sourisverte','Sabatier1923','La Souris verte','Prose',1990,'Story of a relationship between a Maria, a German army auxiliary (la souris verte, her own interpretation of the nickname souris grise) and Marc, a young French student during the Occupation. The story is a first person narrative.
Following Maria\'s departure, Marc is by the Gestapo and is taken by his mother-in-law to a maquis in the Landes, and then the Free French .
','','',2),('Cageombres','Sabine','La Cage aux ombres','Prose',1950,'A vivid account of imprisonment in the women\'s camp at Drancy, based on MS\'s own experience and seen through the lives of Irène and Sidonie who suffered the awful torments together and formed an enduring friendship, which was preserved when Irène was saved from the gas-chamber. After the war they both found it impossible to adjust to normal life but gradually became separated. In his preface Marcel praises this narrative and points out that little was written about Drancy.
','Les Nouvelles Littéraires, 27/7/1950
','',1),('Chassecourre','Sachs1906','La Chasse à courre','Prose',1949,'This constitutes the publication of various fragments following on from and covering some of the same ground as Suite au sabbat together with letters sent secretly from prison camp. During the war years, MS worked with Radio Mondiale sending propaganda to the USA, moving from Paris to Tours and Bordeaux in the wake of the Government then back to Paris after the Armistice in 1940. He makes candid revelations about his friends, his love-affairs, his abortive attempt to adopt a boy and his black-market crimes, with no expression of bad conscience.
','Add propaganda
','',1),('Suitesabbat','Sachs1906','Suite au sabbat (1940-1942)','Prose',1948,'These are extracts from a book by MS published later as La Chasse à courre. They give a description of the war years, with MS being involved in black-market deals and sending his accounts in letters from prison in Hamburg. The editor includes a reference to MS\'s disappearance and silence after 1943 and his possible escape to the USA, or death, either by the roadside after falling out from a column of prisoners or at the hands of the Germans in prison as the Americans were arriving
','','',1),('Guerrelasse','Sagan1935','De guerre lasse','Prose',1985,'Jérôme uses Alice, the ex-wife of an Austrian Jew, who escaped to France in the 1930 to convince his old friend Charles to allow his business (a shoe factory in the free zone) and his employees to be used by the Resistance. Previously untouched by the war, Charles falls immediately in love with Alice and seeks to protect her from the dangers of being involved in clandestine activities. It is his love for her and the arrival of the Germans in the Southern Zone that will eventually lead him to join the Resistance. The story suggests that the power of historical events is stronger than that of love.
','','Morello, Nathalie, Françoise Sagan: une conscience de femme refoulée (New York: Peter Lang, 2002)
',7),('sangaquarelle','Sagan1935','Un sang d\'aquarelle','Prose',1987,'A German film director, rejected by Hollywood and having become a favourite of Goebbels, agrees to make films for the German authorities in Paris. To assuage his guilt, he half heartedly gives jobs and new identities to Jews and Gypsies. What follows is a uninteresting depiction of the collaborationist literary and cultural spheres in Paris during the Occupation.
','Cinema
','',2),('Perceval','SaintClair','Perceval. [Journal d\'Alain Saint-Clair, 1 novembre 1941-10 décembre 1944. Lettres adressées à Aline et Nicole Vallaux, 14 octobre 1944-26 décembre 1944','Prose',1947,'','','',1),('Ravensbruckenferfemmes','SaintClair1896','Ravensbrück, l\'enfer des femmes','Prose',1945,'','','',1),('Lettreotage','SaintExupery1900','Lettre à un otage','Prose',1943,'Writing from the USA, AdSE addresses himself to friends caught in occupied France. He recalls pre-war and wartime experiences, discovering that Portugal was not subject to the same black-out as the rest of Europe and finding an air of sadness there despite the exciting night-life, drinking Pernod with friends and being captured by Spanish anarchists during the Spanish Civil War, and he stresses that respect for mankind is in peril.
','','',2),('pilotedeguerre','SaintExupery1900','Pilote de guerre','Prose',1942,'Both an autobiographical and a poetic, philosophical account of the author\'s experience as a reconnaissance pilot during the fall of France in 1940. He deals with the practical and material aspects of military defeat, but also with how the body and nation are fragmented and their identity destroyed. Resurrection and resistance are glimpsed as possible, but Saint-Exupéry insists on the need to be a participant in rather than a mere witness of historic events, to accept the essential act of sacrifice. He avoids ideological commitment to any party or cause, however.
Saint-Exupéry wrote Pilote de guerre in New York in 1941; the novel was published in occupied France in November 1942, banned by the Germans in February 1943, and republished clandestinely in Lille in December 1943. The author\'s frosty relationship with de Gaulle and the Free French also caused the banning of distribution of the book to the Free French military.
','','S. Beynon John, \'Saint-Exupéry\'s Pilote de guerre : testimony, art and ideology\', in R. Kedward & R. Austin, eds, Vichy France and the Resistance (London: Croom Helm, 1985) 91-105
René Tavernier, ed., Saint-Exupéry en procès (Éditions Pierre Belfond, 1967)
',4),('Clotilde','SaintLaurent1919','Clotilde Jolivet','Prose',1985,'Describes the wartime adventures of the engaging eighteen-year-old Clotilde following the 1940 exodus, when she is separated from her family. She manages to encounter many historical personages (from Laval to de Gaulle), works for the Resistance (while defending the Vichy regime\'s supposed patriotism), and also asserts women\'s rights to (sexual) freedom. The manner is light and humorous, and the style rather less clichéd than Deforges\'s.
','','',1),('Heretiques','SaintLoup1908','Les Hérétiques','Prose',1965,'Part of a cycle of books about the LVF and French Waffen SS. The author says they are works of history, although dressed up as fiction, with the emphasis on heroic military adventures, loyalty to comrades, and punchy dialogue. The omissions may be equally significant: nothing (in this volume at least) about what happened to the survivors after the fall of Berlin, and no discussion of the ethics or ideology driving French collaborators with Nazism or the atrocities for which the Waffen SS were notorious.
','','',1),('Volontaires','SaintLoup1908','Les Volontaires','Prose',1963,'A fictionalised history of the LVF, much of it written in dialogue form.
','','',1),('tempsheroiques','Saladin','Les Temps héroïques de l\'aviation: Souvenirs','Prose',1949,'','','',1),('femmesombre','Salome1960','Les Femmes de l\'ombre','Film',2008,'Four French women are recruited by the SOE and pose as nurses in order to spy and work with local Resistance groups in preparation for the D-Day landings. Their major mission is to kill the head of German counterespionage and free another SOE agent held prisoner in Normandy.
The film was loosely based on the experiences of a French SOE agent Lise de Bessac and the historian Olivier Wieviorka was the historical consultant.
','','',2),('TirailleursSenegalais','Samb','Tirailleurs Sénégalais à Lyon','Prose',2003,'The story of the 24th RTS (Régiment des Tirailleurs Sénégalais)
','','',1),('TirailleurVosges','Samb','Le tirailleur des Vosges','Prose',2007,'Three tirailleurs lose the rest of the regiment in the Vosges and stumble across a local resistance group lead by a Guinean, Addi Bâ. The story itself is not strong, instead the BD is a vehicule for drawing attention to the story of Addi Bâ and through him the story of colonial soldiers who fought in the Resistance.
','','',1),('laisseztomber','SanAntonio','Laissez Tomber La Fille','Prose',1950,'San Antonio, commissaire de police, is on temporary leave. It\'s the Occupation and he\'s only prepared to work for the Republican government. On a rare visit to Paris, in October 1942, he\'s shot in the metro. His colleagues find it hard to believe he\'s not involved in a (Resistance) group. He is recovering and enjoying the passionate physical relations typical of the character with his nurse Gisèle, when radio reports announce his death - shot in a Paris building. A case of mistaken identity with a (criminal) double emerges and sets off a highly complicated plot. A band of gangsters, false resisters, false gangsters, the Gestapo and San Antonio locate, lose and locate again a lightbulb which contains vital ingredients for the preparation of an atomic bomb. After many reversals of fortune, the lightbulb, San Antonio and Gisèle reach London. There is little by way of social comment on the Occupation, except that one cannot tell heroes from traitors, and cannot trust anyone. A cops and robbers structure: Gestapo/gangsters v. San Antonio supported by police HQ and London.
','subsequent editions: 1969 (nouvelle édition), 1975, 1984, 1993, 2004.
','D Jeannerod, San-Antonio et son double, PUF, 2010
',1),('Villagedelallemand','Sansal1949','Le Village de l\'Allemand ou le Journal des frères Schiller','Prose',2008,'The death of the parents of the two protagonists in a massacre by Islamic fundamentalists in a small village in Algeria, provokes numerous questions surrounding the father\'s identity. While he was beyond doubt a hero of the Algerian War of Independence, the son, Rachel, discovers an entirely darker part of his father\'s past, his work as a chemist and a soldier in the Nazi concentration camps. This revelation turns Rachel\'s life upside down, eventually leading to his suicide. The younger brother Malrich refuses to shoulder responsibility for his father\'s actions.
','Merzoug, Omar, \'Voyage au bout de l\'abjection\', La Quinzaine Littéraire,no.961, 16-31/01/2008, p. 8
','',1),('Nudite','Saro','Nudité','Prose',1951,'Olga starts writing an account of her relationship with Anton, a stateless refugee from eastern Baltic. He has a chaotic background, having been sexually abused by men as an adolescent. Olga writes in the cellar, because of the bombing, suffering from the estrangement of her daughters who, unlike her husband, do not forgive her this affair. She later discovers Anton has also had an affair with one of her daughters. She is helped for a time by some soldiers, an American, a Canadian, a working class Frenchman from the suburbs. Her diary survives the bombings and is published by her other daughter. Locations and times vague: starts V... banlieue de X..., nuit du 24-12-19.-. Later annotations: \'même nuit\', and \'aube 1er janvier\'.
FROM BACK COVER
C\'est le journal d\'une femme de cinquante ans. Olga est mariée et a deux grandes filles lorsqu\'elle prend pour amant Anton, un garçon de dix-sept ans. Son vertige dure trois mois. Trois mois qui suffisent à saccager sa vie. Si son mari, indifférent, pardonne, elle a perdu à jamais l\'amour de ses filles. Elle s\'aperçoit que le bonheur des êtres est basé sur un malentendu et qu\'en réalité on est seul en face de soi-même. Anton disparaît. Lorsqu\'elle le retrouve, c\'est pour apprendre qu\'il était également l\'amant de sa fille. Ayant tout perdu, elle attend, dans la nudité de son cœur dépouillé par la souffrance, qu\'une aurore se lève sur une autre vie…
','Nouvelles littéraires, 27/09/1951
','',1),('Eveils','Schlumberger1877','Éveils','Prose',1943,'Alsace, when JS lived there as a child, was an enclosed society with rigid rules of conduct. JS\'s mother was French, her children, therefore, were aliens and school was uninspiring. He paints a detailed portrait of his grandparents, discusses religion, his days at the Lycée Condorcet, his adolescent years, his travels and the literary tradition in the family. He mentions his cousin François de Witt, who was a friend of Gide, his meetings with Gide and others, his travels to Italy with his wife and family, the founding of the NRF and contacts with Jacques Rivière. He began to write plays and became involved with the Théâtre du Vieux Colombier. Writing in 1944, JS feels that the war has taught him much about humanity. Extracts were published in Mercure de France, 1er octobre, 1er décembre 1949 (BL PP 4331.fa) and in Le Figaro littéraire, 2 juillet, 9 juillet, 13 août 1949 (FDLL).
','','',1),('EnfantNoe','Schmitt1960','L\'Enfant de Noé','Prose',2004,'Joseph, a young Jewish boy who has lost his parents is taken in and protected by a priest, le père Pons, to save him from the rounding up of France\'s Jewish population. This priest establishes a small synagogue in the cellar of his Catholic boarding school for Joseph and begins to study Judaism in order to educate the young boy. The novel is an exploration of the meeting between two religions.
This novel is the fourth in a series that examines world religions, other works in this series are Milarepa (Tibetan Buddhism), Monsieur Ibrahim et les fleurs du Coran (Sufi Islam Judaism), Oscar et la dame rose (Christianity).
','','',2),('Partautre','Schmitt1960','La Part de l\'autre','Prose',2001,'This novel asks what would have happened if the Fine Arts Faculty in Vienna had accepted Adolf Hitler. It works on the premise that if Hitler had been encouraged and praised that the whole course of European and World history would have been entirely different. The author imagines the life of the minor painter, Adolf H, that Hitler could have become throughout a lifetime, until his peaceful death in Los Angeles.
','Magazine Littéraire, no. 401, septembre 2001
','Add history
',2),('Adieuauroi','Schoendoerffer1928','L\'Adieu au roi','Prose',1969,'Learoyd, an Irish deserter, is adopted as a king by the Muruts tribe. Assisted by a British and an Australian parachutist, they launch a successful resistance campaign against the Japanese. At the end of the war, former European colonists take over again.
','Won Prix Interallié
','',1),('Frontstalag','Seignol','D\'un front-stalag à Londres: Récit','Prose',1946,'SS felt able to get by in any country with the common language of democracy. Taken prisoner in 1940 on the fall of France, which he calls not a \'défaite\' but an \'effondrement total\', he was introduced early to suffering with 25,000 other prisoners near Nancy, then sent to a \'camp provisoire\' with the fittest going to Germany. He himself was sent to Dammartin-lès-Toul, which was reasonable, but he nevertheless made his escape. He was given help all the way to Paris, got into the \'zone libre\' and then to Spain, where he was arrested, but escaped to Portugal and to England where he joined de Gaulle and the Free French.
','','',1),('Vieuxdemons','Selo1943','Les Vieux Démons','Prose',2008,'An easy read romantic novel about a young country girl, Gisèle, who falls in love with a German soldier, arousing the jealousy of her former lover.
','','',1),('Campthiaroye','Sembene1923','Camp de Thiaroye','Film',1987,'West-African tirailleurs are held in a camp outside Dakar waiting to be demobilised. The soldiers are evidently scarred by the experiences of warfare and especially their time in German prisoner of war and concentration camps. Unrest breaks out when it becomes apparent that they are to be sent home without their pay and the soldiers take the camp commander captive. The French administration panic and kill a large number of soldiers. Sembène based his film on the real life massacre at the Camp de Thiaroye. Numerous links are drawn between fascism in Western Europe and the French colonial rule, most obviously the link between the French army camp of Thiaroye and the Nazi concentration camp of Buchenwald.
','Leahy, James, \'Camp de Thiaroye\' http://www.sensesofcinema.com/contents/cteq/03/28/camp_de_thiaroye.html
','Okiremuete Shaka, F. (1995). \"Vichy Dakar and the other stories of French colonial stewardship in Africa: a critical reading of Ousmane Sembene and Thierno Fati Sow\'s Camp de Thiaroye\" Research in African Literature, 26(3): 67-77.
',1),('Grandvoyage','Semprun1923','Le Grand voyage','Prose',1963,'','','Gartland, Patricia, \'Three Holocaust writers: Speaking the Unspeakable\', Studies in Contemporary Fiction, 1983, 25 (1), 45-56
Johnson, Kathleen, \'Narrative Revolutions? Narrative Resolutions: Jorge Semprun\'s Grand Voyage\', Romanic Review, 1989, 80 (2), 277-287
Kaplan, Brett, \'\"The bitter residue of death\": Jorge Semprun and the Aesthetics of Holocaust memory\', Comparative Literature, (Fall 2003)
Parent, Anne-Martine, \'La fiction au service de la vérité : L\'exemple de Jorge Semprun\', Romance Review, (Fall 2000), 95-104
Silk, Sally, \'The Dialogical Traveler: A reading of Semprun\'s Le Grand Voyage\', Studies in Twentieth Century Literature, 1990, 14 (2), 223-40
Silk, Sally, \'Writing the Holocaust/ Writing Travel\', 1992, CLIO, 22 (1), 53-65
Tidd, Ursula, \'The infinity of testimony and dying in Jorge Semprun\'s Holocaust Autothanatographies\' Forum for Modern Language Studies, 41(4), 407-417
',5),('Gurs','Semprun1923','Gurs: une tragédie européene','Theatre',2004,'Two Spanish republician soldiers, a sepharade violinist and two German communists (who were fighting Franco in the Thaelman brigade) all imprisoned in the camp of Gurs are preparing a concert for the 14th of July.
This is a trilingual (French, Spanish and German) text, that was subtitled in German and Spanish when staged.
','','',1),('Mortquilfaut','Semprun1923','Le Mort qu\'il faut','Prose',2001,'This work is a fictionalised autobiography depicting the author\'s internment in the Nazi concentration camp of Buchenwald, most especially a twenty-four hour period in late December 1944. The working structure of the camp, its daily routine and the diverse groups that are imprisoned within it, are described in detail. The title refers to an attempt to give the author a dying man\'s identity, that of François L., after a request for information about him is sent from the German foreign office. The work includes numerous flashbacks to the author\'s student days in Paris, his arrest by the Gestapo, his arrival in the camp as well as flash forwards to post-war visits to Germany and Prague, when he comes into contact with other former inmates. His contemporary disappointment with the Communist party and Soviet government ideology is evident, informed by the discovery of the existence of Soviet goulags and the trials of East-European Communists deportees for supposed collaboration with the Nazis. The novel is a sequel to Le Grand Voyage that depicted the author\'s journey from Cambrai (Northern France) to Buchenwald. Quel beau dimanche has also been seen as a sequel to Le Grand Voyage.
','Magazine Littéraire, no. 398, mai 2001
','Tidd, Ursula, \'The infinity of testimony and dying in Jorge Semprun\'s Holocaust Autothanatographies\', Forum for Modern Language Studies, 41(4), 407-417
',2),('Marque','Seonnet1953','La Marque du père','Prose',2007,'A more autobiographical reflection on the author\'s father, a member of the Milice and Waffen-SS convicted of treason in 1945, than his previous novel.
','','',1),('Quediraije','Seonnet1953','Que dirai-je aux enfants de la nuit','Prose',1994,'Set in an indeterminate time and place in southern France, the novel explores the tragic consequences for a family when individuals opt for collaboration. \'C\'est un livre étrange et difficile\' (Le Monde).
','','',1),('Louise','ServanSchreiber1962','Louise et Juliette','Prose',2009,'A first novel by a younger member of the famous Servan-Schreiber clan, loosely based on her grandparents\' wartime experiences. The two sisters Louise and Juliette find themselves in opposing camps, since one is married to a Jewish journalist and the other to a Vichyist prefect. Lively, readable, and trite.
','','',1),('Passesupplementaire','Sevran1945','Le Passé suppémentaire','Prose',1979,'The cover presents this book as a fictional chronicle \'Des années folles aux années noires\'. The first-person narrator claims his grandfather is a count and references a large number of real people. Apart from name-dropping, he witnesses and achieves nothing of interest.
','Awarded Prix Roger Nimier
','',1),('Vichydancing','Sevran1945','Vichy-dancing','Prose',1980,'FrançoisValmont, writing in the first person, attempts to trace the career of his mother, the singer Vera Valmont, from her glory days during the Occupation, when she performed on the radio and mixed with Germans and collaborators, to her post-war obscurity, when she is reduced to working as a seamstress and singing in fairgrounds. But he fails to discover the true identity of his father (possibly a German) or why his mother refuses to mention her past.
','','',1),('ClanOstendais','Simenon1903','Le Clan des Ostendais','Prose',1947,'A group of Belgian fisherman arrive in La Rochelle to flee the war. Their boats are requistioned and they are forced to settle in the town, when the language barrier prevents them from integrating. After the invasion, they act as a go-between and are allowed by the German officials to continue fishing. Numerous problems beset them; boats hit mines and fishermen are killed. So the captain takes the decision to take his family to England.
This book is based on Simenon\'s experiences while he was a commissioner for Belgian refugees in La Rochelle at the beginning of the war.
','','',1),('Train','Simenon1903','Le Train','Prose',1961,'This book is based on Simenon\'s experiences while he was a commissioner for Belgian refugees in La Rochelle at the beginning of the war.
Marcel Féron believes that the arrival of war is an act of fate. In 1940 he flees Belgium with his family. All social norms are swept aside by the proximity in which the refugees are forced to live. Marcel lives for the moment, when he loses trace of his wife and children and he has an intense relationship with an another refugee Anna. But he finally settles back down to an ordinary life and when Anna reappears he refuses to leave with her. Marcel writes this story so that his son will know that he too lived moments of passion in his life.
','Nouvelles Littéraires, 24/05/1962
','',3),('Neigesale','Simenon1903','La Neige était sale','Prose',1948,'This novel offers an atmospheric account of crime, violence and deprivation in an unnamed Northern town during the Occupation. It is centred on Frank Friedmaier, a youthful killer and aspiring gangster. When Frank is arrested by the Germans, the novel shifts towards an allegorical mode as he repents, undergoes torture and is finally executed. The tone is similar at times to Greene\'s Brighton Rock. A film version directed by Luis Saslavsky came out in 1954.
','','',1),('Seulennemi','Simon','Un seul ennemi: l\'envahisseur','Prose',1943,'PS launches a vituperative attack on the Germans and their collaborators during the Occupation. The English translation is of poor quality.
','','',2),('Corderaide','Simon1913','La Corde raide','Prose',1947,'CS\'s early memories are of a light-hearted existence, staying in bed late, riding in carriages, enjoying Parisian society, but this sort of life has now gone. Everywhere has become more ordinary and there is no romance left except in books. Reflecting upon his own death, he observes that death has a grandiose sound but memories fade and loved ones are forgotten. In a state of excitement during the war, CS felt that nothing is in vain if man acts with sincerity and application, but he describes a revealing episode when men refused to help a wounded man from another division. Mobilised when he was in the South of France, he offers observations on what he has seen, talks of the battles and the wounded, tries to see some sense in the conflict and thinks of people not yet born and those who have died, who are filled with memories of days to come and days past. Though CS draws on his own experience throughout his novels, this is the only text which is presented as autobiographical.
','','',1),('mallunes','Siniac1928','Les Mal Lunés','Prose',1995,'Les Tortionnaires is being rehearsed prior to opening in Bordeaux, and seeking to make a direct attack on a variety of groups that have used torture in the world. There is some anxiety this will attract some very strong reactions, and the opening night does indeed end in violence. Three men with diverse political pasts are in Bordeaux; Gabriel Delaunier is a former mercenary who has operated particularly in a variety of African countries. Adrien Hennoque is a former milicien who served time in prison. Lucien Susquin, a former FFI, has been expelled from the police for his brutality to prisoners. After the disaster of the opening night, it is decided to put on the play in front of a small group of invited spectators. The three men come heavily armed, take over the play, and ensure that each scene of torture is acted out for real. There are frequent references to the Occupation, the allegiances (Doriot, LVF, milice and FFI) as well as to Drancy, to the \'tonte\' (Hennoque claims to have had his head shaved), and the Gestapo (\'la Lauriston party\', Gestapo HG rue Lauriston).
','','',1),('Petainiste','Siniac1928','Le Pétainiste','Prose',1980,'A prison guard tells the story of a prisoner condamned to death for having killed a member of the Resistance. This prisoner is an elderly first world war veteran in poor physical and mental health, a fervent admirer of Pétain, who commits murder in order to save his hero. The author uses this short story to discuss in detail multiple forms of collbaoration that existed in everyday life.
','','',1),('Femmeallemand','Sizun1940','La Femme de l\'Allemand','Prose',2007,'Marion, a young girl and her mother live in Paris in the years immediately following the end of the war. Although it is never really discussed Marion realises that her father was a German soldier. Although Marion recognises that her mother is not like those of her school friends, it is only later that she is revealed to be a manic-depressive. The young girl is taken in and cared for by her grandparents, but struggles for years with the guilt of wondering if she could have done more to help her mother.
','Grand prix littéraire des lectrices d\'ELLE - 2008
','',1),('Perepetite','Sizun1940','Le Père de la petite','Prose',2005,'A young girl of four lives with her adored mother. When her father, a POW that she does not remember, returns she initially resents his intrusion into their happy life. All three characters have to learn how to live as a family, and through this plot the book considers what the concept of fatherhood means.
','','',2),('Sakebrumes','Slocombe1953','Saké des brumes','Prose',2002,'Un vieux Japonais est mort à l\'hôpital d\'Evreux, roué de coups par des mystérieux agresseurs. Sa petite-fille, Yôko Hino, gît, grièvement blessée, dans le même hôpital. Le Poulpe, apprenant par un entrefilet de journal, qu\'Isamu Hino était un des derniers pilotes survivants des groupes d\'assaut Kamikaze, découvre les mémoires de guerre du pilote à la bibliothèque de la Maison de la Culture du Japon à Paris ; le week-end suivant il se rend avec Chéryl en Haute-Normandie, visite le musée de l¹escadrille Normandie-Niémen, interroge un officier de gendarmerie, examine dans un garage les restes de la Citroën louée par les deux Japonais, explore la masure en lisière de forêt où l\'on a retrouvé la victime, et passe une nuit d\'ébats amoureux dans la chambre d\'hôtel où ont dormi Isamu et Yôko Hino. Là il retrouve une pochette d\'allumettes provenant d\'un club privé japonais à Bruxelles.
Le lendemain Chéryl conduit Gabriel au Centre Hospitalier d\'Evreux, où le Poulpe, empruntant une blouse blanche parvient à interroger la blessée. Quittant l\'hôpital, Gabriel constate que Chéryl, énervée et jalouse, est partie sans l\'attendre et qu\'il n\'a plus qu\'à rentrer à Paris en train.
Dans sa chambre d\'hôtel rue de Charonne, Gabriel se passionne pour le récit des premiers combats aériens de Hino aux Philippines et en Nouvelle-Guinée, découvre l\'histoire de son amour pour une lycéenne prénommée elle aussi Yôko, ainsi que celle de ses liens intimes avec un pilote à l\'habileté quasi surnaturelle, Kiyoshiro Murata, surnommé \" Satan \" par les autres pilotes. Dans la nuit du 21 avril, Gabriel choqué par les résultats du 1er tour des présidentielles, a rejoint les manifestants de République rassemblés contre le Front National, il y retrouve par hasard Yôko Hino, l\'accidentée d\'Evreux. Reprenant l\'enquête, le Poulpe et Yôko prennent ensemble le train pour Bruxelles, ville visitée par Isamu Hino juste avant sa venue en France, et où il avait un ami américain, ancien pilote de la guerre du Pacifique. Ce dernier a longtemps été agent de la CIA en Europe et, dans un bar belge sous l\'empire de la bière trappiste, en dit trop long sur les dessous de l\'attentat du 11 septembre, complot organisé par des éléments d\'extrême-droite de l\'armée US?
','','Japanese airforce
',1),('liberationoiseaux','Solet1933','La Libération des oiseaux','Prose',2004,'A little boy tells the story of the D-Day landings and the subsequent liberation of France. He has been sent to live on a farm in Normandy during the war, where he witnesses acts of resistance and fighting between German and Allied troops. He then returns to his parents in Belleville in Paris just before the liberation of the city and takes part in the fighting on the barricades. These are the memories of the author himself, depicted through the eyes of a small, naive ten year old. Aimed at children from 11 onwards.
','','',1),('Etoilesang','Sonnier1918','Étoile de sang: Notes retrouvées d\'un combattant','Prose',1943,'GS begins by saying he is not describing the present war, but an eternal war. A year after Michel Lentier\'s death, he is publishing ML\'s war journal, which highlights the continual confrontation with death and also the boredom of the trenches, together with a letter from Lentier to GS, containing his will, and a section addressed to Lentier by a man called André. Lentier was finally wounded and his friend Jean was killed. His diary ends with Christmas 1941.
','','',1),('Medecinchars','Soubiran1910','J\'étais médecin avec les chars: Journal de guerre','Prose',1943,'Written from 1941 to 1942 this was first published in a censored form in the \'zone libre\' and some hundred editions appeared between 1943 and 1945. Duhamel\'s preface explains that when the French army retreated in 1940 it was accused of cowardice. AS, writing this moving book in memory of the dead and wounded, describes the heroism of the doctors and his own experiences during the retreat from Luxemburg to Normandy from 9 May to 18 June, including his escape from a German convoy. His book ends with the Armistice.
','','',1),('OdeLondresbombardee','Soupault1897','Ode à Londres bombardée','Prose',1943,'','','Kelly, Debra, \'Philippe Soupault and \'Ode à Londres bombardée\': Imprisonment, Revolt and Images of the Resistance\', in Six authors in captivity: literary responses to the Occupation of France during World War Two, ed by Thatcher, Nicole and Ethel Tolansky (Oxford: Peter Lang, 2006), 159-186
',2),('Tempsdesassassins','Soupault1897','Le Temps des assassins. Histoire d\'un détenu no. 1234','Prose',1945,'','','',1),('Tousensemble','Soupault1897','Tous ensemble au bout du monde','Theatre',1947,'Play which lampoons the Vichy regime based on a Grimm brother\'s fairy tale.
','','',1),('Enverscontretout','Soustelle1912','Envers et contre tout','Prose',1947,'Volume I is an important historical document in which JS describes joining de Gaulle in 1940 and becoming one of his closest colleagues. He was an influential member of the \'government\' in London, chief of Intelligence and responsible for many missions. In Volume II JS covers the period from the Allied landing in North Africa in 1942 to the Normandy landings in June 1944. He describes the many intrigues and pressures organised by the Vichy Government to embarrass the Free France movement, with racial discrimination and anti-republican repression, and he stresses the blindness of certain Americans who tried to bring about the downfall of de Gaulle\'s Resistance group. His style is lively but often aggressive and rather too impassioned to be very persuasive.
','','',1),('Crevassemaquisards','Spade1921','La Crevasse des maquisards','Prose',1984,'A maquis group, comprising Gaullists and communists, frees Captain Moreuil, captured by the Germans after parachuting into the area. Pursued by Von Raustein and his men, the group is besieged in a high-mountain refuge, but escapes in mist down a glacier; Moreuil is killed covering their retreat. Von Raustein is also killed; thirty years later, his body emerges from the glacier. This is a lively adventure story, where all parties behave honourably and heroically and moral ambiguities and complexities are avoided.
','','',1),('Renaissante','Spade1921','Les Enfants de la guerre: la renaissante','Prose',1969,'In this sequel to Le Temps des cerises, Bernier, Toto and their comrades are repatriated to Paris. Bernier becomes a journalist and attends collaborators\' trials. Unable to tolerate civilian life, Toto rejoins the army and leaves for Indochina. Although we glimpse some of the problems of post-war re-adjustment, too often characters tend to address long speeches at each other and plunge into recollections that take up interminable pages.
','','',1),('Tempscerises','Spade1921','Les Enfants de la guerre: le temps des cerises','Prose',1968,'The narrative is centred on a small group of French soldiers, taken prisoner on Elba and transferred to unspecified camps in Germany. In fact, little attempt is made to give a sense of place; the author is more interested in evoking the prisoners\' past existence. As the war draws to a close, they witness atrocities committed by French Waffen SS (killing deportees) and Poles (raping and murdering a German woman).
','','',1),('Tombesperdues','Spiess1922','Les Tombes Perdues','Prose',1990,'The story of two Alsacien brothers with very different experiences of the Second World War. Joseph was enrolled by force into the German army and served on the Eastern Front before deserting and joining the Free French, while Eugene fled to Switzerland, then to France where he joined the Resistance. The novel provides an insight into the difficult decisions faced by the young men of Alsace, and the suspicion that they encountered from the French authorities during the period of Liberation. Although not strictly autobiographical, it can be imagined that the character of Joseph is heavily based on the author himself.
','','',1),('Tonkinoise','Sportes1947','Tonkinoise','Prose',1995,'','Lamberon, Marc, \'Rigodon et moustiquaires\', Le Point, 25/08/2005
\'A plus d\'un titre\', France Culture, 25/03/2008
','',1),('Chaquehomme','Stephane1919','Chaque homme est lié au monde','Prose',1946,'Volume I contains RS\'s diary notes on the war from 1939 to 1944, with his experience of the Vichy régime, his involvement in the Resistance movement and his imprisonment. Volume II begins with the liberation of Paris and RS accepting a post in Adrien Tixier\'s ministerial cabinet. Having been imprisoned himself, he had the task of visiting the prisons to report on them. He inspected Drancy and interviewed collaborators, went round Germany and visited Dachau, but finds himself unable to speak about it, and went to the prison in Melun. His diary entries also include references to his interest in literature, his interview with Malraux, on whom he was writing a book, and the books he was reading at the time.
','Post-Liberation government
','',1),('Reseauclandestin','Stokis','Réseau clandestin','Prose',1967,'Roland, a young teenager, starts writing a diary in order to be able to tell his father, a POW, how he has spent the war. He and a friend help to hide a French airman who has been shot down. This act leads him to become more and more involved with Resistance activities, as a runner and then hiding Jewish neighbours and members of the Resistance at home. Unfortunately he will never be able to tell his father about his exploits, for the father is shot for helping other POWs to escape.
','','',2),('Histoirepetitnegre','StRemy','L\'Histoire du petit nègre','Prose',1945,'An African-American GI is brought to Europe to fight. The reader follows him and his jeep (from which is never separated) through his vague adventures from his native Missouri right until Berlin. The story provides an invaluable insight into contemporary reactions to the arrival of African-American GIs on French soil, an experience that the reader is told through images has a \'civilising\' effect on them.
','','',1),('Etoileautres','Sussan1925','L\'Etoile des autres: chroniques errantes','Prose',1967,'The second of the nine sections of this novel covers the period of the Second World War. The resistance activities in which these Jewish teenagers are engaged are portrayed as a prelude to the later struggle for a Jewish state.
','','Touitou-Benitah, Colette, \'L\'étoile et la plume: Le 8 novembre 1942 dans la littérature judéo-maghrébine\', in Littérature et Résistance, ed by Reichelberg and Kauffmann (Reims; PUR, 2000)
',1),('LourdSilence','Szac1964','Un lourd silence','Prose',1999,'First-person narrative by 18-year-old Vincent. Intrigued by his family\'s refusal to discuss the wartime activities of his grandfather Anatole Morel, ostensibly a Resistance hero killed in September 1944, Vincent and his friends (who include Hanna, a Polish deportee) attempt to discover what secrets lie in the past. On discovering his grandfather\'s diary, Vincent learns that Anatole Morel was actually a milicien, who worked under Paul [Touvier], was involved in the murder of Victor Basch and his wife, and denounced Hanna.
','','',1),('Affairefemmes','Szpiner','Une affaire de femmes : Paris 1943, exécution d\'une avorteuse','Prose',1988,'During the Occupation, Marie, a young woman with two children, has carved out a life for herself during her husband\'s absence, barely managing to feed her children, gleaning some happiness from jukeboxes and girlfriends, and by performing an occasional amateur abortion for her neighbors. When her shell-shocked husband returns from the labour camps, Marie takes matters into her own hands and turns her skills into a booming abortion business, lodging prostitute friends on the side and taking a collaborator for a lover. Marie\'s moral downfall is shown to be the consequence of the dire economic and social conditions of the Occupation. The novel is based on the real life story of Marie-Louis Giraud, a laundress from Cherbourg executed in Paris in 1943 for having carried out 27 abortions.
','','',2),('Honteappartient','Tabachnik1938','La Honte leur appartient','Prose',2002,'Walter returns to his hometown twenty-five years after the war. His parents and sister, along with another Jewish family, were arrested by the Milice in February 1943 and he wishes to discover who denounced his family and profited from the attribution of their home and business. He takes in a patient who has escaped from a local mental hospital and uses him to take revenge on the local population, who are unwilling to admit their own or their family\'s responsibility, fearing the loss of the power and riches that they have amassed.
','Côte femme, 26/12/2002; Femme actuelle, 16/12/2002
','',2),('Belleinsoumise','Tabary1943','La Belle insoumise','Prose',2008,'Pierre, Mauricette\'s husband, dies a few months after their marriage, during the fighting of Spring 1940. The Occupation is especially oppressive in her region given the proximity to the naval base at Saint-Nazaire. The novel describes in detail the nine month siege of this Atlantic pocket and its effect on the local population.
','','',1),('Laissezpasser','Tavernier1941','Laissez-passer','Film',2001,'The film depicts the cinema industry in Paris during the Occupation through the eyes of Jean Devaivre, an assistant director and Jean Aurenche, a scriptwriter. The shortage of materials and money leads to a German stranglehold on the French cinema industry.
','Reader, Keith, \'Laissez-passer\', BIFI Sight and Sound, November 2002
','',2),('Egares','Techine1943','Les Égarés','Film',2003,'Odile, a widowed schoolteacher, flees occupied Paris with her two children. They head south, with thousands of others, but are forced to abandon their car and all their possessions, after a bombing by German planes. They are helped by a mysterious teenage boy (Yvan, who has escaped from a young correctional centre) as they finally hide in an abandoned house. The arrival of two French soldiers returning to their homes in the south from Sedan breaks the spell, by telling the family of the end of the war. The effects of the war on traditional forms of family and personal relationships is examined in depth. The film is interspersed with black and white archive footage of the defeat and the exodus
.
Based on Gilles Perrault\'s novel, Le garçon aux yeux gris (Paris: Fayard, 2001)
','Grassin, Sophie, \'Héros du mois\', Premiere n.318 , August 2003, p.20-21
A profile of actor Gaspard Ulliel, focusing on his latest role in André Téchiné\'s Les Egarés.
','',1),('NancyMunster','Thomas1885','Nancy-Münster, six mois de captivité','Prose',1941,'','','',1),('Arrestation','Thomas1909','L\'Arrestation','Prose',1943,'Depicts the bravery of Anne, a résistante, who is arrested while visiting her sick mother.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',2),('Evades','Thomas1909','Les Evadés','Prose',1943,'The journey of French soldiers who have escaped from work camps in Poland and Germany.
','Escape
','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',2),('FTP','Thomas1909','F.T.P (Francs-tireurs partisans)','Prose',1943,'A portrait of the hours leading up to the attack on a German train by a Resistance group. An insight into the motivations of each of the men involved and finally the description of the attack itself, totally unsensationalised.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',2),('MoulesProfesseur','Thomas1909','Les Moules et le Professeur','Prose',1943,'Daily lives of an old couple highlight the difficulties of food and fuel shortages.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',2),('Releve','Thomas1909','La Relève','Prose',1943,'About the Service de travail obligatoire in Germany. The reader follows Robert Basin, a worker from the Renault factory in Boulougne-Billancourt, who has received his call up papers for the STO. His girlfriend provides him with the courage to disobey and to hide, while he waits for the day when he can take up arms.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',2),('Tilleul','Thomas1909','Le Tilleul','Prose',1943,'German soldiers occupy for the second time the château where La Renaude works. She mothers one of the young soldiers, Hans, and from his stories learns that some Germans, namely the communists, have suffered too under the Nazi regime.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',2),('Veillee','Thomas1909','Veillée','Prose',1943,'Two women listening to clandestine radio programmes contemplate the loss of their male loved ones.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',2),('Contesdauxois','Thomas1909','Contes d\'Auxois','Prose',1943,'This clandestine collection is composed of seven short stories: \'Les Moules et le Professeur\', \'La Relève\', \'Veillée\', \'Le Tilleul\', \'Les Evadés\', \'L\'Arrestation\', and \'F.T.P\' (see separate entries for synopses and thematic keywords). It is the important role of women in the active or everyday resistance that Thomas chose to celebrate in these stories, especially the extent to which their compassion and bravery gives courage to those around them.
Auxois is in fact the pseudonym of the author, but the name is always integrated into the title, as it is on the cover and title page of the collection.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (Basingstoke: Macmillian Press, 1998)
Holmes, Diana, Love Stories: Romance and Readership in Twentieth Century France (Oxford: Oxford University Press, 2007)
Kauffman, Dorothy, \'Uncovering a woman\'s life: Edith Thomas (Novelist, Historian, Résistante)\', French Review, 1993 October, 67(1), 61-72
Kauffman, Dorothy, Edith Thomas: A passion for Resistance (Ithaca, NY: Cornell University Press, 2004)
',3),('Combattantsnuit','Tillard1914','Les Combattants de la nuit: Roman','Prose',1947,'This moving story, in novel form, but based on reality, describes the hardships encountered by a group of young Communists working with the Resistance during the Occupation, three of whom were captured by the Germans. François was shot, Yvonne was freed because she was pregnant and Pierre was deported. Their leader, Jacques Vidal, escaped to carry on the work.
','','',1),('Mauthausen','Tillard1914','Mauthausen','Prose',1945,'This is a horrific description of suffering in Mauthausen, which begins with PT\'s train journey there and highlights the appalling conditions in the stone-quarry where thousands died of exhaustion. PT was finally liberated by the Americans. The book is a record of PT\'s own experiences and a general record of the camp. It is illustrated with distressing photographs, and is dedicated to those who died in Mauthausen from the \'Nacht und Nebel\' transport train which left Roumainville on 1 April 1943.
','','',1),('Onsebat','Tillard1914','On se bat dans la ville: Roman','Prose',1946,'','','',1),('Ravensbruck','Tillion1907','Ravensbrück','Prose',1975,'','','',2),('Rechercheverite','Tillion1907','A la recherche de la vérité','Prose',1946,'Tillion\'s autobiography was one of the first published about French women\'s experiences of deportation.
','','',2),('VerfugbarEnfers','Tillion1907','Le Verfügbar aux Enfers','Theatre',2005,'Tillion wrote this comic opera during her time at Ravensbrück with several of her cellmates. The songs (opera, scout songs and popular hits from the 1930s) tells with a heavily dose of irony the story of the inmates known as Verfügbar, a term that designates the deportees who were used to accomplish general tasks in the camp. After Tillion\'s return to France, the manuscript remained unpublished for more than fifty years.
','','',3),('FrancaiseLibre','Torres1924','Une Française Libre','Prose',1981,'','','',2),('Maisonshantees','Torres1924','Les Maisons hantées de Meyer Levin','Prose',2005,'Torrès describes how her husband, the American writer Meyer Levin, became obsessed with the diary of Anne Frank. He decides to write a play based on the story but is told that it will be impossible to stage. He attacks the director in the courts and goes as far as to write to the Israel president and prime minister, begging for their help. He lives only for the play, ignoring his wife and children.
','Le Monde des Livres, 08/07/2005
','',1),('Pasencore','Torres1924','Pas encore','Prose',1958,'','(NL, 30/4/58)
','',2),('Womensbarracks','Torres1924','Women\'s Barracks','Prose',1950,'Torrès provides a detailed and lively depiction of the domestic lives of the French women who formed part of the Free French forces in London, in which she herself was took part. She provides very little detail about their military duties, prefering to concentrate on their relationship both with each other and with their French and British lovers of both sexes, insisting heavily on how the war brought together women of such different social backgrounds that would never have met in normal daily life in France. Although she gives very little detail about her own life, after reading details of her own biography it becomes apparent that she appears in small amounts in each of her main female characters. Torrès has never allowed the novel to published in French, fearing that it would tarnish the reputation of the Free French Forces.
','','',2),('Victoirepleurant','ToulouseLautrec1924','La Victoire en pleurant','Prose',1981,'In 1946 BdTL met her husband in Schwarz, Tyrol, where he was commanding a regiment of dragoons. She was encouraged by him to write down her memories of the war and did so with at first no intention of publishing them. However, from 1948 onwards her manuscript was circulated anonymously under the signature \'Matricule 75537\' and was read and very favourably received by Roger Martin du Gard and Albert Camus, without either of them learning her identity. In 1957 she won a competition run by Le Parisien libéré with her work and in 1967 General de Gaulle wrote to her. Her book was finally published in 1981. She begins from the moment she and her mother were captured and vividly describes their incarceration. Writing in brief episodes she gives a compelling account of their life in Montluc and Ravensbrück, the constant anguish and fear of death and the hope which never left them. Fortunately, they both survived.
','','',2),('Petitefillesemaphore','Tournerie1939','La Petite Fille du sémaphore','Prose',2008,'A scriptwriter decides to publish the wartime diary of one of her school friends. The diary details numerous aspects of daily life during the Occupation, the period of the Liberation, but also her grooming by a paedophile.
','','',1),('Roiaulnes','Tournier1924','Le Roi des Aulnes','Prose',1970,'Tournier updates Goethe\'s celebrated ballad \'Der Erlkönig\' to the Second World War, combining the atmosphere of German Romantic fairy tales with a realistic account of daily life in wartime France and Germany. The novel alternates between first and third-person narrative to recount the adventures and transformations of a French garage owner, Abel Tiffauges. As German military power crumbles in the face of Soviet advances, the downtrodden prisoner of war becomes a powerful figure in the Nazi training school for SS youth, or Napola, for which he conscripts local children. Discovering the existence of the death camps, Tiffauges bears away a Jewish child, with whom he vanishes into the swamps. While some readers and critics have been repelled by the novel\'s scatological obsessions and paedophilic undertones, for many others Tournier\'s work remains imaginatively captivating and provocative.
','Magnan, Jean-Marie, L\'Amour-ogre, La Quinzaine Littéraire, no.103, 1-15 October 1970
','Arlette Bouloumié, Michel Tournier: le roman mythologique, Corti, 1988
David Platten, Michel Tournier and the Metaphor of Fiction, Liverpool UP, 1999
',4),('Milleregrets','Triolet1896','Mille Regrets','Prose',1942,'contains four short stories: \'Mille regrets\', \'Henri Castellat\', \'Le Destin personnel\', \'La Belle épicière\'.
','','Les Annales de la Société d\' Aragon et d\'Elsa n°6- Aragon et Triolet en résistance, Ouvrage Collectif, 2005. (\"Comme d\'autres écrivains, mais sans doute plus que bien d\'autres, Aragon et Elsa Triolet ont été mêlés à l\'histoire en train de se faire, ont nourri leurs œuvres de cette histoire et ont aussi façonné cette histoire de leurs œuvres.\" C\'est par ce constat que Henri Bertholet, le maire de Romans, ouvrait le colloque consacré au rôle des deux écrivains, de novembre 1942 à septembre 1944, lorsqu\'ils étaient clandestins à Dieulefit et Saint-Donat. L\'ambition des participants de ce colloque, qu\'ils soient historiens, chercheurs en littérature, acteurs ou témoins des événements de cette période, était grande. From Le Temps des cerises catalogue, accessed on-line August 2010)
',2),('Melanie','Triolet1896','Quel est cet étranger qui n\'est pas d\'ici?','Prose',1943,'A short story, first person narration, that starts with a commentary on Camus\'s Le Mythe de Sisyphe and the \'étranger\', highlighting the absurd, fear of death and suicide in old age, and continues with the story of the Baronne Mélanie d\'Aubrey, who, after dying in old age, then lives her life backwards until her evaporation in the desire of the two who created her. This fantastical story has various references to the Occupation, the \'restrictions\' and material difficulties, and to the chaos of the débâcle.
','','',2),('Amantsdavignon','Triolet1896','Les Amants d\'Avignon','Prose',1943,'Juliette is a secretary recruited by the Resistance in Lyon, firstly to arrange hiding places for escapees from the STO then to carry notes around Lyon and in rural France. She lives in Lyon with her aunt and her young son, a Spanish refugee she has adopted. As well as providing an insight into Resistance activities of the period, the short story also highlights the dire economic and security situation in which the French population lived and especially the difficulties they faced when travelling. In Avignon she meets Célestin, a fellow Resistance worker, and they play at being in love; visiting the Fort St André, they are moved by the graffiti telling the story of one couple\'s love in their visits from the 1920s to 1960. She just escapes arrest in Lyon through her detailed knowledge of the famous \'traboules\'.
','','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (London: Macmillan, 1998)
',1),('Chevalblanc','Triolet1896','Le Cheval blanc','Prose',1943,'','','',1),('premieraccroc','Triolet1896','Le Premier Accroc coûte deux cents francs','Prose',1945,'Contains \'Les Amants d\'Avignon\', \'La Vie privée ou Alexis Slavsky\', \'Cahiers enterrés sous un pêcher\', \'Le Premier accroc coûte deux cents francs\'. see separate entries for synopses.
The title of the collection Le Premier accroc coûte deux cents francs echoes the use of enigmatic phrases transmitted by the BBC to send messages to specific Resistance groups. It is said on theTriolet website to be the code word used to annonce the Provence landings of the 15th of August 1944. In the short story itself, it says it was the code for the 6 June Normandy landings (the August landings are referred to as \'le deuxième accroc\'). Neither is likely to be true.
','Reprinted in many formats, and ORC vols 5-6; it was awarded, in 1945, the Prix Goncourt for the year 1944.
','Gorrara, Claire, Women\'s Representations of the Occupation in Post-\'68 France (London: Macmillan, 1998).
Les Annales de la Société d\' Aragon et d\'Elsa n°6- Aragon et Triolet en résistance, Ouvrage Collectif, 2005. (\"Comme d\'autres écrivains, mais sans doute plus que bien d\'autres, Aragon et Elsa Triolet ont été mêlés à l\'histoire en train de se faire, ont nourri leurs œuvres de cette histoire et ont aussi façonné cette histoire de leurs œuvres.\" C\'est par ce constat que Henri Bertholet, le maire de Romans, ouvrait le colloque consacré au rôle des deux écrivains, de novembre 1942 à septembre 1944, lorsqu\'ils étaient clandestins à Dieulefit et Saint-Donat. L\'ambition des participants de ce colloque, qu\'ils soient historiens, chercheurs en littérature, acteurs ou témoins des événements de cette période, était grande. From Le Temps des cerises catalogue, accessed on-line August 2010)
',4),('passageligne2','Triolet1896','Ce n\'était qu\'un passage de ligne','Prose',1945,'Ce n\'était qu\'un passage de ligne relate l\'arrestation d\'Aragon et Elsa en 1942, au moment où, conduits par leur passeur, Georges Dudach, ils franchissaient la ligne de démarcation pour se rendre à un rendez-vous clandestin à Paris. [From Le Temps des cerises catalogue, accessed on-line August 2010]; Présentation de l\'éditeur: Ce qui frappe dans Ce n\'était qu\'un passage de ligne comme dans Les souliers grillés, c\'est le bel équilibre obtenu entre les différentes perspectives d\'un récit à la première personne. L\'image de la vie des résistants - dans ses accidents ou incidents qui pourraient être dramatiques comme dans le travail aride et routinier de tous les jours - se tresse à la relation de menus événements qui dresse un tableau familier de ce que les gens ont vécu pendant l\'Occupation. Mais l\'objectivité du témoignage, s\'éloignant de toute froideur, prend sa force parce qu\'il est celui d\'une femme qui n\'hésite pas à exprimer ses faiblesses, ses peurs, ses rages dans les circonstances qu\'elle doit affronter. Elsa la narratrice, en prenant la parole, ne sombre jamais dans le psychologisme ou le pathos : celle-ci est donnée nette, précise, refusant la prolixité sentimentale amollissante, glissant même des touches d\'humour au milieu du drame, avec parfois ce regard qui sait transformer le banal en petits éclats brillants, pierres précieuses de l\'écriture, comme le souhaitait Gorki. (M.-T. Eychart) [From amazon.fr accessed 10/08/2010]
','','Les Annales de la Société d\' Aragon et d\'Elsa n°6- Aragon et Triolet en résistance, Ouvrage Collectif, 2005. (\"Comme d\'autres écrivains, mais sans doute plus que bien d\'autres, Aragon et Elsa Triolet ont été mêlés à l\'histoire en train de se faire, ont nourri leurs œuvres de cette histoire et ont aussi façonné cette histoire de leurs œuvres.\" C\'est par ce constat que Henri Bertholet, le maire de Romans, ouvrait le colloque consacré au rôle des deux écrivains, de novembre 1942 à septembre 1944, lorsqu\'ils étaient clandestins à Dieulefit et Saint-Donat. L\'ambition des participants de ce colloque, qu\'ils soient historiens, chercheurs en littérature, acteurs ou témoins des événements de cette période, était grande. From Le Temps des cerises catalogue, accessed on-line August 2010)
',2),('Yvette','Triolet1896','Yvette','Prose',NULL,'','','Les Annales de la Société d\' Aragon et d\'Elsa n°6- Aragon et Triolet en résistance, Ouvrage Collectif, 2005. (\"Comme d\'autres écrivains, mais sans doute plus que bien d\'autres, Aragon et Elsa Triolet ont été mêlés à l\'histoire en train de se faire, ont nourri leurs œuvres de cette histoire et ont aussi façonné cette histoire de leurs œuvres.\" C\'est par ce constat que Henri Bertholet, le maire de Romans, ouvrait le colloque consacré au rôle des deux écrivains, de novembre 1942 à septembre 1944, lorsqu\'ils étaient clandestins à Dieulefit et Saint-Donat. L\'ambition des participants de ce colloque, qu\'ils soient historiens, chercheurs en littérature, acteurs ou témoins des événements de cette période, était grande. From Le Temps des cerises catalogue, accessed on-line August 2010)
',1),('personne','Triolet1896','Personne ne m\'aime','Prose',1946,'','','',1),('Fantomes','Triolet1896','Les Fantômes armés','Prose',1947,'','','',1),('Inspecteur','Triolet1896','L\'Inspecteur des ruines','Prose',1948,'','','',1),('sixentre','Triolet1896','Six entre autres nouvelles','Prose',1945,'Contains: \'Je cherche un nom de parfum\', \'Mille regrets\', \'Clair de lune\', \'Les Amants d\'Avignon\', \'Yvette\', \'Cahiers enterrés sous un pêcher\'.
','','',1),('vieprivee','Triolet1896','La Vie privée ou Alexis Slavsky','Prose',1945,'The second story in Le Premier Accroc coûte deux cents francs. The story of a painter and his wife Henriette who take refuge in the southern unoccupied zone, worried about his Polish name (Polish grandfather, Jewish Russian grandmother). He is interested only in his art, and Henriette devotes herself to making it possible for him to continue to paint. After the near disaster for the couple of a relationship between Alexis and a woman called Catherine, after his near fatal illness, Louise Delfort, a former friend and journalist from Paris who has taken refuge in the same village, opens his eyes to the reality of the war and occupation, and the resistance. She has to quickly move on, and news later arrives of her arrest in Lyon. Alexis is given some of her writings and other effects to keep. He has been drawn into a collective conspiracy, discovers the power of comradeship and solidarity, and starts painting again.
','','',1),('Cahiers','Triolet1896','Cahiers enterrés sous un pêcher','Prose',1945,'The third story in Le Premier Accroc coûte deux cents francs. The narrator is invited out to dinner by a member of the Gaullist resistance. While he seems unperturbed by both the price and the opulence of the meal, she can not stop herself thinking of all her friends that are going without. The story intends to highlight the differences between the Gaullist and Communist Resistance.
','','Les Annales de la Société d\' Aragon et d\'Elsa n°6- Aragon et Triolet en résistance, Ouvrage Collectif, 2005. (\"Comme d\'autres écrivains, mais sans doute plus que bien d\'autres, Aragon et Elsa Triolet ont été mêlés à l\'histoire en train de se faire, ont nourri leurs œuvres de cette histoire et ont aussi façonné cette histoire de leurs œuvres.\" C\'est par ce constat que Henri Bertholet, le maire de Romans, ouvrait le colloque consacré au rôle des deux écrivains, de novembre 1942 à septembre 1944, lorsqu\'ils étaient clandestins à Dieulefit et Saint-Donat. L\'ambition des participants de ce colloque, qu\'ils soient historiens, chercheurs en littérature, acteurs ou témoins des événements de cette période, était grande. From Le Temps des cerises catalogue, accessed on-line August 2010)
',1),('Clairlune','Triolet1896','Clair de lune','Prose',1942,'','','Les Annales de la Société d\' Aragon et d\'Elsa n°6- Aragon et Triolet en résistance, Ouvrage Collectif, 2005. (\"Comme d\'autres écrivains, mais sans doute plus que bien d\'autres, Aragon et Elsa Triolet ont été mêlés à l\'histoire en train de se faire, ont nourri leurs œuvres de cette histoire et ont aussi façonné cette histoire de leurs œuvres.\" C\'est par ce constat que Henri Bertholet, le maire de Romans, ouvrait le colloque consacré au rôle des deux écrivains, de novembre 1942 à septembre 1944, lorsqu\'ils étaient clandestins à Dieulefit et Saint-Donat. L\'ambition des participants de ce colloque, qu\'ils soient historiens, chercheurs en littérature, acteurs ou témoins des événements de cette période, était grande. From Le Temps des cerises catalogue, accessed on-line August 2010)
',1),('premaccrocthestory','Triolet1896','\'Le Premier Accroc coûte deux cents francs\'','Prose',1945,'The fourth story in Le Premier Accroc coûte deux cents francs.
','','',1),('DernierMetro','Truffaut1932','Le Dernier Métro','Film',1980,'Marion Steiner runs a small theatre in Paris during the Occupation. Official her husband Lucien, who is Jewish, has left for South America, but in reality he is in hiding in the cellar. As he can hear the rehersals through an airvent he continues to direct the plays. Marion hires Bernard Granger as the lead actor to play alongside her and even her husband realises that they have fallen in love.
','Won ten Césars
','Kenneth The Drama of Fallen France
',1),('Memoirescuremaquis','Truffy','Les Mémoires du curé du maquis de Glières','Prose',1950,'','','',1),('Sangor','Unger','Le Sang et l\'or: Souvenirs de camps allemands','Prose',1946,'This is an extremely shocking account of daily life in various concentration camps, including the Bajsko and Birkenau camps; the ill-treatment began as soon as the prisoners arrived, when they had their gold teeth taken out. JU recounts some of his personal experiences but focuses upon a general view of the suffering and stresses the appalling brutality of the Germans.
','','',1),('Droledejeu','Vailland1907','Drôle de jeu','Prose',1945,'A novel about Resistance activists in the closing months of the Occupation, partly based on the author\'s personal experience. The narrative alternates between the third person and the consciousness of the main character Marat, a sceptical libertine who accepts the need for commitment. Vailland provides interesting documentary details about the life of clandestine activists, a large amount of philosophical debate, and a complex plot involving a wide range of characters. Some of them recur in his post-war novel Bon pied bon oeil (1950).
','Award Prix Interallié 1945
','',2),('Jeunehommeseul','Vailland1907','Un jeune homme seul','Prose',1951,'Drawing on his own upbringing in Reims, Vailland describes the retarded adolescence of Eugène-Marie Favart, who is still wearing short trousers on his sixteenth birthday. The second part of the novel jumps forward twenty years to the Occupation. Favart is now a railway engineer and finally commits himself to Resistance activities. He is imprisoned, but his group plans to free him. Kléber Haedens called this novel a \'conte rose pour enfants de chœur (marxistes)\' (quoted by Courrière, p.537).
','Lalou, René, Un jeune homme seul, Les Nouvelles Littéraires, 01/11/1951
','Cahiers Roger Vailland, 1994-
Yves Courrière, Roger Vailland ou un libertin au regard froid, Plon, 1991
John Flower, Roger Vailland: the Man and his Masks, London, Hodder & Stoughton, 1975
http://www.roger-vailland.com/
',4),('Alsacevousparle','Vallotton1877','L\'Alsace vous parle','Prose',1946,'','','',1),('FascistesnazisProvence','Vallotton1877','Fascistes et nazis en Provence: Journal d\'un Suisse pendant l\'Occupation 1942-1944','Prose',1945,'','','',1),('Feuillesvent','Vallotton1877','Feuilles dans le vent','Prose',1941,'Novel about the evacuation of inhabitants of an Alsatian town to Haute-Vienne, from the viewpoint of a bilingual nurse.
','','',1),('Armesdelanuit','Vercors1902','Les Armes de la nuit','Prose',1946,'First person narrative that recounts the return of Pierre Cange (the leader of a resistance movement) from the concentration camps, through the eyes of two of his friends; the narrator (never named) and Jean-Jacques, the brother of Pierre\'s pre-war fiancée. It is a detailed and moving account of Pierre\'s physical appearance and mental state and his difficulties in readjusting to everyday life in the post-war period, as well as the discomfort felt by those around him, who are unable to understand the emotions of this broken man.
','','',4),('Cejourla','Vercors1902','Ce jour-là','Prose',1943,'A little boy returns from a walk with his father to find that his mother has been arrested. No great fracas signals her disapearance, simply the fact that a pot of geraniums has been overturned. He is entrusted to a neighbour and shortly afterwards the boy\'s father is also arrested. The little boy overhears a conversation in which he learns of his parents\' deportation.
','','',1),('ChevalMort','Vercors1902','Le Cheval et la Mort','Prose',1944,'','','',1),('Impuissance','Vercors1902','L\'Impuissance','Prose',1944,'The narrator visits his friend Renaud to inform him of the death of a mutual friend in a concentration camp. The narrator himself learns of the massacre at Oradour, an act which has pushed Renaud to destroy all objects of beauty around him.
','','',1),('Marcheetoile','Vercors1902','La Marche à l\'étoile','Prose',1945,'Written in memory of his father and his journey on foot from Hungary to France in 1900. The first part of the novel (La Foi et la Lumière) is a fictional retracing of this journey, through the character of Thomas Muritz. The second section (Le règne des avares) is inspired by a German poster of \'foreign terrorists that featured the picture of man who could have been the same age as the father.
','','Ménager, Yves, \'La Marche à l\'étoile - une certaine idée de la France\' in Littérature et Résistance, ed by Reichelberg and Kauffmann (Reims; PUR, 2000), 91-105
',4),('Mots','Vercors1902','Les Mots','Prose',1947,'Luc, a poet, reflects upon the nature of writing in the context of the Occupation, and the validity of his view that language was an end in itself, that it should not be concerned with society or politics. He recalls his attitude towards being a soldier and to the Occupation. He settles in the Limousin and continues to write as before. The incident which shocks him into a different view of writing is the violent attack on a village, in a clear reference to Oradour. While he hears the distant sounds of the massacre, and watches the houses and church in flames, he observes a German officer who has set up his easel a short distance from Luc\'s house, produce a beautiful painting and congratulate himself on having thereby enriched humanity, while also expressing horror at the brutality of his own troops. In the ruins of the village, a new sort of poetry, bearing witness to the atrocity, and to the power and limitations of language, bursts forth from Luc.
','','http://pagesperso-orange.fr/vercorsecrivain/lesmots.html
',3),('Silencemer','Vercors1902','Le Silence de la mer','Prose',1942,'A German officer called Werner von Ebrennac is billeted on the household of an elderly Frenchman and his niece. Von Ebrennac is a cultivated musician who attempts to win over uncle and niece in a series of idealistic and sentimental monologues about Franco-German relations, but the French couple resist his blandishments by refusing to respond. While their resistance amounts to no more than passive taciturnity, the German officer himself becomes increasingly disillusioned with National Socialism, but resolves his patriotic dilemma by opting for a suicidal mission on the Eastern front. Arthur Koestler complained that the book\'s message of passive resistance was unlikely to have much impact on Hitlerism, whereas post-war critics have tended to stress the story\'s more allegorical features, its assertion of human dignity and conscience.
Le Silence de la mer is arguably the most famous literary work written in France during the Occupation: composed from July to October 1941, circulated in the occupied zone in October 1942, and distributed more widely in July 1943.
','','Georges Cesbron et Gérard Jacquin, eds, Vercors (Jean Bruller) et son œuvre, Paris, L\'Harmattan, 1999
William Kidd, Vercors: Le Silence de la mer, University of Glasgow, French and German Publications, 1991
Arthur Koestler, The Yogi and the Commissar, London, 1945
',9),('Songe','Vercors1902','Le Songe','Prose',1945,'','\'Le Songe\' and \'Ce Jour là\' were reprinted in all the many editions of Le Silence de la mer et autres récits.
','',2),('silencemeretautres','Vercors1902','Le Silence de la mer et autres récits','Prose',1951,'Contains Le Silence de la mer, Ce-Jour-là, Le Songe, L\'Impuissance, Le Cheval et la mort, L\'Imprimerie de Verdun
','','',3),('Bataillesilence','Vercors1902','La Bataille du silence','Prose',1967,'','','',1),('Lenord','Vercors1902','Le Nord','Prose',1944,'','','',1),('sabletemps','Vercors1902','Le Sable du temps','Prose',1945,'','','',2),('souffrance','Vercors1902','Souffrance de mon pays','Prose',1945,'','','',1),('Imprimerie','Vercors1902','L\'Imprimerie de Verdun','Prose',1947,'nb from bnf\"L\'Imprimerie de Verdun\" a paru dans un volume collectif à la mémoire des imprimeurs fusillés, Paris, 1945 ; \"Désespoir est mort\" a été publié clandestinement pour la 1re fois, sous le pseud. de Santerre, dans les \"Chroniques interdites\", Éditions de Minuit, 1943 ; \"L\'Impuissance\", dans \"l\'Éternelle revue\", Paris, 1944 ; \"Les Pas exténuants\", dans \"Temps présent\", Paris, 1944 ; \"Agir selon sa pensée\", dans \"Les Lettres françaises\", n° 135, 1946. - Les Belles histoires
','','',1),('desespoir','Vercors1902','Désespoir est mort','Prose',1944,'','','',1),('Nuitpasnuit','Verdet','La Nuit n\'est pas la nuit: Roman','Prose',1948,'There is little that is fictional in these memories of deportation and imprisonment. They begin with the arrest of Raymond Taulanne and his wife Claire, and Taulanne\'s journey in the train from Fresnes to Buchenwald, where the horror of the extermination of Jewish children is movingly described. Taulanne\'s thoughts are expressed in italics. A move to Birkenau sees the introduction of Gabriel Lanson as a character and a description of the atrocities committed in that camp. Back in the infirmary at Buchenwald, AV now writes in the first person through the character of Taulanne. The appalling evocation of atrocities in Buchenwald is a background for his thoughts of Claire, music and poetry. The prisoners made music there and also weapons, so that the camp was able to liberate itself before the Americans came and thus avoid extermination.
','','',1),('','Verdier1912','','Prose',NULL,'','','',1),('Traverseefrontieres','Vernant1914','La Traversée des frontières','Prose',2004,'This is the second volume of Vernant\'s collected essays, entitled Entre mythe et politique. He explores links between Homeric epic and Resistance activity, problems of memory and documentation, and the Aubrac affair.
','','',1),('Armeesecretebasalpine','Vial','Un de l\'Armée secrète bas-alpine: Souvenirs d\'un résistant','Prose',1947,'','','',1),('Cinqhommes','Vialar1898','Cinq hommes de ce monde','Prose',1954,'The novel presents five main characters (one German, English, French, Russian and American, all called \'Warrior\' or \'Fighter\') who converge in Berlin in October 1945 and recall their wartime experiences.
','','',2),('dansons','Vialar1898','Dansons la capucine','Prose',1950,'','','',1),('lahaute','Vialar1898','La Haute Mort','Prose',1951,'','','',1),('lamort','Vialar1898','La Mort est un commencement','Prose',1946,'A novel in eight volumes (a \'roman-cycle\' or \'roman cyclique\') of which the first, Le Bal des sauvages, the seventh Dansons la capucine and the last dLa Haute Mort, deal with the years of war and occupation. It is focused on a relatively small number of main characters and primarily François Larnaud and Jacques Vieuville. Starting with Jacques Vieuville returning to Paris after three years in captivity as a prisoner-of-war, the bulk of the novel is constituted by the diaries of François Larnaud, starting with his account of defeat and beginnings of engagement in the Resistance, and, from the second volume, narrating his life story. As the title indicates, a major theme is the dominance of death in the two world wars, and the experience of warfare in the First and Second World Wars is developed at length, (vol 4 Les Morts Vivants rellates his experience of the First). It is also focused on Larnaud\'s quasi-spiritual quest, to realise fully what it is to be a man.
','','',1),('Lebal','Vialar1898','Le Bal des sauvages','Prose',1946,'','The back cover of La Haute Mort lists this novel as being up to its 110e edition
','',1),('Lebouc','Vialar1898','Le Bouc étourdi','Prose',1949,'The story of Sylvain Pelasges and Pascale de Thérignon which includes experiences during the war and occupation (chapters 5 to 11 out of 23 in all). He is the son of a woman in service at the Château, she is the daughter at the Château. Because his mother is not allowed to take him to work with her (and his father is long gone), he grows up virtually alone and wild in the \'massif de la Verne\' in Provence (near the village of Collobrières), getting on very well with the elderly \'garde-forets\', but not at all with his bureaucratic successor Odie. He kills a German officer and three soldiers who come searching for hidden gold. He is drawn into Resistance by hatred of an alien order and the fact that the area is perfect for hiding resisters. The hateful Odie has no scrupules helping the Germans. There is a disastrous final battle when the Resistance group takes on the Germans after hearing of the D-Day landings. Pascale happens to be in a position to save him, and does, as their paths cross for the first time. Surviving fellow Resisters join the Army after the southern landings in August 1944, but he is not interested, committed above all to his forests. He again has frequent clashes with Odie. Pascale is now pregnant, her family horrified at this relationship. The novel moves to the inevitable sad end for this outsider figure, and hope for the future in his son. There is a great deal of narrator comment on the nature of Resistance, how widespread it is and whether it should be considered heroic. The \'sabordage\' of the fleet in 1942 is mentioned.
','ADD FIGHTING OR ARMED RESISTANCE, ADD GERMANS
','',1),('courtevie','Vinci1932','La Trop Courte Vie d\'Adrien','Prose',1995,'Récit qui restitue la vie d\'un jeune maquisard, victime, à 17 ans, de la barbarie nazie.(from Le Temps des cerises catalogue, accessed on-line August 2010). From l\'humanité.fr 22/08/2002, accessed 20/08/2010: Adrien est un tout jeune (dix-sept ans) Lorrain d\'origine polonaise que j\'ai considéré pendant quelques mois comme mon \" grand frère \" (j\'avais douze ans) de la brigade internationale FTP de Frédille. Il m\'avait raconté quelques bribes de sa vie à Nancy. Il a été massacré avec cinq de ses camarades, le 28 août 1944, lors d\'un accrochage avec une colonne allemande qui remontait du Sud-Ouest de la France. Dans ce récit, je suppose qu\'Adrien a agonisé pendant quatre heures (alors qu\'il a certainement été tué sur le coup par un éclat de mortier qui lui a ouvert le ventre, seule la colonne vertébrale retenant le haut du bas du corps), ce qui lui permet de revoir toute sa jeune et courte vie. Adrien fait partie de ceux dont je ne peux pas, ne veux pas faire le deuil.
','','',1),('Amipere','Vitoux1944','L\'Ami de mon père','Prose',2000,'An autobiographical novel, inspired by the author\'s father, a collaborationist journalist convicted of treason in 1944 and released in 1947. (Somewhat naively, he supplied the investigating judge with a complete dossier of his incriminating articles.) While in prison, he met Christian de La Mazière, who visited him after their release. Here the narrator is called Pierre Murr and the friend Bernard du Perray. Since his father\'s wartime activities are a taboo subject, the more expansive Bernard becomes a useful source of information.
','','',1),('Dahlias','Vitoux1944','Des dahlias rouge et mauve','Prose',2003,'Following the death of the operetta star Suzanne, the first-person narrator investigates her life and loves.
','','',1),('Greouforce','Vittori1941','De gré ou de force : service du travail obligatoire, 1942-1945','Prose',2007,'','','',1),('Sabots','Vittori1941','Les Sabots: 1944-1945','Prose',2003,'','','',1),('Didineautres','Vivier1898','Didine et les autres','Prose',1940,'First of eight volumes published annually (1940-1948) which portrayed the daily lives of two ten year old boys, Didine and Rémi in Paris.
','','',1),('maison4vents','Vivier1898','La Maison des quatre-vents','Prose',1946,'The novel depicts the effects of the Occupation on the inhabitants of a Parisian block of flats who demonstrate a true cross-section of attitudes and situations; family of a prisoner of war, a Jewish family, a family of German sympathisers. Children are at the very heart of the intrigue; denoncing others to the occupier or acting as runners for the Resistance.
Such a focus on a small geographical location was born from the author\'s earlier award winning children\'s novel, La Maison des petits bonheurs (1939), which also focused on a small Parisian residental building.
','','Brown, Penny, A critical history of French Children\'s Literature (Abington: Routledge, 2008)
',2),('Memorial','Wajsbrot1954','Mémorial','Prose',2005,'A first-person narrative by a young woman who travels to Kielce in Poland in order to investigate her family\'s past during the war. Mostly interior monologue and \'écriture musicale\' (cover blurb).
','','',1),('EcritsdeMarseille','Weil1909','Ecrits de Marseille - Oeuvres Completes IV (1940-1942)','Prose',2008,'Weil left Paris for Marseille in the hope of joining De Gaulle in London. In her writings from the period she describes her Resistance activities. The work also includes essays on politics, law, philosophy and religion that she wrote during these two years.
','Pachet, Pierre, \'Simone Weil engagée de tout son être\', La Quinzine Littéraire, no. 972, 1-15/07/2008
','',1),('Tempshonte','WeilCuriel','Le Temps de la honte','Prose',1945,'I: On leave in 1940, AWC hears of the German attack, is evacuated to Britain via Flanders, and, as one of the first of de Gaulle\'s soldiers, tries to enlist the help of the British, and is infiltrated into France. II: AWC uses his contacts in France, spends time in Vichy, and works with the Resistance. After gaining valuable information from his old friend Otto Abetz, the German Ambassador in Paris, he tries to get back to Britain, but the Germans discover his involvement in the Resistance. III: He goes to Toulouse, but is unable to get out of the country and is imprisoned by the Gestapo. He feels his friendship with Abetz might save him. Freed rather mysteriously, perhaps because of contacts with Goering, he still tries to get out of France, and has to appear to be pro-German. AWC finally makes his escape over the Pyrenees, opening up the route for others.
','','',1),('Cequefemmeveut','Weiss1893','Ce que femme veut: Souvenirs de la IIIe République','Prose',1946,'LW wrote this book during WW2 describing her own personal fight to show women that her generation was suffering as well. She left her work with L\'Europe nouvelle in 1934 as she could not combat Hitler by writing, returning to private life and beginning to fight for votes for women. There were many setbacks, with no success during the Third Republic, and even women\'s national service was sabotaged, but de Gaulle agreed to votes for women when he was in Algeria.
','','',1),('Dernieresvoluptes','Weiss1893','Dernières voluptés','Prose',1979,'','','',1),('DameIzieu','Wermus','La Dame d\'Izieu','Film',2007,'The film begins with a visit to the Maison d\'Izieu by its founder, Sabine Zlatin in 1987 at time of Klaus Barbie\'s trial. The majority of the film is composed on flash-backs that tell the story of the Jewish children hidden in the house during 1943, up to their arrest on the 6th of April 1944 by Barbie\'s Gestapo and also which depict Zlatin\'s testimony at the Barbie trial. The film ends with a speech by President Mitterrand in 1994 as the house is opened to the public. Zlatin\'s double mission - that of a devoir de mémoire and justice for her husband and the children, are the central themes of this téléfilm.
','','Add telefilm
',1),('Souille','Werrie1901','La Souille','Prose',1970,'A first-person narrative by Yves, who is on the run from the Resistance and takes refuge in a swamp. His stream of consciousness creates a \'réalité hallucinée\', or so the cover blurb would have us believe.
','','',1),('Deposition','Werth1878','Déposition: Journal, 1940-1944','Prose',1946,'An absorbing and revealing diary of the Occupation, written almost daily, in which LW covers the progress of the war, the political scene, his own views and feelings and those of other writers, the details of his family life, and the experiences of those who resisted and those who collaborated.
','','',2),('FrancaiseFrancais','Weyergans1941','Françaises, Français','Prose',1988,'This is a family saga which takes place over a period of eighty years. A long section is devoted to events during the Second World War in France. The novel races through events, including all the major political events in France from 1900 to 1980, sometimes virtually in list form, with little detail of how they affect the main characters.
','','',1),('Memoires','Weygand1867','Mémoires','Prose',1950,'Volume III, the first volume of these memoirs to be published, gives MW\'s historical view of the events he was involved in, but no details of his private life. He left his command in 1935 but returned in 1939 and fought in France and Africa. Sent to Africa by Pétain, he was responsible for signing an agreement with the Americans and was recalled to France and deported to Germany.
','','',1),('Nuit','Wiesel1928','La Nuit','Prose',1958,'An account of the author\'s experience of deportation to the Nazi death camps in 1944, after the German invasion of Hungary (and his father\'s refusal to emigrate to Palestine). Written in a simple, direct and concrete style, this is one of the most moving and powerful books to emerge from the experience of war and genocide.
','','',1),('Jeanne','Winock1937','Jeanne et les siens','Prose',2003,'A family memoir by the well known historian which includes detailed accounts of the exodus from Paris in 1940, and the difficulties of life under the Occupation. After chapters devoted to the history of his father\'s and his mother\'s families, he recounts the establishment of their grocery shop, and his father\'s job as bus conductor, their social and political attitudes, and the details of everyday life for his parents, his brothers and sisters (who are all much older than him), and himself. There is a chapter on their various experiences of the exodus, and another on life under the Occupation in a Parisian suburb; both his father and his oldest brother Marcel catch tuberculosis and die of it, in 1945 and 1944 respectively. He quotes extensively from Marcel\'s diary which supplements his own very rich social historical and psychological analysis. The memoir also relates the importance of education and readings in French culture for Marcel and later for Michel, the first in his family to attend a lycée.
','','',2),('HeurestragiquesEmpire','X','Général, Aux heures tragiques de l\'Empire (1938-1941)','Prose',1947,'This is clearly written by someone very close to General Bührer, Chief of Staff of the Colonial Army and colleague of Georges Mandel, Minister of the Colonies. The book describes the work of Mandel and his adviser in defending the French colonial empire and discusses the role and future of the colonies after 1940, judging severely those in power at that time. This is a \'plaidoyer pro domo\'.
','','',1),('Nedjma','Yacine1929','Nedjma','Prose',1956,'','','Salhi, Kamal, The politics and aesthetics of Kateb Yacine: from francophone literature to popular theatre in Algeria and outside (Lewiston [N.Y.] : E. Mellen Press, 1999)
',3),('BldHirondelles','Yanne','Boulevard des Hirondelles','Film',1992,'The title of the film refers to the street on which the commando liberated Raymond Aubrac from the prison wagon.
The film was later eclipsed by Claude Berri\'s version of the Aubrac\'s story, Lucie Aubrac.
','','',1),('BelgianManor2Wars','Ydewalle1901','A Belgian Manor in Two Wars','Prose',1949,'CdY begins these fascinating memories with his first, that of his distress at leaving his native Saint-André-lez-Bruges, aged three, for a stay of one night in Ghent, and ends them with his return home at the end of WW2. His recollections of childhood, his family home, ancestors and the countryside round Bruges are interspersed with accounts of the history of Belgium. He passes over WW1 with no more than a reference, but describes the capitulation of Belgium in WW2 in detail as the surrender was signed at Saint-André. He then moves to meeting de Gaulle in London and joining him as war correspondent for the Free French Press, in which capacity he was part of the invasion of Normandy, the advance on Paris and the liberation of Belgium.
','','',1),('CroquisLondresguerre','Ydewalle1901','Croquis de Londres en guerre','Prose',1945,'This \'inédit\' gives a wartime view of London, Churchill speaking in the House of Commons, Downing Street unchanged by the war, Buckingham Palace, the Women\'s Services and Royal families in exile. It is similar in content to Ici Londres...
','Add British society
','',1),('IciLondres','Ydewalle1901','Ici Londres...','Prose',1945,'A journalist\'s account of events in London during the war, including the Battle of Britain, with references to Churchill, and occasional memories of CdY\'s own experiences.
','','',1),('InterludeSpain','Ydewalle1901','An Interlude in Spain','Prose',1944,'CdY spent eight months in prison in Spain from November 1941 to July 1942, having been arrested as he tried to make his way to England from Occupied France. The first three months were spent in the chilling atmosphere of the Carcelo Modelo in Barcelona, where the 8,000 prisoners in 700 cells were cut down rapidly by regular executions. He was then transferred to Miranda de Ebro in Old Castile, a huge camp for foreigners, which held many of his fellow Belgians. Here poor food and conditions caused great depression and sickness. CdY maintains an optimistic tone, though the stories he tells of life in the prisons are often horrific.
','','',1),('Amourtempete','Yung1943','Un Amour dans la tempête de l\'histoire','Prose',2004,'A biography, in semi-fictionalised form, of the author\'s parents, who were both shot by the Germans in 1944. She learns by chance of their existence, and the fact of her adoption, at the age of 23. Jacques Trolley de Prévaux was a brilliant naval officer who fought in the First World War, and was commanding a ship until the armistice. After a difficult time at Vichy, he is effectively relieved of his position. He becomes involved in the Resistance, in a Politsh network organised from London, F2. (A large number of websites present information about this network, and the full text of Prévaux\'s entry in the Ordre de la Libération is also available on the net (www.ordredelaliberation.fr/fr_compagnon/986.html). After a long and very passionate love affair with the much younger Lotka (a Polish Jew who settled in Paris in the 1920s and whom he marries after his divorce from his first wife Blandine Ollivier), they marry and settle in the south of France. They are arrested in March 1944, held in Montluc prison in Lyon, tortured, and finally in a group of 24 prisoners taken on 19 August to an airfield on the outskirts of Lyon and shot. Lotka\'s parents, who fled to Paris in the 1930s, are arrested, held in Drancy, and deported to Auschwitz, as are her sister and brother-in-law. Jacques receives honours from the British, French and Polish governments for his resistance activity; Lotka is decorated by the French and Polish governments.
.
','','',1),('BoucherGuelma','Zamponi1947','Le Boucher de Guelma','Prose',2007,'Maurice Fabre, the former sous-préfet of Guelma, is arrested on charges of Crimes against Humanity, when his plane is forced to land in Algeria because of engine problems. The intrigue follows his trial, in contemporary Algeria, for his role in the massacres of Algerians in May 1945. Fabre does not deny his involvement, but attempts to suggest that it was part of an America plan to install an independent European-ruled Algeria. The French officials that visit Fabre in the prison hospital wish him to plead insanity, so that he can be repatriated to France. Their attitude demonstrates the political power of the strong economic ties between the two countries and the discomfort regarding France\'s colonial past felt by the contemporary French authorities.
','','',1),('VoixdelaMuette','Zanzotto','Les Voix de la Muette','Film',2003,'This film examines the concept of French National Identity through the relationship between France and its Jewish population during the Second World War and the contemporary relationship between the French State and its immigrant populations, as played out at the La Muette housing estate, the site of the Drancy internement camp. The documentary juxtaposes interviews with former inmates with those of present day inhabitants. The author is the granddaughter of French Jews deported from Drancy to the concentration camps.
','','Zanzotto, Daniela, \'If the Walls Could Speak (Les Voix de la Muette)\' in Holocaust and the Moving Image: Representations in Film and Television Since 1933, ed. by Haggith, Toby and Joanna Newman (London: Wallflower Press, 2005)
',1),('Souvenirssolitude','Zay1904','Souvenirs et solitude','Prose',1948,'An Education Minister in the Front populaire Government from 1936 to 1939, JZ joined the Resistance on the signing of the Armistice and was arrested and interned by the Vichy Government. This is JZ\'s journal of 1940 to 1943, written secretly during his imprisonment, in which he describes his experiences with serenity and humour. In 1944 he was abducted and assassinated by \'miliciens\' in mysterious circumstances and reinstated by the Government in 1946.
','','',1),('Tempsrencontres','Zeraffa1918','Le Temps des rencontres','Prose',1948,'A long novel which follows the intertwined destinies of a group of characters in wartime France.
','','',2),('Surlenjeu','Caillois1913','Sur l\'enjeu d\'une guerre','Prose',1946,'The essay Conversation avec les Nazis describes the author\'s chance meeting with a family of Nazi sympathisers in the outskirts of Buenos Aires when he seeks refuge from a storm. He recounts the family\'s very direct exchanges with him on their beliefs, including the invincibility of Germany; the genius of Hitler; the total defeat of the nations vanquished by the Germans; and Germany\'s total control of food and essential supplies in the conquered nations. The author has confident counter-arguments to all the issues raised, but his polite and measured responses have no effect. This prompts the author to offer a more forceful vew abuot the inherent violence and evil of the Nazi regime, before leaving before the storm has abated. As he departs, he reflects on the family\'s entrenched views and of humanity\'s innate ability to draw status, self-esteem and satisfaction from inflicting cruelty on others, and the specific results of this trait to be seen in Germany at that time.
The other two essays in this collection offer philosophical reflections on the role and need for hope (La Vertu d\'Espérance, March 1943) and on the meaning and nature of liberty (Paradoxe de la Liberté, May 1944)
','','',1),('Deroute','Debu-Bridel1902','Déroute','Prose',1945,'Written in the first person, the novel describes the experience and reactions of the Dutilleul family between the Summers of 1939 and 1940. A highly educated and intellectual family, the mother, her five sons, two daughters and daughters-in-law belong to recognised professions. They include a novelist, a farmer (the narrator), a professional army officer, an industrialist, a doctor and a journalist. All are very politically aware, but with varying personal ideologies and allegiances. These range from strong patriotism and anti-Nazism, to appeasement and pacificism. The novel traces in some detail the implications of Munich, and the political factions and frequent changes in the government and leadership wthin France during 1939-40. It describes, as experienced by the different family members, the Phoney War; poor discipline in and the capitulation of the French Army; the daily stages of the Fall of France; the surrender of Paris; the failure to establish a new front on the Loire; Pétain\'s armistice with the Germans; and the first days of the Vichy regime. The widely varying views of the different family members, and their individual sufferings and choices in the face of the War, create deep strains in their relationships and lead to their being widely scattered geographically. Nonetheless, several of the characters, including the narrator, draw on the underlying strength of the family ties to prevent irretrievable damage to their inter-relationships. The individuals all choose different courses by the end of the novel, some accepting the changed state of France. The narrator and his family decide to return from their temporary southern refuge to their farm in Normandy, with the intention of settling in Paris for the long-term. They are dejected at the French defeat, but hopeful that Britain will not fall and will enable future liberation of France. They find new determination on hearing one of their brothers broadcasting from London, where he has become one of De Gaulle\'s elite.
Throughout the novel, there are direct comparisons between the events of 1939-40 and France\'s responses to the German attacks in World War One and the Franco-Prussian War.
This novel is part of a series of works about the same family. The titles which precede it are: Frère Esclave(1934); Jeunes Ménages(1935); and Les Secondes Noces(1937).
','','',1),('bete','Leforestier','Bête à Vivre','Prose',1946,'The novel begins in the weeks immediately following the D-Day invasions, and continues unitl the end of Summer 1945. It is set principally in Saint-Lô, Cherbourg, Paris and Coutainville. Against a carefully described background of the northern and Parisian regions and their communities during and immediately after the Liberation, it traces the experiences of two generations of a family displaced by the destruction of Saint-Lô, and the impact of the War on their mental and physical states. Robert, a young intellectual, has escaped from a POW camp in Germany after five years\' incarceration, having seen no significant military action before his capture. His unexpected return to his marital home in Paris takes his young wife, Micheline, by surprise. After a shaky start, they renew their relationship successfully, and begin to rebuild their lives. In the initial, happy period, they are a strong and positive couple. They cope calmly with frequent changes to their longer-term plans, and with everyday difficulties such as shortages, profiteering, rigid bureaucracy, disrupted communications, and tensions between wartime collaborators, members of the Resistance, and post-war turncoats. As time passes relationships with several other characters put their marriage under strain and they drift apart, especially during Micheline\'s pregnancy. Their child dies at the age of a few weeks, whilst in the care of Robert\'s parents, Georges and Marthe. The decline of the latter\'s relationship runs in parallel through the novel. Their solid marriage of many years is destroyed by the loss of their home and livelihood in the post-D-Day bombngs, and by the disruptive influence of Marthe\'s brother, Auguste, on her attitude to her husband. This culminates in Georges\' suicide.
After his return from Germany, Robert\'s physical recovery is swift, but his mental adjustment is problematic, and this contributes to the above course of events. The novel tracks the progress of his personal philosophy and perspectives on social, political and sexual matters (particularly in dialogues with himself and with the ambivalent character, Bernier). He moves from a form of naive altruism during his imprisonment through various radical views as he adapts to the new society at the end of the War. This leads ultimately to a more negative outlook, and a sense that humanity does not advance, but is caught in a perpetual cycle of repeated, often stupid, activity and can still sink to the level of animal behaviour (hence the ambiguity of the word \'bête\' in the title).
','','',1),('Aunom','fabreluce1899','Au Nom des Silencieux','Prose',1945,'The brief essay \'Amnistie\' in this collection focuses on a number of cases of political prisoners incarcerated during the War and in the period immediately after the Liberation. These are used as examples to open discussion of the moral and legal issues surrounding such prisoners, and to call for amnesty for all such individuals. The text includes the author\'s personal memories of several such prisoners who became known to him during his own periods of imprisonment by the Gestapo during the War, and his opinions on the stance of contemporaries such as Camus and Sartre during this period.
The other essays in this collection present the author\'s strong political views on leading army figures and politicians of the time, including de Gaulle, the political context beyond France, and the role of writers in the contemporary period.
','','',1),('adolescente','Jelinek','L\'Adolescente*','Prose',1979,'not checked
','','',1),('linutile','Masares','L\'Inutile*','Prose',1953,'not checked
','','',1),('abeillesguepe','Maspero','Les Abeilles et la guêpe*','Prose',2002,'','','',1),('tempsital','Maspero','Le Temps des italiens*','Prose',1994,'','','',1),('sourirechat','Maspero','Le Sourire du chat*','Prose',1984,'','','',1),('lerefus','Masse','Le Refus*','Prose',1962,'not checked
','','',1),('sangruches','Massenet','Le Sang des ruches*','Prose',1996,'not checked
','','',1),('betequatern','Massip','La Bête quaternaire*','Prose',1963,'','','',1),('ideesrestent','Massis','Les Idées restent*','Prose',1941,'not checked
','','',1),('requiscivil','Masson','Le Requis civil*','Prose',1945,'Indochina during the war.
not checked
','','',1),('levivant','Matthey','Le Vivant, jusqu\'à la pierre*','Prose',1995,'not checked
','','',1),('uneteentre','Mauffret','Un été entre deux feux*','Prose',2003,'not checked
','','',1),('monjournal','Mauffret','Mon Journal de guerre*','Prose',1996,'not checked
','','',1),('jardinenfants','Mauffret','Le Jardin des enfants perdus*','Prose',1991,'not checked
','','',1),('clossaint','Maurette','Le Clos Saint-Michel*','Prose',1956,'not checked
','','',1),('terrassede','MauriacC','La Terrasse de Malagar*','Prose',1977,'','','',1),('cahiernoir','MauriacF','Le Cahier noir*','Prose',1943,'','','',1),('poidsvivre','Maurice','Le Poids de vivre*','Prose',1981,'not checked.
','','',1),('puitscorbeaux','Maximy','Le Puits aux corbeaux*','Prose',2009,'not checked
','','',1),('lepassage','May','Le Passager*','Prose',1961,'not checked
','','',1),('larmeslum','Mayran','Larmes et lumière à Oradour*','Prose',1952,'not checked
','','',1),('collabosong','Mazarin1934','Collabo-song*','Prose',1981,'','','',1),('pecheveniel','Meffre','Péché véniel... péché mortel...*','Prose',1995,'not checked
','','',1),('lecarrefour','Megret','Le Carrefour des solitudes*','Prose',1957,'not checked
','','',1),('franchise','Megret','Franchise militaire*','Prose',1955,'not checked
','','',1),('jacques','Megret','Jacques*','Prose',1941,'not checked
','','',1),('labrigade','Mercadet','La Brigade Alsace-Lorraine*','Prose',1984,'not checked
','','',1),('lesoleilni','Mercanton','Le Soleil ni la mort*','Prose',1950,'not checked
','','',1),('hautcastel','Mergeal','Hautcastel*','Prose',2000,'not checked
','','',1),('4anneesdur','Michel1907','Quatre années dures*','Prose',1945,'','','',1),('lememebat','Milhaud','Le Même Bâteau','Prose',1950,'not checked
','','',1),('lepassant','Millau','Le Passant de Vienne: un certain Adolf*','Prose',2010,'not checked
','','',1),('vieillefra','Millerand','Vieille France*','Prose',2004,'A young governess has to hide her Jewish employers during the war
not checked
','','',1),('accompagn','MillerC','L\'Accompagnatrice*','Film',1992,'not checked
','','',1),('jehaiscette','Minces','Je hais cette France-là*','Prose',1979,'not checked
','','',1),('quatresoldats','Mingarelli','Quatre soldats*','Prose',2003,'not checked
','','',1),('cheminsnuit','Minot','Les Chemins de la nuit*','Prose',1959,'not checked
','','',1),('armeset','Moinot','Armes et bagages*','Prose',1951,'not checked
','','',1),('nousdepeyrac','Molenes','Nous de Peyrac en Périgord*','Prose',1982,'not checked
','','',1),('Sobibor','Molla','Sobibor*','Prose',2003,'L\'histoire douloureuse d\'une jeune fille anorexique dont la vie bascule quand elle découvre le passé de ses grands-parents.
not checked
','','',1),('journalsuzan','Monferrand','Journal de Suzanne*','Prose',1991,'not checked
','','',1),('memoirecru','Monicault','Mémoire cruelle*','Prose',1958,'only occasional references to the war?
not checked
','','',1),('latourmente','Montabe','La Tourmente*','Prose',1956,'not checked
','','',1),('chantiersjeune','Montardre','Les Chantiers de la jeunesse 1940-1944*','Prose',2005,'not checked
','','',1),('maisonquatre','Montardre','La Maison aux quatre étoiles*','Prose',1997,'not checked
','','',1),('chocretour','Monteilhet1928','Choc en retour*','Prose',2009,'presentation de l\'éditeur: Juin 1944 : les Allemands décampent. Urbain Desgenettes, étoilé Michelin, vient de se marier avec une demoiselle apparemment bien sous tous rapports et a tout pour être heureux dans une thébaïde provençale \" qui vaut le détour \". Dénoncé à la Gestapo, il est déporté, passe aux mains des Russes en 45, pour ne retrouver son restaurant qu\'en 1948. Qui l\'a dénoncé ? L\'éventail des soupçons est ouvert. Est-ce l\'épouse ? Est-ce un cousin jaloux ? Serait-ce une maîtresse délaissée ? Dans l\'atmosphère empoisonnée du \" Mas des Sources \", alors que la France libérée prend un nouveau départ, Urbain, de concert avec le commissaire Fontanège, poursuit à tâtons une enquête qui le mènera de surprise en surprise jusqu\'à une conclusion aussi logique qu\'ahurissante. Ecrit d\'une plume dense et alerte par un auteur à l\'humour caustique qui connaît bien les problèmes et l\'ambiance de la grande restauration, Choc en retour nous fait revivre les affres et les doutes d\'un honnête homme que rien n\'avait préparé à cette épreuve.
','','',1),('pertevue','Monteilhet1928','La Perte de vue*','Prose',1986,'','','',1),('retourcendres','Monteilhet1928','Le Retour des cendres*','Prose',1961,'','','',1),('solsticejuin','Montherlant','Le Solstice de juin*','Prose',1941,'','','',1),('marquehomme','Morgan','La Marque de l\'homme*','Prose',1944,'','','',1),('lamarquedelh','Morgan','La Marque de l\'homme*','Prose',1946,'','','',1),('miraclesleg','Morgieve','Miracles et légendes de mon pays en guerre*','Prose',2007,'not checked
','','',1),('voyageap','Moscovici','Voyage à Pitchipoï*','Prose',1995,'not checked
','','',1),('lestabor','Moses','Les Tabor*','Prose',2006,'not checked
','','',1),('ungarconsans','Mouloudji','Un Garçon sans importance*','Prose',1972,'not checked
','','',1),('laguerrebuiss','Mouloudji','La Guerre buissonnière*','Prose',1959,'not checked
','','',1),('chateaufer','Mourgue','Château-fer*','Prose',1957,'not checked
','','',1),('miroirmite','Mourier','Le Miroir mité*','Prose',1972,'not checked
','','',1),('lebalafre','Mourlevat','Le Balafre*','Prose',1998,'not checked
','','',1),('printempsfou','Mourthe','Le Printemps fou*','Prose',1991,'not checked
','','',1),('unparfund','Moussy','Un Parfum d\'absinthes*','Prose',1991,'not checked
','','',1),('dacapo','MullerC','Da Capo*','Prose',2008,'not checked
','','',1),('mledepute','Nallet','Monsieur le député ou le sang des autres*','Prose',1988,'not checked
','','',1),('lebacva','Naud','Le Bac va et revient*','Prose',1977,'not checked
','','',1),('rengainez','Nemours','Rengainez, c\'est une erreur*','Prose',1952,'not checked
','','',1),('lajeunessede','Neyrac','La Jeunesse de l\'enfer*','Prose',1957,'not checked
','','',1),('lacorrida','Neyrat','La Corrida des vendanges*','Prose',1964,'not checked
','','',1),('lesableentre','Neyrat','Le Sable entre les doigts*','Prose',1956,'not checked
','','',1),('lehussard','Nimier','Le Hussard bleu','Prose',1950,'','','',1),('lesepees','Nimier','Les Epées*','Prose',1948,'','','',1),('lateteaux','NobecourtJ','La Tête aux Français*','Prose',1960,'not checked
','','',1),('horsita','NobecourtL','Horsita*','Prose',1999,'not checked
','','',1),('laguerreavant','Noel','La Guerre des avant-postes*','Prose',1940,'not checked
','','',1),('solutionfin','Nollier','La Solution finale*','Prose',1966,'not checked
','','',1),('marmenil','Northomb','Marménil*','Prose',1964,'not checked
','','',1),('lesbeauxjours','Novac','Les Beaux jours de ma jeunesse*','Prose',1996,'not checked
','','',1),('irreductib','Oldenbourg1916','Les Irréductibles*','Prose',1958,'not checked
','','',1),('reveillesde','Oldenbourg1916','Réveillés de la vie*','Prose',1956,'not checked
','','',1),('deconnection','Ollier','Déconnection*','Prose',1988,'not checked
','','',1),('lofficierdu','Ollivier','L\'Officier du soleil*','Prose',1958,'not checked
','','',1),('maxflanag','Onofrio','Max Flanagan*','Prose',1967,'not checked
','','',1),('chagrinpitie','Ophuls','Le Chagrin et la pitié*','Film',1970,'','','',1),('hoteltermin','Ophuls','Hotel Terminus*','Film',NULL,'','','',1),('feuaulac','Oppel','Le Feu au lac*','Prose',2000,'not checked
','','',1),('loyola','Orsenna','Loyola\'s blues*','Prose',1974,'not checked
','','',1),('lacalanque','Oudoire','La Calanque d\'amour*','Prose',1959,'not checked
','','',1),('grandevadr','OuryG','La Grande Vadrouille*','Film',1966,'','','',1),('plongeon','Ouvard','Le Plongeon du frère Boileau*','Prose',1964,'not checked
','','',1),('parcoursde','Palcy','Parcours de dissidents*','Film',2005,'not checked
','','',1),('latondue2','Palet','La Tondue*','Prose',2000,'not checked
','','',1),('sixpetits','PaluelMarmont','Six Petits Enfants et treize étoiles*','Prose',1942,'not checked
','','',1),('rosedescoll','Pampuzac','Rose des collines*','Prose',1999,'not checked
','','',1),('menuetharic','Paraz','Le Menuet des haricots*','Prose',1958,'not checked
','','http://passouline.blog.lemonde.fr - 24/03/04
',1),('valsezsauc','Paraz','Valsez saucisses*','Prose',1949,'not checked
','','http://passouline.blog.lemonde.fr - 24/03/04
',1),('legalades','Paraz','Le Gala des vaches*','Prose',1946,'not checked
','','http://passouline.blog.lemonde.fr - 24/03/04
',1),('leventdes','Pavloff','Le Vent des fous*','Prose',1993,'not checked
','','',1),('lavantdernierso','Pellerin','L\'Avant-dernier sommeil*','Prose',1962,'not checked
','','',1),('autrementqu','Pelletier','Autrement qu\'ainsi*','Prose',1991,'not checked
','','',1),('letangdela','PelletierDoisy','L\'Etang de la Breure*','Prose',1960,'not checked
','','',1),('Woulesouv','Perec','W ou le souvenir d\'enfance*','Prose',1975,'','','',1),('nuitsupplic','Perisset','La Nuit des suppliciés*','Prose',1978,'not checked
','','',1),('etememorable','Perol','Un été mémorable*','Prose',1998,'not checked
','','',1),('bandeapart','Perret','Bande à part*','Prose',1951,'','','',1),('caporalepingle','Perret','Le Caporal épinglé*','Prose',1947,'','','',1),('Chienslouves','Perrin1951','Chiens et louves','Prose',1999,'The first-person narrator, an alcoholic journalist who was kidnapped by Hezbollah in Lebanon, is persuaded by Colonel Robert (who helped rescue him) to join in a revenge attack when one of the kidnappers visits France. Then the narrator learns from the rock singer Isis that the French kidnap gang, led by a former maquis chief and his clan, are actually gangsters who have imposed a reign of terror on their local area ever since the Occcupation. When Isis tries to avenge her mother and grandmother, who were among the gang\'s victims at the Liberation, she is gunned down. An atmospheric but bleak thriller about the failure of justice and the appropriation of the Resistance by impostors.
','','',1),('lequation','Petit','L\'Équation de Kolmogoroff*','Prose',2003,'not checked
','','',1),('architectedes','Petit','Architecte des glaces: autobiographie fictive*','Prose',1991,'not checked
','','',1),('nuitalleman','Peuchmaurd','La Nuit allemande*','Prose',1967,'not checked
','','',1),('pleinete','Peuchmaurd','Le Plein Eté*','Prose',1958,'not checked
','','',1),('lafindes','Peyrefitte','La Fin des ambassades*','Prose',1953,'not checked
','','',1),('lairetla','Philippe','L\'Air et la chanson*','Prose',2003,'not checked
','','',1),('lamelodie','Pianko','La Mélodie d\'Alzenheimer*','Prose',1990,'not checked
','','',1),('jemarchais','Piatek','Je marchais malgré moi dans les pas du diable*','Prose',2006,'not checked
','','',1),('resilience','Picheral','Résilience: un enfant dans la tourmente','Prose',2007,'Dans le tumulte de l\'histoire mouvementée de l\'Indochine, 1940-1946, si peu connue des Français, un enfant raconte ses première années de \"survie\".
De la bataille de Kho-chang, seule victoire de la France en 1941, au coup de force des Japonais du 9 mars 1945 puis du début de la guerre d\'Indochine contre les les Vietminhs, prisonnier des uns et des autres, libéré par les commandos Ponchardier, la grande et la petite Histoire sont évoquées dans des aventures hors du commun.
Résilience raconte la capacité à réussir, à vivre, à se développer en dépit de l\'adversité.
- 4e de couverture -
','','',1),('letempsjul','Pierjean','Le Temps de Julie*','Prose',1987,'not checked
','','',1),('onlappeltam','Pierrard','On l\'appelait Tamerlan*','Prose',1970,'not checked
','','',1),('jeanjacques','PierrePierre','Jean-Jacques Ardant*','Prose',1938,'not checked
','','',1),('passonsla','Piljean','Passons la monnaie*','Prose',1951,'not checked
','','',1),('espiontimide','PiquetWicks','L\'Espion timide: le plus extravagant des agents secrets*','Prose',1960,'not checked
','','',1),('lavieestdev','Pleiber','La Vie est devant eux*','Prose',1946,'not checked
','','',1),('lesavides','Poccadaz','Les Avides*','Prose',1957,'not checked
','','',1),('longdetour','Poindessault','Le Long Détour*','Prose',1967,'not checked
','','',1),('unesilongue','Poirrier','Une si longue marche*','Prose',1995,'not checked
','','',1),('confessionmatin','Polard','Confession d\'un matin de Pâques*','Prose',1999,'not checked
','','',1),('Latondue','Pomies','La Tondue*','Theatre',2009,'Pomiès was the director; Staged at the Theatre du Marais, Paris, March and April 2009. \"La Libération. Antoine, vieux perruquier, ne quitte pas son atelier en sous-sol. Zéphirin, avec sa tondeuse \"rend service à la patrie\". Alsace range les tresses de cheveux dans les boîtes.\"
Not checked
','','',1),('pavesenfer','Ponchardier','Les Pavés de l\'enfer','Prose',1950,'','','',1),('lerendezvousb','Ponthier','Le Rendez-vous de Bassara*','Prose',1966,'not checked
','','',1),('hommeguerre','Ponthier','L\'Homme de guerre*','Prose',1957,'not checked
','','',1),('LebeauFr','Pornon','Le Beau Frank: la vie aventureuse d\'un homme de l\'internationale*','Prose',1997,'not checked
','','',1),('Laravissante','Portail','La Ravissante et le mauvais garçon*','Prose',1958,'not checked
','','',1),('Unfousevade','PostelVinay','Un fou s\'évade: souvenirs de 1941-2*','Prose',1997,'not checked
','Prix littéraire de la Résistance 1997
','',1),('Rosescendre','PouletReney','Les Roses de cendre*','Prose',2005,'not checked
','','',1),('linsaisissable','Prado','L\'Insaisissable*','Prose',1950,'not checked
','','',1),('Lesentier','Prentout','Le Sentier*','Prose',1959,'not checked
','','',1),('Bonnechance','PrevostAlain','Bonne Chance quand même*','Prose',1958,'not checked
','','',1),('lepeupleimp','PrevostAlain','Le Peuple impopulaire*','Prose',1956,'not checked
','','',1),('aupieddu','Privat','Au pied du mur*','Prose',1959,'not checked
','','',1),('convoioslo','Queffelec','Convoi pour Oslo*','Prose',1991,'not checked
','','',1),('laculbute','Queffelec','La Culbute','Prose',1946,'','','',1),('journalsal','Queffelec','Journal d\'un salaud','Prose',1944,'','','',1),('leprixdu','Quemeneur','Le Prix du visage ou La Dénonciation*','Prose',2003,'not checked
','','',1),('Quenretrouvant','Querlin','Qu\'en retrouvant l\'amant*','Prose',1957,'not checked
','','',1),('Quandlevent','Rabine','Quand le vent se lève*','Prose',1998,'not checked
','','',1),('bonheursdela','Rabiniaux','Les Bonheurs de la guerre*','Prose',1973,'not checked
','','',1),('crisansvoix','Raczymow','Un cri sans voix*','Prose',1985,'not checked
','','',1),('reglejeu','Radiguet','Règle du jeu*','Prose',1990,'not checked
','','',1),('loccupation','Ramond','L\'Occupation*','Prose',1991,'not checked
','','',1),('viechateau','Rappeneau','La Vie de château*','Film',1965,'','','',1),('ilebleue','Raspail','L\'Ile bleue*','Prose',1988,'not checked
','','',1),('monica','Ratinaud','Monica*','Prose',1957,'not checked
','','',1),('concertopour','Raucy','Le Concerto pour la main gauche*','Prose',1994,'not checked
','','',1),('atlantique','Ravelin','L\'Atlantique du Palais-Royal*','Prose',1974,'not checked
','','',1),('sangciel','Rawicz','Le Sang du ciel*','Prose',1961,'not checked
','','',1),('deuxetendard','Rebatet','Les Deux Etendards*','Prose',1951,'not checked
','','(Études littéraires, Vol 36, no 1, Été 2004), « Écrivains encombrants » http://www.erudit.org/revue/etudlitt/2004/v36/n1/010633ar.html, http://passouline.blog.lemonde.fr - 28/05/2007
',1),('lesdecombres','Rebatet','Les Décombres*','Prose',1942,'not checked
','','http://passouline.blog.lemonde.fr - 28/05/2007
',1),('grandemisere','Renault','La Grande Misère*','Prose',1948,'Ravensbruck memoir
not checked
','','',1),('hiroshimaamour','Resnais','Hiroshima mon amour*','Film',1959,'not checked
','','',1),('nuitbrouillard','Resnais','Nuit et brouillard*','Film',1955,'not checked
','','',1),('secretrachel','Reynaudfl','Le Secret de Rachel*','Prose',2006,'not checked
','','',1),('franziska','Ribardiere','Franziska*','Prose',1956,'not checked
','','',1),('jardinenfer','Richard1937','Un jardin en enfer*','Prose',2001,'not checked
','','',1),('lecondabime','Rio','Leçon d\'abîme*','Prose',2003,'une enquête de Francis Malone
not checked
','','',1),('petitmatin','Rivoyre','Le Petit Matin*','Prose',1968,'not checked
','','',1),('silallemagne','Robban','Si l\'Allemagne avait vaincu*','Prose',1950,'not checked
','','',1),('miroirrevient','RobbeGrillet','Le Miroir qui revient*','Prose',1984,'not checked
','','',1),('dejeuntrieste','Robida','Le Déjeuner de Trieste*','Prose',1974,'not checked
','','',1),('letempspatience','Robida','Le Temps de la longue patience*','Prose',1946,'not checked
','','',1),('mathildejean','Rocard','Mathilde, Jean, Paul et les autres*','Prose',2004,'not checked
','','',1),('55ruedu','Roch','55 rue du quotidien*','Prose',2002,'not checked
','','',1),('desmonts','Roche','Des monts de résistance*','Prose',NULL,'not checked
','','',1),('bateauiles','Rohou','Le Bateau des îles*','Prose',1971,'','','',1),('lesparques','Ronceray','Les Parques de septembre*','Prose',1961,'not checked
','','',1),('danslamarche','Rondeau','Dans la marche du temps*','Prose',2004,'not checked
','','',1),('tenuefantoc','Rongier','La Tenue fantoche*','Prose',1961,'not checked
','','',1),('sangnos','Roques','Le Sang de nos fautes*','Prose',1941,'not checked
','','',1),('villachimeres','Rossi','La Villa des chimères*','Prose',2002,'not checked
','','',1),('prixserment','Rostaing','Le Prix d\'un serment: 1941-1945, des plaines de Russie à l\'enfer de Berlin*','Prose',1975,'not checked
','','',1),('touchonsdu','RothHano','Touchons du bois*','Prose',1990,'not checked
','','',1),('2004','Rotman','L\'Âme au poing*','Prose',2004,'not checked
','','',1),('nousallions','Rouanet','Nous allions être bien à Karlovy Vary*','Prose',1991,'not checked
','','',1),('avantguerre','Rouart','Avant-guerre*','Prose',1983,'','Prix Renaudot 1983
','',1),('hommesillustres','Rouaud','Des Hommes illustres*','Prose',1993,'not checked
','','',1),('lessacapoux','Rouland','Les Sacapoux*','Prose',1992,'not checked
','','',1),('lapeurdu','Rouquier','La Peur du noir*','Prose',1955,'not checked
','','',1),('rueoued','Rovier','La Rue de l\'oued*','Prose',1954,'not checked
','','',1),('avenirderriere','Royjh','L\'Avenir est derriere nous*','Prose',1950,'not checked
','','',1),('baladeclamp','Rullerbarthelemy','La Balade des clampins*','Prose',2004,'not checked
','','',1),('Manou','Sabliaux','Manou*','Prose',1955,'not checked
','','',1),('printempspour','SaintCricq','Printemps pour les morts*','Prose',1945,'not checked
','','',1),('zigetpuce','SaintOgan','Zig et Puce et le professeur Médor*','Prose',1941,'not checked
','','',1),('zigpucepresent','SaintOgan','Zig et Puce présentent: M. Poche et le système D*','Prose',1939,'not checked
','','',1),('soldatoubl','Sajer','Le Soldat oublié*','Prose',1967,'not checked
','','',1),('nuitscolere','Salacrou','Les Nuits de la colère*','Theatre',1947,'nor checked
','','',1),('compagniespect','Salvayre','La Compagnie des spectres*','Prose',1997,'not checked
','','',1),('louiseletemps','Sanglier','Louise le temps des vacances*','Prose',1989,'not checked
','','',1),('lamortdans','Sartre1905','La Mort dans l\'âme*','Prose',1949,'not checked
','','',1),('lesmouches','Sartre1905','Les Mouches*','Theatre',1943,'not checked
','','',1),('undenormandie','Savage','Un de Normandie-Niémen*','Prose',1950,'Memoirs of one of the French pilots of the Normandie-Niémen battalion.
not checked
','','',1),('4445sabots','Scheid','1944-1945: Les Sabots*','Prose',2003,'not checked
','','',1),('dernierjust','SchwartzBart','Le Dernier des Justes*','Prose',1950,'not checked+
','','',1),('journom','Sebban','Le Jour de votre nom*','Prose',2009,'not checked
','','',1),('lesmorts','Sechan','Les Morts n\'en sauront rien*','Prose',1950,'not checked
','','',1),('rendezvousviv','Segnaire','Le Rendez-vous des vivants*','Prose',1962,'not checked
','','',1),('professionouv','Seigneur','Profession ouvriers saboteurs*','Prose',2009,'not checked
','','',1),('lagueule','Seignolle','La Gueule*','Prose',1999,'not checked
','','',1),('dernierstemps','Serge','Les Derniers Temps*','Prose',1946,'not checked
','','',1),('voieshonn','Sergent','Les Voies de l\'honneur*','Prose',1988,'not checked
','','',1),('deuxcerisiers','Serres','Hiroshima, deux cerisiers et un poisson-lune*','Prose',2005,'not checked
','','',1),('lesdieuxnous','Servais','Les Dieux ne nous aiment pas*','Prose',1950,'not checked
','','',1),('uneboule','Serval','Une boule de neige en enfer*','Prose',1980,'not checked
','','',1),('lumierecoll','Signol','La Lumière des collines*','Prose',1997,'not checked
','','',1),('cheminsetoile','Signol','Les Chemins de l\'étoile*','Prose',1987,'not checked
','','',1),('lesmenthes','Signol','Les Menthes sauvages*','Prose',1985,'not checked
','','',1),('uneaubergeen','Sikorska','Une Auberge en zone libre*','Prose',1945,'not checked
','','',1),('portraitdun','Simon1903','Portrait d\'un officier*','Prose',1958,'not checked
','','',1),('elsinfor','Simon1903','Elsinfor*','Prose',1956,'','','',1),('hommesneveul','Simon1903','Les Hommes ne veulent pas mourir*','Prose',1953,'','','',1),('terredeviolence','Simonjp','Terre de violence*','Prose',1959,'not checked
','','',1),('wazemmes','Simsolo','Wazemmes*','Prose',2005,'not checked
','','',1),('exterminateur','Simsolo','Exterminateurs*','Prose',2001,'not checked
','','',1),('lesemplumes','Sogno','Les Emplumés*','Prose',1997,'not checked
','','',1),('labelleeduc','Sogno','La Belle Education*','Prose',1977,'','','',1),('lesetoilescach','Soszewicz','Les Étoiles cachées*','Prose',1989,'not checked
','','',1),('lesboisde','Spens','Les Bois de Dompierre*','Prose',1953,'not checked
','','',1),('leroideberg','Spens','Le Roi de Bergame*','Prose',1955,'not checked
','','',1),('lehussardmal','Spens','Le Hussard malgré lui*','Prose',1976,'not checked
','','',1),('labaieperd','Sperber','La Baie perdue*','Prose',1956,'not checked
','','',1),('lebochet1','StalnerBardet','Le Boche T1: L\'Enfant de paille*','Prose',1991,'not checked
','','',1),('lebochet2','StalnerBardet','Le Boche T2: Zigzags*','Prose',1991,'not checked
','','',1),('lebochet3','StalnerBardet','Le Boche T3: Entre la chair et l\'os*','Prose',1992,'not checked
','','',1),('lebochet4','StalnerBardet','Le Boche T4: Cheval bleu*','Prose',1993,'not checked
','','',1),('lebochet5','StalnerBardet','Le Boche T5: Dans la peau d\'un neutre*','Prose',1994,'not checked
','','',1),('lacollection','Streiff','La Collection*','Prose',2009,'not checked
','','',1),('cetaitcelanotre','Susini','C\'était cela notre amour*','Prose',1971,'not checked
','','',1),('unefemmeall','Swiatly','Une femme allemande*','Prose',2008,'German woman marries a French soldier stationed in Germany at the end of the war and returns to France to live with him. Story of her life in her adoptive country and also those of her children. http://www.initiales.org/Une-femme-allemande.html
','','',1),('gueuledebois','Tardi','Gueule de bois en plomb*','Prose',1990,'not checked
','','',1),('lasoupeau','Tatilon','La Soupe au pistou*','Prose',2009,'not checked
','','',1),('lecomptoir','Tatischeff','Le Comptoir*','Film',1998,'not checked
','','',1),('unpeuplusloin','Teisseire','Un peu plus loin que l\'occident*','Prose',1979,'not checked
','','',1),('lepetitsoleil','Teisson','Le Petit Soleil jaune*','Prose',2003,'not checked
','','',1),('legeste','Tenenbaum','Le Geste*','Prose',2006,'not checked
','','',1),('souslesbombes','Therame','Sous les bombes avec Charlotte*','Prose',2007,'not checked
','','',1),('notredamedes','Thibaux','Notre-Dame des ombres*','Prose',1997,'not checked
','','',1),('letramwaydes','Thines','Le Tramway des officiers*','Prose',1974,'not checked
','','',1),('onchantait','TillonCharles','On chantait rouge*','Prose',1977,'not checked
','','',1),('leswagonsde','Toledano','Les Wagons de Veynes*','Prose',1983,'not checked
','','',1),('franciscain','Toledano','Le Franciscain de Bourges*','Prose',1969,'not checked
','','',1),('toubabbi','Toure','Toubab bi*','Film',1992,'not checked
','','',1),('degreoude','Tournier','De gré ou de force*','Prose',2006,'not checked
','','',1),('evadeedu','Traube','Évadée du Vel d\'hiv*','Prose',2006,'not checked
','','',1),('tantquedure','Travers','Tant que dure le jour*','Prose',NULL,'not checked.
','','',1),('dandiamond','Trevisan','Dan Diamond','Prose',1970,'','','',1),('toutemavie','Troyat18','Toute ma vie sera mensonge*','Prose',1987,'','','',1),('larencontre2','Troyat18','La Rencontre*','Prose',1958,'unchecked
','','',1),('latetesurles','Troyat18','La Tête sur les épaules','Prose',1951,'','','',1),('judithmad','Troyat18','Judith Madrier*','Prose',1940,'unchecked
','','',1),('lespasseurs','TuaillonNass','Les Passeurs de l\'aube*','Prose',NULL,'unchecked
','','',1),('Ottoauto','Ungerer','Otto, autobiographie d\'un ours en peluche*','Prose',1999,'unchecked
','','',1),('larencontre','Vald','La Rencontre insolite*','Prose',1958,'unchecked
','','',1),('lespatates','Vaucherot','Les Patates*','Prose',1962,'unchecked
','','',1),('groomcrime','Vautrin','Groom: crime-journal d\'un enfant du siècle*','Prose',1980,'','','',1),('leviolon','Vendamme','Le Violon assassiné*','Prose',1997,'unchecked
','','',1),('sixjours','Verdel','Six Jours à Paris*','Prose',1958,'unchecked
','','',1),('lesviolons','Verlet','Les Violons brûlés*','Prose',2006,'new home owner finds papers from 1942, written by a young Jewish girl
unchecked
','','',1),('jeanneavec','Vermorel','Jeanne avec nous*','Prose',1942,'unchecked
','','',1),('seronsnous','Verny','Serons-nous vivantes le 2 janvier 1950?*','Prose',2006,'about childhood friend who was deported.
unchecked
','','',1),('lefidele','Vialatte','Le Fidèle Berger*','Prose',1942,'unchecked
','','',1),('lesfourmis','Vian192','Les Fourmis*','Prose',1966,'unchecked
','','',1),('vercoquin','Vian192','Vercoquin et le plancton*','Prose',1947,'unchecked
','','',1),('lesgrelots','Viaud','Les Grelots de Triboulet*','Prose',1951,'unchecked
','','',1),('verdures','Vidalie','Les Verdures de l\'ouest*','Prose',1964,'unchecked
','','',1),('jaichoisi','VietTran','J\'ai choisi l\'exil*','Prose',1979,'unchecked
','','',1),('fillecalvaire','Vilar194','La Fille du calvaire*','Prose',1997,'unchecked
','','',1),('bastilletan','Vilar194','Bastille-Tango*','Prose',1986,'unchecked
','','',1),('etatdurg','Vilar194','Etat d\'urgence*','Prose',1985,'unchecked
','','',1),('lettresdeprison','Vilde','Lettres de prison*','Prose',NULL,'unchecked
','','',1),('journal','Vilde','Journal*','Prose',NULL,'unchecked
','','',1),('lechateau365','Villefranque','Le Château aux 365 fenêtres*','Prose',1961,'unchecked
','','',1),('walther','Vincenot','Walther, ce Boche mon ami*','Prose',1954,'unchecked
','','',1),('ellevoulait','Viollier','Elle voulait toucher le ciel*','Prose',2005,'unchecked
','','',1),('linconnuede','Vitte','L\'Inconnue de la Maison-Haute*','Prose',2008,'unchecked
','','',1),('lacathedrale','Vivas','La Cathédrale au fond du jardin*','Prose',2002,'unchecked
','','',1),('Altosolo','Volodine','Alto solo Paris*','Prose',1991,'unchecked
','','',1),('homicide','Wagneur','Homicide à bon marché*','Prose',1996,'','','',1),('sousleregne','Walter','Sous le règne de Magog 1939-1945*','Prose',2005,'','','',1),('laballade','Walter','La Ballade de Sacramento Slim*','Prose',1971,'unchecked
','','',1),('lhommequimar','Westphalen','L\'Homme qui marche au bord du monde*','Prose',2007,'unchecked
','','',1),('lebruitdes','Willer','Le Bruit des bottes*','Prose',2009,'unchecked
','','',1),('aleurmesure','Wolf','A leur mesure*','Prose',1960,'unchecked
','','',1),('Marfa1943','Wolf','Marfa 1943*','Prose',1960,'unchecked
','','',1),('JusticeDunk','Yernaux19','Justice à Dunkerque*','Prose',1960,'unchecked
','','',1),('seultemoin','Ziegler19','Le Seul Témoin*','Prose',1958,'unchecked
','','',1),('Etoiledelor','Zufferey19','L\'Etoile de l\'or*','Prose',1998,'not checked
','','',1); /*!40000 ALTER TABLE `compositions` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `compositions_edit_history` -- DROP TABLE IF EXISTS `compositions_edit_history`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions_edit_history` ( `comp_code` varchar(50) NOT NULL, `user` varchar(50) NOT NULL, `date` date NOT NULL DEFAULT '0000-00-00', PRIMARY KEY (`comp_code`,`user`,`date`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions_edit_history` -- LOCK TABLES `compositions_edit_history` WRITE; /*!40000 ALTER TABLE `compositions_edit_history` DISABLE KEYS */; INSERT INTO `compositions_edit_history` VALUES ('','Margaret','2010-08-05'),('','Margaret','2010-12-10'),('101avhenrimartin','Margaret','2010-07-22'),('101avhenrimartin','Margaret','2010-11-22'),('101avhenrimartin','Nina','2007-04-03'),('101avhenrimartin','Nina','2007-04-16'),('101avhenrimartin','Nina','2007-04-17'),('101avhenrimartin','Nina','2007-05-01'),('101avhenrimartin','Nina','2007-05-09'),('101avhenrimartin','Nina','2007-07-10'),('120ruegare','Margaret','2010-11-23'),('120ruegare','Nina','2007-02-12'),('120ruegare','Nina','2007-03-26'),('120ruegare','Nina','2007-07-10'),('120ruegare','Nina','2008-05-19'),('1vie3guerres','Susan','2008-02-21'),('2004','Margaret','2010-11-29'),('26hommes','Margaret','2010-11-21'),('2actes','Margaret','2010-11-23'),('2actes','Nina','2008-02-12'),('2actes','Nina','2008-02-18'),('2ansOranienburg','Susan','2008-02-05'),('2joursChurchill','Nina','2008-09-16'),('2leopards','Margaret','2010-07-16'),('2leopards','Margaret','2010-11-11'),('2leopards','Nina','2009-02-18'),('321Sautez','Margaret','2010-11-23'),('321Sautez','Nina','2009-03-23'),('321Sautez','Nina','2009-03-27'),('3chiensmorts','Margaret','2010-11-23'),('3chiensmorts','Margaret','2011-08-03'),('3chiensmorts','Nina','2009-07-23'),('3emeevasion','Nina','2009-03-23'),('3emeevasion','Nina','2009-03-27'),('40ansjournalisme','Margaret','2010-11-22'),('40ansjournalisme','Susan','2008-01-16'),('40ansjournalisme','Susan','2008-01-29'),('4445sabots','Margaret','2010-11-29'),('4anneesaupouvoir','Susan','2008-03-17'),('4anneesdur','Margaret','2010-11-30'),('4ansdanslombre','Susan','2008-08-11'),('50otages','Margaret','2010-08-07'),('50otages','Margaret','2010-08-23'),('55ruedu','Margaret','2010-11-29'),('5ansResistance','Margaret','2010-07-21'),('5ansResistance','Susan','2008-01-14'),('5ansResistance','Susan','2008-01-29'),('6moisFresnes','Susan','2008-02-13'),('8moissante','Nina','2008-01-11'),('8moissante','Susan','2007-10-30'),('A26','Margaret','2011-08-03'),('A26','Nina','2008-09-10'),('A26','Nina','2009-01-29'),('A26','Nina','2009-02-06'),('AbbeC','Chris','2009-08-25'),('AbbeC','Margaret','2010-07-20'),('AbbeC','Margaret','2011-08-03'),('AbbeC','Nina','2009-08-27'),('abeillesguepe','Margaret','2010-11-30'),('Accentmonpere','Nina','2007-06-06'),('Accentmonpere','Nina','2007-07-03'),('Accentmonpere','Nina','2007-07-10'),('Accentmonpere','Nina','2007-10-22'),('Accentmonpere','Nina','2008-02-19'),('accompagn','Margaret','2010-11-30'),('Acide','Chris','2009-09-03'),('Acide','Margaret','2010-11-23'),('Acide','Nina','2009-09-03'),('Actualitesfr','Chris','2009-09-02'),('Actualitesfr','Margaret','2011-08-03'),('Actualitesfr','Nina','2009-09-03'),('Adieuauroi','Chris','2008-05-06'),('Adieuauroi','Nina','2008-05-07'),('Adieucamarades','Chris','2008-05-20'),('Adieucamarades','Margaret','2010-11-23'),('Adieucamarades','Nina','2008-05-21'),('Adieufemme','Chris','2009-08-20'),('Adieufemme','Nina','2009-08-27'),('Adolescencetemps','Chris','2009-08-19'),('Adolescencetemps','Margaret','2010-07-16'),('Adolescencetemps','Nina','2009-08-21'),('adolescente','Margaret','2010-11-30'),('aerodrome','Margaret','2010-01-21'),('aerodrome','Margaret','2010-01-22'),('aerodrome','Margaret','2010-01-28'),('Affairefemmes','Margaret','2010-11-24'),('Affairefemmes','Nina','2008-04-15'),('Affairefemmes','Nina','2008-11-16'),('AffairePeiper','Nina','2008-02-06'),('AffairePeiper','Nina','2008-10-10'),('AgonieScharnhorst','Nina','2009-03-26'),('Aimerapeine','Nina','2008-01-03'),('ainsiexiles','Nina','2007-04-20'),('ainsiexiles','Nina','2007-07-10'),('AlbertCapitales','Margaret','2010-11-22'),('AlbertCapitales','Margaret','2010-11-25'),('AlbertCapitales','Nina','2007-02-12'),('AlbertCapitales','Nina','2007-03-26'),('AlbertCapitales','Nina','2007-07-10'),('AlbertCapitales','Nina','2007-10-23'),('AlbertCapitales','Nina','2008-04-10'),('AlbertCapitales','Nina','2008-05-15'),('alecoute','Margaret','2010-11-21'),('aleurmesure','Margaret','2010-11-28'),('Allemande','Margaret','2010-11-23'),('Allemande','Nina','2008-10-29'),('Allemande','Nina','2008-11-18'),('Allemande','Nina','2009-03-10'),('Alsacevousparle','Susan','2008-08-13'),('Altosolo','Margaret','2010-11-28'),('Aluminium','Margaret','2010-01-20'),('Aluminium','Margaret','2010-01-28'),('Aluminium','Margaret','2010-02-01'),('Aluminium','Margaret','2010-07-20'),('Aluminium','Margaret','2010-11-22'),('Amantsdavignon','Margaret','2010-08-23'),('Amantsdavignon','Margaret','2010-11-03'),('Amantsdavignon','Margaret','2010-11-24'),('Amantsdavignon','Peter','2010-12-02'),('Amepreteeoiseaux','Nina','2007-06-28'),('Amepreteeoiseaux','Nina','2007-07-02'),('Amepreteeoiseaux','Nina','2007-07-10'),('Amepreteeoiseaux','Nina','2008-01-25'),('Amepreteeoiseaux','Nina','2008-03-07'),('Amerevictoire','Chris','2009-08-27'),('Amerevictoire','Nina','2009-08-28'),('Amipere','Chris','2010-06-03'),('Amisitutombes','Chris','2008-05-20'),('Amitraitre','Chris','2009-08-27'),('Amitraitre','Nina','2009-08-28'),('Amourallemand','Chris','2007-10-22'),('Amourallemand','Margaret','2010-07-16'),('Amourcommeguerre','Nina','2009-02-03'),('Amoursansresistance','Margaret','2007-08-13'),('Amoursansresistance','Margaret','2011-08-03'),('Amoursansresistance','Nina','2007-08-14'),('Amoursansresistance','Nina','2007-09-11'),('Amoursansresistance','Nina','2008-01-21'),('Amoursansresistance','Nina','2009-02-06'),('Amoursansresistance','Nina','2009-03-10'),('Amoursansresistance','Nina','2009-09-03'),('Amoursdissidentes','Chris','2007-10-22'),('Amoursdissidentes','Nina','2008-01-11'),('Amoursdissidentes','Nina','2008-05-13'),('Amourtempete','Margaret','2007-12-19'),('Amourtempete','Margaret','2009-02-01'),('Amourtempete','Margaret','2010-11-20'),('Amourtempete','Margaret','2011-08-03'),('Amourtempete','Nina','2009-02-06'),('Amourtempete','Nina','2009-02-18'),('Amourtempete','Nina','2009-03-10'),('Andromede','Margaret','2010-08-05'),('Andromede','Margaret','2010-08-20'),('Angenuit','Margaret','2010-07-20'),('Angenuit','Nina','2009-01-09'),('Angenuit','Nina','2009-01-12'),('Ankoulevetoi','Margaret','2010-11-23'),('Ankoulevetoi','Margaret','2011-08-03'),('Ankoulevetoi','Nina','2009-06-30'),('Anneesdoubles','Chris','2009-08-19'),('Anneesdoubles','Margaret','2010-07-20'),('Anneesdoubles','Nina','2009-08-21'),('Antanrobe','Nina','2007-10-05'),('Antanrobe','Nina','2007-10-22'),('Antanrobe','Nina','2007-10-23'),('antigone','Margaret','2010-11-16'),('Antiroir','Margaret','2010-07-20'),('Antiroir','Nina','2008-01-11'),('Antiroir','Susan','2007-10-30'),('Antizyklonatroces','Margaret','2010-07-16'),('Antizyklonatroces','Nina','2008-08-30'),('AParissousoccupation','Nina','2008-07-17'),('Appelaitchatte','Chris','2009-08-26'),('Appelbled','Margaret','2010-11-22'),('Appelbled','Nina','2009-01-09'),('Appelbled','Nina','2009-01-12'),('Apres4ansoccupation','Margaret','2010-11-23'),('Apres4ansoccupation','Susan','2008-02-14'),('Aprespluie','Margaret','2010-11-22'),('Aprespluie','Nina','2008-08-28'),('ArbreGoethe','Chris','2008-05-15'),('architectedes','Margaret','2010-11-30'),('Argentvif','Margaret','2010-07-21'),('Argentvif','Nina','2008-04-11'),('Armeeombres','Chris','2009-09-02'),('Armeeombres','Margaret','2010-02-23'),('Armeeombres','Margaret','2010-11-23'),('Armeeombres','Nina','2007-02-26'),('Armeeombres','Nina','2007-03-26'),('Armeeombres','Nina','2007-07-10'),('Armeeombres','Nina','2009-09-04'),('Armeeombres','Susan','2008-02-14'),('Armeesecrete','Chris','2009-08-19'),('Armeesecrete','Margaret','2010-07-21'),('Armeesecretebasalpine','Susan','2008-08-13'),('armenien','Margaret','2010-08-06'),('armenien','Margaret','2010-11-23'),('Armesdelanuit','Margaret','2010-11-25'),('Armesdelanuit','Nina','2007-06-26'),('Armesdelanuit','Nina','2007-07-11'),('Armesdelanuit','Nina','2007-08-03'),('Armesdelanuit','Nina','2007-11-12'),('armeset','Margaret','2010-11-30'),('Arrestation','Margaret','2010-11-24'),('Arrestation','Margaret','2011-08-03'),('Arrestation','Nina','2007-02-13'),('Arrestation','Nina','2007-03-26'),('Arrestation','Nina','2007-07-10'),('Arrestation','Nina','2007-08-03'),('Arrestation','Nina','2007-11-12'),('Arrestation','Nina','2008-04-09'),('Arrestation','Nina','2008-04-14'),('Arrestation','Nina','2009-02-15'),('Artbrut','Nina','2008-08-27'),('ArthurManille','Margaret','2010-11-23'),('ArthurManille','Nina','2009-03-23'),('ArthurManille','Nina','2009-03-27'),('Assassinfrere','Margaret','2010-04-22'),('Assassinfrere','Margaret','2010-11-23'),('Assassinfrere','Nina','2007-12-19'),('Assassinfrere','Nina','2008-01-11'),('Atelierphoto','Margaret','2009-02-06'),('Atelierphoto','Nina','2009-02-06'),('atlantique','Margaret','2010-11-29'),('Attaquelignemaignot','Margaret','2010-07-21'),('Attaquelignemaignot','Margaret','2010-11-23'),('Attaquelignemaignot','Susan','2007-10-30'),('Attaquelignemaignot','Susan','2008-02-06'),('AttendantEliane','Margaret','2010-11-23'),('AttendantEliane','Margaret','2011-08-03'),('AttendantEliane','Nina','2008-09-03'),('Aubeafricaine','Margaret','2010-04-22'),('Aubeafricaine','Nina','2008-09-06'),('Aunom','Margaret','2011-02-16'),('Aunom','Margaret','2011-08-31'),('Aupayslimousi','Nina','2008-02-29'),('Aupayslimousi','Nina','2008-03-11'),('aupieddu','Margaret','2010-11-30'),('AureliaParis','Margaret','2010-11-25'),('AureliaParis','Nina','2007-02-12'),('AureliaParis','Nina','2007-03-26'),('AureliaParis','Nina','2007-07-10'),('AureliaParis','Nina','2007-10-23'),('AureliaParis','Nina','2008-04-10'),('Aurelien','Margaret','2011-06-06'),('Aurelien','Margaret','2011-08-31'),('Aurevoirenfants','Margaret','2010-11-23'),('Aurevoirenfants','Nina','2008-03-04'),('AuschwitzI','Margaret','2010-05-27'),('AuschwitzII','Margaret','2010-05-27'),('AuschwitzIII','Margaret','2010-05-27'),('AuschwitzIII','Margaret','2010-07-22'),('ausoleil','Margaret','2010-08-07'),('Autre','Margaret','2010-11-22'),('Autre','Nina','2008-01-07'),('Autre','Nina','2008-01-09'),('Autre','Nina','2008-05-14'),('AutrefoisDiana','Margaret','2011-08-03'),('AutrefoisDiana','Margaret','2011-08-26'),('AutrefoisDiana','Margaret','2011-08-31'),('AutrefoisDiana','Nina','2007-03-01'),('AutrefoisDiana','Nina','2007-05-01'),('AutrefoisDiana','Nina','2007-05-09'),('AutrefoisDiana','Nina','2007-07-02'),('AutrefoisDiana','Nina','2007-07-10'),('AutrefoisDiana','Nina','2007-08-23'),('AutrefoisDiana','Nina','2007-09-11'),('autrementqu','Margaret','2010-11-30'),('avantguerre','Margaret','2010-11-29'),('avantune','Margaret','2009-04-05'),('avantune','Margaret','2009-04-17'),('avantune','Margaret','2010-11-22'),('avantune','Nina','2009-08-04'),('avenirderriere','Margaret','2010-11-29'),('Aventureambigue','Nina','2007-11-06'),('Aventureambigue','Nina','2007-11-08'),('babyfoot','Margaret','2011-08-03'),('babyfoot','Nina','2007-09-19'),('bagages','Margaret','2010-02-04'),('bagages','Margaret','2010-05-26'),('bagages','Margaret','2010-11-23'),('BagneAurigny','Margaret','2010-07-22'),('BagneAurigny','Susan','2008-01-16'),('baladeclamp','Margaret','2010-11-29'),('Balconenforet','Margaret','2010-11-22'),('Balconenforet','Margaret','2010-12-10'),('Balconenforet','Nina','2007-02-13'),('Balconenforet','Nina','2007-03-26'),('Balconenforet','Nina','2007-03-27'),('Balconenforet','Nina','2007-07-02'),('Balconenforet','Nina','2007-07-10'),('Balconenforet','Nina','2008-02-19'),('Balconhiroshima','Margaret','2010-07-16'),('Balconhiroshima','Margaret','2010-11-11'),('Balconhiroshima','Nina','2008-08-26'),('bandeapart','Margaret','2010-11-30'),('BanditsAtlas','Margaret','2010-07-21'),('BanditsAtlas','Nina','2007-07-24'),('BanditsAtlas','Nina','2007-07-30'),('BanditsAtlas','Nina','2008-11-01'),('Baraque3','Margaret','2010-11-23'),('Baraque3','Nina','2008-04-11'),('Baraque3','Susan','2008-02-13'),('barreauxfaucons','Chris','2007-10-23'),('barreindochine','Margaret','2010-07-22'),('barreindochine','Susan','2008-01-15'),('barreindochine','Susan','2008-01-29'),('bastilletan','Margaret','2010-11-28'),('BatailleMediterranee','Margaret','2010-11-22'),('BatailleMediterranee','Nina','2008-05-19'),('BatailleMediterranee','Susan','2008-01-14'),('BatailleMediterranee','Susan','2008-01-29'),('Bataillerail','Margaret','2010-07-21'),('Bataillerail','Margaret','2010-11-22'),('Bataillerail','Nina','2008-09-18'),('Bataillesilence','Margaret','2010-11-25'),('bataillesmourir','Margaret','2011-08-31'),('Bataillesroute','Margaret','2010-04-13'),('Bataillesroute','Margaret','2010-07-22'),('Bataillon','Chris','2010-02-16'),('bateauiles','Margaret','2010-11-29'),('Batterieerrante','Chris','2010-05-04'),('Beauxjoursbarbizon','Nina','2008-01-11'),('Beauxjoursbarbizon','Nina','2008-04-18'),('Beauxjoursbarbizon','Susan','2007-10-30'),('BelgianManor2Wars','Susan','2008-08-15'),('Belleinsoumise','Margaret','2010-11-24'),('Belleinsoumise','Margaret','2011-08-03'),('Belleinsoumise','Nina','2009-06-25'),('bellestunis','Margaret','2010-11-23'),('bellestunis','Nina','0200-01-25'),('bellestunis','Nina','2007-11-05'),('bellestunis','Nina','2007-11-06'),('BeMaho','Margaret','2010-07-16'),('BeMaho','Nina','2008-06-09'),('bete','Margaret','2011-05-25'),('bete','Margaret','2011-08-31'),('Betebon','Chris','2009-08-28'),('betequatern','Margaret','2010-11-30'),('Biblioquete','Margaret','2010-07-20'),('Biblioquete','Nina','2007-12-14'),('Biblioquete','Nina','2008-01-03'),('Biblioquete','Nina','2008-01-11'),('Bicyclettebleue','Margaret','2010-07-22'),('Bicyclettebleue','Margaret','2010-11-22'),('Bicyclettebleue','Nina','2007-04-03'),('Bicyclettebleue','Nina','2007-04-04'),('Bicyclettebleue','Nina','2007-04-16'),('Bicyclettebleue','Nina','2007-04-17'),('Bicyclettebleue','Nina','2007-05-01'),('Bicyclettebleue','Nina','2007-05-09'),('Bicyclettebleue','Nina','2007-07-10'),('Bicyclettebleue','Nina','2008-05-19'),('Bienveillantes','Chris','2010-02-16'),('Bienveillantes','Margaret','2010-02-23'),('Bitos','Margaret','2010-11-16'),('Bldbranques','Margaret','2010-11-24'),('Bldbranques','Nina','2008-08-30'),('BldHirondelles','Nina','2009-02-05'),('Bleusurpeau','Margaret','2010-07-22'),('Bleusurpeau','Nina','2009-03-25'),('Blockhaus','Chris','2009-08-20'),('Bombardementnuit','Margaret','2010-11-23'),('Bombardementnuit','Margaret','2011-08-03'),('Bombardementnuit','Nina','2009-03-23'),('Bombardementnuit','Nina','2009-03-27'),('Bonbeurre','Nina','2007-02-12'),('Bonbeurre','Nina','2007-03-26'),('Bonbeurre','Nina','2007-03-27'),('Bonbeurre','Nina','2007-07-10'),('Bonbeurre','Nina','2007-10-23'),('Bonbeurre','Nina','2008-04-14'),('Bonbeurre','Nina','2008-05-19'),('Bonbeurre','Nina','2008-10-27'),('Bonbeurre','Susan','2008-03-17'),('Bonheurnazi','Chris','2008-05-13'),('Bonheurnazi','Margaret','2010-11-24'),('Bonheurnazi','Margaret','2011-08-03'),('Bonheurnazi','Nina','2008-05-13'),('Bonheurnazi','Nina','2009-01-29'),('Bonheuroccas','Nina','2007-03-14'),('Bonheuroccas','Nina','2007-03-26'),('Bonheuroccas','Nina','2007-07-10'),('Bonheuroccas','Nina','2007-11-12'),('Bonheurogres','Margaret','2010-11-23'),('Bonheurogres','Margaret','2011-08-03'),('Bonheurogres','Nina','2007-06-29'),('Bonheurogres','Nina','2007-07-02'),('Bonheurogres','Nina','2007-07-10'),('bonheursdela','Margaret','2010-11-30'),('bonmonsieur','Margaret','2010-11-11'),('Bonneaffaire','Margaret','2010-07-21'),('Bonneaffaire','Margaret','2010-11-22'),('Bonneaffaire','Nina','2008-09-04'),('Bonneaffaire','Nina','2009-02-18'),('Bonnechance','Margaret','2010-11-30'),('Bonnesmauvaises','Chris','2007-11-08'),('Bonnesmauvaises','Chris','2008-05-05'),('Bonnesmauvaises','Margaret','2011-08-03'),('Bonnesmauvaises','Nina','2008-05-06'),('bonsvoisins','Margaret','2010-07-09'),('bonsvoisins','Margaret','2010-07-16'),('bonsvoisins','Margaret','2010-11-16'),('Borsalino','Margaret','2010-11-22'),('Borsalino','Nina','2009-03-25'),('Boubousoldat','Margaret','2011-08-03'),('Boubousoldat','Nina','2008-08-30'),('Boubousoldat','Nina','2009-01-29'),('BoucherGuelma','Nina','2007-07-30'),('BoucherGuelma','Nina','2007-08-02'),('BoucherGuelma','Nina','2007-08-03'),('BoucherGuelma','Nina','2007-08-14'),('BoucherGuelma','Nina','2008-01-17'),('Boulevardperiph','Margaret','2010-07-20'),('Boulevardperiph','Margaret','2010-11-22'),('Boulevardperiph','Nina','2008-02-07'),('Boulevardperiph','Nina','2008-03-20'),('Boulevardperiph','Nina','2008-03-28'),('Boulevardperiph','Nina','2008-03-31'),('Boulevardperiph','Nina','2008-04-01'),('Boulevardperiph','Nina','2008-06-04'),('boulevardsceinture','Margaret','2010-11-23'),('boulevardsceinture','Nina','2008-03-04'),('boulevardsceinture','Nina','2008-03-05'),('Bouquet','Susan','2008-02-01'),('brulure','Margaret','2007-09-29'),('brulure','Margaret','2007-10-01'),('brulure','Margaret','2007-11-04'),('brulure','Nina','2007-11-16'),('brulure','Nina','2008-01-02'),('brulure','Nina','2008-01-11'),('Bunker','Margaret','2010-11-23'),('Bunker','Nina','2009-03-10'),('Cageombres','Margaret','2011-08-03'),('Cageombres','Nina','2009-01-29'),('Cageombres','Susan','2008-08-11'),('cahiernoir','Margaret','2010-11-30'),('Cahiers','Margaret','2010-08-23'),('Cahiers','Margaret','2010-11-03'),('Cahiers','Margaret','2010-11-24'),('CalvaireBreendonck','Susan','2008-02-14'),('Camaradesmorts','Margaret','2010-12-10'),('Camaradesmorts','Susan','2008-02-01'),('Camaradesmorts','Susan','2008-03-17'),('CampagneItalie','Chris','2010-05-04'),('Campthiaroye','Margaret','2010-11-24'),('Campthiaroye','Nina','2007-07-02'),('Campthiaroye','Nina','2007-07-10'),('Campthiaroye','Nina','2007-08-03'),('Campthiaroye','Nina','2008-03-31'),('caporalepingle','Margaret','2010-11-30'),('Carcasse','Chris','2009-09-02'),('Cargomer','Nina','2008-01-11'),('Cargomer','Susan','2007-10-29'),('Carnetscaptif','Susan','2008-02-05'),('Carnetsderoute','Susan','2008-02-14'),('CarnetsGoumier','Nina','2009-02-03'),('CarnetsGoumier','Nina','2009-02-05'),('Carrefourenfantsperdus','Nina','2009-01-09'),('Carrefoursolitudes','Margaret','2010-11-23'),('Carrefoursolitudes','Nina','2007-12-07'),('carrelage','Margaret','2009-08-27'),('carrelage','Margaret','2010-07-21'),('carrelage','Nina','2009-08-27'),('Cartonjaune','Margaret','2010-07-21'),('Cartonjaune','Margaret','2010-11-22'),('Cartonjaune','Margaret','2011-08-03'),('Cartonjaune','Nina','2008-04-09'),('Cartonjaune','Nina','2008-04-10'),('Cartonjaune','Nina','2008-08-30'),('Cavouri','Margaret','2009-02-06'),('Cavouri','Nina','2009-02-06'),('Cejourla','Nina','2008-04-16'),('Cellule16','Margaret','2010-11-23'),('Cellule16','Susan','2008-02-21'),('Cellule209','Chris','2009-09-02'),('Cellule209','Nina','2009-09-03'),('Cendrefumee','Susan','2008-02-14'),('Centurions','Margaret','2010-11-23'),('Centurions','Nina','2009-02-05'),('Cequefemmeveut','Susan','2008-08-14'),('Cerfsvolants','Margaret','2010-11-22'),('Cerfsvolants','Nina','2008-10-13'),('Cestenhiver','Margaret','2009-02-15'),('Cestenhiver','Margaret','2010-07-20'),('Cestenhiver','Margaret','2010-11-22'),('Cestenhiver','Nina','2009-03-15'),('cetaitcelanotre','Margaret','2010-11-29'),('Cettedroleguerre','Margaret','2010-07-18'),('Cettedroleguerre','Nina','2008-01-11'),('Cettedroleguerre','Susan','2007-10-29'),('Ceuxquinedormaientpas','Margaret','2010-11-23'),('Ceuxquinedormaientpas','Nina','2009-06-03'),('Ceuxvivent','Susan','2008-02-14'),('chagrinpitie','Margaret','2010-11-30'),('Champion','Margaret','2010-11-24'),('Champion','Nina','2008-08-30'),('ChansonHannah','Margaret','2010-11-23'),('ChansonHannah','Nina','2008-09-05'),('ChansonHannah','Nina','2009-03-10'),('Chantcimes','Margaret','2010-07-16'),('Chantcimes','Nina','2009-06-25'),('Chantcimes','Nina','2009-08-04'),('Chantherissons','Chris','2009-08-26'),('Chantherissons','Margaret','2011-08-03'),('Chantherissons','Nina','2009-08-27'),('chantiersjeune','Margaret','2010-11-30'),('Chaquehomme','Susan','2008-08-13'),('chaquemin','Margaret','2010-04-13'),('chaquemin','Margaret','2010-11-22'),('Chassecourre','Susan','2008-08-11'),('Chasseurscamion','Margaret','2010-11-23'),('Chasseurscamion','Nina','2009-03-26'),('Chasseurzero','Margaret','2010-11-24'),('Chasseurzero','Margaret','2011-08-03'),('Chasseurzero','Nina','2008-08-15'),('Chasseurzero','Nina','2008-08-18'),('Chasseurzero','Nina','2009-02-18'),('Chateauautre','Margaret','2010-07-21'),('Chateauautre','Nina','2007-02-13'),('Chateauautre','Nina','2007-03-26'),('Chateauautre','Nina','2007-07-10'),('Chateauautre','Nina','2008-05-19'),('chateaufer','Margaret','2010-11-30'),('Chatte','Chris','2009-08-20'),('Chatte','Nina','2009-08-27'),('Chatte','Peter','2010-07-28'),('Cheminecoliers','Chris','2009-08-19'),('Cheminecoliers','Margaret','2010-07-18'),('cheminhonneur','Nina','2008-01-11'),('cheminhonneur','Nina','2008-04-18'),('cheminhonneur','Susan','2007-10-30'),('cheminsetoile','Margaret','2010-11-29'),('cheminsnuit','Margaret','2010-11-30'),('ChevalBachMa','Nina','2009-03-26'),('Chevalblanc','Margaret','2010-08-23'),('ChevalMort','Nina','2008-04-16'),('Chezarmeeanglaise','Susan','2008-01-14'),('Chienslions','Margaret','2010-07-21'),('Chienslions','Nina','2008-04-29'),('Chienslions','Nina','2008-09-03'),('Chienslouves','Chris','2009-09-04'),('Chienslouves','Margaret','2010-11-30'),('chocretour','Margaret','2010-11-30'),('christopheou','Margaret','2010-11-21'),('Chroniqueguerreperdue','Margaret','2010-11-24'),('Chroniqueguerreperdue','Nina','2009-09-03'),('Chroniqueguerreperdue','Peter','2010-12-02'),('Chroniqueguerreperdue','Susan','2008-08-11'),('Chroniquelorraine','Susan','2008-03-17'),('ChuteBarcelone','Chris','2008-05-13'),('ChuteBarcelone','Nina','2009-02-18'),('cimetieres','Margaret','2007-10-01'),('cimetieres','Margaret','2007-11-16'),('cimetieres','Margaret','2010-12-10'),('cimetieres','Nina','2008-01-11'),('cimetieres','Nina','2009-01-29'),('Cinqhommes','Chris','2010-06-03'),('Clairiere','Margaret','2010-07-16'),('Clairiere','Nina','2007-12-15'),('Clairiere','Nina','2008-01-15'),('Clairiere','Nina','2008-04-18'),('Clairlune','Margaret','2010-08-23'),('ClanOstendais','Margaret','2010-11-24'),('ClanOstendais','Nina','2008-09-23'),('Cliente','Margaret','2011-08-03'),('Cliente','Nina','2007-04-16'),('Cliente','Nina','2007-07-09'),('Cliente','Nina','2007-07-10'),('Cliente','Nina','2007-08-02'),('Cliente','Nina','2007-08-23'),('Cliente','Nina','2007-09-28'),('Cliente','Nina','2008-05-13'),('clossaint','Margaret','2010-11-30'),('Clotilde','Chris','2009-09-03'),('Clotilde','Nina','2009-09-03'),('coeurvivants','Margaret','2010-07-21'),('coeurvivants','Margaret','2010-11-22'),('coeurvivants','Nina','2007-08-14'),('Coinazur','Margaret','2010-07-20'),('Coinazur','Margaret','2010-11-22'),('Coinazur','Margaret','2011-08-03'),('Coinazur','Nina','2007-05-11'),('coldie','Margaret','2010-01-27'),('coldie','Margaret','2010-01-28'),('collaborateur','Margaret','2010-07-09'),('Collabos','Margaret','2009-01-29'),('Collabos','Margaret','2009-02-01'),('Collabos','Nina','2009-02-06'),('collabosong','Margaret','2010-11-30'),('Collineoubliee','Margaret','2011-08-03'),('Collineoubliee','Nina','2007-03-01'),('Collineoubliee','Nina','2007-03-26'),('Collineoubliee','Nina','2007-07-10'),('Collineoubliee','Nina','2008-01-25'),('Collineoubliee','Nina','2008-11-01'),('Colonnenuees','Susan','2008-02-04'),('Combatpournoscadavres','Susan','2008-02-21'),('Combattantsnuit','Susan','2008-08-13'),('Commando','Chris','2010-05-04'),('commandos','Margaret','2010-08-07'),('Commefini','Nina','2008-01-11'),('Commefini','Susan','2007-10-29'),('Commescorpion','Margaret','2010-11-22'),('Commescorpion','Nina','2009-06-25'),('Commescorpion','Nina','2009-08-04'),('Commeunverger','Chris','2009-08-26'),('communistes','Margaret','2010-11-16'),('communistes','Margaret','2010-11-18'),('compagniespect','Margaret','2010-11-29'),('Complainteoubliee','Margaret','2010-07-21'),('Complainteoubliee','Nina','2008-04-09'),('Complainteoubliee','Nina','2008-04-15'),('concertopour','Margaret','2010-11-29'),('Condamne','Chris','2009-08-26'),('Condamne','Margaret','2010-07-16'),('Condamne','Nina','2009-08-27'),('confessionmatin','Margaret','2010-11-30'),('Conquetedesert','Margaret','2011-08-03'),('Conquetedesert','Nina','2009-03-23'),('Conquetedesert','Nina','2009-03-26'),('Contesdauxois','Margaret','2010-11-24'),('convoioslo','Margaret','2010-11-30'),('Corderaide','Susan','2008-08-13'),('Corpsnoir','Nina','2007-06-27'),('Corpsnoir','Nina','2007-07-02'),('Corpsnoir','Nina','2007-07-10'),('Corpsnoir','Nina','2007-11-09'),('Cotentincolmar','Susan','2007-11-09'),('coupon44','Margaret','2007-11-07'),('coupon44','Margaret','2010-12-10'),('coupon44','Nina','2008-04-11'),('coupon44','Nina','2009-02-03'),('coupon44','Nina','2009-02-06'),('Courir','Nina','2008-10-07'),('couronne','Margaret','2010-01-27'),('Courtepaille','Chris','2008-05-15'),('Courtepaille','Nina','2009-07-06'),('Courtepaille','Nina','2009-08-04'),('Courtepaille','Nina','2009-09-03'),('courtevie','Margaret','2010-08-20'),('courtevie','Margaret','2010-08-23'),('Crevassemaquisards','Chris','2008-05-06'),('Crevassemaquisards','Nina','2008-05-06'),('Creve','Margaret','2010-04-13'),('Creve','Margaret','2010-07-22'),('Crimeevacuations','Nina','2008-02-18'),('Crimeevacuations','Susan','2008-02-14'),('Criprofondeurs','Chris','2008-05-07'),('Criprofondeurs','Nina','2008-05-07'),('crisansvoix','Margaret','2010-11-29'),('Croixmer','Margaret','2010-07-21'),('Croixmer','Margaret','2011-08-03'),('Croixmer','Nina','2007-12-21'),('CroquisLondresguerre','Susan','2008-08-15'),('dacapo','Margaret','2010-11-30'),('Dahlias','Chris','2010-06-03'),('Dahlias','Margaret','2010-07-06'),('Dahlias','Margaret','2011-08-03'),('DameIzieu','Nina','2009-02-04'),('Damesboisboulogne','Margaret','2010-11-22'),('Damesboisboulogne','Nina','2009-03-16'),('dandiamond','Margaret','2010-11-28'),('Dansgriffesnazies','Susan','2007-11-09'),('danslamarche','Margaret','2010-11-29'),('dansons','Margaret','2010-02-21'),('Deblancvêtu','Margaret','2011-01-22'),('Deblancvêtu','Margaret','2011-08-31'),('Debonneguerre','Chris','2009-08-18'),('Deboutcesiecle','Margaret','2010-08-10'),('Decombres','Nina','2008-09-26'),('deconnection','Margaret','2010-11-30'),('degreoude','Margaret','2010-11-29'),('Dejeunerssoleil','Nina','2008-02-06'),('Dejeunerssoleil','Susan','2008-02-05'),('dejeuntrieste','Margaret','2010-11-29'),('Delirelogique','Chris','2009-09-03'),('Demonoubli','Margaret','2010-07-21'),('Demonoubli','Margaret','2010-11-22'),('Demonoubli','Nina','2008-09-19'),('Demonoubli','Nina','2008-09-23'),('demonsaube','Margaret','2010-07-16'),('demonsaube','Nina','2007-05-22'),('demonsaube','Nina','2007-06-06'),('demonsaube','Nina','2007-06-28'),('demonsaube','Nina','2007-07-02'),('demonsaube','Nina','2007-07-09'),('demonsaube','Nina','2007-07-10'),('demonsaube','Nina','2007-08-02'),('demonsaube','Nina','2008-03-11'),('Deposition','Susan','2008-08-14'),('Deprisonenprison','Susan','2008-02-21'),('DernierAuvernois','Margaret','2010-07-20'),('DernierAuvernois','Margaret','2011-08-03'),('DernierAuvernois','Nina','2009-06-30'),('Derniereballeperdue','Margaret','2010-11-24'),('Derniereballeperdue','Nina','2008-09-03'),('Dernieresequence','Margaret','2010-07-21'),('Dernieresequence','Nina','2009-07-18'),('Dernieresequence','Nina','2009-08-04'),('Dernieresvoluptes','Susan','2008-08-14'),('Dernierfrere','Margaret','2010-07-16'),('Dernierfrere','Margaret','2011-08-03'),('Dernierfrere','Nina','2008-03-26'),('Dernierfrere','Nina','2008-04-23'),('Dernierjournazi','Margaret','2010-07-16'),('Dernierjournazi','Nina','2009-03-16'),('Dernierjournazi','Nina','2009-03-21'),('dernierjust','Margaret','2010-11-29'),('derniermetiers','Margaret','2007-08-02'),('derniermetiers','Margaret','2010-07-20'),('derniermetiers','Nina','2008-04-11'),('DernierMetro','Margaret','2010-11-24'),('DernierMetro','Nina','2009-02-03'),('DernierMetro','Nina','2009-02-05'),('Derniersmots','Chris','2009-08-27'),('dernierstemps','Margaret','2010-11-29'),('derniervillage','Margaret','2007-07-22'),('derniervillage','Margaret','2007-08-02'),('derniervillage','Margaret','2010-07-21'),('derniervillage','Margaret','2011-08-31'),('derniervillage','Nina','2008-04-11'),('derniervillage','Nina','2009-09-03'),('Deroute','Margaret','2011-01-16'),('Deroute','Margaret','2011-01-22'),('Deroute','Margaret','2011-08-31'),('Deserteurs','Margaret','2009-02-01'),('Deserteurs','Margaret','2010-07-20'),('Deserteurs','Nina','2009-02-06'),('Deserteurs','Nina','2009-02-15'),('desespoir','Margaret','2010-11-25'),('desespoir','Margaret','2010-12-10'),('desmonts','Margaret','2010-11-29'),('Detourprenfer','Nina','2008-05-06'),('Deuilen24','Chris','2008-05-14'),('deuxcerisiers','Margaret','2010-11-29'),('deuxetendard','Margaret','2010-11-29'),('deuxfoislememe','Margaret','2009-08-25'),('deuxfoislememe','Margaret','2011-08-03'),('Diableritencore','Margaret','2010-07-22'),('Diableritencore','Margaret','2011-08-03'),('Diableritencore','Margaret','2011-08-26'),('Diableritencore','Nina','2007-04-03'),('Diableritencore','Nina','2007-04-16'),('Diableritencore','Nina','2007-04-17'),('Diableritencore','Nina','2007-04-30'),('Diableritencore','Nina','2007-05-01'),('Diableritencore','Nina','2007-05-09'),('Diableritencore','Nina','2007-07-02'),('Diableritencore','Nina','2007-07-10'),('Diableritencore','Nina','2008-05-19'),('Diableritencore','Nina','2009-02-06'),('DickVercors','Margaret','2010-11-22'),('DickVercors','Nina','2008-09-04'),('Didineautres','Nina','2008-07-21'),('Dimancheinoubliable','Chris','2008-05-13'),('Dimancheinoubliable','Margaret','2011-08-03'),('Dissidence1','Margaret','2010-07-21'),('Dissidence1','Nina','2007-11-22'),('Dissidence1','Nina','2007-11-23'),('Dissidence1','Nina','2008-04-09'),('dissidence2','Margaret','2010-08-19'),('dissidence2','Margaret','2010-08-23'),('Dissidences','Margaret','2010-11-23'),('Dissidences','Nina','2008-03-14'),('Dissidences','Nina','2008-04-16'),('Dissidences','Nina','2008-04-22'),('Dissidences','Nina','2008-05-19'),('Dissidences','Nina','2008-05-23'),('Ditesle','Margaret','2010-11-23'),('Ditesle','Margaret','2011-08-03'),('Ditesle','Nina','2008-11-13'),('DoraB','Margaret','2010-11-23'),('DoraB','Nina','2007-02-12'),('DoraB','Nina','2007-03-26'),('DoraB','Nina','2007-07-10'),('DoraB','Nina','2008-02-21'),('dormeurdebout','Margaret','2010-07-12'),('dormeurdebout','Margaret','2010-11-23'),('douleurstory','Margaret','2010-11-25'),('Douleurvolume','Margaret','2010-11-22'),('Douleurvolume','Margaret','2010-11-25'),('Douleurvolume','Nina','2007-02-12'),('Douleurvolume','Nina','2007-03-26'),('Douleurvolume','Nina','2007-07-10'),('Douleurvolume','Nina','2007-10-23'),('Douleurvolume','Nina','2008-04-10'),('DrameVichy','Margaret','2010-07-21'),('DrameVichy','Margaret','2011-08-03'),('DrameVichy','Nina','2008-01-11'),('DrameVichy','Susan','2007-10-30'),('Droledejeu','Chris','2010-05-13'),('Droledejeu','Chris','2010-06-03'),('Droledejeu','Margaret','2010-11-24'),('drolevie','Margaret','2010-11-23'),('drolevie','Susan','2008-02-21'),('DrPetiot','Nina','2009-03-17'),('ducristal','Margaret','2010-11-20'),('dumaquis','Margaret','2010-08-07'),('duneenfance','Margaret','2010-08-07'),('Duneprison','Margaret','2010-07-16'),('Duneprison','Susan','2007-10-29'),('dusilence','Margaret','2010-11-21'),('echappee','Margaret','2010-07-20'),('echappee','Margaret','2010-11-22'),('EchellesLevant','Margaret','2010-11-23'),('EchellesLevant','Margaret','2011-08-03'),('EchellesLevant','Nina','2009-01-05'),('echo','Margaret','2010-04-13'),('Eclairsombre','Chris','2008-05-13'),('Eclairsombre','Nina','2008-05-13'),('EcritsdeMarseille','Margaret','2010-11-24'),('EcritsdeMarseille','Nina','2008-07-09'),('EffroyablesJardins','Margaret','2010-11-24'),('EffroyablesJardins','Nina','2008-01-03'),('EffroyablesJardins','Nina','2008-02-06'),('Egares','Nina','2008-01-21'),('Egares','Nina','2008-01-29'),('ellevoulait','Margaret','2010-11-28'),('Ellipseloup','Margaret','2010-11-22'),('Ellipseloup','Margaret','2011-08-03'),('Ellipseloup','Nina','2008-09-05'),('elsinfor','Margaret','2010-11-29'),('Empreinteange','Margaret','2010-11-03'),('Empreinteange','Margaret','2011-08-03'),('Empreinteange','Nina','2008-02-07'),('Empreinteange','Nina','2008-02-08'),('Empreinteange','Nina','2008-02-13'),('Empreinteange','Nina','2008-06-26'),('Enavant','Margaret','2010-11-23'),('Enavant','Nina','2008-10-29'),('Enavant','Nina','2009-03-10'),('Encommando','Margaret','2010-11-23'),('Encommando','Nina','2009-03-26'),('Enfantcache','Margaret','2010-11-22'),('Enfantcache','Nina','2007-12-15'),('Enfantcache','Nina','2007-12-18'),('enfantetsoldat','Margaret','2010-11-22'),('enfantetsoldat','Nina','2007-02-12'),('enfantetsoldat','Nina','2007-03-26'),('enfantetsoldat','Nina','2007-03-27'),('enfantetsoldat','Nina','2007-07-02'),('enfantetsoldat','Nina','2007-07-10'),('enfantetsoldat','Nina','2008-01-25'),('EnfantNoe','Nina','2008-06-10'),('Enfantsliberte','Chris','2009-08-18'),('Enfantsliberte','Margaret','2011-08-03'),('Enfantsliberte','Nina','2009-08-25'),('Enfantsmatin','Margaret','2010-11-22'),('Enfantsmatin','Nina','2008-04-11'),('Enfantsous','Chris','2009-08-20'),('Enfantsous','Nina','2009-08-27'),('Enfantspays','Margaret','2010-11-23'),('Enfantspays','Nina','2008-08-12'),('Enfantspays','Nina','2008-08-13'),('enfantssquare','Margaret','2010-11-21'),('Enfanttue','Margaret','2010-11-22'),('Enfanttue','Susan','2007-10-29'),('EnferBreendonck','Margaret','2010-11-22'),('EnferBreendonck','Margaret','2010-11-23'),('EnferBreendonck','Susan','2008-02-04'),('EnferBreendonck','Susan','2008-02-05'),('enmourir','Margaret','2009-08-25'),('enmourir','Nina','2009-08-27'),('Entredeuxguerres','Susan','2008-03-17'),('Enverscontretout','Susan','2008-08-13'),('envoye','Margaret','2010-01-21'),('envoye','Margaret','2010-01-28'),('envoye','Margaret','2010-07-20'),('epaves','Margaret','2010-11-11'),('epee','Margaret','2009-08-25'),('epee','Margaret','2010-07-16'),('epee','Margaret','2011-08-03'),('Episodes19401944','Susan','2008-02-21'),('Especehumaine','Margaret','2010-11-16'),('Especehumaine','Nina','2007-10-29'),('Especehumaine','Nina','2008-04-11'),('Especehumaine','Nina','2008-05-13'),('Especehumaine','Susan','2007-10-29'),('espiontimide','Margaret','2010-11-30'),('esthermazel','Margaret','2010-07-08'),('esthermazel','Margaret','2010-11-23'),('esthermazel','Margaret','2011-08-03'),('etatdurg','Margaret','2010-11-28'),('etatmajor','Margaret','2010-04-13'),('etatmajor','Margaret','2011-08-03'),('Etechatte','Chris','2009-08-26'),('Etechatte','Nina','2009-08-27'),('etememorable','Margaret','2010-11-30'),('Etoileautres','Margaret','2010-11-24'),('Etoileautres','Nina','2008-05-14'),('Etoiledelor','Margaret','2010-11-28'),('Etoilenoire','Nina','2007-05-23'),('Etoilenoire','Nina','2007-06-06'),('Etoilenoire','Nina','2007-07-10'),('Etoilenoire','Nina','2008-05-19'),('Etoilenoire','Nina','2008-05-23'),('Etoilesang','Nina','2009-02-18'),('Etoilesang','Susan','2008-08-13'),('Etoilevesper','Susan','2008-01-15'),('Etoilevesper','Susan','2008-01-29'),('Etpourtant','Chris','2008-05-07'),('Etpourtant','Nina','2008-05-19'),('etsiunreve','Margaret','2010-11-11'),('evadeedu','Margaret','2010-11-29'),('Evades','Margaret','2010-11-24'),('Evades','Margaret','2011-08-03'),('Evades','Nina','2007-02-13'),('Evades','Nina','2007-03-26'),('Evades','Nina','2007-07-10'),('Evades','Nina','2007-08-03'),('Evades','Nina','2007-11-12'),('Evades','Nina','2008-04-09'),('Evades','Nina','2009-02-15'),('Evasion44','Susan','2008-03-17'),('Eveils','Margaret','2011-08-03'),('Eveils','Susan','2008-08-13'),('Exiljoconde','Margaret','2010-11-23'),('Exiljoconde','Nina','2008-06-10'),('exode','Margaret','2010-04-13'),('exode','Margaret','2010-11-22'),('exterminateur','Margaret','2010-11-29'),('Faireface','Margaret','2010-11-29'),('Faireface','Susan','2008-08-11'),('Fantomebarrage','Margaret','2010-11-23'),('Fantomebarrage','Nina','2009-07-18'),('Fantomebarrage','Nina','2009-08-04'),('Fantomes','Margaret','2010-08-23'),('FascistesnazisProvence','Susan','2008-08-13'),('Fatale','Margaret','2011-08-03'),('Fatale','Nina','2008-01-16'),('Fautdesobeir','Margaret','2010-07-21'),('Fautdesobeir','Margaret','2011-08-03'),('Fautdesobeir','Nina','2008-08-30'),('Femmeallemand','Margaret','2010-11-24'),('Femmeallemand','Margaret','2011-08-03'),('Femmeallemand','Nina','2008-06-09'),('femmearnaud','Margaret','2009-08-12'),('femmearnaud','Margaret','2009-08-16'),('femmearnaud','Margaret','2009-08-25'),('femmearnaud','Margaret','2010-04-22'),('femmearnaud','Margaret','2010-07-20'),('femmearnaud','Margaret','2011-08-03'),('femmearnaud','Nina','2009-08-27'),('femmedeguerre','Nina','2007-08-14'),('Femmeperdue','Margaret','2010-11-22'),('Femmeperdue','Nina','2009-01-12'),('Femmesdelombre','Chris','2007-11-01'),('Femmesdelombre','Margaret','2011-08-03'),('Femmesdelombre','Nina','2008-01-23'),('femmeseule','Margaret','2007-11-05'),('femmeseule','Margaret','2007-11-07'),('femmeseule','Margaret','2010-07-16'),('femmeseule','Margaret','2010-11-20'),('femmeseule','Nina','2009-02-06'),('femmeseule','Nina','2009-02-15'),('femmesombre','Margaret','2010-11-24'),('femmesombre','Nina','2008-03-26'),('femmesombre','Nina','2009-01-29'),('feuaulac','Margaret','2010-11-30'),('Feuilleauvent','Margaret','2011-08-03'),('Feuilleauvent','Susan','2008-02-13'),('Feuillesvent','Chris','2010-07-08'),('FeuilletsHypnos','Margaret','2010-07-21'),('FeuilletsHypnos','Nina','2008-05-14'),('FeuilletsHypnos','Susan','2008-01-29'),('Fifiroi','Chris','2009-08-27'),('Fifiroi','Nina','2009-09-03'),('Figurants','Margaret','2010-07-21'),('Figurants','Margaret','2010-11-22'),('Figurants','Nina','2008-04-09'),('Figurants','Nina','2008-04-10'),('fillecalvaire','Margaret','2010-11-28'),('Fillecarillonneur','Margaret','2010-07-16'),('Fillecarillonneur','Nina','2009-06-30'),('Fillecarillonneur','Nina','2009-08-04'),('Fillepuisateur','Margaret','2010-11-23'),('Fillepuisateur','Nina','2009-01-12'),('Flammes','Chris','2009-08-20'),('Flammes','Margaret','2010-11-22'),('Flammes','Nina','2009-08-27'),('Fleursruine','Nina','2008-03-03'),('Fleuvecombelle','Margaret','2010-07-16'),('Fleuvecombelle','Margaret','2010-11-18'),('Fleuvecombelle','Margaret','2011-08-03'),('Fleuvecombelle','Nina','2008-09-03'),('Flictourmente','Chris','2009-08-26'),('Flictourmente','Margaret','2010-07-18'),('Fontainesmort','Susan','2008-02-06'),('forteresse','Margaret','2010-01-31'),('forteresse','Margaret','2010-07-22'),('Fortressesacrifiee','Margaret','2010-07-16'),('Fortressesacrifiee','Nina','2007-05-21'),('Fortressesacrifiee','Nina','2007-06-05'),('Fortressesacrifiee','Nina','2007-06-06'),('Fortressesacrifiee','Nina','2007-07-02'),('Fortressesacrifiee','Nina','2007-07-09'),('Fortressesacrifiee','Nina','2007-07-10'),('Fortressesacrifiee','Nina','2007-08-02'),('Fortressesacrifiee','Nina','2007-08-23'),('Fortressesacrifiee','Nina','2008-03-11'),('fortunat','Margaret','2010-01-25'),('fortunat','Margaret','2010-01-28'),('fortunat','Margaret','2010-02-01'),('fortunat','Margaret','2010-07-21'),('fortunat','Margaret','2010-11-22'),('FosseBabel','Margaret','2010-07-16'),('FosseBabel','Margaret','2010-11-10'),('FosseBabel','Margaret','2010-11-11'),('FosseBabel','Nina','2009-09-03'),('FrancaiseFrancais','Margaret','2010-11-24'),('FrancaiseFrancais','Margaret','2011-08-03'),('FrancaiseFrancais','Nina','2007-02-13'),('FrancaiseFrancais','Nina','2007-03-26'),('FrancaiseFrancais','Nina','2007-03-27'),('FrancaiseFrancais','Nina','2007-07-11'),('FrancaiseFrancais','Nina','2007-07-24'),('FrancaiseFrancais','Nina','2007-08-03'),('FrancaiseLibre','Margaret','2010-11-24'),('FrancaiseLibre','Nina','2008-01-09'),('FrancaiseLibre','Nina','2008-01-17'),('FrancaiseLibre','Nina','2008-03-26'),('franchise','Margaret','2010-11-30'),('franciscain','Margaret','2010-11-29'),('franziska','Margaret','2010-11-29'),('freres','Margaret','2010-11-21'),('freres','Margaret','2010-11-23'),('Frontstalag','Susan','2008-08-13'),('fruitshiver','Nina','2007-08-14'),('fruitshiver','Nina','2007-09-28'),('fruitshiver','Nina','2008-05-15'),('FTP','Margaret','2010-11-24'),('FTP','Margaret','2011-08-03'),('FTP','Nina','2007-02-13'),('FTP','Nina','2007-03-26'),('FTP','Nina','2007-07-10'),('FTP','Nina','2007-08-03'),('FTP','Nina','2007-11-12'),('FTP','Nina','2008-04-09'),('FTP','Nina','2009-02-15'),('Furenthommes','Susan','2008-02-05'),('Furioso','Chris','2010-02-16'),('FXEEUARFR','Margaret','2010-07-21'),('FXEEUARFR','Nina','2008-04-10'),('FXEEUARFR','Nina','2008-04-28'),('Gang','Chris','2008-05-07'),('Gang','Nina','2008-05-07'),('Gardienruines','Nina','2008-10-29'),('Gareencheres','Margaret','2010-07-21'),('Gareencheres','Margaret','2010-11-22'),('Gareencheres','Margaret','2011-08-03'),('Gareencheres','Nina','2008-04-09'),('Gareencheres','Nina','2008-04-10'),('Genspays','Chris','2008-05-14'),('Genspays','Nina','2008-05-15'),('gibier','Margaret','2008-05-23'),('gibier','Margaret','2008-05-30'),('gibier','Margaret','2010-07-21'),('gibier','Margaret','2010-11-22'),('gibier','Nina','2008-06-01'),('Godillotslourds','Susan','2008-02-05'),('goumiersaid','Margaret','2010-04-22'),('goumiersaid','Margaret','2010-11-23'),('goumiersaid','Nina','2007-08-22'),('goumiersaid','Nina','2007-08-23'),('goumiersaid','Nina','2007-09-11'),('goumiersaid','Nina','2007-11-08'),('goumiersaid','Nina','2008-01-11'),('goumiersaid','Nina','2008-01-25'),('Grandcarnival','Margaret','2010-11-18'),('Grandcarnival','Margaret','2011-08-03'),('Grandcarnival','Nina','2007-05-22'),('Grandcarnival','Nina','2007-06-06'),('Grandcarnival','Nina','2007-07-09'),('Grandcarnival','Nina','2007-07-10'),('Grandcarnival','Nina','2007-11-13'),('Grandcarnival','Nina','2008-03-11'),('Grandcarnival','Nina','2009-03-10'),('Grandcirque','Margaret','2010-07-21'),('Grandcirque','Susan','2008-01-14'),('Grandcirque','Susan','2008-01-29'),('Grandeffarement','Margaret','2010-07-16'),('Grandeffarement','Margaret','2010-11-16'),('Grandeffarement','Nina','2008-09-03'),('Grandeffarement','Nina','2008-09-08'),('Grandemeutte','Margaret','2010-11-23'),('Grandemeutte','Nina','2009-01-12'),('Grandemeutte','Nina','2009-01-13'),('grandemisere','Margaret','2010-11-29'),('grandescirconstances','Nina','2008-01-11'),('grandescirconstances','Susan','2007-10-30'),('Grandesvacances','Chris','2010-06-03'),('Grandesvacances','Margaret','2010-07-16'),('GrandeTriche','Chris','2008-05-07'),('GrandeTriche','Nina','2008-05-07'),('grandevadr','Margaret','2010-11-30'),('GrandGuingouin','Chris','2009-08-19'),('GrandGuingouin','Margaret','2010-07-20'),('GrandGuingouin','Nina','2009-08-25'),('grandhomme','Margaret','2010-05-20'),('grandhomme','Margaret','2010-05-24'),('grandhomme','Margaret','2010-11-16'),('grandhomme','Margaret','2010-11-24'),('grandperetombeciel','Margaret','2011-08-03'),('grandperetombeciel','Nina','2008-07-17'),('grandsmalheurs','Margaret','2010-07-21'),('grandsmalheurs','Margaret','2011-08-03'),('grandsmalheurs','Nina','2007-08-14'),('grandsmalheurs','Nina','2007-09-11'),('grandsmalheurs','Nina','2007-11-08'),('grandsmalheurs','Nina','2008-01-21'),('Grandvestiaire','Margaret','2010-11-22'),('Grandvestiaire','Nina','2008-10-15'),('Grandvestiaire','Nina','2008-10-16'),('Grandvestiaire','Nina','2008-10-17'),('Grandvoyage','Nina','2007-02-26'),('Grandvoyage','Nina','2007-03-26'),('Grandvoyage','Nina','2007-07-10'),('Grandvoyage','Nina','2007-08-03'),('Grandvoyage','Nina','2007-11-12'),('Greouforce','Nina','2008-01-04'),('groomcrime','Margaret','2010-11-28'),('Guadeloupe1943','Margaret','2010-07-22'),('Guadeloupe1943','Nina','2007-06-06'),('Guadeloupe1943','Nina','2007-06-07'),('Guadeloupe1943','Nina','2007-07-10'),('Guadeloupe1943','Nina','2007-07-11'),('Guadeloupe1943','Nina','2008-01-25'),('Guadeloupe1943','Nina','2008-06-27'),('Guerrecivile','Chris','2010-05-04'),('Guerreguerre','Chris','2009-08-28'),('Guerregusses','Nina','2009-01-05'),('Guerrelasse','Nina','2007-02-13'),('Guerrelasse','Nina','2007-03-26'),('Guerrelasse','Nina','2007-03-27'),('Guerrelasse','Nina','2007-07-10'),('Guerrelasse','Nina','2007-11-12'),('Guerrelasse','Nina','2008-02-01'),('Guerreneuf','Chris','2009-08-28'),('Guerrierdesoeuvre','Margaret','2010-11-23'),('Guerrierdesoeuvre','Susan','2008-01-14'),('guetteuse','Margaret','2010-07-21'),('guetteuse','Margaret','2011-08-03'),('guetteuse','Nina','2008-04-15'),('gueuledebois','Margaret','2010-11-29'),('guichets','Margaret','2010-10-13'),('guichets','Margaret','2010-11-03'),('guichets','Margaret','2011-08-03'),('Gurs','Nina','2008-09-11'),('Hans','Margaret','2010-07-21'),('Hans','Nina','2008-04-11'),('Harmattan','Susan','2008-02-13'),('hautcastel','Margaret','2010-11-30'),('Hautefourche','Margaret','2007-08-02'),('Hautefourche','Margaret','2007-08-03'),('Hautefourche','Margaret','2010-11-22'),('Hautefourche','Margaret','2010-12-10'),('Hautefourche','Nina','2007-11-08'),('Hautefourche','Nina','2008-04-11'),('Hautefourche','Nina','2009-02-20'),('Hauteursville','Nina','2009-03-24'),('helene','Margaret','2010-11-18'),('Heretiques','Chris','2009-09-03'),('Herosdiscret','Chris','2009-08-26'),('Herosdiscret','Margaret','2010-11-20'),('Herosdiscret','Margaret','2010-11-22'),('Herosdiscret','Nina','2009-08-27'),('HeurestragiquesEmpire','Susan','2008-08-15'),('Heureuxpacifiques','Margaret','2010-07-16'),('Heureuxpacifiques','Margaret','2010-11-11'),('Heureuxpacifiques','Nina','2009-09-03'),('HHhH','Margaret','2010-11-22'),('Hidden','Chris','2010-02-16'),('Hidden','Margaret','2010-07-22'),('hiroshimaamour','Margaret','2010-11-29'),('Histoirepetitnegre','Nina','2009-03-23'),('Histoirepoupee','Margaret','2010-07-21'),('Histoirepoupee','Nina','2008-08-27'),('homicide','Margaret','2010-11-28'),('Hommebarbele','Nina','2009-06-30'),('Hommebarbele','Nina','2009-08-04'),('Hommebete','Nina','2008-02-29'),('hommeguerre','Margaret','2010-11-30'),('Hommerechercheame','Nina','2008-01-11'),('Hommerechercheame','Susan','2007-10-29'),('hommesillustres','Margaret','2010-11-29'),('Hommesmeilleursvie','Nina','2008-09-23'),('hommesneveul','Margaret','2010-11-29'),('Honteappartient','Margaret','2010-11-24'),('Honteappartient','Nina','2008-09-16'),('horsita','Margaret','2010-11-30'),('HotelRetour','Margaret','2010-11-22'),('HotelRetour','Nina','2008-07-21'),('hoteltermin','Margaret','2010-11-30'),('IciLondres','Susan','2008-08-15'),('ideesrestent','Margaret','2010-11-30'),('Idyllequartier','Margaret','2010-07-22'),('Idyllequartier','Margaret','2010-11-22'),('Idyllequartier','Margaret','2011-08-03'),('Idyllequartier','Nina','2007-10-02'),('Idyllequartier','Nina','2007-10-04'),('Idyllequartier','Nina','2007-10-22'),('ilebleue','Margaret','2010-11-29'),('ilscroyaienteternite','Margaret','2011-08-03'),('ilscroyaienteternite','Margaret','2011-08-26'),('ilscroyaienteternite','Margaret','2011-08-31'),('ilscroyaienteternite','Nina','2007-11-05'),('Imprimerie','Margaret','2010-11-25'),('Impuissance','Margaret','2010-11-24'),('Impuissance','Margaret','2010-11-25'),('Impuissance','Nina','2008-04-16'),('Incendie','Nina','2008-03-31'),('Indigenes','Margaret','2010-07-20'),('Indigenes','Nina','2007-04-17'),('Indigenes','Nina','2007-06-05'),('Indigenes','Nina','2007-06-07'),('Indigenes','Nina','2007-07-02'),('Indigenes','Nina','2007-07-03'),('Indigenes','Nina','2007-07-10'),('Indigenes','Nina','2007-11-13'),('Indigenes','Nina','2007-11-23'),('Indigenes','Nina','2008-04-14'),('Ingrid','Chris','2010-06-03'),('Ingrid','Margaret','2010-07-20'),('innocents','Margaret','2010-02-21'),('innocents','Margaret','2010-07-21'),('Inspecteur','Margaret','2010-08-23'),('instantmamort','Margaret','2010-07-20'),('instantmamort','Nina','2007-03-26'),('instantmamort','Nina','2007-08-23'),('instantmamort','Nina','2008-03-31'),('instantmamort','Ruth','2007-02-21'),('InterludeSpain','Susan','2008-08-15'),('irreductib','Margaret','2010-11-30'),('Isolesoleil','Nina','2008-06-26'),('Itinerairesalaudordinaire','Margaret','2010-07-21'),('Itinerairesalaudordinaire','Margaret','2010-11-22'),('Itinerairesalaudordinaire','Nina','2007-02-12'),('Itinerairesalaudordinaire','Nina','2007-07-10'),('Itinerairesalaudordinaire','Nina','2008-01-25'),('Itinerairesalaudordinaire','Nina','2009-03-10'),('Itsik','Margaret','2010-02-04'),('Itsik','Nina','2008-08-15'),('jacques','Margaret','2010-11-30'),('jaichoisi','Margaret','2010-11-28'),('JaifuiAllemagnenazie','Nina','2008-07-17'),('Jairepondu','Margaret','2010-11-23'),('Jairepondu','Susan','2008-01-29'),('Jairepondu','Susan','2008-02-06'),('jardinenfants','Margaret','2010-11-30'),('jardinenfer','Margaret','2010-11-29'),('jardinnoir','Margaret','2010-08-19'),('jeandesautres','Margaret','2010-01-20'),('jeandesautres','Margaret','2010-02-01'),('jeandesautres','Margaret','2010-11-22'),('jeandesautres','Margaret','2011-08-03'),('jeandesautres','Margaret','2011-08-26'),('jeandesautres','Margaret','2011-08-31'),('jeanjacques','Margaret','2010-11-30'),('Jeanne','Margaret','2007-11-07'),('Jeanne','Margaret','2010-11-24'),('Jeanne','Nina','2008-01-11'),('jeanneavec','Margaret','2010-11-28'),('Jefus','Chris','2009-08-26'),('Jefus','Margaret','2010-07-16'),('Jefus','Margaret','2010-11-11'),('jehaiscette','Margaret','2010-11-30'),('jemarchais','Margaret','2010-11-30'),('Jenetaispasprisonnier','Nina','2008-02-29'),('Jetaisespion','Susan','2008-02-14'),('jetons','Margaret','2007-11-07'),('jetons','Margaret','2010-11-24'),('jetons','Nina','2008-04-11'),('Jetueil','Margaret','2010-07-21'),('Jetueil','Nina','2007-05-12'),('Jetueil','Nina','2007-06-06'),('Jetueil','Nina','2007-07-10'),('Jetueil','Nina','2008-01-25'),('Jeudisaint','Margaret','2010-07-20'),('Jeudisaint','Margaret','2010-11-22'),('Jeudisaint','Margaret','2011-08-03'),('Jeudisaint','Nina','2008-05-23'),('Jeudisaint','Nina','2008-05-30'),('Jeudisaint','Nina','2008-06-04'),('jeunefemme','Margaret','2010-11-21'),('Jeunehommeseul','Chris','2007-02-15'),('Jeunehommeseul','Nina','2007-03-26'),('Jeunehommeseul','Nina','2007-04-26'),('Jeunehommeseul','Nina','2007-07-10'),('Jeunehommeseul','Nina','2007-08-03'),('Jeupatience','Susan','2008-02-06'),('Jeuxinter','Margaret','2009-03-06'),('Jeuxinter','Margaret','2010-04-22'),('Jeuxinter','Margaret','2010-07-21'),('Jeuxinter','Margaret','2010-11-22'),('Jeuxinter','Margaret','2010-12-10'),('Jeuxinter','Nina','2009-03-15'),('Jeuxinter','Nina','2009-09-03'),('Jollec','Margaret','2010-11-23'),('Jollec','Margaret','2011-08-03'),('Jollec','Nina','2008-11-09'),('Josee','Margaret','2010-07-14'),('Josee','Margaret','2010-07-20'),('JosephLondres','Margaret','2010-08-03'),('JosephLondres','Margaret','2010-11-22'),('jourAlbertEinstein','Margaret','2010-07-20'),('jourAlbertEinstein','Margaret','2010-11-22'),('jourAlbertEinstein','Nina','2008-04-17'),('Jourfinitplus','Margaret','2010-07-22'),('Jourfinitplus','Margaret','2010-11-22'),('Jourfinitplus','Margaret','2011-08-03'),('Jourfinitplus','Nina','2008-09-05'),('Jourfinitplus','Nina','2008-10-06'),('journal','Margaret','2010-11-28'),('Journal19421944','Margaret','2010-07-20'),('Journal19421944','Nina','2008-01-16'),('Journal19421944','Nina','2008-02-15'),('Journalannees','Chris','2009-08-27'),('Journalannees','Margaret','2010-11-22'),('Journalannees','Nina','2009-08-28'),('Journalaquatre','Chris','2009-08-27'),('Journalaquatre','Nina','2009-08-28'),('Journalcaptivite','Susan','2008-02-13'),('Journalcollabo','Chris','2009-08-18'),('Journalcollabo','Margaret','2010-11-18'),('Journalcollabo','Nina','2009-08-21'),('Journaldessine','Susan','2008-08-11'),('Journalexile','Susan','2008-02-21'),('journalsal','Margaret','2010-11-30'),('journalsuzan','Margaret','2010-11-30'),('Journaltresintime','Susan','2008-02-14'),('Journeesdaout','Susan','2008-01-29'),('journom','Margaret','2010-11-30'),('Joursheureux','Margaret','2010-07-20'),('Joursheureux','Nina','2008-01-11'),('Joursheureux','Susan','2007-10-30'),('Joursnotremort','Susan','2008-08-11'),('Jourspenitence','Margaret','2010-11-23'),('Jourspenitence','Susan','2008-02-06'),('judithmad','Margaret','2010-11-28'),('juifsmeurent','Margaret','2010-11-18'),('Juliettecerisiers','Margaret','2010-07-21'),('Juliettecerisiers','Nina','2007-11-08'),('JusquaBergen','Susan','2008-02-05'),('Jusqumortensuive','Margaret','2011-08-03'),('Jusqumortensuive','Nina','2008-09-16'),('Jusqumortensuive','Nina','2008-10-10'),('Jusqumortensuive','Nina','2008-11-17'),('Justeapresguerre','Nina','2007-12-15'),('Justeapresguerre','Nina','2008-01-14'),('Justepourplaisir','Nina','2009-02-15'),('Justepourplaisir','Nina','2009-02-18'),('justescauses','Margaret','2008-05-23'),('justescauses','Margaret','2008-05-30'),('justescauses','Margaret','2011-08-03'),('justescauses','Nina','2008-06-01'),('JusticeDunk','Margaret','2010-11-28'),('KZ','Margaret','2010-11-22'),('KZ','Nina','2007-12-21'),('KZ','Nina','2008-01-11'),('labaieperd','Margaret','2010-11-29'),('laballade','Margaret','2010-11-28'),('labelleeduc','Margaret','2010-11-29'),('Labièvre','Margaret','2010-08-10'),('labrigade','Margaret','2010-11-30'),('lacalanque','Margaret','2010-11-30'),('lacathedrale','Margaret','2010-11-28'),('lacitedinj','Margaret','2010-11-18'),('lacollection','Margaret','2010-11-29'),('LacombeLucien','Margaret','2010-11-23'),('LacombeLucien','Nina','2008-03-04'),('lacorrida','Margaret','2010-11-30'),('laculbute','Margaret','2010-11-30'),('Ladenonciation','Margaret','2011-08-03'),('Ladenonciation','Nina','2009-06-25'),('Ladenonciation','Nina','2009-08-04'),('lafindes','Margaret','2010-11-30'),('lafoi','Margaret','2010-11-11'),('lagamelle1','Margaret','2010-08-05'),('lagamelle1','Margaret','2010-11-18'),('laguerreavant','Margaret','2010-11-30'),('laguerrebuiss','Margaret','2010-11-30'),('lagueule','Margaret','2010-11-29'),('lahaute','Margaret','2010-02-21'),('lairetla','Margaret','2010-11-30'),('Laisseescompte','Nina','2008-08-23'),('Laissezpasser','Margaret','2010-11-24'),('Laissezpasser','Nina','2008-03-10'),('Laissezpasser','Nina','2008-03-11'),('Laissezpasser','Nina','2008-03-12'),('Laissezpasser','Nina','2008-06-26'),('laisseztomber','Margaret','2010-04-13'),('laisseztomber','Margaret','2010-07-22'),('laisseztomber','Margaret','2010-11-22'),('lajeunefemme','Chris','2010-06-03'),('lajeunefemme','Margaret','2010-07-06'),('lajeunessede','Margaret','2010-11-30'),('lamarquedelh','Margaret','2010-11-30'),('lamelodie','Margaret','2010-11-30'),('Laminoirrecitdeporte','Susan','2008-02-29'),('lamort','Margaret','2010-02-21'),('lamort','Margaret','2010-07-06'),('lamortdans','Margaret','2010-11-29'),('LAmoura','Margaret','2010-08-02'),('LAmoura','Peter','2010-12-02'),('lancien','Margaret','2010-11-11'),('lanuitlejour','Margaret','2010-11-20'),('lapatrie','Margaret','2010-11-20'),('lapatrie','Margaret','2010-11-21'),('lapatrie','Margaret','2010-11-25'),('lapeau','Margaret','2009-08-27'),('lapeau','Margaret','2010-07-06'),('lapeurdu','Margaret','2010-11-29'),('laplusbelle','Margaret','2010-11-21'),('lappel','Margaret','2009-08-25'),('lappel','Margaret','2009-08-27'),('lappel','Margaret','2010-07-16'),('lappel','Nina','2009-09-03'),('Laravissante','Margaret','2010-11-30'),('larencontre','Margaret','2010-11-28'),('larencontre2','Margaret','2010-11-28'),('larmeslum','Margaret','2010-11-30'),('laseptieme','Margaret','2010-11-23'),('lasoupeau','Margaret','2010-11-29'),('lateteaux','Margaret','2010-11-30'),('latetesurles','Margaret','2010-11-28'),('Latondue','Margaret','2010-11-30'),('latondue2','Margaret','2010-11-30'),('latourmente','Margaret','2010-11-30'),('Lauriersdulac','Margaret','2010-07-21'),('Lauriersdulac','Margaret','2010-11-22'),('Lauriersdulac','Nina','2007-02-13'),('Lauriersdulac','Nina','2007-03-26'),('Lauriersdulac','Nina','2007-03-27'),('Lauriersdulac','Nina','2007-07-10'),('Lauriersdulac','Nina','2007-07-11'),('Lauriersdulac','Nina','2007-11-08'),('lavantdernierso','Margaret','2010-11-30'),('lavieestdev','Margaret','2010-11-30'),('lebacva','Margaret','2010-11-30'),('Lebal','Margaret','2010-02-21'),('lebalafre','Margaret','2010-11-30'),('LebeauFr','Margaret','2010-11-30'),('lebochet1','Margaret','2010-11-29'),('lebochet2','Margaret','2010-11-29'),('lebochet3','Margaret','2010-11-29'),('lebochet4','Margaret','2010-11-29'),('lebochet5','Margaret','2010-11-29'),('Lebouc','Margaret','2010-04-13'),('lebruitdes','Margaret','2010-11-28'),('lecarrefour','Margaret','2010-11-30'),('lechateau365','Margaret','2010-11-28'),('lecomptoir','Margaret','2010-11-29'),('lecondabime','Margaret','2010-11-29'),('leconvoi','Margaret','2010-05-27'),('lecourscinquante','Margaret','2010-08-07'),('lefidele','Margaret','2010-11-28'),('legalades','Margaret','2010-11-30'),('legeste','Margaret','2010-11-29'),('Legout','Margaret','2010-04-13'),('lehussard','Margaret','2010-11-30'),('lehussardmal','Margaret','2010-11-29'),('leipzig','Margaret','2010-01-29'),('leipzig','Margaret','2010-07-21'),('lememebat','Margaret','2010-11-30'),('lemiroir','Margaret','2010-11-21'),('Lenord','Margaret','2010-11-25'),('LeonM','Margaret','2010-07-20'),('LeonM','Margaret','2010-11-22'),('LeonM','Margaret','2011-08-03'),('LeonM','Nina','2007-02-12'),('LeonM','Nina','2007-03-26'),('LeonM','Nina','2007-03-27'),('LeonM','Nina','2007-04-26'),('LeonM','Nina','2007-07-09'),('LeonM','Nina','2007-07-10'),('LeonM','Nina','2007-08-02'),('LeonM','Nina','2007-08-23'),('LeonM','Nina','2009-02-04'),('LeonoreFrance3945','Nina','2008-07-17'),('lepassage','Margaret','2010-11-30'),('lepassant','Margaret','2010-11-30'),('LePasseur','Margaret','2010-11-23'),('LePasseur','Nina','2009-03-10'),('LePasseur','Nina','2009-03-16'),('lepetitsoleil','Margaret','2010-11-29'),('lepeupleimp','Margaret','2010-11-30'),('Lepre','Chris','2008-05-19'),('Lepre','Margaret','2010-11-22'),('leprixdu','Margaret','2010-11-30'),('lepuits','Margaret','2011-08-31'),('lequation','Margaret','2010-11-30'),('lerefus','Margaret','2010-11-30'),('lerendezvousb','Margaret','2010-11-30'),('leroideberg','Margaret','2010-11-29'),('lesableentre','Margaret','2010-11-30'),('lesang','Margaret','2011-08-31'),('Lesannees','Margaret','2010-11-22'),('Lesannees','Nina','2008-03-20'),('Lesannees','Nina','2008-03-28'),('lesarbres','Margaret','2010-04-13'),('lesavides','Margaret','2010-11-30'),('lesbeauxjours','Margaret','2010-11-30'),('lesboisde','Margaret','2010-11-29'),('LesCarnets','Susan','2008-02-29'),('LesChaleursaout','Susan','2008-01-17'),('lesdecombres','Margaret','2010-11-29'),('lesdieuxnous','Margaret','2010-11-29'),('lesemplumes','Margaret','2010-11-29'),('Lesentier','Margaret','2010-11-30'),('lesepees','Margaret','2010-11-30'),('lesetoilescach','Margaret','2010-11-29'),('lesforets','Margaret','2008-05-23'),('lesforets','Margaret','2008-05-30'),('lesforets','Margaret','2011-08-03'),('lesforets','Nina','2008-06-01'),('lesfourmis','Margaret','2010-11-28'),('lesgrelots','Margaret','2010-11-28'),('Lesmaudru','Margaret','2011-06-06'),('Lesmaudru','Margaret','2011-08-31'),('lesmenthes','Margaret','2010-11-29'),('lesmorts','Margaret','2010-11-29'),('lesmouches','Margaret','2010-11-29'),('lesoleilni','Margaret','2010-11-30'),('lesparques','Margaret','2010-11-29'),('lespasseurs','Margaret','2010-11-28'),('lespatates','Margaret','2010-11-28'),('lessacapoux','Margaret','2010-11-29'),('lestabor','Margaret','2010-11-30'),('Lesvaches','Margaret','2010-04-13'),('lesviolons','Margaret','2010-11-28'),('leswagonsde','Margaret','2010-11-29'),('letangdela','Margaret','2010-11-30'),('letempsjul','Margaret','2010-11-30'),('letempspatience','Margaret','2010-11-29'),('letramwaydes','Margaret','2010-11-29'),('Lettreotage','Margaret','2011-08-03'),('Lettreotage','Susan','2008-08-13'),('lettresdeprison','Margaret','2010-11-28'),('leventdes','Margaret','2010-11-30'),('leviolon','Margaret','2010-11-28'),('levivant','Margaret','2010-11-30'),('lhommequimar','Margaret','2010-11-28'),('LHotel','Margaret','2010-08-02'),('LHotel','Margaret','2010-08-23'),('liberationoiseaux','Margaret','2010-11-24'),('liberationoiseaux','Nina','2008-04-23'),('liberationoiseaux','Nina','2008-05-19'),('Liberations','Susan','2008-02-21'),('LieutenantKouta','Margaret','2010-11-22'),('LieutenantKouta','Nina','2008-09-30'),('Lignedemarcation','Margaret','2010-07-21'),('Lignedemarcation','Susan','2008-08-11'),('Lignesfaille','Margaret','2010-11-23'),('Lignesfaille','Nina','2008-02-08'),('Lignesfaille','Nina','2008-02-11'),('Lignesfaille','Nina','2008-02-13'),('linconnuede','Margaret','2010-11-28'),('linsaisissable','Margaret','2010-11-30'),('linutile','Margaret','2010-11-30'),('Linvitee','Margaret','2011-02-15'),('Linvitee','Margaret','2011-08-31'),('Livrecolere','Chris','2009-08-27'),('Livretfamille','Margaret','2010-11-23'),('Livretfamille','Margaret','2011-08-03'),('Livretfamille','Nina','2008-03-11'),('Livretfamille','Nina','2008-03-12'),('loccupation','Margaret','2010-11-29'),('lofficierdu','Margaret','2010-11-30'),('Lonekhussard','Margaret','2010-11-22'),('Lonekhussard','Nina','2008-07-21'),('longdetour','Margaret','2010-11-30'),('Louise','Chris','2010-06-09'),('Louise','Margaret','2010-07-06'),('Louise','Margaret','2010-11-24'),('Louise','Margaret','2011-08-03'),('louiseletemps','Margaret','2010-11-29'),('LourdSilence','Chris','2008-05-05'),('LourdSilence','Nina','2008-05-06'),('Louves','Chris','2008-05-19'),('Louves','Margaret','2010-12-10'),('Louves','Nina','2009-09-03'),('LouveVichy','Chris','2008-05-14'),('LouveVichy','Margaret','2010-11-23'),('LouveVichy','Margaret','2011-08-03'),('LouveVichy','Nina','2008-05-15'),('loyola','Margaret','2010-11-30'),('lumierecoll','Margaret','2010-11-29'),('Luneomaha','Margaret','2010-07-16'),('Luneomaha','Nina','2007-06-22'),('Luneomaha','Nina','2007-06-26'),('Luneomaha','Nina','2007-07-03'),('Luneomaha','Nina','2007-07-09'),('Luneomaha','Nina','2007-08-02'),('Luneomaha','Nina','2007-08-23'),('Luneomaha','Nina','2008-03-11'),('Luneomaha','Nina','2008-05-13'),('Lutetia','Chris','2009-08-18'),('Lutetia','Margaret','2010-07-16'),('Madelon','Chris','2009-08-20'),('Madelon','Margaret','2010-11-22'),('Madelon','Nina','2009-08-27'),('Magnus','Margaret','2010-11-22'),('Magnus','Nina','2008-01-31'),('Magnus','Nina','2008-02-01'),('Magnus','Susan','2008-02-06'),('maincoupee','Margaret','2010-11-22'),('maincoupee','Susan','2008-01-14'),('maison4vents','Margaret','2010-11-24'),('maison4vents','Nina','2008-07-21'),('Maisonmortes','Margaret','2011-08-03'),('Maisonmortes','Susan','2008-01-17'),('Maisonoccupee','Margaret','2011-08-03'),('Maisonoccupee','Margaret','2011-08-26'),('Maisonoccupee','Margaret','2011-08-31'),('Maisonoccupee','Nina','2008-01-11'),('Maisonoccupee','Nina','2008-04-18'),('Maisonoccupee','Susan','2007-10-30'),('maisonquatre','Margaret','2010-11-30'),('Maisonshantees','Margaret','2010-11-24'),('Maisonshantees','Nina','2008-03-26'),('maisonvide','Margaret','2010-11-22'),('maisonvide','Margaret','2011-08-03'),('maisonvide','Nina','2008-07-21'),('Maldelicieux','Margaret','2010-11-24'),('Maldelicieux','Margaret','2011-08-03'),('Maldelicieux','Nina','2008-01-03'),('mallunes','Margaret','2007-11-07'),('mallunes','Margaret','2010-11-24'),('mallunes','Margaret','2011-08-03'),('mallunes','Nina','2007-11-16'),('mallunes','Nina','2008-01-09'),('mallunes','Nina','2008-01-14'),('mallunes','Nina','2008-05-06'),('mallunes','Nina','2008-05-19'),('mandarins','Margaret','2010-05-21'),('mandarins','Margaret','2010-05-25'),('mandarins','Margaret','2010-05-26'),('mandarins','Margaret','2010-07-20'),('Manipulation','Margaret','2010-08-02'),('Manou','Margaret','2010-11-29'),('Manteaunoir','Margaret','2010-07-21'),('Manteaunoir','Margaret','2010-11-03'),('Manteaunoir','Margaret','2010-11-22'),('Manteaunoir','Nina','2007-03-30'),('Manteaunoir','Nina','2007-04-02'),('Manteaunoir','Nina','2007-04-03'),('Manteaunoir','Nina','2007-05-09'),('Manteaunoir','Nina','2007-07-10'),('Manteaunoir','Nina','2007-07-11'),('Marchaismalgremoi','Margaret','2010-11-23'),('Marchaismalgremoi','Nina','2008-06-11'),('Marcheetoile','Margaret','2010-11-25'),('Marcheetoile','Nina','2008-05-14'),('Marechalnousvoila','Margaret','2010-11-11'),('Marechalnousvoila','Nina','2009-02-04'),('Marechalnousvoila','Nina','2009-02-05'),('mareebasse','Susan','2008-01-15'),('Marfa1943','Margaret','2010-11-28'),('MarieOctobre','Nina','2008-10-17'),('MarieOctobre','Nina','2009-09-03'),('Mariette','Margaret','2010-07-20'),('Mariette','Margaret','2010-07-21'),('Mariette','Margaret','2010-11-22'),('Mariette','Nina','2008-09-04'),('Mariette','Nina','2009-02-18'),('marmenil','Margaret','2010-11-30'),('Marque','Chris','2010-06-22'),('Marque','Margaret','2010-11-24'),('marquehomme','Margaret','2010-11-30'),('mathildejean','Margaret','2010-11-29'),('matiere','Margaret','2010-08-03'),('matiere','Margaret','2010-11-24'),('Mauditblood','Margaret','2010-07-16'),('Mauditblood','Nina','2007-12-18'),('Mauditblood','Nina','2008-01-11'),('Mauditblood','Nina','2008-01-17'),('Mauthausen','Margaret','2010-11-24'),('Mauthausen','Susan','2008-08-13'),('Mavie','Susan','2008-03-17'),('Max','Margaret','2010-07-12'),('Max','Margaret','2010-11-24'),('maxflanag','Margaret','2010-11-30'),('Medecinchars','Susan','2008-08-13'),('medecinfrancais','Susan','2008-02-21'),('Melanie','Margaret','2010-08-23'),('Melanie','Margaret','2010-11-24'),('Memecielbleu','Susan','2008-01-15'),('memefleuve','Margaret','2010-01-20'),('memefleuve','Margaret','2010-01-28'),('memoirechacale','Nina','2008-08-26'),('memoirecru','Margaret','2010-11-30'),('memoirejours','Margaret','2010-05-27'),('memoiremurs','Margaret','2010-11-18'),('Memoires','Susan','2008-08-14'),('Memoiresagentsecret','Susan','2008-08-11'),('Memoirescuremaquis','Susan','2008-08-13'),('MemoiresFrancais','Susan','2008-02-21'),('Memoiresjeune','Margaret','2010-02-04'),('Memoiresjeune','Susan','2008-01-16'),('Memoiresjeune','Susan','2008-01-29'),('MemoiresPehun','Nina','2008-01-11'),('MemoiresPehun','Susan','2007-10-29'),('MemoiresPehun','Susan','2008-01-16'),('memoiretatouee','Margaret','2010-11-23'),('memoiretatouee','Nina','2007-11-05'),('Memorial','Chris','2010-06-03'),('menuetharic','Margaret','2010-11-30'),('mereallem','Margaret','2010-11-20'),('MeresGlorieuses','Margaret','2010-07-21'),('MeresGlorieuses','Nina','2008-04-29'),('Mesenfants','Nina','2008-07-21'),('Mesevasions','Margaret','2010-11-22'),('Mesevasions','Nina','2009-03-21'),('MesprisonsSouvenirs','Susan','2008-08-11'),('Messagespersonnels','Margaret','2010-11-23'),('Messagespersonnels','Susan','2007-10-29'),('Messagespersonnels','Susan','2008-01-16'),('metierseigneur','Margaret','2010-07-21'),('metierseigneur','Margaret','2010-11-22'),('metierseigneur','Nina','2007-11-08'),('metierseigneur','Nina','2007-11-09'),('metierseigneur','Susan','2008-02-06'),('Metiertisser','Nina','2008-03-31'),('Meurtresprmemoire','Margaret','2010-07-21'),('Meurtresprmemoire','Nina','2007-02-12'),('Meurtresprmemoire','Nina','2007-03-26'),('Meurtresprmemoire','Nina','2007-03-27'),('Meurtresprmemoire','Nina','2007-04-02'),('Meurtresprmemoire','Nina','2007-05-07'),('Meurtresprmemoire','Nina','2007-07-02'),('Meurtresprmemoire','Nina','2007-07-10'),('Meurtresprmemoire','Nina','2008-04-28'),('Meurtresprmemoire','Nina','2008-05-19'),('mielabsinthe','Margaret','2010-11-20'),('Milleregrets','Margaret','2010-08-23'),('Milleregrets','Margaret','2010-11-24'),('miraclesleg','Margaret','2010-11-30'),('Mirador','Chris','2009-08-27'),('Mirador','Margaret','2010-11-22'),('miroirmite','Margaret','2010-11-30'),('miroirrevient','Margaret','2010-11-29'),('miroirsded','Margaret','2007-08-01'),('miroirsded','Margaret','2007-08-13'),('miroirsded','Margaret','2010-11-24'),('miroirsded','Margaret','2011-08-03'),('miroirsded','Nina','2009-01-29'),('miroirsded','Nina','2009-02-06'),('missak','Margaret','2010-01-24'),('missak','Margaret','2010-01-31'),('missak','Margaret','2010-05-26'),('missak','Margaret','2010-11-22'),('missakenfant','Margaret','2010-01-24'),('missakenfant','Margaret','2010-05-26'),('missakenfant','Margaret','2010-05-27'),('MitterrandVichy','Nina','2008-04-16'),('mledepute','Margaret','2010-11-30'),('Mohaguerrierberbere','Margaret','2010-07-20'),('Mohaguerrierberbere','Margaret','2010-11-22'),('Mohaguerrierberbere','Nina','2009-03-17'),('moisson40','Margaret','2010-07-14'),('moisson40','Margaret','2010-11-03'),('moisson40','Margaret','2010-11-22'),('Moloch','Nina','2009-03-25'),('Moloch','Nina','2009-09-03'),('MonAlgeriance','Margaret','2010-07-21'),('MonAlgeriance','Nina','2008-03-07'),('monica','Margaret','2010-11-29'),('monjournal','Margaret','2010-11-30'),('Monlieutenant','Chris','2010-05-04'),('Monneoutragesdefis','Nina','2008-04-29'),('Monpere','Margaret','2010-04-13'),('Monpere','Margaret','2010-07-18'),('MonsieurLeon','Margaret','2010-07-21'),('MonsieurLeon','Margaret','2010-11-22'),('MonsieurLeon','Margaret','2011-08-03'),('MonsieurLeon','Nina','2009-02-04'),('MonsieurP','Margaret','2007-08-09'),('MonsieurP','Nina','2007-11-16'),('MonsieurP','Nina','2008-01-11'),('MonsieurX','Margaret','2010-11-22'),('MonsieurX','Margaret','2010-11-25'),('MonsieurX','Nina','2007-02-12'),('MonsieurX','Nina','2007-03-26'),('MonsieurX','Nina','2007-07-10'),('MonsieurX','Nina','2007-10-23'),('MonsieurX','Nina','2008-04-10'),('montagnechacals','Nina','2007-11-05'),('montagnechacals','Nina','2007-11-06'),('montagnechacals','Nina','2008-11-01'),('montagnechacals','Nina','2009-03-10'),('mortdEric','Margaret','2010-07-22'),('mortdEric','Nina','2008-07-17'),('mortdEric','Nina','2008-07-21'),('morthomme','Margaret','2009-08-26'),('morthomme','Margaret','2009-08-27'),('morthomme','Margaret','2011-08-03'),('morthomme','Margaret','2011-08-31'),('Mortmetier','Margaret','2010-11-23'),('Mortmetier','Nina','2008-01-31'),('Mortnoubliepersonne','Margaret','2010-07-21'),('Mortnoubliepersonne','Nina','2007-02-12'),('Mortnoubliepersonne','Nina','2007-03-26'),('Mortnoubliepersonne','Nina','2007-03-27'),('Mortnoubliepersonne','Nina','2007-04-02'),('Mortnoubliepersonne','Nina','2007-07-10'),('Mortnoubliepersonne','Nina','2008-03-05'),('Mortnoubliepersonne','Nina','2008-03-10'),('Mortquilfaut','Margaret','2010-08-20'),('Mortquilfaut','Margaret','2010-11-24'),('Mortquilfaut','Margaret','2011-08-03'),('Mortquilfaut','Nina','2007-02-13'),('Mortquilfaut','Nina','2007-03-26'),('Mortquilfaut','Nina','2007-07-10'),('Mortquilfaut','Nina','2007-08-03'),('Mortquilfaut','Nina','2007-11-12'),('Mortquilfaut','Nina','2008-01-21'),('Mortquilfaut','Nina','2009-01-29'),('MortspourFrance','Margaret','2010-11-22'),('MortspourFrance','Nina','2008-08-26'),('Mots','Margaret','2009-02-13'),('Mots','Margaret','2010-11-24'),('Mots','Nina','2009-02-15'),('MoulesProfesseur','Margaret','2010-11-24'),('MoulesProfesseur','Margaret','2011-08-03'),('MoulesProfesseur','Nina','2007-02-13'),('MoulesProfesseur','Nina','2007-03-26'),('MoulesProfesseur','Nina','2007-07-10'),('MoulesProfesseur','Nina','2007-08-03'),('MoulesProfesseur','Nina','2007-11-12'),('MoulesProfesseur','Nina','2008-04-09'),('MoulesProfesseur','Nina','2009-02-15'),('moulinfoulon','Margaret','2010-08-06'),('moulinfoulon','Margaret','2010-08-07'),('moulinfoulon','Margaret','2010-11-23'),('mouton','Margaret','2010-07-09'),('mouton','Margaret','2010-07-11'),('mouton','Margaret','2010-07-12'),('Murdestinee','Margaret','2010-07-21'),('Murdestinee','Margaret','2010-11-22'),('Murdestinee','Nina','2009-06-25'),('Murdestinee','Nina','2009-08-04'),('MursFresnes','Margaret','2010-11-22'),('MursFresnes','Nina','2008-01-29'),('MursFresnes','Susan','2008-01-14'),('MystereStAmbroise','Nina','2009-07-25'),('MystereStAmbroise','Nina','2009-08-04'),('MystereStAmbroise','Nina','2009-08-27'),('Nainjaune','Chris','2009-08-28'),('NancyMunster','Susan','2008-08-13'),('Nazismetro','Margaret','2010-07-21'),('Nazismetro','Margaret','2010-11-22'),('Nazismetro','Nina','2007-12-07'),('Nazismetro','Nina','2008-01-11'),('Nedjma','Margaret','2010-04-22'),('Nedjma','Nina','2008-03-27'),('Nedjma','Nina','2008-03-31'),('NegreAmiral','Margaret','2010-07-21'),('NegreAmiral','Nina','2007-02-13'),('NegreAmiral','Nina','2007-06-29'),('NegreAmiral','Nina','2007-07-11'),('NegreAmiral','Nina','2008-01-25'),('NegreAmiral','Nina','2008-04-09'),('NegrePotemkine','Margaret','2010-11-23'),('NegrePotemkine','Nina','2009-05-11'),('NegrePotemkine','Nina','2009-08-27'),('Neigesale','Chris','2009-09-03'),('Neigesale','Margaret','2010-11-24'),('niagara','Margaret','2007-11-07'),('niagara','Nina','2007-11-16'),('niagara','Nina','2008-01-09'),('niagara','Nina','2008-01-11'),('Niceprmemoire','Margaret','2010-11-22'),('Niceprmemoire','Nina','2007-02-12'),('Niceprmemoire','Nina','2007-03-26'),('Niceprmemoire','Nina','2007-07-10'),('Noirtango','Margaret','2010-07-22'),('Noirtango','Nina','2007-04-16'),('Noirtango','Nina','2007-04-17'),('Noirtango','Nina','2007-05-01'),('Noirtango','Nina','2007-05-09'),('Noirtango','Nina','2007-07-02'),('Noirtango','Nina','2007-07-10'),('Noirtango','Nina','2008-02-10'),('Noirtango','Nina','2008-05-19'),('Nomcode','Margaret','2011-08-03'),('Nomcode','Nina','2008-10-07'),('nommeLangdon','Susan','2008-02-14'),('Nonklara','Margaret','2010-07-16'),('Nonklara','Margaret','2010-11-10'),('Nonklara','Nina','2007-06-22'),('Nonklara','Nina','2007-07-02'),('Nonklara','Nina','2007-07-09'),('Nonklara','Nina','2007-07-10'),('Nonklara','Nina','2007-08-02'),('Nonklara','Nina','2007-08-23'),('Nonklara','Nina','2007-10-22'),('Nonklara','Nina','2008-03-05'),('Nonklara','Nina','2008-05-13'),('Nonklara','Nina','2008-05-14'),('Nonklara','Nina','2008-07-21'),('Nonklara','Nina','2008-11-17'),('Nonklara','Nina','2009-03-10'),('Nopassaran','Margaret','2010-11-23'),('Nopassaran','Nina','2007-12-15'),('Nopassaran','Nina','2008-01-11'),('Nopassaran','Nina','2008-01-14'),('nosdeserts','Margaret','2007-11-04'),('nosdeserts','Margaret','2011-08-03'),('nosdeserts','Nina','2007-11-16'),('nosdeserts','Nina','2008-01-09'),('nosdeserts','Nina','2008-01-11'),('Nosfantastiques','Nina','2009-05-27'),('Nosfantastiques','Nina','2009-08-04'),('Nostalgiemaquis','Susan','2008-02-06'),('Notesrefugie','Margaret','2010-11-23'),('Notesrefugie','Susan','2008-02-21'),('Notessudafricaines','Susan','2008-01-16'),('Notreapresguerre','Margaret','2010-11-23'),('Notreapresguerre','Nina','2009-02-03'),('notredamedes','Margaret','2010-11-29'),('Nour','Margaret','2010-11-24'),('Nour','Nina','2007-02-13'),('Nour','Nina','2007-03-26'),('Nour','Nina','2007-03-27'),('Nour','Nina','2007-07-02'),('Nour','Nina','2007-07-10'),('Nour','Nina','2008-01-21'),('Nour','Nina','2008-01-25'),('Nour','Nina','2008-03-15'),('Nour','Nina','2009-01-29'),('nousallions','Margaret','2010-11-29'),('nousdepeyrac','Margaret','2010-11-30'),('Nouslesterroristes','Susan','2008-02-21'),('Noussommesainsifaits','Susan','2008-08-11'),('Nousvoila','Margaret','2010-11-23'),('Nousvoila','Margaret','2011-08-03'),('Nousvoila','Nina','2009-03-16'),('Nouvelleprison','Chris','2009-08-27'),('Nouvelleprison','Nina','2009-08-28'),('Nstsassassins','Margaret','2010-11-23'),('Nstsassassins','Nina','2008-09-16'),('Nudite','Margaret','2009-02-01'),('Nudite','Nina','2009-02-06'),('Nuit','Chris','2010-06-03'),('nuitalleman','Margaret','2010-11-30'),('Nuitbrascasses','Margaret','2010-11-22'),('Nuitbrascasses','Margaret','2011-08-03'),('Nuitbrascasses','Nina','2008-08-26'),('Nuitbrascasses','Nina','2008-08-27'),('Nuitbrascasses','Nina','2008-08-28'),('Nuitbrascasses','Nina','2008-11-13'),('nuitbrouillard','Margaret','2010-11-29'),('nuitetbrouill','Margaret','2010-05-26'),('Nuitfinira','Nina','2008-04-16'),('Nuitlongue','Susan','2008-02-21'),('nuitmerveilleuse','Margaret','2010-11-23'),('nuitmerveilleuse','Nina','2009-01-09'),('nuitmerveilleuse','Nina','2009-01-12'),('Nuitpasnuit','Susan','2008-08-13'),('nuitscolere','Margaret','2010-11-29'),('nuitsupplic','Margaret','2010-11-30'),('Nuitverslumiere','Margaret','2010-11-22'),('Nuitverslumiere','Nina','2008-02-06'),('Nuitverslumiere','Susan','2008-02-04'),('Nuitverslumiere','Susan','2008-02-05'),('OdeLondresbombardee','Margaret','2010-11-24'),('OdeLondresbombardee','Nina','2009-02-17'),('Oeilauberge','Nina','2009-06-30'),('Oeilauberge','Nina','2009-08-04'),('officier','Margaret','2010-02-04'),('officier','Margaret','2010-07-12'),('officiertradition','Chris','2010-05-04'),('okjoe','Margaret','2010-11-22'),('okjoe','Margaret','2011-08-03'),('okjoe','Nina','2007-03-22'),('okjoe','Nina','2007-03-26'),('okjoe','Nina','2007-07-02'),('okjoe','Nina','2007-07-10'),('okjoe','Nina','2008-02-19'),('okjoe','Nina','2008-05-13'),('OmahaCrimes','Margaret','2010-07-21'),('OmahaCrimes','Nina','2008-09-10'),('Ombrepere','Chris','2008-05-16'),('Ombrepere','Nina','2009-07-06'),('onchantait','Margaret','2010-11-29'),('onlappeltam','Margaret','2010-11-30'),('Onnepeut','Margaret','2010-04-13'),('Onsebat','Susan','2008-08-13'),('Onziemeheure','Chris','2008-06-19'),('Onziemeheure','Nina','2008-06-26'),('OrdenerLabat','Margaret','2010-11-23'),('OrdenerLabat','Nina','2007-06-26'),('OrdenerLabat','Nina','2007-07-10'),('Origineviolence','Margaret','2011-08-03'),('Origineviolence','Nina','2009-02-05'),('Orpailleurs','Margaret','2010-11-23'),('Orpailleurs','Nina','2008-09-01'),('Ortiebrisee','Margaret','2010-11-25'),('Ortiebrisee','Nina','2007-02-12'),('Ortiebrisee','Nina','2007-03-26'),('Ortiebrisee','Nina','2007-07-10'),('Ortiebrisee','Nina','2007-10-23'),('Ortiebrisee','Nina','2008-04-10'),('Ottoauto','Margaret','2010-11-28'),('Ouedcrue','Margaret','2010-07-18'),('Ouedcrue','Nina','2007-12-14'),('Ouedcrue','Nina','2007-12-18'),('oujevais','Margaret','2011-08-31'),('Ouragan','Margaret','2010-11-23'),('Ouragan','Nina','2007-06-06'),('Ouragan','Nina','2007-07-10'),('Ouragan','Nina','2007-07-11'),('Pacteassassins','Chris','2009-08-27'),('Pacteassassins','Nina','2009-08-28'),('Pagecornee','Margaret','2010-07-21'),('Pagecornee','Margaret','2010-11-22'),('Pagecornee','Nina','2008-03-26'),('Pagecornee','Nina','2008-04-09'),('paillenoire','Margaret','2007-08-06'),('paillenoire','Margaret','2007-08-07'),('paillenoire','Margaret','2010-11-23'),('paillenoire','Nina','2007-11-16'),('paillenoire','Nina','2008-05-19'),('Parachutesmaquis','Margaret','2010-11-23'),('Parachutesmaquis','Nina','2009-03-26'),('Paradeimpies','Chris','2010-06-03'),('parcoursde','Margaret','2010-11-30'),('Parcsauvage','Margaret','2010-11-24'),('Parcsauvage','Nina','2008-02-07'),('Parcsauvage','Nina','2008-03-17'),('Parcsauvage','Nina','2008-03-27'),('Parcsauvage','Nina','2008-03-28'),('Parisbrule','Margaret','2011-08-03'),('Parisbrule','Nina','2008-08-23'),('Parisfenetre','Margaret','2010-07-21'),('Parisfenetre','Susan','2008-01-14'),('Parolesterrelarmes','Margaret','2011-08-03'),('Parolesterrelarmes','Nina','2008-03-07'),('Partautre','Nina','2008-06-10'),('Partautre','Nina','2008-06-11'),('Partirontivresse','Chris','2009-08-19'),('Partirontivresse','Margaret','2010-11-18'),('Partirontivresse','Nina','2009-08-21'),('Pasencore','Nina','2008-03-26'),('pasfacile','Margaret','2010-08-19'),('Pasheros','Margaret','2009-02-01'),('Pasheros','Margaret','2011-08-03'),('Pasheros','Nina','2009-02-06'),('PasKaddish','Nina','2007-12-21'),('PasKaddish','Nina','2008-01-11'),('PasKaddish','Nina','2008-05-19'),('pasperdutemps','Margaret','2010-08-10'),('PassageLigne1','Margaret','2010-11-24'),('PassageLigne1','Susan','2008-03-17'),('passageligne2','Margaret','2010-08-23'),('Passagelignes','Susan','2007-10-29'),('Passemuraille','Chris','2009-08-19'),('Passemuraille','Margaret','2010-07-18'),('Passemuraille','Nina','2009-08-21'),('Passesupplementaire','Chris','2008-05-05'),('Passesupplementaire','Nina','2008-05-06'),('passetablerase','Margaret','2010-11-23'),('passetablerase','Nina','2008-01-24'),('passetablerase','Susan','2008-02-06'),('passonsla','Margaret','2010-11-30'),('Patriotes','Chris','2009-08-27'),('Patriotes','Margaret','2011-08-03'),('Patriotes','Nina','2009-08-28'),('PaulineAgentsecret','Margaret','2010-11-23'),('PaulineAgentsecret','Nina','2009-03-23'),('PaulineAgentsecret','Nina','2009-03-27'),('pavesenfer','Margaret','2010-11-30'),('Paysagecendres','Chris','2009-08-27'),('PCGeneral','Nina','2008-01-11'),('PCGeneral','Susan','2007-10-29'),('pecheveniel','Margaret','2010-11-30'),('Peignenecaille','Chris','2009-08-18'),('peloton','Margaret','2007-11-05'),('peloton','Margaret','2010-11-23'),('peloton','Margaret','2010-12-10'),('peloton','Nina','2007-11-16'),('peloton','Nina','2008-01-11'),('peloton','Nina','2008-01-16'),('PelotonLeclerc','Margaret','2010-11-22'),('PelotonLeclerc','Margaret','2011-08-03'),('PelotonLeclerc','Nina','2009-03-21'),('penitent','Margaret','2010-07-09'),('penitent','Margaret','2010-12-10'),('Penseresistance','Margaret','2010-07-21'),('Penseresistance','Margaret','2011-08-03'),('Penseresistance','Nina','2007-12-15'),('Penseresistance','Nina','2008-01-14'),('Perceval','Margaret','2010-11-24'),('Perceval','Susan','2008-08-11'),('Perepetite','Margaret','2010-11-29'),('Perepetite','Nina','2008-06-09'),('Perilsroyaume','Margaret','2010-07-20'),('Perilsroyaume','Nina','2009-03-24'),('Perilsroyaume','Nina','2009-03-25'),('Perruche','Chris','2008-05-13'),('Perruche','Margaret','2010-07-22'),('Perruche','Nina','2008-05-13'),('personne','Margaret','2010-08-23'),('personne','Margaret','2010-11-24'),('pertevue','Margaret','2010-11-30'),('Petainiste','Margaret','2010-11-24'),('Petainiste','Nina','2008-05-06'),('Petainiste','Nina','2008-05-19'),('Petitcanard','Chris','2009-09-02'),('petitcheval','Margaret','2010-11-20'),('Petitefille','Chris','2008-05-15'),('Petitefille','Nina','2008-05-19'),('Petitefillesemaphore','Margaret','2010-11-24'),('Petitefillesemaphore','Nina','2009-06-30'),('Petitgarcon','Margaret','2008-06-06'),('Petitgarcon','Margaret','2010-11-23'),('Petitgarcon','Nina','2008-06-09'),('Petitgeneral','Chris','2009-08-20'),('petitmatin','Margaret','2010-11-29'),('PetitsVaincus','Margaret','2010-11-23'),('PetitsVaincus','Susan','2008-02-13'),('Peurroute','Nina','2007-12-14'),('Piedsnus','Margaret','2010-07-21'),('Piedsnus','Margaret','2010-11-22'),('Piedsnus','Nina','2008-03-07'),('Piedsnus','Nina','2008-03-17'),('Piedsnus','Nina','2008-04-18'),('Piege','Margaret','2010-07-21'),('Piege','Margaret','2010-11-22'),('Piege','Nina','2007-03-28'),('Piege','Nina','2007-05-04'),('Piege','Nina','2007-07-11'),('pilotedeguerre','Chris','2007-02-14'),('pilotedeguerre','Margaret','2010-11-24'),('pilotedeguerre','Nina','2007-03-26'),('pilotedeguerre','Nina','2007-07-10'),('pilotedeguerre','Nina','2007-11-12'),('pilotedeguerre','Susan','2008-02-01'),('Pionsechiquier','Margaret','2010-11-22'),('Pionsechiquier','Susan','2008-01-14'),('Pionsechiquier','Susan','2008-01-29'),('Pitchipoi','Chris','2008-05-13'),('Pitchipoi','Nina','2008-05-13'),('PlaceEtoile','Margaret','2010-11-23'),('PlaceEtoile','Margaret','2011-08-03'),('PlaceEtoile','Nina','2007-02-12'),('PlaceEtoile','Nina','2007-03-26'),('PlaceEtoile','Nina','2007-07-10'),('PlaceEtoile','Nina','2008-05-19'),('Placerouge','Margaret','2010-07-21'),('Placerouge','Margaret','2010-11-22'),('Placerouge','Nina','2007-02-13'),('Placerouge','Nina','2007-03-26'),('Placerouge','Nina','2007-03-27'),('Placerouge','Nina','2007-07-10'),('Placerouge','Nina','2007-10-22'),('Plaintesespoirs','Susan','2008-01-14'),('PlaisirDieu','Chris','2009-08-20'),('PlaisirDieu','Nina','2009-08-27'),('Plastiqueuse','Chris','2009-08-26'),('Plastiqueuse','Margaret','2010-07-20'),('Plastiqueuse','Nina','2009-08-27'),('pleinete','Margaret','2010-11-30'),('Pleinvent','Margaret','2009-02-01'),('Pleinvent','Nina','2009-02-06'),('plongeon','Margaret','2010-11-30'),('Pluscalmevisage','Susan','2008-01-17'),('Pluscalmevisage','Susan','2008-01-29'),('poidsfeu','Margaret','2010-08-05'),('poidsfeu','Margaret','2010-11-20'),('poidsvivre','Margaret','2010-11-30'),('Pontkwai','Nina','2007-11-08'),('Pontkwai','Nina','2008-01-11'),('PontsurLoire','Margaret','2010-11-22'),('PontsurLoire','Nina','2008-03-27'),('portraitdun','Margaret','2010-11-29'),('portraits','Margaret','2010-07-11'),('Poulpes','Chris','2009-08-28'),('premaccrocthestory','Margaret','2010-08-23'),('premaccrocthestory','Margaret','2010-11-24'),('premieraccroc','Margaret','2010-08-23'),('premieraccroc','Margaret','2010-11-03'),('Premiercombat','Susan','2008-02-29'),('premierepierre','Margaret','2007-11-08'),('premierepierre','Margaret','2009-02-01'),('premierepierre','Margaret','2011-08-03'),('premierepierre','Nina','2009-02-15'),('prenomrepub','Margaret','2010-07-21'),('prenomrepub','Margaret','2011-08-03'),('prenomrepub','Nina','2007-12-18'),('prenomrepub','Nina','2008-01-17'),('prenomrepub','Nina','2008-02-10'),('Presbyterebagnesnazis','Susan','2008-03-17'),('printempsfou','Margaret','2010-11-30'),('printempspour','Margaret','2010-11-29'),('Printempstragique','Chris','2007-10-22'),('Printempstragique','Margaret','2010-07-20'),('Printempstragique','Margaret','2011-08-03'),('Prisondeportation','Nina','2008-04-11'),('Prisondeportation','Susan','2008-03-17'),('PrisonnierB','Margaret','2010-07-21'),('PrisonnierB','Nina','2008-09-04'),('PrisonnierB','Nina','2009-02-18'),('Prisonnieremaquis','Susan','2008-02-05'),('Prisonnieremaquis','Susan','2008-02-06'),('PrisonnierP','Chris','2010-06-03'),('Prisonnierregard','Margaret','2010-11-22'),('Prisonnierregard','Nina','2009-05-19'),('Prisonnierregard','Nina','2009-08-27'),('PrisonniersaNeufBrisach','Susan','2008-03-17'),('Prisonsjaponaises','Susan','2008-02-13'),('Prisonstragiques','Nina','2008-05-19'),('Prisonstragiques','Susan','2008-01-16'),('Prisonstragiques','Susan','2008-01-29'),('prixserment','Margaret','2010-11-29'),('professionouv','Margaret','2010-11-29'),('Profmusique','Nina','2008-07-17'),('Projectionsprivees','Margaret','2010-11-24'),('Projectionsprivees','Nina','2008-07-08'),('PromeneurchampsMars','Margaret','2010-11-22'),('PromeneurchampsMars','Nina','2009-01-13'),('PromeneurchampsMars','Nina','2009-02-05'),('Promesse','Margaret','2010-11-23'),('Promesse','Nina','2008-07-17'),('Promesseaube','Nina','2008-10-15'),('Promesseaube','Nina','2008-10-16'),('pseudovaincu','Margaret','2010-04-13'),('Psyshowpathe','Margaret','2010-07-21'),('Psyshowpathe','Margaret','2010-11-22'),('Psyshowpathe','Margaret','2011-08-03'),('Psyshowpathe','Nina','2008-04-10'),('Psyshowpathe','Nina','2008-04-28'),('Ptesnuits','Margaret','2010-11-22'),('Ptesnuits','Nina','2009-06-09'),('Ptesnuits','Nina','2009-08-04'),('puitscorbeaux','Margaret','2010-11-30'),('QuandAnnariait','Nina','2008-07-17'),('Quandlamer','Chris','2008-05-06'),('Quandlamer','Nina','2008-05-06'),('Quandlamer','Nina','2008-05-07'),('Quandlevent','Margaret','2010-11-30'),('quandviendra','Margaret','2010-07-22'),('quandviendra','Nina','2007-12-14'),('quandviendra','Nina','2008-01-03'),('quandviendra','Nina','2008-01-11'),('Quatreans','Chris','2009-08-27'),('Quatreanslutte','Chris','2009-08-27'),('quatresoldats','Margaret','2010-11-30'),('Quatrestalag','Chris','2010-05-04'),('Quatriemecommand','Margaret','2007-11-05'),('Quatriemecommand','Margaret','2010-07-21'),('Quatriemecommand','Margaret','2010-11-22'),('Quatriemecommand','Margaret','2010-12-10'),('Quatriemecommand','Nina','2008-04-11'),('Quediraije','Chris','2010-06-22'),('quelquepartfront','Margaret','2010-07-21'),('quelquepartfront','Nina','2008-01-11'),('quelquepartfront','Susan','2007-10-30'),('Quenretrouvant','Margaret','2010-11-30'),('Queos','Margaret','2010-11-23'),('Queos','Margaret','2011-08-03'),('Queos','Nina','2007-07-25'),('Queos','Nina','2007-07-26'),('quinzeans','Margaret','2010-08-19'),('quinzeans','Margaret','2010-11-03'),('quinzeans','Margaret','2010-11-18'),('Quitouchecorps','Margaret','2010-07-20'),('Quitouchecorps','Margaret','2010-11-22'),('Quitouchecorps','Margaret','2011-08-26'),('Quitouchecorps','Nina','2008-11-16'),('Quitouchecorps','Nina','2008-11-17'),('Quoideneuf','Margaret','2010-07-20'),('Quoideneuf','Margaret','2010-11-22'),('Quoideneuf','Margaret','2010-12-10'),('Quoideneuf','Margaret','2011-08-03'),('Quoideneuf','Nina','2007-02-13'),('Quoideneuf','Nina','2007-03-26'),('Quoideneuf','Nina','2007-03-27'),('Quoideneuf','Nina','2007-07-10'),('racines','Margaret','2010-11-11'),('racines','Margaret','2010-11-18'),('RadeauMeduse','Susan','2008-03-17'),('RadioToulouse','Margaret','2010-11-22'),('RadioToulouse','Nina','2009-01-29'),('RadioToulouse','Susan','2008-02-13'),('rafle','Margaret','2010-11-11'),('Rage','Margaret','2011-08-03'),('Rage','Nina','2008-11-13'),('Rageconvaincre','Margaret','2010-07-20'),('Rageconvaincre','Nina','2008-01-11'),('Rageconvaincre','Susan','2007-10-30'),('Rapaces','Margaret','2010-11-23'),('Rapaces','Nina','2008-11-17'),('Rapaces','Nina','2009-01-07'),('Ravage','Chris','2009-08-19'),('Ravage','Margaret','2010-07-18'),('Ravage','Margaret','2010-11-21'),('Ravage','Nina','2009-08-21'),('Ravensbruck','Margaret','2010-11-24'),('Ravensbruck','Nina','2008-04-20'),('Ravensbruckenferfemmes','Margaret','2010-11-24'),('Ravensbruckenferfemmes','Nina','2008-08-13'),('Ravinesdevantjour','Margaret','2010-07-21'),('Ravinesdevantjour','Nina','2007-06-29'),('Ravinesdevantjour','Nina','2007-11-22'),('Rebellessoldats','Nina','2008-02-06'),('Rebellessoldats','Susan','2008-02-04'),('Rechercheverite','Margaret','2010-11-24'),('Rechercheverite','Nina','2008-04-20'),('Rechercheverite','Nina','2008-04-23'),('Refus','Nina','2009-05-11'),('Regardetoi','Chris','2009-08-26'),('Regardetoi','Nina','2009-09-03'),('reglejeu','Margaret','2010-11-29'),('RegneBete','Margaret','2010-11-22'),('RegneBete','Susan','2008-02-05'),('reinedeuxempires','Margaret','2010-07-22'),('reinedeuxempires','Nina','2007-08-14'),('Relaiserrants','Margaret','2010-11-11'),('Relaiserrants','Susan','2007-10-29'),('Releve','Margaret','2010-11-24'),('Releve','Margaret','2011-08-03'),('Releve','Nina','2007-02-13'),('Releve','Nina','2007-03-26'),('Releve','Nina','2007-07-10'),('Releve','Nina','2007-08-03'),('Releve','Nina','2007-11-12'),('Releve','Nina','2008-04-09'),('Releve','Nina','2009-02-15'),('Remisepeine','Nina','2008-03-03'),('Renaissante','Chris','2008-05-06'),('Renaissante','Nina','2008-05-06'),('Renaissante','Nina','2008-05-07'),('renaitra','Margaret','2010-01-25'),('renaitra','Margaret','2010-01-28'),('renaitra','Margaret','2010-07-21'),('Rencontrehommes','Nina','2008-01-29'),('Rencontrehommes','Susan','2008-01-14'),('rendezvousaube','Margaret','2010-01-29'),('rendezvousviv','Margaret','2010-11-29'),('rengainez','Margaret','2010-11-30'),('Represailles','Margaret','2007-08-02'),('Represailles','Margaret','2010-11-22'),('Represailles','Nina','2008-04-11'),('requiscivil','Margaret','2010-11-30'),('Reseauclandestin','Margaret','2010-11-24'),('Reseauclandestin','Nina','2008-01-09'),('resilience','Margaret','2010-11-30'),('Resistanceordinaire','Margaret','2010-07-21'),('Resistanceordinaire','Nina','2008-10-29'),('Resistant','Margaret','2010-11-23'),('Resistant','Nina','2008-09-26'),('Resistant','Nina','2008-10-16'),('Resistant','Nina','2009-09-03'),('resistantialisme','Margaret','2010-01-24'),('resistantialisme','Margaret','2010-04-13'),('resistantialisme','Margaret','2011-08-03'),('ressusciteront','Susan','2008-03-17'),('Retablereverie','Margaret','2008-06-06'),('Retablereverie','Margaret','2010-07-21'),('Retablereverie','Nina','2008-06-09'),('retourcendres','Margaret','2010-11-30'),('retourfront','Susan','2008-01-17'),('RetourTanteEmma','Margaret','2010-11-22'),('RetourTanteEmma','Nina','2009-06-09'),('RetourTanteEmma','Nina','2009-08-04'),('reveillesde','Margaret','2010-11-30'),('revenantes','Margaret','2010-02-01'),('revenantes','Margaret','2010-04-13'),('Reveurcasque','Chris','2009-09-02'),('Reveurcasque','Margaret','2010-11-23'),('revnat','Margaret','2010-04-13'),('Ringmort','Margaret','2010-11-22'),('Ringmort','Nina','2008-07-21'),('rireogre','Margaret','2010-11-24'),('rireogre','Nina','2007-06-07'),('rireogre','Nina','2007-07-02'),('rireogre','Nina','2007-07-10'),('rireogre','Nina','2008-02-06'),('rireogre','Nina','2008-03-05'),('rireogre','Nina','2009-01-29'),('Ritournellefaim','Margaret','2011-08-03'),('Ritournellefaim','Nina','2008-11-17'),('Ritournellefaim','Nina','2009-01-05'),('Rivesirrawaddy','Margaret','2010-07-21'),('Rivesirrawaddy','Nina','2007-12-14'),('Rivesirrawaddy','Nina','2008-01-17'),('Roiaulnes','Margaret','2010-11-24'),('Roiaulnes','Nina','2007-02-14'),('Roiaulnes','Nina','2007-03-26'),('Roiaulnes','Nina','2007-04-18'),('Roiaulnes','Nina','2007-07-10'),('Roiaulnes','Nina','2007-07-11'),('Roiaulnes','Nina','2007-08-03'),('Roiaulnes','Nina','2008-05-09'),('Romanrusse','Margaret','2010-07-21'),('Romanrusse','Margaret','2010-11-22'),('Romanrusse','Nina','2008-03-17'),('Romanrusse','Nina','2008-03-19'),('Romanrusse','Nina','2008-05-19'),('rondenuit','Nina','2008-03-04'),('rosedescoll','Margaret','2010-11-30'),('RoseFrance','Susan','2008-02-14'),('Rosescendre','Margaret','2010-11-30'),('Rougeblanc','Chris','2009-08-26'),('Rougeblanc','Margaret','2011-08-03'),('Rouille','Chris','2009-09-02'),('routeinutile','Margaret','2010-11-11'),('Routerom','Margaret','2010-07-21'),('Routerom','Margaret','2011-08-03'),('Routerom','Nina','2008-01-14'),('Routerom','Nina','2008-02-06'),('Routerom','Nina','2008-05-19'),('Routerom','Nina','2009-01-29'),('Routierssables','Margaret','2011-08-03'),('Routierssables','Nina','2009-03-23'),('Routierssables','Nina','2009-03-27'),('Rueliberte','Margaret','2010-08-05'),('rueoued','Margaret','2010-11-29'),('RueParis','Margaret','2010-11-22'),('RueParis','Nina','2008-07-21'),('rueroi','Margaret','2010-08-07'),('rueroi','Margaret','2010-11-23'),('rueroi','Peter','2010-12-02'),('sabletemps','Margaret','2010-11-25'),('sabletemps','Margaret','2010-12-10'),('Sabots','Nina','2008-01-04'),('Sacdebilles','Nina','2007-02-13'),('Sacdebilles','Nina','2007-03-26'),('Sacdebilles','Nina','2007-07-10'),('Sacdebilles','Nina','2007-10-22'),('Sacdebilles','Nina','2008-02-19'),('Sacrificematin','Susan','2007-10-29'),('sacrilege','Margaret','2009-08-12'),('sacrilege','Margaret','2009-08-25'),('sacrilege','Margaret','2010-07-21'),('sacrilege','Nina','2009-08-27'),('SaintMartinfermee','Margaret','2010-07-20'),('SaintMartinfermee','Margaret','2010-11-22'),('SaintMartinfermee','Nina','2008-04-17'),('Saisonviolente','Margaret','2010-11-24'),('Saisonviolente','Susan','2008-08-11'),('Sakebrumes','Margaret','2010-11-24'),('Sakebrumes','Nina','2009-03-25'),('salaudsviedure','Margaret','2010-11-23'),('salaudsviedure','Nina','2007-02-13'),('salaudsviedure','Nina','2007-03-26'),('salaudsviedure','Nina','2007-03-27'),('salaudsviedure','Nina','2007-07-10'),('salido','Margaret','2010-11-22'),('salido','Nina','2007-03-22'),('salido','Nina','2007-03-26'),('salido','Nina','2007-03-29'),('salido','Nina','2007-07-10'),('salido','Nina','2007-11-08'),('Samba','Margaret','2010-07-20'),('Samba','Margaret','2010-11-22'),('Samba','Nina','2008-08-30'),('sangaquarelle','Margaret','2011-08-03'),('sangaquarelle','Nina','2008-02-01'),('sangaquarelle','Nina','2008-02-04'),('sangautres','Margaret','2010-05-21'),('sangautres','Margaret','2011-08-03'),('sangciel','Margaret','2010-11-29'),('Sanglotsfete','Margaret','2010-11-23'),('Sanglotsfete','Margaret','2011-08-03'),('Sanglotsfete','Nina','2008-09-04'),('Sanglotslongs','Chris','2009-09-03'),('Sanglotslongsviolons','Nina','2009-02-04'),('sangnos','Margaret','2010-11-29'),('Sangor','Susan','2008-08-13'),('sangruches','Margaret','2010-11-30'),('Sansaccent','Margaret','2010-11-22'),('Sansaccent','Nina','2008-07-21'),('sappelaitsarah','Margaret','2010-11-18'),('Sarzan','Nina','2008-04-29'),('satraperouge','Margaret','2010-11-22'),('satraperouge','Margaret','2011-08-03'),('satraperouge','Nina','2007-12-07'),('satraperouge','Nina','2008-01-11'),('sautebarb','Margaret','2010-02-04'),('sautebarb','Margaret','2010-02-09'),('Sautez','Margaret','2010-11-23'),('Sautez','Susan','2008-01-29'),('Sautez','Susan','2008-02-06'),('Scenesviebagne','Susan','2008-03-17'),('Secret','Margaret','2010-11-22'),('Secret','Nina','2008-08-25'),('Secret','Nina','2008-08-30'),('secretrachel','Margaret','2010-11-29'),('Selguerre','Nina','2009-03-10'),('Selguerre','Nina','2009-03-16'),('selsoufre','Margaret','2010-02-04'),('selsoufre','Margaret','2010-02-09'),('selsoufre','Margaret','2010-05-26'),('selsoufre','Margaret','2010-11-23'),('Sentiersguerre','Margaret','2010-07-20'),('Sentiersguerre','Nina','2009-03-16'),('senvatenguerre','Margaret','2010-01-29'),('senvatenguerre','Margaret','2010-11-22'),('Septfoissept','Margaret','2010-11-20'),('Septjours','Margaret','2010-11-20'),('septjoursete','Margaret','2010-11-20'),('septjoursexil','Margaret','2010-11-20'),('SergeantJunot','Margaret','2010-11-24'),('SergeantJunot','Nina','2009-03-16'),('seronsnous','Margaret','2010-11-28'),('seronsnous','Margaret','2010-11-30'),('Servitude','Margaret','2010-07-09'),('Servitude','Margaret','2010-07-12'),('Servitude','Margaret','2010-07-16'),('Servitude','Margaret','2010-08-20'),('Servitude','Margaret','2010-11-16'),('Seulbutvictoire','Margaret','2010-11-22'),('Seulbutvictoire','Nina','2009-03-21'),('Seulennemi','Susan','2008-08-13'),('seultemoin','Margaret','2010-11-28'),('siegfried','Margaret','2008-05-23'),('siegfried','Margaret','2008-05-30'),('siegfried','Margaret','2010-04-22'),('siegfried','Margaret','2010-11-22'),('siegfried','Margaret','2011-08-03'),('siegfried','Nina','2008-06-01'),('silallemagne','Margaret','2010-11-29'),('silencearmes','Margaret','2010-07-21'),('silencearmes','Nina','2007-08-14'),('silencearmes','Nina','2008-03-26'),('silencearmes','Nina','2008-05-15'),('Silencemer','Chris','2007-02-21'),('Silencemer','Margaret','2010-11-24'),('Silencemer','Margaret','2010-11-25'),('Silencemer','Nina','2007-03-26'),('Silencemer','Nina','2007-03-27'),('Silencemer','Nina','2007-07-11'),('Silencemer','Nina','2007-08-03'),('Silencemer','Nina','2008-01-29'),('silencemeretautres','Margaret','2010-11-24'),('silencemeretautres','Margaret','2010-11-25'),('simplemot','Margaret','2010-04-13'),('simpleverite','Margaret','2010-08-06'),('simpleverite','Margaret','2010-11-23'),('Sipetiteflamme','Margaret','2010-07-20'),('Sipetiteflamme','Margaret','2011-08-03'),('Sipetiteflamme','Nina','2007-12-15'),('Sipetiteflamme','Nina','2007-12-18'),('Sipetiteflamme','Nina','2008-04-18'),('Sipetiteflamme','Nina','2008-07-21'),('sixentre','Margaret','2010-08-23'),('sixentre','Margaret','2010-11-24'),('sixjours','Margaret','2010-11-28'),('sixpetits','Margaret','2010-11-30'),('Sobibor','Margaret','2010-11-30'),('Socrate','Margaret','2010-04-13'),('Socrate','Margaret','2010-11-23'),('Soeuryeuxasie','Margaret','2010-11-24'),('Soeuryeuxasie','Nina','2008-02-29'),('Soldatfrancaoui','Margaret','2010-07-22'),('Soldatfrancaoui','Nina','2008-08-23'),('Soldatfrancaoui','Nina','2008-10-06'),('soldatoubl','Margaret','2010-11-29'),('Soldatssansespoir','Susan','2008-02-29'),('solsticejuin','Margaret','2010-11-30'),('solutionfin','Margaret','2010-11-30'),('Sommeiljuste','Nina','2008-04-16'),('Songe','Margaret','2010-11-25'),('Songe','Nina','2008-03-13'),('souffrance','Margaret','2010-11-25'),('souffrance','Margaret','2010-12-10'),('Souille','Chris','2010-06-03'),('Souille','Margaret','2010-07-06'),('sourdeoreille','Margaret','2010-02-04'),('sourdeoreille','Margaret','2010-07-20'),('sourirechat','Margaret','2010-11-30'),('Souriredieux','Margaret','2011-08-03'),('Souriredieux','Nina','2007-05-21'),('Souriredieux','Nina','2007-06-06'),('Souriredieux','Nina','2007-07-02'),('Souriredieux','Nina','2007-07-10'),('Souriredieux','Nina','2008-01-25'),('sourisverte','Margaret','2010-11-24'),('sourisverte','Nina','2007-07-09'),('sourisverte','Nina','2007-07-11'),('sourisverte','Nina','2007-11-12'),('sousleregne','Margaret','2010-11-28'),('souslesbombes','Margaret','2010-11-29'),('Soussignetriangle','Nina','2008-02-29'),('Soutane','Chris','2008-05-05'),('Soutane','Nina','2008-05-06'),('SouvenirBerlin','Margaret','2010-11-23'),('SouvenirBerlin','Nina','2007-11-21'),('SouvenirBerlin','Nina','2007-12-21'),('SouvenirBerlin','Nina','2008-01-11'),('Souvenirs','Margaret','2010-11-23'),('Souvenirs','Susan','2008-03-17'),('Souvenirs19181944','Susan','2008-01-29'),('Souvenirsbagne','Susan','2008-02-21'),('Souvenirscaptivite','Susan','2008-02-13'),('Souvenirsdeportation','Susan','2008-08-11'),('Souvenirsdetheatre','Susan','2008-02-04'),('Souvenirsendormi','Susan','2007-10-29'),('Souvenirsexil','Margaret','2010-11-23'),('Souvenirsexil','Susan','2008-02-21'),('Souvenirsguerre','Susan','2008-03-17'),('Souvenirsresistance','Margaret','2010-07-06'),('Souvenirsresistance','Margaret','2010-11-23'),('Souvenirsresistance','Nina','2008-09-26'),('Souvenirssolitude','Susan','2008-08-15'),('Souvenirstirailleur','Margaret','2010-07-21'),('Souvenirstirailleur','Margaret','2010-11-22'),('Souvenirstirailleur','Nina','2008-09-06'),('Spoliation','Margaret','2010-07-16'),('Spoliation','Margaret','2011-08-03'),('Spoliation','Nina','2008-09-08'),('Sspaves','Margaret','2010-11-22'),('Sspaves','Nina','2009-07-25'),('Sspaves','Nina','2009-08-27'),('Statuesel','Margaret','2010-11-23'),('Statuesel','Margaret','2011-08-03'),('Statuesel','Nina','2007-06-27'),('Statuesel','Nina','2007-07-09'),('Statuesel','Nina','2007-07-10'),('Statuesel','Nina','2007-07-30'),('Statuesel','Nina','2008-01-25'),('Suitefrancaise','Chris','2007-02-14'),('Suitefrancaise','Margaret','2010-11-23'),('Suitefrancaise','Nina','2007-03-26'),('Suitefrancaise','Nina','2007-07-10'),('Suitefrancaise','Nina','2008-10-10'),('Suitesabbat','Susan','2008-08-11'),('Surlenjeu','Margaret','2011-02-15'),('Surlenjeu','Margaret','2011-08-31'),('Surmonantenne','Margaret','2010-07-20'),('Surmonantenne','Margaret','2010-11-22'),('Surmonantenne','Nina','2008-01-11'),('Surmonantenne','Susan','2007-10-30'),('Surrivesrien','Susan','2008-08-11'),('Surterremenacee','Margaret','2010-07-16'),('Surterremenacee','Margaret','2010-11-18'),('Surterremenacee','Nina','2008-01-11'),('Surterremenacee','Susan','2007-10-29'),('tantquedure','Margaret','2010-11-29'),('tardfete','Margaret','2010-11-20'),('Tarendol','Chris','2009-08-19'),('Tarendol','Margaret','2010-07-20'),('Taxitobrouk','Margaret','2010-11-23'),('Taxitobrouk','Nina','2007-11-08'),('Taxitobrouk','Nina','2007-11-09'),('Temoignage','Susan','2008-02-21'),('tempsangoisse','Margaret','2010-11-23'),('tempsangoisse','Susan','2008-02-14'),('Tempscatastrophes','Susan','2008-08-11'),('Tempscerises','Chris','2008-05-06'),('Tempscerises','Margaret','2010-11-24'),('Tempscerises','Nina','2008-05-06'),('Tempsdesassassins','Nina','2009-02-17'),('tempsheroiques','Susan','2008-08-13'),('Tempshonte','Susan','2008-08-14'),('tempsiecle','Margaret','2010-11-11'),('Tempsillusions','Margaret','2011-08-03'),('Tempsillusions','Margaret','2011-08-26'),('Tempsillusions','Susan','2008-01-29'),('tempsital','Margaret','2010-11-30'),('tempsmort','Margaret','2010-07-12'),('tempsmort','Margaret','2010-07-18'),('tempsmort','Margaret','2010-11-20'),('Tempspaille','Chris','2009-08-18'),('Tempspaille','Nina','2009-08-21'),('Tempsrencontres','Chris','2010-06-03'),('Tempsrencontres','Margaret','2010-07-06'),('tenuefantoc','Margaret','2010-11-29'),('TerMilicien','Margaret','2010-11-25'),('TerMilicien','Nina','2007-02-12'),('TerMilicien','Nina','2007-03-26'),('TerMilicien','Nina','2007-07-10'),('TerMilicien','Nina','2007-10-23'),('TerMilicien','Nina','2008-04-10'),('TerMilicien','Nina','2008-05-15'),('terrassede','Margaret','2010-11-30'),('terredeviolence','Margaret','2010-11-29'),('Texaco','Margaret','2010-07-21'),('Texaco','Nina','2008-06-15'),('Texaco','Nina','2008-07-14'),('Texaco','Nina','2009-09-03'),('Theorie1','Nina','2008-05-01'),('Thiaroyeterrerouge','Margaret','2010-11-22'),('Thiaroyeterrerouge','Nina','2007-05-23'),('Thiaroyeterrerouge','Nina','2007-06-06'),('Thiaroyeterrerouge','Nina','2007-07-02'),('Thiaroyeterrerouge','Nina','2007-07-10'),('Thiaroyeterrerouge','Nina','2008-01-25'),('Thiaroyeterrerouge','Nina','2008-03-31'),('Thiaroyeterrerouge','Nina','2008-05-19'),('Thiaroyeterrerouge','Nina','2008-11-02'),('Tilleul','Margaret','2010-11-24'),('Tilleul','Margaret','2011-08-03'),('Tilleul','Nina','2007-02-13'),('Tilleul','Nina','2007-03-26'),('Tilleul','Nina','2007-07-10'),('Tilleul','Nina','2007-08-03'),('Tilleul','Nina','2007-11-12'),('Tilleul','Nina','2008-04-09'),('Tilleul','Nina','2009-02-15'),('TirailleursSenegalais','Margaret','2010-11-24'),('TirailleursSenegalais','Nina','2008-08-23'),('TirailleurVosges','Margaret','2010-11-24'),('TirailleurVosges','Nina','2008-08-26'),('Tombesperdues','Margaret','2010-11-24'),('Tombesperdues','Nina','2007-06-06'),('Tombesperdues','Nina','2007-06-07'),('Tombesperdues','Nina','2007-07-10'),('Tombesperdues','Nina','2007-08-03'),('Tonkinoise','Nina','2008-02-12'),('Tonkinoise','Nina','2008-03-28'),('Tonkinoise','Nina','2008-06-26'),('toubabbi','Margaret','2010-11-29'),('touchonsdu','Margaret','2010-11-29'),('Tousensemble','Nina','2009-02-17'),('toutemavie','Margaret','2010-11-28'),('Toutsurtout','Susan','2008-02-01'),('Train','Margaret','2010-11-24'),('Train','Nina','2008-09-23'),('Trainbleunoir','Margaret','2010-11-22'),('Trainbleunoir','Nina','2008-08-26'),('Trainbleunoir','Nina','2008-08-27'),('Trainbleunoir','Nina','2008-11-13'),('Trainoublies','Margaret','2010-07-21'),('Trainoublies','Margaret','2010-11-22'),('Trainoublies','Margaret','2011-08-03'),('Trainoublies','Nina','2008-04-10'),('Trainsoir','Margaret','2010-11-23'),('Trainsoir','Nina','2009-01-04'),('TraitreB','Chris','2009-08-19'),('TraitreB','Margaret','2010-07-20'),('TraitreB','Margaret','2011-08-03'),('TraitreJ','Margaret','2010-11-23'),('TraitreJ','Nina','2008-10-07'),('TraitreJ','Nina','2009-02-03'),('Traversee','Margaret','2010-11-24'),('Traversee','Nina','2008-09-06'),('Traverseefrontieres','Chris','2008-05-20'),('Traverseefrontieres','Nina','2008-05-21'),('Traversgrandegrille','Susan','2008-02-06'),('Treize','Chris','2009-09-02'),('Treize','Margaret','2011-08-03'),('Treize','Nina','2009-09-03'),('tribulations','Margaret','2010-08-06'),('troiscontes','Margaret','2010-07-09'),('troiscontes','Margaret','2010-07-12'),('troiscontes','Margaret','2010-07-16'),('TroisgarsTchad','Margaret','2011-08-03'),('TroisgarsTchad','Nina','2009-03-23'),('Troisiemenuit','Chris','2009-08-27'),('Troncveuve','Margaret','2010-07-21'),('Troncveuve','Margaret','2011-08-03'),('Troncveuve','Nina','2008-08-30'),('Troncveuve','Nina','2008-09-01'),('Tropiques','Margaret','2010-07-21'),('Tropiques','Nina','2008-07-14'),('Tsiganes','Margaret','2010-11-23'),('Tsiganes','Margaret','2011-08-03'),('Tsiganes','Nina','2008-11-09'),('Tulipe','Margaret','2010-11-22'),('Tulipe','Nina','2008-10-15'),('Tunisie','Nina','2008-01-11'),('Tunisie','Susan','2007-10-29'),('Tunisie','Susan','2008-01-16'),('Turne3','Margaret','2009-02-01'),('Turne3','Margaret','2010-11-22'),('Turne3','Nina','2009-02-06'),('Turne3','Nina','2009-02-18'),('unbaiser','Margaret','2009-08-25'),('unbaiser','Margaret','2009-08-27'),('unbaiser','Margaret','2010-01-26'),('unbaiser','Margaret','2010-11-23'),('undenormandie','Margaret','2010-11-29'),('uneaubergeen','Margaret','2010-11-29'),('uneboule','Margaret','2010-11-29'),('unefemmeall','Margaret','2010-11-29'),('UnefoisMJoseph','Nina','2008-11-17'),('UnefoisMJoseph','Nina','2009-01-29'),('UnefoisVolnoir','Margaret','2010-11-23'),('UnefoisVolnoir','Nina','2008-11-17'),('UnefoisVolnoir','Nina','2009-01-29'),('unemort','Margaret','2007-07-12'),('unemort','Margaret','2010-07-20'),('unemort','Margaret','2010-11-22'),('unemort','Margaret','2011-08-03'),('unemort','Nina','2007-08-23'),('Uneombre','Margaret','2010-11-24'),('Uneombre','Nina','2008-01-03'),('Uneombre','Nina','2008-07-14'),('unesilongue','Margaret','2010-11-30'),('uneteentre','Margaret','2010-11-30'),('Unfousevade','Margaret','2010-11-30'),('ungarconsans','Margaret','2010-11-30'),('ungrison','Margaret','2010-11-21'),('unparfund','Margaret','2010-11-30'),('UnpetitParisien','Margaret','2010-11-23'),('UnpetitParisien','Nina','2009-02-03'),('unpeuplusloin','Margaret','2010-11-29'),('UnSimple','Margaret','2010-04-13'),('Uranus','Chris','2007-02-13'),('Uranus','Margaret','2010-07-18'),('Uranus','Margaret','2010-11-21'),('Uranus','Nina','2007-03-26'),('Uranus','Nina','2007-03-27'),('Uranus','Nina','2007-07-09'),('Uranus','Nina','2007-08-02'),('Uranus','Nina','2008-01-29'),('Ursitory','Margaret','2010-11-23'),('Ursitory','Nina','2008-11-13'),('ursule','Margaret','2007-08-06'),('ursule','Margaret','2007-08-07'),('ursule','Nina','2007-11-16'),('ursule','Nina','2008-01-11'),('Valisenoire','Nina','2009-06-30'),('Valleeheureuse','Susan','2008-08-11'),('valsezsauc','Margaret','2010-11-30'),('Veillee','Margaret','2010-11-24'),('Veillee','Margaret','2011-08-03'),('Veillee','Nina','2007-02-13'),('Veillee','Nina','2007-03-26'),('Veillee','Nina','2007-07-10'),('Veillee','Nina','2007-08-03'),('Veillee','Nina','2007-11-12'),('Veillee','Nina','2008-04-09'),('Veillee','Nina','2009-02-15'),('VeldHiv','Nina','2008-10-07'),('Ventsdeterre','Margaret','2009-02-01'),('Ventsdeterre','Nina','2009-02-06'),('vercoquin','Margaret','2010-11-28'),('Vercorscombat','Chris','2009-08-19'),('Vercorscombat','Margaret','2010-07-21'),('Vercorscombat','Nina','2009-08-25'),('verdures','Margaret','2010-11-28'),('VerfugbarEnfers','Margaret','2010-11-24'),('VerfugbarEnfers','Nina','2009-05-11'),('vertemoisson','Chris','2007-10-23'),('vertemoisson','Margaret','2010-04-22'),('vertemoisson','Margaret','2010-07-21'),('vertemoisson','Margaret','2010-11-22'),('vertemoisson','Nina','2007-10-29'),('Vichydancing','Chris','2008-05-05'),('Vichydancing','Nina','2008-05-06'),('Victoirepleurant','Susan','2008-08-13'),('viechateau','Margaret','2010-11-29'),('Viecombat','Susan','2008-01-15'),('Viecombat','Susan','2008-01-29'),('vieillefra','Margaret','2010-11-30'),('vielente','Margaret','2010-11-21'),('vieprivee','Margaret','2010-08-23'),('vieprivee','Margaret','2010-11-24'),('viescelerate','Margaret','2010-07-21'),('viescelerate','Nina','2007-10-01'),('viescelerate','Nina','2007-10-02'),('viesmorts','Margaret','2010-11-21'),('Vieuxdemons','Margaret','2010-11-24'),('Vieuxdemons','Nina','2009-06-25'),('Vieuxdemons','Nina','2009-08-04'),('VieuxNegremedaille','Margaret','2010-11-23'),('VieuxNegremedaille','Margaret','2010-11-30'),('VieuxNegremedaille','Nina','2008-04-17'),('villachimeres','Margaret','2010-11-29'),('Village1940','Margaret','2010-11-11'),('Village1940','Margaret','2010-11-18'),('village1941','Margaret','2010-11-11'),('Villagedelallemand','Margaret','2010-11-24'),('Villagedelallemand','Nina','2008-02-15'),('Villagedelallemand','Nina','2008-03-17'),('Villagedelallemand','Nina','2008-10-07'),('Villagedelallemand','Nina','2008-11-02'),('Villageheureallemande','Margaret','2010-07-20'),('Villageheureallemande','Nina','2007-02-12'),('Villageheureallemande','Nina','2007-03-26'),('Villageheureallemande','Nina','2007-07-10'),('Villageheureallemande','Nina','2008-04-11'),('VillaJasmin','Margaret','2010-11-23'),('VillaJasmin','Nina','2007-02-14'),('VillaJasmin','Nina','2007-03-26'),('VillaJasmin','Nina','2007-03-29'),('VillaJasmin','Nina','2007-04-03'),('VillaJasmin','Nina','2007-07-02'),('VillaJasmin','Nina','2007-07-09'),('VillaJasmin','Nina','2007-07-10'),('VillaJasmin','Nina','2008-01-25'),('VillaJasmin','Nina','2008-04-16'),('villesans','Margaret','2010-11-22'),('villesans','Nina','2009-03-24'),('villesans','Nina','2009-03-25'),('VinParis','Chris','2009-08-19'),('VinParis','Margaret','2010-07-18'),('VinParis','Margaret','2010-11-20'),('violences','Margaret','2009-08-25'),('violences','Margaret','2009-08-26'),('violences','Margaret','2011-08-03'),('violences','Nina','2009-08-27'),('voieshonn','Margaret','2010-11-29'),('VoixdelaMuette','Margaret','2011-08-03'),('VoixdelaMuette','Nina','2009-01-30'),('Volontaires','Chris','2010-05-04'),('voulaitvoirmer','Margaret','2010-11-22'),('voulaitvoirmer','Nina','2007-08-14'),('voulaitvoirmer','Nina','2007-09-24'),('voulaitvoirmer','Nina','2007-09-28'),('voulaitvoirmer','Nina','2007-10-22'),('voulaitvoirmer','Nina','2007-11-08'),('voyageap','Margaret','2010-11-30'),('Voyagenoces','Margaret','2010-11-23'),('Voyagenoces','Margaret','2011-08-03'),('Voyagenoces','Nina','2008-03-04'),('Voyagenoces','Nina','2008-03-05'),('Voyagenoces','Nina','2008-03-10'),('Voyageurimprudent','Chris','2009-08-19'),('Voyageurimprudent','Nina','2009-08-21'),('Vraisdurs','Margaret','2010-11-22'),('Vraisdurs','Margaret','2011-08-03'),('Vraisdurs','Nina','2008-11-13'),('Vraisdurs','Nina','2009-02-03'),('Wagon','Chris','2010-06-09'),('wagonvaches','Margaret','2010-08-10'),('wagonvaches','Margaret','2010-11-23'),('walther','Margaret','2010-11-28'),('wazemmes','Margaret','2010-11-29'),('WendZudycoote','Margaret','2010-11-23'),('WendZudycoote','Nina','2007-03-19'),('WendZudycoote','Nina','2007-03-26'),('WendZudycoote','Nina','2007-03-27'),('WendZudycoote','Nina','2007-07-02'),('WendZudycoote','Nina','2007-07-10'),('WendZudycoote','Nina','2007-08-28'),('WendZudycoote','Nina','2008-05-19'),('Womensbarracks','Margaret','2010-11-24'),('Womensbarracks','Nina','2008-01-09'),('Womensbarracks','Nina','2008-02-04'),('Womensbarracks','Nina','2008-03-14'),('Womensbarracks','Nina','2008-03-19'),('Womensbarracks','Nina','2009-02-15'),('Woulesouv','Margaret','2010-11-30'),('YeuxEzechiel','Margaret','2010-07-16'),('YeuxEzechiel','Margaret','2010-11-11'),('YeuxEzechiel','Nina','2009-09-03'),('yeuxtete','Margaret','2010-02-04'),('yeuxtete','Margaret','2010-11-22'),('Yvette','Margaret','2010-08-23'),('Yvette','Margaret','2010-11-24'),('Zaide','Margaret','2010-11-22'),('Zaide','Margaret','2011-08-03'),('Zaide','Nina','2008-07-17'),('zigetpuce','Margaret','2010-11-29'),('zigpucepresent','Margaret','2010-11-29'); /*!40000 ALTER TABLE `compositions_edit_history` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `compositions_events` -- DROP TABLE IF EXISTS `compositions_events`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions_events` ( `comp_code` varchar(50) NOT NULL, `event_code` varchar(70) NOT NULL, PRIMARY KEY (`comp_code`,`event_code`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions_events` -- LOCK TABLES `compositions_events` WRITE; /*!40000 ALTER TABLE `compositions_events` DISABLE KEYS */; INSERT INTO `compositions_events` VALUES ('5ansResistance','Combat'),('Accentmonpere','Malgrenous'),('AffairePeiper','Boves'),('AffairePeiper','Malmedy'),('AlbertCapitales','LiberationParis'),('Amepreteeoiseaux','LiberationParis'),('Amoursansresistance','AlliedbombingsFr'),('Amoursansresistance','Armistice'),('Amoursansresistance','Droleguerre'),('Amoursansresistance','Liberation'),('Amourtempete','WW1'),('Ankoulevetoi','LiberationBrittany'),('Antanrobe','AntanSorin'),('Aprespluie','OutlawingFrenchbrothels'),('AttendantEliane','PogromConstantine'),('AttendantEliane','RafleVeldHiv'),('Aubeafricaine','Thiaroyemassacre'),('Aurelien','defeat1940'),('AutrefoisDiana','invasioncorsica'),('babyfoot','LiberationParis'),('Balconenforet','Droleguerre'),('Balconenforet','Germaninvasion'),('Balconhiroshima','Hiroshima'),('barreindochine','JapaneseIndochina'),('Belleinsoumise','Atlantpockets'),('bellestunis','OccupTunisia'),('bete','AlliedbombingsFr'),('bete','DDaylandings'),('Bleusurpeau','RafleMarseille'),('Bonnesmauvaises','Ruhr'),('Boubousoldat','Liberation'),('Boubousoldat','LiberationItaly'),('Boubousoldat','Libya/Tunisia'),('BoucherGuelma','Massacresalgeria1945'),('Boulevardperiph','Vlassov'),('Bunker','DDaylandings'),('Campthiaroye','Thiaroyemassacre'),('Cartonjaune','RafleVeldHiv'),('Cavouri','Germaninvasion'),('Cestenhiver','LiberationAuschwitz'),('Cettedroleguerre','OperationdynamoDunkirk'),('Ceuxquinedormaientpas','LiberationParis'),('Chasseurscamion','LorraineLafayette'),('Chienslions','Massacrestirailleurs1940'),('Chroniqueguerreperdue','Germaninvasion'),('ClanOstendais','Exode'),('Coinazur','PetainMarseille'),('Complainteoubliee','PartiNationalBreton'),('Conquetedesert','BirHakeim'),('Corpsnoir','LiberationParis'),('Cotentincolmar','DDaylandings'),('couronne','OperationdynamoDunkirk'),('DameIzieu','Izieu'),('DameIzieu','TrialBarbie'),('demonsaube','Provencelandings'),('derniervillage','Droleguerre'),('derniervillage','Germaninvasion'),('Deroute','defeat1940'),('deuxfoislememe','Liberation'),('Diableritencore','LiberationParis'),('Dissidence1','Dissidence'),('Dissidence1','Jeannedarcday'),('Dissidences','AntanSorin'),('Dissidences','Dissidence'),('Ditesle','InternmentRomanies'),('DoraB','Deportation'),('Douleurvolume','Deportation'),('EffroyablesJardins','TrialPapon'),('Egares','Exode'),('Empreinteange','17october1961'),('enfantetsoldat','JapaneseIndochina'),('Enfantsliberte','Deportation'),('Enfantspays','Germaninvasion'),('epee','defeat1940'),('Especehumaine','Deportation'),('etatmajor','defeat1940'),('Etoileautres','NAfrLandings'),('Exiljoconde','RemovalartLouvre'),('Fautdesobeir','Deportation'),('femmearnaud','defeat1940'),('Femmesdelombre','Exode'),('femmesombre','SOE'),('Fillecarillonneur','DDaylandings'),('Fortressesacrifiee','Diablesbleus'),('Fortressesacrifiee','InvasionVercors'),('FrancaiseLibre','FFL'),('FXEEUARFR','SSDasReich'),('goumiersaid','GuerreRif'),('Grandcarnival','NAfrLandings'),('Grandeffarement','Exode'),('grandsmalheurs','WW1'),('Grandvestiaire','Liberation'),('Greouforce','STO'),('Guadeloupe1943','AntanSorin'),('guichets','RafleVeldHiv'),('Hautefourche','Exode'),('Hautefourche','OperationdynamoDunkirk'),('Honteappartient','SpoilationJews'),('Idyllequartier','AlliedbombingsFr'),('Idyllequartier','Muratlantique'),('ilscroyaienteternite','E_ERROR: Massacresalgeria1945; NAfrLandings; OccupationCorsica'),('ilscroyaienteternite','LiberationItaly'),('Impuissance','OradoursurGlane'),('Indigenes','LiberationItaly'),('Indigenes','Provencelandings'),('instantmamort','Vlassov'),('jeandesautres','Exode'),('Jeuxinter','Exode'),('Jollec','InternmentRomanies'),('Jourfinitplus','Libya/Tunisia'),('Journeesdaout','LiberationParis'),('Joursnotremort','Deportation'),('Justeapresguerre','InvasionVercors'),('Justepourplaisir','RafleVeldHiv'),('justescauses','Liberation'),('Ladenonciation','defeat1940'),('Laissezpasser','AlliedbombingsFr'),('lepuits','invasionzonesud'),('lesforets','Liberation'),('liberationoiseaux','DDaylandings'),('liberationoiseaux','LiberationParis'),('Lignedemarcation','DemarcationLine'),('Lignesfaille','Lebensborn'),('Lonekhussard','Deportation'),('Luneomaha','DDaylandings'),('Magnus','AlliedbombingsGer'),('maisonvide','Izieu'),('maisonvide','RafleVeldHiv'),('mallunes','FFI'),('Marchaismalgremoi','Malgrenous'),('Medecinchars','Germaninvasion'),('Metiertisser','NAfrLandings'),('Meurtresprmemoire','17october1961'),('miroirsded','Germaninvasion'),('miroirsded','May1968'),('montagnechacals','LiberationItaly'),('montagnechacals','Massacresalgeria1945'),('montagnechacals','NAfrLandings'),('mortdEric','Germaninvasion'),('morthomme','defeat1940'),('Mortmetier','Deportation'),('Mortquilfaut','Deportation'),('MortspourFrance','Germaninvasion'),('MortspourFrance','Thiaroyemassacre'),('Nedjma','Massacresalgeria1945'),('NegreAmiral','AntanSorin'),('Noirtango','Nurembergtrials'),('Nomcode','ArrestJeanMoulin'),('Nonklara','Deportation'),('nosdeserts','6Feb1934'),('nosdeserts','912Feb1934'),('nosdeserts','WW1'),('Nour','Massacresmadagascar1947'),('Nuitbrascasses','Stolenart'),('Nuitfinira','Combat'),('okjoe','LiberationBrittany'),('OmahaCrimes','DDaylandings'),('Orpailleurs','Deportation'),('Ouedcrue','Massacresalgeria1945'),('Ouragan','Exode'),('Parisbrule','LiberationParis'),('Parolesterrelarmes','AntanSorin'),('Pasheros','Bataille1940'),('Pasheros','defeat1940'),('Peignenecaille','RafleVeldHiv'),('PelotonLeclerc','LiberationAlsace'),('Petitefille','RafleVeldHiv'),('Peurroute','Exode'),('Pontkwai','Burmesethailandrailway'),('PontsurLoire','Germaninvasion'),('premierepierre','Exode'),('premierepierre','Germaninvasion'),('premierepierre','Liberation'),('Printempstragique','defeat1940'),('Prisondeportation','Deportation'),('Prisonsjaponaises','JapaneseIndochina'),('Projectionsprivees','Campinternement'),('Projectionsprivees','Deportation'),('Promesseaube','FFL'),('pseudovaincu','LiberationParis'),('Quandlamer','DDaylandings'),('Quoideneuf','Antisemit1981'),('RadioToulouse','Exode'),('Rage','AlgerianWar'),('Rapaces','JapaneseIndochina'),('Ravensbruckenferfemmes','Deportation'),('reinedeuxempires','JapaneseIndochina'),('Releve','STO'),('Renaissante','TrialLaval'),('Renaissante','TrialPetain'),('Resistant','Dissidence'),('resistantialisme','debacle'),('Ringmort','Deportation'),('rireogre','May1968'),('Routerom','Campinternement'),('Routerom','InternmentRomanies'),('Routerom','Muratlantique'),('Sakebrumes','NormandieNiemen'),('Samba','Germaninvasion'),('sangautres','defeat1940'),('sangautres','PopFront'),('Sanglotslongsviolons','DDaylandings'),('Scenesviebagne','Deportation'),('siegfried','OccupGermany'),('Soldatfrancaoui','Massacresalgeria1945'),('Songe','Deportation'),('Souriredieux','JapaneseIndochina'),('Souriredieux','VichyJapan'),('Souvenirsdeportation','Deportation'),('Spoliation','SpoilationJews'),('Statuesel','OccupTunisia'),('Taxitobrouk','Egyptiancampaign'),('Tempscatastrophes','Exode'),('TerMilicien','LiberationParis'),('Texaco','AntanSorin'),('Thiaroyeterrerouge','Thiaroyemassacre'),('TirailleursSenegalais','Massacrestirailleurs1940'),('Tonkinoise','JapaneseIndochina'),('Train','Exode'),('Trainbleunoir','Campinternement'),('Trainbleunoir','Deportation'),('Trainbleunoir','RafleMarseille'),('Tropiques','AntanSorin'),('Tsiganes','InternmentRomanies'),('Turne3','DDaylandings'),('Turne3','Exode'),('unemort','defeat1940'),('Uranus','ReturnPOWs'),('Valisenoire','Exode'),('VeldHiv','RafleVeldHiv'),('viescelerate','AntanSorin'),('viescelerate','May1968'),('VillaJasmin','LiberationParis'),('VillaJasmin','OccupTunisia'),('VoixdelaMuette','Deportation'),('voulaitvoirmer','Exode'),('voulaitvoirmer','Germaninvasion'),('WendZudycoote','OperationdynamoDunkirk'); /*!40000 ALTER TABLE `compositions_events` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `compositions_figures` -- DROP TABLE IF EXISTS `compositions_figures`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions_figures` ( `comp_code` varchar(50) NOT NULL, `figure` varchar(300) NOT NULL ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions_figures` -- LOCK TABLES `compositions_figures` WRITE; /*!40000 ALTER TABLE `compositions_figures` DISABLE KEYS */; INSERT INTO `compositions_figures` VALUES ('tempsiecle','1930s - 1950s'),('Especehumaine','Mitterrand1916'),('Fleuvecombelle','Celine1894'),('Sacrificematin','D-Day landings'),('Coinazur','Archbishop of Marseille'),('Coinazur','Petain1856'),('GrandGuingouin','Georges Guingouin'),('Maisonoccupee','Desnos'),('Maisonoccupee','Éluard'),('Maisonoccupee','Giraudoux1882'),('DrameVichy','Laval1883'),('DrameVichy','Petain1856'),('Piege','Various members of the Vichy government'),('Chateauautre','In the section about Meudon, there are lists of well known authors (especially Mauriac) and politicians of the post-war period (especially Thorez), who Céline criticizes vociferously. In the section about Sigmaringen, are presented Pétain, Laval, Abetz,'),('Lauriersdulac','Jacques Doriot'),('Texaco','Cesaire1913'),('derniervillage','Petain1856'),('Armeesecrete','Jean Moulin'),('Femmesdelombre','Lebrun1871'),('Femmesdelombre','Petain1856'),('Parisbrule','Leclerc1902'),('ArthurManille','General McArthur'),('Bombardementnuit','Leclerc1902'),('Conquetedesert','Leclerc1902'),('Routierssables','Leclerc1902'),('TroisgarsTchad','Leclerc1902'),('Dissidence1','Amiral Robert'),('NegreAmiral','Amiral Robert (High Commissioner for Vichy in the Antilles and Guyane)'),('Flammes','André Grandclément'),('Placerouge','André Gide in the section on the screening of Battleship Potemkine.'),('Cartonjaune','Young Perez1911'),('Chienslions','Moulin1899'),('Itinerairesalaudordinaire','Bonny-Lafont gang, Coluche, René Bosquet'),('missak','Charles Tillon'),('missak','Henri Krasucki'),('missak','Jacques Duclos'),('missak','Louis Aragon'),('missak','Willy Ronis'),('Diableritencore','DeGaulle1890'),('Noirtango','Wiesenthal1908'),('quandviendra','Che Guevara'),('quandviendra','DeGaulle1890'),('quandviendra','Klaus Barbie'),('Antanrobe','Amiral Robert (referred to in the text as Le blanc à petite barbichette)'),('Prisonnierregard','Blaise Diagne (First Black French MP. Represented Senegal in the French Parliament. Mainly responsible for the conscription of West and Central African soldiers during WWI).'),('Tempsillusions','Laval1883'),('Tempsillusions','Petain1856'),('Tempsillusions','Weygand1867'),('JosephLondres','Georges Beaufils'),('JosephLondres','Colonel Rémy'),('Douleurvolume','Mitterrand1916'),('MonsieurX','Mitterrand1916'),('TerMilicien','Mitterrand1916'),('douleurstory','Mitterrand1916'),('Bonbeurre','Petain1856'),('PelotonLeclerc','Leclerc1902'),('Quitouchecorps','Giraud1903'),('Nuitbrascasses','Paul Gauguin'),('PromeneurchampsMars','Mitterrand1916'),('Notreapresguerre','Claude Jamet'),('TraitreJ','Jacques Vasseur'),('passetablerase','Georges Marchais (character of René Castel in the novel)'),('Armeeombres','DeGaulle1890'),('Monneoutragesdefis','DeGaulle1890'),('Monneoutragesdefis','Petain1856'),('Nousvoila','Petain1856'),('Corpsnoir','Bonny-Laffont gang'),('Nosfantastiques','Mitterrand1916'),('Mortmetier','Himmler'),('Mortmetier','Höss1900'),('MitterrandVichy','Mitterrand1916'),('VillaJasmin','Jacques Doriot, Habib Bourguiba, l\'Amiral Esteva (Vichy\'s first representative in Tunisia), Rudolf Rauf (German ambassador to Tunisia and head of the SS in the colony)'),('PlaceEtoile','Numerous Jewish figures from French history'),('rondenuit','Henri Laffont'),('rondenuit','Pierre Bonny'),('Rapaces','Decoux1884'),('Nomcode','DeGaulle1890'),('Nomcode','Moulin1899'),('UnefoisMJoseph','Joanovici1905'),('UnefoisVolnoir','Joanovici1905'),('miroirsded','DeGaulle1890'),('miroirsded','References to Pétain on radio'),('Traversee','Pierre Messmer'),('Maldelicieux','Philipe1922'),('Max','Moulin, Jean'),('Bonheurnazi','Hess1894'),('Bonheurnazi','Hitler1889'),('Champion','Young Perez1911'),('ilscroyaienteternite','Ferhat Abbas'),('grandhomme','Andre Gide'),('grandhomme','Roger Martin du Gard'),('sangaquarelle','Goebbels1897'),('TirailleurVosges','Ba1913'),('Partautre','Hitler1889'),('Mortquilfaut','Henri Maspero'),('Mortquilfaut','Maurice Halbwachs'),('Petainiste','Petain1856'),('Enverscontretout','De Gaulle 1890'),('Tonkinoise','Decoux1884 (Under the name of Amiral Toudebout)'),('Affairefemmes','Giraud1903'),('Laissezpasser','Bost1901'),('Laissezpasser','Jean Devaivre'),('Laissezpasser','Jean-Paul Le Chanois'),('Maisonshantees','Anne Frank'),('Womensbarracks','De Gaulle1890'),('Roiaulnes','Eugène Weidmann (serial killer, guillotined June 1939), Hermann Göring'),('DameIzieu','Barbie1913'),('DameIzieu','Mitterrand1916'),('DameIzieu','Sabine Zlatin'),('BldHirondelles','Aubrac1912'),('Amourtempete','Kessel1898'); /*!40000 ALTER TABLE `compositions_figures` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `compositions_generic_keywords` -- DROP TABLE IF EXISTS `compositions_generic_keywords`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions_generic_keywords` ( `comp_code` varchar(50) NOT NULL, `keyword` varchar(100) NOT NULL, PRIMARY KEY (`comp_code`,`keyword`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions_generic_keywords` -- LOCK TABLES `compositions_generic_keywords` WRITE; /*!40000 ALTER TABLE `compositions_generic_keywords` DISABLE KEYS */; INSERT INTO `compositions_generic_keywords` VALUES ('101avhenrimartin','Family Saga'),('101avhenrimartin','Fiction'),('101avhenrimartin','Popular Fiction'),('120ruegare','Detective Fiction'),('120ruegare','Roman Noir'),('1vie3guerres','Diary/ Journal'),('2004','Novel'),('26hommes','Récit'),('2actes','Memoir'),('2ansOranienburg','Personal Memoir'),('2leopards','Novel'),('321Sautez','Children\'s Literature'),('3chiensmorts','Detective Fiction'),('3chiensmorts','Roman Noir'),('3emeevasion','Children\'s Literature'),('40ansjournalisme','Memoir'),('4anneesaupouvoir','Memoir'),('4anneesdur','Novel'),('4ansdanslombre','Memoir'),('50otages','Theatre'),('55ruedu','Novel'),('5ansResistance','Personal Memoir'),('6moisFresnes','Personal Memoir'),('8moissante','Diary/ Journal'),('A26','Detective Fiction'),('AbbeC','Novel'),('abeillesguepe','Autobiographical Texts'),('abeillesguepe','Récit'),('Accentmonpere','Novel'),('accompagn','Feature Film'),('Acide','Novel'),('Actualitesfr','Novel'),('Adieuauroi','Novel'),('Adieucamarades','Autobiography'),('Adieucamarades','Memoir'),('Adieufemme','Novel'),('Adolescencetemps','Autobiography'),('adolescente','Novel'),('aerodrome','Novel'),('Affairefemmes','Novel'),('AffairePeiper','Novel'),('AgonieScharnhorst','Children\'s Literature'),('Aimerapeine','Novel'),('ainsiexiles','Fiction'),('AlbertCapitales','Short Story'),('alecoute','Short Story'),('aleurmesure','Novel'),('Allemande','Novel'),('Alsacevousparle','Personal Memoir'),('Altosolo','Novel'),('Aluminium','Novel'),('Amantsdavignon','Short Story'),('Amepreteeoiseaux','Novel'),('Amerevictoire','Novel'),('Amipere','Autofiction'),('Amipere','Novel'),('Amisitutombes','Autobiography'),('Amisitutombes','Memoir'),('Amitraitre','Novel'),('Amitraitre','Popular Fiction'),('Amourallemand','Novel'),('Amoursansresistance','Fiction'),('Amoursdissidentes','Novel'),('Amourtempete','Memoir'),('Andromede','Novel'),('Angenuit','Feature Film'),('Ankoulevetoi','Detective Fiction'),('Anneesdoubles','Diary/ Journal'),('Antanrobe','Novel'),('antigone','Theatre'),('Antiroir','Personal Memoir'),('Antiroir','Reflections'),('Antizyklonatroces','Crime Fiction'),('Antizyklonatroces','Popular Fiction'),('Appelaitchatte','Personal Memoir'),('Appelbled','Feature Film'),('Apres4ansoccupation','Personal Memoir'),('Aprespluie','Detective Fiction'),('ArbreGoethe','Autofiction'),('ArbreGoethe','Novel'),('architectedes','Autobiographical Texts'),('architectedes','Novel'),('Argentvif','Novel'),('Argentvif','Short Story'),('Armeeombres','Novel'),('Armeeombres','Personal Memoir'),('Armeesecrete','Bande Dessinée'),('Armeesecretebasalpine','Personal Memoir'),('armenien','Ecriture Féminine'),('armenien','Novel'),('Armesdelanuit','Novel'),('armeset','Autobiographical Texts'),('armeset','Novel'),('Arrestation','Short Story'),('Artbrut','Novel'),('ArthurManille','Children\'s Literature'),('Assassinfrere','Autofiction'),('Assassinfrere','Detective Fiction'),('Assassinfrere','Roman Noir'),('Atelierphoto','Novel'),('Attaquelignemaignot','Personal Memoir'),('AttendantEliane','Children\'s Literature'),('Aubeafricaine','Short Story'),('Aubeafricaine','Theatre'),('Aunom','Essay'),('Aunom','Personal Memoir'),('Aupayslimousi','Memoir'),('aupieddu','Novel'),('AureliaParis','Short Story'),('Aurelien','Autofiction'),('Aurelien','Novel'),('Aurevoirenfants','Feature Film'),('AuschwitzI','Memoir'),('AuschwitzI','Récit'),('AuschwitzI','Verse'),('AuschwitzII','Memoir'),('AuschwitzII','Récit'),('AuschwitzII','Verse'),('ausoleil','Novel'),('Autre','Novel'),('AutrefoisDiana','Novel'),('autrementqu','Novel'),('avantguerre','Novel'),('avantune','Novel'),('avenirderriere','Novel'),('Aventureambigue','Autofiction'),('Aventureambigue','Novel'),('babyfoot','Autobiography'),('bagages','Novel'),('BagneAurigny','Personal Memoir'),('baladeclamp','Bande Dessinée'),('Balconenforet','Novel'),('Balconhiroshima','Detective Fiction'),('Balconhiroshima','Popular Fiction'),('Balconhiroshima','Roman Noir'),('bandeapart','Autobiographical Texts'),('bandeapart','Fiction'),('BanditsAtlas','Novel'),('Baraque3','Personal Memoir'),('barreauxfaucons','Novel'),('barreindochine','Apology'),('barreindochine','Memoir'),('bastilletan','Roman Noir'),('BatailleMediterranee','Memoir'),('Bataillerail','Feature Film'),('bataillesmourir','Novel'),('Bataillon','Novel'),('bateauiles','Novel'),('Batterieerrante','Autobiography'),('Beauxjoursbarbizon','Personal Memoir'),('BelgianManor2Wars','Childhood Memories'),('BelgianManor2Wars','Personal Memoir'),('Belleinsoumise','Novel'),('bellestunis','Autofiction'),('bellestunis','Family Saga'),('bellestunis','Novel'),('BeMaho','Novel'),('bete','Fiction'),('Betebon','Memoir'),('betequatern','Novel'),('Biblioquete','Detective Fiction'),('Biblioquete','Popular Fiction'),('Bicyclettebleue','Family Saga'),('Bicyclettebleue','Fiction'),('Bicyclettebleue','Popular Fiction'),('Bienveillantes','Apology'),('Bienveillantes','Novel'),('Bitos','Theatre'),('Bldbranques','Detective Fiction'),('Bldbranques','Roman Noir'),('BldHirondelles','Feature Film'),('Bleusurpeau','Detective Fiction'),('Bleusurpeau','Popular Fiction'),('Blockhaus','Novel'),('Bombardementnuit','Children\'s Literature'),('Bonbeurre','Novel'),('Bonheurnazi','Apology'),('Bonheurnazi','Novel'),('Bonheuroccas','Novel'),('Bonheurogres','Detective Fiction'),('bonheursdela','Novel'),('bonmonsieur','Detective Fiction'),('Bonneaffaire','Short Story'),('Bonnesmauvaises','Family Saga'),('Bonnesmauvaises','Novel'),('bonsvoisins','Short Story'),('Borsalino','Feature Film'),('Boubousoldat','Children\'s Literature'),('BoucherGuelma','Detective Fiction'),('Boulevardperiph','Novel'),('boulevardsceinture','Novel'),('Bouquet','Personal Memoir'),('brulure','Fiction'),('Bunker','Detective Fiction'),('Cageombres','Novel'),('cahiernoir','Essay'),('Cahiers','Short Story'),('Camaradesmorts','Personal Memoir'),('CampagneItalie','Novel'),('Campthiaroye','Feature Film'),('Carcasse','Autobiography'),('Cargomer','Personal Memoir'),('Carnetscaptif','Diary/ Journal'),('Carnetsderoute','Diary/ Journal'),('CarnetsGoumier','Carnet(s)'),('Carrefourenfantsperdus','Feature Film'),('Carrefoursolitudes','Novel'),('carrelage','Novel'),('Cartonjaune','Bande Dessinée'),('Cartonjaune','Short Story'),('Cavouri','Novel'),('Cejourla','Short Story'),('Cellule16','Diary/ Journal'),('Cellule209','Personal Memoir'),('Cendrefumee','Autobiography'),('Centurions','Novel'),('Cequefemmeveut','Reflections'),('Cerfsvolants','Novel'),('Cestenhiver','Memoir'),('cetaitcelanotre','Novel'),('Cettedroleguerre','Personal Memoir'),('Ceuxquinedormaientpas','Diary/ Journal'),('Ceuxquinedormaientpas','Essay'),('Ceuxvivent','Personal Memoir'),('chagrinpitie','Documentary'),('Champion','Novel'),('ChansonHannah','Children\'s Literature'),('Chantcimes','Autofiction'),('Chantherissons','Novel'),('chantiersjeune','Récit'),('Chaquehomme','Diary/ Journal'),('Chaquehomme','Personal Memoir'),('chaquemin','Short Story'),('Chassecourre','Personal Memoir'),('Chasseurscamion','Children\'s Literature'),('Chasseurzero','Novel'),('Chateauautre','Novel'),('chateaufer','Novel'),('Chatte','Novel'),('Cheminecoliers','Novel'),('cheminhonneur','Personal Memoir'),('cheminsetoile','Novel'),('cheminsnuit','Novel'),('ChevalBachMa','Children\'s Literature'),('Chezarmeeanglaise','Personal Memoir'),('Chienslions','Short Story'),('Chienslouves','Detective Fiction'),('chocretour','Roman Noir'),('christopheou','Novel'),('Chroniqueguerreperdue','Memoir'),('Chroniquelorraine','Personal Memoir'),('ChuteBarcelone','Novel'),('cimetieres','Memoir'),('Cinqhommes','Novel'),('Clairiere','Children\'s Literature'),('Clairiere','Fiction'),('ClanOstendais','Novel'),('Cliente','Novel'),('Clotilde','Popular Fiction'),('coeurvivants','Novel'),('Coinazur','Theatre'),('coldie','Novel'),('collaborateur','Short Story'),('Collabos','Fiction'),('Collabos','Short Story'),('collabosong','Roman Noir'),('Collineoubliee','Novel'),('Colonnenuees','Personal Memoir'),('Combatpournoscadavres','Personal Memoir'),('Combattantsnuit','Novel'),('Commando','Popular Fiction'),('commandos','Novel'),('Commefini','Diary/ Journal'),('Commescorpion','Novel'),('Commeunverger','Novel'),('communistes','Novel'),('compagniespect','Novel'),('Complainteoubliee','Short Story'),('concertopour','Bande Dessinée'),('Condamne','Personal Memoir'),('confessionmatin','Novel'),('Conquetedesert','Children\'s Literature'),('Contesdauxois','Short Story'),('Corderaide','Personal Memoir'),('Corderaide','Reflections'),('Corpsnoir','Detective Fiction'),('Corpsnoir','Roman Noir'),('Cotentincolmar','Personal Memoir'),('Courir','Novel'),('couronne','Novel'),('Courtepaille','Novel'),('courtevie','Novel'),('Crevassemaquisards','Children\'s Literature'),('Crevassemaquisards','Novel'),('Creve','Novel'),('Crimeevacuations','Personal Memoir'),('Criprofondeurs','Novel'),('crisansvoix','Novel'),('Croixmer','Novel'),('CroquisLondresguerre','Personal Memoir'),('dacapo','Thriller'),('Dahlias','Ecriture Féminine'),('Dahlias','Novel'),('Damesboisboulogne','Feature Film'),('dandiamond','Bande Dessinée'),('Dansgriffesnazies','Memoir'),('Dansgriffesnazies','Personal Memoir'),('danslamarche','Novel'),('Deblancvêtu','Novel'),('Debonneguerre','Novel'),('Deboutcesiecle','Personal Memoir'),('deconnection','Novel'),('degreoude','Autobiographical Texts'),('Dejeunerssoleil','Personal Memoir'),('Delirelogique','Novel'),('Demonoubli','Novel'),('demonsaube','Feature Film'),('Deposition','Diary/ Journal'),('Deprisonenprison','Personal Memoir'),('DernierAuvernois','Novel'),('Derniereballeperdue','Novel'),('Dernieresequence','Children\'s Literature'),('Dernieresequence','Detective Fiction'),('Dernieresvoluptes','Novel'),('Dernierfrere','Novel'),('Dernierjournazi','Theatre'),('dernierjust','Novel'),('DernierMetro','Feature Film'),('Derniersmots','Personal Memoir'),('dernierstemps','Novel'),('derniervillage','Fiction'),('Deroute','Family Saga'),('Deroute','Novel'),('Deserteurs','Novel'),('desmonts','Novel'),('Detourprenfer','Detective Fiction'),('Deuilen24','Novel'),('deuxcerisiers','Children\'s Literature'),('deuxcerisiers','Fiction'),('deuxetendard','Novel'),('deuxfoislememe','Novel'),('Diableritencore','Family Saga'),('Diableritencore','Fiction'),('Diableritencore','Popular Fiction'),('DickVercors','Novel'),('Didineautres','Children\'s Literature'),('Dimancheinoubliable','Novel'),('Dissidence1','Diary/ Journal'),('Dissidence1','Novel'),('dissidence2','Novel'),('Dissidences','Short Story'),('Ditesle','Récit'),('DoraB','Autofiction'),('DoraB','Novel'),('dormeurdebout','Novel'),('Douleurvolume','Diary/ Journal'),('Douleurvolume','Récit'),('DrameVichy','Apology'),('DrameVichy','Memoir'),('Droledejeu','Novel'),('drolevie','Personal Memoir'),('drolevie','Theatre'),('DrPetiot','Feature Film'),('ducristal','Theatre'),('dumaquis','Novel'),('duneenfance','Autobiography'),('Duneprison','Apology'),('Duneprison','Memoir'),('dusilence','Novel'),('echappee','Novel'),('EchellesLevant','Novel'),('echo','Short Story'),('Eclairsombre','Novel'),('EcritsdeMarseille','Carnet(s)'),('EffroyablesJardins','Novel'),('Egares','Feature Film'),('ellevoulait','Novel'),('Ellipseloup','Novel'),('elsinfor','Novel'),('Empreinteange','Novel'),('Enavant','Novel'),('Encommando','Children\'s Literature'),('Enfantcache','Children\'s Literature'),('Enfantcache','Diary/ Journal'),('enfantetsoldat','Novel'),('EnfantNoe','Novel'),('Enfantsliberte','Novel'),('Enfantsmatin','Novel'),('Enfantsous','Novel'),('Enfantsous','Popular Fiction'),('Enfantspays','Feature Film'),('enfantssquare','Novel'),('Enfanttue','Personal Memoir'),('enmourir','Fiction'),('Entredeuxguerres','Memoir'),('Enverscontretout','Personal Memoir'),('envoye','Novel'),('epaves','Novel'),('epee','Novel'),('Episodes19401944','Memoir'),('Especehumaine','Personal Memoir'),('Especehumaine','Reflections'),('esthermazel','Novel'),('etatdurg','Roman Noir'),('etatmajor','Récit'),('Etechatte','Personal Memoir'),('etememorable','Novel'),('Etoileautres','Novel'),('Etoiledelor','Novel'),('Etoilenoire','Novel'),('Etoilesang','Diary/ Journal'),('Etoilesang','Personal Memoir'),('Etoilevesper','Personal Memoir'),('Etpourtant','Autobiography'),('etsiunreve','Novel'),('Evades','Short Story'),('Evasion44','Personal Memoir'),('Eveils','Autobiography'),('Eveils','Reflections'),('Exiljoconde','Novel'),('exode','Short Story'),('exterminateur','Novel'),('Faireface','Personal Memoir'),('Fantomebarrage','Detective Fiction'),('FascistesnazisProvence','Personal Memoir'),('Fatale','Detective Fiction'),('Fautdesobeir','Bande Dessinée'),('Fautdesobeir','Children\'s Literature'),('Femmeallemand','Novel'),('femmearnaud','Novel'),('Femmeperdue','Feature Film'),('Femmesdelombre','Family Saga'),('Femmesdelombre','Novel'),('Femmesdelombre','Popular Fiction'),('Femmesdelombre','Romantic Intrigue'),('femmeseule','Novel'),('femmesombre','Feature Film'),('feuaulac','Novel'),('Feuilleauvent','Diary/ Journal'),('Feuilleauvent','Personal Memoir'),('Feuillesvent','Novel'),('FeuilletsHypnos','Personal Memoir'),('Fifiroi','Personal Memoir'),('Figurants','Short Story'),('fillecalvaire','Detective Fiction'),('Fillecarillonneur','Novel'),('Fillepuisateur','Feature Film'),('Flammes','Novel'),('Flammes','Popular Fiction'),('Fleuvecombelle','Récit'),('Flictourmente','Personal Memoir'),('forteresse','Novel'),('Fortressesacrifiee','Children\'s Literature'),('Fortressesacrifiee','Fiction'),('fortunat','Novel'),('FosseBabel','Novel'),('FrancaiseFrancais','Family Saga'),('FrancaiseFrancais','Novel'),('FrancaiseLibre','Autobiography'),('FrancaiseLibre','Diary/ Journal'),('franchise','Novel'),('franciscain','Novel'),('franziska','Novel'),('freres','Autobiographical Texts'),('freres','Memoir'),('freres','Récit'),('Frontstalag','Personal Memoir'),('fruitshiver','Novel'),('FTP','Short Story'),('Furenthommes','Memoir'),('Furenthommes','Personal Memoir'),('Furioso','Novel'),('FXEEUARFR','Short Story'),('Gang','Autofiction'),('Gang','Detective Fiction'),('Gang','Novel'),('Gareencheres','Short Story'),('Genspays','Novel'),('Godillotslourds','Récit'),('goumiersaid','Novel'),('Grandcarnival','Feature Film'),('Grandcirque','Diary/ Journal'),('Grandeffarement','Short Story'),('Grandemeutte','Feature Film'),('grandemisere','Memoir'),('grandescirconstances','Personal Memoir'),('grandescirconstances','Reflections'),('Grandesvacances','Autobiography'),('Grandesvacances','Novel'),('GrandeTriche','Autofiction'),('GrandeTriche','Novel'),('grandevadr','Feature Film'),('GrandGuingouin','Bande Dessinée'),('grandhomme','Novel'),('grandperetombeciel','Children\'s Literature'),('grandsmalheurs','Autofiction'),('grandsmalheurs','Novel'),('Grandvestiaire','Novel'),('Grandvoyage','Autobiography'),('Grandvoyage','Novel'),('Greouforce','Children\'s Literature'),('groomcrime','Crime Fiction'),('Guadeloupe1943','Children\'s Literature'),('Guadeloupe1943','Novel'),('Guerrecivile','Novel'),('Guerreguerre','Memoir'),('Guerregusses','Novel'),('Guerrelasse','Novel'),('Guerreneuf','Memoir'),('Guerrierdesoeuvre','Personal Memoir'),('guetteuse','Short Story'),('gueuledebois','Bande Dessinée'),('guichets','Novel'),('Gurs','Theatre'),('Harmattan','Diary/ Journal'),('Harmattan','Verse'),('hautcastel','Novel'),('Hautefourche','Fiction'),('Hauteursville','Novel'),('helene','Novel'),('Heretiques','Fiction'),('Heretiques','Memoir'),('Herosdiscret','Novel'),('HeurestragiquesEmpire','Personal Memoir'),('Heureuxpacifiques','Novel'),('HHhH','Novel'),('Hidden','Novel'),('hiroshimaamour','Feature Film'),('Histoirepetitnegre','Bande Dessinée'),('Histoirepoupee','Novel'),('homicide','Crime Fiction'),('homicide','Roman Noir'),('Hommebarbele','Novel'),('Hommebete','Memoir'),('hommeguerre','Novel'),('Hommerechercheame','Childhood Memories'),('Hommerechercheame','Personal Memoir'),('hommesillustres','Novel'),('Hommesmeilleursvie','Novel'),('hommesneveul','Novel'),('Honteappartient','Detective Fiction'),('horsita','Novel'),('HotelRetour','Children\'s Literature'),('hoteltermin','Documentary'),('IciLondres','Personal Memoir'),('ideesrestent','Non-Fictional Texts'),('Idyllequartier','Novel'),('ilscroyaienteternite','Family Saga'),('ilscroyaienteternite','Novel'),('Imprimerie','Short Story'),('Impuissance','Short Story'),('Incendie','Novel'),('Indigenes','Feature Film'),('Ingrid','Novel'),('innocents','Novel'),('instantmamort','Autobiography'),('instantmamort','Short Story'),('InterludeSpain','Personal Memoir'),('irreductib','Novel'),('Isolesoleil','Novel'),('Itinerairesalaudordinaire','Crime Fiction'),('Itinerairesalaudordinaire','Popular Fiction'),('Itsik','Novel'),('jacques','Novel'),('jaichoisi','Novel'),('JaifuiAllemagnenazie','Children\'s Literature'),('Jairepondu','Personal Memoir'),('jardinenfants','Fiction'),('jardinenfer','Novel'),('jardinnoir','Novel'),('jeandesautres','Novel'),('jeanjacques','Bande Dessinée'),('jeanjacques','Children\'s Literature'),('Jeanne','Memoir'),('jeanneavec','Theatre'),('Jefus','Personal Memoir'),('jehaiscette','Autobiographical Texts'),('jemarchais','Children\'s Literature'),('jemarchais','Fiction'),('Jenetaispasprisonnier','Memoir'),('Jetaisespion','Memoir'),('Jetaisespion','Personal Memoir'),('jetons','Fiction'),('Jetueil','Crime Fiction'),('Jetueil','Popular Fiction'),('Jeudisaint','Récit'),('jeunefemme','Novel'),('Jeunehommeseul','Autobiography'),('Jeunehommeseul','Novel'),('Jeupatience','Memoir'),('Jeupatience','Novel'),('Jeuxinter','Novel'),('Jollec','Bande Dessinée'),('Jollec','Récit'),('Josee','Novel'),('JosephLondres','Novel'),('jourAlbertEinstein','Novel'),('Jourfinitplus','Novel'),('journal','Diary/ Journal'),('Journal19421944','Diary/ Journal'),('Journalannees','Diary/ Journal'),('Journalaquatre','Diary/ Journal'),('Journalaquatre','Novel'),('Journalcaptivite','Diary/ Journal'),('Journalcollabo','Novel'),('Journaldessine','Personal Memoir'),('Journalexile','Diary/ Journal'),('Journalexile','Personal Memoir'),('journalsal','Novel'),('journalsuzan','Novel'),('Journaltresintime','Diary/ Journal'),('Journeesdaout','Personal Memoir'),('Journeesdaout','Reflections'),('journom','Novel'),('Joursheureux','Personal Memoir'),('Joursnotremort','Novel'),('Jourspenitence','Diary/ Journal'),('juifsmeurent','Novel'),('Juliettecerisiers','Récit'),('JusquaBergen','Personal Memoir'),('Jusqumortensuive','Detective Fiction'),('Justeapresguerre','Children\'s Literature'),('Justepourplaisir','Detective Fiction'),('Justepourplaisir','Popular Fiction'),('justescauses','Novel'),('JusticeDunk','Novel'),('KZ','Detective Fiction'),('laballade','Novel'),('labelleeduc','Novel'),('Labièvre','Autobiography'),('Labièvre','Personal Memoir'),('labrigade','Novel'),('lacalanque','Novel'),('lacathedrale','Novel'),('lacitedinj','Fiction'),('LacombeLucien','Feature Film'),('lacorrida','Novel'),('laculbute','Novel'),('Ladenonciation','Novel'),('lafindes','Novel'),('lafoi','Novel'),('lagamelle1','Memoir'),('lagamelle1','Récit'),('laguerreavant','Novel'),('laguerrebuiss','Novel'),('lairetla','Novel'),('Laisseescompte','Novel'),('Laissezpasser','Feature Film'),('laisseztomber','Detective Fiction'),('laisseztomber','Popular Fiction'),('lajeunefemme','Novel'),('lajeunessede','Novel'),('lamarquedelh','Novel'),('lamelodie','Novel'),('Laminoirrecitdeporte','Memoir'),('lamort','Novel'),('lamortdans','Novel'),('LAmoura','Novel'),('lancien','Popular Fiction'),('lancien','Roman Noir'),('lanuitlejour','Novel'),('lapeau','Personal Memoir'),('laplusbelle','Novel'),('lappel','Short Story'),('Laravissante','Novel'),('larencontre2','Novel'),('larmeslum','Novel'),('lasoupeau','Novel'),('lateteaux','Novel'),('latetesurles','Novel'),('Latondue','Theatre'),('latondue2','Novel'),('latourmente','Novel'),('Lauriersdulac','Autofiction'),('Lauriersdulac','Novel'),('lavantdernierso','Novel'),('lavieestdev','Novel'),('lebacva','Novel'),('lebalafre','Children\'s Literature'),('lebalafre','Fiction'),('LebeauFr','Novel'),('lebochet1','Bande Dessinée'),('lebochet2','Bande Dessinée'),('lebochet3','Bande Dessinée'),('lebochet4','Bande Dessinée'),('lebochet5','Bande Dessinée'),('Lebouc','Novel'),('lebruitdes','Novel'),('lecarrefour','Novel'),('lechateau365','Novel'),('lecomptoir','Feature Film'),('lecondabime','Detective Fiction'),('lecondabime','Novel'),('leconvoi','Historical Investigation'),('leconvoi','Récit'),('lecourscinquante','Récit'),('lefidele','Novel'),('legeste','Novel'),('Legout','Detective Fiction'),('Legout','Popular Fiction'),('lehussard','Novel'),('lehussardmal','Autobiographical Texts'),('leipzig','Novel'),('lememebat','Novel'),('lemiroir','Novel'),('LeonM','Novel'),('LeonoreFrance3945','Children\'s Literature'),('lepassage','Novel'),('lepassant','Novel'),('LePasseur','Novel'),('lepetitsoleil','Children\'s Literature'),('lepetitsoleil','Novel'),('lepeupleimp','Novel'),('Lepre','Detective Fiction'),('Lepre','Novel'),('leprixdu','Novel'),('lepuits','Fiction'),('lepuits','Novel'),('lequation','Novel'),('lerefus','Novel'),('lerendezvousb','Novel'),('leroideberg','Novel'),('lesableentre','Novel'),('lesang','Novel'),('lesarbres','Short Story'),('lesavides','Novel'),('lesbeauxjours','Novel'),('lesboisde','Novel'),('LesCarnets','Memoir'),('LesChaleursaout','Diary/ Journal'),('lesdecombres','Essay'),('lesdieuxnous','Novel'),('lesemplumes','Novel'),('Lesentier','Novel'),('lesepees','Novel'),('lesetoilescach','Novel'),('lesforets','Novel'),('lesgrelots','Novel'),('Lesmaudru','Fiction'),('lesmenthes','Novel'),('lesmorts','Novel'),('lesmouches','Theatre'),('lesoleilni','Novel'),('lespasseurs','Novel'),('lespatates','Novel'),('lessacapoux','Novel'),('lestabor','Novel'),('lesviolons','Novel'),('leswagonsde','Novel'),('letangdela','Novel'),('letempsjul','Novel'),('letempspatience','Novel'),('letramwaydes','Novel'),('Lettreotage','Letter(s)'),('Lettreotage','Personal Memoir'),('lettresdeprison','Letter(s)'),('leventdes','Novel'),('leviolon','Children\'s Literature'),('leviolon','Fiction'),('levivant','Novel'),('lhommequimar','Novel'),('liberationoiseaux','Autofiction'),('liberationoiseaux','Children\'s Literature'),('Liberations','Personal Memoir'),('LieutenantKouta','Novel'),('Lignedemarcation','Childhood Memories'),('Lignedemarcation','Essay'),('Lignedemarcation','Feature Film'),('Lignedemarcation','Historical Investigation'),('Lignedemarcation','Non-Fictional Texts'),('Lignedemarcation','Récit'),('Lignesfaille','Novel'),('linconnuede','Novel'),('linsaisissable','Bande Dessinée'),('linutile','Novel'),('Linvitee','Autofiction'),('Linvitee','Novel'),('Livrecolere','Personal Memoir'),('Livretfamille','Autofiction'),('Livretfamille','Novel'),('loccupation','Ecriture Féminine'),('loccupation','Fiction'),('lofficierdu','Novel'),('Lonekhussard','Children\'s Literature'),('longdetour','Novel'),('Louise','Family Saga'),('louiseletemps','Novel'),('LourdSilence','Novel'),('Louves','Detective Fiction'),('Louves','Popular Fiction'),('LouveVichy','Family Saga'),('LouveVichy','Novel'),('loyola','Novel'),('lumierecoll','Novel'),('Luneomaha','Detective Fiction'),('Luneomaha','Popular Fiction'),('Luneomaha','Roman Noir'),('Lutetia','Novel'),('Madelon','Novel'),('Madelon','Popular Fiction'),('Magnus','Novel'),('maincoupee','Personal Memoir'),('maison4vents','Children\'s Literature'),('Maisonmortes','Personal Memoir'),('Maisonoccupee','Diary/ Journal'),('Maisonoccupee','Personal Memoir'),('maisonquatre','Children\'s Literature'),('maisonquatre','Fiction'),('Maisonshantees','Autofiction'),('Maisonshantees','Novel'),('maisonvide','Autofiction'),('maisonvide','Children\'s Literature'),('Maldelicieux','Novel'),('mallunes','Detective Fiction'),('mallunes','Néo-Polar'),('mandarins','Novel'),('Manipulation','Novel'),('Manou','Novel'),('Manteaunoir','Autofiction'),('Manteaunoir','Novel'),('Marchaismalgremoi','Children\'s Literature'),('Marcheetoile','Novel'),('Marechalnousvoila','Documentary'),('mareebasse','Diary/ Journal'),('Marfa1943','Novel'),('MarieOctobre','Novel'),('Mariette','Short Story'),('marmenil','Novel'),('Marque','Autofiction'),('marquehomme','Short Story'),('mathildejean','Children\'s Literature'),('mathildejean','Fiction'),('matiere','Novel'),('Mauditblood','Crime Fiction'),('Mauditblood','Popular Fiction'),('Mauthausen','Personal Memoir'),('Mavie','Diary/ Journal'),('Mavie','Personal Memoir'),('Max','Novel'),('maxflanag','Bande Dessinée'),('maxflanag','Fiction'),('Medecinchars','Diary/ Journal'),('Medecinchars','Personal Memoir'),('medecinfrancais','Personal Memoir'),('Melanie','Short Story'),('Memecielbleu','Diary/ Journal'),('memefleuve','Fiction'),('memoirechacale','Novel'),('memoirecru','Novel'),('memoirejours','Récit'),('memoirejours','Verse'),('memoiremurs','Novel'),('memoiremurs','Popular Fiction'),('Memoires','Memoir'),('Memoiresagentsecret','Memoir'),('Memoiresagentsecret','Personal Memoir'),('Memoirescuremaquis','Personal Memoir'),('MemoiresFrancais','Personal Memoir'),('MemoiresPehun','Fiction'),('MemoiresPehun','Personal Memoir'),('memoiretatouee','Autobiography'),('Memorial','Novel'),('menuetharic','Novel'),('mereallem','Novel'),('MeresGlorieuses','Short Story'),('Mesenfants','Children\'s Literature'),('Mesevasions','Autobiography'),('MesprisonsSouvenirs','Personal Memoir'),('Messagespersonnels','Personal Memoir'),('metierseigneur','Novel'),('Metiertisser','Novel'),('Meurtresprmemoire','Detective Fiction'),('mielabsinthe','Novel'),('Milleregrets','Short Story'),('miraclesleg','Novel'),('Mirador','Memoir'),('miroirmite','Novel'),('miroirsded','Fiction'),('missak','Novel'),('missakenfant','Bande Dessinée'),('missakenfant','Children\'s Literature'),('mledepute','Roman Noir'),('Mohaguerrierberbere','Short Story'),('moisson40','Diary/ Journal'),('moisson40','Memoir'),('Moloch','Detective Fiction'),('MonAlgeriance','Short Story'),('monica','Novel'),('monjournal','Children\'s Literature'),('monjournal','Fiction'),('Monlieutenant','Novel'),('Monneoutragesdefis','Novel'),('Monpere','Novel'),('MonsieurP','Fiction'),('MonsieurX','Short Story'),('montagnechacals','Novel'),('mortdEric','Children\'s Literature'),('morthomme','Novel'),('Mortmetier','Novel'),('Mortnoubliepersonne','Detective Fiction'),('Mortnoubliepersonne','Popular Fiction'),('Mortquilfaut','Autobiography'),('MortspourFrance','Novel'),('Mots','Short Story'),('MoulesProfesseur','Short Story'),('moulinfoulon','Novel'),('mouton','Short Story'),('Murdestinee','Novel'),('MursFresnes','Personal Memoir'),('MystereStAmbroise','Bande Dessinée'),('MystereStAmbroise','Children\'s Literature'),('MystereStAmbroise','Detective Fiction'),('Nainjaune','Memoir'),('NancyMunster','Personal Memoir'),('Nazismetro','Detective Fiction'),('Nedjma','Novel'),('NegreAmiral','Diary/ Journal'),('NegreAmiral','Novel'),('NegrePotemkine','Novel'),('Neigesale','Detective Fiction'),('Neigesale','Novel'),('niagara','Detective Fiction'),('niagara','Fiction'),('Niceprmemoire','Novel'),('Noirtango','Family Saga'),('Noirtango','Fiction'),('Noirtango','Popular Fiction'),('Nomcode','Detective Fiction'),('nommeLangdon','Personal Memoir'),('Nonklara','Novel'),('Nopassaran','Children\'s Literature'),('nosdeserts','Fiction'),('Nosfantastiques','Detective Fiction'),('Nosfantastiques','Roman Noir'),('Nostalgiemaquis','Personal Memoir'),('Notesrefugie','Personal Memoir'),('Notessudafricaines','Diary/ Journal'),('Notreapresguerre','Récit'),('notredamedes','Novel'),('Nour','Novel'),('nousallions','Novel'),('nousdepeyrac','Novel'),('Nouslesterroristes','Memoir'),('Nouslesterroristes','Personal Memoir'),('Noussommesainsifaits','Memoir'),('Nousvoila','Novel'),('Nouvelleprison','Short Story'),('Nstsassassins','Detective Fiction'),('Nudite','Novel'),('Nuit','Personal Memoir'),('nuitalleman','Novel'),('Nuitbrascasses','Detective Fiction'),('nuitbrouillard','Documentary'),('nuitetbrouill','Detective Fiction'),('nuitetbrouill','Fiction'),('Nuitfinira','Memoir'),('Nuitlongue','Personal Memoir'),('nuitmerveilleuse','Feature Film'),('Nuitpasnuit','Autobiographical Texts'),('Nuitpasnuit','Novel'),('nuitsupplic','Novel'),('Nuitverslumiere','Personal Memoir'),('OdeLondresbombardee','Verse'),('Oeilauberge','Novel'),('officier','Novel'),('officiertradition','Novel'),('okjoe','Récit'),('OmahaCrimes','Popular Fiction'),('OmahaCrimes','Thriller'),('Ombrepere','Apology'),('Ombrepere','Memoir'),('onchantait','Autobiography'),('onlappeltam','Novel'),('Onnepeut','Short Story'),('Onsebat','Novel'),('Onziemeheure','Apology'),('Onziemeheure','Novel'),('OrdenerLabat','Autobiography'),('OrdenerLabat','Novel'),('Origineviolence','Novel'),('Orpailleurs','Detective Fiction'),('Ortiebrisee','Diary/ Journal'),('Ortiebrisee','Récit'),('Ottoauto','Novel'),('Ouedcrue','Novel'),('oujevais','Novel'),('Ouragan','Novel'),('Pacteassassins','Novel'),('Pacteassassins','Popular Fiction'),('Pagecornee','Short Story'),('paillenoire','Fiction'),('Paradeimpies','Novel'),('Parcsauvage','Novel'),('Parcsauvage','Récit'),('Parisbrule','Feature Film'),('Parisfenetre','Memoir'),('Parolesterrelarmes','Short Story'),('Partautre','Novel'),('Partirontivresse','Autobiography'),('pasfacile','Autobiographical Texts'),('Pasheros','Novel'),('PasKaddish','Detective Fiction'),('PasKaddish','Roman Noir'),('pasperdutemps','Memoir'),('PassageLigne1','Personal Memoir'),('passageligne2','Récit'),('Passagelignes','Personal Memoir'),('Passemuraille','Short Story'),('Passesupplementaire','Novel'),('passetablerase','Detective Fiction'),('passonsla','Novel'),('Patriotes','Novel'),('Patriotes','Popular Fiction'),('PaulineAgentsecret','Children\'s Literature'),('pavesenfer','Autobiographical Texts'),('pavesenfer','Fiction'),('pavesenfer','Novel'),('Paysagecendres','Autobiographical Texts'),('Paysagecendres','Novel'),('PCGeneral','Diary/ Journal'),('PCGeneral','Memoir'),('pecheveniel','Novel'),('Peignenecaille','Family Saga'),('Peignenecaille','Novel'),('peloton','Fiction'),('PelotonLeclerc','Autobiography'),('PelotonLeclerc','Diary/ Journal'),('penitent','Short Story'),('Penseresistance','Children\'s Literature'),('Perceval','Diary/ Journal'),('Perepetite','Novel'),('Perilsroyaume','Detective Fiction'),('Perilsroyaume','Popular Fiction'),('Perruche','Novel'),('Perruche','Popular Fiction'),('personne','Novel'),('pertevue','Roman Noir'),('Petainiste','Detective Fiction'),('Petainiste','Short Story'),('Petitcanard','Novel'),('Petitefille','Autobiography'),('Petitefille','Récit'),('Petitefillesemaphore','Diary/ Journal'),('Petitefillesemaphore','Novel'),('Petitgarcon','Fiction'),('Petitgeneral','Novel'),('petitmatin','Novel'),('PetitsVaincus','Personal Memoir'),('Peurroute','Children\'s Literature'),('Peurroute','Fiction'),('Piedsnus','Short Story'),('Piege','Novel'),('pilotedeguerre','Autobiography'),('pilotedeguerre','Novel'),('Pionsechiquier','Personal Memoir'),('Pitchipoi','Autobiography'),('Pitchipoi','Récit'),('PlaceEtoile','Novel'),('Placerouge','Novel'),('Plaintesespoirs','Letter(s)'),('PlaisirDieu','Family Saga'),('PlaisirDieu','Novel'),('Plastiqueuse','Personal Memoir'),('pleinete','Novel'),('Pleinvent','Fiction'),('plongeon','Detective Fiction'),('Pluscalmevisage','Diary/ Journal'),('poidsfeu','Novel'),('poidsvivre','Short Story'),('Pontkwai','Novel'),('PontsurLoire','Novel'),('portraitdun','Novel'),('portraits','Short Story'),('Poulpes','Novel'),('premieraccroc','Short Story'),('Premiercombat','Diary/ Journal'),('premierepierre','Novel'),('prenomrepub','Novel'),('prenomrepub','Personal Memoir'),('Presbyterebagnesnazis','Personal Memoir'),('printempsfou','Novel'),('printempspour','Novel'),('Printempstragique','Autofiction'),('Printempstragique','Novel'),('Prisondeportation','Personal Memoir'),('PrisonnierB','Short Story'),('Prisonnieremaquis','Personal Memoir'),('PrisonnierP','Novel'),('Prisonnierregard','Short Story'),('PrisonniersaNeufBrisach','Personal Memoir'),('Prisonsjaponaises','Personal Memoir'),('Prisonstragiques','Diary/ Journal'),('Prisonstragiques','Personal Memoir'),('prixserment','Novel'),('professionouv','Novel'),('Profmusique','Children\'s Literature'),('Projectionsprivees','Novel'),('PromeneurchampsMars','Feature Film'),('Promesse','Children\'s Literature'),('Promesseaube','Autofiction'),('Promesseaube','Novel'),('pseudovaincu','Récit'),('Psyshowpathe','Short Story'),('Ptesnuits','Feature Film'),('puitscorbeaux','Novel'),('QuandAnnariait','Children\'s Literature'),('Quandlamer','Novel'),('Quandlevent','Novel'),('quandviendra','Family Saga'),('quandviendra','Fiction'),('quandviendra','Popular Fiction'),('Quatreans','Personal Memoir'),('Quatreanslutte','Autobiography'),('quatresoldats','Novel'),('Quatrestalag','Novel'),('Quatriemecommand','Fiction'),('Quatriemecommand','Novel'),('Quediraije','Novel'),('quelquepartfront','Letter(s)'),('quelquepartfront','Memoir'),('Quenretrouvant','Novel'),('Queos','Detective Fiction'),('quinzeans','Autobiographical Texts'),('quinzeans','Memoir'),('Quitouchecorps','Novel'),('Quoideneuf','Autobiography'),('Quoideneuf','Diary/ Journal'),('Quoideneuf','Letter(s)'),('Quoideneuf','Novel'),('racines','Roman Noir'),('racines','Short Story'),('RadeauMeduse','Diary/ Journal'),('RadioToulouse','Personal Memoir'),('rafle','Memoir'),('rafle','Récit'),('Rage','Autofiction'),('Rage','Detective Fiction'),('Rageconvaincre','Personal Memoir'),('Rapaces','Novel'),('Ravage','Novel'),('Ravensbruck','Memoir'),('Ravensbruckenferfemmes','Personal Memoir'),('Ravinesdevantjour','Autobiography'),('Ravinesdevantjour','Novel'),('Rebellessoldats','Memoir'),('Rebellessoldats','Personal Memoir'),('Rechercheverite','Autobiography'),('Refus','Theatre'),('Regardetoi','Personal Memoir'),('reglejeu','Novel'),('RegneBete','Personal Memoir'),('reinedeuxempires','Children\'s Literature'),('Relaiserrants','Personal Memoir'),('Releve','Short Story'),('Remisepeine','Novel'),('Renaissante','Novel'),('renaitra','Novel'),('Rencontrehommes','Childhood Memories'),('Rencontrehommes','Memoir'),('rendezvousaube','Novel'),('rendezvousviv','Novel'),('rengainez','Roman Noir'),('Represailles','Memoir'),('requiscivil','Novel'),('Reseauclandestin','Children\'s Literature'),('Reseauclandestin','Diary/ Journal'),('resilience','Récit'),('Resistanceordinaire','Autobiography'),('Resistant','Short Story'),('resistantialisme','Novel'),('ressusciteront','Personal Memoir'),('Retablereverie','Ecriture Féminine'),('Retablereverie','Fiction'),('retourcendres','Roman Noir'),('retourfront','Personal Memoir'),('RetourTanteEmma','Feature Film'),('reveillesde','Novel'),('revenantes','Novel'),('Reveurcasque','Personal Memoir'),('revnat','Short Story'),('Ringmort','Children\'s Literature'),('rireogre','Novel'),('Ritournellefaim','Novel'),('Rivesirrawaddy','Novel'),('Roiaulnes','Novel'),('Romanrusse','Autofiction'),('Romanrusse','Novel'),('rondenuit','Novel'),('rosedescoll','Novel'),('RoseFrance','Personal Memoir'),('Rosescendre','Children\'s Literature'),('Rosescendre','Fiction'),('Rougeblanc','Personal Memoir'),('Rouille','Novel'),('routeinutile','Novel'),('Routerom','Detective Fiction'),('Routerom','Popular Fiction'),('Routierssables','Children\'s Literature'),('Rueliberte','Memoir'),('rueoued','Novel'),('RueParis','Children\'s Literature'),('rueroi','Récit'),('sabletemps','Essay'),('sabletemps','Non-Fictional Texts'),('sabletemps','Short Story'),('Sabots','Children\'s Literature'),('Sacdebilles','Autobiography'),('Sacrificematin','Personal Memoir'),('sacrilege','Novel'),('SaintMartinfermee','Novel'),('Saisonviolente','Diary/ Journal'),('Sakebrumes','Detective Fiction'),('salaudsviedure','Detective Fiction'),('salido','Short Story'),('Samba','Novel'),('sangaquarelle','Novel'),('sangautres','Novel'),('sangciel','Novel'),('Sanglotsfete','Novel'),('Sanglotslongs','Short Story'),('Sanglotslongsviolons','Documentary'),('sangnos','Novel'),('Sangor','Personal Memoir'),('sangruches','Novel'),('Sansaccent','Autofiction'),('Sansaccent','Children\'s Literature'),('sappelaitsarah','Novel'),('sappelaitsarah','Popular Fiction'),('Sarzan','Theatre'),('satraperouge','Crime Fiction'),('sautebarb','Novel'),('Sautez','Personal Memoir'),('Scenesviebagne','Personal Memoir'),('Secret','Novel'),('secretrachel','Children\'s Literature'),('secretrachel','Fiction'),('Selguerre','Detective Fiction'),('selsoufre','Autofiction'),('selsoufre','Novel'),('Septfoissept','Autobiographical Texts'),('Septfoissept','Diary/ Journal'),('Septfoissept','Memoir'),('Septjours','Autobiographical Texts'),('Septjours','Diary/ Journal'),('Septjours','Memoir'),('septjoursete','Autobiographical Texts'),('septjoursete','Diary/ Journal'),('septjoursete','Memoir'),('septjoursexil','Autobiographical Texts'),('septjoursexil','Diary/ Journal'),('septjoursexil','Memoir'),('SergeantJunot','Novel'),('seronsnous','Fiction'),('Servitude','Short Story'),('Seulbutvictoire','Autobiographical Texts'),('Seulennemi','Personal Memoir'),('seultemoin','Novel'),('siegfried','Novel'),('silencearmes','Novel'),('Silencemer','Short Story'),('simplemot','Short Story'),('simpleverite','Memoir'),('Sipetiteflamme','Children\'s Literature'),('Sipetiteflamme','Diary/ Journal'),('sixpetits','Récit'),('Sobibor','Novel'),('Socrate','Novel'),('Soeuryeuxasie','Novel'),('Soldatfrancaoui','Memoir'),('soldatoubl','Novel'),('Soldatssansespoir','Fiction'),('Soldatssansespoir','Memoir'),('solsticejuin','Non-Fictional Texts'),('solutionfin','Novel'),('Sommeiljuste','Novel'),('Songe','Short Story'),('Souille','Novel'),('sourdeoreille','Novel'),('sourirechat','Novel'),('Souriredieux','Children\'s Literature'),('sourisverte','Autobiography'),('sourisverte','Novel'),('sousleregne','Novel'),('souslesbombes','Novel'),('Soussignetriangle','Personal Memoir'),('Soutane','Novel'),('SouvenirBerlin','Detective Fiction'),('SouvenirBerlin','Novel'),('Souvenirs','Memoir'),('Souvenirs19181944','Memoir'),('Souvenirsbagne','Personal Memoir'),('Souvenirsdeportation','Personal Memoir'),('Souvenirsdetheatre','Memoir'),('Souvenirsendormi','Personal Memoir'),('Souvenirsendormi','Récit'),('Souvenirsexil','Fiction'),('Souvenirsexil','Memoir'),('Souvenirsguerre','Memoir'),('Souvenirsresistance','Personal Memoir'),('Souvenirssolitude','Diary/ Journal'),('Souvenirstirailleur','Autobiography'),('Spoliation','Crime Fiction'),('Spoliation','Popular Fiction'),('Sspaves','Detective Fiction'),('Statuesel','Autobiography'),('Statuesel','Novel'),('Suitefrancaise','Novel'),('Suitesabbat','Personal Memoir'),('Surlenjeu','Essay'),('Surlenjeu','Personal Memoir'),('Surlenjeu','Reflections'),('Surmonantenne','Personal Memoir'),('Surrivesrien','Personal Memoir'),('Surrivesrien','Récit'),('Surterremenacee','Essay'),('Surterremenacee','Personal Memoir'),('tantquedure','Memoir'),('tardfete','Novel'),('Tarendol','Novel'),('Taxitobrouk','Novel'),('Temoignage','Memoir'),('tempsangoisse','Personal Memoir'),('Tempscatastrophes','Autobiographical Texts'),('Tempscatastrophes','Récit'),('Tempscerises','Novel'),('Tempsdesassassins','Autobiography'),('tempsheroiques','Personal Memoir'),('Tempshonte','Personal Memoir'),('tempsiecle','Family Saga'),('Tempsillusions','Memoir'),('tempsital','Autofiction'),('tempsital','Novel'),('tempsmort','Short Story'),('Tempspaille','Family Saga'),('Tempspaille','Novel'),('Tempsrencontres','Novel'),('tenuefantoc','Novel'),('TerMilicien','Short Story'),('terrassede','Autobiography'),('terredeviolence','Novel'),('Texaco','Novel'),('Theorie1','Detective Fiction'),('Thiaroyeterrerouge','Theatre'),('Tilleul','Short Story'),('TirailleursSenegalais','Bande Dessinée'),('TirailleurVosges','Bande Dessinée'),('Tombesperdues','Novel'),('Tonkinoise','Novel'),('toubabbi','Feature Film'),('touchonsdu','Novel'),('Tousensemble','Theatre'),('toutemavie','Novel'),('Toutsurtout','Childhood Memories'),('Train','Novel'),('Trainbleunoir','Detective Fiction'),('Trainbleunoir','Popular Fiction'),('Trainoublies','Bande Dessinée'),('Trainsoir','Novel'),('TraitreB','Novel'),('TraitreJ','Novel'),('Traversee','Autofiction'),('Traverseefrontieres','Autobiography'),('Traverseefrontieres','Essay'),('Traversgrandegrille','Diary/ Journal'),('Treize','Detective Fiction'),('Treize','Roman Noir'),('tribulations','Novel'),('troiscontes','Short Story'),('TroisgarsTchad','Children\'s Literature'),('Troisiemenuit','Short Story'),('Troncveuve','Popular Fiction'),('Troncveuve','Roman Noir'),('Tropiques','Non-Fictional Texts'),('Tsiganes','Bande Dessinée'),('Tulipe','Novel'),('Tunisie','Apology'),('Tunisie','Personal Memoir'),('Turne3','Novel'),('unbaiser','Novel'),('undenormandie','Memoir'),('uneaubergeen','Novel'),('uneboule','Novel'),('unefemmeall','Autobiography'),('UnefoisMJoseph','Bande Dessinée'),('UnefoisVolnoir','Bande Dessinée'),('unemort','Fiction'),('Uneombre','Novel'),('unesilongue','Novel'),('uneteentre','Children\'s Literature'),('uneteentre','Fiction'),('Unfousevade','Memoir'),('ungarconsans','Novel'),('ungrison','Crime Fiction'),('ungrison','Novel'),('unparfund','Novel'),('UnpetitParisien','Récit'),('UnSimple','Short Story'),('Uranus','Novel'),('ursule','Fiction'),('Valisenoire','Autofiction'),('Valisenoire','Short Story'),('Valleeheureuse','Novel'),('valsezsauc','Novel'),('Veillee','Short Story'),('VeldHiv','Novel'),('Ventsdeterre','Novel'),('Vercorscombat','Bande Dessinée'),('Vercorscombat','Children\'s Literature'),('VerfugbarEnfers','Theatre'),('vertemoisson','Novel'),('Vichydancing','Novel'),('Victoirepleurant','Personal Memoir'),('Viecombat','Personal Memoir'),('vieillefra','Novel'),('vieprivee','Short Story'),('viescelerate','Family Saga'),('viescelerate','Novel'),('viesmorts','Memoir'),('Vieuxdemons','Novel'),('VieuxNegremedaille','Novel'),('villachimeres','Novel'),('Village1940','Film'),('village1941','Fiction'),('Villagedelallemand','Novel'),('Villageheureallemande','Novel'),('VillaJasmin','Family Saga'),('VillaJasmin','Novel'),('villesans','Fiction'),('villesans','Roman Noir'),('VinParis','Short Story'),('violences','Novel'),('voieshonn','Novel'),('VoixdelaMuette','Documentary'),('Volontaires','Récit'),('voulaitvoirmer','Novel'),('voyageap','Novel'),('Voyagenoces','Novel'),('Voyageurimprudent','Novel'),('Vraisdurs','Detective Fiction'),('Wagon','Novel'),('wagonvaches','Novel'),('walther','Novel'),('wazemmes','Novel'),('WendZudycoote','Novel'),('Womensbarracks','Autofiction'),('Womensbarracks','Novel'),('Woulesouv','Novel'),('YeuxEzechiel','Novel'),('yeuxtete','Novel'),('Zaide','Children\'s Literature'),('zigetpuce','Bande Dessinée'),('zigpucepresent','Bande Dessinée'); /*!40000 ALTER TABLE `compositions_generic_keywords` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `compositions_locations` -- DROP TABLE IF EXISTS `compositions_locations`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions_locations` ( `comp_code` varchar(50) NOT NULL, `location` varchar(100) NOT NULL, PRIMARY KEY (`comp_code`,`location`), FULLTEXT KEY `location` (`location`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions_locations` -- LOCK TABLES `compositions_locations` WRITE; /*!40000 ALTER TABLE `compositions_locations` DISABLE KEYS */; INSERT INTO `compositions_locations` VALUES ('101avhenrimartin','Paris, Bordeaux'),('120ruegare','Germany'),('120ruegare','Lyon'),('120ruegare','Paris'),('1vie3guerres','Paris'),('2actes','Indochina'),('2ansOranienburg','Oranienburg'),('321Sautez','Scotland'),('3chiensmorts','Burgundy (near Troyes)'),('3emeevasion','Gemany (Ulm)'),('3emeevasion','Germany (100 kms north of Trier)'),('3emeevasion','Germany (Mecklembourg)'),('3emeevasion','Germany (Rostock)'),('40ansjournalisme','Rennes'),('4ansdanslombre','Gers'),('5ansResistance','Evaux'),('5ansResistance','Limousin'),('5ansResistance','Périgord'),('6moisFresnes','Fresnes'),('8moissante','Prison de la Santé (Paris)'),('A26','Northern France'),('AbbeC','France'),('Accentmonpere','Charente'),('Accentmonpere','Moselle'),('Actualitesfr','France'),('Adieuauroi','Borneo'),('Adieufemme','Dresden'),('Adieufemme','Prague'),('Adolescencetemps','Périgueux'),('aerodrome','south-west France'),('AffairePeiper','Haute-Saone'),('AgonieScharnhorst','Halifax (Canada)'),('AgonieScharnhorst','Northern Atlantic'),('ainsiexiles','Scheveningen (The Netherlands)'),('AlbertCapitales','Paris'),('Allemande','Paris'),('Allemande','Parisian suburbs (South-West)'),('Alsacevousparle','Alsace'),('Aluminium','Clermond-Ferrant'),('Aluminium','Milon-la-Chapelle'),('Aluminium','Paris'),('Amantsdavignon','Avignon'),('Amantsdavignon','Lyon'),('Amantsdavignon','mountains'),('Amantsdavignon','Valence'),('Amepreteeoiseaux','Guadeloupe'),('Amepreteeoiseaux','New York'),('Amepreteeoiseaux','Paris'),('Amerevictoire','North Africa'),('Amipere','France'),('Amisitutombes','Nord'),('Amitraitre','France'),('Amourallemand','Occupied Germany'),('Amoursansresistance','a town'),('Amoursdissidentes','Lyon'),('Amoursdissidentes','occupied France'),('Amourtempete','Berlin'),('Amourtempete','Far East'),('Amourtempete','Lyon'),('Amourtempete','Paris'),('Andromede','Saint-Clar near Bordeaux'),('Angenuit','Paris'),('Ankoulevetoi','Brittany'),('Ankoulevetoi','Lyon'),('Anneesdoubles','France'),('Antanrobe','Martinique'),('Antizyklonatroces','Oise'),('Appelbled','Algeria'),('Appelbled','Paris'),('Apres4ansoccupation','Belgium'),('Argentvif','Savoie'),('Armeeombres','London'),('Armeeombres','Lyon'),('Armeeombres','Marseille'),('Armeeombres','Paris'),('Armeesecrete','France'),('Armeesecretebasalpine','Basse Alpes'),('armenien','Paris'),('Armesdelanuit','Brittany'),('Armesdelanuit','Paris'),('Arrestation','Metropolitan France (no location specified)'),('ArthurManille','Philippines'),('Assassinfrere','Le Havre'),('Atelierphoto','Paris'),('Atelierphoto','Rouen'),('AttendantEliane','Constantine'),('AttendantEliane','Paris (IVe and XVIIIe arrondissements)'),('Aubeafricaine','AOF (French West Africa)'),('Aupayslimousi','Limousin'),('Aurelien','South and west of Loire'),('Aurevoirenfants','Fontainebleau'),('AuschwitzI','Auschwitz'),('ausoleil','Saint-Nazaire'),('Autre','Copenhagen'),('AutrefoisDiana','Corsica'),('Aventureambigue','Dakar (Senegal)'),('babyfoot','18th arrondissement of Paris'),('babyfoot','Paris'),('bagages','Paris'),('bagages','South of France'),('BagneAurigny','Alderney'),('BagneAurigny','Ariège'),('BagneAurigny','Germany'),('Balconenforet','la Vienne'),('Balconenforet','Les Ardennes'),('Balconhiroshima','Amiens'),('Balconhiroshima','Hiroshima'),('Balconhiroshima','Tokyo'),('BanditsAtlas','Algeria'),('barreauxfaucons','Vendée'),('barreindochine','Indochina'),('BatailleMediterranee','Egypt'),('BatailleMediterranee','North Africa'),('BatailleMediterranee','Syria'),('Bataillerail','Chalon-sur-Saône'),('Bataillesroute','Saint-Theudere (= Saint-Chef en Dauphiné)'),('Bataillon','Scotland and Brittany'),('Batterieerrante','France'),('Beauxjoursbarbizon','Barbizon'),('BelgianManor2Wars','London'),('BelgianManor2Wars','Paris'),('BelgianManor2Wars','Saint-André-lez-Bruges'),('Belleinsoumise','Brittany'),('Belleinsoumise','Saint-Nazaire'),('bellestunis','Tunis'),('BeMaho','Réunion'),('bete','Coutainville, Cherbourg, Paris, Saint-Lô'),('Biblioquete','Lyon'),('Bicyclettebleue','Bordeaux'),('Bicyclettebleue','Paris'),('Bienveillantes','Europe'),('Bldbranques','Paris'),('BldHirondelles','Lyon'),('Bleusurpeau','Marseille'),('Blockhaus','Normandy'),('Bombardementnuit','England'),('Bombardementnuit','Ruhr'),('Bonbeurre','Lyon'),('Bonbeurre','Paris'),('Bonbeurre','Vichy'),('Bonheurnazi','France'),('Bonheurnazi','Germany'),('Bonheuroccas','Montreal'),('Bonheurogres','Paris (especially Belleville/ Père Lachaise)'),('Bonneaffaire','Paris'),('Bonnesmauvaises','France'),('Bonnesmauvaises','Germany'),('Borsalino','Marseille'),('Boubousoldat','Chad'),('Boubousoldat','France'),('Boubousoldat','Italy'),('Boubousoldat','Libya'),('BoucherGuelma','Guelma (Algeria)'),('BoucherGuelma','Sétif (Algeria)'),('Boulevardperiph','Belgium Ardennes'),('Boulevardperiph','Brussels'),('Boulevardperiph','La Meuse'),('Boulevardperiph','Paris'),('boulevardsceinture','Paris'),('boulevardsceinture','Seine-et-Marne'),('Bouquet','Paris'),('brulure','Paris, Britanny'),('Bunker','Normandy'),('Cageombres','Drancy'),('CampagneItalie','South-eastern France'),('Campthiaroye','Dakar (Senegal)'),('Campthiaroye','Thiaroye (Senegal)'),('Carcasse','Europe'),('Carnetscaptif','Château d\'Itter'),('Carnetsderoute','Lübben'),('Carnetsderoute','Saarburg'),('CarnetsGoumier','Alsace'),('CarnetsGoumier','Germany'),('Carrefourenfantsperdus','Marseille'),('Carrefourenfantsperdus','Paris'),('Cartonjaune','Drancy'),('Cartonjaune','Paris'),('Cartonjaune','Tunis'),('Cejourla','Vercors'),('Cellule209','Drancy'),('Cellule209','Fresnes (prison)'),('Centurions','Algeria'),('Centurions','Algiers'),('Centurions','Paris'),('Centurions','Vietnam'),('Cerfsvolants','Normandy'),('Cerfsvolants','Poland'),('Cestenhiver','Auschwitz-Birkenau'),('Cettedroleguerre','Belgium'),('Cettedroleguerre','Dieppe'),('Cettedroleguerre','Dunkirk'),('Ceuxquinedormaientpas','Paris'),('Ceuxvivent','Mauthausen'),('Ceuxvivent','Orléans'),('Ceuxvivent','Paris'),('Champion','Auschwitz'),('ChansonHannah','Coal mining region near the demarcation line.'),('Chantcimes','Lozère'),('Chantherissons','France'),('Chassecourre','Bordeaux'),('Chassecourre','Paris'),('Chassecourre','Tours'),('Chassecourre','USA'),('Chasseurscamion','Normandy'),('Chasseurzero','Japan'),('Chasseurzero','Paris'),('Chateauautre','Copenhagen'),('Chateauautre','Meudon'),('Chateauautre','Paris'),('Chateauautre','Suresnes)'),('Chateauautre','Western Parisian suburbs (Courbevoie'),('Chatte','France'),('Cheminecoliers','Paris'),('cheminhonneur','Algeria'),('cheminhonneur','France'),('ChevalBachMa','Indochina (Tonkin)'),('Chienslions','Chartres'),('Chienslions','Luray'),('Chienslions','Lyon'),('Chienslouves','Haute-Saône'),('Chroniqueguerreperdue','Belgium'),('Chroniqueguerreperdue','France'),('Chroniqueguerreperdue','Norway'),('Chroniquelorraine','Lorraine'),('ChuteBarcelone','France'),('Cinqhommes','Berlin'),('Cinqhommes','Western and Eastern fronts'),('Clairiere','La Creuse'),('Clairiere','Paris'),('ClanOstendais','La Rochelle'),('Cliente','Paris (XIVe arrondissement)'),('Clotilde','Algeria'),('Clotilde','France'),('Clotilde','London'),('Coinazur','Marseille'),('coldie','Paris'),('Collineoubliee','Tasga (Kabylie, Algeria)'),('Commando','Britain and Germany'),('Commefini','Hohenfels, Bavaria'),('Commeunverger','France'),('Complainteoubliee','Brittany'),('Condamne','Lyon'),('Conquetedesert','Koufra (Tunisia)'),('Corderaide','Southern France'),('Corpsnoir','Paris'),('Courir','Czech republic'),('Courtepaille','France'),('Crevassemaquisards','French Alps'),('Criprofondeurs','France'),('Criprofondeurs','Paris'),('Croixmer','Brittany'),('CroquisLondresguerre','London'),('Dahlias','France'),('DameIzieu','Izieu (Ain)'),('Damesboisboulogne','Paris'),('Dansgriffesnazies','Angers'),('Dansgriffesnazies','Fresnes'),('Dansgriffesnazies','Mauthausen'),('Dansgriffesnazies','Ravensbrück'),('Dejeunerssoleil','Paris'),('Delirelogique','Europe and Brussels'),('Demonoubli','Paris'),('demonsaube','Toulon'),('demonsaube','Tunisia'),('DernierAuvernois','Auvergne'),('DernierAuvernois','Demarcation Line'),('Derniereballeperdue','Biarritz (ville de B)'),('Derniereballeperdue','Lyon'),('Derniereballeperdue','Orkney Islands'),('Dernieresequence','St-Ouen'),('Dernierfrere','Mauritus'),('Dernierjournazi','Germany'),('DernierMetro','Paris'),('derniervillage','Lorraine, near the Maginot Line'),('derniervillage','village in south'),('Deroute','Loire'),('Deroute','Normandy'),('Deroute','Paris'),('Deserteurs','Larzac'),('Detourprenfer','Jura'),('Deuilen24','Flanders'),('Deuilen24','France'),('Deuilen24','Paris'),('deuxfoislememe','Arles'),('Diableritencore','Amiens'),('Diableritencore','Berlin'),('Diableritencore','Bordeaux'),('Diableritencore','Paris'),('Diableritencore','South-Western France'),('DickVercors','Lyon'),('DickVercors','Vercors'),('Didineautres','Paris'),('Dimancheinoubliable','France'),('Dissidence1','Brest'),('Dissidence1','Lorient'),('Dissidence1','Martinique'),('dissidence2','Martinique'),('Dissidences','Guadeloupe'),('DoraB','Paris'),('Douleurvolume','Paris'),('Droledejeu','France'),('drolevie','Fresnes'),('drolevie','Germany'),('drolevie','Nice'),('drolevie','Paris'),('Duneprison','Paris'),('EchellesLevant','Beirut'),('EchellesLevant','Lyon'),('EchellesLevant','Montpellier'),('Eclairsombre','Congo'),('Eclairsombre','France'),('EcritsdeMarseille','Marseille'),('EffroyablesJardins','Northern France'),('Egares','Paris'),('Egares','Western France'),('Ellipseloup','Alsace'),('Ellipseloup','Paris'),('Empreinteange','Paris'),('Enavant','Massif Central'),('Enavant','Paris'),('Encommando','Alsace'),('enfantetsoldat','French Indochina'),('Enfantsliberte','Toulouse'),('Enfantsmatin','America'),('Enfantsous','France'),('Enfantspays','Ardennes'),('enmourir','Arles'),('Enverscontretout','Algiers'),('Enverscontretout','London'),('Enverscontretout','Paris'),('epee','Ardennes'),('epee','Bar-le-Duc'),('epee','Paris'),('Especehumaine','Buchenwald'),('Especehumaine','Dachau'),('Especehumaine','Gandersheim'),('Especehumaine','Italy'),('Especehumaine','Paris'),('esthermazel','Lozère'),('Etechatte','England'),('Etechatte','France'),('Etoileautres','Algiers'),('Etoilenoire','Auschwitz'),('Etoilenoire','Bordeaux'),('Etoilenoire','Ravensbruck'),('Etoilevesper','Paris'),('Etpourtant','Dunkirk'),('Etpourtant','Lille'),('Evades','Germany'),('Evades','Poland'),('Evasion44','Ravensbrück'),('Evasion44','Torgau'),('Eveils','Alsace'),('Eveils','Paris'),('Exiljoconde','le Lot'),('Exiljoconde','Paris'),('Fantomebarrage','Annecy'),('Fantomebarrage','Tignes'),('FascistesnazisProvence','Provence'),('Fatale','Normandy (fiction town of Bléville)'),('Fautdesobeir','France (not specificed)'),('Femmeallemand','Paris'),('femmearnaud','Laon'),('femmearnaud','Paris'),('femmearnaud','Saïgon'),('femmearnaud','Thiérache'),('Femmeperdue','Landes'),('Femmeperdue','Sables-d\'Olonne'),('Femmesdelombre','Bordeaux'),('Femmesdelombre','South-West France'),('femmesombre','Normandy'),('Feuilleauvent','Germany'),('Feuilleauvent','Hungary'),('Feuilleauvent','Poland'),('Feuilleauvent','Ukraine'),('Feuillesvent','Haute-Vienne'),('FeuilletsHypnos','Alpes de Haute-Provence'),('Fifiroi','France'),('Figurants','Aubervilliers'),('Figurants','Lens'),('Figurants','Lille'),('Fillecarillonneur','Rouen'),('Fillepuisateur','Provence'),('Flammes','South-western France'),('Fleuvecombelle','Paris'),('Flictourmente','Paris'),('Fortressesacrifiee','Grenoble'),('Fortressesacrifiee','Vercors mountains'),('FrancaiseFrancais','Châteauroux'),('FrancaiseFrancais','Lille'),('FrancaiseFrancais','Lyon'),('FrancaiseFrancais','Marseille'),('FrancaiseFrancais','Paris'),('FrancaiseLibre','London'),('Frontstalag','London'),('Frontstalag','Nancy'),('Frontstalag','Paris'),('Frontstalag','Spain'),('fruitshiver','Jura'),('fruitshiver','Lons-le-Saunier'),('FTP','Metropolitan France (no location specified)'),('Furenthommes','South-East France'),('Furioso','England and Germany'),('FXEEUARFR','Languedoc'),('FXEEUARFR','Meurthe-et-Moselle'),('Gang','France'),('Gareencheres','Loiret'),('Gareencheres','Paris'),('Genspays','Tréfleur (Channel coast)'),('gibier','Paris'),('gibier','South-west France'),('goumiersaid','Corsica'),('goumiersaid','France'),('goumiersaid','Germany'),('goumiersaid','Morocco'),('goumiersaid','Tunisia'),('Grandcarnival','Algeria'),('Grandesvacances','France, Germany, Poland'),('GrandeTriche','Dunkirk'),('GrandeTriche','North-East France'),('GrandGuingouin','Limousin'),('grandhomme','Berlin'),('grandhomme','Paris'),('grandperetombeciel','Paris'),('grandsmalheurs','Essen'),('grandsmalheurs','Jura'),('grandsmalheurs','Lyon'),('Grandvestiaire','Paris'),('Grandvoyage','Buchenwald'),('Grandvoyage','Cambrai'),('Guadeloupe1943','Dominica'),('Guadeloupe1943','Guadeloupe'),('Guerrecivile','France'),('Guerrelasse','Dauphiné'),('Guerrelasse','Paris'),('Guerrelasse','Zone libre'),('Guerreneuf','France'),('guetteuse','Paris (XIe arrondissement)'),('guichets','Langon nr Bordeaux'),('guichets','Paris'),('Gurs','Gurs'),('Hans','Savoie'),('Harmattan','Africa'),('Hautefourche','Normandy'),('Hauteursville','Algiers'),('Hauteursville','Oujda'),('Herosdiscret','France'),('Herosdiscret','Germany'),('HeurestragiquesEmpire','Colonies'),('Hidden','France'),('Hidden','North Africa'),('Hidden','USA'),('Histoirepetitnegre','France'),('Histoirepetitnegre','Germany'),('Histoirepetitnegre','USA'),('Histoirepoupee','Kiecle (Poland)'),('Histoirepoupee','Tunis'),('Hommebete','Bergen-Belsen'),('Hommebete','Compiègne'),('Hommebete','Montluc'),('Hommebete','Neuengamme'),('Honteappartient','Eastern France'),('IciLondres','London'),('Idyllequartier','Le Havre'),('ilscroyaienteternite','Algiers (Algeria)'),('ilscroyaienteternite','Corsica'),('ilscroyaienteternite','Oran (Algeria)'),('ilscroyaienteternite','Rabat (Morocco)'),('Indigenes','Algeria'),('Indigenes','Alsace'),('Indigenes','Italy'),('Indigenes','Marseille'),('Indigenes','Morocco'),('Indigenes','Vosges'),('Ingrid','Bremen, Germany'),('innocents','Germany'),('instantmamort','Bois de bruyères'),('InterludeSpain','Spain'),('Itinerairesalaudordinaire','Morocco'),('Itinerairesalaudordinaire','Paris'),('jardinnoir','Deauville'),('jeandesautres','Abidjan'),('jeandesautres','Marseille'),('jeandesautres','Paris'),('Jeanne','Paris'),('Jefus','France'),('Jenetaispasprisonnier','Germany'),('jetons','Brussels'),('Jetueil','Noumea (New Caledonia)'),('Jeudisaint','Berlin'),('Jeudisaint','Israel'),('Jeudisaint','Limousin'),('Jeudisaint','Paris'),('Jeunehommeseul','France'),('Jeupatience','Saint-Brieuc'),('Jeuxinter','Countryside'),('Jollec','Montreuil-Bellay'),('jourAlbertEinstein','Paris'),('Jourfinitplus','Egypt'),('Jourfinitplus','Italy'),('Jourfinitplus','Libya'),('Jourfinitplus','Orléans'),('Jourfinitplus','Pantin'),('Jourfinitplus','Seine-et-Marne'),('Journal19421944','Paris'),('Journalannees','France'),('Journalaquatre','France'),('Journalcollabo','Paris'),('Journalexile','Alpes Maritimes'),('Journeesdaout','Paris'),('Joursnotremort','Auschwitz'),('Joursnotremort','Buchenwald'),('Juliettecerisiers','Ain'),('Juliettecerisiers','Lyon'),('Juliettecerisiers','Paris'),('JusquaBergen','Bergen-Belsen'),('JusquaBergen','Germany'),('JusquaBergen','Lübeck'),('Jusqumortensuive','Atlanta'),('Jusqumortensuive','Normandy'),('Justeapresguerre','Marseille'),('Justeapresguerre','Vercors'),('Justepourplaisir','Angers'),('Justepourplaisir','Egypt'),('Justepourplaisir','Germany'),('Justepourplaisir','Montreuil'),('Justepourplaisir','Paris'),('Justepourplaisir','Spain'),('Justepourplaisir','Warsaw'),('justescauses','Paris'),('KZ','Paris'),('KZ','Poland'),('LacombeLucien','Lot'),('Ladenonciation','Loire valley'),('Laissezpasser','Bolougne-Billancourt'),('Laissezpasser','Paris'),('laisseztomber','Paris'),('lajeunefemme','France'),('Laminoirrecitdeporte','Buchenwald'),('LAmoura','Paris'),('lancien','Paris'),('lanuitlejour','Paris'),('Lauriersdulac','Lyon'),('Lauriersdulac','Paris'),('Lauriersdulac','Vichy'),('Lauriersdulac','Western Germany'),('Lebouc','Provence around the Massif de la Verne.'),('lecourscinquante','Nantes'),('Legout','Perpignan'),('leipzig','Leipzig'),('LeonM','Urban (not specified) in a mountainous region'),('LePasseur','Southern France'),('Lepre','France'),('lepuits','A town in the Southern Zone'),('LesCarnets','Gibraltar'),('lesforets','South-west France'),('Lesmaudru','Amleteuse'),('Lesmaudru','Belgium'),('Lesmaudru','Boulogne'),('Lesmaudru','Calais'),('Lesmaudru','Cran-aux-Oeufs'),('lesviolons','Marseile'),('Lettreotage','France'),('Lettreotage','Portugal'),('liberationoiseaux','Normandy'),('liberationoiseaux','Paris (Belleville)'),('Lignedemarcation','Jura'),('Lignesfaille','California'),('Lignesfaille','Haïfa'),('Lignesfaille','Munich'),('Lignesfaille','New York'),('Lignesfaille','Toronto'),('Linvitee','Paris'),('Linvitee','Rouen'),('Livrecolere','France'),('Livretfamille','Anvers'),('Livretfamille','Paris'),('Livretfamille','Sologne'),('Lonekhussard','Auschwitz'),('Lonekhussard','Paris'),('Lonekhussard','Poland'),('Louise','France'),('LourdSilence','Lyon'),('LouveVichy','France'),('Luneomaha','Omaha Beach, Normandy'),('Lutetia','Paris'),('Madelon','Landes girondines'),('Magnus','Hamburg'),('maison4vents','Paris'),('Maisonmortes','Fresnes'),('Maisonmortes','Ravensbrück'),('Maisonshantees','Antibes'),('Maisonshantees','Israel'),('Maisonshantees','Paris'),('maisonvide','Paris'),('Maldelicieux','Avignon'),('Maldelicieux','Montpellier'),('Maldelicieux','Paris'),('mallunes','Bordeaux'),('mandarins','Paris'),('Manteaunoir','Auteuil'),('Manteaunoir','Boulogne-Billancourt'),('Manteaunoir','Paris'),('Marchaismalgremoi','Périgord'),('Marchaismalgremoi','Strasbourg'),('Marcheetoile','Paris'),('mareebasse','Eastern Prussia'),('Mariette','Paris'),('Mauditblood','Besançon'),('Mauditblood','Nice'),('Mauditblood','Toulouse'),('Mauthausen','Mauthausen'),('Mavie','Algeria'),('Mavie','Vichy'),('Max','Lyon, Paris, Nice'),('Medecinchars','Luxemberg'),('Medecinchars','Northern France'),('medecinfrancais','Hamburg'),('medecinfrancais','Le Morbihan'),('medecinfrancais','Neuengamme'),('medecinfrancais','Rennes'),('medecinfrancais','Royallieu'),('Memecielbleu','Languedoc'),('memefleuve','Caldores in the Pyrenees'),('memefleuve','L\'Isle-sur-Sorgue'),('memefleuve','Paris'),('memoirechacale','Algeria'),('memoirechacale','Paris'),('memoiremurs','Paris'),('Memoires','North Africa'),('Memoires','Vichy'),('Memoiresagentsecret','England'),('Memoiresagentsecret','France'),('Memoiresagentsecret','London'),('Memoirescuremaquis','Plateau de la Glières'),('memoiretatouee','Casablanca'),('Memorial','France'),('Memorial','Poland'),('MeresGlorieuses','Paris'),('Mesenfants','Mimizan (Gironde)'),('metierseigneur','Brittany'),('metierseigneur','London'),('Meurtresprmemoire','Drancy'),('Meurtresprmemoire','Paris'),('Meurtresprmemoire','Toulouse'),('miroirsded','town in the south of France'),('missak','Paris'),('MitterrandVichy','Vichy'),('Mohaguerrierberbere','Khénifra (Morocco)'),('moisson40','Chartres'),('moisson40','province of Beauce'),('moisson40','Voves'),('Monlieutenant','France'),('Monneoutragesdefis','African kingdom of Soba'),('MonsieurLeon','Paris'),('MonsieurLeon','Ribérac (Dordogne)'),('MonsieurP','Paris'),('MonsieurX','Fresnes'),('MonsieurX','Paris'),('montagnechacals','Italy'),('montagnechacals','Kabylie (Algeria)'),('montagnechacals','Sétif'),('montagnechacals','Tunis'),('montagnechacals','Tunisian-Algerian border'),('mortdEric','Vittel'),('morthomme','rural France'),('Mortmetier','Auschwitz'),('Mortmetier','Germany'),('Mortmetier','Turkey'),('Mortnoubliepersonne','Béthune'),('Mortnoubliepersonne','Cauchel'),('Mortnoubliepersonne','Pas-de-Calais'),('Mortnoubliepersonne','Saint-Omer'),('Mortquilfaut','Buchenwald'),('Mortquilfaut','Burgundy'),('Mortquilfaut','Paris'),('MortspourFrance','Buchenwald'),('MortspourFrance','Dakar'),('MortspourFrance','France'),('Mots','Limousin'),('MoulesProfesseur','Metropolitan France (no location specified)'),('Murdestinee','Clermont-Ferrand'),('Murdestinee','Paris'),('MursFresnes','Fresnes'),('MystereStAmbroise','Occupied zone'),('Nazismetro','Paris'),('Nazismetro','Poitou'),('Nedjma','Bône'),('NegreAmiral','Martinique'),('NegreAmiral','Paris'),('NegrePotemkine','Ouagadougou (Burkina-Faso)'),('NegrePotemkine','Paris'),('niagara','Elmsville (REAL OR NOT?) nr Toronto'),('Niceprmemoire','Nice'),('Niceprmemoire','Paris'),('Noirtango','Bordeaux'),('Noirtango','Nuremberg'),('Nomcode','Lyon'),('Nomcode','Paris'),('Nonklara','Auschwitz'),('Nonklara','Paris'),('Nopassaran','London'),('nosdeserts','Paris'),('Nosfantastiques','Paris'),('Notessudafricaines','Cape Town'),('Nour','Madagascar'),('Nousvoila','Ile d\'Yeu'),('Nousvoila','Paris'),('Nouvelleprison','Limousin'),('Nuit','Eastern Europe'),('Nuit','Germany'),('Nuitbrascasses','Marseille'),('Nuitbrascasses','New York'),('Nuitbrascasses','Rome'),('nuitetbrouill','Germany'),('Nuitlongue','Montfort-l\'Amaury'),('nuitmerveilleuse','Mountains'),('Nuitpasnuit','Birkenau'),('Nuitpasnuit','Buchenwald'),('Nuitpasnuit','Fresnes'),('OdeLondresbombardee','London'),('Oeilauberge','Auvergne'),('officiertradition','Post-war Germany, Cologne'),('okjoe','Morlaix'),('okjoe','St Brieuc'),('OmahaCrimes','Omaha beach'),('OmahaCrimes','Washington DC'),('Ombrepere','France'),('Ombrepere','Switzerland'),('Onziemeheure','France'),('OrdenerLabat','Paris'),('Orpailleurs','Auschwitz'),('Orpailleurs','Paris'),('Ouedcrue','Algiers'),('Ouragan','Paris XVe, Etampes, Blois, Orléans'),('Pacteassassins','Europe (20th-century)'),('paillenoire','Industrial town'),('Parachutesmaquis','Corrèze (Condat-sur-Garavieux)'),('Paradeimpies','Britanny'),('Parcsauvage','Les Corbières'),('Parisbrule','Paris'),('Parisfenetre','Paris'),('Parolesterrelarmes','Guadeloupe'),('Partautre','Los Angeles'),('Partautre','Vienna'),('Partirontivresse','Lyon'),('Pasheros','Magnac (Roussillon)'),('Pasheros','Perpignan'),('PasKaddish','Berlin'),('PasKaddish','Paris XXe'),('PasKaddish','Ukraine'),('PassageLigne1','Buchenwald'),('Passagelignes','Germany'),('Passemuraille','Occupied France'),('Passesupplementaire','France'),('Passesupplementaire','Vichy'),('passetablerase','Cologne'),('passetablerase','Israel'),('passetablerase','Lorient'),('passetablerase','Paris'),('passetablerase','Santiago de Chili'),('Patriotes','France'),('PaulineAgentsecret','Paris'),('Paysagecendres','France'),('PCGeneral','Switzerland'),('Peignenecaille','France'),('peloton','Alger'),('peloton','Bordeaux'),('peloton','Grenoble'),('peloton','Grenoble regions'),('peloton','Lyon'),('PelotonLeclerc','Alsace'),('PelotonLeclerc','Paris'),('Perepetite','Paris'),('Perilsroyaume','Brussels'),('Perruche','Montmartre'),('Perruche','Paris'),('Petainiste','Fresnes'),('Petitcanard','France'),('Petitefille','France'),('Petitefille','Paris'),('Petitgarcon','Paris'),('Petitgarcon','South-West France'),('Petitgeneral','France'),('Peurroute','Blois'),('Piedsnus','Oran (Algeria)'),('Piege','Vichy, Lyon, Paris, l\'Oise'),('pilotedeguerre','France'),('Pionsechiquier','France'),('Pionsechiquier','Germany'),('Pionsechiquier','Holland'),('Pitchipoi','Auschwitz'),('Pitchipoi','Izieu'),('Pitchipoi','Paris'),('PlaceEtoile','Bordeaux'),('PlaceEtoile','Israel'),('PlaceEtoile','Paris'),('PlaceEtoile','Vienna'),('Placerouge','La Loire'),('Placerouge','Moscow'),('Placerouge','Paris'),('Plaintesespoirs','Lyon'),('PlaisirDieu','France'),('Plastiqueuse','England'),('Plastiqueuse','France'),('Pleinvent','Normandy'),('poidsfeu','Innsbruck, Austria'),('Pontkwai','Bangkok-Rangoon railway'),('Pontkwai','Burma'),('Pontkwai','Calcutta'),('Pontkwai','Thailand'),('PontsurLoire','Orléans'),('Premiercombat','Chartres'),('premierepierre','countryside near Fontainebleau'),('premierepierre','Paris'),('prenomrepub','Lacaune (Tarn)'),('prenomrepub','Paris'),('Presbyterebagnesnazis','Neuengamme'),('Presbyterebagnesnazis','Royallieu'),('Printempstragique','Tours'),('Prisondeportation','Clermont-Ferrand'),('Prisondeportation','Dauchau'),('PrisonnierB','Eastern France'),('PrisonnierP','Paris'),('Prisonnierregard','Prison camp in Occupied Europe'),('Prisonnierregard','Senegal'),('PrisonniersaNeufBrisach','Neuf-Brisach (Alsace)'),('PrisonniersaNeufBrisach','Nuremberg'),('Prisonsjaponaises','Indochina'),('Prisonstragiques','Bayreuth'),('Prisonstragiques','Fresnes'),('Prisonstragiques','La Santé'),('Prisonstragiques','Mannheim'),('Prisonstragiques','Sarrebrüken'),('Projectionsprivees','Orléans (though it is never actually named)'),('Projectionsprivees','Paris'),('PromeneurchampsMars','Paris'),('PromeneurchampsMars','Vichy'),('Promesseaube','Nice'),('Promesseaube','Poland'),('pseudovaincu','Paris'),('Psyshowpathe','Paris'),('Ptesnuits','Paris'),('Quandlamer','Normandy'),('quandviendra','Bordeaux'),('quandviendra','La Paz'),('quandviendra','Paris'),('Quatreans','France'),('Quatrestalag','Germany and France'),('Quatriemecommand','Paris'),('Queos','Dieppe'),('Queos','Mantes-la-Jolie (Yvelines)'),('Queos','Paris'),('quinzeans','Budapest'),('Quitouchecorps','Paris'),('Quoideneuf','Paris'),('RadeauMeduse','Gurs'),('RadeauMeduse','Paris'),('RadioToulouse','Pyrenees'),('Rage','Alps (not actually specified but story of wolves suggests the Southern French Alps)'),('Rapaces','Vietnam (Hanoi)'),('Ravage','France'),('Ravensbruckenferfemmes','Ravensbrück'),('Ravinesdevantjour','Martinique'),('Rebellessoldats','Lyon'),('Refus','Orléans'),('Refus','West Africa'),('Regardetoi','France and Germany'),('RegneBete','Burgundy'),('reinedeuxempires','Cambodia'),('Relaiserrants','Drancy'),('Releve','Boulougne-Billancourt'),('Renaissante','Paris'),('Renaissante','Post-war France'),('renaitra','Saint-Agrève, Vivarais'),('Represailles','Bordeaux'),('Represailles','Périgueux'),('Reseauclandestin','Compiègne'),('Reseauclandestin','Garcy (Parisian suburbs)'),('Reseauclandestin','Paris'),('Resistanceordinaire','Brittany'),('Resistanceordinaire','Lyon'),('Resistanceordinaire','Paris'),('Resistant','Guadeloupe'),('resistantialisme','Paris'),('resistantialisme','Rouen'),('ressusciteront','Lake Constance'),('ressusciteront','Paris'),('ressusciteront','Schwäbisch-Gründ camp'),('Reveurcasque','Europe'),('Ringmort','Auschwitz'),('Ringmort','Paris'),('Ringmort','Warsaw'),('rireogre','Paris, Vercors, Bavaria'),('Ritournellefaim','Nice'),('Ritournellefaim','Paris'),('Rivesirrawaddy','Germany (near Munich)'),('Roiaulnes','East Prussia'),('Roiaulnes','France'),('Romanrusse','Ile de Ré'),('Romanrusse','Paris'),('Romanrusse','Siberia'),('Rougeblanc','France'),('Rouille','France and Normandy'),('Routerom','Cotentin (le)'),('Rueliberte','Dachau'),('Rueliberte','Fresnes'),('RueParis','Paris'),('Sacdebilles','Haute-Savoie'),('Sacdebilles','Menton'),('Sacdebilles','Nice'),('Sacdebilles','Paris'),('Sacdebilles','Zone libre'),('Sacrificematin','Normandy'),('Sacrificematin','North Africa'),('Sacrificematin','Rome'),('Sacrificematin','Southern France'),('sacrilege','Malaysia (la Malaisie britannique)'),('SaintMartinfermee','Paris'),('Sakebrumes','Normandy'),('salaudsviedure','Paris, Lyon, Perpignan, Montpellier, Pyrénées'),('salido','St Brieuc'),('Samba','Guinea'),('Samba','Northern France'),('sangaquarelle','Berlin'),('sangaquarelle','California'),('sangaquarelle','Paris'),('sangaquarelle','Provence'),('sangautres','Paris'),('Sanglotsfete','Algeria'),('Sanglotsfete','Marseille'),('Sanglotsfete','Paris'),('Sanglotslongsviolons','Normandy'),('Sangor','Bajsko'),('Sangor','Birkenau'),('sappelaitsarah','Paris'),('satraperouge','Seine-Saint-Denis (fictional town)'),('Secret','Demarcation line'),('Secret','Paris'),('Selguerre','Marseille'),('selsoufre','Warsaw, Lublin'),('septjoursete','Paris'),('septjoursexil','London, Algiers'),('Seulbutvictoire','Algiers'),('siegfried','Germany'),('silencearmes','Jura (Château-Châlon)'),('Silencemer','Occupied zone'),('simplemot','Lyon and nearby village of Chassay'),('simpleverite','Buchenwald'),('simpleverite','Compiègne internment camp'),('simpleverite','London'),('simpleverite','Montluc prison'),('simpleverite','Vichy'),('Socrate','Paris, unoccupied zone.'),('Soeuryeuxasie','Fontenay-le-Comte (Vendée)'),('Soeuryeuxasie','Indochina'),('Soldatfrancaoui','Rouen'),('Soldatfrancaoui','Sétif'),('Souille','France or a francophone country during liberation'),('sourdeoreille','Marseille'),('Souriredieux','Northern Cambodia near Angkor'),('sourisverte','Compiègne'),('sourisverte','Landes'),('sourisverte','Paris'),('Soussignetriangle','Oranienburg'),('Soussignetriangle','Ravensbrück'),('Soussignetriangle','Saarbrücken'),('Soutane','Corrèze'),('Soutane','unoccupied zone'),('Souvenirs','Africa'),('Souvenirs','France'),('Souvenirs','London'),('Souvenirsbagne','Compiègne'),('Souvenirsbagne','Ravensbrück'),('Souvenirsbagne','Rouen'),('Souvenirsbagne','Sachsenhausen'),('Souvenirsdeportation','Bergen-Belsen'),('Souvenirsdeportation','Neuengamme'),('Souvenirsdetheatre','Paris'),('Souvenirsexil','Fontoy, Moselle'),('Souvenirsguerre','Africa'),('Souvenirsguerre','Belgium'),('Souvenirsguerre','Saint-Quentin'),('Souvenirsresistance','Germany'),('Souvenirsresistance','Paris'),('Spoliation','Paris (XXe arrondissement)'),('Sspaves','Marseille'),('Sspaves','Sainte-Apostasie (Provence)'),('Statuesel','Tunisia'),('Suitefrancaise','Mainland France'),('Suitesabbat','Hamburg'),('Suitesabbat','Paris'),('Surlenjeu','Buenos Aires'),('Tarendol','France'),('Taxitobrouk','Dunkirk'),('Taxitobrouk','El Alamein (Egypt)'),('Taxitobrouk','France'),('Taxitobrouk','Tobrouk (Libya)'),('tempsangoisse','Berlin'),('Tempscerises','Corsica'),('Tempscerises','Elba'),('Tempscerises','Germany'),('Tempsdesassassins','Tunis'),('Tempshonte','Britain'),('Tempshonte','Paris'),('Tempshonte','Toulouse'),('Tempshonte','Vichy'),('Tempsillusions','Vichy'),('Tempspaille','Auvergne'),('Tempspaille','Tunisia'),('Tempsrencontres','France'),('TerMilicien','Paris (Opera quarter)'),('Texaco','Martinique'),('Theorie1','Normandy'),('Thiaroyeterrerouge','Thiaroye (near Dakar, Senegal)'),('Tilleul','Metropolitan France (no location specified)'),('TirailleursSenegalais','Lyon'),('TirailleurVosges','Vosges'),('Tombesperdues','Alsace'),('Tombesperdues','Italy'),('Tombesperdues','Switzerland'),('Tonkinoise','Hanoi'),('Tonkinoise','Indochina'),('Toutsurtout','Paris'),('Train','La Charente'),('Trainbleunoir','Compiègne'),('Trainbleunoir','Drancy'),('Trainbleunoir','Marseille'),('Trainbleunoir','Melk'),('Trainbleunoir','Munich'),('Trainbleunoir','Sobibor'),('Trainoublies','Nord-Pas-de-Calais'),('Trainsoir','New York'),('Trainsoir','Paris'),('Trainsoir','South-West France'),('TraitreB','France'),('TraitreJ','Paris'),('TraitreJ','Western France (Neuville - imaginery town on the Loire)'),('Traversee','Dakar'),('Traversee','Indochina'),('Traversee','Madagascar'),('Traversee','Marseille'),('Traversgrandegrille','Vichy'),('Treize','Marseille'),('tribulations','Paris'),('TroisgarsTchad','Fort Lamy (Tchad)'),('TroisgarsTchad','Koufra (Tunisia)'),('Troncveuve','Paris'),('Tropiques','Martinique'),('Tsiganes','Montreuil-Bellay (Saumur)'),('Tulipe','New York'),('Tunisie','Tunisia'),('Turne3','Paris'),('Turne3','village in France'),('Turne3','village near Normandy coast'),('UnefoisMJoseph','Paris'),('UnefoisMJoseph','Romania.'),('UnefoisVolnoir','Paris'),('unemort','The Alps'),('Uneombre','Crécy-en-Artois (Nord)'),('ungrison','Provence'),('UnpetitParisien','Paris'),('Uranus','Provincial France'),('ursule','Town situated in landscape of mountains'),('Veillee','Metropolitan France (no location specified)'),('VeldHiv','Paris (15e arrondissement)'),('Ventsdeterre','Brigneau, Basse-Cornouaille, Brittany'),('Ventsdeterre','Rennes'),('Vercorscombat','Vercors'),('VerfugbarEnfers','Ravensbrück'),('vertemoisson','unnamed provincial town, France.'),('Vichydancing','France'),('Viecombat','Saint-Amour'),('vieprivee','Basses-Alpes'),('vieprivee','Lyon'),('viescelerate','Guadeloupe'),('viescelerate','Haiti'),('viescelerate','New York'),('viescelerate','Panama, Angers'),('viescelerate','Paris'),('viescelerate','San Francisco'),('Villagedelallemand','Algeria'),('Villagedelallemand','France'),('Villageheureallemande','Unspecified village in rural France'),('VillaJasmin','Paris'),('VillaJasmin','Sachsenhausen'),('VillaJasmin','Tunisia'),('villesans','Paris'),('VinParis','Paris'),('violences','mainly rural France'),('VoixdelaMuette','Drancy'),('Volontaires','Eastern Front'),('Volontaires','France'),('voulaitvoirmer','Jura'),('voulaitvoirmer','Lons le Saunier'),('voulaitvoirmer','Lyon'),('Voyagenoces','Juan-les-Pins'),('Voyagenoces','Milan'),('Voyagenoces','Paris'),('Voyageurimprudent','France'),('Vraisdurs','Austria'),('Vraisdurs','Lot-et-Garonne'),('Vraisdurs','Marseille'),('Wagon','France'),('Wagon','Germany'),('wagonvaches','Paris'),('WendZudycoote','Dunkerique/ Dunkirk'),('WendZudycoote','Nord'),('Womensbarracks','London'),('yeuxtete','Leipzig'),('Zaide','Paris'); /*!40000 ALTER TABLE `compositions_locations` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `compositions_periods` -- DROP TABLE IF EXISTS `compositions_periods`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions_periods` ( `comp_code` varchar(50) NOT NULL, `period` varchar(200) NOT NULL, PRIMARY KEY (`comp_code`,`period`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions_periods` -- LOCK TABLES `compositions_periods` WRITE; /*!40000 ALTER TABLE `compositions_periods` DISABLE KEYS */; INSERT INTO `compositions_periods` VALUES ('101avhenrimartin','Autumn 1942 - December 1943'),('120ruegare','Period contemporary to publication (1942 - 1943)'),('1vie3guerres','1870 - 1940 [1870s, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s]'),('2actes','June 1940'),('2actes','March 1954 - May 1954'),('3chiensmorts','1944'),('3chiensmorts','Present day (September 1992)'),('3emeevasion','April 1943'),('3emeevasion','Autumn 1943'),('3emeevasion','June 1942'),('40ansjournalisme','1906 - 1946 [1907, 1908, 1909, 1910s, 19202, 1930s, 1940, 1941, 1942, 1943, 1944, 1945]'),('4anneesaupouvoir','1940 - 1945 [1941, 1942, 1943, 1944]'),('4ansdanslombre','1940 - 1945 [1941, 1942, 1943, 1944]'),('50otages','1941'),('6moisFresnes','June 1943 - December 1943'),('8moissante','1940 - 1941'),('A26','Period contemporary to publication [1999]'),('AbbeC','1942 and later'),('Accentmonpere','1939 - 1945 [1940, 1941, 1942, 1943, 1944]'),('Accentmonpere','1969 - 1998 [1970s, 1980s, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997]'),('Actualitesfr','1939 - 1945 [1940, 1941, 1942, 1943, 1944]'),('Actualitesfr','Prewar'),('Adieuauroi','February 1942 - 1946 [1943, 1944, 1945]'),('Adieufemme','1945'),('Adolescencetemps','1940 - 1944 [1941, 1942, 1943]'),('aerodrome','1936 - 1948 [1937, 1938, 1939, 1940, 1941, 1942, 1943, 1944, 1945, 1946, 1947]'),('Affairefemmes','1940 - 1943 [1941, 1942]'),('AffairePeiper','1970s'),('AffairePeiper','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('AgonieScharnhorst','November 1942 - December 1942'),('ainsiexiles','1960'),('AlbertCapitales','27th August 1944'),('Allemande','1943 - 1944'),('Aluminium','1935 - postwar [1935, 1936, 1937, 1938, 1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Amantsdavignon','1940'),('Amantsdavignon','1944'),('Amantsdavignon','winter 1942-3'),('Amepreteeoiseaux','1920s - 1980s [1930s, 1940s, 1950s, 1960s, 1970s]'),('Amerevictoire','1942'),('Amipere','1960s'),('Amipere','Late 1990s'),('Amisitutombes','1939 - 1945 [1940, 1941, 1942, 1943, 1944]'),('Amitraitre','1944 - 1947 [1945, 1946]'),('Amourallemand','1945 - 1946'),('Amoursansresistance','1930s (visit to Germany)'),('Amoursansresistance','1940-1944'),('Amoursdissidentes','1938 - 1945 [1939, 1940, 1941, 1942, 1943, 1944]'),('Amourtempete','c.1900 - 1944 [1900s, 1910s, 1920s, 1930s, 1940, 1941, 1942, 1943]'),('Angenuit','1939-1940'),('Ankoulevetoi','1944'),('Anneesdoubles','January 1940 - October 1944 [1941, 1942, 1943]'),('Antanrobe','1789 - 1914 [1790s, 1800s, 1810s, 1820s, 1830s, 1840s, 1850s, 1860s, 1870s, 1880s, 1890s, 1900s, 1910, 1911, 1912, 1913]'),('Antanrobe','September 1939 - October 1943 [1940, 1941, 1942]'),('Antiroir','April 1940 - June 1941'),('Antizyklonatroces','1990s'),('Appelbled','1938 - 1942 [1939, 1940, 1941]'),('Apres4ansoccupation','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Aprespluie','1945 - 1947 [1946]'),('Argentvif','1937 - 1942 [1938, 1939, 1940, 1941]'),('Armeeombres','October 1942 - February 1943'),('Armesdelanuit','Not specified but most probably Spring/ Summer 1945'),('ArthurManille','January 1945'),('Assassinfrere','Christmas 1945'),('Atelierphoto','193? - Liberation 1944'),('AttendantEliane','1920s - Present day [1996]'),('Aubeafricaine','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Aunom','1940-1944'),('Aunom','1944-1945'),('Aupayslimousi','1940 - 1944 [1941, 1942, 1943]'),('Aurelien','Summer 1940'),('Aurevoirenfants','1944'),('ausoleil','1945'),('Autre','March 1949 - April 1949'),('Autre','Summer 1939'),('AutrefoisDiana','1936 - Present day [2007]'),('avantune','1939'),('Aventureambigue','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('babyfoot','1944'),('BagneAurigny','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Balconenforet','October 1939 - May 1940'),('Balconhiroshima','1944'),('Balconhiroshima','1945'),('BanditsAtlas','Late 1930s'),('BanditsAtlas','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('barreauxfaucons','October 1943 - 1945 [1944]'),('barreindochine','1940 - 1945 [1941, 1942, 1943, 1944]'),('BatailleMediterranee','1940 - 1945 [1941, 1942, 1943, 1944]'),('Bataillerail','1940 - 1944 [1941, 1942, 1943]'),('Bataillesroute','1944 onwards'),('Bataillon','March 1944 - November 1944'),('Batterieerrante','1940'),('BelgianManor2Wars','First World War [1914, 1915, 1916, 1917, 1918]'),('BelgianManor2Wars','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Belleinsoumise','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('bellestunis','1856-1956'),('BeMaho','1942'),('bete','June 1944 to cSeptember 1945'),('bete','Note: Epilogue is dated: Coutainville, Cherbourg, Paris, automne 1945'),('Biblioquete','2021'),('Bicyclettebleue','September 1939 - Autumn 1942 [1940, 1941]'),('Bienveillantes','Mainly 1942 - 1945 [1943, 1944]'),('Bldbranques','June 1940'),('Bleusurpeau','Present day'),('Bleusurpeau','War years'),('Blockhaus','1944 - 1950 [1945, 1946, 1947, 1948, 1949]'),('Bonbeurre','June 1940 - Summer 1950 [1940s]'),('Bonheurnazi','1920s - 1940s [1930s]'),('Bonheurnazi','1971 - 1972'),('Bonheuroccas','1939'),('Bonheurogres','Period contemporary to publication [1988]'),('Bonneaffaire','1945 - 1946'),('Bonnesmauvaises','1930s'),('Bonnesmauvaises','1940-1944'),('Boubousoldat','1942 - 1945 [1943, 1944]'),('BoucherGuelma','2005'),('BoucherGuelma','May 1945'),('BoucherGuelma','Winter 1944/1945'),('Boulevardperiph','1942'),('Boulevardperiph','1943'),('Boulevardperiph','1944'),('Boulevardperiph','1980'),('boulevardsceinture','1930s'),('boulevardsceinture','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Bouquet','May 1942 - November 1942'),('brulure','defeat, occupation'),('Bunker','1994'),('Cageombres','Post-war years'),('Cageombres','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Camaradesmorts','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('CampagneItalie','1938 - 1940 [1939]'),('Campthiaroye','Autumn 1944 - Winter 1944'),('Carcasse','1943 - 1945 [1944]'),('Carnetscaptif','1943 - 1945 [1944]'),('Carnetsderoute','1939 - 1941 [1940]'),('CarnetsGoumier','February 1945 - April 1945 [March 1945]'),('Carrefourenfantsperdus','August 1940-'),('Cartonjaune','1936-1942'),('Cellule209','1944'),('Centurions','1954 - 1959 [1955, 1956, 1957, 1958]'),('Cequefemmeveut','1930s'),('Cequefemmeveut','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Cerfsvolants','1934 - 1945 (mainly 1942 - 1944) [1935, 1936, 1937, 1938, 1939, 1940, 1941, 1943]'),('Cestenhiver','1944 - 1945'),('Cettedroleguerre','August 1939 - June 1940'),('Ceuxquinedormaientpas','1944 - 1946 [1945]'),('Ceuxvivent','1940 - 1945 [1941, 1942, 1943, 1944]'),('Champion','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('ChansonHannah','August 1940 - July 1942 [1941]'),('Chantcimes','September 1939 - December 1946 [1940, 1941, 1942, 1943, 1944, 1945]'),('Chantherissons','1942 - 1945 [1943, 1944]'),('Chaquehomme','August 1939 - 1944 [1940, 1941, 1942, 1493]'),('Chassecourre','1940 - 1944 [1941, 1942, 1943]'),('Chasseurscamion','July 1944'),('Chasseurzero','Post-war period'),('Chasseurzero','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Chateauautre','1945 - 1950/51, 1956 (criticism of French policy in Suez)'),('Cheminecoliers','1942-43'),('ChevalBachMa','February 1945'),('Chienslions','15-18 June 1940'),('Chienslions','19-21 June 1943'),('Chienslouves','Wartime and present'),('Chroniqueguerreperdue','1940'),('Chroniquelorraine','1940 - 1944'),('ChuteBarcelone','1939 - 1942 [1940, 1941]'),('Cinqhommes','1930s - 1940s'),('Clairiere','Summer 1942'),('ClanOstendais','June 1940'),('Cliente','1944]'),('Cliente','2000 Period contemporary to publication (not specified)'),('Cliente','Late war years [1943'),('Clotilde','1940 - 1942 [1941]'),('Coinazur','November 1940'),('coldie','1935'),('coldie','1940'),('coldie','1944'),('Collabos','Occupation'),('Collineoubliee','Late 1930s - 1944'),('Colonnenuees','1940'),('Combattantsnuit','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Commando','1945'),('Commefini','1940'),('Commescorpion','1939-'),('Commeunverger','Postwar'),('Complainteoubliee','Period contemporary to publication'),('Condamne','1943'),('Conquetedesert','February - March 1941'),('Corderaide','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Corpsnoir','June 1944 - August 1944 [July 1944]'),('Cotentincolmar','1940 - 1945 [1941, 1942, 1943, 1944]'),('Courir','1940 - 1970s [1940s, 1950s, 1960s]'),('couronne','1939'),('couronne','1940'),('Courtepaille','01/01/1942-31/12/1942'),('Crevassemaquisards','1974'),('Crevassemaquisards','June 1944'),('Creve','1944'),('Criprofondeurs','1940 - 1948 [1941, 1942, 1943, 1944, 1945, 1946, 1947]'),('Croixmer','August 1944'),('CroquisLondresguerre','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Dahlias','Occupation 1940-1944 and post-war'),('DameIzieu','1943-1944'),('DameIzieu','1987'),('DameIzieu','1994'),('Decombres','1938 - 1940 [1939]'),('Dejeunerssoleil','1940 - 1942 [1941]'),('Delirelogique','Mainly 1943-44'),('demonsaube','1942 (France)'),('demonsaube','1943 (Tunisia)'),('demonsaube','1944 (Tunisia)'),('DernierAuvernois','1941'),('DernierAuvernois','May 1940'),('DernierAuvernois','onwards'),('Derniereballeperdue','1933-1996'),('Dernierfrere','1943 - 1945'),('Dernierfrere','Period contemporary to publication 1973'),('Dernierjournazi','April 1945 (one day)'),('DernierMetro','1942'),('derniervillage','Winter 1939 - Summer 1940'),('Deroute','1939-1940'),('Deserteurs','1944'),('Detourprenfer','July 1945'),('Deuilen24','May 1940'),('deuxfoislememe','1944'),('Diableritencore','January 1944 - May 1945'),('DickVercors','11th November 1942 - September 1944 [1943]'),('Didineautres','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Dimancheinoubliable','1968 and 1940s onwards'),('Dissidence1','September 1939'),('Dissidences','1943'),('DoraB','1940 - 1943 (Period of Dora Bruder\'s life which is imagined) [1941, 1942]'),('DoraB','1967 (reminiscences of author\'s own youth)'),('DoraB','1996 (period in which research for the book was undertaken)'),('dormeurdebout','1937'),('dormeurdebout','1945'),('dormeurdebout','1947'),('Douleurvolume','April 1945-Summer 1946'),('DrameVichy','June 1940 - ?'),('Droledejeu','March 1944 - April 1944'),('duneenfance','1940, 1941, 1942, 1943, 1944'),('Duneprison','1940 - 1944 [1941, 1942, 1943]'),('EchellesLevant','1910s - 1976 [1920s, 1930s, 1940s, 1950s, 1960s, 1970, 1971, 1972, 1973, 1974, 1975]'),('Eclairsombre','War years [1940, 1941, 1942, 1943, 1944]'),('EcritsdeMarseille','1940 - 1942 [1941]'),('Egares','Spring/ Summer 1940'),('Ellipseloup','Period contemporary to publicaton [2004]'),('Ellipseloup','September 1940 - March 1942 [1941]'),('Empreinteange','1957- 1964 [1958, 1959, 1960, 1961, 1962, 1963]'),('Empreinteange','1990s'),('Enavant','1900 - 1968 [1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960, 1961, 1962, 1963, 1964, 1965, 1966, 1967]'),('Encommando','1945'),('Enfantcache','Mid 1990s'),('Enfantcache','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('enfantetsoldat','1939 - 1947 [1940, 1941, 1942, 1943, 1944, 1945, 1946]'),('EnfantNoe','1942'),('Enfantsliberte','1943 - 1944'),('Enfantsous','1942'),('Enfantspays','May 1940'),('enmourir','1944'),('Entredeuxguerres','1877 - 1940 [1878, 1879, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s]'),('Enverscontretout','1940 - 1944 [1941, 1942, 1943]'),('envoye','1944'),('envoye','1945'),('epee','1940'),('Especehumaine','1944'),('esthermazel','1941 - present [2000]'),('etatmajor','1939 - 1940'),('Etechatte','1939 - 1954 [1940s, 1950, 1951, 1952, 1953]'),('Etoileautres','End of 1930s - 1962 [1940s, 1950s, 1960, 1961]'),('Etoilenoire','December 1943'),('Etoilevesper','1920 - 1930s [1920s]'),('Etoilevesper','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Etpourtant','1930s'),('Etpourtant','1940 - 1945 [1941, 1942, 1943, 1944]'),('etsiunreve','1930s to 1950s'),('Evasion44','1944'),('Eveils','Pre-war years'),('Eveils','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Exiljoconde','1942'),('exode','1940'),('Faireface','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Fantomebarrage','August 1944'),('Fantomebarrage','November 1996'),('FascistesnazisProvence','1942 - 1944 [1943]'),('Fatale','Period contemporary to publication [1977]'),('Fautdesobeir','Period contemporary to publication [2000]'),('Fautdesobeir','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Femmeallemand','Post-war'),('femmearnaud','1920 s to 1950 s'),('Femmeperdue','1936 - 1940 [1937, 1938, 1939]'),('Femmesdelombre','1939 - 1945 [1940, 1941, 1942, 1943, 1944]'),('Feuilleauvent','1940 onwards'),('FeuilletsHypnos','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Fifiroi','June 1944 - 1947 [1945, 1946]'),('Figurants','1980s'),('Figurants','1990s'),('Fillecarillonneur','January 1944 - July 1944'),('Fillepuisateur','1939 - 1940'),('Flammes','01/01/1943 - 31/12/1945'),('Fleuvecombelle','1931 - 1996 [1932, 1933, 1934, 1935, 1936, 1937, 1938, 1939, 1940s, 1950s, 1960s, 1970s, 1980s, 1990, 1991, 1992, 1993, 1994, 1995]'),('Flictourmente','1937 - 1944 [1938, 1939, 1940, 1941, 1942, 1943]'),('Fontainesmort','1940'),('Fortressesacrifiee','1939 - 1944 [1940, 1941, 1942, 1943]'),('FrancaiseFrancais','1900 - 1980 (1939 - 1945) [1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s]'),('Frontstalag','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('fruitshiver','October 1943'),('Furenthommes','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Furioso','1940'),('FXEEUARFR','1985'),('FXEEUARFR','September 1944'),('Gang','1943 - 1950 [1944, 1945, 1946, 1947, 1948, 1949]'),('Gareencheres','Period contemporary to publication [2000]'),('Genspays','Autumn 1941'),('gibier','1920s to immediate postwar period'),('Godillotslourds','1939-1940'),('goumiersaid','1917'),('goumiersaid','Late 1940s'),('Grandcarnival','01/11/1942 - 30/11/1942'),('Grandeffarement','June 1940'),('Grandesvacances','1939-1945'),('GrandeTriche','1940'),('grandperetombeciel','Period contemporary to publication [1996]'),('grandsmalheurs','1914'),('grandsmalheurs','1917'),('grandsmalheurs','1919'),('grandsmalheurs','April 2003'),('grandsmalheurs','June 2002'),('grandsmalheurs','May 1923'),('grandsmalheurs','November 1933'),('grandsmalheurs','September 1939'),('grandsmalheurs','Spring 1934'),('grandsmalheurs','Summer 1944'),('grandsmalheurs','Summer 1964'),('Grandvestiaire','1945 - 1947 [1946]'),('Guadeloupe1943','December 1942 - May 1943'),('Guerrecivile','1934-1944'),('Guerrelasse','May 1942 - November 1942'),('Guerreneuf','1939-43'),('guetteuse','Period contemporary to publication [1993]'),('guetteuse','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('guichets','1942'),('guichets','c1958'),('Gurs','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Hans','1945'),('Harmattan','1939'),('Hauteursville','1942 (? - Before liberation of North Africa)'),('Herosdiscret','1939 - 1947 [1940, 1941, 1942, 1943, 1944, 1945, 1946]'),('HeurestragiquesEmpire','1938 - 1941 [1939, 1940]'),('Hidden','1934 - 1945 [1944]'),('Histoirepetitnegre','1943 - 1945 [1944]'),('Hommebarbele','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Honteappartient','February 1943'),('Honteappartient','Late 1960s'),('HotelRetour','1944-1945'),('IciLondres','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Idyllequartier','May 1945'),('Idyllequartier','Spring 1943'),('Idyllequartier','Summer 1942'),('Idyllequartier','Summer 1944'),('ilscroyaienteternite','October 1942 - 1954 [1943, 1944, 1945, 1946, 1947, 1948, 1949, 1950, 1951, 1952, 1953]'),('Indigenes','1943 - 1945 [1944]'),('Indigenes','2004 (Period contemporary to production)'),('Ingrid','1943'),('innocents','1945'),('instantmamort','July 1944'),('InterludeSpain','November 1941 - July 1942,'),('Itinerairesalaudordinaire','1942 - 1981 (especially 1942 - 1946) [1943, 1944, 1945, 1946, 1947, 1948, 1949, 1950s, 1960s, 1970s, 1980]'),('Jairepondu','1940 - 1947 [1941, 1942, 1943, 1944, 1945, 1946]'),('jeandesautres','1930 onwards'),('jeandesautres','1943'),('jeandesautres','1944'),('jeandesautres','postwar'),('Jeanne','1930s'),('Jeanne','1940s'),('Jefus','1940-45'),('Jenetaispasprisonnier','1940 - 1942 [1941]'),('jetons','1942'),('Jetueil','1945 - 1947 [1946]'),('Jeudisaint','April 1944'),('Jeudisaint','Period contemporary to publication [2007]'),('Jeunehommeseul','1923'),('Jeunehommeseul','1943'),('Jeuxinter','1940'),('Jollec','1940 - 1945 [1941, 1942, 1943, 1944]'),('jourAlbertEinstein','Period contemporary to publication'),('jourAlbertEinstein','War years'),('Jourfinitplus','November 1942 - Summer 1944 [1943]'),('Journal19421944','1942 - 1944 [1943]'),('Journalannees','June 1940 - August 1944 [1941, 1942, 1943]'),('Journalaquatre','May 1940 - January 1945 [1941, 1942, 1943, 1944]'),('Journalcaptivite','1942-1943'),('Journalcollabo','January 1943 - January 1944'),('Journaldessine','1940-1941'),('Journalexile','1940 - 1942 [1941]'),('Journaltresintime','1939 - 1941 [1940]'),('Journeesdaout','August 1944'),('Joursnotremort','1943 - 1945 [1944]'),('Juliettecerisiers','1905 - 1983 [1906, 1907, 1908, 1909, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980, 1981, 1982]'),('Juliettecerisiers','1935 - 1954 [1936, 1937, 1938, 1939, 1940s, 1950, 1951, 1952, 1953]'),('JusquaBergen','1940 - 1945 [1941, 1942, 1943, 1944]'),('Jusqumortensuive','1944'),('Jusqumortensuive','Period contemporary to publication [2008]'),('Justeapresguerre','Summer 1948'),('Justepourplaisir','1938 - 1987 [1939, 1940s, 1950s, 1960s, 1970s, 1980, 1981, 1982, 1983, 1984, 1985, 1986]'),('justescauses','1944 - 1951 [1945, 1946, 1947, 1948, 1949, 1950]'),('KZ','April 1984'),('KZ','Spring 1944'),('LacombeLucien','Summer 1944'),('Ladenonciation','17th June 1940 - 12th December 1940'),('lagamelle1','1940'),('Laissezpasser','March 1942'),('Laissezpasser','March 1943'),('Laissezpasser','November 1943'),('laisseztomber','1942'),('laisseztomber','1943'),('lajeunefemme','June 1944'),('Lauriersdulac','1936 - 1954 [1937, 1938, 1939, 1940s, 1950, 1951, 1952, 1953]'),('Lebouc','1938 - 1944 and beyond [1939, 1940, 1941, 1942, 1943]'),('lecourscinquante','1941'),('Legout','1944 - 1946 [1945]'),('leipzig','1954'),('LeonM','War years [1940-1944] (not specified), especially period leading up to the Liberation'),('Lepre','1944'),('Lepre','1957'),('lepuits','1942'),('lepuits','writing dated 1942-1943'),('LesCarnets','1940 - 1943 [1941, 1942]'),('LesChaleursaout','1944'),('lesforets','1942 - 1946 [1943, 1944, 1945]'),('Lesmaudru','Summer 1940'),('Lettreotage','Pre-war'),('Lettreotage','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('liberationoiseaux','June 1944 - April 1946 [1945]'),('Lignesfaille','1944 - 1945'),('Lignesfaille','1962'),('Lignesfaille','1982'),('Lignesfaille','2004'),('Linvitee','1939-1940'),('Livrecolere','1941-50'),('Livretfamille','Period contemporary to publication [1977]'),('Livretfamille','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Lonekhussard','1920s'),('Lonekhussard','1930s'),('Lonekhussard','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Louise','1939 - 1945 [1940, 1941, 1942, 1943, 1944]'),('Louise','1954'),('Louise','Present [2009]'),('LourdSilence','1990s'),('LourdSilence','October 1943 - September 1944'),('LouveVichy','1930s'),('LouveVichy','1940s'),('Luneomaha','1964'),('Luneomaha','June 1944'),('Lutetia','1930s - 1945 [1940, 1941, 1942, 1943, 1944]'),('Madelon','June 1939 - October 1941 [1940]'),('Magnus','1943 - 1984 [1944, 1945, 1946, 1947, 1948, 1949, 1950s, 1960s, 1970s, 1980, 1981, 1982, 1983]'),('maison4vents','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Maisonmortes','1942 - 1944 [1943]'),('Maisonoccupee','July 1940 - ?'),('Maisonshantees','1950s'),('maisonvide','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Maldelicieux','July 1951'),('Maldelicieux','June 1940'),('Maldelicieux','November 1942'),('Maldelicieux','period contemporary to publication [2003]'),('Maldelicieux','Spring 1944'),('mallunes','Contemporary [1990s]'),('mandarins','post-war society 1944-1950'),('Manteaunoir','1943 - early 1990s [1944, 1945, 1946, 1947, 1948, 1949, 1950s, 1960s, 1970s, 1980s]'),('Marchaismalgremoi','1939'),('Marcheetoile','1865 - 1942 [1866, 1867, 1868, 1869, 1870s, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940, 1941]'),('Marechalnousvoila','1940 - 1944 [1941, 1942, 1943]'),('Mariette','1944 (beginning of the year)'),('Mauditblood','Mid 1980s'),('Mavie','1939 - 1944 [1940, 1941, 1942, 1943]'),('Max','1945, 1943'),('Medecinchars','1940'),('Memecielbleu','1939-1940'),('memefleuve','1943'),('memoirechacale','1958'),('memoirechacale','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Memoires','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Memoiresagentsecret','June 1940 - 1945 [1941, 1942, 1943, 1944]'),('MemoiresFrancais','1914 - 1948 [1915, 1916, 1917, 1918, 1919, 1920s, 1930s, 1940, 1941, 1942, 1943, 1944, 1945, 1946, 1947]'),('memoiretatouee','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Memorial','Present'),('MeresGlorieuses','May 1941'),('Mesenfants','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('metierseigneur','1939 - 1940/41?'),('Metiertisser','? - November 1942'),('Meurtresprmemoire','1940s'),('Meurtresprmemoire','1961'),('Meurtresprmemoire','1980'),('miroirsded','1930s'),('miroirsded','1940 - 1944 [1941, 1942, 1943]'),('miroirsded','postwar period'),('missak','1944'),('missak','1954'),('MitterrandVichy','December 1941 - 1945 [1942, 1943, 1944]'),('moisson40','June to August 1940'),('Monlieutenant','June 1940'),('MonsieurLeon','1942'),('MonsieurLeon','1948 Post-war'),('MonsieurP','1920s - 1940s [1930s]'),('MonsieurX','June 1944'),('montagnechacals','November 1942 - September 1945'),('mortdEric','1940 (first half of the year)'),('morthomme','1940'),('Mortmetier','1913'),('Mortmetier','1916'),('Mortmetier','1918'),('Mortmetier','1922'),('Mortmetier','1929'),('Mortmetier','1934'),('Mortmetier','1945'),('Mortnoubliepersonne','1987'),('Mortnoubliepersonne','March 1963'),('Mortnoubliepersonne','May 1944'),('Mortquilfaut','(main narrative)'),('Mortquilfaut','1941'),('Mortquilfaut','1943 (flashbacks)'),('Mortquilfaut','1944'),('Mortquilfaut','1945+'),('Mortquilfaut','post-war period (secondary narrative)'),('MortspourFrance','November 1939 - 1960 [1940s, 1950s]'),('Mots','1944'),('Murdestinee','1940 - 1969 [1940s, 1950s, 1960, 1961, 1962, 1963, 1964, 1965, 1966, 1967, 1968]'),('MursFresnes','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('MystereStAmbroise','1942'),('Nazismetro','1990s'),('Nedjma','1945'),('NegreAmiral','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('NegrePotemkine','1985'),('niagara','1946'),('Niceprmemoire','1939 - 1945 [1940, 1941, 1942, 1943, 1944]'),('Niceprmemoire','1980'),('Noirtango','June 1945 - 1947 [1946]'),('Nomcode','1980'),('Nonklara','July 1945 - September 1945'),('Nopassaran','Contemporary to publication'),('nosdeserts','1914-1918'),('nosdeserts','1920s'),('nosdeserts','1930s'),('nosdeserts','1940s'),('Nosfantastiques','1985'),('Nostalgiemaquis','1943'),('Notessudafricaines','1941 - 1944 [1942, 1943]'),('Notreapresguerre','1945 - 1954 [1946, 1947, 1948, 1949, 1950, 1951, 1952, 1953]'),('Nour','1723 (letters)'),('Nour','1940 - 1943 (flashback) [1941, 1942]'),('Nour','1947 (present of the narration)'),('Nousvoila','20th February 1973 - 2007 [1974, 1975, 1976, 1977, 1978, 1979, 1980s, 1990s, 2000, 2001, 2002, 2003, 2004, 2005, 2006]'),('Nouvelleprison','1943 - 1944'),('Nuit','1942 - 1945 [1943. 1944]'),('Nuitbrascasses','1936 - 2000 [1937, 1938, 1939, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s]'),('nuitetbrouill','1946'),('Nuitlongue','1940 - 1944 [1941, 1942, 1943]'),('nuitmerveilleuse','December 1940'),('Oeilauberge','1944'),('officiertradition','1945 - 1950s [1946, 1947, 1948, 1949]'),('okjoe','August 1944 - September 1944'),('OmahaCrimes','1944'),('OmahaCrimes','1964'),('OmahaCrimes','1975'),('Ombrepere','1940s'),('Ombrepere','1950s'),('Onziemeheure','1943 - 1945 (mainly) [1944]'),('OrdenerLabat','1942 - mid-1950s [1943, 1944, 1945, 1946, 1947, 1948, 1949]'),('Origineviolence','Present day [2009]'),('Origineviolence','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Orpailleurs','Early 1990s'),('Ouedcrue','1940 - 1941'),('Ouedcrue','1953 - 1954'),('Ouedcrue','1956'),('Ouedcrue','1958'),('Ouedcrue','1960'),('Ouedcrue','May 1945'),('Ouragan','June 1940'),('paillenoire','Christmas 1944'),('Parachutesmaquis','November 1943'),('Parcsauvage','1992'),('Parcsauvage','Summer 1942'),('Parisbrule','August 1944'),('Parisfenetre','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Parolesterrelarmes','Contemporary period [1996]'),('Parolesterrelarmes','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Partautre','1908 - 1970s [1909, 1010s, 1920s, 1930s, 1940s, 1950s, 1960s]'),('Partirontivresse','May 1943 - February 1944'),('Pasheros','1938 - 1958 [1939, 1940s, 1950s to 1957]'),('PasKaddish','July 1992'),('PasKaddish','Spring 1944'),('Passesupplementaire','1920s - 1940s [1930s]'),('passetablerase','1935-1939'),('passetablerase','Autumn 1972'),('passetablerase','October 1978'),('passetablerase','War years'),('Patriotes','1936 - 1945 [1937, 1938, 1939, 1940, 1941, 1942, 1943, 1944]'),('Patriotes','Present [2001]'),('PaulineAgentsecret','August 1942'),('PaulineAgentsecret','Late 1940s'),('Paysagecendres','1942 - 1950s [1943, 1944, 1945, 1946, 1947, 1948, 1949]'),('PCGeneral','1940 - 1945 [1941, 1942, 1943, 1944]'),('Peignenecaille','1939 - 1946 [1940, 1941, 1942, 1943, 1944, 1945]'),('PelotonLeclerc','1943 - 1945 [1944]'),('Penseresistance','Period contemporary to publication [1993]'),('Perceval','November 1941 - December 1944 [1942, 1943]'),('Perepetite','1944'),('Perilsroyaume','08/01/1947'),('Perruche','August 1939 - June 1943 [1940, 1941, 1942]'),('Petainiste','August 1945'),('Petitefille','1942'),('Petitefillesemaphore','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Petitgarcon','1940 - postwar [1941, 1942, 1943, 1944, 1945]'),('Petitgeneral','1940'),('Peurroute','June 1940'),('Piedsnus','1942'),('Piedsnus','Late 1930s'),('Piege','October 1940 to March 1941'),('pilotedeguerre','May 1940'),('Pionsechiquier','1940 - 1945 [1941, 1942, 1943, 1944]'),('Pitchipoi','1940s'),('Pitchipoi','1997'),('PlaceEtoile','1939, 1940-1944, 1945'),('Placerouge','1935'),('Placerouge','1939'),('Placerouge','1954'),('Placerouge','1958'),('Placerouge','April 1944'),('Placerouge','July 1946'),('Placerouge','June 1940'),('Plastiqueuse','June 1940 - May 1945 [1941, 1942, 1943, 1944]'),('Pluscalmevisage','1939-1940'),('Pontkwai','1942 -'),('PontsurLoire','16th June 1940 - 18th June 1940'),('Poulpes','1940-44'),('Premiercombat','14th June 1940 - 18th June 1940'),('premierepierre','Pre-war (1938-1939) - post-war [1945-1946]'),('prenomrepub','1935 - Present day [2007]'),('Presbyterebagnesnazis','1944-1945'),('Printempstragique','1940'),('Prisondeportation','May 1944 -'),('PrisonnierB','1944'),('Prisonnieremaquis','1944'),('PrisonnierP','1944'),('Prisonnierregard','1940 - 1945 [1941, 1942, 1943, 1944]'),('Prisonnierregard','1964'),('PrisonniersaNeufBrisach','January 1940 - January 1941'),('Prisonsjaponaises','1945'),('Prisonstragiques','1941 - 1945 [1942, 1943, 1944]'),('Projectionsprivees','Period contemporary to publication'),('Projectionsprivees','War years'),('PromeneurchampsMars','1940 - 1995 [1940s, 1950s, 1960s, 1970s, 1980s, 1990, 1991, 1992, 1993, 1994]'),('Promesseaube','1920s - 1940s [1930s]'),('pseudovaincu','1940 - 1944 [1941, 1942, 1943]'),('Psyshowpathe','Period contemporary to publication [1992]'),('Ptesnuits','February 1945'),('Quandlamer','1944'),('Quandlamer','1960'),('quandviendra','1964 - 1967 [1965, 1966]'),('Quatreans','1940 - 1944 [1941, 1942, 1943]'),('Quatrestalag','1940 - 1943 [1941, 1942]'),('quelquepartfront','12th October 1939 - 6th January 1940'),('Queos','Mid 1970s (period contemporary to publication [1976])'),('Quitouchecorps','30th July 1943 (from dawn of this day to the dawn of the next day)'),('Quoideneuf','1939 - 1945 (stories) [1941, 1941, 1942, 1943, 1944]'),('Quoideneuf','1945 - 1946'),('Quoideneuf','1981 - 1982'),('RadeauMeduse','1940-1941'),('RadioToulouse','June 1940'),('Rage','Present day [2002]'),('Rapaces','1944 - 1950 [1945, 1946, 1947, 1948, 1949]'),('Ravage','2052'),('Ravinesdevantjour','1950s'),('Ravinesdevantjour','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Rebellessoldats','1941 - 1946 [1942, 1943, 1944, 1945]'),('Refus','June 1940'),('Regardetoi','1944-45 and postwar'),('RegneBete','1939 - 1946 [1940, 1941, 1942, 1943, 1944, 1945]'),('reinedeuxempires','1941 - 1945 [1942, 1943, 1944]'),('Renaissante','1945'),('Rencontrehommes','1916 - 1950 [1917, 1918, 1919, 1920s, 1930s, 1940s]'),('rendezvousaube','1943'),('Represailles','August 1944 - October 1944'),('Reseauclandestin','October 1943 - October 1944'),('Resistanceordinaire','September 1939 - August 1944 [1940, 1941, 1942, 1943]'),('Resistant','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('resistantialisme','1920s'),('resistantialisme','1930s'),('resistantialisme','1940 - 1944 [1941, 1942, 1943]'),('ressusciteront','1944 - 1945'),('retourfront','1939-1940'),('Reveurcasque','1944 - 1948 [1945, 1946, 1947]'),('Ringmort','1930s'),('Ringmort','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('rireogre','1960s - 1990s [1970s, 1980s]'),('Ritournellefaim','1931 - Present day [2008]'),('Rivesirrawaddy','October 1942'),('Roiaulnes','1938 - 1945 [1939, 1940, 1941, 1942, 1943, 1944]'),('Romanrusse','1944'),('Romanrusse','Period contemporary to publication'),('Rougeblanc','Pre-war (1930 - 1939) and 1939 - 1944'),('Rouille','1940 - 1942 [1941]'),('Routerom','2003 Period contemporary to publication'),('Routerom','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('RueParis','1945'),('Sacdebilles','1941 - 1945 [1942, 1943, 1944]'),('Sacrificematin','1939 - 1944 [1940, 1941, 1942, 1943]'),('sacrilege','1936 - c.1945 [1937, 1938, 1939, 1940, 1941, 1942, 1943, 1944]'),('Saisonviolente','1940 - 1945 [1941, 1942, 1943, 1944]'),('Sakebrumes','2002'),('salaudsviedure','War years (not specified)'),('salido','September 1939'),('salido','Spring 1939 (flashback)'),('Samba','1920 - 1940 [1920s, 1930s]'),('sangaquarelle','1937'),('sangaquarelle','1939'),('sangaquarelle','1942'),('sangautres','late 1920s to \'1943'),('Sanglotsfete','1923 - Present day [1996]'),('Sanglotslongsviolons','Present day'),('Sanglotslongsviolons','War years'),('sappelaitsarah','1942'),('sappelaitsarah','2002'),('satraperouge','Contemporary period [1993]'),('Secret','1960s'),('Secret','War years'),('Selguerre','February 1944 - September 1944'),('senvatenguerre','1870'),('senvatenguerre','1918'),('senvatenguerre','1944'),('septjoursete','1943'),('septjoursexil','1943, 1944'),('Seulbutvictoire','1942 - 1944 [1943]'),('Seulennemi','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('siegfried','1930s to period of occupation of Germany [1945 onwards]'),('Silencemer','1940-1941'),('simplemot','1940'),('Sipetiteflamme','Period contemporary to publication 1995'),('Sipetiteflamme','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Socrate','1941'),('Soeuryeuxasie','1910s'),('Soeuryeuxasie','1920'),('Soeuryeuxasie','Summer 1940'),('Soldatfrancaoui','Spring 1945'),('Souriredieux','1941 - 1945 [1942, 1943, 1944]'),('sourisverte','1942 - Spring 1945 [1943, 1944]'),('Soutane','1942 - 1976 [1943, 1944, 1945, 1946, 1947, 1948, 1949, 1950s, 1960s, 1970, 1971, 1972, 1973, 1974, 1975]'),('SouvenirBerlin','1942'),('SouvenirBerlin','1990'),('Souvenirs','1940 - 1943 [1941, 1942]'),('Souvenirsdeportation','19th May 1944 - 3rd June 1945'),('Souvenirsexil','1918 - 1944 [1919, 1920s, 1930s, 1940, 1941, 1942, 1943]'),('Souvenirsguerre','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Souvenirsresistance','1940 - 1945 [1941, 1942, 1943, 1944]'),('Souvenirssolitude','1940 - 1943 [1941, 1942]'),('Spoliation','Period contemporary to publication 2000'),('Spoliation','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Sspaves','May 1968'),('Sspaves','Summer 1944'),('Statuesel','Late 1920s, 1930s, 1940s'),('Suitefrancaise','1940-41'),('Suitesabbat','1940 - 1942 [1941]'),('Surlenjeu','c 1943'),('Surrivesrien','1910 - 1947 [1910s, 1920s, 1930s, 1940, 1941, 1942, 1943, 1944, 1945, 1946]'),('Tarendol','1943'),('Taxitobrouk','1940'),('Taxitobrouk','October 1942 (main action)'),('tempsangoisse','1943'),('Tempscatastrophes','1940'),('Tempscerises','June 1944 - April 1945'),('Tempsdesassassins','March 1942 - September 1942'),('Tempshonte','1940 - 1944 [1941, 1942, 1943]'),('Tempsillusions','1940 - 1942 [1941]'),('Tempspaille','1930s - 1940s'),('Tempsrencontres','1938 - 1944 [1939, 1940, 1941, 1942, 1943]'),('TerMilicien','August 1944'),('Theorie1','September 1979'),('Thiaroyeterrerouge','1940'),('Thiaroyeterrerouge','November 1944'),('TirailleursSenegalais','May 1940 - June 1940'),('TirailleurVosges','1940'),('Tombesperdues','1940'),('Tombesperdues','1956'),('Tombesperdues','Spring 1942 - Summer 1942'),('Tombesperdues','Spring 1946'),('Tonkinoise','1942'),('Tousensemble','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Train','Summer 1940'),('Trainbleunoir','1993'),('Trainbleunoir','January 1943'),('Trainoublies','Period contemporary to publication [2003]'),('Trainsoir','1970s'),('Trainsoir','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('TraitreB','1945'),('TraitreB','Occupation [1940 - 1944]'),('TraitreJ','1942 - 1965 [1943, 1944, 1945, 1946, 1947, 1948, 1949, 1950s, 1960, 1961, 1962, 1963, 1964]'),('Traversee','March 1941'),('Traversgrandegrille','May 1940 - July 1945'),('Treize','1940-1944'),('Treize','Present day [1997]'),('Troncveuve','Periods contemporary to publication [2000s]'),('Tropiques','1941-1943'),('Tsiganes','1940 - 1945 [1941, 1942, 1943, 1944]'),('Tulipe','March 1946'),('Tunisie','1942-1943'),('UnefoisMJoseph','1905 - 1965 [1906, 1907, 1908, 1909, 1910s, 1920s, 1930s, 1940s, 1950s, 1960, 1961, 1962, 1963, 1964]'),('UnefoisVolnoir','June 1940 - 1942 [1941]'),('unemort','1940'),('Uneombre','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('ungrison','1945'),('UnpetitParisien','1941 - 1945 [1942, 1943, 1944]'),('Uranus','1944 - 1945'),('Valisenoire','1940'),('Ventsdeterre','October 1942 - 1944 [1943]'),('Vercorscombat','September 1943 - July 1944'),('VerfugbarEnfers','1943 - 1945 [1944]'),('vertemoisson','Autumn 1943 - 1944'),('Vichydancing','1930s'),('Vichydancing','1940s'),('Vichydancing','1956'),('viescelerate','1904-'),('Villagedelallemand','1994'),('Villageheureallemande','May and June 1944, period contemporary to when novel was written'),('VillaJasmin','1927 - 1966 [1928, 1929, 1930s, 1940s, 1950s, 1960, 1961, 1962, 1963, 1964, 1965]'),('villesans','2nd October 1942 - 17th October 1942'),('violences','pre-war and 1940'),('VoixdelaMuette','1942 - Present Day [2003]'),('Volontaires','1941 - 1944 [1942, 1943]'),('voulaitvoirmer','October 1939 - Summer 1940'),('Voyagenoces','late 1960s'),('Voyagenoces','Period contemporary to publication [1990]'),('Voyagenoces','War years [1939, 1940, 1941, 1942, 1943, 1944, 1945]'),('Voyageurimprudent','1939 - 1940, 1942, distant future and past centuries'),('Vraisdurs','1945 - Present day [2008]'),('Wagon','JUly 1944'),('WendZudycoote','1940'),('Womensbarracks','1940-1944'),('Zaide','Period contemporary to publication [1988]'); /*!40000 ALTER TABLE `compositions_periods` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `compositions_thematic_keywords` -- DROP TABLE IF EXISTS `compositions_thematic_keywords`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `compositions_thematic_keywords` ( `comp_code` varchar(50) NOT NULL, `keyword` varchar(100) NOT NULL, PRIMARY KEY (`comp_code`,`keyword`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `compositions_thematic_keywords` -- LOCK TABLES `compositions_thematic_keywords` WRITE; /*!40000 ALTER TABLE `compositions_thematic_keywords` DISABLE KEYS */; INSERT INTO `compositions_thematic_keywords` VALUES ('101avhenrimartin','Demarcation Line'),('101avhenrimartin','Relations with Germans/ German Soldiers'),('101avhenrimartin','Resistance'),('101avhenrimartin','The Everyday and Society'),('120ruegare','Crime'),('120ruegare','Occupation in the Empire'),('120ruegare','Police'),('120ruegare','Prisoners of War'),('120ruegare','The Everyday and Society'),('2actes','Colonies/ Empire'),('2actes','Forces Françaises Libres (FFL)'),('2actes','Indochinese War of Independence (1946-1954)'),('2actes','Japanese Occupation in Indochina'),('2ansOranienburg','American Army'),('2ansOranienburg','Prisoners of War'),('2ansOranienburg','Schutzstaffel (SS)'),('3chiensmorts','Crime'),('3chiensmorts','Milice (as Part of Vichy Regime)'),('3chiensmorts','Revenge'),('3chiensmorts','Rural'),('3chiensmorts','Veterans'),('3emeevasion','Germany'),('3emeevasion','Prisoners of War'),('3emeevasion','Theatre'),('40ansjournalisme','Anti-Semitism'),('40ansjournalisme','Freemasons'),('40ansjournalisme','Imprisonment'),('40ansjournalisme','Journalism/ Journalist'),('40ansjournalisme','Liberation (of France)'),('40ansjournalisme','World War One'),('4anneesaupouvoir','Post-War Epuration'),('4anneesaupouvoir','Vichy Government'),('4ansdanslombre','Resistance'),('50otages','De Gaulle/ Support for De Gaulle'),('50otages','Executions/ Firing squad'),('50otages','Heroism'),('50otages','Hostages/ Reprisals'),('50otages','Resistance'),('5ansResistance','Gestapo'),('5ansResistance','Politics and Ideologies'),('5ansResistance','Resistance'),('6moisFresnes','British Army'),('6moisFresnes','Imprisonment'),('6moisFresnes','Resistance'),('8moissante','Foreigner'),('8moissante','Imprisonment'),('A26','Family/ Stages of Life'),('A26','Les Tondues'),('AbbeC','Betrayal'),('AbbeC','Family/ Stages of Life'),('AbbeC','Religion and Belief'),('AbbeC','Sexuality'),('Accentmonpere','Exodus'),('Accentmonpere','Historical Research/ Historical Investigation'),('Accentmonpere','Malgré-Nous'),('Accentmonpere','Memory/ Remembrance'),('Accentmonpere','Search for Family Identity'),('Accentmonpere','World War One'),('Acide','Attitudes, Behaviour, Choices, Emotions'),('Acide','Concentration and Extermination Camps'),('Acide','Post-War Society'),('Actualitesfr','Attitudes, Behaviour, Choices, Emotions'),('Actualitesfr','Cultural/ Intellectual Collaboration'),('Actualitesfr','Epuration (during the Liberation)'),('Actualitesfr','Post-War Trials'),('Adieuauroi','Colonies/ Empire'),('Adieuauroi','Japanese Occupation in Indochina'),('Adieuauroi','Resistance'),('Adieucamarades','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Adieucamarades','Franc-Tireurs et Partisans (FTP)'),('Adieucamarades','Hostages/ Reprisals'),('Adieucamarades','Post-War Politics'),('Adieucamarades','Post-War Trials'),('Adieucamarades','Resistance'),('Adieufemme','Allied Bombing of Germany'),('Adieufemme','Bombings'),('Adieufemme','Suffering'),('Adolescencetemps','Adolescence'),('Adolescencetemps','Vichy Youth Policy'),('aerodrome','Black Market'),('aerodrome','Class'),('aerodrome','Collaboration'),('aerodrome','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('aerodrome','Local Politics/ Regional Politics'),('aerodrome','Post-War Politics'),('aerodrome','Post-War Society'),('aerodrome','Profiteering'),('aerodrome','Resistance'),('aerodrome','Rural'),('aerodrome','Spanish Civil War'),('aerodrome','World War One'),('Affairefemmes','Femininity'),('Affairefemmes','Prisoners of War'),('Affairefemmes','The Everyday and Society'),('AffairePeiper','Far-Right'),('AffairePeiper','Massacre'),('AffairePeiper','Post-War Politics'),('AffairePeiper','Schutzstaffel (SS)'),('AgonieScharnhorst','Naval'),('ainsiexiles','Deportation'),('ainsiexiles','Post-War Re-Adaptation to Daily Life'),('ainsiexiles','Remorse'),('AlbertCapitales','Femininity'),('AlbertCapitales','Gestapo'),('AlbertCapitales','Liberation (of France)'),('AlbertCapitales','Resistance'),('AlbertCapitales','Revenge'),('AlbertCapitales','Torture'),('Allemande','Adolescence'),('Allemande','The Everyday and Society'),('Aluminium','Class'),('Aluminium','Collaboration'),('Aluminium','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Aluminium','Denunciations/ Blackmail'),('Aluminium','Epuration (during the Liberation)'),('Aluminium','GIs'),('Aluminium','Resistance'),('Aluminium','Secrets'),('Aluminium','Work'),('Aluminium','WWI Veterans'),('Amantsdavignon','Class'),('Amantsdavignon','Courage'),('Amantsdavignon','Love'),('Amantsdavignon','Rationing/ Food shortages'),('Amantsdavignon','Resistance'),('Amantsdavignon','Rural'),('Amantsdavignon','The Everyday and Society'),('Amantsdavignon','Urban'),('Amantsdavignon','Women'),('Amepreteeoiseaux','Colonies/ Empire'),('Amepreteeoiseaux','Forces Françaises Libres (FFL)'),('Amepreteeoiseaux','Memory/ Remembrance'),('Amepreteeoiseaux','Racism'),('Amerevictoire','Betrayal'),('Amerevictoire','British Army'),('Amerevictoire','Sexuality'),('Amipere','Attitudes, Behaviour, Choices, Emotions'),('Amipere','Cultural/ Intellectual Collaboration'),('Amipere','Journalism/ Journalist'),('Amipere','Relationships between Generations'),('Amisitutombes','Clandestinity'),('Amisitutombes','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Amisitutombes','Franc-Tireurs et Partisans (FTP)'),('Amisitutombes','Hostages/ Reprisals'),('Amisitutombes','Imprisonment'),('Amisitutombes','Police'),('Amisitutombes','Resistance'),('Amitraitre','Crime'),('Amitraitre','Criminal Collaboration'),('Amitraitre','Double Agent'),('Amitraitre','French Gestapo'),('Amitraitre','Gestapo'),('Amitraitre','Post-War Epuration'),('Amitraitre','Post-War Trials'),('Amourallemand','Allied Occupation of Germany'),('Amourallemand','Concentration and Extermination Camps'),('Amourallemand','Femininity'),('Amourallemand','German Soldier'),('Amourallemand','Guilt & Shame'),('Amourallemand','Nazism'),('Amourallemand','Sexuality'),('Amoursansresistance','Anti-Semitism'),('Amoursansresistance','Collaboration'),('Amoursansresistance','Culture'),('Amoursansresistance','Family/ Stages of Life'),('Amoursansresistance','German Culture'),('Amoursansresistance','Germans'),('Amoursansresistance','Jews/ Jewish Experience'),('Amoursansresistance','Language'),('Amoursansresistance','Resistance'),('Amoursansresistance','Secrets'),('Amoursansresistance','Sexuality'),('Amoursdissidentes','Collaboration'),('Amoursdissidentes','Friendship'),('Amoursdissidentes','Germans'),('Amoursdissidentes','Homosexuality'),('Amoursdissidentes','Resistance'),('Amoursdissidentes','Romantic Intrigue'),('Amourtempete','Anti-Semitism'),('Amourtempete','Choice'),('Amourtempete','Deportation'),('Amourtempete','Family/ Stages of Life'),('Amourtempete','Jews/ Jewish Experience'),('Amourtempete','Love'),('Amourtempete','Occupation in the Empire'),('Amourtempete','Resistance'),('Amourtempete','Torture'),('Amourtempete','Vichy Government'),('Amourtempete','Vichy Régime'),('Andromede','Forces Françaises de l\'Intérieur (FFI)'),('Andromede','Friendship'),('Andromede','Les Tondues'),('Andromede','Liberation (of France)'),('Andromede','Love'),('Andromede','Power'),('Andromede','Prostitution'),('Andromede','Psychology'),('Andromede','Rationing/ Food shortages'),('Andromede','Resistance'),('Andromede','Sexual act'),('Andromede','Sexual Relations with Germans/ German Soldiers'),('Andromede','Sexuality'),('Andromede','The Everyday and Society'),('Andromede','Women'),('Angenuit','Fighting'),('Angenuit','Friendship'),('Angenuit','Love'),('Angenuit','Phoney-War/ Invasion of France (Spring 1940)'),('Angenuit','Prisoners of War'),('Ankoulevetoi','American Army'),('Ankoulevetoi','Liberation (of France)'),('Anneesdoubles','Adolescence'),('Anneesdoubles','Attitudes, Behaviour, Choices, Emotions'),('Anneesdoubles','The Everyday and Society'),('Antanrobe','Colonial Soldiers'),('Antanrobe','Colonies/ Empire'),('Antanrobe','Racism'),('Antanrobe','Rape'),('Antanrobe','Rationing/ Food shortages'),('Antanrobe','World War One'),('antigone','Heroism'),('antigone','Resistance'),('antigone','Vichy Régime'),('Antiroir','Imprisonment'),('Antiroir','Mobilisation'),('Antiroir','Prisoners of War'),('Antizyklonatroces','Far-Right'),('Antizyklonatroces','Parti Populaire Français (PPF)'),('Antizyklonatroces','Waffen SS'),('Appelaitchatte','Abwehr'),('Appelaitchatte','Betrayal'),('Appelaitchatte','Double Agent'),('Appelaitchatte','Post-War'),('Appelaitchatte','Resistance Networks'),('Appelaitchatte','Sexuality'),('Appelaitchatte','Testimony'),('Appelbled','Colonies/ Empire'),('Apres4ansoccupation','Collaboration'),('Apres4ansoccupation','Deportation'),('Apres4ansoccupation','Imprisonment'),('Apres4ansoccupation','Post-War Epuration'),('Apres4ansoccupation','Resistance'),('Aprespluie','Crime'),('Aprespluie','Post-War Society'),('ArbreGoethe','Concentration and Extermination Camps'),('ArbreGoethe','Deportation'),('ArbreGoethe','Prisoners of War'),('ArbreGoethe','Resistance'),('Argentvif','Historical Research/ Historical Investigation'),('Argentvif','Mobilisation'),('Armeeombres','Betrayal'),('Armeeombres','Forces Françaises Libres (FFL)'),('Armeeombres','Gestapo'),('Armeeombres','Heroism'),('Armeeombres','Loyalty'),('Armeeombres','Resistance'),('Armeeombres','Vichy Régime'),('Armeesecrete','Resistance'),('Armeesecrete','Resistance Networks'),('Armeesecretebasalpine','Resistance'),('armenien','Class'),('armenien','Foreigner'),('armenien','Immigrant'),('armenien','Rafles'),('Armesdelanuit','Deportation'),('Armesdelanuit','Post-War Re-Adaptation to Daily Life'),('Armesdelanuit','Resistance'),('Arrestation','Germans'),('Arrestation','Resistance'),('Arrestation','Women'),('Artbrut','Mental Health'),('ArthurManille','American Army'),('Assassinfrere','American Army'),('Assassinfrere','Crime'),('Assassinfrere','Forces Françaises de l\'Intérieur (FFI)'),('Atelierphoto','Adolescence'),('Atelierphoto','Choice'),('Atelierphoto','Collaboration'),('Atelierphoto','Family/ Stages of Life'),('Atelierphoto','Post-War Epuration'),('Atelierphoto','Resistance'),('Atelierphoto','Service du Travail Obligatoire (STO)'),('Atelierphoto','Sexual Identity'),('Atelierphoto','Sexuality'),('Atelierphoto','The Everyday and Society'),('AttendantEliane','Colonies/ Empire'),('AttendantEliane','Deportation'),('AttendantEliane','Family/ Stages of Life'),('AttendantEliane','Jews/ Jewish Experience'),('AttendantEliane','Rafles'),('Aubeafricaine','Colonial Soldiers'),('Aubeafricaine','Heroism'),('Aubeafricaine','Independence Movements'),('Aubeafricaine','Massacre'),('Aunom','Amnesty'),('Aunom','Collaboration'),('Aunom','Gestapo'),('Aunom','Heroism'),('Aunom','Imprisonment'),('Aunom','Suffering'),('Aupayslimousi','Rural'),('Aupayslimousi','The Everyday and Society'),('Aurelien','Attitudes, Behaviour, Choices, Emotions'),('Aurelien','Courage'),('Aurelien','Death'),('Aurelien','Defeat/ Débâcle/ Fall of France'),('Aurelien','Defeatism'),('Aurelien','French Army'),('Aurelien','German Occupation'),('Aurelien','Hatred'),('Aurelien','Love'),('Aurelien','Refugees (Internal)'),('Aurelien','Repression'),('Aurelien','Rural'),('Aurelien','Suffering'),('Aurelien','Vichy Régime'),('Aurelien','World War One'),('Aurelien','WWI Veterans'),('Aurevoirenfants','Childhood'),('Aurevoirenfants','Concentration and Extermination Camps'),('Aurevoirenfants','Deportation (of Jews)'),('Aurevoirenfants','Holocaust/ Shoah/ Genocide'),('Aurevoirenfants','Jews/ Jewish Experience'),('AuschwitzI','Death'),('AuschwitzI','Deportation'),('AuschwitzI','Gender'),('AuschwitzI','Political Deportees'),('AuschwitzI','Suffering'),('AuschwitzI','Trauma'),('AuschwitzII','Concentration and Extermination Camps'),('AuschwitzII','Death'),('AuschwitzII','Deportation'),('AuschwitzII','Political Deportees'),('AuschwitzII','Suffering'),('AuschwitzII','Trauma'),('AuschwitzIII','Concentration and Extermination Camps'),('AuschwitzIII','Deportation'),('AuschwitzIII','Gender'),('AuschwitzIII','Memory/ Remembrance'),('AuschwitzIII','Political Deportees'),('AuschwitzIII','Re-Adaptation to Daily Life on Return from the Camps'),('AuschwitzIII','Suffering'),('AuschwitzIII','Trauma'),('ausoleil','Liberation (of France)'),('ausoleil','Poches de l\'Atlantique'),('ausoleil','Post-War'),('ausoleil','Post-War Politics'),('ausoleil','Post-War Society'),('ausoleil','Resistance'),('Autre','Les Tondues'),('Autre','Love'),('Autre','Post-War Society'),('Autre','Prisoners of War'),('Autre','Relations with Germans/ German Soldiers'),('Autre','Religion and Belief'),('AutrefoisDiana','Collaboration'),('AutrefoisDiana','Italian Occupation'),('AutrefoisDiana','Relationships between Generations'),('AutrefoisDiana','Resistance'),('avantune','Adolescence'),('avantune','Family/ Stages of Life'),('Aventureambigue','Childhood'),('Aventureambigue','Colonies/ Empire'),('babyfoot','Adolescence'),('babyfoot','American Army'),('babyfoot','Black Market'),('babyfoot','Childhood'),('babyfoot','Liberation (of France)'),('bagages','Anti-Semitism'),('bagages','Ghosts/ Revenants'),('bagages','Holocaust/ Shoah/ Genocide'),('bagages','Jews/ Jewish Experience'),('bagages','Post-War Society'),('bagages','Re-Adaptation to Daily Life on Return from the Camps'),('bagages','Suffering'),('BagneAurigny','Deportation'),('BagneAurigny','Internment'),('BagneAurigny','Resistance'),('Balconenforet','Friendship'),('Balconenforet','Love'),('Balconenforet','Mobilisation'),('Balconenforet','Phoney-War/ Invasion of France (Spring 1940)'),('Balconenforet','Spirituality'),('Balconhiroshima','Bombing of Hiroshima/ Nagasaki'),('Balconhiroshima','Bombings'),('Balconhiroshima','Crime'),('Balconhiroshima','Imprisonment'),('Balconhiroshima','Resistance'),('BanditsAtlas','Algerian War of Independence (1954-1962)'),('BanditsAtlas','Colonies/ Empire'),('BanditsAtlas','Rationing/ Food shortages'),('barreauxfaucons','Betrayal'),('barreauxfaucons','Deportation'),('barreauxfaucons','Friendship'),('barreauxfaucons','Germans'),('barreauxfaucons','Hostages/ Reprisals'),('barreauxfaucons','Resistance'),('barreindochine','Colonies/ Empire'),('barreindochine','Japanese Occupation in Indochina'),('BatailleMediterranee','Colonies/ Empire'),('BatailleMediterranee','Forces Françaises Libres (FFL)'),('Bataillerail','Resistance'),('bataillesmourir','Fighting'),('bataillesmourir','French Army'),('Bataillesroute','Epuration (during the Liberation)'),('Bataillesroute','Femininity'),('Bataillesroute','Gender'),('Bataillesroute','Les Tondues'),('Bataillesroute','Love'),('Bataillesroute','Masculinity'),('Bataillesroute','Secrets'),('Bataillesroute','Sexual Identity'),('Bataillesroute','Summary Executions'),('Bataillon','Aerial'),('Bataillon','Battles'),('Bataillon','Forces Françaises Libres (FFL)'),('Bataillon','French Army'),('Bataillon','Heroism'),('Bataillon','Landings'),('Batterieerrante','Defeat/ Débâcle/ Fall of France'),('Batterieerrante','Prisoners of War (Capture of)'),('Beauxjoursbarbizon','Collaboration'),('Beauxjoursbarbizon','Culture'),('Beauxjoursbarbizon','Resistance'),('Beauxjoursbarbizon','Role of Literature'),('BelgianManor2Wars','Forces Françaises Libres (FFL)'),('BelgianManor2Wars','Press'),('BelgianManor2Wars','World War One'),('Belleinsoumise','Forbidden Zone (Zone Côtière Interdite/ Atlantic Coast)'),('bellestunis','Colonies/ Empire'),('bellestunis','Femininity'),('bellestunis','Jews/ Jewish Experience'),('bete','American Army'),('bete','Betrayal'),('bete','Black Market'),('bete','British Society'),('bete','Collaboration'),('bete','Collaborators in Post-War France'),('bete','D-Day (6th June 1944)'),('bete','Deception'),('bete','Denunciations/ Blackmail'),('bete','Family/ Stages of Life'),('bete','Forbidden Zone (North and North-Eastern France)'),('bete','Forgetting/ Remembering'),('bete','Generations'),('bete','Intellectuals'),('bete','Judgment'),('bete','Liberation (of France)'),('bete','Love'),('bete','Loyalty'),('bete','Mental Health'),('bete','Mixed Couples'),('bete','Old Age'),('bete','Physical Health'),('bete','Politics and Ideologies'),('bete','Post-War'),('bete','Post-War Politics'),('bete','Post-War Re-Adaptation to Daily Life'),('bete','Post-War Society'),('bete','Post-War Trials'),('bete','Press'),('bete','Prisoners of War'),('bete','Profiteering'),('bete','Psychology'),('bete','Punishment'),('bete','Rationing/ Food shortages'),('bete','Relationships between Generations'),('bete','Resistance'),('bete','Rural'),('bete','Search for Understanding'),('bete','Sexual Violence'),('bete','Sexuality'),('bete','Trauma'),('bete','Urban'),('bete','Work'),('Betebon','Family/ Stages of Life'),('Biblioquete','Crime'),('Biblioquete','Négationnisme'),('Bicyclettebleue','Defeat/ Débâcle/ Fall of France'),('Bicyclettebleue','Exodus'),('Bicyclettebleue','Phoney-War/ Invasion of France (Spring 1940)'),('Bicyclettebleue','Urban'),('Bienveillantes','Anti-Semitism'),('Bienveillantes','Collaboration'),('Bienveillantes','Family/ Stages of Life'),('Bienveillantes','Holocaust/ Shoah/ Genocide'),('Bienveillantes','Sipo-SD'),('Bitos','Epuration (during the Liberation)'),('Bitos','Liberation (of France)'),('Bitos','Psychology'),('Bitos','Revenge'),('Bldbranques','Exodus'),('BldHirondelles','Resistance'),('Bleusurpeau','Deportation'),('Bleusurpeau','Milice (as Part of Vichy Regime)'),('Blockhaus','Attitudes, Behaviour, Choices, Emotions'),('Blockhaus','D-Day (6th June 1944)'),('Blockhaus','Homosexuality'),('Blockhaus','Suicide'),('Bombardementnuit','Aerial'),('Bombardementnuit','Bombings'),('Bombardementnuit','French Army'),('Bonbeurre','Black Market'),('Bonbeurre','Collaboration'),('Bonbeurre','Profiteering'),('Bonbeurre','Rationing/ Food shortages'),('Bonbeurre','The Everyday and Society'),('Bonheurnazi','Anti-Semitism'),('Bonheurnazi','Concentration and Extermination Camps'),('Bonheurnazi','Fascism'),('Bonheurnazi','Homosexuality'),('Bonheurnazi','Mutilation'),('Bonheurnazi','Racism'),('Bonheurnazi','Torture'),('Bonheurnazi','War Criminals'),('Bonheurogres','Bombings'),('Bonneaffaire','Crime'),('Bonneaffaire','Post-War Society'),('Bonnesmauvaises','Black Market'),('Bonnesmauvaises','Bombings'),('Bonnesmauvaises','Femininity'),('Bonnesmauvaises','Refugees (Internal)'),('Bonnesmauvaises','The Everyday and Society'),('bonsvoisins','Police'),('bonsvoisins','Radio'),('bonsvoisins','The Everyday and Society'),('bonsvoisins','Vichy Régime'),('Borsalino','Crime'),('Borsalino','Criminal Collaboration'),('Boubousoldat','Colonial Soldiers'),('Boubousoldat','Forces Françaises Libres (FFL)'),('BoucherGuelma','Algerian War of Independence (1954-1962)'),('BoucherGuelma','American Army'),('BoucherGuelma','Colonies/ Empire'),('BoucherGuelma','Independence Movements'),('BoucherGuelma','Police'),('Boulevardperiph','Death'),('Boulevardperiph','Friendship'),('Boulevardperiph','Memory/ Remembrance'),('Boulevardperiph','Resistance'),('Boulevardperiph','Schutzstaffel (SS)'),('Boulevardperiph','Secrets'),('Boulevardperiph','Service du Travail Obligatoire (STO)'),('boulevardsceinture','Black Market'),('boulevardsceinture','Collaboration'),('boulevardsceinture','Family/ Stages of Life'),('boulevardsceinture','Press'),('Bouquet','Armistice'),('Bouquet','Defeat/ Débâcle/ Fall of France'),('Bouquet','Prisoners of War'),('brulure','Confessions'),('brulure','Deception'),('brulure','Family/ Stages of Life'),('brulure','Guilt & Shame'),('brulure','Love'),('brulure','Motherhood'),('brulure','Physical Health'),('brulure','Religion and Belief'),('brulure','Resistance'),('brulure','Search for Understanding'),('brulure','Secrets'),('Bunker','Collaboration'),('Bunker','Commemoration'),('Bunker','Secrets'),('Cageombres','Internment'),('Cageombres','Re-Adaptation to Daily Life on Return from the Camps'),('Camaradesmorts','Resistance'),('CampagneItalie','Attitudes, Behaviour, Choices, Emotions'),('CampagneItalie','Defeat/ Débâcle/ Fall of France'),('CampagneItalie','French Army'),('CampagneItalie','Warfare (Types of)'),('Campthiaroye','Colonial Soldiers'),('Campthiaroye','Colonies/ Empire'),('Campthiaroye','Independence Movements'),('Campthiaroye','Prisoners of War'),('Carcasse','American Army'),('Carcasse','French Waffen-SS divisions'),('Carcasse','Légion des Volontaires Français (LVF)'),('Carcasse','Warfare (Types of)'),('Cargomer','Forces Françaises Libres (FFL)'),('Cargomer','Merchant Navy'),('Cargomer','Naval'),('Carnetscaptif','Prisoners of War'),('Carnetsderoute','Prisoners of War'),('CarnetsGoumier','American Army'),('CarnetsGoumier','Colonial Soldiers'),('CarnetsGoumier','Land'),('Carrefourenfantsperdus','Childhood'),('Carrefourenfantsperdus','Crime'),('carrelage','Masculinity'),('carrelage','Post-War'),('carrelage','Prisoners of War'),('carrelage','Resistance'),('carrelage','Suffering'),('Cartonjaune','Anti-Semitism'),('Cartonjaune','Cinema'),('Cartonjaune','Colonies/ Empire'),('Cartonjaune','Internment'),('Cartonjaune','Jews/ Jewish Experience'),('Cartonjaune','Rafles'),('Cavouri','Betrayal'),('Cavouri','Collaboration'),('Cavouri','Family/ Stages of Life'),('Cavouri','Fatherhood'),('Cavouri','Land'),('Cavouri','Liberation (of France)'),('Cavouri','Post-War Epuration'),('Cejourla','Childhood'),('Cejourla','Denunciations/ Blackmail'),('Cejourla','Deportation'),('Cellule209','Attitudes, Behaviour, Choices, Emotions'),('Cellule209','Cultural/ Intellectual Collaboration'),('Cellule209','Epuration (during the Liberation)'),('Cendrefumee','Defeat/ Débâcle/ Fall of France'),('Centurions','Algerian War of Independence (1954-1962)'),('Centurions','Indochinese War of Independence (1946-1954)'),('Cequefemmeveut','Femininity'),('Cerfsvolants','Love'),('Cerfsvolants','Resistance'),('Cerfsvolants','The Everyday and Society'),('Cestenhiver','Concentration and Extermination Camps'),('Cestenhiver','Death'),('Cestenhiver','Deportation'),('Cestenhiver','German Soldier'),('Cestenhiver','Jews/ Jewish Experience'),('Cestenhiver','Liberation (of France)'),('Cestenhiver','Resistance'),('Cestenhiver','Schutzstaffel (SS)'),('Cestenhiver','Trauma'),('Cestenhiver','Violence'),('Cettedroleguerre','British Army'),('Cettedroleguerre','Defeat/ Débâcle/ Fall of France'),('Cettedroleguerre','Mobilisation'),('Ceuxquinedormaientpas','Deportation'),('Ceuxquinedormaientpas','Former Deportees/ Former Deportees Association(s)'),('Ceuxquinedormaientpas','Jews/ Jewish Experience'),('Ceuxvivent','Concentration and Extermination Camps'),('Ceuxvivent','Deportation'),('Ceuxvivent','Imprisonment'),('Ceuxvivent','Resistance'),('Champion','Concentration and Extermination Camps'),('ChansonHannah','Jews/ Jewish Experience'),('Chantcimes','Childhood'),('Chantcimes','Rural'),('Chantherissons','Childhood'),('Chantherissons','Deportation'),('Chantherissons','Gestapo'),('Chaquehomme','Imprisonment'),('Chaquehomme','Resistance'),('chaquemin','Escape Networks'),('chaquemin','Resistance'),('chaquemin','Rural'),('Chassecourre','Collaboration'),('Chassecourre','Denunciations/ Blackmail'),('Chasseurscamion','Aerial'),('Chasseurscamion','French Army'),('Chasseurzero','Aerial'),('Chasseurzero','Mental Health'),('Chasseurzero','Relationships between Generations'),('Chasseurzero','Silence'),('Chateauautre','Collaborators in Post-War France'),('Chateauautre','Post-War Trials'),('Chatte','Betrayal'),('Chatte','Double Agent'),('Chatte','Resistance Networks'),('Cheminecoliers','Adolescence'),('Cheminecoliers','Attitudes, Behaviour, Choices, Emotions'),('Cheminecoliers','Black Market'),('Cheminecoliers','Collaboration'),('Cheminecoliers','Crime'),('Cheminecoliers','Légion des Volontaires Français (LVF)'),('Cheminecoliers','Resistance'),('Cheminecoliers','Sexuality'),('Cheminecoliers','Violence'),('cheminhonneur','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('cheminhonneur','Imprisonment'),('Chezarmeeanglaise','British Army'),('Chienslions','Colonial Soldiers'),('Chienslions','Defeat/ Débâcle/ Fall of France'),('Chienslions','Massacre'),('Chienslions','Phoney-War/ Invasion of France (Spring 1940)'),('Chienslouves','Epuration (during the Liberation)'),('Chienslouves','Franc-Tireurs et Partisans (FTP)'),('Chienslouves','Post-War Epuration'),('Chienslouves','Prostitution'),('Chienslouves','Relationships between Generations'),('Chienslouves','Revenge'),('Chienslouves','Sexual Relations with Germans/ German Soldiers'),('Chienslouves','Violence'),('Chroniqueguerreperdue','Defeat/ Débâcle/ Fall of France'),('Chroniquelorraine','American Army'),('Chroniquelorraine','Imprisonment'),('Chroniquelorraine','Liberation (of France)'),('ChuteBarcelone','Adolescence'),('ChuteBarcelone','Clandestinity'),('ChuteBarcelone','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('ChuteBarcelone','Defeat/ Débâcle/ Fall of France'),('ChuteBarcelone','Resistance'),('ChuteBarcelone','Spanish Civil War'),('cimetieres','Concentration and Extermination Camps'),('cimetieres','Deportation'),('cimetieres','Resistance'),('Cinqhommes','Allied Armies'),('Cinqhommes','German Military'),('Cinqhommes','Memory/ Remembrance'),('Cinqhommes','Post-War Re-Adaptation to Daily Life'),('Clairiere','Adolescence'),('Clairiere','Friendship'),('Clairiere','Resistance'),('Clairiere','Rural'),('Clairiere','The Everyday and Society'),('ClanOstendais','Foreigner'),('ClanOstendais','Refugees (Internal)'),('Cliente','Denunciations/ Blackmail'),('Cliente','Guilt & Shame'),('Cliente','Les Tondues'),('Cliente','Police'),('Cliente','Post-War Epuration'),('Cliente','Theatre'),('Clotilde','Adolescence'),('Clotilde','Attitudes, Behaviour, Choices, Emotions'),('Clotilde','Gender'),('Clotilde','Resistance'),('Clotilde','The Everyday and Society'),('Coinazur','Black Market'),('Coinazur','Crime'),('Coinazur','Jews/ Jewish Experience'),('Coinazur','Police'),('coldie','Childhood'),('coldie','Death'),('coldie','Defeat/ Débâcle/ Fall of France'),('coldie','Mental Health'),('coldie','Suicide'),('coldie','Violence'),('Collabos','Anti-Semitism'),('Collabos','Class'),('Collabos','Collaboration'),('Collabos','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Collabos','German Soldier'),('Collabos','Jews/ Jewish Experience'),('Collabos','Vichy Régime'),('Collineoubliee','Colonial Soldiers'),('Collineoubliee','Colonies/ Empire'),('Collineoubliee','Rationing/ Food shortages'),('Colonnenuees','Armistice'),('Colonnenuees','Exodus'),('Combatpournoscadavres','Concentration and Extermination Camps'),('Combatpournoscadavres','Death'),('Combatpournoscadavres','Physical Health'),('Combatpournoscadavres','Schutzstaffel (SS)'),('Combattantsnuit','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Combattantsnuit','Resistance'),('Commando','Betrayal'),('Commando','Collaboration'),('Commando','German Military'),('commandos','Courage'),('commandos','Hostages/ Reprisals'),('commandos','Nationalism/ Patriotism'),('commandos','Resistance'),('Commefini','Foreign Legion'),('Commefini','Post-War Re-Adaptation to Daily Life'),('Commefini','Prisoners of War'),('Commescorpion','Collaboration'),('Commescorpion','Resistance'),('Commescorpion','Romantic Intrigue'),('Commeunverger','Betrayal'),('Commeunverger','Critique of Heroism'),('Commeunverger','Deportation'),('Commeunverger','Double Agent'),('Commeunverger','Heroism'),('Commeunverger','Love'),('Commeunverger','Resistance'),('Complainteoubliee','Collaboration'),('Complainteoubliee','Independence Movements'),('Condamne','Executions/ Firing squad'),('Condamne','Imprisonment'),('Condamne','Resistance'),('Corderaide','Death'),('Corderaide','Land'),('Corpsnoir','Collaboration'),('Corpsnoir','German Soldier'),('Corpsnoir','Gestapo'),('Corpsnoir','Liberation (of France)'),('Corpsnoir','Resistance'),('Corpsnoir','Schutzstaffel (SS)'),('Cotentincolmar','Forces Françaises Libres (FFL)'),('Courir','German Occupation'),('couronne','British Army'),('couronne','Defeat/ Débâcle/ Fall of France'),('couronne','Exodus'),('couronne','Fighting'),('couronne','Phoney-War/ Invasion of France (Spring 1940)'),('Courtepaille','American Army'),('Courtepaille','Demarcation Line'),('Courtepaille','Love'),('Courtepaille','Milice (as Part of Vichy Regime)'),('Courtepaille','Resistance'),('Courtepaille','Sexuality'),('courtevie','Adolescence'),('courtevie','Maquis'),('courtevie','Resistance'),('courtevie','Youth'),('Crevassemaquisards','German Soldier'),('Crevassemaquisards','Resistance'),('Creve','Choice'),('Creve','Collaboration'),('Creve','Death'),('Creve','Epuration (during the Liberation)'),('Creve','Family/ Stages of Life'),('Creve','Les Tondues'),('Creve','Liberation (of France)'),('Creve','Milice (Links with Germans)'),('Creve','Sauvage'),('Creve','Summary Executions'),('Criprofondeurs','Anti-Semitism'),('Criprofondeurs','Collaboration'),('Criprofondeurs','Guilt & Shame'),('Criprofondeurs','Jews/ Jewish Experience'),('Criprofondeurs','Profiteering'),('Criprofondeurs','Resistance'),('Criprofondeurs','Workplace'),('Croixmer','Cowardice'),('Croixmer','Denunciations/ Blackmail'),('Croixmer','German Soldier'),('Croixmer','Hostages/ Reprisals'),('Croixmer','Psychology'),('Dahlias','Attitudes, Behaviour, Choices, Emotions'),('Dahlias','Music'),('DameIzieu','Childhood'),('DameIzieu','Deportation'),('DameIzieu','Jews/ Jewish Experience'),('Damesboisboulogne','Deception'),('Damesboisboulogne','Love'),('Damesboisboulogne','Revenge'),('Dansgriffesnazies','Concentration and Extermination Camps'),('Dansgriffesnazies','Deportation'),('Deblancvêtu','Attitudes, Behaviour, Choices, Emotions'),('Deblancvêtu','Catholicism'),('Deblancvêtu','Courage'),('Deblancvêtu','Death'),('Deblancvêtu','Depression'),('Deblancvêtu','Fear'),('Deblancvêtu','Fighting'),('Deblancvêtu','French Army'),('Deblancvêtu','Friendship'),('Deblancvêtu','Injury'),('Deblancvêtu','Land'),('Deblancvêtu','Loyalty'),('Deblancvêtu','Memory/ Remembrance'),('Deblancvêtu','Mental Health'),('Deblancvêtu','Mutilation'),('Deblancvêtu','Rural'),('Deblancvêtu','Silence'),('Deblancvêtu','Spirituality'),('Deblancvêtu','Suffering'),('Deblancvêtu','Trauma'),('Deblancvêtu','Veterans'),('Deblancvêtu','Warfare (Types of)'),('Debonneguerre','Prisoners of War'),('Dejeunerssoleil','The Everyday and Society'),('Delirelogique','Arrests'),('Delirelogique','Betrayal'),('Delirelogique','Double Agent'),('Delirelogique','Epuration (during the Liberation)'),('Delirelogique','Gestapo'),('Delirelogique','Resistance'),('Delirelogique','Torture'),('demonsaube','Colonies/ Empire'),('demonsaube','Forces Françaises Libres (FFL)'),('demonsaube','Resistance'),('Deposition','Collaboration'),('Deposition','Resistance'),('Deposition','The Everyday and Society'),('Deprisonenprison','Imprisonment'),('DernierAuvernois','Demarcation Line'),('DernierAuvernois','Escape Networks'),('DernierAuvernois','Maquis'),('DernierAuvernois','Resistance'),('Derniereballeperdue','Childhood'),('Derniereballeperdue','Resistance'),('Dernieresequence','Cinema'),('Dernieresequence','Collaboration'),('Dernierfrere','Childhood'),('Dernierfrere','Colonies/ Empire'),('Dernierfrere','Family/ Stages of Life'),('Dernierfrere','Friendship'),('Dernierfrere','Jews/ Jewish Experience'),('Dernierfrere','Memory/ Remembrance'),('Dernierjournazi','Deportation'),('Dernierjournazi','Family/ Stages of Life'),('Dernierjournazi','Fatherhood'),('Dernierjournazi','German Military'),('Dernierjournazi','Schutzstaffel (SS)'),('DernierMetro','Theatre'),('Derniersmots','Betrayal'),('Derniersmots','Denial'),('Derniersmots','Forgetting/ Remembering'),('Derniersmots','Resistance'),('derniervillage','Anti-Fascism'),('derniervillage','Betrayal'),('derniervillage','Class'),('derniervillage','Defeat/ Débâcle/ Fall of France'),('derniervillage','Land'),('derniervillage','Nationalism/ Patriotism'),('derniervillage','Phoney-War/ Invasion of France (Spring 1940)'),('derniervillage','World War One'),('Deroute','Anti-Fascism'),('Deroute','Armistice'),('Deroute','Attitudes, Behaviour, Choices, Emotions'),('Deroute','Childhood'),('Deroute','Choice'),('Deroute','Cowardice'),('Deroute','De Gaulle/ Support for De Gaulle'),('Deroute','Defeat/ Débâcle/ Fall of France'),('Deroute','Family/ Stages of Life'),('Deroute','Fatherhood'),('Deroute','Fear'),('Deroute','French Army'),('Deroute','Generations'),('Deroute','Guilt & Shame'),('Deroute','Hatred'),('Deroute','Intellectuals'),('Deroute','Love'),('Deroute','Motherhood'),('Deroute','Pacifism'),('Deroute','Phoney-War/ Invasion of France (Spring 1940)'),('Deroute','Political Commitment'),('Deroute','Political Inheritance'),('Deroute','Refugees (Internal)'),('Deroute','Rural'),('Deroute','Siblings'),('Deroute','Suffering'),('Deroute','Urban'),('Deroute','World War One'),('Deserteurs','German Soldier'),('Deserteurs','Germans'),('Deserteurs','Maquis'),('Deserteurs','Search for Understanding'),('Detourprenfer','Collaboration'),('Detourprenfer','Critique of Heroism'),('Detourprenfer','Deception'),('Detourprenfer','Resistance'),('Deuilen24','Aerial'),('Deuilen24','Bombings'),('Deuilen24','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Deuilen24','Defeat/ Débâcle/ Fall of France'),('deuxfoislememe','Adolescence'),('deuxfoislememe','Chance'),('deuxfoislememe','Liberation (of France)'),('deuxfoislememe','Malgré-Nous'),('deuxfoislememe','Secrets'),('deuxfoislememe','Sexuality'),('deuxfoislememe','Violence'),('Diableritencore','Germany'),('Diableritencore','Les Tondues'),('Diableritencore','Liberation (of France)'),('Diableritencore','Milice (as Part of Vichy Regime)'),('Diableritencore','Post-War Epuration'),('Diableritencore','Resistance'),('Diableritencore','Schutzstaffel (SS)'),('DickVercors','Heroism'),('DickVercors','Love'),('DickVercors','Resistance'),('Didineautres','Childhood'),('Didineautres','The Everyday and Society'),('Dimancheinoubliable','Adolescence'),('Dimancheinoubliable','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Dimancheinoubliable','Memory/ Remembrance'),('Dimancheinoubliable','Press'),('Dimancheinoubliable','Resistance'),('Dissidence1','Colonies/ Empire'),('Dissidence1','Racism'),('Dissidence1','Rationing/ Food shortages'),('Dissidence1','Resistance'),('dissidence2','Colonies/ Empire'),('dissidence2','Love'),('dissidence2','Nationalism/ Patriotism'),('dissidence2','Racism'),('dissidence2','Resistance'),('dissidence2','Vichy Government in the Colonies'),('Dissidences','Childhood'),('Dissidences','Resistance'),('Ditesle','Memory/ Remembrance'),('Ditesle','Romany Deportees'),('DoraB','Commemoration'),('DoraB','Historical Research/ Historical Investigation'),('DoraB','Rafles'),('DoraB','Search for Family Identity'),('dormeurdebout','Chance'),('dormeurdebout','Collaboration'),('dormeurdebout','Critique of Heroism'),('dormeurdebout','Far-Right'),('dormeurdebout','Femininity'),('dormeurdebout','Literature'),('dormeurdebout','Masculinity'),('dormeurdebout','Memory/ Remembrance'),('dormeurdebout','Milice (Links with Germans)'),('dormeurdebout','Military/ Paramilitary Collaboration'),('dormeurdebout','Post-War'),('dormeurdebout','Post-War Epuration'),('dormeurdebout','Post-War Trials'),('dormeurdebout','Psychology'),('dormeurdebout','Resistance'),('dormeurdebout','Sexual Identity'),('dormeurdebout','Sexuality'),('Douleurvolume','Deportation'),('Douleurvolume','Prisoners of War'),('Douleurvolume','Re-Adaptation to Daily Life on Return from the Camps'),('Douleurvolume','Trauma'),('DrameVichy','Armistice'),('DrameVichy','Vichy Government'),('Droledejeu','Attitudes, Behaviour, Choices, Emotions'),('Droledejeu','Collaboration'),('Droledejeu','Politics and Ideologies'),('Droledejeu','Resistance'),('Droledejeu','Sexuality'),('drolevie','Collaboration'),('drolevie','Imprisonment'),('drolevie','Post-War Epuration'),('drolevie','Spy'),('DrPetiot','Crime'),('ducristal','Deportation (of Jews)'),('ducristal','Germany'),('ducristal','Holocaust/ Shoah/ Genocide'),('ducristal','Jews/ Jewish Experience'),('ducristal','Nazism'),('dumaquis','Courage'),('dumaquis','Executions/ Firing squad'),('dumaquis','Heroism'),('dumaquis','Maquis'),('dumaquis','Réfractaire'),('dumaquis','Service du Travail Obligatoire (STO)'),('duneenfance','Bombings'),('duneenfance','Childhood'),('duneenfance','Defeat/ Débâcle/ Fall of France'),('duneenfance','Liberation (of France)'),('duneenfance','Resistance'),('duneenfance','Rural'),('Duneprison','Administration'),('Duneprison','German Soldier'),('Duneprison','Germany'),('Duneprison','Post-War Trials'),('echappee','Les Tondues'),('echappee','Love'),('echappee','Motherhood'),('echappee','Sexual Relations with Germans/ German Soldiers'),('EchellesLevant','Memory/ Remembrance'),('EchellesLevant','Mental Health'),('EchellesLevant','Resistance'),('echo','Anti-Semitism'),('echo','Class'),('echo','Politics and Ideologies'),('echo','Rationing/ Food shortages'),('Eclairsombre','Adolescence'),('Eclairsombre','Colonies/ Empire'),('Eclairsombre','Family/ Stages of Life'),('Eclairsombre','Mental Health'),('Eclairsombre','Motherhood'),('Eclairsombre','The Everyday and Society'),('EcritsdeMarseille','Philosophy'),('EcritsdeMarseille','Resistance'),('EffroyablesJardins','German Soldier'),('EffroyablesJardins','Hostages/ Reprisals'),('EffroyablesJardins','Massacre'),('EffroyablesJardins','Memory/ Remembrance'),('EffroyablesJardins','Resistance'),('Egares','Exodus'),('Egares','Family/ Stages of Life'),('Egares','Love'),('Egares','Refugees (Internal)'),('Ellipseloup','Alsace-Moselle'),('Ellipseloup','Memory/ Remembrance'),('Ellipseloup','Obligation to Speak German in Alsace-Moselle'),('Ellipseloup','The Everyday and Society'),('Empreinteange','Algerian War of Independence (1954-1962)'),('Empreinteange','Allied Armies'),('Empreinteange','Exile'),('Empreinteange','Foreigner'),('Empreinteange','Germans'),('Empreinteange','Love'),('Empreinteange','Motherhood'),('Empreinteange','Music'),('Empreinteange','Rape'),('Empreinteange','Suffering'),('Empreinteange','Trauma'),('Enavant','Chantiers de Jeunesse'),('Enavant','Family/ Stages of Life'),('Enavant','World War One'),('Encommando','Battles'),('Encommando','Liberation (of France)'),('Enfantcache','Anti-Semitism'),('Enfantcache','Childhood'),('Enfantcache','Concentration and Extermination Camps'),('Enfantcache','Post-War Re-Adaptation to Daily Life'),('enfantetsoldat','Childhood'),('enfantetsoldat','Collaboration'),('enfantetsoldat','Colonies/ Empire'),('enfantetsoldat','Independence Movements'),('enfantetsoldat','Japanese Occupation in Indochina'),('enfantetsoldat','Post-War Trials'),('enfantetsoldat','Relations with Germans/ German Soldiers'),('enfantetsoldat','The Everyday and Society'),('EnfantNoe','Catholicism'),('EnfantNoe','Judaism'),('EnfantNoe','Rafles'),('Enfantsliberte','Adolescence'),('Enfantsliberte','Deportation'),('Enfantsliberte','FTP-MOI (Main d\'Oeuvre Immigrée)'),('Enfantsliberte','Jews/ Jewish Experience'),('Enfantsliberte','Resistance'),('Enfantsmatin','Childhood'),('Enfantsous','Adolescence'),('Enfantsous','Motherhood'),('Enfantsous','Resistance'),('Enfantspays','Childhood'),('Enfantspays','Colonial Soldiers'),('Enfantspays','Relationships between Generations'),('Enfantspays','WWI Veterans'),('Enfanttue','Family/ Stages of Life'),('enmourir','American Army'),('enmourir','Bombings'),('enmourir','Chance'),('enmourir','Family/ Stages of Life'),('enmourir','GIs'),('enmourir','Hatred'),('enmourir','Les Tondues'),('enmourir','Liberation (of France)'),('enmourir','Love'),('enmourir','Relations with Germans/ German Soldiers'),('Entredeuxguerres','Defeat/ Débâcle/ Fall of France'),('Entredeuxguerres','Socialism'),('Enverscontretout','Forces Françaises Libres (FFL)'),('Enverscontretout','Vichy Government'),('envoye','American Army'),('envoye','Collaboration'),('envoye','Concentration and Extermination Camps'),('envoye','Epuration (during the Liberation)'),('envoye','Journalism/ Journalist'),('envoye','Land'),('envoye','Liberation (of France)'),('envoye','Official'),('envoye','Post-War Trials'),('envoye','Resistance'),('envoye','Suffering'),('envoye','Violence'),('epee','Class'),('epee','Defeat/ Débâcle/ Fall of France'),('epee','Fighting'),('epee','Liberation (of France)'),('epee','Masculinity'),('epee','Prisoners of War (Capture of)'),('epee','Resistance'),('epee','Rural'),('Episodes19401944','Deportation'),('Episodes19401944','Popular Front/ 1930s'),('Episodes19401944','Vichy Government'),('Especehumaine','Concentration and Extermination Camps'),('Especehumaine','Deportation'),('Especehumaine','Philosophy'),('Especehumaine','Suffering'),('esthermazel','Concentration and Extermination Camps'),('esthermazel','Family/ Stages of Life'),('esthermazel','Friendship'),('esthermazel','Generations'),('esthermazel','Judaism'),('esthermazel','Love'),('esthermazel','Memory/ Remembrance'),('esthermazel','Protestantism'),('esthermazel','Religion and Belief'),('esthermazel','Resistance'),('esthermazel','Rural'),('etatmajor','Defeat/ Débâcle/ Fall of France'),('etatmajor','Exodus'),('etatmajor','French Army'),('etatmajor','Phoney-War/ Invasion of France (Spring 1940)'),('Etechatte','Abwehr'),('Etechatte','Denial'),('Etechatte','Double Agent'),('Etechatte','Gestapo'),('Etechatte','Post-War Trials'),('Etechatte','Punishment'),('Etechatte','Resistance'),('Etechatte','Sexuality'),('Etechatte','Testimony'),('Etoileautres','Adolescence'),('Etoileautres','Algerian War of Independence (1954-1962)'),('Etoileautres','Jews/ Jewish Experience'),('Etoileautres','Resistance'),('Etoilenoire','Concentration and Extermination Camps'),('Etoilenoire','Deportation'),('Etoilenoire','Racism'),('Etoilevesper','Friendship'),('Etoilevesper','Jews/ Jewish Experience'),('Etoilevesper','Liberation (of France)'),('Etoilevesper','Mixed Couples'),('Etoilevesper','The Everyday and Society'),('Etpourtant','Childhood'),('Etpourtant','The Everyday and Society'),('Evades','Prisoners of War'),('Evasion44','Concentration and Extermination Camps'),('Evasion44','Deportation'),('Exiljoconde','Art'),('Exiljoconde','Resistance'),('exode','Class'),('exode','Exodus'),('Faireface','Secret Service'),('Fantomebarrage','Resistance'),('Fantomebarrage','Revenge'),('Fantomebarrage','Sauvage'),('Fatale','Denunciations/ Blackmail'),('Fatale','Secrets'),('Fautdesobeir','Commemoration'),('Fautdesobeir','Deportation'),('Fautdesobeir','Jews/ Jewish Experience'),('Fautdesobeir','Police'),('Fautdesobeir','Relationships between Generations'),('Femmeallemand','Childhood'),('Femmeallemand','Mental Health'),('Femmeallemand','Motherhood'),('Femmeallemand','Sexual Relations with Germans/ German Soldiers'),('femmearnaud','Class'),('femmearnaud','Colonies/ Empire'),('femmearnaud','Confessions'),('femmearnaud','Generations'),('femmearnaud','Love'),('femmearnaud','Prisoners of War (Capture of)'),('femmearnaud','Sexuality'),('Femmeperdue','Choice'),('Femmeperdue','Love'),('Femmesdelombre','Adolescence'),('Femmesdelombre','Deportation'),('Femmesdelombre','Family/ Stages of Life'),('Femmesdelombre','Femininity'),('Femmesdelombre','Love'),('Femmesdelombre','Resistance'),('Femmesdelombre','Sexuality'),('femmeseule','Collaboration'),('femmeseule','Ghosts/ Revenants'),('femmeseule','Sexual Relations with Germans/ German Soldiers'),('femmeseule','Sexuality'),('femmesombre','Femininity'),('femmesombre','Resistance'),('femmesombre','Spy'),('Feuilleauvent','Imprisonment'),('Feuillesvent','The Everyday and Society'),('Feuillesvent','Zones'),('FeuilletsHypnos','Land'),('FeuilletsHypnos','Philosophy'),('FeuilletsHypnos','Resistance'),('Fifiroi','Cultural/ Intellectual Collaboration'),('Fifiroi','Epuration (during the Liberation)'),('Fifiroi','Post-War Epuration'),('Figurants','Cinema'),('Figurants','Historical Research/ Historical Investigation'),('Figurants','Resistance'),('Figurants','Women'),('Fillecarillonneur','Clandestinity'),('Fillecarillonneur','Liberation (of France)'),('Fillecarillonneur','Resistance'),('Fillecarillonneur','The Everyday and Society'),('Fillepuisateur','Class'),('Fillepuisateur','Love'),('Flammes','Double Agent'),('Flammes','Resistance'),('Flammes','Resistance Networks'),('Fleuvecombelle','Collaboration'),('Fleuvecombelle','Post-War Epuration'),('Fleuvecombelle','Press'),('Flictourmente','Attitudes, Behaviour, Choices, Emotions'),('Flictourmente','Collaboration'),('Flictourmente','Police'),('Fontainesmort','Defeat/ Débâcle/ Fall of France'),('forteresse','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('forteresse','Concentration and Extermination Camps'),('forteresse','Resistance'),('forteresse','The Everyday and Society'),('Fortressesacrifiee','Childhood'),('Fortressesacrifiee','Fear'),('Fortressesacrifiee','Resistance'),('Fortressesacrifiee','Schutzstaffel (SS)'),('fortunat','Childhood'),('fortunat','Demarcation Line'),('fortunat','Deportation (of Jews)'),('fortunat','Family/ Stages of Life'),('fortunat','Fatherhood'),('fortunat','Jews/ Jewish Experience'),('fortunat','Love'),('fortunat','Rural'),('fortunat','The Everyday and Society'),('FrancaiseFrancais','Anti-Semitism'),('FrancaiseFrancais','Official Church'),('FrancaiseFrancais','Popular Front/ 1930s'),('FrancaiseFrancais','The Everyday and Society'),('FrancaiseLibre','Femininity'),('FrancaiseLibre','Forces Françaises Libres (FFL)'),('freres','Collaboration'),('freres','French Army'),('freres','Légion des Volontaires Français (LVF)'),('freres','Milice (as Part of Vichy Regime)'),('freres','Post-War Epuration'),('freres','Post-War Trials'),('Frontstalag','Forces Françaises Libres (FFL)'),('Frontstalag','Prisoners of War'),('fruitshiver','Family/ Stages of Life'),('fruitshiver','Milice (as Part of Vichy Regime)'),('fruitshiver','Rationing/ Food shortages'),('FTP','Resistance'),('Furenthommes','Italian Occupation'),('Furenthommes','Resistance'),('Furioso','British Army'),('Furioso','British Society'),('Furioso','Defeat/ Débâcle/ Fall of France'),('Furioso','Forces Françaises Libres (FFL)'),('Furioso','Humour'),('FXEEUARFR','Crime'),('FXEEUARFR','German Soldier'),('FXEEUARFR','Hostages/ Reprisals'),('FXEEUARFR','Liberation (of France)'),('Gang','Crime'),('Gang','Criminal Collaboration'),('Gang','Liberation (of France)'),('Gang','Post-War Society'),('Gareencheres','Deportation'),('Gareencheres','Family/ Stages of Life'),('Gareencheres','Forgetting/ Remembering'),('Gareencheres','Internment'),('Gareencheres','Jews/ Jewish Experience'),('Gareencheres','Silence'),('Genspays','Executions/ Firing squad'),('Genspays','German Soldier'),('Genspays','Hostages/ Reprisals'),('Genspays','Resistance'),('Genspays','Revenge'),('gibier','Adolescence'),('gibier','Childhood'),('gibier','Class'),('gibier','Friendship'),('gibier','Masculinity'),('gibier','Post-War Society'),('gibier','Sexuality'),('gibier','The Everyday and Society'),('Godillotslourds','Phoney-War/ Invasion of France (Spring 1940)'),('goumiersaid','Colonial Soldiers'),('goumiersaid','Colonies/ Empire'),('goumiersaid','Indochinese War of Independence (1946-1954)'),('goumiersaid','Racism'),('Grandcarnival','American Army'),('Grandcarnival','Black Market'),('Grandcarnival','Colonies/ Empire'),('Grandcarnival','GIs'),('Grandcirque','Aerial'),('Grandcirque','British Army'),('Grandeffarement','Exodus'),('Grandeffarement','Refugees (Internal)'),('grandescirconstances','Resistance'),('Grandesvacances','Attitudes, Behaviour, Choices, Emotions'),('Grandesvacances','French Army'),('Grandesvacances','Prisoners of War'),('GrandeTriche','Childhood'),('GrandeTriche','Defeat/ Débâcle/ Fall of France'),('GrandeTriche','Refugees (Internal)'),('GrandGuingouin','Franc-Tireurs et Partisans (FTP)'),('GrandGuingouin','Maquis'),('grandhomme','Anti-Fascism'),('grandhomme','Choice'),('grandhomme','Collaboration'),('grandhomme','Confessions'),('grandhomme','Cultural/ Intellectual Collaboration'),('grandhomme','Culture'),('grandhomme','Friendship'),('grandhomme','German Culture'),('grandhomme','Germans'),('grandhomme','Germany in the 1930s'),('grandhomme','Guilt & Shame'),('grandhomme','Intellectuals'),('grandhomme','Political Commitment'),('grandhomme','Rape'),('grandhomme','Remorse'),('grandhomme','Resistance'),('grandhomme','Role of Literature'),('grandhomme','Secrets'),('grandhomme','Sexual Violence'),('grandhomme','Sexuality'),('grandperetombeciel','Holocaust/ Shoah/ Genocide'),('grandperetombeciel','Jews/ Jewish Experience'),('grandperetombeciel','Memory/ Remembrance'),('grandperetombeciel','Relationships between Generations'),('grandsmalheurs','Deportation'),('grandsmalheurs','Memory/ Remembrance'),('grandsmalheurs','Rural'),('grandsmalheurs','World War One'),('Grandvestiaire','Adolescence'),('Grandvestiaire','Black Market'),('Grandvestiaire','Liberation (of France)'),('Grandvestiaire','Resistance'),('Grandvoyage','Deportation'),('Grandvoyage','Memory/ Remembrance'),('Grandvoyage','Trauma'),('Greouforce','Service du Travail Obligatoire (STO)'),('Guadeloupe1943','Colonies/ Empire'),('Guadeloupe1943','Independence Movements'),('Guadeloupe1943','Resistance'),('Guerrecivile','Attitudes, Behaviour, Choices, Emotions'),('Guerrecivile','Nationalism/ Patriotism'),('Guerreguerre','Epuration (during the Liberation)'),('Guerreguerre','Family/ Stages of Life'),('Guerreguerre','Vichy Government'),('Guerregusses','Algerian War of Independence (1954-1962)'),('Guerrelasse','Anti-Semitism'),('Guerrelasse','Love'),('Guerrelasse','Resistance'),('Guerrelasse','Romantic Intrigue'),('Guerreneuf','Attitudes, Behaviour, Choices, Emotions'),('Guerreneuf','Collaboration'),('Guerreneuf','Family/ Stages of Life'),('Guerreneuf','Vichy Government'),('guetteuse','Denunciations/ Blackmail'),('guetteuse','Deportation'),('guichets','Anti-Semitism'),('guichets','Anti-Semitism (Post-War)'),('guichets','Concentration and Extermination Camps'),('guichets','Deportation (of Jews)'),('guichets','Fear'),('guichets','Jews/ Jewish Experience'),('guichets','Memory/ Remembrance'),('guichets','Psychology'),('guichets','Rafles'),('guichets','Resistance'),('guichets','Sexuality'),('guichets','Youth'),('Gurs','Internment'),('Gurs','Jews/ Jewish Experience'),('Gurs','Spanish Civil War'),('Hans','German Soldier'),('Hans','Prisoners of War'),('Hans','Resistance'),('Hans','Revenge'),('Hans','Rural'),('Harmattan','Land'),('Hautefourche','Collaboration'),('Hautefourche','Death'),('Hautefourche','Family/ Stages of Life'),('Hautefourche','German Soldier'),('Hautefourche','Guilt & Shame'),('Hautefourche','Occupation in the Empire'),('Hautefourche','Oppression'),('Hautefourche','Resistance'),('Heretiques','French Waffen-SS divisions'),('Heretiques','Warfare (Types of)'),('Herosdiscret','Critique of Heroism'),('Herosdiscret','Espionage'),('Herosdiscret','Family/ Stages of Life'),('Herosdiscret','Forces Françaises Libres (FFL)'),('Herosdiscret','French Army'),('Herosdiscret','Heroism'),('Herosdiscret','Liberation (of France)'),('Herosdiscret','Memory/ Remembrance'),('HeurestragiquesEmpire','Colonies/ Empire'),('HHhH','Germans'),('HHhH','Gestapo'),('HHhH','Resistance'),('HHhH','Schutzstaffel (SS)'),('Hidden','Attitudes, Behaviour, Choices, Emotions'),('Hidden','Collaboration'),('Hidden','Love'),('Hidden','Resistance'),('Histoirepetitnegre','GIs'),('Histoirepoupee','Childhood'),('Histoirepoupee','Deportation'),('Hommebarbele','Family/ Stages of Life'),('Hommebarbele','World War One'),('Hommebarbele','WWI Veterans'),('Hommebete','Concentration and Extermination Camps'),('Hommebete','Deportation'),('Hommerechercheame','Childhood'),('Hommerechercheame','Family/ Stages of Life'),('Honteappartient','Denunciations/ Blackmail'),('Honteappartient','Jews/ Jewish Experience'),('Honteappartient','Revenge'),('HotelRetour','Adolescence'),('HotelRetour','Deportation'),('HotelRetour','Love'),('IciLondres','Press'),('ideesrestent','Defeat/ Débâcle/ Fall of France'),('Idyllequartier','Bombings'),('Idyllequartier','British Army'),('Idyllequartier','Collaboration'),('Idyllequartier','Deportation'),('Idyllequartier','Resistance'),('Idyllequartier','The Everyday and Society'),('ilscroyaienteternite','Algerian War of Independence (1954-1962)'),('ilscroyaienteternite','American Army'),('ilscroyaienteternite','Colonies/ Empire'),('ilscroyaienteternite','Jews/ Jewish Experience'),('Impuissance','Concentration and Extermination Camps'),('Impuissance','Holocaust/ Shoah/ Genocide'),('Impuissance','Massacre'),('Indigenes','Colonial Soldiers'),('Indigenes','Colonies/ Empire'),('Indigenes','Forces Françaises Libres (FFL)'),('Indigenes','Identity'),('Indigenes','Independence Movements'),('Indigenes','Liberation (of France)'),('Indigenes','Memory/ Remembrance'),('Indigenes','Racism'),('Indigenes','Romantic Intrigue'),('Indigenes','Schutzstaffel (SS)'),('Ingrid','Germans'),('Ingrid','Germany'),('Ingrid','Service du Travail Obligatoire (STO)'),('innocents','Childhood'),('innocents','French Army'),('innocents','German Society'),('innocents','Germans'),('innocents','Germany'),('innocents','Post-War Germany'),('innocents','Violence'),('instantmamort','Death'),('instantmamort','Executions/ Firing squad'),('instantmamort','Resistance'),('instantmamort','Trauma'),('InterludeSpain','Imprisonment'),('Isolesoleil','Colonies/ Empire'),('Itinerairesalaudordinaire','Algerian War of Independence (1954-1962)'),('Itinerairesalaudordinaire','Collaboration'),('Itinerairesalaudordinaire','Memory/ Remembrance'),('Itinerairesalaudordinaire','Police'),('Itinerairesalaudordinaire','Post-War Epuration'),('Itsik','Anti-Semitism'),('Itsik','Choice'),('Itsik','Deportation'),('Itsik','Deportation (of Jews)'),('Itsik','Family/ Stages of Life'),('Itsik','Foreigner'),('Itsik','Internment'),('Itsik','Internment Camps'),('Itsik','Jews/ Jewish Experience'),('Itsik','The Everyday and Society'),('Jairepondu','Aerial'),('Jairepondu','British Army'),('Jairepondu','Forces Françaises Libres (FFL)'),('jardinnoir','Chance'),('jardinnoir','Concentration and Extermination Camps'),('jardinnoir','Deception'),('jardinnoir','Family/ Stages of Life'),('jardinnoir','Femininity'),('jardinnoir','Foreigner'),('jardinnoir','Generations'),('jardinnoir','Germans'),('jardinnoir','Guilt & Shame'),('jardinnoir','Masculinity'),('jardinnoir','Political Commitment'),('jardinnoir','Psychology'),('jardinnoir','Revenge'),('jardinnoir','Romantic Intrigue'),('jeandesautres','Critique of Heroism'),('jeandesautres','Denunciations/ Blackmail'),('jeandesautres','Family/ Stages of Life'),('jeandesautres','French Army'),('jeandesautres','Liberation (of France)'),('jeandesautres','Relationships between Generations'),('jeandesautres','Resistance'),('jeandesautres','Sexuality'),('Jeanne','Class'),('Jeanne','Culture'),('Jeanne','Death'),('Jeanne','Exodus'),('Jeanne','Family/ Stages of Life'),('Jeanne','Physical Health'),('Jeanne','Rationing/ Food shortages'),('Jeanne','The Everyday and Society'),('Jefus','Executions/ Firing squad'),('Jefus','Imprisonment'),('Jefus','Liberation (of France)'),('Jefus','Resistance'),('Jefus','Torture'),('Jenetaispasprisonnier','Prisoners of War'),('Jetaisespion','Forces Françaises Libres (FFL)'),('Jetaisespion','Resistance'),('Jetaisespion','Spy'),('jetons','Anti-Semitism'),('jetons','Class'),('jetons','Collaboration'),('jetons','Family/ Stages of Life'),('jetons','Resistance'),('jetons','Ruling Elites'),('jetons','Sexuality'),('jetons','Work'),('Jetueil','American Army'),('Jetueil','Collaboration'),('Jetueil','Colonies/ Empire'),('Jetueil','Post-War Epuration'),('Jeudisaint','Hostages/ Reprisals'),('Jeudisaint','Jews/ Jewish Experience'),('Jeudisaint','Massacre'),('Jeudisaint','Memory/ Remembrance'),('Jeudisaint','Resistance'),('jeunefemme','Art'),('jeunefemme','Deportation (of Jews)'),('jeunefemme','Jews/ Jewish Experience'),('jeunefemme','Memory/ Remembrance'),('jeunefemme','Spoliation'),('Jeunehommeseul','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Jeunehommeseul','Resistance'),('Jeupatience','The Everyday and Society'),('Jeuxinter','Childhood'),('Jeuxinter','Death'),('Jeuxinter','Exodus'),('Jeuxinter','Rural'),('Jollec','Internment'),('Jollec','Romany Deportees'),('Josee','Family/ Stages of Life'),('Josee','Gender'),('Josee','Generations'),('Josee','Les Tondues'),('Josee','Motherhood'),('Josee','Post-War'),('Josee','Prostitution'),('Josee','Sexual act'),('Josee','Sexual Relations with Germans/ German Soldiers'),('Josee','Sexuality'),('Josee','The Everyday and Society'),('JosephLondres','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('JosephLondres','Friendship'),('JosephLondres','La France Libre'),('JosephLondres','Nationalism/ Patriotism'),('JosephLondres','Resistance'),('jourAlbertEinstein','Love'),('jourAlbertEinstein','Memory/ Remembrance'),('jourAlbertEinstein','Resistance'),('Jourfinitplus','British Army'),('Jourfinitplus','Colonial Soldiers'),('Jourfinitplus','Prisoners of War (Capture of)'),('Journal19421944','Anti-Semitism'),('Journal19421944','Deportation (of Jews)'),('Journal19421944','Family/ Stages of Life'),('Journal19421944','Fear'),('Journal19421944','Friendship'),('Journal19421944','Internment'),('Journal19421944','Jews/ Jewish Experience'),('Journal19421944','Literature'),('Journal19421944','Love'),('Journal19421944','Suffering'),('Journal19421944','The Everyday and Society'),('Journalannees','Attitudes, Behaviour, Choices, Emotions'),('Journalannees','Culture'),('Journalannees','Resistance'),('Journalannees','The Everyday and Society'),('Journalaquatre','Adolescence'),('Journalaquatre','Attitudes, Behaviour, Choices, Emotions'),('Journalaquatre','Gender'),('Journalaquatre','Resistance'),('Journalaquatre','The Everyday and Society'),('Journalcaptivite','Imprisonment'),('Journalcollabo','Collaboration'),('Journalcollabo','Jews/ Jewish Experience'),('Journalcollabo','The Everyday and Society'),('Journaldessine','Prisoners of War'),('Journalexile','Exodus'),('Journalexile','Vichy Government'),('Journaltresintime','Death'),('Journaltresintime','Love'),('Journaltresintime','Prisoners of War'),('Journeesdaout','Liberation (of France)'),('Joursheureux','Forces Françaises Libres (FFL)'),('Joursheureux','Jews/ Jewish Experience'),('Joursheureux','Mobilisation'),('Joursheureux','Socialism'),('Joursnotremort','Deportation'),('Juliettecerisiers','Collaboration'),('Juliettecerisiers','Family/ Stages of Life'),('Juliettecerisiers','Parti Populaire Français (PPF)'),('Juliettecerisiers','Post-War Epuration'),('JusquaBergen','British Army'),('JusquaBergen','Concentration and Extermination Camps'),('JusquaBergen','Prisoners of War'),('JusquaBergen','Rationing/ Food shortages'),('Jusqumortensuive','GIs'),('Jusqumortensuive','Racism'),('Jusqumortensuive','Rape'),('Jusqumortensuive','Silence'),('Justeapresguerre','Massacre'),('Justeapresguerre','Post-War Society'),('Justeapresguerre','Prisoners of War'),('Justeapresguerre','The Everyday and Society'),('Justepourplaisir','Guilt & Shame'),('Justepourplaisir','Rafles'),('justescauses','Anti-Semitism'),('justescauses','Choice'),('justescauses','Class'),('justescauses','Far-Right'),('justescauses','Fatherhood'),('justescauses','Liberation (of France)'),('justescauses','Popular Front/ 1930s'),('justescauses','Post-War Epuration'),('justescauses','Post-War Politics'),('justescauses','Post-War Society'),('KZ','Anti-Semitism (Post-War)'),('KZ','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('KZ','Concentration and Extermination Camps'),('KZ','Resistance'),('Labièvre','Class'),('Labièvre','The Everyday and Society'),('LacombeLucien','Collaboration'),('LacombeLucien','Fear'),('LacombeLucien','French Gestapo'),('LacombeLucien','Jews/ Jewish Experience'),('LacombeLucien','Milice (as Part of Vichy Regime)'),('Ladenonciation','Defeat/ Débâcle/ Fall of France'),('Ladenonciation','Family/ Stages of Life'),('Ladenonciation','Rural'),('lagamelle1','Defeat/ Débâcle/ Fall of France'),('lagamelle1','Dunkirk'),('lagamelle1','Fighting'),('lagamelle1','French Army'),('lagamelle1','Phoney-War/ Invasion of France (Spring 1940)'),('Laissezpasser','Bombings'),('Laissezpasser','Cinema'),('Laissezpasser','Collaboration'),('Laissezpasser','Resistance'),('laisseztomber','Crime'),('laisseztomber','Gestapo'),('laisseztomber','Resistance'),('laisseztomber','Sexuality'),('laisseztomber','Violence'),('lajeunefemme','Attitudes, Behaviour, Choices, Emotions'),('lajeunefemme','Gestapo'),('lajeunefemme','Mixed Couples'),('lajeunefemme','Resistance'),('lajeunefemme','Women'),('Laminoirrecitdeporte','Concentration and Extermination Camps'),('Laminoirrecitdeporte','Resistance'),('lamort','Death'),('lamort','Defeat/ Débâcle/ Fall of France'),('lamort','Friendship'),('lamort','Love'),('lamort','Prisoners of War'),('lamort','Violence'),('LAmoura','Adolescence'),('LAmoura','Love'),('LAmoura','Post-War'),('lancien','Crime'),('lancien','Family/ Stages of Life'),('lancien','Historical Research/ Historical Investigation'),('lancien','Memory/ Remembrance'),('lanuitlejour','Memory/ Remembrance'),('lanuitlejour','Sexuality'),('lanuitlejour','Women'),('lapeau','Prisoners of War'),('lapeau','Re-Adaptation to Daily Life on Return from the Camps'),('laplusbelle','Concentration and Extermination Camps'),('laplusbelle','Family/ Stages of Life'),('laplusbelle','Forgetting/ Remembering'),('laplusbelle','Holocaust/ Shoah/ Genocide'),('laplusbelle','Mental Health'),('laplusbelle','Relationships between Generations'),('laplusbelle','Second Generation'),('laplusbelle','Suffering'),('lappel','Prisoners of War'),('lappel','Resistance'),('laseptieme','Internment Camps'),('laseptieme','Romany Deportees'),('Lauriersdulac','Childhood'),('Lauriersdulac','Collaboration'),('Lauriersdulac','Family/ Stages of Life'),('Lauriersdulac','Parti Populaire Français (PPF)'),('Lauriersdulac','Post-War Epuration'),('Lauriersdulac','Vichy Régime'),('Lebouc','Class'),('Lebouc','Landings'),('Lebouc','Love'),('Lebouc','Resistance'),('Lebouc','Rural'),('leconvoi','Commemoration'),('leconvoi','Concentration and Extermination Camps'),('leconvoi','Denunciations/ Blackmail'),('leconvoi','Deportation'),('leconvoi','Political Deportees'),('leconvoi','Resistance'),('leconvoi','Suffering'),('leconvoi','Trauma'),('leconvoi','Women'),('lecourscinquante','Germans'),('lecourscinquante','Historical Research/ Historical Investigation'),('lecourscinquante','Hostages/ Reprisals'),('Legout','Black Market'),('Legout','Class'),('Legout','Collaboration'),('Legout','Death'),('Legout','Family/ Stages of Life'),('Legout','Liberation (of France)'),('Legout','Masculinity'),('Legout','Military/ Paramilitary Collaboration'),('Legout','Post-War Re-Adaptation to Daily Life'),('Legout','Prostitution'),('Legout','Resistance'),('Legout','Sexuality'),('Legout','Violence'),('leipzig','Germany'),('leipzig','Love'),('leipzig','Post-War'),('leipzig','Post-War Germany'),('leipzig','Prisoners of War'),('lemiroir','Forgetting/ Remembering'),('lemiroir','Guilt & Shame'),('LeonM','Catholicism'),('LeonM','Jews/ Jewish Experience'),('LeonM','Liberation (of France)'),('LeonM','Mixed Couples'),('LeonM','Official Church'),('LeonM','Post-War Epuration'),('LeonM','Resistance'),('LePasseur','Resistance'),('Lepre','Algerian War of Independence (1954-1962)'),('Lepre','Betrayal'),('Lepre','Choice'),('Lepre','Collaboration'),('Lepre','Collaborators in Post-War France'),('Lepre','Critique of Heroism'),('Lepre','Denunciations/ Blackmail'),('Lepre','Exile'),('Lepre','Guilt & Shame'),('Lepre','Heroism'),('Lepre','Resistance'),('lepuits','Arrests'),('lepuits','Betrayal'),('lepuits','Black Market'),('lepuits','Childhood'),('lepuits','Class'),('lepuits','Collaboration'),('lepuits','Denunciations/ Blackmail'),('lepuits','Fear'),('lepuits','Milice (as Part of Vichy Regime)'),('lepuits','Oppression'),('lepuits','Profiteering'),('lepuits','Rationing/ Food shortages'),('lepuits','Resistance'),('lepuits','The Everyday and Society'),('lepuits','Vichy Régime'),('lesarbres','Fear'),('lesarbres','Rationing/ Food shortages'),('lesarbres','The Everyday and Society'),('LesCarnets','British Army'),('LesCarnets','Forces Françaises Libres (FFL)'),('LesChaleursaout','Liberation (of France)'),('LesChaleursaout','Revenge'),('lesforets','Adolescence'),('lesforets','Anti-Semitism'),('lesforets','Betrayal'),('lesforets','Choice'),('lesforets','Class'),('lesforets','Collaboration'),('lesforets','Commemoration'),('lesforets','Demarcation Line'),('lesforets','German Soldier'),('lesforets','Post-War Epuration'),('lesforets','Resistance'),('lesforets','Revenge'),('lesforets','The Everyday and Society'),('Lesmaudru','British Army'),('Lesmaudru','Clandestinity'),('Lesmaudru','Collaboration'),('Lesmaudru','Courage'),('Lesmaudru','Defeat/ Débâcle/ Fall of France'),('Lesmaudru','Defeatism'),('Lesmaudru','Depression'),('Lesmaudru','Double Agent'),('Lesmaudru','Dunkirk'),('Lesmaudru','Forbidden Zone (North and North-Eastern France)'),('Lesmaudru','Forces Françaises Libres (FFL)'),('Lesmaudru','Generations'),('Lesmaudru','German Occupation'),('Lesmaudru','Nationalism/ Patriotism'),('Lesmaudru','Occupying Army (Contact with)/ Relations with Germans'),('Lesmaudru','Profiteering'),('Lesmaudru','Relations with Germans/ German Soldiers'),('Lesmaudru','Relationships between Generations'),('Lesmaudru','Rural'),('Lesvaches','Resistance'),('Lesvaches','Rural'),('Lettreotage','Exile'),('LHotel','Collaboration'),('LHotel','Cultural/ Intellectual Collaboration'),('LHotel','German Society'),('LHotel','Nazism'),('LHotel','Pre-War Germany'),('LHotel','Sexual Politics'),('LHotel','Sexual Violence'),('LHotel','Sexuality'),('liberationoiseaux','Childhood'),('liberationoiseaux','Land'),('liberationoiseaux','Liberation (of France)'),('LieutenantKouta','Colonial Soldiers'),('Lignedemarcation','Demarcation Line'),('Lignedemarcation','The Everyday and Society'),('Lignesfaille','Childhood'),('Lignesfaille','Historical Research/ Historical Investigation'),('Lignesfaille','Memory/ Remembrance'),('Lignesfaille','Relationships between Generations'),('Linvitee','Attitudes, Behaviour, Choices, Emotions'),('Linvitee','Choice'),('Linvitee','Identity'),('Linvitee','Intellectuals'),('Linvitee','Love'),('Linvitee','Mixed Couples'),('Linvitee','Philosophy'),('Linvitee','Power'),('Linvitee','Psychology'),('Linvitee','Revenge'),('Linvitee','Theatre'),('Linvitee','Urban'),('Livrecolere','Betrayal'),('Livrecolere','Post-War Trials'),('Livrecolere','Resistance'),('Livretfamille','Cinema'),('Livretfamille','Family/ Stages of Life'),('Livretfamille','Jews/ Jewish Experience'),('Livretfamille','Search for Family Identity'),('Lonekhussard','Denunciations/ Blackmail'),('Lonekhussard','Deportation'),('Lonekhussard','Jews/ Jewish Experience'),('Louise','Anti-Semitism'),('Louise','Attitudes, Behaviour, Choices, Emotions'),('Louise','Family/ Stages of Life'),('Louise','Journalism/ Journalist'),('Louise','Resistance'),('Louise','Siblings'),('Louise','Vichy Government'),('LourdSilence','Adolescence'),('LourdSilence','Critique of Heroism'),('LourdSilence','Deception'),('LourdSilence','Deportation'),('LourdSilence','Family/ Stages of Life'),('LourdSilence','Guilt & Shame'),('LourdSilence','Heroism'),('LourdSilence','Identity'),('LourdSilence','Jews/ Jewish Experience'),('LourdSilence','Memory/ Remembrance'),('LourdSilence','Milice (as Part of Vichy Regime)'),('LourdSilence','Resistance'),('LouveVichy','Collaboration'),('LouveVichy','Family/ Stages of Life'),('LouveVichy','Jews/ Jewish Experience'),('LouveVichy','Motherhood'),('LouveVichy','Resistance'),('LouveVichy','Vichy Government'),('Luneomaha','American Army'),('Luneomaha','D-Day (6th June 1944)'),('Luneomaha','Post-War Society'),('Luneomaha','Secrets'),('Lutetia','Abwehr'),('Lutetia','Collaboration'),('Lutetia','Deportation'),('Lutetia','Holocaust/ Shoah/ Genocide'),('Lutetia','Resistance'),('Lutetia','The Everyday and Society'),('Madelon','Adolescence'),('Madelon','Attitudes, Behaviour, Choices, Emotions'),('Madelon','Resistance'),('Madelon','Rural'),('Magnus','Bombings'),('Magnus','Family/ Stages of Life'),('maincoupee','World War One'),('maison4vents','Prisoners of War'),('maison4vents','Rationing/ Food shortages'),('maison4vents','The Everyday and Society'),('Maisonmortes','Concentration and Extermination Camps'),('Maisonmortes','Deportation'),('Maisonmortes','Escape Networks'),('Maisonmortes','Gestapo'),('Maisonmortes','Resistance'),('Maisonoccupee','External'),('Maisonoccupee','German Occupation'),('Maisonoccupee','Naval'),('Maisonshantees','Psychology'),('maisonvide','Adolescence'),('maisonvide','Deportation (of Jews)'),('maisonvide','Guilt & Shame'),('maisonvide','Jews/ Jewish Experience'),('Maldelicieux','Black Market'),('Maldelicieux','Deportation'),('Maldelicieux','Love'),('Maldelicieux','Spanish Republican Refugees'),('mallunes','Forces Françaises de l\'Intérieur (FFI)'),('mallunes','Milice (as Part of Vichy Regime)'),('mallunes','Post-War Society'),('mallunes','Violence'),('mandarins','Anti-Fascism'),('mandarins','Choice'),('mandarins','Class'),('mandarins','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('mandarins','Epuration (during the Liberation)'),('mandarins','Intellectuals'),('mandarins','Journalism/ Journalist'),('mandarins','Love'),('mandarins','Political Commitment'),('mandarins','Politics and Ideologies'),('mandarins','Post-War Politics'),('mandarins','Post-War Society'),('mandarins','Resistance'),('mandarins','Role of Literature'),('mandarins','Socialism'),('Manipulation','Deception'),('Manipulation','Memory/ Remembrance'),('Manipulation','Resistance'),('Manteaunoir','Bombings'),('Manteaunoir','Childhood'),('Manteaunoir','Health'),('Manteaunoir','Historical Research/ Historical Investigation'),('Manteaunoir','Search for Family Identity'),('Manteaunoir','Trauma'),('Marchaismalgremoi','Adolescence'),('Marchaismalgremoi','Exodus'),('Marchaismalgremoi','Malgré-Nous'),('Marcheetoile','Executions/ Firing squad'),('Marcheetoile','Foreigner'),('Marcheetoile','Jews/ Jewish Experience'),('Marcheetoile','Resistance'),('mareebasse','Adolescence'),('mareebasse','Imprisonment'),('MarieOctobre','Resistance'),('MarieOctobre','Revenge'),('Mariette','Black Market'),('Mariette','Sexuality'),('Marque','Attitudes, Behaviour, Choices, Emotions'),('Marque','French Waffen-SS divisions'),('Marque','Milice (Links with Germans)'),('Marque','Relationships between Generations'),('matiere','Ghosts/ Revenants'),('matiere','Heroism'),('matiere','Historical Research/ Historical Investigation'),('matiere','Resistance'),('Mauditblood','Collaboration'),('Mauditblood','Jews/ Jewish Experience'),('Mauditblood','Milice (as Part of Vichy Regime)'),('Mauditblood','Relationships between Generations'),('Mauthausen','Deportation'),('Mavie','Executions/ Firing squad'),('Mavie','Family/ Stages of Life'),('Mavie','Hostages/ Reprisals'),('Mavie','Vichy Government'),('Max','Arrests'),('Max','Betrayal'),('Max','Clandestinity'),('Max','Denunciations/ Blackmail'),('Max','Fear'),('Max','Forbidden Zone (Zone Rattachée - Bruxelles/ Northern France)'),('Max','Friendship'),('Max','Imprisonment'),('Max','Les Tondues'),('Max','Love'),('Max','Loyalty'),('Max','Repression'),('Max','Resistance'),('Max','Resistance Networks'),('Max','Sauvage'),('Max','Summary Executions'),('Max','Torture'),('Max','Violence'),('Medecinchars','Armistice'),('Medecinchars','Defeat/ Débâcle/ Fall of France'),('Medecinchars','Heroism'),('medecinfrancais','British Army'),('medecinfrancais','Deportation'),('medecinfrancais','Physical Health'),('medecinfrancais','Resistance'),('Melanie','Death'),('Melanie','Defeat/ Débâcle/ Fall of France'),('Melanie','Femininity'),('Melanie','Rationing/ Food shortages'),('Melanie','Women'),('Memecielbleu','Rural'),('Memecielbleu','Socialism'),('Memecielbleu','The Everyday and Society'),('memefleuve','Choice'),('memefleuve','Jews/ Jewish Experience'),('memoirechacale','Algerian War of Independence (1954-1962)'),('memoirejours','Concentration and Extermination Camps'),('memoirejours','Memory/ Remembrance'),('memoirejours','Political Deportees'),('memoirejours','Suffering'),('memoirejours','Trauma'),('memoiremurs','Deportation (of Jews)'),('memoiremurs','Jews/ Jewish Experience'),('memoiremurs','Memory/ Remembrance'),('memoiremurs','Rafles'),('Memoires','Vichy Government'),('Memoiresagentsecret','Deportation'),('Memoiresagentsecret','Forces Françaises Libres (FFL)'),('Memoiresagentsecret','Resistance'),('Memoirescuremaquis','Resistance'),('MemoiresFrancais','Imprisonment'),('MemoiresFrancais','Physical Health'),('MemoiresFrancais','Resistance'),('MemoiresFrancais','Resistance Networks'),('MemoiresFrancais','Vichy Régime'),('MemoiresPehun','Resistance'),('MemoiresPehun','Resistance Networks'),('memoiretatouee','American Army'),('memoiretatouee','Colonies/ Empire'),('memoiretatouee','Rationing/ Food shortages'),('Memorial','Relationships between Generations'),('Memorial','Search for Understanding'),('MeresGlorieuses','Crime'),('MeresGlorieuses','German Soldier'),('MeresGlorieuses','Sexual Relations with Germans/ German Soldiers'),('Mesenfants','Childhood'),('Mesevasions','Prisoners of War (Capture of)'),('MesprisonsSouvenirs','Imprisonment/ Prison'),('MesprisonsSouvenirs','Politics and Ideologies'),('MesprisonsSouvenirs','Vichy Régime'),('metierseigneur','British Army'),('metierseigneur','Denunciations/ Blackmail'),('metierseigneur','Espionage'),('metierseigneur','External'),('metierseigneur','Psychology'),('metierseigneur','Resistance'),('metierseigneur','Spy'),('metierseigneur','Torture'),('Meurtresprmemoire','Algerian War of Independence (1954-1962)'),('Meurtresprmemoire','Deportation'),('Meurtresprmemoire','Historical Research/ Historical Investigation'),('Meurtresprmemoire','Inheritance'),('Meurtresprmemoire','Ruling Elites'),('Meurtresprmemoire','Search for Family Identity'),('Meurtresprmemoire','Vichy Régime'),('Milleregrets','Attitudes, Behaviour, Choices, Emotions'),('Milleregrets','Cowardice'),('Milleregrets','Gender'),('Milleregrets','Men'),('Milleregrets','Rationing/ Food shortages'),('Milleregrets','Romantic Intrigue'),('Milleregrets','Rural'),('Milleregrets','The Everyday and Society'),('Milleregrets','Urban'),('Milleregrets','Women'),('Mirador','Attitudes, Behaviour, Choices, Emotions'),('Mirador','Foreigner'),('Mirador','Generations'),('Mirador','Holocaust/ Shoah/ Genocide'),('Mirador','Jews/ Jewish Experience'),('Mirador','Memory/ Remembrance'),('miroirsded','Childhood'),('miroirsded','Class'),('miroirsded','Collaboration'),('miroirsded','Family/ Stages of Life'),('miroirsded','Post-War Society'),('miroirsded','The Everyday and Society'),('miroirsded','Vichy Régime'),('missak','Anti-Fascism'),('missak','Betrayal'),('missak','Choice'),('missak','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('missak','Denunciations/ Blackmail'),('missak','Executions/ Firing squad'),('missak','Friendship'),('missak','FTP-MOI (Main d\'Oeuvre Immigrée)'),('missak','Immigrant'),('missak','Loyalty'),('missak','Memory/ Remembrance'),('missak','Official/ State Memory'),('missak','Post-War Politics'),('missak','Post-War Society'),('missak','Resistance'),('missakenfant','Executions/ Firing squad'),('missakenfant','Immigrant'),('missakenfant','Politics and Ideologies'),('missakenfant','Resistance'),('MitterrandVichy','Prisoners of War'),('MitterrandVichy','Vichy Government'),('moisson40','De Gaulle/ Support for De Gaulle'),('moisson40','Defeat/ Débâcle/ Fall of France'),('moisson40','Germans'),('moisson40','Prisoners of War (Capture of)'),('Moloch','Childhood'),('MonAlgeriance','Childhood'),('Monlieutenant','Attitudes, Behaviour, Choices, Emotions'),('Monlieutenant','Defeat/ Débâcle/ Fall of France'),('Monlieutenant','French Army'),('Monpere','Childhood'),('Monpere','Class'),('Monpere','Concentration and Extermination Camps'),('Monpere','Crime'),('Monpere','Critique of Heroism'),('Monpere','Family/ Stages of Life'),('Monpere','Guilt & Shame'),('Monpere','Heroism'),('Monpere','Re-Adaptation to Daily Life on Return from the Camps'),('Monpere','Resistance'),('MonsieurLeon','Family/ Stages of Life'),('MonsieurLeon','Resistance'),('MonsieurLeon','Rural'),('MonsieurP','Family/ Stages of Life'),('MonsieurP','Jews/ Jewish Experience'),('MonsieurP','Outsider'),('MonsieurP','Post-War Society'),('MonsieurX','Gestapo'),('MonsieurX','Resistance'),('montagnechacals','Colonial Soldiers'),('montagnechacals','Colonies/ Empire'),('montagnechacals','Independence Movements'),('montagnechacals','Land'),('montagnechacals','Racism'),('mortdEric','Courage'),('mortdEric','Friendship'),('mortdEric','Land'),('mortdEric','Mobilisation'),('morthomme','Armistice'),('morthomme','Defeat/ Débâcle/ Fall of France'),('morthomme','Fear'),('morthomme','Fighting'),('morthomme','Masculinity'),('Mortmetier','Concentration and Extermination Camps'),('Mortmetier','Holocaust/ Shoah/ Genocide'),('Mortmetier','Imprisonment'),('Mortmetier','Massacre'),('Mortmetier','Schutzstaffel (SS)'),('Mortmetier','World War One'),('Mortnoubliepersonne','Class'),('Mortnoubliepersonne','Collaboration'),('Mortnoubliepersonne','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Mortnoubliepersonne','Deportation'),('Mortnoubliepersonne','Memory/ Remembrance'),('Mortnoubliepersonne','Post-War Epuration'),('Mortnoubliepersonne','Post-War Politics'),('Mortnoubliepersonne','Power'),('Mortnoubliepersonne','Resistance'),('Mortnoubliepersonne','Ruling Elites'),('Mortquilfaut','Collaboration'),('Mortquilfaut','Deportation'),('Mortquilfaut','European Main d\'Oeuvre Immigrée (MOI)'),('Mortquilfaut','Franc-Tireurs et Partisans (FTP)'),('Mortquilfaut','Liberation (of France)'),('Mortquilfaut','Memory/ Remembrance'),('Mortquilfaut','Milice (as Part of Vichy Regime)'),('Mortquilfaut','Occupation in the Empire'),('Mortquilfaut','Resistance'),('Mortquilfaut','Spanish Republican Refugees'),('Mortquilfaut','Trauma'),('MortspourFrance','Colonial Soldiers'),('MortspourFrance','Colonies/ Empire'),('MortspourFrance','Concentration and Extermination Camps'),('MortspourFrance','Land'),('Mots','German Soldier'),('Mots','Language'),('Mots','Massacre'),('Mots','Role of Literature'),('MoulesProfesseur','Rationing/ Food shortages'),('MoulesProfesseur','The Everyday and Society'),('moulinfoulon','Collaboration'),('moulinfoulon','Defeat/ Débâcle/ Fall of France'),('moulinfoulon','Exodus'),('moulinfoulon','Love'),('moulinfoulon','Resistance'),('moulinfoulon','Rural'),('moulinfoulon','Suffering'),('mouton','Germans'),('mouton','Imprisonment/ Prison'),('mouton','Resistance'),('mouton','Violence'),('Murdestinee','Childhood'),('Murdestinee','Deportation'),('Murdestinee','Jews/ Jewish Experience'),('Murdestinee','Resistance'),('MursFresnes','Imprisonment'),('MystereStAmbroise','Childhood'),('MystereStAmbroise','Denunciations/ Blackmail'),('MystereStAmbroise','Deportation (of Jews)'),('MystereStAmbroise','Jews/ Jewish Experience'),('MystereStAmbroise','Rafles'),('MystereStAmbroise','Resistance'),('Nainjaune','Family/ Stages of Life'),('Nainjaune','Vichy Government'),('NancyMunster','Imprisonment'),('Nazismetro','Far-Right'),('Nedjma','Violence'),('NegreAmiral','Colonies/ Empire'),('NegreAmiral','Forces Françaises Libres (FFL)'),('NegreAmiral','Identity'),('NegreAmiral','Racism'),('NegreAmiral','Vichy Régime'),('NegrePotemkine','Colonial Soldiers'),('NegrePotemkine','Commemoration'),('Neigesale','Attitudes, Behaviour, Choices, Emotions'),('Neigesale','Collaboration'),('Neigesale','Crime'),('Neigesale','Imprisonment'),('Neigesale','Punishment'),('Neigesale','Violence'),('niagara','Betrayal'),('niagara','Hostages/ Reprisals'),('niagara','Remorse'),('niagara','Resistance'),('Niceprmemoire','Commemoration'),('Niceprmemoire','Deportation'),('Niceprmemoire','Exodus'),('Niceprmemoire','Family/ Stages of Life'),('Niceprmemoire','Memory/ Remembrance'),('Niceprmemoire','Search for Family Identity'),('Niceprmemoire','Search for Understanding'),('Niceprmemoire','Second Generation'),('Niceprmemoire','Trauma'),('Noirtango','Concentration and Extermination Camps'),('Noirtango','Post-War Epuration'),('Noirtango','Post-War Society'),('Noirtango','Post-War Trials'),('Nomcode','Historical Research/ Historical Investigation'),('Nomcode','Resistance'),('nommeLangdon','Secret Service'),('Nonklara','Concentration and Extermination Camps'),('Nonklara','Deportation'),('Nonklara','Jews/ Jewish Experience'),('Nonklara','Post-War Re-Adaptation to Daily Life'),('Nonklara','Rape'),('Nonklara','Trauma'),('Nopassaran','Anti-Semitism'),('Nopassaran','Far-Right'),('Nopassaran','Violence'),('nosdeserts','Adolescence'),('nosdeserts','Anti-Fascism'),('nosdeserts','Anti-Semitism'),('nosdeserts','Childhood'),('nosdeserts','Class'),('nosdeserts','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('nosdeserts','Defeat/ Débâcle/ Fall of France'),('nosdeserts','Family/ Stages of Life'),('nosdeserts','Fascism'),('nosdeserts','Friendship'),('nosdeserts','Land'),('nosdeserts','Phoney-War/ Invasion of France (Spring 1940)'),('nosdeserts','Political Commitment'),('nosdeserts','Popular Front/ 1930s'),('nosdeserts','Prisoners of War'),('nosdeserts','Relationships between Generations'),('nosdeserts','Sexual Politics'),('nosdeserts','Vichy Régime'),('nosdeserts','World War One'),('Nosfantastiques','Crime'),('Nosfantastiques','Memory/ Remembrance'),('Nostalgiemaquis','Friendship'),('Nostalgiemaquis','Resistance'),('Nostalgiemaquis','Rural'),('Notessudafricaines','The Everyday and Society'),('Notreapresguerre','Childhood'),('Notreapresguerre','Family/ Stages of Life'),('Notreapresguerre','Post-War Society'),('Nour','Colonies/ Empire'),('Nour','Forced Labour'),('Nour','Independence Movements'),('Nour','Oppression'),('Nour','Resistance'),('Nouslesterroristes','Gestapo'),('Nouslesterroristes','Resistance'),('Nouslesterroristes','Sabotage'),('Noussommesainsifaits','Forces Françaises Libres (FFL)'),('Noussommesainsifaits','Resistance'),('Nousvoila','Far-Right'),('Nousvoila','Nostalgia'),('Nousvoila','Political Commitment'),('Nousvoila','Politics and Ideologies'),('Nouvelleprison','Attitudes, Behaviour, Choices, Emotions'),('Nouvelleprison','Maquis'),('Nouvelleprison','Police'),('Nouvelleprison','Warfare (Types of)'),('Nstsassassins','Crime'),('Nudite','Adolescence'),('Nudite','Bombings'),('Nudite','Family/ Stages of Life'),('Nudite','Foreigner'),('Nudite','Land'),('Nudite','Love'),('Nuit','Holocaust/ Shoah/ Genocide'),('Nuit','Testimony'),('Nuitbrascasses','Art'),('Nuitbrascasses','Canadian Army'),('Nuitbrascasses','Crime'),('Nuitbrascasses','Denunciations/ Blackmail'),('Nuitbrascasses','Liberation (of France)'),('Nuitbrascasses','Siblings'),('nuitetbrouill','Allied Occupation of Germany'),('nuitetbrouill','Double Agent'),('nuitetbrouill','Espionage'),('nuitetbrouill','Far-Right'),('nuitetbrouill','Nazism'),('nuitetbrouill','Post-War'),('nuitetbrouill','Spy'),('Nuitfinira','Resistance'),('Nuitlongue','German Occupation'),('nuitmerveilleuse','Exodus'),('nuitmerveilleuse','Refugees (Internal)'),('Nuitpasnuit','Childhood'),('Nuitpasnuit','Deportation'),('Nuitpasnuit','Music'),('Nuitverslumiere','Resistance'),('OdeLondresbombardee','Bombings'),('OdeLondresbombardee','Radio'),('Oeilauberge','Family/ Stages of Life'),('Oeilauberge','Milice (as Part of Vichy Regime)'),('Oeilauberge','Physical Health'),('Oeilauberge','Revenge'),('officier','Defeat/ Débâcle/ Fall of France'),('officier','Exodus'),('officier','Fighting'),('officier','French Army'),('officier','Phoney-War/ Invasion of France (Spring 1940)'),('officier','Vichy Régime'),('officiertradition','Allied Occupation of Germany'),('officiertradition','German Military'),('officiertradition','Germans'),('officiertradition','Judgment'),('officiertradition','Massacre'),('officiertradition','Post-War'),('officiertradition','Revenge'),('okjoe','American Army'),('okjoe','Bombings'),('okjoe','Les Tondues'),('okjoe','Liberation (of France)'),('okjoe','Racism'),('okjoe','The Everyday and Society'),('OmahaCrimes','American Army'),('OmahaCrimes','Secrets'),('Ombrepere','Collaboration'),('Ombrepere','Far-Right'),('Ombrepere','Post-War Epuration'),('Ombrepere','Prisoners of War'),('Ombrepere','Relationships between Generations'),('Ombrepere','Vichy Government'),('Onnepeut','Anti-Semitism'),('Onnepeut','Repression'),('Onnepeut','Resistance'),('Onnepeut','Rural'),('Onnepeut','Schutzstaffel (SS)'),('Onnepeut','Violence'),('Onziemeheure','Betrayal'),('Onziemeheure','Choice'),('Onziemeheure','Collaboration'),('Onziemeheure','Collaborators in Post-War France'),('Onziemeheure','Guilt & Shame'),('Onziemeheure','Local Politics/ Regional Politics'),('Onziemeheure','Post-War Epuration'),('Onziemeheure','Resistance'),('OrdenerLabat','Childhood'),('OrdenerLabat','Deportation'),('OrdenerLabat','Family/ Stages of Life'),('OrdenerLabat','Jews/ Jewish Experience'),('Origineviolence','Concentration and Extermination Camps'),('Origineviolence','Family/ Stages of Life'),('Orpailleurs','Concentration and Extermination Camps'),('Orpailleurs','Crime'),('Orpailleurs','Deportation'),('Ouedcrue','Algerian War of Independence (1954-1962)'),('Ouedcrue','Colonial Soldiers'),('oujevais','Resistance'),('Ouragan','Exodus'),('Pacteassassins','Concentration and Extermination Camps'),('Pacteassassins','Memory/ Remembrance'),('Pacteassassins','Political Deportees'),('Pacteassassins','Power'),('Pacteassassins','Repression'),('paillenoire','Betrayal'),('paillenoire','Class'),('paillenoire','Femininity'),('paillenoire','Oppression'),('paillenoire','Resistance'),('paillenoire','Sexuality'),('Parachutesmaquis','Courage'),('Parachutesmaquis','Forces Françaises Libres (FFL)'),('Parachutesmaquis','Heroism'),('Parachutesmaquis','Internal'),('Parachutesmaquis','Resistance'),('Paradeimpies','Attitudes, Behaviour, Choices, Emotions'),('Paradeimpies','Family/ Stages of Life'),('Paradeimpies','The Everyday and Society'),('Parcsauvage','Childhood'),('Parcsauvage','Jews/ Jewish Experience'),('Parcsauvage','Spanish Civil War'),('Parcsauvage','Spy'),('Parisbrule','Forces Françaises Libres (FFL)'),('Parisbrule','German Occupation'),('Parisbrule','Resistance'),('Parisfenetre','The Everyday and Society'),('Parolesterrelarmes','Colonies/ Empire'),('Parolesterrelarmes','Femininity'),('Parolesterrelarmes','Love'),('Parolesterrelarmes','Mental Health'),('Partautre','Role of Art'),('Partirontivresse','Attitudes, Behaviour, Choices, Emotions'),('Partirontivresse','Family/ Stages of Life'),('Partirontivresse','Gender'),('Partirontivresse','Gestapo'),('Partirontivresse','Libération'),('Partirontivresse','Love'),('Partirontivresse','The Everyday and Society'),('pasfacile','Family/ Stages of Life'),('pasfacile','Refugees (Foreign)'),('Pasheros','American Army'),('Pasheros','British Army'),('Pasheros','Chantiers de Jeunesse'),('Pasheros','Critique of Heroism'),('Pasheros','Family/ Stages of Life'),('Pasheros','Generations'),('Pasheros','Germany'),('Pasheros','Japanese Occupation in Indochina'),('Pasheros','Jews/ Jewish Experience'),('Pasheros','Post-War Politics'),('Pasheros','Post-War Society'),('Pasheros','Service du Travail Obligatoire (STO)'),('Pasheros','The Everyday and Society'),('Pasheros','World War One'),('PasKaddish','Holocaust/ Shoah/ Genocide'),('PasKaddish','Relationships between Generations'),('PasKaddish','Schutzstaffel (SS)'),('pasperdutemps','Culture'),('pasperdutemps','Literature'),('pasperdutemps','Resistance'),('PassageLigne1','Concentration and Extermination Camps'),('PassageLigne1','Deportation'),('passageligne2','Attitudes, Behaviour, Choices, Emotions'),('passageligne2','Clandestinity'),('passageligne2','Demarcation Line'),('passageligne2','Intellectual Resistance'),('passageligne2','Resistance'),('passageligne2','The Everyday and Society'),('Passagelignes','Prisoners of War'),('Passemuraille','Rationing/ Food shortages'),('Passemuraille','The Everyday and Society'),('Passesupplementaire','Vichy Régime'),('passetablerase','Algerian War of Independence (1954-1962)'),('passetablerase','Black Market'),('passetablerase','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('passetablerase','Denunciations/ Blackmail'),('passetablerase','Post-War Politics'),('passetablerase','Service du Travail Obligatoire (STO)'),('Patriotes','Resistance'),('Patriotes','The Everyday and Society'),('PaulineAgentsecret','Courage'),('PaulineAgentsecret','Espionage'),('Paysagecendres','Holocaust/ Shoah/ Genocide'),('Paysagecendres','Jews/ Jewish Experience'),('Paysagecendres','Memory/ Remembrance'),('Paysagecendres','Post-War Re-Adaptation to Daily Life'),('Peignenecaille','Holocaust/ Shoah/ Genocide'),('Peignenecaille','Internment'),('Peignenecaille','Jews/ Jewish Experience'),('peloton','Betrayal'),('peloton','Clandestinity'),('peloton','Class'),('peloton','Double Agent'),('peloton','Femininity'),('peloton','Gender'),('peloton','German Soldier'),('peloton','Gestapo'),('peloton','Masculinity'),('peloton','Nationalism/ Patriotism'),('peloton','Resistance'),('PelotonLeclerc','Commemoration'),('PelotonLeclerc','French Army'),('PelotonLeclerc','Liberation (of France)'),('penitent','Catholicism'),('penitent','Resistance'),('penitent','The Everyday and Society'),('Penseresistance','Memory/ Remembrance'),('Penseresistance','Resistance'),('Perepetite','Childhood'),('Perepetite','Family/ Stages of Life'),('Perepetite','Fatherhood'),('Perepetite','Prisoners of War'),('Perilsroyaume','Expropriation'),('Perilsroyaume','Resistance'),('Perruche','Black Market'),('Perruche','Expropriation'),('Perruche','Humour'),('Perruche','Profiteering'),('Perruche','Relations with Germans/ German Soldiers'),('Perruche','Resistance'),('Perruche','Revenge'),('Perruche','Sexuality'),('Perruche','The Everyday and Society'),('Petainiste','Collaboration'),('Petainiste','Imprisonment'),('Petainiste','WWI Veterans'),('Petitcanard','Adolescence'),('Petitcanard','Attitudes, Behaviour, Choices, Emotions'),('Petitcanard','Légion des Volontaires Français (LVF)'),('Petitefille','Childhood'),('Petitefille','Death'),('Petitefille','Deportation'),('Petitefille','Family/ Stages of Life'),('Petitefille','Holocaust/ Shoah/ Genocide'),('Petitefille','Identity'),('Petitefille','Jews/ Jewish Experience'),('Petitefille','Rafles'),('Petitefillesemaphore','Sexuality'),('Petitefillesemaphore','The Everyday and Society'),('Petitgarcon','Childhood'),('Petitgarcon','Family/ Stages of Life'),('Petitgarcon','Fatherhood'),('Petitgarcon','German Soldier'),('Petitgarcon','Relations with Germans/ German Soldiers'),('Petitgarcon','Resistance'),('Petitgarcon','Secrets'),('Petitgarcon','The Everyday and Society'),('Petitgeneral','Attentisme'),('Petitgeneral','Defeat/ Débâcle/ Fall of France'),('Petitgeneral','French Army'),('Peurroute','Adolescence'),('Peurroute','Exodus'),('Piedsnus','Childhood'),('Piedsnus','Jews/ Jewish Experience'),('Piege','Collaboration'),('Piege','Hostages/ Reprisals'),('Piege','Police'),('Piege','Vichy Government'),('pilotedeguerre','Aerial'),('pilotedeguerre','Defeat/ Débâcle/ Fall of France'),('Pionsechiquier','Concentration and Extermination Camps'),('Pionsechiquier','Prisoners of War'),('Pitchipoi','Anti-Semitism'),('Pitchipoi','Concentration and Extermination Camps'),('Pitchipoi','Deportation'),('Pitchipoi','Family/ Stages of Life'),('Pitchipoi','Holocaust/ Shoah/ Genocide'),('Pitchipoi','Identity'),('Pitchipoi','Jews/ Jewish Experience'),('Pitchipoi','Memory/ Remembrance'),('Pitchipoi','Relationships between Generations'),('Pitchipoi','Resistance'),('Pitchipoi','Silence'),('PlaceEtoile','Anti-Semitism'),('PlaceEtoile','Jews/ Jewish Experience'),('PlaceEtoile','Post-War Society'),('Placerouge','Commemoration'),('Placerouge','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Placerouge','German-Soviet Pact'),('Placerouge','Memory/ Remembrance'),('Placerouge','Post-War Re-Adaptation to Daily Life'),('Placerouge','Resistance'),('Placerouge','World War One'),('Plaintesespoirs','Imprisonment'),('PlaisirDieu','Attitudes, Behaviour, Choices, Emotions'),('PlaisirDieu','Family/ Stages of Life'),('PlaisirDieu','Repression'),('PlaisirDieu','The Everyday and Society'),('Plastiqueuse','BCRA, RG'),('Plastiqueuse','Forces Françaises Libres (FFL)'),('Plastiqueuse','Gender'),('Plastiqueuse','Resistance'),('Plastiqueuse','Sabotage'),('Pleinvent','Resistance'),('Pluscalmevisage','Defeat/ Débâcle/ Fall of France'),('Pluscalmevisage','Mobilisation'),('poidsfeu','Betrayal'),('poidsfeu','Concentration and Extermination Camps'),('poidsfeu','Denunciations/ Blackmail'),('poidsfeu','Family/ Stages of Life'),('poidsfeu','Fear'),('poidsfeu','Revenge'),('Pontkwai','British Army'),('Pontkwai','Japanese Occupation in Indochina'),('Pontkwai','Prisoners of War'),('Pontkwai','Secret Service'),('PontsurLoire','Colonial Soldiers'),('PontsurLoire','Exodus'),('PontsurLoire','Phoney-War/ Invasion of France (Spring 1940)'),('portraits','Rationing/ Food shortages'),('portraits','The Everyday and Society'),('portraits','Vichy Régime'),('Poulpes','Post-War Re-Adaptation to Daily Life'),('Poulpes','Prisoners of War (Capture of)'),('Poulpes','Prisoners of War (Vichy Control of)'),('Premiercombat','Colonial Soldiers'),('Premiercombat','Defeat/ Débâcle/ Fall of France'),('Premiercombat','Resistance'),('Premiercombat','Torture'),('premierepierre','Betrayal'),('premierepierre','Black Market'),('premierepierre','Class'),('premierepierre','Collaboration'),('premierepierre','Culture'),('premierepierre','Deception'),('premierepierre','Defeat/ Débâcle/ Fall of France'),('premierepierre','Deportation'),('premierepierre','Exodus'),('premierepierre','Family/ Stages of Life'),('premierepierre','German Soldier'),('premierepierre','Jews/ Jewish Experience'),('premierepierre','Post-War Epuration'),('premierepierre','Resistance'),('premierepierre','Secrets'),('prenomrepub','Algerian War of Independence (1954-1962)'),('prenomrepub','Childhood'),('prenomrepub','Concentration and Extermination Camps'),('prenomrepub','Guilt & Shame'),('prenomrepub','Jews/ Jewish Experience'),('Presbyterebagnesnazis','Catholicism'),('Presbyterebagnesnazis','Concentration and Extermination Camps'),('Presbyterebagnesnazis','Deportation'),('Printempstragique','Defeat/ Débâcle/ Fall of France'),('Printempstragique','Defeatism'),('Printempstragique','Exodus'),('Prisondeportation','American Army'),('Prisondeportation','Catholicism'),('Prisondeportation','Concentration and Extermination Camps'),('Prisondeportation','Deportation'),('PrisonnierB','American Army'),('PrisonnierB','Forces Françaises de l\'Intérieur (FFI)'),('Prisonnieremaquis','Femininity'),('Prisonnieremaquis','Imprisonment'),('Prisonnieremaquis','Resistance'),('PrisonnierP','Attitudes, Behaviour, Choices, Emotions'),('PrisonnierP','Psychology'),('Prisonnierregard','Colonial Soldiers'),('Prisonnierregard','World War One'),('PrisonniersaNeufBrisach','Imprisonment'),('Prisonsjaponaises','Japanese Occupation in Indochina'),('Prisonsjaponaises','Prisoners of War'),('Prisonsjaponaises','Violence'),('Prisonstragiques','American Army'),('Prisonstragiques','Deportation'),('Prisonstragiques','Imprisonment'),('Projectionsprivees','Adolescence'),('Projectionsprivees','Anti-Semitism'),('Projectionsprivees','Deportation'),('Projectionsprivees','Family/ Stages of Life'),('PromeneurchampsMars','Secrets'),('PromeneurchampsMars','Vichy Government'),('Promesseaube','Family/ Stages of Life'),('Promesseaube','Forces Françaises Libres (FFL)'),('Promesseaube','Motherhood'),('pseudovaincu','Anti-Semitism'),('pseudovaincu','Black Market'),('pseudovaincu','Fear'),('pseudovaincu','Hostages/ Reprisals'),('pseudovaincu','Jews/ Jewish Experience'),('pseudovaincu','Liberation (of France)'),('pseudovaincu','Occupying Army (Contact with)/ Relations with Germans'),('pseudovaincu','Rationing/ Food shortages'),('pseudovaincu','Repression'),('pseudovaincu','Suffering'),('pseudovaincu','The Everyday and Society'),('Psyshowpathe','Resistance'),('Psyshowpathe','Sexuality'),('Ptesnuits','Collaborators in Post-War France'),('Ptesnuits','Critique of Heroism'),('Ptesnuits','Heroism'),('Ptesnuits','Milice (as Part of Vichy Regime)'),('Ptesnuits','Remorse'),('Quandlamer','Liberation (of France)'),('Quandlamer','Memory/ Remembrance'),('quandviendra','War Criminals'),('Quatreans','Attitudes, Behaviour, Choices, Emotions'),('Quatreans','Cultural/ Intellectual Collaboration'),('Quatreans','Epuration (during the Liberation)'),('Quatreans','Role of Art'),('Quatreanslutte','Franc-Tireurs et Partisans (FTP)'),('Quatreanslutte','Maquis'),('Quatreanslutte','Resistance'),('Quatrestalag','Attitudes, Behaviour, Choices, Emotions'),('Quatrestalag','Légion des Volontaires Français (LVF)'),('Quatrestalag','Parti Populaire Français (PPF)'),('Quatrestalag','Prisoners of War (Capture of)'),('Quatriemecommand','Black Market'),('Quatriemecommand','Collaboration'),('Quatriemecommand','Denunciations/ Blackmail'),('Quatriemecommand','Family/ Stages of Life'),('Quatriemecommand','Gender'),('Quatriemecommand','German Soldier'),('Quatriemecommand','Gestapo'),('Quatriemecommand','Relationships between Generations'),('Quatriemecommand','Resistance'),('Quatriemecommand','Sexual Politics'),('Quediraije','Attitudes, Behaviour, Choices, Emotions'),('Quediraije','Collaboration'),('Quediraije','Family/ Stages of Life'),('Quediraije','French Waffen-SS divisions'),('Quediraije','Milice (Links with Germans)'),('quelquepartfront','Aerial'),('quelquepartfront','Fighting'),('quelquepartfront','French Army'),('quelquepartfront','Journalism/ Journalist'),('quelquepartfront','Land'),('quelquepartfront','Phoney-War/ Invasion of France (Spring 1940)'),('Queos','Concentration and Extermination Camps'),('Queos','Criminal Collaboration'),('Queos','Milice (as Part of Vichy Regime)'),('Queos','Regional Nationalism'),('quinzeans','Bombings'),('quinzeans','Family/ Stages of Life'),('quinzeans','Fear'),('quinzeans','German Army'),('quinzeans','Russian Army'),('Quitouchecorps','Family Policy'),('Quitouchecorps','Family/ Stages of Life'),('Quitouchecorps','Femininity'),('Quitouchecorps','Motherhood'),('Quitouchecorps','Vichy Régime'),('Quoideneuf','Anti-Semitism'),('Quoideneuf','Anti-Semitism (Post-War)'),('Quoideneuf','Childhood'),('Quoideneuf','Commemoration'),('Quoideneuf','Concentration and Extermination Camps'),('Quoideneuf','Deportation'),('Quoideneuf','Expropriation'),('Quoideneuf','Family/ Stages of Life'),('Quoideneuf','Jews/ Jewish Experience'),('Quoideneuf','Memory/ Remembrance'),('Quoideneuf','Post-War Society'),('Quoideneuf','Rafles'),('Quoideneuf','Trauma'),('Quoideneuf','Workplace'),('RadeauMeduse','Imprisonment'),('RadioToulouse','Exodus'),('RadioToulouse','Imprisonment'),('RadioToulouse','Radio'),('rafle','Health'),('rafle','Jews/ Jewish Experience'),('Rage','Algerian War of Independence (1954-1962)'),('Rage','Milice (as Part of Vichy Regime)'),('Rage','Silence'),('Rage','Violence'),('Rageconvaincre','Aerial'),('Rapaces','Indochinese War of Independence (1946-1954)'),('Rapaces','Love'),('Rapaces','Rationing/ Food shortages'),('Ravage','Attitudes, Behaviour, Choices, Emotions'),('Ravage','Defeat/ Débâcle/ Fall of France'),('Ravage','Exodus'),('Ravensbruckenferfemmes','Deportation'),('Ravensbruckenferfemmes','Femininity'),('Ravensbruckenferfemmes','Women'),('Ravinesdevantjour','Childhood'),('Ravinesdevantjour','Colonies/ Empire'),('Rebellessoldats','Post-War Politics'),('Rebellessoldats','Resistance'),('Rechercheverite','Deportation'),('Refus','Colonial Soldiers'),('Refus','Massacres of Colonial Soldiers (1940)'),('Refus','Resistance'),('Regardetoi','Concentration and Extermination Camps'),('Regardetoi','De Gaulle/ Support for De Gaulle'),('Regardetoi','Deportation'),('Regardetoi','Post-War Re-Adaptation to Daily Life'),('Regardetoi','Resistance'),('RegneBete','Oppression'),('RegneBete','The Everyday and Society'),('reinedeuxempires','Colonies/ Empire'),('reinedeuxempires','Resistance'),('Relaiserrants','Anti-Semitism'),('Relaiserrants','Catholicism'),('Relaiserrants','Concentration and Extermination Camps'),('Relaiserrants','Forces Françaises Libres (FFL)'),('Relaiserrants','Internment'),('Relaiserrants','Jews/ Jewish Experience'),('Relaiserrants','Religion and Belief'),('Releve','Resistance'),('Releve','Service du Travail Obligatoire (STO)'),('Remisepeine','Childhood'),('Renaissante','Memory/ Remembrance'),('Renaissante','Post-War Epuration'),('Renaissante','Post-War Re-Adaptation to Daily Life'),('Renaissante','Post-War Trials'),('renaitra','Fear'),('renaitra','Generations'),('renaitra','Local Politics/ Regional Politics'),('renaitra','Maquis'),('renaitra','Resistance'),('renaitra','Rural'),('renaitra','Suffering'),('renaitra','The Everyday and Society'),('renaitra','Vichy Régime'),('renaitra','Youth'),('Rencontrehommes','Class'),('Rencontrehommes','Resistance'),('rendezvousaube','Anti-Semitism'),('rendezvousaube','Denunciations/ Blackmail'),('rendezvousaube','Official Church'),('rendezvousaube','Politics and Ideologies'),('rendezvousaube','Religion and Belief'),('rendezvousaube','Resistance'),('rendezvousaube','Spanish Civil War'),('Represailles','Collaboration'),('Represailles','Liberation (of France)'),('Represailles','Milice (as Part of Vichy Regime)'),('Represailles','Post-War Epuration'),('Represailles','Prisoners of War'),('Reseauclandestin','Childhood'),('Reseauclandestin','Jews/ Jewish Experience'),('Reseauclandestin','Prisoners of War'),('Reseauclandestin','Resistance'),('resilience','Childhood'),('resilience','Japanese Army'),('resilience','Japanese Occupation in Indochina'),('resilience','Resistance'),('Resistanceordinaire','Jews/ Jewish Experience'),('Resistanceordinaire','Resistance'),('Resistanceordinaire','The Everyday and Society'),('Resistant','Adolescence'),('Resistant','Masculinity'),('Resistant','Resistance'),('resistantialisme','Defeat/ Débâcle/ Fall of France'),('resistantialisme','Fighting'),('resistantialisme','Masculinity'),('resistantialisme','Resistance'),('resistantialisme','World War One'),('ressusciteront','Concentration and Extermination Camps'),('ressusciteront','Deportation'),('ressusciteront','Re-Adaptation to Daily Life on Return from the Camps'),('Retablereverie','Bombings'),('Retablereverie','Family/ Stages of Life'),('Retablereverie','Motherhood'),('retourfront','Land'),('RetourTanteEmma','Re-Adaptation to Daily Life on Return from the Camps'),('RetourTanteEmma','Suffering'),('revenantes','Allied Armies'),('revenantes','Concentration and Extermination Camps'),('revenantes','Post-War'),('revenantes','Post-War Society'),('revenantes','Re-Adaptation to Daily Life on Return from the Camps'),('Reveurcasque','Attitudes, Behaviour, Choices, Emotions'),('Reveurcasque','Eastern Front'),('Reveurcasque','French Waffen-SS divisions'),('Reveurcasque','Post-War Trials'),('Reveurcasque','Warfare (Types of)'),('revnat','Class'),('revnat','Local Politics/ Regional Politics'),('revnat','Politics and Ideologies'),('revnat','Rural'),('revnat','Vichy Régime'),('Ringmort','Choice'),('Ringmort','Deportation'),('Ringmort','Schutzstaffel (SS)'),('rireogre','German Soldier'),('rireogre','Germany'),('rireogre','Inheritance'),('rireogre','Memory/ Remembrance'),('rireogre','Resistance'),('rireogre','Romantic Intrigue'),('rireogre','Trauma'),('Ritournellefaim','Family/ Stages of Life'),('Ritournellefaim','Rationing/ Food shortages'),('Rivesirrawaddy','Germany'),('Rivesirrawaddy','Internment'),('Rivesirrawaddy','Love'),('Rivesirrawaddy','Resistance'),('Roiaulnes','Collaboration'),('Roiaulnes','Defeat/ Débâcle/ Fall of France'),('Roiaulnes','German Culture'),('Roiaulnes','Germany'),('Roiaulnes','Nazism'),('Roiaulnes','Prisoners of War'),('Roiaulnes','Schutzstaffel (SS)'),('Romanrusse','Collaboration'),('Romanrusse','Family/ Stages of Life'),('Romanrusse','Ghosts/ Revenants'),('Romanrusse','Insanity'),('Romanrusse','Mental Health'),('Romanrusse','Relationships between Generations'),('Romanrusse','Secrets'),('RoseFrance','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('RoseFrance','Courage'),('RoseFrance','Resistance'),('Rougeblanc','Attitudes, Behaviour, Choices, Emotions'),('Rougeblanc','Collaboration'),('Rougeblanc','Prisoners of War'),('Rougeblanc','Vichy Régime'),('Rouille','Anti-Semitism'),('Rouille','Defeat/ Débâcle/ Fall of France'),('Rouille','Resistance'),('Rouille','The Everyday and Society'),('Routerom','Bombings'),('Routerom','Deportation'),('Routerom','Identity'),('Routerom','Imprisonment'),('Routerom','Internment'),('Rueliberte','Concentration and Extermination Camps'),('Rueliberte','Deportation'),('Rueliberte','Imprisonment/ Prison'),('Rueliberte','Political Deportees'),('Rueliberte','Religion and Belief'),('Rueliberte','Resistance'),('Rueliberte','Spirituality'),('RueParis','Adolescence'),('RueParis','Concentration and Extermination Camps'),('RueParis','Exile'),('rueroi','Historical Research/ Historical Investigation'),('rueroi','Hostages/ Reprisals'),('rueroi','Resistance'),('Sabots','Deportation'),('Sacdebilles','Anti-Semitism'),('Sacdebilles','Demarcation Line'),('Sacdebilles','Deportation'),('Sacdebilles','Humour'),('Sacdebilles','Jews/ Jewish Experience'),('Sacdebilles','Loss of Childhood'),('Sacdebilles','Love'),('Sacdebilles','Loyalty'),('Sacdebilles','Luck'),('Sacdebilles','Official Church'),('Sacdebilles','The Everyday and Society'),('Sacrificematin','Forces Françaises de l\'Intérieur (FFI)'),('Sacrificematin','Gestapo'),('Sacrificematin','Resistance'),('Sacrificematin','Resistance Movements'),('sacrilege','Colonies/ Empire'),('sacrilege','Japanese Occupation in Indochina'),('SaintMartinfermee','Concentration and Extermination Camps'),('SaintMartinfermee','Identity'),('SaintMartinfermee','Internment Camps'),('SaintMartinfermee','Memory/ Remembrance'),('Sakebrumes','Far-Right'),('Sakebrumes','Historical Research/ Historical Investigation'),('Sakebrumes','Japanese Army'),('Sakebrumes','Memory/ Remembrance'),('salaudsviedure','Collaboration'),('salaudsviedure','Crime'),('salaudsviedure','Friendship'),('salaudsviedure','Maquis'),('salaudsviedure','Milice (as Part of Vichy Regime)'),('salaudsviedure','Police'),('salaudsviedure','Resistance'),('salido','Phoney-War/ Invasion of France (Spring 1940)'),('salido','Refugees (Internal)'),('salido','Spanish Civil War'),('Samba','Colonial Soldiers'),('Samba','Colonies/ Empire'),('Samba','Defeat/ Débâcle/ Fall of France'),('sangaquarelle','Cinema'),('sangaquarelle','Collaboration'),('sangaquarelle','German Control of French Cinema'),('sangautres','Anti-Fascism'),('sangautres','Anti-Semitism'),('sangautres','Choice'),('sangautres','Class'),('sangautres','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('sangautres','Exodus'),('sangautres','Family/ Stages of Life'),('sangautres','Hostages/ Reprisals'),('sangautres','Love'),('sangautres','Phoney-War/ Invasion of France (Spring 1940)'),('sangautres','Popular Front/ 1930s'),('sangautres','Rafles'),('sangautres','Remorse'),('sangautres','Resistance'),('sangautres','Socialism'),('sangautres','Spanish Civil War'),('Sanglotsfete','Deportation'),('Sanglotsfete','Jews/ Jewish Experience'),('Sanglotsfete','Rape'),('Sanglotslongs','Family/ Stages of Life'),('Sanglotslongs','Memory/ Remembrance'),('Sanglotslongs','Post-War'),('Sanglotslongs','Resistance'),('Sanglotslongsviolons','Liberation (of France)'),('Sanglotslongsviolons','Resistance'),('Sangor','Concentration and Extermination Camps'),('Sangor','Violence'),('Sansaccent','Holocaust/ Shoah/ Genocide'),('Sansaccent','Jews/ Jewish Experience'),('Sansaccent','Second Generation'),('sappelaitsarah','Childhood'),('sappelaitsarah','Deportation (of Jews)'),('sappelaitsarah','Internment'),('sappelaitsarah','Jews/ Jewish Experience'),('sappelaitsarah','Memory/ Remembrance'),('sappelaitsarah','Rafles'),('sappelaitsarah','Secrets'),('sappelaitsarah','Silence'),('sappelaitsarah','Suffering'),('Sarzan','Colonies/ Empire'),('Sarzan','Mental Health'),('satraperouge','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('satraperouge','Far-Right'),('satraperouge','Local Politics/ Regional Politics'),('satraperouge','Resistance'),('Sautez','Aerial'),('Sautez','British Army'),('Sautez','Forces Françaises Libres (FFL)'),('Scenesviebagne','Concentration and Extermination Camps'),('Scenesviebagne','Deportation'),('Secret','Childhood'),('Secret','Family/ Stages of Life'),('Secret','Holocaust/ Shoah/ Genocide'),('Secret','Secrets'),('Selguerre','Police'),('selsoufre','Anti-Semitism'),('selsoufre','Betrayal'),('selsoufre','Chance'),('selsoufre','Deportation'),('selsoufre','Deportation (of Jews)'),('selsoufre','Family/ Stages of Life'),('selsoufre','Fear'),('selsoufre','Holocaust/ Shoah/ Genocide'),('selsoufre','Jews/ Jewish Experience'),('selsoufre','Suffering'),('senvatenguerre','Family/ Stages of Life'),('senvatenguerre','Generations'),('senvatenguerre','Love'),('senvatenguerre','Resistance'),('senvatenguerre','World War One'),('Servitude','Catholicism'),('Servitude','Choice'),('Servitude','Class'),('Servitude','Collaboration'),('Servitude','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Servitude','Denunciations/ Blackmail'),('Servitude','German Soldier'),('Servitude','Maquis'),('Servitude','Masculinity'),('Servitude','Oppression'),('Servitude','Radio'),('Servitude','Resistance'),('Servitude','The Everyday and Society'),('Servitude','Violence'),('Seulbutvictoire','Forces Françaises Libres (FFL)'),('Seulbutvictoire','French Army'),('Seulennemi','Collaboration'),('Seulennemi','German Soldier'),('siegfried','Adolescence'),('siegfried','Allied Occupation of Germany'),('siegfried','Collaboration'),('siegfried','Friendship'),('siegfried','German Culture'),('siegfried','German Soldier'),('siegfried','Germany'),('siegfried','Masculinity'),('siegfried','Nationalism/ Patriotism'),('siegfried','Post-War Society'),('siegfried','Search for Understanding'),('silencearmes','Algerian War of Independence (1954-1962)'),('Silencemer','Collaboration'),('Silencemer','German Soldier'),('Silencemer','Resistance'),('simplemot','Fighting'),('simplemot','Love'),('simplemot','Massacres of Colonial Soldiers (1940)'),('simplemot','Racism'),('simplemot','Resistance'),('simpleverite','Arrests'),('simpleverite','Concentration and Extermination Camps'),('simpleverite','De Gaulle/ Support for De Gaulle'),('simpleverite','Deportation'),('simpleverite','Gestapo'),('simpleverite','Heroism'),('simpleverite','Imprisonment'),('simpleverite','Resistance'),('simpleverite','Resistance Movements'),('simpleverite','Resistance Networks'),('simpleverite','Schutzstaffel (SS)'),('Sipetiteflamme','Jews/ Jewish Experience'),('Sipetiteflamme','Memory/ Remembrance'),('Socrate','Betrayal'),('Socrate','Choice'),('Socrate','Collaboration'),('Socrate','Concentration and Extermination Camps'),('Socrate','Death'),('Socrate','Friendship'),('Socrate','Internment'),('Socrate','Jews/ Jewish Experience'),('Socrate','Religion and Belief'),('Socrate','Resistance'),('Socrate','World War One'),('Soeuryeuxasie','Colonies/ Empire'),('Soeuryeuxasie','Exodus'),('Soeuryeuxasie','Family/ Stages of Life'),('Soldatfrancaoui','Bombings'),('Soldatfrancaoui','Colonies/ Empire'),('Soldatfrancaoui','Critique of Heroism'),('Soldatfrancaoui','Forces Françaises Libres (FFL)'),('Soldatfrancaoui','Heroism'),('Soldatssansespoir','Defeat/ Débâcle/ Fall of France'),('Soldatssansespoir','World War One'),('Sommeiljuste','Colonies/ Empire'),('Songe','Concentration and Extermination Camps'),('Souille','Collaboration'),('sourdeoreille','Armistice Army'),('sourdeoreille','The Everyday and Society'),('sourdeoreille','Vichy Régime'),('Souriredieux','Colonies/ Empire'),('Souriredieux','Independence Movements'),('Souriredieux','Japanese Occupation in Indochina'),('Souriredieux','Love'),('Souriredieux','Post-War Epuration'),('sourisverte','Forces Françaises Libres (FFL)'),('sourisverte','German Soldier'),('sourisverte','Love'),('sourisverte','Resistance'),('Soussignetriangle','Concentration and Extermination Camps'),('Soutane','Anti-Semitism'),('Soutane','Catholicism'),('SouvenirBerlin','Betrayal'),('SouvenirBerlin','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('SouvenirBerlin','Crime'),('SouvenirBerlin','Historical Research/ Historical Investigation'),('SouvenirBerlin','Resistance'),('SouvenirBerlin','Revenge'),('SouvenirBerlin','Rural'),('Souvenirs','Forces Françaises Libres (FFL)'),('Souvenirs19181944','Political Commitment'),('Souvenirsbagne','Concentration and Extermination Camps'),('Souvenirsbagne','Resistance'),('Souvenirsdeportation','Deportation'),('Souvenirsdetheatre','Theatre'),('Souvenirsendormi','Land'),('Souvenirsendormi','Prisoners of War'),('Souvenirsexil','Death'),('Souvenirsexil','Exodus'),('Souvenirsexil','Memory/ Remembrance'),('Souvenirsguerre','Land'),('Souvenirsguerre','Liberation (of France)'),('Souvenirsresistance','Femininity'),('Souvenirsresistance','Resistance'),('Souvenirssolitude','Imprisonment'),('Souvenirstirailleur','Colonial Soldiers'),('Spoliation','Anti-Semitism'),('Spoliation','Betrayal'),('Spoliation','Crime'),('Spoliation','Denunciations/ Blackmail'),('Spoliation','Deportation (of Jews)'),('Spoliation','Fear'),('Spoliation','Jews/ Jewish Experience'),('Spoliation','Secrets'),('Sspaves','Crime'),('Sspaves','Family/ Stages of Life'),('Sspaves','Les Tondues'),('Sspaves','May 1968'),('Sspaves','Rape'),('Sspaves','Revenge'),('Sspaves','Search for Family Identity'),('Statuesel','Anti-Semitism'),('Statuesel','Childhood'),('Statuesel','Colonies/ Empire'),('Statuesel','Internment'),('Statuesel','Jews/ Jewish Experience'),('Suitefrancaise','Class'),('Suitefrancaise','Collaboration'),('Suitefrancaise','Defeat/ Débâcle/ Fall of France'),('Suitefrancaise','Exodus'),('Suitefrancaise','Occupation in the Empire'),('Suitefrancaise','Resistance'),('Suitefrancaise','The Everyday and Society'),('Suitesabbat','Black Market'),('Suitesabbat','Collaboration'),('Suitesabbat','Imprisonment'),('Surlenjeu','Anti-Fascism'),('Surlenjeu','Germany'),('Surlenjeu','Nazism'),('Surlenjeu','Politics and Ideologies'),('Surlenjeu','Urban'),('Surmonantenne','Liberation (of France)'),('Surmonantenne','Resistance'),('Surrivesrien','Deportation'),('Surrivesrien','Resistance'),('Surterremenacee','Defeat/ Débâcle/ Fall of France'),('Surterremenacee','Mobilisation'),('Tarendol','Adolescence'),('Tarendol','Attitudes, Behaviour, Choices, Emotions'),('Tarendol','Denunciations/ Blackmail'),('Tarendol','Love'),('Taxitobrouk','British Army'),('Taxitobrouk','Forces Françaises Libres (FFL)'),('Taxitobrouk','German Army'),('Taxitobrouk','German Soldier'),('Taxitobrouk','Land'),('Temoignage','Deportation'),('Temoignage','Popular Front/ 1930s'),('tempsangoisse','Réfractaire'),('tempsangoisse','Service du Travail Obligatoire (STO)'),('Tempscatastrophes','Exodus'),('Tempscerises','Prisoners of War'),('Tempscerises','Violence'),('Tempsdesassassins','Imprisonment'),('tempsheroiques','Aerial'),('Tempshonte','Forces Françaises Libres (FFL)'),('Tempshonte','Secret Service'),('Tempsillusions','Vichy Government'),('tempsmort','Concentration and Extermination Camps'),('tempsmort','Imprisonment/ Prison'),('tempsmort','Resistance'),('tempsmort','Women'),('Tempspaille','Defeat/ Débâcle/ Fall of France'),('Tempspaille','Family/ Stages of Life'),('Tempspaille','Memory/ Remembrance'),('Tempspaille','The Everyday and Society'),('Tempsrencontres','Attitudes, Behaviour, Choices, Emotions'),('Tempsrencontres','The Everyday and Society'),('TerMilicien','Milice (as Part of Vichy Regime)'),('Texaco','Colonies/ Empire'),('Theorie1','Collaboration'),('Theorie1','Crime'),('Theorie1','Critique of Heroism'),('Theorie1','Resistance'),('Thiaroyeterrerouge','Colonial Soldiers'),('Thiaroyeterrerouge','Colonies/ Empire'),('Thiaroyeterrerouge','Violence'),('Tilleul','Communism/ Communist Party/ Parti Communiste Français (PCF)'),('Tilleul','German Soldier'),('Tilleul','Politics and Ideologies'),('Tilleul','Women'),('TirailleursSenegalais','Colonial Soldiers'),('TirailleursSenegalais','Defeat/ Débâcle/ Fall of France'),('TirailleurVosges','Colonial Soldiers'),('TirailleurVosges','Resistance'),('Tombesperdues','Forces Françaises Libres (FFL)'),('Tombesperdues','Occupation in the Empire'),('Tombesperdues','Resistance'),('Tombesperdues','Siblings'),('Tonkinoise','Colonies/ Empire'),('Tonkinoise','Japanese Occupation in Indochina'),('Tonkinoise','Vichy Government'),('Train','Refugees (Internal)'),('Trainbleunoir','Concentration and Extermination Camps'),('Trainbleunoir','Deportation'),('Trainbleunoir','Germany'),('Trainbleunoir','Internment'),('Trainbleunoir','Revenge'),('Trainoublies','Collaboration'),('Trainoublies','Post-War'),('Trainoublies','Secrets'),('Trainsoir','Algerian War of Independence (1954-1962)'),('Trainsoir','Childhood'),('Trainsoir','Friendship'),('Trainsoir','Jews/ Jewish Experience'),('Trainsoir','Memory/ Remembrance'),('Trainsoir','Secrets'),('TraitreB','Betrayal'),('TraitreB','Family/ Stages of Life'),('TraitreB','Guilt & Shame'),('TraitreB','Jews/ Jewish Experience'),('TraitreB','Liberation (of France)'),('TraitreJ','Collaboration'),('TraitreJ','Memory/ Remembrance'),('TraitreJ','Post-War Trials'),('Traversee','Colonies/ Empire'),('Traverseefrontieres','Historical Research/ Historical Investigation'),('Traverseefrontieres','Memory/ Remembrance'),('Traverseefrontieres','Resistance'),('Traversgrandegrille','The Everyday and Society'),('Treize','Crime'),('Treize','Post-War Society'),('tribulations','Class'),('tribulations','Family/ Stages of Life'),('tribulations','Work'),('TroisgarsTchad','Colonial Soldiers'),('TroisgarsTchad','French Army'),('Troisiemenuit','Chance'),('Troisiemenuit','Sabotage'),('Troncveuve','Freemasons'),('Troncveuve','Historical Research/ Historical Investigation'),('Troncveuve','Resistance'),('Tsiganes','Internment'),('Tsiganes','Romany Deportees'),('Tulipe','Deportation'),('Tulipe','Post-War Society'),('Tunisie','American Army'),('Tunisie','Colonies/ Empire'),('Tunisie','German Occupation'),('Tunisie','Italian Occupation'),('Turne3','Anti-Semitism'),('Turne3','Bombings'),('Turne3','Choice'),('Turne3','Class'),('Turne3','Collaboration'),('Turne3','Exodus'),('Turne3','Femininity'),('Turne3','Gender'),('Turne3','German Soldier'),('Turne3','Heroism'),('Turne3','Land'),('Turne3','The Everyday and Society'),('unbaiser','Exodus'),('unbaiser','Femininity'),('unbaiser','Gender'),('unbaiser','Generations'),('unbaiser','Love'),('unbaiser','Masculinity'),('unbaiser','Rationing/ Food shortages'),('unbaiser','Refugees (Internal)'),('unbaiser','Rural'),('UnefoisMJoseph','Collaboration'),('UnefoisMJoseph','Post-War Epuration'),('UnefoisVolnoir','Black Market'),('UnefoisVolnoir','Collaboration'),('UnefoisVolnoir','Jews/ Jewish Experience'),('unemort','Anti-Semitism (Post-War)'),('unemort','Class'),('unemort','Death'),('unemort','Femininity'),('unemort','Foreigner'),('unemort','Jews/ Jewish Experience'),('unemort','Phoney-War/ Invasion of France (Spring 1940)'),('Uneombre','British Army'),('Uneombre','Friendship'),('Uneombre','Secrets'),('uneteentre','Exodus'),('ungrison','Crime'),('ungrison','Love'),('UnpetitParisien','Childhood'),('UnpetitParisien','Cultural/ Intellectual Collaboration'),('UnpetitParisien','Family/ Stages of Life'),('Uranus','Bombings'),('Uranus','Liberation (of France)'),('Uranus','Post-War Epuration'),('Uranus','Resistance'),('ursule','Betrayal'),('ursule','Class'),('ursule','Collaboration'),('ursule','Oppression'),('ursule','Outsider'),('ursule','Sexuality'),('Valisenoire','Adolescence'),('Valleeheureuse','Aerial'),('Veillee','Death'),('Veillee','Radio'),('Veillee','Women'),('VeldHiv','Childhood'),('VeldHiv','Deportation'),('VeldHiv','Friendship'),('VeldHiv','Internment Camps'),('VeldHiv','Jews/ Jewish Experience'),('Ventsdeterre','Choice'),('Ventsdeterre','Collaboration'),('Ventsdeterre','Family/ Stages of Life'),('Ventsdeterre','Nationalism/ Patriotism'),('Ventsdeterre','Post-War Epuration'),('Ventsdeterre','Resistance'),('Ventsdeterre','The Everyday and Society'),('Vercorscombat','Maquis'),('VerfugbarEnfers','Concentration and Extermination Camps'),('vertemoisson','Adolescence'),('vertemoisson','Betrayal'),('vertemoisson','Resistance'),('Vichydancing','Collaboration'),('Vichydancing','Guilt & Shame'),('Vichydancing','Memory/ Remembrance'),('Vichydancing','Motherhood'),('Vichydancing','Post-War Society'),('Vichydancing','Relationships between Generations'),('Vichydancing','Search for Family Identity'),('Victoirepleurant','Deportation'),('Victoirepleurant','Fear'),('Victoirepleurant','Imprisonment'),('Viecombat','Franc-Tireurs et Partisans (FTP)'),('Viecombat','Resistance'),('vieprivee','Art'),('vieprivee','Resistance'),('vieprivee','The Everyday and Society'),('viescelerate','Colonies/ Empire'),('viesmorts','Anti-Semitism'),('viesmorts','Family/ Stages of Life'),('viesmorts','Jews/ Jewish Experience'),('Vieuxdemons','Love'),('Vieuxdemons','Relations with Germans/ German Soldiers'),('Vieuxdemons','Romantic Intrigue'),('VieuxNegremedaille','Colonial Soldiers'),('VieuxNegremedaille','Colonies/ Empire'),('Villagedelallemand','Critique of Heroism'),('Villagedelallemand','Family/ Stages of Life'),('Villagedelallemand','Heroism'),('Villagedelallemand','Independence Movements'),('Villagedelallemand','Relationships between Generations'),('Villagedelallemand','Schutzstaffel (SS)'),('Villagedelallemand','War Criminals'),('Villageheureallemande','Collaboration'),('Villageheureallemande','Milice (as Part of Vichy Regime)'),('Villageheureallemande','Resistance'),('Villageheureallemande','Service du Travail Obligatoire (STO)'),('Villageheureallemande','The Everyday and Society'),('VillaJasmin','Colonies/ Empire'),('VillaJasmin','Independence Movements'),('VillaJasmin','Jews/ Jewish Experience'),('VillaJasmin','Parti Populaire Français (PPF)'),('VillaJasmin','Vichy Régime'),('villesans','Art'),('villesans','Crime'),('VinParis','Art'),('VinParis','Attitudes, Behaviour, Choices, Emotions'),('VinParis','Black Market'),('VinParis','Collaboration'),('VinParis','Crime'),('VinParis','Liberation (of France)'),('violences','Defeat/ Débâcle/ Fall of France'),('violences','Exodus'),('violences','Fighting'),('violences','Masculinity'),('VoixdelaMuette','Internment'),('VoixdelaMuette','Jews/ Jewish Experience'),('Volontaires','Légion des Volontaires Français (LVF)'),('voulaitvoirmer','Adolescence'),('voulaitvoirmer','Exodus'),('voulaitvoirmer','Rural'),('voulaitvoirmer','World War One'),('Voyagenoces','Clandestinity'),('Voyagenoces','Historical Research/ Historical Investigation'),('Voyagenoces','Jews/ Jewish Experience'),('Voyageurimprudent','Defeat/ Débâcle/ Fall of France'),('Voyageurimprudent','French Army'),('Voyageurimprudent','The Everyday and Society'),('Vraisdurs','Algerian War of Independence (1954-1962)'),('Vraisdurs','Foreign Legion'),('Vraisdurs','Indochinese War of Independence (1946-1954)'),('Vraisdurs','Revenge'),('Vraisdurs','Schutzstaffel (SS)'),('Wagon','Deportation'),('Wagon','Resistance'),('wagonvaches','Class'),('wagonvaches','Critique of Heroism'),('wagonvaches','Fear'),('wagonvaches','French Army'),('wagonvaches','Literature'),('wagonvaches','Men'),('wagonvaches','Official/ State Memory'),('wagonvaches','Post-War Re-Adaptation to Daily Life'),('wagonvaches','Prisoners of War (Capture of)'),('wagonvaches','Sexuality'),('wagonvaches','The Everyday and Society'),('wagonvaches','Women'),('wagonvaches','World War One'),('WendZudycoote','Bombings'),('WendZudycoote','British Army'),('WendZudycoote','Dunkirk'),('WendZudycoote','Friendship'),('WendZudycoote','Phoney-War/ Invasion of France (Spring 1940)'),('WendZudycoote','Rape'),('Womensbarracks','Class'),('Womensbarracks','Femininity'),('Womensbarracks','Forces Françaises Libres (FFL)'),('Womensbarracks','Homosexuality'),('yeuxtete','Bombings'),('yeuxtete','Germans'),('yeuxtete','Germany'),('yeuxtete','Love'),('yeuxtete','Medical Care'),('yeuxtete','Prisoners of War'),('Zaide','Jews/ Jewish Experience'),('Zaide','Memory/ Remembrance'),('Zaide','Relationships between Generations'); /*!40000 ALTER TABLE `compositions_thematic_keywords` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `editions` -- DROP TABLE IF EXISTS `editions`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `editions` ( `comp_code` varchar(50) NOT NULL, `ed_code` varchar(50) NOT NULL, `form` varchar(7) NOT NULL, `writer_director` varchar(100) DEFAULT NULL, `title` varchar(200) DEFAULT NULL, `blackwhite` bit(1) DEFAULT NULL, `translator_screenwriter` varchar(100) DEFAULT NULL, `language` varchar(25) DEFAULT NULL, `editor_producer` varchar(150) DEFAULT NULL, `pages` varchar(150) DEFAULT NULL, `place` varchar(50) DEFAULT NULL, `date` varchar(50) DEFAULT NULL, `publisher` varchar(100) DEFAULT NULL, `production_date` varchar(20) DEFAULT NULL, `time` varchar(20) DEFAULT NULL, `medium` varchar(50) DEFAULT NULL, `copy` varchar(100) DEFAULT NULL, `notes` text, `reviews` text, PRIMARY KEY (`comp_code`,`ed_code`), FULLTEXT KEY `title` (`title`), FULLTEXT KEY `name` (`writer_director`,`translator_screenwriter`,`editor_producer`), FULLTEXT KEY `text` (`notes`,`reviews`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `editions` -- LOCK TABLES `editions` WRITE; /*!40000 ALTER TABLE `editions` DISABLE KEYS */; INSERT INTO `editions` VALUES ('Nonklara','2001','prose','Soazig Aaron','Le Non de Klara',NULL,'','','','186','Paris','2001','Maurice Nadeau',NULL,NULL,NULL,'','',''),('Nonklara','2004a','prose','Aaron, Soazig','Le Non de Klara',NULL,'','','','158','Paris','2004','Pocket',NULL,NULL,NULL,'Personal (Leeds)','First paperback edition
',''),('Nonklara','2008','prose','Soazig Aaron','Refusal',NULL,'Bray, Barbara','English','','','London','2008','Harvill Secker',NULL,NULL,NULL,'','',''),('Nonklara','2004b','theatre','Aaron, Soazig','Le Non de Klara',NULL,'','','','','','2004','',NULL,NULL,NULL,'','Du 25 novembre au 7 décembre 2003 à la Grange Dîmière, Ferme de Cottinville - Fresnes
Adaptation de S. Aaron et C. Drouelle
Mise en scène Carole Drouelle
Avec Delphine Cheverry et Philippe Suberbie
Du 26 mars au 6 avril 2004 au théâtre Paul-Eluard (sous une yourte), 4, avenue de Villeneuve-Saint-Georges, à Choisy-le-Roi.
','Aude Brédy, L\'Humanité, 29/03/2004
'),('Dernierjournazi','1982','theatre','Noureddine Aba','Le Dernier Jour d\'un nazi',NULL,'','','','146','Paris','1982','Stock',NULL,NULL,NULL,'BNF','First performed in 1986.
',''),('FosseBabel','1962','prose','Raymond Abellio','La Fosse de Babel',NULL,'','','','648','Paris','1962','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('Heureuxpacifiques','1946','prose','Raymond Abellio','Heureux Les Pacifiques',NULL,'','','','438','Paris','1946','Le Portulan',NULL,NULL,NULL,'(BNF)','',''),('Heureuxpacifiques','1979','prose','Raymond Abellio','Heureux les pacifiques',NULL,'','','','444','Paris','1979','Flammarion',NULL,NULL,NULL,'Brotherton Library','',''),('YeuxEzechiel','1949','prose','Raymond Abellio','Les Yeux d\'Ezéchiel sont ouverts',NULL,'','','','377','Paris','1949','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('Duneprison','1949','prose','Otto Abetz','D\'Une Prison: précédé du procès Abetz vu par Jean Bernard-Derosne. Suivi des principales dépositions, du réquisitoire et de la plaidoirie de Me René Floriot',NULL,'','','','313','Paris','1949','Amiot Dumont',NULL,NULL,NULL,'Brotherton Library','In series (Archives d\'histoire contemporaine)
',''),('epee','1944','prose','Georges Adam','L\'Epée dans les reins',NULL,'','','','293','Genève','1944','Editions des Trois Collines',NULL,NULL,NULL,'BNF','Author\'s first name misspelt. p.5 subtitle in brackets below title: (Chronique des années quarante)
p.5 \"Misery acquaints a man with strange bedfellows\". Shakespeare, The Tempest p.7: A la mémoire de mon ami Paul NIZAN tué à l\'ennemi, le 23 mai 1940 à Audruicq (Pas-de-Calais).
',''),('epee','1947','prose','George Adam','L\'Epée dans les reins: chronique des années quarante',NULL,'','','','296','Paris','1947','Gallimard',NULL,NULL,NULL,'BNF','p.5 \"Misery acquaints a man with strange bedfellows\". Shakespeare, The Tempest p.7: A la mémoire de mon ami Paul NIZAN tué à l\'ennemi, le 23 mai 1940 á Audruicq (Pas-de-Calais).
p.294. 1941-1943
',''),('lappel','1944','prose','Hainault','A l\'Appel de la liberté',NULL,'','','','','Paris','1944','Editions de minuit',NULL,NULL,NULL,'Brotherton Library','',''),('lappel','1945','prose','Hainault','A l\'Appel de la liberté',NULL,'','','','93','Paris','1945','Editions de Minuit',NULL,NULL,NULL,'Brotherton','First public facsimile edition. Identifies George Adam as the author.
p.7 Pour Marie-Laure afin qu\'elle sache - plus tard
',''),('Village1940','2009a','prose','Alain Ade','Un village français 1940',NULL,'','','','340','Paris','2009','Le Tigre bleu',NULL,NULL,NULL,'(BNF)','collection Novellisations
',''),('Village1940','2009b','film','Tribout, Philippe','Un village français 1940 saison 1 and 2','','Krivine, Frédéric and others','','Fox Pathe Europe',NULL,'','2009, 2010',NULL,'2009','642','','','television series on DVD, 2 series
',''),('village1941','2010','prose','Alain Ade','',NULL,'','','','','Paris','2010','Le Tigre bleu',NULL,NULL,NULL,'','to be published November 2010
',''),('routeinutile','1961','prose','Juliette Aderca','La Route inutile',NULL,'','','','289','Paris','1961','L\'Audiothèque',NULL,NULL,NULL,'(BNF)','','NL, 31/12/64
'),('Pitchipoi','2002','prose','Guillaume Adler','Pitchipoï',NULL,'','','','143','Paris','2002','Éditions Métailié',NULL,NULL,NULL,'BNF','',''),('BeMaho','1996','prose','Monique Agénor','Bé-Maho, Chroniques sous le vent',NULL,'','','','290','Paris','1996','Le Serpent à Plumes',NULL,NULL,NULL,'Brotherton Library','',''),('Relaiserrants','1945','prose','Denise Aimé','Relais des errants',NULL,'','','','323','Paris','1945','Desclée de Brouwer',NULL,NULL,NULL,'BNF','','compte rendu by Henri-Charles Puech, Revue de l\'histoire des religions, vol.131, nos 1-3, 1946 p.216.
'),('bonmonsieur','1949','prose','','Ce Bon Monsieur Fred',NULL,'','','','','Paris','1949','Fournier-Valdès',NULL,NULL,NULL,'','illustrations by Jean Boullet. Appears on \'romans policiers\' website. Possibly an earlier 1944 edition. No library copy located.
',''),('Clairiere','1967','prose','Michèle Albrand','La Clairière',NULL,'','','','','Paris','1967','Les Editeurs français réunis',NULL,NULL,NULL,'','',''),('Clairiere','1982','prose','Michèle Albrand','La Clairière',NULL,'','','','264','Paris','1982','Magnard',NULL,NULL,NULL,'BILIPO','First paperback edition
',''),('demonsaube','1946','film','Allégret, Yves','Les Démons de l\'aube','','Aubergé, Maurice and Ferry, Jean','','Gaumont',NULL,'France','1946',NULL,'1946','115 mins','','BNF','Co-financed by the Service Cinématographique de l\'armée. With the participation of the Commandos de la première armée française.
',''),('Eclairsombre','1997','prose','André Allemand','Les Éclairs de l\'ombre',NULL,'','','','220','Bordeaux','1997','Les Dossiers d\'Aquitaine',NULL,NULL,NULL,'BNF','This appears to be a book published at the author\'s expense.
',''),('Marechalnousvoila','2008','film','Jorge Amat and Denis Peschanski','Maréchal, nous voilà?','','','','la Compagnie des Phareset Balises.',NULL,'France','2008',NULL,'2008','63','','','Broadcast on France 2 on the 23/11/2008
',''),('Grandesvacances','1946','prose','Francis Ambrière','Les Grandes Vacances',NULL,'','','','428','Paris','1946','Editions de la Nouvelles France',NULL,NULL,NULL,'(BNF)','',''),('Grandesvacances','1984','prose','Francis Ambrière','Les Grandes Vacances',NULL,'','','','498','Paris','1984','Seuil',NULL,NULL,NULL,'own copy (BNF)','Based on the definitive, expanded edition of 1956.
',''),('2leopards','1997','prose','Jacques-Pierre Amette','Les Deux Léopards',NULL,'','','','271','Paris','1997','Seuil',NULL,NULL,NULL,'(BNF)','',''),('2leopards','1999','prose','Jacques-Pierre Amette','Les Deux Léopards',NULL,'','','','271','Paris','1999','Seuil: collection Points',NULL,NULL,NULL,'(BNF)','',''),('tempsiecle','2000','prose','Jo Amiel','Le Temps du siècle',NULL,'','','','','Paris','2000','Editions du marais',NULL,NULL,NULL,'(CHRD Lyon)','',''),('etsiunreve','2005','prose','Jo Amiel','',NULL,'','','','','Paris','2005','Editions Safed',NULL,NULL,NULL,'','',''),('rafle','1993','prose','Jo Amiel','La Rafle: un sana très ordinaire 1942-1944',NULL,'','','','146','Paris','1993','Editions du Cerf',NULL,NULL,NULL,'(BNF)','postface de Annette Wieviorka
',''),('Balconhiroshima','1985','prose','Jean Amila','Au Balcon d\'Hiroshima',NULL,'','','','178','Paris','1985','Gallimard/ Série Noire',NULL,NULL,NULL,'BILIPO','Série Noire no. 2007
',''),('Luneomaha','1964','prose','Jean Amila','La Lune d\'Omaha',NULL,'','','','191','Paris','1964','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('Luneomaha','1970','prose','Jean Amila','La Lune d\'Omaha',NULL,'','','','191','Paris','1970','Gallimard',NULL,NULL,NULL,'(BNF)','First poche edition
',''),('Luneomaha','2003','prose','Jean Amila','La Lune d\'Omaha',NULL,'','','','173','Paris','2003','Gallimard',NULL,NULL,NULL,'own copy (BNF)','Folio Policier no. 309
',''),('Luneomaha','1985','film','Marboeuf, Jean','La Lune d\'Omaha','','','','TF1',NULL,'France','1985',NULL,'1985','','','','Episode 15 in series 1 of the television drama Série noire, screened on the 26/10/1985 on TF1.
',''),('Onziemeheure','1984','prose','Yves Amiot','La Onzième Heure',NULL,'','','','174','Paris','1984','Corti',NULL,NULL,NULL,'BNF','',''),('lancien','1999','prose','Claude Amoz','L\'Ancien crime',NULL,'','','','244','Paris','1999','Payot & Rivages',NULL,NULL,NULL,'(BNF)','',''),('racines','2002','prose','Claude Amoz','Racines amères',NULL,'','','','185','Paris','2002','Nestiveqnen',NULL,NULL,NULL,'(BNF)','préface de François Guérif
',''),('racines','2006','prose','Claude Amoz','Racines amères',NULL,'','','','148','Paris','2006','Payot & Rivages',NULL,NULL,NULL,'(BNF)','',''),('epaves','1961','prose','','Épaves',NULL,'','','','320','Paris','1961','Ed. La Vague',NULL,NULL,NULL,'(BNF)','','NL, 18/5/61
'),('LAmoura','1992','prose','Robert André','L\'Amour a l\'aveugle',NULL,'','','','171','Paris','1992','Messidor',NULL,NULL,NULL,'(BNF)','In the Le Temps des cerises catalogue as \'Fonds Messidor\'.
',''),('Rougeblanc','1944','prose','Georges Adam','L\'Epée dans les reins',NULL,'','','','293','Genève','1944','Editions des Trois Collines',NULL,NULL,NULL,'BNF','Author\'s first name misspelt. p.5 subtitle in brackets below title: (Chronique des années quarante)
p.5 \"Misery acquaints a man with strange bedfellows\". Shakespeare, The Tempest p.7: A la mémoire de mon ami Paul NIZAN tué à l\'ennemi, le 23 mai 1940 à Audruicq (Pas-de-Calais).
',''),('Fortressesacrifiee','2006','prose','Jean-Pierre Andrevon','La forteresse sacrifiée: Vercors, juillet-août 1944',NULL,'','','','113','Paris','2006','Nathan',NULL,NULL,NULL,'BNF','Includes short biography of the author and a brief history of the Vercors resistance movement.
',''),('Peignenecaille','2008','prose','Jean-Pierre Angel','Le Peigne en écaille',NULL,'','','','303','Paris','2008','L\'Archipel',NULL,NULL,NULL,'BNF','Preface by Joseph Joffo
',''),('Tempspaille','2006','prose','Jean Anglade','Le Temps et la paille',NULL,'','','','362','Paris','2006','Presses de la Cité',NULL,NULL,NULL,'BNF','',''),('lafoi','1961','prose','','La Foi et la montagne',NULL,'','','','243','Paris','1961','Robert Laffont',NULL,NULL,NULL,'(BNF)','','NL, 28/9/61
'),('lafoi','1985','prose','La Foi et la montagne','',NULL,'','','','','Paris','1985','Robert Laffont',NULL,NULL,NULL,'','',''),('Bitos','1958','theatre','Jean Anouilh','Pauvre Bitos ou le dîner de têtes',NULL,'','','','143','Paris','1958','La Table ronde',NULL,NULL,NULL,'(BNF)','',''),('Bitos','1972','theatre','','Pauvre Bitos ou le dîner de têtes',NULL,'','','','149','Paris','1972','Gallimard: Folio',NULL,NULL,NULL,'own copy (BNF)','',''),('antigone','1946','theatre','Jean Anouilh','Antigone',NULL,'','','','128','Paris','1946','La Table ronde',NULL,NULL,NULL,'(BNF)','',''),('Especehumaine','1947','prose','Robert Antelme','L\'Espèce humaine',NULL,'','','','','Paris','1947','Editions de la Cité Universelle',NULL,NULL,NULL,'','The BNF has the 1949 edition, 436 pages.
',''),('Especehumaine','1992','prose','Robert Antelme','The human race',NULL,'Jeffery Haight and Annie Mahler','','','','Malboro','1992','Malboro Press',NULL,NULL,NULL,'','First translation. Preceded by a homage to Robert Antelme by Edgar Morin
',''),('Fillecarillonneur','2009','prose','Jean-Jacques Antier','La Fille du carillonneur',NULL,'','','','360','Paris','2009','Presses de la cité',NULL,NULL,NULL,'BNF','In the series, Romans terre de France. From back cover: « Je m\'appelle Joana Leclair. Je suis la fille du maître carillonneur de Notre-Dame de Rouen. Ma vie a basculé le 15 avril 1944. Je me suis trouvée face à un inconnu. Il était blessé, et son visage reflétait la souffrance et la peur. Je l\'ai caché dans la cathédrale. Les événements se sont alors succédé et nous ont emportés dans un enchaînement dramatique... »
La Fille du carillonneur est un grand roman autobiographique qui évoque la passion d\'un écrivain pour sa ville natale, un témoignage bouleversant sur la Résistance et le récit du quotidien des Rouennais à l\'heure de l\'Occupation, des bombardements, puis de la Libération.
',''),('Grandeffarement','1968','prose','René Antona','Le Grand Effarement',NULL,'','','','','Paris','1968','Magnard',NULL,NULL,NULL,'BNF','\'Le Grand Effarement\' is one of the short stories in Et Pourtant L\'Aube se leva
',''),('Grandeffarement','2005','prose','René Antona','Le Grand Effarement',NULL,'','','','','Bordeaux','2005','Editions Bastinage',NULL,NULL,NULL,'BNF','',''),('Dernierfrere','2007','prose','Nathacha Appanah','Le Dernier Frère',NULL,'','','','210','Paris','2007','Editions de l\'Olivier',NULL,NULL,NULL,'Brotherton Library','',''),('bonsvoisins','1943','prose','Arnaud de Saint-Roman','Les Bons Voisins',NULL,'','','','','Saint-Flour','1943','La Bibliothèque française',NULL,NULL,NULL,'(BNF)','appeared with above pseudonym.
reprinted in the April 1944 number of La France libre (London), in Servitude et grandeur des Français, Trois Contes
',''),('collaborateur','2001','prose','Louis Aragon','Le Collaborateur et autres nouvelles',NULL,'','','','123','Paris','2001','Gallimard: folio',NULL,NULL,NULL,'own copy','From back cover:
Ecrites pendant la guerre et publiées clandestinement dans le recueil Servitude et grandeur des Français, ces trois nouvelles donnent la parole à l\'\"adversaire\", qu\'il soit un journaliste hostile à la Résistance et aux communistes, réparateur de radios et collaborateur, ou une jeune Allemande qui a suivi les soldats à Paris. Mais les situations changent, les idées évoluent et peu à peu les adversaires basculent dans le camp des alliés…
Mêlant rage et allégresse, gravité et anecdotes légères, Aragon ripose à l\'Occupation et participe au combat avec sa plume. Trahison et courage, deux themes toujours d\'actualité.
Nb Servitude et grandeur des Français was published after the Occupation.
',''),('mouton','1944','prose','','Le Mouton',NULL,'','','','','','1944','Comité national des Ecrivains',NULL,NULL,NULL,'(BL)','Note in Pléiade Oeuvres romanesques: Ce texte parut clandestinement, sans signature, dans l\'Almanach des lettres françaises (publié par le Comité national des écrivains) en mars 1944. Reprinted in Servitude et grandeur des Français.
',''),('mouton','2001','prose','','Le Mouton',NULL,'','','','','Rambouillet','2001','Société des amis de Louis Aragon et Elsa Triolet',NULL,NULL,NULL,'(BNF)','Facsimile edition of the Almanach des lettres françaises
',''),('penitent','1943','prose','Arnaud de Saint-Roman','Pénitent 43',NULL,'','','','','','1943','La Bibliothèque française',NULL,NULL,NULL,'','\'Le texte (…) est paru sous le pseudonyme de Saint Roman à la Bibliothèque française, sans lieu ni date, et fut repris dans les éditions du C.N.É, section du Cantal, à la fin de la même année.\' Œuvres romanesques vol II Pléiade p. 1147. (The date for this text is therefore extrapolated from the title and entered in order to ensure the text appears in any search by date)
Reprinted in Trois Contes and Servitude et grandeur des Français.
',''),('portraits','2000','prose','Louis Aragon','Les Portraits',NULL,'','','','','Paris','2000','Gallimard: Pléiade',NULL,NULL,NULL,'Brotherton Library','Written during the occupation; first publication in the Pléiade Oeuvres romanesques volume II, pp. 1255-1260.
',''),('Servitude','1945','prose','Louis Aragon','Servitude et grandeur des Français: scènes des années terribles',NULL,'','','','232','Paris','1945','La Bibliothèque française',NULL,NULL,NULL,'Brotherton Library','Reprinted in Aragon and Triolet Oeuvres croisées vol IV, in Aragon, Le Mentir-vrai, Gallimard, 2000.
',''),('troiscontes','1945','prose','Saint Romain Arnaud [Aragon]','Trois Contes',NULL,'','','','61','London','1945','Les Cahiers du silence',NULL,NULL,NULL,'own copy (BNF)','Contains three short stories: \'Les Bons Voisins\', \'Pénitent 43\' and \'Les Rencontres\'.
',''),('communistes','1949','prose','Louis Aragon','Les Communistes',NULL,'','','','','Paris','1949-1951','La Bibliothèque française',NULL,NULL,NULL,'(BNF)','Vol. [1: février-septembre 1939, 2 vol. 190pp + 120pp, comprend: 1er fasc. Février-septembre 1939.; 2e fasc. Septembre-novembre 1939, 1949; vol. [3] : novembre 1939-mars 1940, 415pp., 1950; vol. [4]: mars-mai 1940, 339pp, 1950; vol. [5]: mai 1940, 298pp, 1951; vol. [6]: mai-juin 1940, 343pp., 1951.
',''),('communistes','1967','prose','Louis Aragon','Les Communistes',NULL,'','','','','Paris','1967','Le Livre de poche',NULL,NULL,NULL,'own copy (BNF)','Tome 1 (544pp) includes 1 février - septembre 1939, 2 septembre - novembre 1939; Tome 2 (446pp): novembre 1939 - mars 1940; Tome 3 (446pp) mars-mai 1940; Tome 4 (447pp): includes mai-juin 1940, Epilogue, and La Fin du \'Monde reel\' (postface). présentation de l\'éditeur (in Tome 1): Dernier roman du cycle Le Monde réel, Les Communistes est l\'aboutissement des Cloches de Bâle, des Beaux Quartiers, des Voyageurs de l\'Impériale et d\'Aurélien (qui ont été publiés par Le Livre de Poche). Les quatre premiers romans vont de 1889 à la guerre de 1939-1940, qui n\'y est atteinte que par l\'épilogue d\'Aurélien. Les Communistes va de février 1939 à Juin 1940. On y retrouve des personnages des romans précédents, les enfants ou les proches d\'hommes et de femmes rencontrés dans ces romans. Mais le lien profond de ces livres, plus encore que dans les personnages, est l\'acheminement au cours d\'un demi-siècle de vie française vers la catastrophe nationale de 1940. Ecrit et publié pour la première fois de 1948 (sic) à 1951 (aux Éditeurs Français Réunis) en six volumes, ce roman, traduit en onze langues, a fait l\'an dernier l\'objet d\'un remaniement profond pour sa publication dans les oeuvres romanesques croisées d\'Elsa Triolet et Aragon. Il s\'agit là d\'une réécriture de bout en bout, dont nous donnons ici le texte et dont l\'auteur s\'explique par une importante postface, tant aux Communistes qu\'à l\'ensemble du Monde réel, qui sera publiée à la fin du quatrième volume de la présente édition.
',''),('Aurelien','1944','prose','Aragon','Aurélien',NULL,'','French','','520','Paris','1944','Gallimard',NULL,NULL,NULL,'[BNF]','Fourth of Le Monde réel cycle
','NL 12/05/1945
'),('Aurelien','1972','prose','Aragon','Aurélien',NULL,'','','','696','Paris','1972','Gallimard: Folio',NULL,NULL,NULL,'own copy','',''),('lacitedinj','1945','prose','Dominique Arban','La Cité d\'injustice',NULL,'','','','387','Paris','1945','Julliard',NULL,NULL,NULL,'(BNF)','','NL, 21/6/45
'),('Grandcarnival','1983','film','Arcady, Alexandre','Le Grand Carnaval','','Arcady, Alexandre, Le Henry, Alain and Saint-Hamont, Daniel','','',NULL,'France','1983',NULL,'1982','130 mins','','BNF','',''),('Commefini','1946','prose','Léon Aréga','Comme si c\'était fini',NULL,'','','','357','Paris','1946','Gallimard',NULL,NULL,NULL,'BNF','',''),('memefleuve','1953','prose','Léon Aréga','Le Même Fleuve',NULL,'','','','214','Paris','1953','Gallimard',NULL,NULL,NULL,'BNF','From Back Cover:
L\'Abbé Gérald Penguern, curé du village pyrénéen de Caldores, a un problème bien difficile à résoudre : choisir entre faire du bien et combattre le mal.
La France est occupée par les Allemands. L\'abbé fait partie d\'une chaîne de passeurs qui aident les résistants à franchir la frontière espagnole. Il se trouve devant le dilemme suivant : faire passer en Espagne un couple qui fuit l\'occupant : Charles et Annette Benvenido, ou un officier français, le capitaine Alfred Storch, qui desire, lui aussi, être « de l\'autre côté » pour reprendre le combat contre l\'ennemi.
L\'occupant, c\'est le Mal, pense l\'abbé Gérald ; car « s\'il n\'était que l\'ennemi, nous serions même condamnés à l\'aimer ». Il fait venir Joseph, le passeur, du presbytère et lui dis à peu près ceci : « Vous aurez beau faire la charité, vous aurez beau dire du bien autour de nous, le mal ne s\'en portera pas moins bien pour autant ». Joseph cède et part avec Storch. Celui-ci passera, mais Joseph sera tué.
Cela n\'est qu\'une anecdote, mais le récit de Léon Aréga, la composition du livre, l\'élargissent infiniment. (…)
',''),('Surterremenacee','1941','prose','Marcel Arland','Sur une terre menacée',NULL,'','','','234','Paris','1941','Stock',NULL,NULL,NULL,'BL','',''),('helene','1945','prose','Alexandre Arnoux','Hélène et les guerres',NULL,'','','','205','Paris','1945','Grasset',NULL,NULL,NULL,'(BNF)','',''),('Antizyklonatroces','1998','prose','Georges J. Arnaud','L\'Antizyklon des atroces',NULL,'','','','95','Paris','1998','Baleine',NULL,NULL,NULL,'BNF','',''),('Mauditblood','1998','prose','Georges J Arnaud','Maudit blood',NULL,'','','','244','Paris','1998','Edition du Rocher',NULL,NULL,NULL,'BILIPO','',''),('Spoliation','2000','prose','Georges J. Arnaud','Spoliation',NULL,'','','','264','Paris','2000','Fleuve noir',NULL,NULL,NULL,'BNF','',''),('Amoursdissidentes','1956','prose','Boris Arnold','Les Amours dissidentes',NULL,'','','','219','Paris','1956','Prima-Union',NULL,NULL,NULL,'BNF','',''),('jardinnoir','1966','prose','Christine Arnothy','Le Jardin noir',NULL,'','','','258','Paris','1966','René Julliard',NULL,NULL,NULL,'(BNF)','',''),('jardinnoir','1986','prose','Christine Arnothy','Le Jardin noir',NULL,'','','','223','Paris','1986','Le Livre de poche',NULL,NULL,NULL,'own copy','',''),('jardinnoir','[4]','film','','','','','','',NULL,'','',NULL,'','','','','',''),('jardinnoir','[5]','theatre','','',NULL,'','','','','','','',NULL,NULL,NULL,'','',''),('quinzeans','1954','prose','Christine Arnothy','J\'ai quinze ans et je ne veux pas mourir',NULL,'','','','','Paris','1954','Fayard',NULL,NULL,NULL,'','Pour Claude En souvenir du 17 décembre 1954
',''),('quinzeans','1976','prose','Christine Arnothy','J\'ai quinze ans et je ne veux pas mourir suivi de Il n\'est pas si facile de vivre',NULL,'','','','348','Paris','1976','le livre de poche',NULL,NULL,NULL,'own copy','Pour Claude En souvenir du 17 décembre 1954
',''),('pasfacile','1957','prose','Christine Arnothy','Il n\'est pas si facile de vivre',NULL,'','','','','Paris','1957','Fayard',NULL,NULL,NULL,'','',''),('juifsmeurent','1973','prose','Roger Ascot','Les Juifs meurent aussi',NULL,'','','','553','Paris','1973','Fayard',NULL,NULL,NULL,'(BNF)','',''),('enfantssquare','1977','prose','Roger Ascot','Les Enfants du square des Vosges',NULL,'','','','266','Paris','1977','Fayard',NULL,NULL,NULL,'(BNF)','',''),('Cliente','1998','prose','Pierre Assouline','La Cliente',NULL,'','','','191','Paris','1998','Gallimard',NULL,NULL,NULL,'Brotherton Library','',''),('Cliente','2000','prose','Pierre Assouline','La Cliente',NULL,'','','','189','Paris','2000','Gallimard',NULL,NULL,NULL,'','First folio edition, no.3347
',''),('Fleuvecombelle','1997','prose','Pierre Assouline','Le Fleuve combelle',NULL,'','','','194','Paris','1997','Calmann-Lévy',NULL,NULL,NULL,'BNF','',''),('Lutetia','2005','prose','Pierre Assouline','Lutetia',NULL,'','','','','Paris','2005','Gallimard',NULL,NULL,NULL,'Durham','',''),('septjoursexil','1946','prose','Emmanuel d\'Astier','Sept Jours en exil',NULL,'','','','','Paris','1946','J. Haumont',NULL,NULL,NULL,'(BNF)','republished in Sept Fois sept jours (pp. 97-139 10/18 1963 edition).
',''),('Septfoissept','1947','prose','','Sept Fois sept jours',NULL,'','','','256','Paris','1947','Julliard',NULL,NULL,NULL,'(BNF)','',''),('Septfoissept','1963','prose','Emmanuel d\'Astier','Sept Fois sept jours',NULL,'','','','187','Paris','1963','10/18',NULL,NULL,NULL,'own copy, (BNF)','',''),('septjoursete','1944','prose','Emmanuel d\'Astier','Sept jours en été',NULL,'','','','41','Alger, Tunis','1944','Editions de la revue Fontaine',NULL,NULL,NULL,'(BNF)','republished in Sept fois sept jours pp. 87-96 (1963 10/18 edition).
',''),('Septjours','1945','prose','Emmanuel d\'Astier','Sept Jours',NULL,'','','','93','Paris','1945','Editions de minuit',NULL,NULL,NULL,'(BNF)','','NL, 12/7/45
'),('mielabsinthe','1957','prose','Emmanuel d\'Astier','Le Miel et l\'absinthe',NULL,'','','','215','Paris','1957','René Julliard',NULL,NULL,NULL,'(BNF)','','NL, 13/3/58
'),('ducristal','2008','theatre','Jacques Attali','Du cristal à la fumée',NULL,'','','','186','Paris','2008','Fayard',NULL,NULL,NULL,'(BNF)','','La république des livres 17/09/08
'),('Journalcollabo','1984','prose','Éliane Aubert','Journal d\'un collabo',NULL,'','','','222','Paris','1984','Denoël',NULL,NULL,NULL,'BL','',''),('mereallem','1991','prose','Eliane Aubert','La Mère allemande',NULL,'','','','235','Paris','1991','Denoël',NULL,NULL,NULL,'(BNF)','',''),('lagamelle1','1972','prose','Robert Auboyneau - Jean Verdier','La Gamelle dans le dos: mai-juin 1940',NULL,'','','','377','Paris','1972','Artheme Fayard',NULL,NULL,NULL,'own copy (BNF)','',''),('Partirontivresse','1984','prose','Lucie Aubrac','Ils partiront dans l\'ivresse',NULL,'','','','','Paris','1984','Seuil',NULL,NULL,NULL,'','',''),('Partirontivresse','1993','prose','Lucie Aubrac','Outwitting the Gestapo',NULL,'Konrad Bieber & Betsy Wing','English','','','Lincoln & London','1993','University of Nebraska Press',NULL,NULL,NULL,'personal','Introduction by Margaret Collins Weitz
',''),('Partirontivresse','1998','film','Berri, Claude','Lucie Aubrac','','Claude Berri','','Centre national de la cinématographie et al',NULL,'','1998',NULL,'1998','115','','','',''),('Amourallemand','1950','prose','Auclair, Georges','Un amour allemand',NULL,'','','','283','Paris','1950','Gallimard',NULL,NULL,NULL,'BNF','',''),('petitcheval','1975','prose','Michel Audiard','Le Petit Cheval de retour',NULL,'','','','249','Paris','1975','Julliard',NULL,NULL,NULL,'(BNF)','',''),('lanuitlejour','1978','prose','Michel Audiard','La Nuit, le jour et toutes les autres nuits',NULL,'','','','229','Paris','1978','Denoël',NULL,NULL,NULL,'(BNF)','',''),('femmeseule','1955','prose','Pierre Audinet','La Femme seule',NULL,'','','','254','Paris','1955','Editions de minuit',NULL,NULL,NULL,'BNF','p7 Première Partie
Cahiers intimes de Marcelle Toudieu
Mais l\'heure, qui la peut savoir?
Nos malheurs ont certaines courses
Et des flots dont on ne peut voir
Ni les limites ni les sources
Théophile de Viau
BACK COVER:
Marcelle Toudieu, la femme seule, nous raconte ses aventures avec une passion qui convainc immédiatement. La vérité de ce livre est si criante que l\'on a l\'impression d\'être en présence d\'un document indiscret plutôt qu\'un roman. Cet accent de vérité fera-t-il accepter l\'impudeur de la confession?
Marcelle, mal mariée, apparaît d\'abord comme une femme frustrée, mais son insatisfaction est générale: son désordre n\'est pas seulement celui des sens. Elle rencontre d\'ailleurs beaucoup d\'hommes: elle ne rencontre pas le compagnon qu\'elle attendait. Cette recherche d\'une présence est ici une poursuite sans fin. Sa derniére aventure, avec un trop jeune amant, amène Marcelle Toudieu à un \"détachement épouvanté\" qui donne au livre sa veritable dimension.
','NL, 22/12/55
'),('tardfete','1976','prose','Yvan Audouard','Il se fait tard pour faire la fête',NULL,'','','','271','Paris','1976','Albin Michel',NULL,NULL,NULL,'(BNF)','',''),('Adolescencetemps','1968','prose','François Augiéras','Une Adolescence au temps du Maréchal et de multiples aventures',NULL,'','','','','Paris','1968','Bourgois',NULL,NULL,NULL,'','',''),('Adolescencetemps','1980','prose','François Augièras','Une adolescence au temps du Maréchal et de multiples aventures',NULL,'','','','','Paris','1980','Fata Morgana/Plein Chant',NULL,NULL,NULL,'BNF','',''),('Chantcimes','2006','prose','Noël Aujoulat','Le Chant des cimes',NULL,'','','','346','Riom (Puy-de-Dôme)','2006','Editions de Borée',NULL,NULL,NULL,'BNF','',''),('lapatrie','1947','prose','Dominique Aury et Jean Paulhan','La Patrie se fait tous les jours: textes français 1939-1945',NULL,'','','','501','Paris','1947','Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','Priere d\'insérer: Dominique Aury a recueilli, Jean Paulhan a préfacé, ou Jean Paulhan a ordonné et Dominique Aury a surveillé. L\'on n\'en saura jamais rien. Mais ensemble, ils ont fait l\'anthologie la plus significative d\'une époque sans littérature, d\'une poésie que l\'on chantait, parce qu\'ils ont retrouvé le movement et le sens d\'une aventure collective qui a fait bouger tout notre savoir.
Dès lors, et avec la plus grande discrétion, ils nous présentent en fait le premier manuel de littérature engagée. Engagée dans ce qui est déjà l\'histoire à l\'usage des enfants.
',''),('tempsmort','1944','prose','Minervois','Le Temps mort',NULL,'','','','75','Paris','1944','Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','',''),('tempsmort','1945a','prose','Minervois','Le Temps mort',NULL,'','','','75','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton Library','Facsimile of clandestine 1944 edition
',''),('tempsmort','1945b','prose','Minervois','Le Temps mort',NULL,'','','','48','London','1945','Les Cahiers du silence',NULL,NULL,NULL,'own copy','',''),('tempsmort','1962','prose','Claude Aveline','Le temps mort: suivi d\'autres récits et de quelques témoignages',NULL,'','','','221','Paris','1962','Mercure de France',NULL,NULL,NULL,'(BNF)','',''),('tempsmort','2008','prose','Claude Aveline','Le Temps mort',NULL,'','','','84','Paris','2008','Mercure de France',NULL,NULL,NULL,'(BNF)','','http://bibliobs.nouvelobs.com/20081120/8733/clemence-1944
'),('poidsfeu','1958','prose','Claude Aveline','Le Poids du feu',NULL,'','','','','Paris','1958','Editions mondiales',NULL,NULL,NULL,'','',''),('poidsfeu','1974','prose','Claude Aveline','Le Poids du feu',NULL,'','','','246','Paris','1974','Le Livre de poche',NULL,NULL,NULL,'own copy','',''),('viesmorts','1993','prose','','Vies et morts d\'Esther',NULL,'','','','121','Paris','1993','Gallimard',NULL,NULL,NULL,'(BNF)','','French Review, 69: 2, December 1995, pp 364-5
'),('dusilence','2008','prose','Sylvie Aymard','Du Silence sur les mains',NULL,'','','','114','Paris','2008','Maurice Nadeau',NULL,NULL,NULL,'(BNF)','',''),('vielente','2010','prose','Sylvie Aymard','La Vie lente des hommes',NULL,'','','','139','Paris','2010','Maurice Nadeau',NULL,NULL,NULL,'(BNF)','',''),('Cheminecoliers','1946','prose','Marcel Aymé','Le Chemin des écoliers',NULL,'','','','','Paris','1946','Gallimard',NULL,NULL,NULL,'(Brotherton Library)','',''),('Passemuraille','1943','prose','Marcel Aymé','Le Passe-Muraille',NULL,'','','','','Paris','1943','Gallimard',NULL,NULL,NULL,'(Brotherton Library)','',''),('Passemuraille','1995','prose','Marcel Aymé','Le Passe-Muraille',NULL,'','','Alain Juillard','','Paris','1995','Gallimard',NULL,NULL,NULL,'','A useful annotated Foliothèque edition
',''),('Uranus','1948','prose','Marcel Aymé','Uranus',NULL,'','','','','Paris','1948','Gallimard',NULL,NULL,NULL,'(Durham Library)','',''),('Uranus','1950','prose','Marcel Aymé','Fanfare in Blémont',NULL,'Denny, Norman','English','','','London','1950','Bodley Head',NULL,NULL,NULL,'','',''),('Uranus','2001','prose','Marcel Aymé','Uranus',NULL,'','','','','Paris','2001','Gallimard',NULL,NULL,NULL,'','Pléiade edition
',''),('Uranus','1990','film','Berri, Claude','Uranus','','','','',NULL,'France','1990',NULL,'1990','96 mins','','Edward Boyle','',''),('Uranus','[6]','film','','','','','','',NULL,'','',NULL,'','','','','',''),('Uranus','[7]','theatre','','',NULL,'','','','','','','',NULL,NULL,NULL,'','',''),('VinParis','1947','prose','Marcel Aymé','Le Vin de Paris',NULL,'','','','','Paris','1947','Gallimard',NULL,NULL,NULL,'(Brotherton Library)','',''),('VinParis','1956','film','Autant-Lara, Claude','La Traversée de Paris','','Jean Aurenche and Pierre Bost','','',NULL,'Paris','1956',NULL,'1956','80','','','details on http://fr.wikipedia.org/wiki/La_Travers%C3%A9e_de_Paris
',''),('Ouedcrue','1979','prose','Bediya Bachir','L\'Oued en crue',NULL,'','','','147','Paris','1979','Editions du centenaire',NULL,NULL,NULL,'BNF','',''),('Ouedcrue','1994','prose','Baya Jurquet-Bouhoune','L\'Oued en crue',NULL,'','','','182','Geneva','1994','Sakina Ballouz',NULL,NULL,NULL,'','',''),('jeunefemme','1994','prose','Marc Baconnet','Jeune femme au livret rouge',NULL,'','','','186','Paris','1994','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('lemiroir','1997','prose','Georges Baguet','Le Miroir allemand',NULL,'','','','135','Paris','1997','Desclée de Brouwer',NULL,NULL,NULL,'(BNF)','',''),('Souvenirsendormi','1947','prose','Jean Bailhache','Souvenirs d\'un endormi: Récit',NULL,'','','','254','Paris','1947','Gallimard',NULL,NULL,NULL,'BNF','',''),('Cettedroleguerre','1941','prose','René Balbaud','Cette drôle de guerre: Alsace-Lorraine-Belgique-Dunkerque (26 août 1939-1er Juin 1940). Telle que je l\'ai faite',NULL,'','','','','London','1941','OUP',NULL,NULL,NULL,'(BNF)','',''),('alecoute','1990','prose','Jacqueline Baldran, Claude Bochurberg','A l\'écoute infinie de la nuit',NULL,'','','','151','Paris','1990','L\'Harmattan',NULL,NULL,NULL,'(BNF)','',''),('Manipulation','1996','prose','René Ballet','La Manipulation',NULL,'','','','105','Pantin','1996','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('LHotel','1994','prose','René Ballet','L\'Hôtel des gares',NULL,'','','','190','Pantin','1994','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('Flictourmente','1992','prose','Georges-J. Ballyot','Un flic dans la tourmente. Souvenirs (1937-1944)',NULL,'','','','270','Ploufragan','1992','Les Presses bretonnes',NULL,NULL,NULL,'BNF','The text is dated 1970. The book was published by the author.
',''),('laplusbelle','2006','prose','Béatrice Bantman','La Plus Belle',NULL,'','','','152','Paris','2006','Denoël',NULL,NULL,NULL,'(BNF)','','description at: http://www.initiales.org/La-plus-belle,549.html
'),('Peurroute','2003','prose','Philippe Barbeau','Juin 40: Peur sur la route',NULL,'','','','135','Paris','2003','Nathan',NULL,NULL,NULL,'BNF','Includes historical contextualisation; Mai-Juin 1940: La France envahie and bibliography of further reading.
',''),('PCGeneral','1947','prose','Bernard Barbey','P.C.du Général: Journal du chef de l\'Etat-major particulier du général Guisan, 1940-1945',NULL,'','','','280','Paris','1947','Les Editions de la Colonne Vendôme',NULL,NULL,NULL,'BL, BNF','Published in the series (Collection \'Histoire et Société d\'Aujourd\'hui\'). Also published in Neuchâtel by Éditions de la Baconnière.
',''),('Monpere','1958','prose','Elisabeth Barbier','Mon Pere, ce héros',NULL,'','','','213','Paris','1958','René Julliard',NULL,NULL,NULL,'BNF','p.9 En ces jours-là, on ne dira plus : Les pères ont mangé des raisins verts et les dents des fils en sont agacées. Mais chacun mourra pour son iniquité. Jérémie, XXXI (29-30)
',''),('Ravage','1943','prose','René Barjavel','Ravage: roman extraordinaire',NULL,'','','','294','Paris','1943','Denoël',NULL,NULL,NULL,'BNF','',''),('Ravage','1996','prose','René Barjavel','Ravage',NULL,'','','Yves Ansel','361','Paris','1996','Gallimard',NULL,NULL,NULL,'(BNF)','Contains useful notes and dossier. Folio Plus edition
',''),('Tarendol','1946','prose','René Barjavel','Tarendol',NULL,'','','','429','Paris','1946','Denoël',NULL,NULL,NULL,'(BNF)','',''),('Voyageurimprudent','1944','prose','René Barjavel','Le Voyageur imprudent',NULL,'','','','','Paris','1944','Denoël',NULL,NULL,NULL,'','',''),('Voyageurimprudent','1996','prose','René Barjavel','Le Voyageur imprudent',NULL,'','','','','Paris','1996','Gallimard',NULL,NULL,NULL,'personal','Folio edition
',''),('26hommes','1941','prose','Jean de Baroncelli','Vingt-six hommes: récit de guerre',NULL,'','','','335','Paris','1941','Grasset',NULL,NULL,NULL,'(BNF)','',''),('Tunisie','1950','prose','Général Georges Barré','Tunisie 1942-1943',NULL,'','','','322','Paris','1950','Berger-Levrault',NULL,NULL,NULL,'BL, BNF','Avec 10 croquis.
Collection \'La Seconde Guerre mondiale: Histoire et souvenirs\'
',''),('christopheou','1979','prose','Christian de Bartillat','Christophe ou la traversée',NULL,'','','','248','Paris','1979','Julliard',NULL,NULL,NULL,'(BNF)','',''),('freres','1948','prose','Jean Bassompierre (and Charles Ambroise Colin)','Le Sacrifice de Bassompierre. Suivi de Frères ennemis par Jean Bassompierre',NULL,'','','','237','Paris','1948','Amiot-Dumont',NULL,NULL,NULL,'(BNF)','Full publication details: Ambroise Colin, Charles, Le Sacrifice de Bassompierre, suivi de Frères ennemis par Jean Bassompierre.
',''),('freres','2008','prose','Jean Bassompierre (and Charles Ambroise Colin )','Le Sacrifice de Bassompierre. Suivi de Frères ennemis par Jean Bassompierre',NULL,'','','','228','Paris','2008','L\'Homme libre',NULL,NULL,NULL,'(BNF)','The Historika website (see division.charlemagne address at \'personal detials\') also demonstrates current political support for Bassompierre.
',''),('AbbeC','1950','prose','Georges Bataille','L\'Abbé C.',NULL,'','','','','Paris','1950','Éditions de Minuit',NULL,NULL,NULL,'','',''),('AbbeC','1972','prose','Georges Bataille','L\'Abbé C.',NULL,'','','','186','Paris','1972','Gallimard',NULL,NULL,NULL,'own copy','Folio edition
',''),('Boulevardperiph','2008','prose','Henry Bauchau','Le Boulevard périphérique',NULL,'','','','256','Paris','2008','Actes Sud',NULL,NULL,NULL,'Brotherton','',''),('Passagelignes','1946','prose','Maurice Bayen','Passage de lignes',NULL,'','','','171','Paris','1946','Gallimard',NULL,NULL,NULL,'BNF','',''),('Deserteurs','1958','prose','Georges Bayle','Les Déserteurs',NULL,'','','','189','Paris','1958','Gallimard',NULL,NULL,NULL,'BNF','p.7 A MA MERE
',''),('mandarins','1954','prose','Simone de Beauvoir','Les Mandarins',NULL,'','','','579','Paris','1954','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('mandarins','1968','prose','Simone de Beauvoir','Les Mandarins',NULL,'','','','2 vols: 512, 514','Paris','1968','le Livre de poche',NULL,NULL,NULL,'own copy (BNF)','Resume from Livre de poche edition
Paris est libéré, la seconde guerre mondiale va s\'achever. A la fin de 1944, espérer redevient possible après quatre ans de lutte clandestine. Rédacteur en chef du journal L\'Espoir, Henri Perron prépare avec allégresse une tournée de conférences au Portugal : c\'est une occasion de « s\'aérer » mais aussi de rompre en douceur avec son amie Paule dont la passion lui pèse. Il se laisse convaincre d\'emmener Nadine, la fille de ses amis Robert et Anne Dubreuilh.
Mais Paule refuse de comprendre la signification de ce départ - et aux difficultés de leur rupture s\'ajoutent les pressions exercées pour politiser son journal qu\'il refuse d\'inféoder à un parti.
Vivre un peu pour soi-même, Henri l\'a voulu. Anne Dubreuilh y est entraînée au hasard d\'un voyage en Amérique. Sa liaison avec Lewis Brogan se brise sur l\'écueil de leurs personnalités : Anne est trop intensément soudée à son passé d\'intellectuelle de gauche et à ses racines françaises pour que cet amour ait une chance de survivre. Comme Robert, Henri et leurs camarades, elle est un de ces « mandarins » qui tentent de remodeler le monde à l\'image de leur idéal dans la France en effervescence de l\'immédiat après-guerre.
Il n\'y a pas que de l\'imaginaire dans ce roman. Simone de Beauvoir s\'est expliquée dans le troisième volume de ses mémoires, La Force des choses, sur ce que cette grande fresque des années 45 à 50 doit au réel.
',''),('sangautres','1945','prose','Simone de Beauvoir','Le Sang des autres',NULL,'','','','240','Paris','1945','Gallimard',NULL,NULL,NULL,'own copy (BNF)','',''),('Linvitee','1943','prose','Simone de Beauvoir','L\'Invitée',NULL,'','','','419','Paris','1943','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('Linvitee','1963','prose','Simone de Beauvoir','L\'Invitée',NULL,'','','','511','Paris','1963','Livre de poche',NULL,NULL,NULL,'own copy','',''),('MemoiresPehun','1946','prose','Pierre Beauvois','Les Mémoires de Péhun: Souvenirs roses sur des temps noirs',NULL,'','','','111','Paris','1946','Editions Goélette',NULL,NULL,NULL,'BNF','',''),('Josee','1981','prose','Béatrix Beck','Josée dite Nancy suivi de La Mer intérieure, journal onirique',NULL,'','','','387','Paris','1981','Grasset',NULL,NULL,NULL,'(BNF)','',''),('Josee','1988','prose','Béatrix Beck','Josée dite Nancy',NULL,'','','','137','Paris','1988','Grasset: Les Cahiers rouges',NULL,NULL,NULL,'own copy, (BNF)','pp 1-3: Preface \'Béatrix Beck/Josée dite Nancy\' Back cover:
Josée est née pendant l\'occupation: \"Ma mere m\'a eue par les Allemands\", dit-elle. Ce qui lui valut, à cette mere, d\'être tondue à la Libération. Josée est devenue une jeune femme très délurée - ouvrière dans la fourrure, mais aussi entraîneuse à Pigalle. Elle a eu des maris qui lui ont fait des enfants, elle a beaucoup d\'amants et elle accueille des michetons. C\'est une forte nature.
',''),('LeonM','1952','prose','Béatrix Beck','Léon Morin prêtre',NULL,'','','','','Paris','1952','Gallimard',NULL,NULL,NULL,'Brtotherton Library','','Bourin, André,\' Léon Morin prêtre\', Les Nouvelles Littéraires, 10/04/1952
'),('LeonM','1953','prose','Béatrix Beck','The Priest',NULL,'Fitz Gibbon, Constantine','English','','','London','1953','Michael Joseph',NULL,NULL,NULL,'','First translation
',''),('LeonM','1963','prose','Béatrix Beck','Léon Morin prêtre',NULL,'','','','223','Paris','1963','Gallimard',NULL,NULL,NULL,'','',''),('LeonM','1972','prose','Béatrix Beck','Léon Morin prêtre',NULL,'','','','186','Paris','1972','Gallimard',NULL,NULL,NULL,'','Folio edition no.217
',''),('LeonM','1996','prose','Béatrix Beck','Léon Morin prêtre',NULL,'','','','214','Paris','1996','Gallimard',NULL,NULL,NULL,'','Folio edition no.217
',''),('LeonM','1961','film','Melville, Jean-Pierre','Léon Morin prête','','','French','',NULL,'France/ Itay','1961',NULL,'1961','104 mins','','','Cast - Léon Morin - Jean-Paul BelmondoBarny - Emmanuelle Riva.
Won Prize of the City of Venice at 1961 Venice Film Festival
','Cahiers du Cinéma, v.21 n.125 , November 1961, p.56
Film Francais, n.905 , 06 October 1961, p.18
Cinématographie Française n.1934 , 30 September 1961, p.25
'),('LeonM','1991','film','Pierre Boutron','Léon Morin prête','','','','',NULL,'','1991',NULL,'1990','','','','Broadcast on French Television on the 11/03/1991.
',''),('unemort','1950','prose','Beatrix Beck','Une Mort irrégulière',NULL,'','','','118','Paris','1950','Gallimard',NULL,NULL,NULL,'','The second in the series of novels featuring Barny, the others being Barny (1948), Léon Morin prêtre (1952), and Des Accommodements avec le ciel (1954)
',''),('jeandesautres','1959','prose','Guy de Belleval','Jean des autres',NULL,'','','','243','Paris','1959','Gallimard',NULL,NULL,NULL,'BNF','Back cover: Une souris, un plat de fraises, un sourire... Le jour de la mort de son grand\'père, Jean, qui a cinq ans, reçoit une gifle mémorable. Elle sera pour lui le départ d\'une enfance difficile.
Jean grandit. Il traverse le débâcle de 39, l\'occupation. Pour fuir sa famille, il s\'engage dans la résistance. Son père écrit au procureur de la République : il dénonce son fils.
Jean quitte définitivement sa famille. Au débarquement allié, il s\'engage dans l\'armée et découvre l\'amitié : Lucien.
Une fois la guerre terminée, Jean, qui est déjà \"des autres\", part avec Lucien, dont l\'autorité est devenue tyrannique, faire un grand voyage en Afrique.
Lucien mourra sous les yeux de Jean, sans que celui-ci fasse un geste pour le secourir. Il ne restera plus à Jean qu\'à accomplir un meurtre gratuit pour se débarrasser entièrement « des autres ».
Abidjan est le terme du voyage. Jean s\'y fait voler son argent. Il devient domestique dans un café de la ville noire, subit le terme de la déchéance. Une nuit, il sera laissé pour mort sur un terrain vague, par Monsieur Joe qui l\'a roué de coups.
Jean est rapatrié à Marseille par Janine, la jeune fille qui l\'a trouvé, recueilli, soigné, sauvé. Mais l\'amour de Janine vient trop tard. Jean le refuse et s\'en va.
Ceci est l\'histoire d\'un garçon qui a été constamment le jouet des gens et des choses. Guy de Belleval conte cette aventure sans phrases, et sans cynisme. On pense en la lisant à Vallès et à Jules Renard. Chose rare dans la littérature contemporaine, l\'auteur pratique avec bonheur la litote et l\'ellipse.
',''),('jeandesautres','[2]','prose','','',NULL,'','','','','','','',NULL,NULL,NULL,'','',''),('Enfanttue','1946','prose','René Benjamin','L\'Enfant tué',NULL,'','','','279','Genève','1946','Éditions du Cheval Ailé',NULL,NULL,NULL,'BNF','Also published Paris: Les Éditions Nouvelles, 1946
',''),('Hommerechercheame','1943','prose','René Benjamin','L\'Homme à la recherche de son âme: Témoignage d\'un Français sur le drame de ce temps',NULL,'','','','309','Paris','1943','Plon',NULL,NULL,NULL,'BNF','Avec 7 eaux-fortes par André Jacquemin
',''),('Printempstragique','1940','prose','René Benjamin','Le Printemps tragique',NULL,'','','','261','Paris','1940','Plon',NULL,NULL,NULL,'(BNF)','',''),('Printempstragique','1941','prose','René Benjamin','Le Printemps tragique',NULL,'','','','261','Paris','1941','Plon',NULL,NULL,NULL,'(BNF)','La couverture porte : \"21e mille\".
',''),('moisson40','1941','prose','Benoist-Méchin','La Moisson de Quarante: journal d\'un prisonnier de guerre',NULL,'','','','379','Paris','1941','Editions Albin Michel',NULL,NULL,NULL,'own copy (BNF)','',''),('Sacrificematin','1946','prose','Guillain de Bénouville','Le Sacrifice du matin',NULL,'','','','607','Paris','1946','Robert Laffont',NULL,NULL,NULL,'BNF','',''),('Sacrificematin','1949','prose','Guillain de Bénouville','The Unknown Warriors: A Personal Account of the French Resistance',NULL,'Lawrence G. Blochman','','','372','New York','1949','Simon & Schuster',NULL,NULL,NULL,'BL','plates
',''),('Biblioquete','2001','prose','Stéphanie Benson','Biblio-quête',NULL,'','','','2006','Paris','2001','Seuil (Points policier)',NULL,NULL,NULL,'BILIPO','Points policier no. 910
',''),('TraitreB','2000','prose','Hervé Bentégeat','Un Traître',NULL,'','','','','Paris','2000','Anne Carrière',NULL,NULL,NULL,'Durham','',''),('Perilsroyaume','2006','prose','Alain Berenboom','Périls en ce royaume',NULL,'','','','327','Paris','2006','B. Pascuito',NULL,NULL,NULL,'(BNF)','',''),('Messagespersonnels','1945','prose','H.G. Bergeret','Messages personnels',NULL,'','','','','Bordeaux','1945','Éditions Bière',NULL,NULL,NULL,'','Lettre-préface par André Malraux
',''),('Sentiersguerre','1981','prose','Erwan Bergot','Les Sentiers de la guerre',NULL,'','','','','Paris','1981','Presses de la cité',NULL,NULL,NULL,'BNF','',''),('Aluminium','1953','prose','Pierre Bernard','Aluminium',NULL,'','','','313','Paris','1953','Albin Michel',NULL,NULL,NULL,'BNF','p.5 A la mémoire de Franz Clément
',''),('villesans','2008','prose','Mathias Bernardi','La Ville sans regard',NULL,'','','','412','Paris','2008','J C Lattès',NULL,NULL,NULL,'(BNF)','',''),('Mohaguerrierberbere','1945','prose','François Berger','Moha ou Hammou, guerrier berbère',NULL,'','','','','Casablanca','1945','G.Gauthey',NULL,NULL,NULL,'BNF','',''),('Journal19421944','2007','prose','Hélène Berr','Journal 1942-1944',NULL,'','','','302','Paris','2007','Tallandier',NULL,NULL,NULL,'BNF','Suivi de Hélène Berr, une vie confisquée, par Mariette Job ; préface de Patrick Modiano
',''),('Journal19421944','2009','prose','Hélène Berr','Journal: 1942-1944',NULL,'','','','329','Paris','2009','Points',NULL,NULL,NULL,'(BNF)','Suivi de Hélène Berr, une vie confisquée, par Mariette Job ; préface de Patrick Modiano
',''),('Ingrid','1976','prose','Yves Bertho','Ingrid',NULL,'','','','457','Paris','1976','Gallimard',NULL,NULL,NULL,'BL','',''),('Angenuit','1942','film','André Berthomieu','L\'Ange de la nuit','','','','',NULL,'France','1942',NULL,'1942','','','','Photos from the film and the film posted can be viewed at the BNF Richelieu site.
',''),('Paradeimpies','1946','prose','Célia Bertin','La Parade des impies',NULL,'','','','323','Paris','1946','Grasset',NULL,NULL,NULL,'BL','',''),('lajeunefemme','1959','prose','Claude Besnault','La Jeune Femme',NULL,'','','','217','Paris','1959','Gallimard',NULL,NULL,NULL,'BL','','Nouvelles littéraires 30/07/1959
'),('DernierAuvernois','1981','prose','André Besson','Le Dernier des Auvernois',NULL,'','','','237','Vulliens (Switzerland)','1981','Ed. Mon Village',NULL,NULL,NULL,'BNF','',''),('DernierAuvernois','2009','prose','André Besson','Le Dernier des Auvernois',NULL,'','','','','Paris','2009','France-Empire',NULL,NULL,NULL,'','',''),('Cestenhiver','2002','prose','Joseph Bialot','C\'est en hiver que les jours rallongent',NULL,'','','','280','Paris','2002','Seuil',NULL,NULL,NULL,'(BNF)','',''),('Cestenhiver','2005','prose','Joseph Bialot','C\'est En Hiver que les jours rallongent',NULL,'','','','280','Paris','2005','Seuil: Points',NULL,NULL,NULL,'own copy (BNF)','from the back cover:
C\'est en hiver que Joseph Bialot a soudain vu le jour se rallonger, et comme chaque hiver, il se souvient. Fin janvier 1945, l\'Armée rouge libère le camp d\'Auschwitz. Sous la neige et dans le froid, les soldats russes ont ouvert ce cercueil où les hommes à demi morts n\'espéraient plus rien. Soixante ans plus tard, l\'auteur raconte son expérience des camps, ses tortionnaires et ses héros.
\"C\'est seulement à Auschwitz qu\'il était possible de vivre et de mourir en même temps.\"
Né en 1923, Joseph Bialot a été déporté à Auschwitz à vingt et un ans. Auteur d\'une vingtaine de romans, il s\'est imposé dès son premier roman, Le Salon du prêt-à-saigner, Grand Prix de littérature policière en 1979.
',''),('jourAlbertEinstein','2008','prose','Joseph Bialot','Le jour où Albert Einstein s\'est échappé',NULL,'','','','','Paris','2008','Editions Métailié',NULL,NULL,NULL,'(BNF)','',''),('SaintMartinfermee','2004','prose','Joseph Bialot','La Station Saint-Martin est fermée au public',NULL,'','','','','Paris','2004','Fayard',NULL,NULL,NULL,'(BNF)','',''),('SaintMartinfermee','2006','prose','Joseph Bialot','La Station Saint-Martin est fermée au public',NULL,'','','','168','Paris','2006','Seuil: Points',NULL,NULL,NULL,'(BNF)','',''),('Cargomer','1949','prose','Emile Biette','Mon cargo sur la mer',NULL,'','','','255','Paris','1949','Fayard',NULL,NULL,NULL,'BNF','',''),('Sipetiteflamme','1995','prose','Robert Bigot','Une Si Petite Flamme',NULL,'','','','','Paris','1995','Syros',NULL,NULL,NULL,'BILIPO','',''),('Beauxjoursbarbizon','1947','prose','André Billy','Les Beaux Jours de Barbizon',NULL,'','','','227','Paris','1947','Éditions du Pavois',NULL,NULL,NULL,'BL','',''),('HHhH','2010','prose','Laurent Binet','HHhH',NULL,'','','','440','Paris','2010','Grasset & Fasquelle',NULL,NULL,NULL,'(BNF)','',''),('instantmamort','1994','prose','Blanchot, Maurice','L\'Instant de ma mort',NULL,'','','','19','Paris','1994','Fata Morgana',NULL,NULL,NULL,'(BNF)','',''),('instantmamort','2000','prose','Blanchot, Maurice','L\'Instant de ma mort',NULL,'','','','','Paris','2000','Fata Morgana',NULL,NULL,NULL,'','',''),('instantmamort','2000b','prose','Blanchot, Maurice','The Instant of my death',NULL,'Rottenberg, Elizabeth','English and French','','','Stanford','2000','Stanford University Press',NULL,NULL,NULL,'Brotherton Library','Same edition published by Cambridge University Press in 2000.
In the same volume was published Demeure: fiction and testimony byJacques Derrida, which is Derrida\'s reading of the Blanchot text.
',''),('instantmamort','2002','prose','Blanchot, Maurice','L\'Instant de ma mort',NULL,'','','','15','Paris','2002','Gallimard',NULL,NULL,NULL,'(BN)','',''),('femmearnaud','1958','prose','Marc Blancpain','La Femme d\'Arnaud vient de mourir',NULL,'','','','279','Paris','1958','Denoël',NULL,NULL,NULL,'BNF','From the back cover: Belle, bien née, dominatrice, Coralie a régné, enfant, sur les gens du Manoir rustique de la Malassise. Bien plus tard, à Saïgon, ceux qui l\'admirent comme ceux qui la craignent l\'ont surnommée « L\'Impératrice ». Mais elle est aussi la femme du riche, mystérieux et cruel Robert Arnaud…
Le narrateur - car ce livre a pris la forme d\'une confession - , depuis les temps lointains de son enfance, n\'a jamais cessé de la haïr et de l\'aimer. Elle acceptera de devenir sa maïtresse, mais il ne connaïtra jamais la véritable nature des sentiments qu\'elle lui porte, et il aura sacrifié, à cet amour étrange et mutilé, le meilleur de lui-même et sa carrière d\'ambitieux.
Ce livre séduira par son romanesque, ses mystères et sa poésie. Mais peut-être aussi fera-t-il réfléchir, car il est l\'œuvre d\'un témoin sans illusion, mais non sans effroi, de la violence révolutionnaire des temps présents.
',''),('femmearnaud','1963','prose','Marc Blancpain','La Femme d\'Arnaud vient de mourir',NULL,'','','','434','Paris','1963','le Livre de poche',NULL,NULL,NULL,'(BNF)','',''),('Rageconvaincre','1970','prose','Marcel Bleustein-Blanchet','La Rage de convaincre',NULL,'','','','437','Paris','1970','Robert Laffont',NULL,NULL,NULL,'(BNF)','nb BNF catalogue records 1960/447pp as original edition.
',''),('Rageconvaincre','1974','prose','Marcel Bleustein-Blanchet','La Rage de convaincre',NULL,'','','','507','Paris','1974','Le Livre de poche',NULL,NULL,NULL,'(BNF)','',''),('Surmonantenne','1947','prose','Marcel Bleustein-Blanchet','Sur mon antenne: Souvenirs d\'une radio libre',NULL,'','','','289','Paris','1947','M. Dodeman',NULL,NULL,NULL,'BNF','Préface de Pierre Descaves
',''),('Joursheureux','1946','prose','Jean-Pierre Bloch','Mes Jours heureux',NULL,'','','','294','Paris','1946','Éditions du Bateau Ivre',NULL,NULL,NULL,'BNF','',''),('grandescirconstances','1949','prose','Jean Bloch-Michel','Les Grandes Circonstances',NULL,'','','','204','Paris','1949','Gallimard',NULL,NULL,NULL,'BL','',''),('Cavouri','1956','prose','Jean Blot','Le Soleil de Cavouri',NULL,'','','','315','Paris','1956','Gallimard',NULL,NULL,NULL,'BNF','FROM BACK COVER: Séparé de son père, Sylvain Clément le retrouve à la Libération. Cet être, auquel il a voué un amour religieux, le déçoit en tout : il est lâche, il est veule, il a collaboré.
Dégoûté de beaucoup de choses, Sylvain saisit l\'occasion d\'aller en Grèce. Il y découvre le soleil pour lequel il nourrissait depuis toujours une espèce de culte. Entre son amour filial et son amour pour le soleil, il voit un lien étroit.
A Athènes il fait la connaissance d\'un petit mendiant, Ienaki, et de son père Kantakis, une brute ivrogne. Sylvain, dans leurs rapports, retrouve une image agrandie de ses rapports avec son propre père. Il adopte Ienaki. L\'enfant lui raconte comment Kantakis, poussé à bout par la misère, a tué sa femme et ses filles et comment lui, le petit Ienaki, lui a échappé et l\'a trahi.
Comprenant l\'impossibilité de la religion filiale et solaire, Sylvain Clément se réveille dans le jour gris de la maturité.
Dans cette étrange et beau roman, Jean Blot établit un parallèle frappant avec le Soleil et le Père. Le soleil c\'est le père, c\'est Saturne qui dévore ses enfants. Par delà le sujet, l\'auteur établit une correspondance essentielle de la nature et de la sensibilité, une identité du réel et du sensible.
',''),('Laisseescompte','2005','prose','Robert Bober','Laissées pour compte',NULL,'','','','217','Paris','2005','POL',NULL,NULL,NULL,'Personal','',''),('Quoideneuf','1993','prose','Robert Bober','Quoi de neuf sur la guerre?',NULL,'','','','247','Paris','1993','POL',NULL,NULL,NULL,'Brotherton Library','','Duyamet, Pierre, Le Magazine Littéraire, no. 315, novembre 1993; L\'Express, 23 septembre 1993; Le Monde, 27 août 1993.
.
.
'),('Quoideneuf','1995','prose','Robert Bober','Quoi de neuf sur la guerre?',NULL,'','','','248','Paris','1995','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Quoideneuf','1998','prose','Robert Bober','What News of the War?',NULL,'Buss, Robin','English','','','London','1998','Hamish Hamilton',NULL,NULL,NULL,'','',''),('Quoideneuf','2000','prose','Robert Bober','Quoi de neuf sur la guerre?',NULL,'','','','375','Paris','2000','Gallimard',NULL,NULL,NULL,'','Includes notes by Jean Bardet
',''),('Quoideneuf','2002a','prose','Robert Bober','Quoi de neuf sur la guerre?',NULL,'','','','411','Paris','2002a','Gallimard',NULL,NULL,NULL,'','Includes notes by Jean Bardet
',''),('Quoideneuf','2002b','film','Deville, Michel','Un monde presque paisible','','','','',NULL,'France','2002',NULL,'2002','94 mins','','','Cast - Monsieur Albert - Simon Abkarian, Jacqueline - Lubna Azabal
','GERARD, Simon J: Almost Peaceful
Film Review, v.Spec. n.55 , December 2004, p.38
HARRIS, Sue: Reviews
Sight and Sound, v.14 n.8 , August 2004, p.42
TOBIN, Yann: Un monde presque paisible
Positif, n.502 , December 2002, p.33-34
'),('envoye','1950','prose','Paul Bodin','De Notre Envoyé spécial',NULL,'','','','276','Paris','1950','Editions Corréa',NULL,NULL,NULL,'BNF','p.7 A Marthe et Maurice Nadeau
',''),('Plastiqueuse','1975','prose','Jeanne Bohec','La Plastiqueuse à bicyclette',NULL,'','','','','Paris','1975','Mercure de France',NULL,NULL,NULL,'(BNF)','',''),('Plastiqueuse','1999','prose','Jeanne Bohec','La Plastiqueuse à bicyclette',NULL,'','','','','Paris','1999','Éditions du Félin',NULL,NULL,NULL,'(BNF)','',''),('Lepre','1955','prose','Boileau-Narcejac','La Lèpre',NULL,'','','','245','Paris','1955','Denoël',NULL,NULL,NULL,'BNF','',''),('Louves','1955','prose','Boileau-Narcejac','Les Louves',NULL,'','','','','Paris','1955','Gallimard',NULL,NULL,NULL,'BL','',''),('Louves','','film','Luis Saslavsky','Les Louves','','','','',NULL,'','',NULL,'','','','','',''),('etatmajor','1941a','prose','Georges Bonnamy','L\'Etat-major s\'en va-t-en guerre',NULL,'','','','171','Paris','1941','Renè Debresse',NULL,NULL,NULL,'BNF','',''),('etatmajor','1941b','prose','','L\'Etat-major s\'en va-t-en guerre',NULL,'','','','199','Paris','1941','René Debresse',NULL,NULL,NULL,'(BNF)','nouvelle édition augmentée
',''),('pseudovaincu','[2]','prose','','',NULL,'','','','','','','',NULL,NULL,NULL,'','',''),('resistantialisme','1948','prose','Georges Bonnamy','Résistantialisme',NULL,'','','','313','Paris','1948','R Debresse',NULL,NULL,NULL,'own copy (BNF)','',''),('Samba','1941','prose','Gabriel Bonnet','Samba - Héros de l\'empire',NULL,'','','','141','Paris','1941','Sequana',NULL,NULL,NULL,'BNF','Preface by General Weygand (Weygand1867)
',''),('cheminhonneur','1949','prose','Florimond Bonte','Le Chemin de l\'honneur: De la Chambre des Députés aux prisons de France et au bagne d\'Afrique',NULL,'','','','478','Paris','1949','Éditions Hier et Aujourd\'hui',NULL,NULL,NULL,'BNF','(Collection \'Essais et documents\'). Lettre-préface de Maurice Thorez
',''),('Anneesdoubles','1974','prose','Micheline Bood','Les Années doubles: journal d\'une lycéenne',NULL,'','','','341','Paris','1974','Laffont',NULL,NULL,NULL,'(BNF)','This is an abridged version of the original diaries, with entries related to a possible suicide attempt in early 1942 suppressed, for example.
\'présenté par Jacques Labib\'
',''),('Gang','1975','prose','Roger Borniche','Le Gang',NULL,'','','','339','Paris','1975','Fayard',NULL,NULL,NULL,'BNF','',''),('Gang','1976','film','Jacques Deray','Le Gang','','Alphonse Boudard & Jean-Claude Carrière','','Adel Productions, Mondial TEFI',NULL,'France, Italy','1976',NULL,'1976','103','','','Plot bears little resemblance to book.
',''),('8moissante','1946','prose','Elie Borschak','Huit mois à La Santé: Journal 1940-1941',NULL,'','','','106','Montreuil-sous-bois','1946','Éditions Franco-Ukrainiennes',NULL,NULL,NULL,'BL','Collection \'Bibliothèque Franco-Ukrainienne\'
',''),('sourdeoreille','1958','prose','Jean-Louis Bory','La Sourde Oreille',NULL,'','','','363','Paris','1958','Julliard',NULL,NULL,NULL,'BNF','Back cover:
Une île au large de Marseille en 1942; il s\'agit, pour les militaires contraints d\'y vivre, de profiter au mieux de cet entracte imposé. Jeune officer et joli garçon, le héros de ce roman s\'y montre fort habile, sachant faire alterner l\'agrément d\'une solitude insulaire et les plaisirs de la foule marseillaise. Une fois le jeu établi, il suffit de faire la « sourde oreille » à tout ce qui pourrait en déranger les règles. Mais comment ne pas la prêter, cette oreille, à l\'appel de l\'amitié, celui de l\'amour? Notre héros succombera à la double tentation, sans d\'ailleurs songer à s\'en plaindre.
',''),('Villageheureallemande','1945','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1945','Flammarion',NULL,NULL,NULL,'','',''),('Villageheureallemande','1945b','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1945','Flammarion',NULL,NULL,NULL,'Brotherton','Republished after winning the Goncourt literary prize.
',''),('Villageheureallemande','1946','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1946','Flammarion',NULL,NULL,NULL,'','',''),('Villageheureallemande','1948','prose','Bory, Jean-Louis','French Village',NULL,'Waley, D.P and P.J','English','','','London','1948','Dennis Dobson',NULL,NULL,NULL,'','First translation
',''),('Villageheureallemande','1960','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1960','Dixis',NULL,NULL,NULL,'','',''),('Villageheureallemande','1962','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1962','J\'ai Lu',NULL,NULL,NULL,'','Poche edition
',''),('Villageheureallemande','1965','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1965','Cercle du bibliophile',NULL,NULL,NULL,'','',''),('Villageheureallemande','1977','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1977','J\'ai Lu',NULL,NULL,NULL,'','First Poche edition
',''),('Villageheureallemande','1990','prose','Bory, Jean-Louis','Mon Village à l\'heure allemande',NULL,'','','','','Paris','1990','J\'ai Lu',NULL,NULL,NULL,'','Poche edition
',''),('Jeudisaint','2007','prose','Jean-Marie Borzeix','Jeudi saint',NULL,'','','','192','Paris','2007','Stock',NULL,NULL,NULL,'BNF','','Jérôme Garcin, Le Nouvel Observateur , 8 May 2008
'),('Antiroir','1945','prose','Pierre Bost','Un an dans un tiroir',NULL,'','','','115','Paris','1945','Gallimard',NULL,NULL,NULL,'BNF','Les Essais, XVIII
',''),('Hautefourche','1945','prose','Vivarais','La Haute Fourche',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton Library','P.4 of volume consulted are the details of the publication run, starting: \'LA PRÉSENTE ÉDITION ORIGINALE DE CE VOLUME A ÉTÉ TIRÉE...\'
ACHEVÉ D\'IMPRIMER A PARIS LE 25 JUIN 1945
p.6: copyright by Editions de Minuit 1944
reprinted by Les Cahiers du silence, distributed by Hachette, in London in 1946.
',''),('derniermetiers','1946','prose','Jacques-Laurent Bost','Le Dernier des métiers',NULL,'','','','','Paris','1946','Gallimard',NULL,NULL,NULL,'BNF','',''),('VeldHiv','2008','prose','François Bott','Vel d\'Hiv',NULL,'','','','','Paris','2008','Le Cherche Midi',NULL,NULL,NULL,'BNF','',''),('Indigenes','2006','film','Rachid Bouchareb','Indigènes','','Bouchareb, Rachid','French/ Arabic','Tessalit Productions',NULL,'France, Morocco, Algeria','2006',NULL,'2004','128mn','','Brotherton','The film was released in the English speaking world under the title Days of Glory. The five main actors won the best male actor award at the 2006 Cannes film festial.
',''),('Coinazur','1995','theatre','Bouchaud, Jean','Un Coin d\'azur',NULL,'','','','','Paris','1995','L\'Avant-Scène (Théâtre)',NULL,NULL,NULL,'CHRD - Lyon','Includes biography of author, the text and several critical studies;
Costaz, Gilles, Jean Bouchaud, l\'humour dans les contradictions
Boiron, Chantal, Catherine Rouvel, la chair qui fait passer l\'âme (article about principal actress in the play)
Dumas, Danielle, L\'An 40 (historical overview of the period)
Images from the 1995 staging of the play
Cast list
',''),('GrandGuingouin','1984','prose','Marie-Laurence Boucheron','Lo Grand Guingouin',NULL,'','','','55','Limoges','1984','Lucien Souny',NULL,NULL,NULL,'BNF','Preface by Georges Guingouin
',''),('Bonneaffaire','1982','prose','Alphonse Boudard','\'Une Bonne Affaire\' (in Les Enfants de choeur)',NULL,'','','','','Paris','1982','Flammarion',NULL,NULL,NULL,'BNF','',''),('Bonneaffaire','1996','prose','Alphonse Boudard','\'Une Bonne Affaire\' (in Une Bonne Affaire et autres nouvelles)',NULL,'','','','92 [33-58]','Paris','1996','Flammarion',NULL,NULL,NULL,'CHRD (L)','',''),('Mariette','1982','prose','Alphonse Boudard','\'Mariette\' (in Les Enfants de choeur)',NULL,'','','','277','Paris','1982','Flammarion',NULL,NULL,NULL,'BNF','Title of the collection in which \'Mariette\' appears: Les Enfants de choeur
',''),('Mariette','1996','prose','Alphonse Boudard','\'Mariette\' (in Une Bonne Affaire et autres nouvelles)',NULL,'','','','92 [5-31]','Paris','1996','Flammarion',NULL,NULL,NULL,'CHRD (L)','Title of collection in which this short story appears: Une bonne affaire et autres nouvelles
',''),('PrisonnierB','1982','prose','Alphonse Boudard','\'Le Prisonnier\' (in Les Enfants de choeur)',NULL,'','','','','Paris','1982','Flammarion',NULL,NULL,NULL,'BNF','',''),('PrisonnierB','1996','prose','Alphonse Boudard','\'Le Prisonnier\' (in Une Bonne Affaire et autres nouvelles)',NULL,'','','','92 [59-76]','Paris','1996','Flammarion',NULL,NULL,NULL,'CHRD (L)','',''),('Murdestinee','2003','prose','Josette Boudou','Le Mur de la destinée',NULL,'','','','','Riom (Puy-de-Dôme)','2003','Editions de la Borée',NULL,NULL,NULL,'BNF','',''),('Maisonoccupee','1946','prose','Janine Bouissounouse','Maison occupée',NULL,'','','','350','Paris','1946','Gallimard',NULL,NULL,NULL,'BNF','',''),('quelquepartfront','1940','prose','Jacques Boulenger','Quelque Part, sur le front...: Images de la présente guerre',NULL,'','','','222','Paris','1940','Calmann-Lévy',NULL,NULL,NULL,'BL','',''),('metierseigneur','1960','prose','Pierre Boulle','Un Métier de seigneur',NULL,'','','','215','Paris','1960','Juillard',NULL,NULL,NULL,'BL','',''),('metierseigneur','1961','prose','Pierre Boulle','For a noble cause',NULL,'Fielding, Xan','English','','217','London','1961','Secker and Warburg',NULL,NULL,NULL,'BL','First translation
',''),('Pontkwai','1952','prose','Pierre Boulle','Le Pont de la rivière Kwaï',NULL,'','','','218','Paris','1958','Juillard',NULL,NULL,NULL,'BL','',''),('Pontkwai','1954','prose','Pierre Boulle','The Bridge of the river Kwai',NULL,'Fielding, Xan','English','','170','London','1954','Secker & Warburg',NULL,NULL,NULL,'','First translation in English
',''),('sacrilege','1951','prose','Pierre Boulle','Le Sacrilège malais',NULL,'','','','409','Paris','1951','Julliard',NULL,NULL,NULL,'BNF','From the back cover:
« Sophia », Société d\'Outre-mer pour l\'Hévéaculture Industrielle-Agricole, a son champ d\'exploitation en Malaisie. (…) Au-dessus d\'eux [forêt tropicale, planteurs européens, coolies, tamils, chinois], essayant de les « rationaliser », un immense système s\'édifie. (…) La guerre qui surgit n\'apporte qu\'une trêve aux drames individuels et, bientôt après, l\'esprit systématique triomphe à nouveau. C\'est une peinture hardie, ironique et dure, de toutes les administrations. (…) Elle s\'oppose au fond du décor : la Malaisie encore pleine de mystère.
',''),('BanditsAtlas','1983','prose','Azzédine Bounemeur','Les Bandits de l\'Atlas',NULL,'','','','186','Paris','1983','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Attaquelignemaignot','1940','prose','Emmanuel Bourcier','L\'Attaque de la Ligne Maginot',NULL,'','','','60','Paris','1940','ODEF [i.e. Office des Éditions Françaises]',NULL,NULL,NULL,'(Library of Congress, Washington DC)','In Series \'L\'Empire français et la guerre, 2\'
',''),('renaitra','1959','prose','Marcel Bourrette','Tout renaîtra',NULL,'','','','226','la Tronche-Montfleury (Isère)','1959','Editions des Cahiers de l\'Alpe',NULL,NULL,NULL,'BNF','Cover: Avec deux bois gravés de Jean Chièze
p.5: Au grand écrivain Aragon, ces modestes pages sur une toute petite région du Haut-Vivarais. en hommage de respectueuse admiration. Grenoble le 20-6-59. M Bourrette.
and:
Profonde gratitude à Jean Chièze (...), au poète Charles Forot,éditeur d\'art. Paul Paya, dont les précieux \"Documents historiques sur Devesset et sa Commanderie\" ont servi de base aux rappels du passé contenu dans ce livre. M.B.
p.6 Dans cet ourvrage se retrouvent dans leur cadre familial du pays de Saint-Agrève, quelques-uns des personnages de La Maison des Veuves
p.9 A la mémoire de mon père dont ceux qui l\'ont connu retrouveront peut-être dans ces pages la droiture, l\'esprit de tolérance et la souriante bonté.
',''),('renaitra','1999','prose','Marcel Bourrette','Tout renaîtra: la résistance sur le plateau ardéchois',NULL,'','','','226','Montmélian','1999','La Fontaine de Siloé',NULL,NULL,NULL,'(BNF)','preface by Pierre Brun. Collection: Les Chants de la terre
',''),('aerodrome','1954','prose','Roger Boussinot','Aérodrome',NULL,'','','','418','Paris','1954','Editeurs français réunis',NULL,NULL,NULL,'BNF','On back cover: Ce roman est l\'histoire de cette jeunesse qui avait dix-neuf ans en 1940 et dont les pères avaient rapporté de la guerre de 14-18 et des années dévorantes qui lui ont succédé un immense dégoût pour n\'importe quelle lutte, nationale ou sociale. A cette jeunesse, on avait épargné à peu près toute souffrance. N\'avait-on pas dit aux pères qu\'ils se battaient pour que leurs enfants ne voient plus jamais ça » ? La jeunesse petite-bourgeoise a donc ouvert les yeux devant la violence des événements qui se déroulaient et auxquels, miraculeusement, personne ne l\'obligeait à participer.
Roger BOUSSINOT veut montrer comment, à tâtons, elle a soupçonné d\'abord la possibilité d\'une action et finalement, comment elle en a admis la nécessité, malgré les préjugés qui lui avaient été inculqués.
Publicity sleeve on novel carries on main side : la jeunesse se paie cher
',''),('guichets','1960','prose','Roger Boussinot','Les Guichets du Louvre',NULL,'','','','159','Paris','1960','Denoël',NULL,NULL,NULL,'(BNF)','reprinted 1974
',''),('guichets','1980','prose','Roger Boussinot','Les Guichets du Louvre',NULL,'','','','155','Paris','1980','Gallimard Folio',NULL,NULL,NULL,'own copy (BNF)','From back cover: \'Vous vous souvenez de ce 16 juillet 1942? Depuis l\'aube, deux mille policiers \"ramassaient\" trente mille juifs, vieillards, femmes et enfants, dans les quartiers de Belleville, Popincourt, Saint-Paul, Poissonnière et du Temple./ Seul, avec le sentiment aigu et désespérant de sa solitude, un jeune garçon qui n\'avait pas vingt ans, passait un peu plus tard sous les guichets du Louvre. / Il voulait \"faire quelque chose\". / Mais peut-on vraiment, lorsqu\'on rougit si fort, aborder une femme dans la rue? Même avec l\'intention de lui sauver la vie?...
',''),('guichets','1999','prose','Roger Boussinot','Les Guichets du Louvre',NULL,'','','','154','Paris','1999','Gaïa éditions',NULL,NULL,NULL,'own copy (BNF)','includes a \'post-scriptum\' by the author, detailing the \'trois censures\' the story suffered from : 1. of his own difficulty in reconstituting his memories; 2. of those who prevented 3 attempts to have the story filmed; 3. the first publisher\'s refusal to republish for over 12 years.
From back cover :
Paris, juillet 1942.
Un jeune étudiant provincial est prêt à quitter Paris pour rejoindre la Gironde et la maison familiale. Sa valise est presque bouclée et la chambre est rangée. Mais la visite d\'un camarade de classe, d\'ordinaire distant, va tout changer. Le jeune homme se voit proposer une mission : une rafle va avoir lieu, ici, à Paris, contre les juifs. Il faut agir. La marche à suivre semble simple. Pourquoi refuser?
Il ne peut pas ne pas agir contre cette rafle commanditée par les forces d\'occupation et la police française. Il ne peut pas ne pas lutter contre les arrestations massives des Juifs de la capitale. Mettre à l\'abri, ce 16 juillet 1942, le maximum de femmes et d\'enfants juifs (les hommes sont tous, déjà, dans des camps) ; les convaincre d\'arracher l\'étoile jaune ; les faire passer, avec lui, sur la rive gauche: simplement passer le cap des guichets du Louvre. Ses vacances attendront, quelques heures encore, après la \" Rafle du Vel\' d\'Hiv \".
Ils furent cinquante à tenter d\'enrayer le processus ignoble. Que chacun en sauve \" au moins un \" aurait déjà constitué une victoire. Mais comment agir quand on est solitaire et idéaliste ? Comment convaincre un inconnu de vous suivre quand seul l\'ennemi inspire confiance, quand les jeux sont faussés ? Comment aborder quelqu\'un dans la rue quand on est timide et qu\'on rougit sous le regard des femmes ?
Roger Boussinot a attendu plus de vingt ans avant de pouvoir livrer ce témoignage, avant de reconstituer \" le miroir brisé \" qu\'était devenue sa mémoire, après ce 16 juillet 1942. Un récit poignant qui dénonce en toute humilité l\'un des épisodes les plus honteux et les plus longtemps tus de l\'histoire de la France occupée.
',''),('guichets','1974','film','Mitrani, Michel','Les Guichets du Louvre','','Albert Cossery and M Mitrani','','',NULL,'','1974',NULL,'1974','','','','','New York Review
Movie Review
Les Guichets du Louvre (1973)
December 23, 1974
\' Black Thursday\' a Moving Film About Jews of Paris
By VINCENT CANBY
Published: December 23, 1974
\"Black Thursday,\" the new French film that opened yesterday at the New Yorker Theater, solemnly commemorates one of the bleakest chapters in the history of Paris during the German occupation. On July 16, 1942, 9,000 French policemen rounded up 13,000 Jews, including 4,500 children, hustled them aboard city buses and carted them off on the first leg of a journey that eventually led to the Nazi death camps.
For the most part, everything was extremely orderly. There was no panic. The policemen were, after all, French not German. The Jews, too, were polite. They were mostly French nationals and they had faith in the Republic. Also, there were no more hiding places. Some policemen were glad to see the Jews go. If at all conscience-stricken they could tell themselves their victims were simply being sent off to work in factories somewhere. Like in \'14-\'18.
\"Black Thursday\" is based on the haunted memoir, \"Les Guichets du Louvre\" (The Gates of the Louvre), by Roger Boussinot, published in France in 1960. At the time of the all-day roundup, Mr. Boussinot was a 20-year-old student at the Sorbonne. Having obtained advance warning of the raids, he spent that day in the Right Bank Jewish quarter, trying unsuccessfully to persuade Jews to hide, or to flee with him to the labyrinths of the Left Bank\'s student quarter, or just to remove the gold Stars of David they wore on their breasts.
He was notably unsuccessful. He was a fresh-faced kid. He might be in the pay of the police. One preferred to take one\'s chances with one\'s family rather than to go off on a wild goose chase. A handsome Jewish woman in a pastry shop thanked him with a smile but pointed out that she really didn\'t know him well enough. She had heard stories about the wild lives the students led. He could have been inviting her to an orgy.
Only one person listened to him, though reluctantly: a pretty girl who first found that her mother and younger sister had been arrested, and then watched as the policemen led away all the employes at the furrier\'s where she worked.
\"Black Thursday\" is the story of the efforts of the young man, named Paul in the film and played by Christian Rist, to persuade the girl (Christine Pascal) to save herself if not to let him save her. It\'s an agonizing film, both because of the complex emotions it evokes and because it so often slips into clumsily romantic movie attitudes that don\'t do justice to the subject.
Michel Mitrani, the director, seems at times to be making one of those old Gerard Philippe tearjerkers of the late nineteen-forties, with lots of music on the soundtrack, swoopy, circular camera movements, and actors who look more like idealizations than real people. Everything suggests a softer kind of fiction than this really is.
Miss Pascal is an exception. She has an irregular beauty that never denies or gets in the way of the successive waves of fear, hope, resignation and despair she experiences during her day-long flight to nowhere. She is especially fine in the film\'s quietest, most terrifying scene, when she at last allows a friend to snip the stitches attaching the Star of David to her coat. She has suddenly become anonymous.
Like Marcel Ophuls\'s \"The Sorrow and The Pity\" and Louis Malle\'s \"Lacombe, Lucien,\" \"Black Thursday\" examines a moment in history that most Frenchmen have preferred to ignore until now. It\'s not very interesting movie-making, but I suspect that for many (including the French) the subject itself is transforming enough.
'),('DrameVichy','1950','prose','Yves Bouthillier','Le Drame de Vichy',NULL,'','','','','Paris','1950-51','Plon',NULL,NULL,NULL,'(BNF)','2 volumes: I: Face à l\'ennemi. Face à l\'allié, 1950, 320pp.
II: Finances sous la contrainte, 1951, 552pp.
',''),('Vercorscombat','1994','prose','Alain Bouton','Vercors: le combat des résistants',NULL,'','','','52','Paris','1994','Bayard Éditions/Okapi',NULL,NULL,NULL,'BNF','Co-authors: Mathilde Ferguson and Michel Faure. Includes a \'dossier historique\'.
',''),('Argentvif','1954','prose','Michel Boutron','L\'Argent vif',NULL,'','','Lough, W','203','London','1954','Ed Aimé Brachet',NULL,NULL,NULL,'(BNF)','',''),('Argentvif','1961','prose','Michel Boutron','\'L\'Argent vif\' (in The Harrap book of French Short Stories)',NULL,'','','Lough, W','','London','1961','Harrap',NULL,NULL,NULL,'BL','full title: The Harrap book of French Short Stories; presumably an extract of the 1954 text.
',''),('Enfantsmatin','1953','prose','Michel Boutron','Les Enfants du matin',NULL,'','','','235','Paris','1953','Julliard',NULL,NULL,NULL,'BNF','',''),('Hans','1950','prose','Michel Boutron','Hans',NULL,'','','','205','Paris','1950','Segep',NULL,NULL,NULL,'(BNF)','',''),('Hans','1964','prose','Michel Boutron','Hans',NULL,'','','Wilson, N. Scarlyn','128','London','1964','G. G. Harrap',NULL,NULL,NULL,'Brotherton Library','Introduction in English
',''),('MonsieurLeon','2006','film','Pierre Boutron','Monsieur Léon','','','','Gétévé',NULL,'France','2006',NULL,'2005','97','','BNF','Broadcast on TF1 on 27/11/2006
',''),('Cotentincolmar','1947','prose','Maurice Bouverat','Du Cotentin à Colmar avec les chars de Leclerc',NULL,'','','','201','Paris','1947','Berger-Levrault',NULL,NULL,NULL,'BNF','Préface du commandant Alain de Boissieu.Collection \'La Seconde Guerre mondiale - Histoire et souvenirs\'
',''),('Piege','1945','prose','Bove, Emmanuel','Le Piège',NULL,'','','','','Paris','1945','Editions P.Trémois',NULL,NULL,NULL,'Brotherton','Front cover of 1945 edition
',''),('Piege','1986','prose','Bove, Emmanuel','Le Piège',NULL,'','','','','Paris','1986','La Table ronde',NULL,NULL,NULL,'','',''),('Piege','1991a','prose','Bove, Emmanuel','Quicksands',NULL,'Di Bernardi, Dominic','English','','','Marlboro, Vt','1991','Marlboro',NULL,NULL,NULL,'','',''),('Piege','1991b','prose','Bove, Emmanuel','Le Piège',NULL,'','','','218','Paris','1991','Gallimard: L\'Imaginaire',NULL,NULL,NULL,'own copy','Postface by Alain Clerval pp209-216; Bibliographie pp. 217-218.
',''),('Piege','1991c','film','Moati, Serge','Le Piège','','','','La Sept, Antenne 2, Canal +',NULL,'France','1991',NULL,'1991','','','','','Miauray, Jacques, \'Le Piège\', Les Nouvelles Littéraires, 31/05/1945. \"Il n\'apporte même que peu de clartés sur ce magnifique exemplaire humain [la Résistance] ... à cause de la pauvreté du personnage...ensuite à cause de la technique de l\'auteur\".
'),('Jeuxinter','1952a','prose','François Boyer','Jeux interdits',NULL,'','','','169','Paris','1952a','Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','p.8: copyright Editions de minuit 1947. suggesting might have bought rights from Marabout?
',''),('Jeuxinter','1973','prose','François Boyer','Jeux interdits',NULL,'','','','157','Paris','1973','Gallimard',NULL,NULL,NULL,'own copy (1982 printing)','copyright: Denoel 1968
',''),('Jeuxinter','1952b','film','Clément, René','Jeux interdits','','Aurenche, Jean and Pierre Bost','','Silver films',NULL,'','1952b',NULL,'1952','','','','Apart from the ending, the key events of the narrative are faithful to the novel. In both film and novel, this is a disturbing portrait of the trauma of war and death on children, which also draws on children\'s potential for amoralism.
','Oscar 1952: best foreign film
Golden Lion, Venise, 1952
Bafta, best film, 1953
'),('Artbrut','2001','prose','Emile Brami','Art brut',NULL,'','','','188','Paris','2001','Ecriture',NULL,NULL,NULL,'Bibliotheques de Paris - Bibliotheque Baudoyer','',''),('Histoirepoupee','2000','prose','Emile Brami','Histoire de la poupée',NULL,'','','','185','Paris','2000','Ecriture',NULL,NULL,NULL,'Bibliothèques de Paris - Bibliotheque Baudoyer','Cover features painting by Louis Pons, Jeux d\'enfants
',''),('fortunat','1955','prose','Michel Breitman','Fortunat ou le père adopté',NULL,'','','','151','Paris','1955','Editions Denoël',NULL,NULL,NULL,'BNF','collection: le champ libre. collection dirigée par Robert Kanters. Back page: Ce premier roman d\'un jeune écrivain est le livre de la paternité-passion, comme on dit l\'amour-passion. Des circonstances fortuites, au cours de la guerre, ont placé Fortunat, garçon bourru, replié sur lui-même, au cœur de la famille Jonathas. Soudain il a une femme, deux enfants surtout. Acceptera-t-il un jour de retourner à la solitude ? Amant abandonné, pourra-t-il impunément devenir voleur d\'enfants, transgresser les lois de la société ? L\'auteur, qui a des dons évidents d\'écrivain et de psychologue, étudie avec finesse le caractère singulier de son héros. Un livre original, de cette originalité vraie qui est de l\'âme.
p.7 Pour Sergep.9 \'L\'homme sans foyer n\'est pas un être humain. Vivre seul, c\'est aussi grave que commettre un meurtre.\' La Thora
',''),('fortunat','1960','film','Alex Joffé','Fortunat','','','French','Cinétel, Produzioni Cinematografiche Mediterranee and Silver Films',NULL,'Toulouse, Ebreuil and studio','1960',NULL,'1960','121 minutes','','','synopsis of the film (from Wiklpedia, but very similar to other synopses): Le 20 mai 1942, pendant la Seconde Guerre mondiale et lors de l\'occupation de la France, le destin réunit le braconnier Noël Fortunat, brave bougre quelque peu porté sur la boisson, et Juliette Valcourt, femme élégante accompagnée de ses deux enfants : Pierre et Maurice. Mademoiselle Massillon, une institutrice secourable, tente d\'aider Juliette qui est recherchée par les nazis depuis que son mari, un chef de la Résistance, a été arrêté. Juliette et ses enfants doivent gagner la zone libre pour se réfugier à Toulouse. Pour cela, il leur faut franchir la ligne de démarcation . C\'est Fortunat qui est chargé de conduire en lieu sûr les deux enfants et leur mère. Pour la circonstance, Fortunat se fait passer pour le mari de Juliette. Alors qu\'il devait retourner au village après avoir installé Juliette et ses enfants à Toulouse, Fortunat, qui s\'est attaché à ses protégés, reste avec eux et subvient à tous les besoins de la famille. Au fil des mois, Fortunat et Juliette tissent des liens de plus en plus étroits et deviennent amants. Mais la Libération survient et Juliette retrouve son mari. Fortunat repart alors vers son destin d\'homme solitaire.
English title: Fortunate
',''),('Atelierphoto','1954','prose','Jacques Brenner','L\'Atelier du photographe',NULL,'','','','348','Paris','1954','Julliard',NULL,NULL,NULL,'BNF','',''),('Damesboisboulogne','1945','film','Robert Bresson','Les Dames du Bois de Boulogne','','Bresson, Robert and Jean Cocteau','','',NULL,'','1945 (21/09/1945)',NULL,'1944-1945','84','','','',''),('couronne','1959','prose','René Brest','La Couronne d\'orties',NULL,'','','','192','Paris','1959','La Nef de Paris éditions',NULL,NULL,NULL,'BNF','From back cover: C\'est à la « drôle de guerre », celle qui pour la France s\'achève provisoirement avec l\'armistice de Juin 1940, qu\'est consacré ce roman vécu.
En un récit alerte, à la fois amusant et émouvant, l\'auteur narre les tribulations d\'un agent de liaison Français affecté au Corps Expéditionnaire Britannique. Ce malicieux Auclair, cousin de l\'Aurelle d\'André Maurois, s\'étonne lui aussi du comportement de nos alliés, d\'abord en période d\'hostilités larvées, au cours de l\'interminable hiver 39-40, puis, plus encore, lorsqu\'il essuiera le feu en leur compagnie durant la brève campagne des Flandres achevée par la déroute de Dunkerque.
Les Britanniques et les Français au milieu desquels Auclair, modeste sergent, évolue en égal, ou presque, sont vivement campés. De même, l\'étrange printemps 40 y reste évoqué de façon saisissante avec cette continuelle oscillation des combattants entre le doute et la colère. La date à laquelle fut écrit ce roman justifiera l\'authenticité d\'impressions encore fraîche dans l\'esprit de l\'auteur.
René Brest sait voir, en effet, et aussi raconter avec ce tour humoristique, cette façon désinvolte d\'ôter de l\'importance aux choses qui en ont pour en donner à celles qu\'i n\'en ont pas, qui est la marque de tous ceux ayant quelque peu fréquenté les Anglais.
Son titre symbolise à n\'en pas douter les mille formes d\'humiliations - depuis le sentiment de n\'être plus qu\'un numéro matricule jusqu\'à la honte de sentir trembler sa carcasse - frappant tous les hommes brusquement arrachés à la vie civile pour aller risquer leur vie. Et cela sans toujours comprendre pourquoi.
On serait tenté d\'écrire que « La Couronne d\'orties « ressemble aux « Silences du Colonel Bramble » ainsi qu\'à « Weekend à Zuydcoote ». C\'est que les personnages sont les mêmes. Maintenant que le fracas des canons s\'est tû (sic) sur les Flandres, ce livre cocasse plaira à ceux qui ont vécu ces temps troublés et à tous ceux qui ont le goût du « vécu ».
p.5¨ La Couronne d\'orties Roman vécu
p.6 A ma mère, ma meilleure amie… R.B.
p.192:
Meknès - Juillet 40 Lyon - Mars 1942
',''),('vertemoisson','1959a','prose','Henri-Victor Brunel','La Verte Moisson',NULL,'','','','254','Paris','1959','Éditions France Empire',NULL,NULL,NULL,'BNF','This edition includes uncaptioned photographs from the film version.
',''),('vertemoisson','1959b','film','François Villiers','La Verte Moisson','','Henri Brunel & Rémo Forlani','','Gaumont/Films Caravell',NULL,'','December 1959',NULL,'July 1959','90 minutes','','','4 minute video extract available at www.dailymotion.com; detailed summary @ www.cinemautopias.org
','synopsis and short extract (from the end it appears - voiceover of one of students as taken out to be shot): http://www.dailymotion.com/video/x21oqd_la-verte-moisson_shortfilms
Film de François Villiers (1959). Scénario : Remo Forlani. Adaptation : François Villiers, Alain Poiré, d\'après un roman d\'Henri Brunel. Dialogues : Jean-Pierre Aumont, Remo Forlani. Musique : Jacques Bondon.
A Pontoise, pendant l\'Occupation, les élèves d\'une classe de première forment un groupe de Résistance. Ayant conçu le projet d\'attaquer la kommandantur, il tuent un soldat allemand pour s\'emparer de ses armes. Une maladresse provoque leur arrestation. Torturés, ils ne parlent pas. Chez l\'un d\'eux, le plus insouciant du groupe, Robert Borelli (Claude Brasseur), une arme volée est retrouvée lors d\'une perquisition. L\'inspirateur de l\'action, Olivier Guerbois (Francis Lemonnier) se dénonce pour ne pas le laisser seul assumer l\'engagement de tous. Les deux jeunes gens sont fusillés.
Avec notamment Dany Saval (la petite amie de Robert), Jacques Perrin, Jacques Higelin, Claude Vernier (l\'officier allemand du début), Hans Verner (l\'officier allemand de la prison).
L\'histoire est directement inspirée de celle de cinq élèves du lycée Buffon, à Paris, engagés dans la Résistance dès 1941 et fusillés en 1943 : Jean-Marie Arthus (18 ans), Jacques Baudry (21 ans), Pierre Benoît (18 ans), Pierre Grelot (20 ans) et Lucien Legros (19 ans). A titre posthume, tous les cinq ont été faits chevaliers de la Légion d\'honneur et ont reçu la Croix de guerre et la Médaille de la Résistance.
'),('barreauxfaucons','1955','prose','Louise Bujeaud','La Barre aux faucons',NULL,'','','','316','Paris','1955','Stock',NULL,NULL,NULL,'','',''),('coldie','1957','prose','Jacques Bureau','Coldie ou la part de l\'eau',NULL,'','','','','Paris','1957','Robert Laffont',NULL,NULL,NULL,'BNF','From back cover, continued from prewar life En Coldie, il a observé un type d\'enfant moderne assez mal compris, dans un style qu\'il s\'est fait pour rendre compte de choses difficiles.
On l\'appelle Coldie parce qu\'elle a la peau fraîche. Elle est née de la guerre, c\'est une jeune fille d\'aujourd\'hui. Coldie fut d\'abord une enfant véritable. Elle a essayé de nous aimer, mais c\'était trop difficile. Venue par la rivière, elle tient à nous par ce fil de l\'eau qui casse si facilement. Elle a lâché prise. Le fleuve l \'a remportée.
Jacques Bureau est physicien : il voit les jeunes filles comme des cristaux. Coldie en a l\'aspect coupant, inachevé, lucide. Jacques Bureau nous l\'a « révélée ».
On dira peut-être que Coldie n\'est pas un roman : on n\'y prend rien au tragique. Mais est-ce bien nécessaire ?
',''),('Enfantcache','1997','prose','Berthe Burko-Falcman','L\'Enfant caché',NULL,'','','','192','Paris','1997','Seuil',NULL,NULL,NULL,'BNF','',''),('prenomrepub','2007','prose','Berthe Burko-Falcman','Un Prénom républicain',NULL,'','','','298','Paris','2007','Seuil',NULL,NULL,NULL,'BNF','',''),('OmahaCrimes','2007','prose','Michel Bussi','Omaha Crimes: le thriller du débarquement',NULL,'','','','315','Rouen','2007','Edtions PTC',NULL,NULL,NULL,'BILIPO','',''),('Dansgriffesnazies','1946','prose','Suzanne Busson','Dans les griffes nazies: Angers, Fresnes, Ravensbrück, Mauthausen',NULL,'','','','172 + 248','Le Mans','1946/1952','P. Belon',NULL,NULL,NULL,'BNF','2 volumes Vol 1 - Préface par Camille Deletang, Éditions Pierre Belon, 1946, pp.172. Vol 2 - , Imprimerie du \'Maine-Libre\', 1952, pp.248
',''),('Rencontrehommes','1950','prose','Beningo Cacérès','La Rencontre des hommes: Roman',NULL,'','','','218(4)','Paris','1950','Seuil',NULL,NULL,NULL,'BL','',''),('Bouquet','1945','prose','Henri Calet','Le Bouquet',NULL,'','','','297','Paris','1945','Gallimard',NULL,NULL,NULL,'BNF','',''),('MonsieurP','1950','prose','Henri Calet','Monsieur Paul',NULL,'','','','329','Paris','1950','Gallimard',NULL,NULL,NULL,'Brotherton Library','',''),('MursFresnes','1945','prose','Henri Calet','Les Murs de Fresnes',NULL,'','','','109','Paris','1945','Editions des Quatre Vents',NULL,NULL,NULL,'BNF','',''),('MursFresnes','1993','prose','Henri Calet','Les Murs de Fresnes',NULL,'','','','125(2)','Paris','1993','Viviane Hamy',NULL,NULL,NULL,'Brotherton','plates
',''),('Toutsurtout','1948','prose','Henri Calet','Le Tout sur le tout',NULL,'','','','273','Paris','1948','Gallimard',NULL,NULL,NULL,'BL','',''),('Ptesnuits','1946','film','Marcel Carné','Les Portes de la nuit','','Prévert, Jacques','','',NULL,'Paris','1946',NULL,'1945/46','100','','','',''),('Appelaitchatte','1975','prose','Lily Carré','On m\'appelait La Chatte',NULL,'','','','','Paris','1975','Albin Michel',NULL,NULL,NULL,'BNF','',''),('Etechatte','1959','prose','Mathilde-Lily Carré','J\'ai été \"La Chatte\"',NULL,'','','','','Paris','1959','Morgan',NULL,NULL,NULL,'BNF','Preface by her defence lawyer Albert Naud, who presents her as a hapless victim of Abwehr machinations, rather than the callous femme fatale of legend.
',''),('Romanrusse','2007','prose','Emmanuel Carrère','Un Roman russe',NULL,'','','','365','Paris','2007','POL',NULL,NULL,NULL,'Brotherton Library','From amazon.fr: Présentation de l\'éditeur
La folie et l\'horreur ont obsédé ma vie. Les livres que j\'ai écrits ne parlent de rien d\'autre. Après L\'Adversaire, je n\'en pouvais plus. J\'ai voulu y échapper. J\'ai cru y échapper en aimant une femme et en menant une enquête. L\'enquête portait sur mon grand-père maternel, qui après une vie tragique a disparu à l\'automne 1944 et, très probablement, été exécuté pour faits de collaboration. C\'est le secret de ma mère, le fantôme qui hante notre famille. Pour exorciser ce fantôme, j\'ai suivi des chemins hasardeux. Ils m\'ont entraîné jusqu\'à une petite ville perdue de la province russe où je suis resté longtemps, aux aguets, à attendre qu\'il arrive quelque chose. Et quelque chose est arrivé : un crime atroce. La folie et l\'horreur me rattrapaient. Elles m\'ont rattrapé, en même temps, dans ma vie amoureuse. J\'ai écrit pour la femme que j\'aimais une histoire érotique qui devait faire effraction dans le réel, et le réel a déjoué mes plans. Il nous a précipités dans un cauchemar qui ressemblait aux pires de mes livres et qui a dévasté nos vies et notre amour. C\'est de cela qu\'il est question ici : des scénarios que nous élaborons pour maîtriser le réel et de la façon terrible dont le réel s\'y prend pour nous répondre.
',''),('Pionsechiquier','1947','prose','Frédéric Cartault d\'Olive','Pions de l\'échiquier',NULL,'','','','319[2]','Paris','1947','Calmann-Lévy',NULL,NULL,NULL,'BNF','',''),('Demonoubli','1987','prose','Michel del Castillo','Le Démon de l\'oubli',NULL,'','','','395','Paris','1987','Seuil',NULL,NULL,NULL,'Brotherton Library','',''),('Demonoubli','1989','prose','Michel del Castillo','Le démon de l\'oubli',NULL,'','','','395','Paris','1989','Seuil',NULL,NULL,NULL,'','First paperback edition, Points, no. 337
',''),('2actes','1959','prose','Général Catroux','Deux actes du drame indochinois',NULL,'','','','','Paris','1959','Plon',NULL,NULL,NULL,'','',''),('BatailleMediterranee','1949','prose','Général Catroux','Dans la bataille de la Méditerranée: Egypte-Levant-Afrique du Nord, 1940-1944, Témoignages et commentaires',NULL,'','','','446','Paris','1949','Julliard',NULL,NULL,NULL,'BNF','',''),('Monlieutenant','1985','prose','Jean Cau','Mon lieutenant',NULL,'','','','266','Paris','1985','Julliard',NULL,NULL,NULL,'BNF','',''),('RetourTanteEmma','1949','film','André Cayatte','Le Retour de Tante Emma','','','','',NULL,'','1949',NULL,'1949','','','','',''),('Chateauautre','1957','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1957','Gallimard',NULL,NULL,NULL,'','',''),('Chateauautre','1957b','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1957','Gallimard',NULL,NULL,NULL,'','First Poche edition
',''),('Chateauautre','1961','prose','Céline','D\'un château l\'autre',NULL,'','','','443','Paris','1961','Gallimard: Livre de poche',NULL,NULL,NULL,'Brotherton Library','Poche edition
',''),('Chateauautre','1968','prose','Céline','Castle to Castle',NULL,'Manheim, Ralph','English','','','New York','1968','Dell',NULL,NULL,NULL,'','First translation
',''),('Chateauautre','1969','prose','Céline','Castle to Castle',NULL,'Manheim, Ralph','English','','','London','1969','Blond',NULL,NULL,NULL,'','',''),('Chateauautre','1970','prose','Céline','Castle to Castle',NULL,'Manheim, Ralph','English','','','London','1970','Sphere',NULL,NULL,NULL,'','',''),('Chateauautre','1973','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1973','Gallimard',NULL,NULL,NULL,'','Poche edition
',''),('Chateauautre','1974','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1974','Gallimard',NULL,NULL,NULL,'','Pléiade collection (Tome 2) published with Nord and Rigodon, edited by Henri Godard.
',''),('Chateauautre','1976','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1976','Gallimard',NULL,NULL,NULL,'','Poche edition
',''),('Chateauautre','1976b','prose','Céline','D\'un château l\'autre',NULL,'','','','','London','1976','Penguin',NULL,NULL,NULL,'','New introduction by Kurt Vonnegut, Jr
',''),('Chateauautre','1979','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1979','Gallimard',NULL,NULL,NULL,'','Pléiade collection published with Nord and Rigodon, edited by Henri Godard,
',''),('Chateauautre','1981','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1981','Gallimard',NULL,NULL,NULL,'','',''),('Chateauautre','1984','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1984','Gallimard',NULL,NULL,NULL,'','Poche edition
',''),('Chateauautre','1986','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1986','Gallimard',NULL,NULL,NULL,'','Pléiade collection published with Nord and Rigodon, edited by Henri Godard
',''),('Chateauautre','1987','prose','Céline','Castle to Castle',NULL,'Manheim, Ralph','English','','','New York','1987','Carroll and Graf',NULL,NULL,NULL,'','',''),('Chateauautre','1994','prose','Céline','D\'un château l\'autre',NULL,'','','','','Paris','1994','Gallimard',NULL,NULL,NULL,'','Poche edition
',''),('Chateauautre','1997','prose','Céline','Castle to Castle',NULL,'Manheim, Ralph','English','','','Normal, Il','1997','Dalkey Archive',NULL,NULL,NULL,'','',''),('Chezarmeeanglaise','1940','prose','Blaise Cendrars','Chez l\'armée anglaise',NULL,'','','','','Paris','1940','Corrêa',NULL,NULL,NULL,'Brotherton','in Oeuvres complètes, VII (Paris: Denoël, 1964)
',''),('maincoupee','1946','prose','Blaise Cendrars','La Main coupée',NULL,'','','','325[2]','Paris','1946','Denoël',NULL,NULL,NULL,'Brotherton','',''),('Tropiques','1978','prose','Aimé Césaire','Tropiques, 2 volumes',NULL,'','','','','Paris','1978','Editions Jean-Michel Place',NULL,NULL,NULL,'Brotherton Library','Facsimile reprint of original nos 1-14, 1941-1945
',''),('MystereStAmbroise','1992','prose','Cestac et Cochet','Mystère à St Ambroise',NULL,'','','','32','Paris','1992','Nathan',NULL,NULL,NULL,'BILIPO','',''),('Troncveuve','2002','prose','Jack Chaboud','Le Tronc de la veuve',NULL,'','','','158','Paris','2002','Seuil',NULL,NULL,NULL,'BNF','Part of the collection Polarachive
from amazon.fr: Quatrième de couverture
Parce qu\'elle s\'intéresse à la période de l\'occupation allemande, la jeune historienne Chloé plonge dans une histoire de francs-maçons résistants, de marchand de tableaux juif, de veuve disparue sous les bombes alliées. Une vilaine affaire où les coups de fouet sadiens cèdent aux coups de feu, quand le passé fait surgir une nouvelle veuve… joyeuse.
',''),('innocents','1959','prose','Jean-Pierre Chabrol','Les Innocents de mars',NULL,'','','','301','Paris','1959','Gallimard',NULL,NULL,NULL,'British Library','From back cover: Voici l\'histoire d\'une effrayante « guerre des boutons » entre les enfants des Jeunesses Hitlériennes et des soldats français dans les derniers jours de la guerre, en 1945, sur les rives d\'un ruisseau boueux : le Danube.
La résistance allemande s\'est effondrée. Le char « Saturne », avec d\'autres, pénètre dans la petite ville de Kinderstadt (littéralement « ville des enfants »). Un membre de l\'équipage du Saturne, un étudiant surnommé « le poète » par ses camarades, emmène une déportée de dix-huit ans, Jeanne, recueillie sur la route, dans une villa où elle peut faire un peu de toilette. Lorsqu\'ils reviennent au Saturne, celui-ci a sauté avec tous les camardes du Poète , attaqué par trois enfants de la Hitlerjugend de neuf, onze et seize ans. Les cadavres de ceux-ci sont mêlés au restes carbonisés des Français. Par toute la ville, les enfants, fanatisés, ont repris la lutte contre les troupes français. La chasse aux enfants est organisée, l\'ordre est de les tuer, leurs nids sont décimés, d\'abord par les hommes des chars, puis par des tabors marocains qui viennent se joindre à eux.
Au milieu de cette horreur, Jeanne et Poète commencent à s\'aimer. Ils rencontrent et apprivoisent un Allemand de neuf ans, Helmut. Mais Helmut est tué par une de ses petites compatriotes, pour collaboration. Poète la découvre, se bat sauvagement avec elle, et finit par la posséder. Il en fait l\'aveu à Jeanne, qui le quitte.
Dans un cadre précis, où perce à chaque instant l\'expérience vécue, Jean-Pierre Chabrol peint les convulsions de l\'enfance et de la jeunesse devant la guerre.
',''),('Juliettecerisiers','1985','prose','Marie Chaix','Juliette, chemin des cerisiers',NULL,'','','','220','Paris','1985','Seuil',NULL,NULL,NULL,'BL','',''),('Lauriersdulac','1974','prose','Marie Chaix','Les Lauriers du lac de Constance: chronique d\'une collaboration',NULL,'','','','186','Paris','1974','Seuil',NULL,NULL,NULL,'BNF','',''),('Lauriersdulac','1977','prose','Chaix, Marie','The Laurels of Lake Constance',NULL,'Mathews, Harry','English','','','New York','1977','Viking Press',NULL,NULL,NULL,'','First translation. The translator is Marie Chaix\'s partner.
',''),('Lauriersdulac','1985','prose','Chaix, Marie','Les Lauriers du lac de Constance - Chronique d\'une collaboration',NULL,'','','','','Paris','1985','Seuil',NULL,NULL,NULL,'','',''),('DrPetiot','1991','film','Christian de Chalonge','Docteur Petiot','','Dominique Garnier','','',NULL,'','1991 (18/10/1991)',NULL,'1990','','','BNF','',''),('Texaco','1992','prose','Patrick Chamoiseau','Texaco',NULL,'','','','','Paris','1992','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('Texaco','1994','prose','Patrick Chamoiseau','Texaco',NULL,'','','','','Paris','1994','Gallimard',NULL,NULL,NULL,'','First paperback edition
',''),('derniervillage','1946','prose','André Chamson','Le Dernier Village',NULL,'','','','245','Paris','1946','Mercure de France',NULL,NULL,NULL,'Brotherton Library','Dedication:
A MES CAMARADES
DE
39-40 ET DE 44-45
A LA MÉMOIRE
DE NOTRE COMPAGNON D\'ARMES
MORT
TORTURÉ PAR LA GESTAPO
LE CAPITAINE VARLIN DE CE LIVRE
',''),('derniervillage','1975','prose','André Chamson','Le Dernier Village',NULL,'','','','','Paris','1975','Plon',NULL,NULL,NULL,'','Includes Ecrit en 40, Le Puits des miracles, Le Dernier Village.
',''),('derniervillage','2005','prose','André Chamson','Les Livres de la guerre',NULL,'','','','','Paris','2005','Omnibus',NULL,NULL,NULL,'','Includes L\'Année des vaincus ,
Retour d\'Espagne - Rien qu\'un témoignage,
Quatre mois - Carnet d\'un officier de liaison, Le Dernier Village, Le Chant de la quarantième année - Cant de la quarantenco annado, Ecrit en 1940, Le Puits des miracles, La Reconquête ,
Bombardement , Choix d\'articles de Vendredi (novembre 1935 - novembre 1938).
Préface de Frédérique Hébrard.
Textes choisis et présentés par Micheline Cellier-Gelly.
',''),('lepuits','1945','prose','André Chamson','Le Puits des miracles',NULL,'','','','','Paris','1945','Gallimard',NULL,NULL,NULL,'Brotherton','Dedicated to Jacques Jaujard.
\'Une partie de cet ouvrage a été publiée dans les Nouvelles Chroniques (chroniques interdites) aux Editions de minuit sous le pseudonym de Lauter.\"
Details: Lauter, \'Le Puits des miracles\', pp. 75-92 of Nouvelles Chroniques, 1943. copy consulted 1945 1st public (facsimile) edition, Brotherton Library Leeds.
',''),('lepuits','1975','prose','André Chamson','Suite guerrière',NULL,'','','','','Paris','1975','Plon',NULL,NULL,NULL,'','Includes Ecrit en 40, Le Puits des miracles, Le Dernier Village.
',''),('lepuits','2005','prose','André Chamson','Les Livres de la guerre',NULL,'','','','','Paris','2005','Omnibus',NULL,NULL,NULL,'','Includes L\'Année des vaincus ,
Retour d\'Espagne - Rien qu\'un témoignage,
Quatre mois - Carnet d\'un officier de liaison, Le Dernier Village, Le Chant de la quarantième année - Cant de la quarantenco annado, Ecrit en 1940, Le Puits des miracles, La Reconquête ,
Bombardement , Choix d\'articles de Vendredi (novembre 1935 - novembre 1938).
Préface de Frédérique Hébrard.
Textes choisis et présentés par Micheline Cellier-Gelly.
',''),('Armeesecrete','1997','prose','Philippe Chapelle','Armée secrète',NULL,'','','','','Paris','1997','Le Téméraire',NULL,NULL,NULL,'','Preface by Lucie Aubrac
',''),('FeuilletsHypnos','1946','prose','René Char','Feuillets d\'Hypnos',NULL,'','','','97','Paris','1946','Gallimard',NULL,NULL,NULL,'','(Collection Espoir)
',''),('FeuilletsHypnos','1962','prose','René Char','Feuillets d\'Hypnos',NULL,'','','','','Paris','1962','Gallimard',NULL,NULL,NULL,'Brotherton Library','published in Fureur et mystère: poèmes, pp. [85]-156,
',''),('brulure','1958','prose','Yvonne Chauffin','La Brûlure',NULL,'','','','247','Paris','1958','Le Livre contemporain',NULL,NULL,NULL,'BNF','Dedication after title page reads:
A S.E. MONSEIGNEUR KÖNIG archevêque de Vienne en hommage de respectueuse gratitude
Yvonne CHAUFFIN
',''),('carrelage','1961','prose','Yvonne Chauffin','Le Carrelage',NULL,'','','','205','Paris','1961','Fayard',NULL,NULL,NULL,'BNF','FROM BACK COVER
Le nouveau roman d\'Yvonne Chauffin est le récit dramatique d\'une crise conjugale. Si celle-ci se déroule en quelques mois, le narrateur, un homme de quarante-cinq ans, raconte de quelle manière il est conduit au bord de l\'abîme. Sa mere, une veuve autoritaire ne désirait pas \" qu\'il devienne trop vite un homme\". Un grand amour va lui permettre d\'atteindre ses dimensions d\'adulte. Hélas, il se marie au lendemain de Munich. Mobilisé dans l\'Est, il ne vivra que quelques semaines avec sa jeune femme, Anne. Enfermé dans son Oflag pendant cinq ans, il s\'enfonce dans une désastrueuse nuit intérieure. Anne, malgré des épreuves douloureuses (son père et son fils sont tués au cours de l\'exode par une bombe), garde au Coeur une lumière rayonnante. Après sa captivité, Pierre et Anne sont deux dalles, l\'une sombre et l\'autre Claire, qui se joignent… (…)
',''),('rendezvousaube','1953','prose','Maurice Chavardès','Le Rendez-vous de l\'aube',NULL,'','','','239','Paris','1957','Calmann-Levy',NULL,NULL,NULL,'BNF','',''),('Manteaunoir','1998','prose','Chantal Chawaf','Le Manteau noir',NULL,'','','','416','Paris','1998','Flammarion',NULL,NULL,NULL,'Brotherton Library','',''),('Retablereverie','1974','prose','Chantal Chawaf','Retable, la rêverie',NULL,'','','','165','Paris','1974','Edition des femmes',NULL,NULL,NULL,'own copy (BNF)','',''),('Retablereverie','1993','prose','Chantal Chawaf','Mother Love/ Mother Earth',NULL,'Nagem, Monique Fleury','English','','','New York','1993','Garland Publishing',NULL,NULL,NULL,'','','With afterword by the translator.
'),('Penseresistance','1993','prose','Sophie Cherer','Quand je pense à la Résistance',NULL,'','','','102','Paris','1993','L\'Ecole des loisirs',NULL,NULL,NULL,'(BNF)','',''),('Plaintesespoirs','1946','prose','L Chevalier','Plaintes et espoirs de détenus: Souvenirs de Montluc',NULL,'','','','86','Macon','1946','Imprimerie Perroux',NULL,NULL,NULL,'BNF','[
',''),('Guerrierdesoeuvre','1943','prose','Gabriel Chevallier','Le Guerrier désoeuvré',NULL,'','','','173','Lyon','1943','Editions Archat',NULL,NULL,NULL,'','With illustrations by the author
',''),('Petitgeneral','1951','prose','Gabriel Chevallier','Le Petit Général',NULL,'','','','247','Paris','1951','Le Quadrige d\'Apollon, PUF',NULL,NULL,NULL,'BNF','',''),('premierepierre','1958','prose','Simone Chevallier','La Première Pierre',NULL,'','','','343','Paris','1958','Editions Pierre Horay',NULL,NULL,NULL,'BNF','Two quotations \'en exergue\', p.7:
\"Il faut toujours revenir au mot de Saint Jean de la Croix: \"C\'est sur l\'amour que nous serons jugés.\" Oui, et c\'est l\'amour qui nous jugera.\"
François Mauriac
\"Si chacun cherchait la valeur éternelle, il y aurait une fin au conflit intérieur et la paix s\'établirait dans le monde - Alors seulement les causes qui perpétuent les antagonismes, la confusion et la misère cesseraient.\"
','FROM BACK COVER: Il serait vain de résumer en quelques lignes cette épopée des années sombres (1938-1946) où l\'enchevêtrement des personnages, des caractères, la tragédie d\'une famille française en proie à de violentes dissensions intérieures devant les problèmes de la guerre et de l\'occupation, le foisonnement des événements, le souffle qui l\'anime de bout en bout nous font songer, bien qu\'à un titre différent, à « Autant en emporte le vent ».
L\'auteur qui obtint déjà une large audience pour son livre précédent « Celle qui aime Jésus », s\'est moins appliqué à juger (ici, le collaborateur et le résistant, le trafiquant de marché noir et le héros composent le visage même de l\'Histoire) qu\'à provoquer, par le rassemblement des faits et des passions, la conscience du lecteur, de tous ceux qui ont participé, volontairement ou non, à cette épopée. Lequel d\'ailleurs aurait le front de s\'ériger en juge ? « Que celui d\'entre vous qui n\'a jamais péché… »
'),('Resistanceordinaire','1995','prose','Claire Chevrillon','Code Name Christiane Clouet: A Woman in the French Resistance',NULL,'Stott, Jane','English','','','','1995','Texas A&M University Press',NULL,NULL,NULL,'','',''),('Resistanceordinaire','1999','prose','Claire Chevrillon','Une Résistance ordinaire - Septembre 1939-Août 1944',NULL,'','','','295','Paris','1999','Editions du Félin',NULL,NULL,NULL,'Brotherton Library','Part of the collection Résistance, Liberté, Mémoire, edited by the Aubracs, Germaine Tillion and Jean-Pierre Vernant.
',''),('5ansResistance','1949','prose','Choiseul-Praslin','Cinq années de Résistance',NULL,'','','','224','Strasbourg','1949','F.X Le Roux',NULL,NULL,NULL,'BNF','',''),('Femmeperdue','1942','film','Jean Choux','La Femme perdue','','Marchard, Alfred','','',NULL,'France','1942',NULL,'1941','','','','',''),('MonAlgeriance','1997','prose','Hélène Cixous','Mon Algériance',NULL,'','','','3','Paris','1997','Les Inrockruptibles',NULL,NULL,NULL,'own copy','Les Inrockruptibles, no. 115 (20 August-2 September 1997)
',''),('Piedsnus','1997','prose','Hélène Cixous','Pieds nus',NULL,'','','','10','Paris','1997','Gallimard',NULL,NULL,NULL,'Brotherton Library','in Leila Sebbar, Une enfance algérienne (Paris: Gallimard, 1997)
',''),('Piedsnus','2001','prose','Hélène Cixous','Bare feet',NULL,'De Jager, Marjolijn','English','Sebbar, Leïla','10','St. Paul, MN','2001','Ruminator Books',NULL,NULL,NULL,'Brotherton','in Leila Sebbar, An Algerian childhood : a collection of autobiographical narratives (St. Paul, MN : Ruminator Books, 2001)
',''),('coeurvivants','1964','prose','Bernard Clavel','Le Cœur des vivants',NULL,'','','','','Paris','1964','Robert Laffont',NULL,NULL,NULL,'','',''),('femmedeguerre','1978','prose','Bernard Clavel','La Femme de guerre',NULL,'','','','','Paris','1978','Robert Laffont',NULL,NULL,NULL,'','',''),('femmedeguerre','1982','prose','Bernard Clavel','La Femme de guerre',NULL,'','','','','Paris','1982','J\'ai lu',NULL,NULL,NULL,'','First paperback edition
',''),('fruitshiver','1968','prose','Bernard Clavel','Les Fruits de l\'hiver',NULL,'','','','','Paris','1968','Robert Laffont',NULL,NULL,NULL,'Brotherton','',''),('fruitshiver','1977','prose','Bernard Clavel','Les Fruits de l\'hiver',NULL,'','','','','Paris','1977','Gallimard',NULL,NULL,NULL,'Brotherton','Edition dedicated to \"A la mémoire des mères et des pères que le travail, l\'amour ou les guerres ont tués sans bruit et dont l\'Histoire ne parle pas\".
',''),('grandsmalheurs','2004','prose','Bernard Clavel','Les Grands Malheurs',NULL,'','','','454','Paris','2004','Albin Michel',NULL,NULL,NULL,'Brotherton Library','',''),('silencearmes','1974','prose','Bernard Clavel','Le Silence des armes',NULL,'','','','310','Paris','1974','Robert Laffont',NULL,NULL,NULL,'Brotherton','',''),('voulaitvoirmer','1963','prose','Bernard Clavel','Celui qui voulait voir la mer',NULL,'','','','364','Paris','1963','Robert Laffont',NULL,NULL,NULL,'Brotherton','','NL, 27/6/63
'),('voulaitvoirmer','1974','prose','Clavel, Bernard','Celui qui voulait voir la mer',NULL,'','','','','Paris','1974','J\'ai Lu',NULL,NULL,NULL,'','First paperback edition
',''),('Femmesdelombre','1958','prose','Simone Chevallier','La Première Pierre',NULL,'','','','343','Paris','1958','Editions Pierre Horay',NULL,NULL,NULL,'BNF','Two quotations \'en exergue\', p.7:
\"Il faut toujours revenir au mot de Saint Jean de la Croix: \"C\'est sur l\'amour que nous serons jugés.\" Oui, et c\'est l\'amour qui nous jugera.\"
François Mauriac
\"Si chacun cherchait la valeur éternelle, il y aurait une fin au conflit intérieur et la paix s\'établirait dans le monde - Alors seulement les causes qui perpétuent les antagonismes, la confusion et la misère cesseraient.\"
','FROM BACK COVER: Il serait vain de résumer en quelques lignes cette épopée des années sombres (1938-1946) où l\'enchevêtrement des personnages, des caractères, la tragédie d\'une famille française en proie à de violentes dissensions intérieures devant les problèmes de la guerre et de l\'occupation, le foisonnement des événements, le souffle qui l\'anime de bout en bout nous font songer, bien qu\'à un titre différent, à « Autant en emporte le vent ».
L\'auteur qui obtint déjà une large audience pour son livre précédent « Celle qui aime Jésus », s\'est moins appliqué à juger (ici, le collaborateur et le résistant, le trafiquant de marché noir et le héros composent le visage même de l\'Histoire) qu\'à provoquer, par le rassemblement des faits et des passions, la conscience du lecteur, de tous ceux qui ont participé, volontairement ou non, à cette épopée. Lequel d\'ailleurs aurait le front de s\'ériger en juge ? « Que celui d\'entre vous qui n\'a jamais péché… »
'),('Blockhaus','1955','prose','Jean-Paul Clébert','Le Blockhaus',NULL,'','','','','Paris','1955','Denoël',NULL,NULL,NULL,'','',''),('Blockhaus','1999','prose','Jean-Paul Clébert','Le Blockhaus',NULL,'','','','235 + 241','Caen','1999','Largevision Editions',NULL,NULL,NULL,'BNF','',''),('Bataillerail','1946','film','René Clément','La Bataille du rail','','','','',NULL,'France','1946',NULL,'1945','90','','Edward Boyle','',''),('Parisbrule','[6]','film','','','','','','',NULL,'','',NULL,'','','','','',''),('Grandcirque','1948','prose','Pierre Henri Clostermann','Le Grand Cirque: souvenirs d\'un pilote de chasse français dans la RAF',NULL,'','','','306','Paris','1948','Flammarion',NULL,NULL,NULL,'BNF','',''),('Grandcirque','1953','prose','Pierre Henri Clostermann','The Big Show',NULL,'Berthoud, Oliver','English','','244','London','1953','The Vanguard Library',NULL,NULL,NULL,'BL','',''),('Croixmer','1991','prose','Jean-François Coatmeur','Des Croix sur la mer',NULL,'','','','','Paris','1991','Presses Pocket',NULL,NULL,NULL,'CHRD','First poche edition
',''),('Croixmer','2001','film','Béraud, Luc','Des Croix sur la mer','','Borgella, Catherine, Luc Béraud, Jean-François Coatmeur','','',NULL,'France','2001',NULL,'2000','','','','Screened on France 3 on the 13th of October 2001
',''),('Quatriemecommand','1949','prose','Christian Coffinet','Le Quatrième Commandement',NULL,'','','','226','Paris','1949','Editions Fournier-Valdès',NULL,NULL,NULL,'BNF','below title on title page:
Si quelqu\'un vient à moi, et s\'il ne hait pas son père, sa mère, sa femme, ses enfants ses frères et ses soeurs, et même sa propre vie, il ne peut être mon disciple.
JÉSUS-CHRIST
cité par Saint Luc
','NL, 16/3/50
'),('Etoilevesper','1946','prose','Colette','L\'Etoile vesper',NULL,'','','','218','Geneva','1946','Editions du Milieu du Monde',NULL,NULL,NULL,'Brotherton','',''),('Parisfenetre','1944','prose','Colette','Paris de ma fenêtre',NULL,'','','','239','Geneva','1944','Editions du Milieu du Monde',NULL,NULL,NULL,'Brotherton Library','Preface by M. Francis Carco. Illustrations by Clément Serveau
',''),('Parisfenetre','1948','prose','Colette','Paris de ma fenêtre',NULL,'','','','126','Paris','1948','Le Livre moderne illustré',NULL,NULL,NULL,'BL','',''),('321Sautez','1945','prose','Le Commandant de Guyenne','3...2...1...Sautez',NULL,'','','','16','Paris','1945 (15 October)','Editions de la Tour',NULL,NULL,NULL,'BNF','Number twelve in the series \'La Guerre des hommes libres\'.
',''),('3emeevasion','1945','prose','Le Commandant de Guyenne','La Troisème évasion',NULL,'','','','16','Paris','1945 (15/05/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','Number Five in the series \'La Guerre des hommes libres\'.
',''),('AgonieScharnhorst','1945','prose','Le Commandant de Guyenne','Agonie du Scharnhorst',NULL,'','','','16','Paris','1945 (15/10/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','No. 9 in the La Guerre des Hommes Libres series
',''),('ArthurManille','1945','prose','Le Commandant de Guyenne','Arthur à Manille',NULL,'','','','16','Paris','1945 (15/10/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','Number 13 in the series \'La Guerre des hommes libres\'.
',''),('Bombardementnuit','1945','prose','Le Commandant de Guyenne','Bombardement de nuit',NULL,'','','','16','Paris','1945 (15/05/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','Number Three in the series \'La Guerre des hommes libres\'.
',''),('Chasseurscamion','1945','prose','Le Commandant de Guyenne','Chasseurs de camion',NULL,'','','','16','Paris','1945 (15/10/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','No. 7 in the series La Guerre des Hommes Libres.
',''),('ChevalBachMa','1945','prose','Le Commandant de Guyenne','Cheval de Bach-Ma',NULL,'','','','16','Paris','1945 (15/10/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','No. 8 in the La Guerre des Hommes Libres series. Dedicated to Jean-Claude and Francis.
',''),('Conquetedesert','1945','prose','Le Commandant de Guyenne','A la Conquête du désert',NULL,'','','','16','Paris','1945','Editions de la Tour',NULL,NULL,NULL,'BNF','Number Ten in the series \'La Guerre des hommes libres\'.
',''),('Encommando','1945','prose','Le Commandant de Guyenne','En commando',NULL,'','','','16','Paris','1945 (15/05/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','No. 2 in the La Guerre des Hommes Libres series
',''),('Parachutesmaquis','1945','prose','Le Commandant de Guyenne','Parachutés dans le maquis',NULL,'','','','16','Paris','1945 (15/05/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','No. 4 in the La Guerre des Hommes Libres series
',''),('PaulineAgentsecret','1945','prose','Le Commandant de Guyenne','Pauline, Agent secret',NULL,'','','','16','Paris','1945 (15/10/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','Number Eleven in the series \'La Guerre des hommes libres\'.
',''),('Routierssables','1945','prose','Le Commandant de Guyenne','Routiers des sables',NULL,'','','','16','Paris','1945 (15/10/1945)','Editions de la Tour',NULL,NULL,NULL,'BNF','Number Fourteen in the series \'La Guerre des hommes libres\'.
',''),('TroisgarsTchad','1945','prose','Le Commandant de Guyenne','Trois gars du Tchad',NULL,'','','','16','Paris','1945 (15 May)','Editions de la Tour',NULL,NULL,NULL,'BNF','Number One in the series \'La Guerre des hommes libres\'.
',''),('viescelerate','1987','prose','Maryse Condé','La Vie scélérate',NULL,'','','','333','Paris','1987','Seghers',NULL,NULL,NULL,'','',''),('viescelerate','1992','prose','Maryse Conde','Tree of Life',NULL,'Reiter, Victoria','English','','371','London','1992','Women\'s Press',NULL,NULL,NULL,'','',''),('viescelerate','2002','prose','Maryse Condé','La Vie scélérate',NULL,'','','','346','Paris','2002','Presse Pocket',NULL,NULL,NULL,'Brotherton Library','First paperback edition
',''),('Dissidence1','2002','prose','Raphaël Confiant','La Dissidence',NULL,'','French and Creole','','279','Paris','2002','Ecriture',NULL,NULL,NULL,'','Third volume in the Commandeur du sucre series.
Volume 1 - Commandeur du sucre (Ecriture, 1994)
Volume 2 - Régisseur de rhum (Paris: Ecriture, 1998)
. Postface - The author explains why he wanted to write about this period.
',''),('Dissidence1','2004','prose','Raphaël Confiant','La dissidence - Commandeur du sucre t.3',NULL,'','French and Creole','','281','Paris','2004','Ecriture',NULL,NULL,NULL,'Glasgow','First paperback edition
',''),('NegreAmiral','1988','prose','Confiant, Raphaël','Le Nègre et l\'Amiral',NULL,'','','','334','Paris','1988','Grasset',NULL,NULL,NULL,'BNF','',''),('NegreAmiral','1992','prose','Confiant, Raphaël','Le Nègre et l\'Amiral',NULL,'','','','','Paris','1992','Grasset',NULL,NULL,NULL,'','',''),('NegreAmiral','1993','prose','Confiant, Raphaël','Le Nègre et l\'Amiral',NULL,'','','','','Paris','1993','Libraire générale française',NULL,NULL,NULL,'','',''),('Ravinesdevantjour','1993','prose','Raphaël Confiant','Ravines du devant-jour',NULL,'','','','','Paris','1993','Gallimard',NULL,NULL,NULL,'','',''),('Ravinesdevantjour','1995','prose','Confiant, Raphaël','Ravines du devant-jour',NULL,'','','','261','Paris','1995','Gallimard',NULL,NULL,NULL,'Brotherton Library','First folio edition, no.2706
',''),('Souvenirstirailleur','1989','prose','Joseph Issoufou Conombo','Souvenirs de guerre d\'un tirailleur sénégalais',NULL,'','','','199','Paris','1989','L\'Harmattan',NULL,NULL,NULL,'BNF','In the collection - Mémoires Africaines. On the front cover is a photograph of the author at the war memorial, Tata, at Chasselay north of Lyon. Preface by Pierre Pflimlin (Former minister of la France d\'Outre-Mer). Includes a brief history of African colonial units of the French army.
',''),('Pasheros','1959','prose','Arthur Conte','Les Hommes ne sont pas des héros',NULL,'','','','456','Paris','1959','Julliard',NULL,NULL,NULL,'BNF','dédicace: A Pierre Fous et à Edouard Raymond
',''),('leipzig','1957','prose','Jean Cordelier','Retour à Leipzig',NULL,'','','','374','Paris','1957','Editions du seuil',NULL,NULL,NULL,'BNF','Back Cover : Un homme, l\'un de ces soldats dont Jean Cordelier nous a conté la captivité dans Les Yeux de la tête, s\'en revient à Leipzig. Dans cette ville, il a connu les humiliations du soldat vaincu et les bonheurs de l\'amour triomphant. Plus de dix ans ont passé, et le souvenir de Frieda ne s\'est pas effacé. Au contraire, le recul a magnifié cet amour dangereux. Pour Delorme, revenir Leipzig c\'est peut-être l\'occasion de tout revivre, de recommencer, voire - qui sait ? - de commencer…
Mais Leipzig n\'est plus que la cité grouillante et terne d\'une République de l\'Est. Mais Frieda a été reprise par la vie quotidienne, et ses enfants, et ses petits enfants. Et Delorme lui-même, accepterait-il de troubler par cette épopée amoureuse sa tranquillité française ?
On dit que tout est possible à ceux qui s\'aiment…
On dit…
',''),('yeuxtete','1953','prose','Jean Cordelier','Les Yeux de la tête',NULL,'','','','560','Paris','1953','Seuil',NULL,NULL,NULL,'BNF','',''),('Enfantsous','1996','prose','Georges Coulonges','L\'Enfant sous les étoiles',NULL,'','','','327','Paris','1996','Presses de la Cité',NULL,NULL,NULL,'BNF','',''),('Flammes','1997','prose','Georges Coulonges','Les Flammes de la liberté',NULL,'','','','334','Paris','1997','Presses de la Cité',NULL,NULL,NULL,'BNF','',''),('Madelon','1995','prose','Georges Coulonges','La Madelon de l\'an quarante',NULL,'','','','','Paris','1995','Presses de la Cité',NULL,NULL,NULL,'','',''),('Madelon','1997','prose','Georges Coulonges','La Madelon de l\'an quarante',NULL,'','','','304','Paris','1997','Pocket',NULL,NULL,NULL,'BNF','',''),('Adieufemme','1979','prose','Henri Coulonges','L\'Adieu à la femme sauvage',NULL,'','','','468','Paris','1979','Stock',NULL,NULL,NULL,'BNF','',''),('Rivesirrawaddy','1975','prose','Henri Coulonges','Les Rives de l\'Irrawaddy',NULL,'','','','403','Paris','1975','Fayard',NULL,NULL,NULL,'BNF','resume from http://lovebook24.skyrock.com/
Octobre 1942. Débarquant avec de faux papiers dans le Reich en guerre, un jeune Français va utiliser un extravagant stratagème pour faire évader l\'étudiante allemande qu\'il aime d\'un camp de redressement nazi.. Celle-ci purge en effet une peine de travaux forcés après avoir milité dans un réseaux universitaire bavarois hostile a Hitler. Cette tentative désespérée va prendre un tour imprévu, entraînant les personnages dans un rythme haletant d\'aventures captivantes et passionnées qui les éloigneront et les rapprocheront tour a tour l\'un de l\'autre. Bien des lecteurs, gagnés par le coté «fabuleux» de cette grande histoire d\'amour et par la progression dramatique de son déroulement dans un milieu si hostile, se demanderont jusqu\'à la fin si tant d\'ingéniosité et de vaillance leur permettront d\'atteindre le but qu\'ils s\'étaient fixés; et si le lointain, exotique- et pour eux presque mythique - fleuve Irrawaddy, sur les rives duquel Serge et Ina voulaient se retrouver après la guerre, restera a jamais pour eux un paradis perdu.
',''),('Rivesirrawaddy','1982','prose','Henri Coulonges','Les Rives de l\'Irrawaddy',NULL,'','','','470','Paris','1982','Libraire générale française',NULL,NULL,NULL,'BNF','First poche edition
',''),('Placerouge','1961','prose','Courtade, Pierre','La Place rouge',NULL,'','','','325','Paris','1961','Juillard',NULL,NULL,NULL,'BNF','Les Fonds Thorez at the Archives communales d\'Ivry-sur-Seine hold a copy of the novel, given to Thorez by the author with an accompanying dedication and a press cutting about the novel from Le Monde of the 3rd January 1962. Thorez has annotated several passages in the novel.
http://thorez.ivry94.fr/thorez_cin/bibliotheque-5349-maurice_thorez__la_place_rouge.html
',''),('Placerouge','1970','prose','Courtade, Pierre','La Place rouge',NULL,'','','','','Paris','1970','Union Générale d\'Edition',NULL,NULL,NULL,'','',''),('Placerouge','1978','prose','Courtade, Pierre','La Place Rouge',NULL,'','','','','Paris','1978','Les Editeurs français réunis',NULL,NULL,NULL,'','',''),('Placerouge','1982','prose','Courtade, Pierre','La Place rouge',NULL,'','','','','Paris','1982','Temps Actuel',NULL,NULL,NULL,'','',''),('Viecombat','1947','prose','Paul Cribeillet','Vie et combat de partisans: Carnet de routes et souvenirs du Capitaine Grillon',NULL,'','','','306[6]','Paris','1947','Editions Hier et Aujourd\'hui',NULL,NULL,NULL,'BNF','Prefaced by Henri Bourbon. Maps and list of sabotage attempts.
(Collection \'France d\'abord\'. Vaincre et vivre)
',''),('Dernieresequence','2000','prose','Thierry Crifo','La Dernière Séquence',NULL,'','','','166','Paris','2000','Albin Michel',NULL,NULL,NULL,'BILIPO','Part of Le Furet enquête series.
',''),('Memecielbleu','1950','prose','Paul Crouzet','Et c\'est le même ciel bleu: Journal de guerre d\'un maire de village 1939-1940',NULL,'','','','268','Paris','1950','Didier',NULL,NULL,NULL,'BNF','',''),('gibier','1949','prose','Jean-Louis Curtis','Gibier de potence',NULL,'','','','309','Paris','1949','Julliard',NULL,NULL,NULL,'Brotherton Library','1952 printing with covers from stills of film consulted in Brotherton Library Leeds. 301pp.
translated as Lucifer\'s Dream, 1952, John Lehmann, London; 1953, Putnams (USA). translator: Robin Chancellor
',''),('gibier','1951','film','Richebé, Roger','Gibier de potence','','Jean Aurenche, Maurice Blondeau','French','Les Films Roger Richebé',NULL,'','1951',NULL,'1951','106/101','35mm','','Après sa création de Garance dans LES ENFANTS DU PARADIS, Arletty ne devait plus apparaître que dans une série de films que la plupart des historiens jugèrent indignes de son talent. GIBIER DE POTENCE est le second d\'entre eux après une interruption de quatre années et son \"come back\" en 1949 dans PORTRAIT D\'UN ASSASSIN de Bernard Roland. Le film bénéficia pourtant d\'une bonne presse et Arletty confia par la suite que ce personnage d\'entremetteuse demeurait l\'un de ses préférés : \"Ça c\'est un rôle que je trouve merveilleux, avec un sujet vraiment excellent… C\'est peut-être le titre qui lui a fait du tort…\" (in \"Arletty\", par Philippe Ariotti et Philippe de Comes, Éd. Henri Veyrier, 1978).
Roger Richebé (1897-1989) est plus connu dans la profession comme producteur (une dizaine de films de 1931 à 1960, dirigés entre autres par Renoir, Pagnol ou Gance) que pour son œuvre de réalisateur. Il a pourtant dirigé dix-huit films de 1933 à 1956, parmi lesquels les plus célèbres demeurent L\'HABIT VERT (1937) avec Victor Boucher, PRISON DE FEMMES (1937) avec Viviane Romance et surtout MADAME SANS-GÊNE (1941) avec déjà Arletty comme interprète principale.
Roger Richebé a publié ses mémoires en 1977, \"Au-delà de l\'écran, 70 ans de la vie d\'un cinéaste\" (Éd. Pastorelly, Monte-Carlo).
FROM http://cinema.aliceadsl.fr/film/anecdote/default.aspx?filmid=FI005271.
illustration fromt the same site
',''),('justescauses','1954','prose','Jean-Louis Curtis','Les Justes Causes',NULL,'','','','399','Paris','1954','Julliard',NULL,NULL,NULL,'Brotherton','\'J\'ai Lu\' paperback edition consulted (own copy); 1972 printing, 501pp.
','on back cover: Une fresque romanesque qui s\'étend sur les années d\'après-guerre, constituant un panorama de notre époque commes les FORETS DE LA NUIT étaient un panorama de la guerre et l\'occupation. Quatre personnages, quatre jeunes gens venues de milieux différents, dont les destins se croisent, s\'enchevêtrentk, s\'opposent aussi dans ces conflits politiques et sociaux qui furent ou sont encore les nôtres. Les passions individuelles colorent ou orientent leur choix, de sorte que les vrais mobiles demeurent toujours assez troubles: quelles faiblesses \"humaines, trop humaines\", se cachent sous leurs justifications? L\'ampleur des problèmes soulevés, une observation aiguë et caustique, un style brillant, celui d\'un pamphlétaire, donnent à ce roman une place privilégiée parmi les écrivains de cette génération.
'),('lesforets','1947','prose','Jean-Louis Curtis','Les Forêts de la nuit',NULL,'','','','382','Paris','1947','René Julliard',NULL,NULL,NULL,'Brotherton','Subsequent livre de poche edition - 1969 printing consulted
',''),('siegfried','1946','prose','Jean-Louis Curtis','Siegfried',NULL,'','','','154','Paris','1946','Julliard',NULL,NULL,NULL,'Brotherton Library','',''),('Andromede','1996','prose','Jean-Louis Curtis','Andromède',NULL,'','','','293','Paris','1996','Albin Michel',NULL,NULL,NULL,'Brotherton Library','From Back Cover: A l\'automne 1941, Anne Germond, jeune enseignante issue de la bourgeoisie bordelaise, s\'installe dans une petite ville du Sud-Ouest. Pleine d\'éclat, de vie et de dons, Anne a toutes les raisons de croire à sa réussite et à son bonheur. Le destin en décide autrement. Peu à peu, elle se lie d\'amitié avec Clément Dauge, fonctionnaire insignifiant et disgracieux qui œuvre silencieusement pour se l\'approprier et l\'empêcher de vivre. Une intimité trouble s\'établit entre eux. À mesure que le temps passe, les fêves de la jeune femme s\'éloignent. Insensiblement, elle se laisse dévorer, jusqu\'au jour où, si elle n\'y prend garde, il sera trop tard…
Andromède, qui élucide progressivement la violence cachée de rapports humains parmi les moins explorés, sera le dernier roman de Jean-Louis Curtis, et peut-être son chef-d\'œuvre. Le plus sombre, le plus dense, mais aussi le plus riche d\'une terrible vérité : celle de la destruction d\'une vie qui n\'a pas su se défendre contre le vampirisme moral et physique d\'un médiocre.
',''),('Cartonjaune','1999','prose','Didier Daeninckx and Assaf Hanouka','Le Carton jaune',NULL,'','','','56','Paris','1999','Éd. du Masque',NULL,NULL,NULL,'BNF','Graphic novel version of short story. Preface by Marie-Georges Buffet, then Ministre de la Jeunesse et du Sport.
',''),('Cartonjaune','2000','prose','Didier Daeninckx','La dernier guerillero',NULL,'','','','182','Lagrasse','2000','Verdier',NULL,NULL,NULL,'Brotherton','pp.59-75
',''),('Chienslions','2003','prose','Didier Daeninckx','Chiens et lions',NULL,'','','','16 [83-990]','Lyon','2003','Bibliothèque municipale de Lyon',NULL,NULL,NULL,'BNF','Published in Philippe Videlier, L\'Algérie à Lyon - une mémoire centenaire, a work written for the Année de l\'Algérie en France, 2003.
',''),('Chienslions','2005','prose','Didier Daeninckx','\'Les Chiens et les lions\', (in Cités perdues)',NULL,'','','','18 [59-77]','Lagrasse','2005','Verdier',NULL,NULL,NULL,'Brotherton Library','Short story in collection Cités perdues
',''),('Complainteoubliee','2001','prose','Didier Daeninckx','\'La Complainte oubliée\' (in La Mort en dédicace)',NULL,'','','','90','Lagrasse','2001','Verdier',NULL,NULL,NULL,'Brotherton Library','pp.7-63 of La Mort en dédicace which contains two short stories.
','various extracts on the publishers page at: http://www.editions-verdier.fr/v3/oeuvre-dedicace.html
'),('Fautdesobeir','2002','prose','Didier Daeninckx','Il faut désobéir: les trois secrets d\'Alexandra',NULL,'','','','33','Paris','2002','Rue du monde',NULL,NULL,NULL,'BNF','',''),('Figurants','1998','prose','Didier Daeninckx','Les Figurants',NULL,'','','','89','Lagrasse','1998','Verdier',NULL,NULL,NULL,'Brotherton Library','With illustrations by Mako
',''),('FXEEUARFR','1992','prose','Didier Daeninckx','\'F.X.E.E.U.A.R.F.R\' (in Zapping)',NULL,'','','','11 [133-144]','Paris','1992','Denöel',NULL,NULL,NULL,'BL','Short story in Zapping
.
',''),('Gareencheres','2000','prose','Didier Daeninckx','\'Gare aux enchères\' (in La dernier guerillero)',NULL,'','','','182','Lagrasse','2000','Verdier',NULL,NULL,NULL,'Brotherton Library','Short story in La dernier guerillero, pp.145-151
',''),('guetteuse','1993','prose','Didier Daeninckx','\'La guetteuse\' (in Autres lieux)',NULL,'','','','94','Lagrasse','1993','Verdier',NULL,NULL,NULL,'Brotherton Library','Short story in Autres lieux, pp.72-84
',''),('Itinerairesalaudordinaire','2006','prose','Daeninckx, Didier','Itinéraire d\'un salaud ordinaire',NULL,'','','','','Paris','2006','Gallimard',NULL,NULL,NULL,'Brotherton','','Christine Ferniot, Télérama, n° 2952 - 12 August 2006
'),('Itinerairesalaudordinaire','2006b','prose','Daeninckx, Didier','Itineraire d\'un salaud ordinaire',NULL,'','','','','Paris','2006','Grand livre du mois',NULL,NULL,NULL,'','',''),('Jetueil','2003','prose','Daeninckx, Didier','Je tue il',NULL,'','','','121','Paris','2003','Gallimard: Série noire',NULL,NULL,NULL,'(BNF)','',''),('Jetueil','2006','prose','Daeninckx, Didier','Je tue il',NULL,'','','','121','Paris','2006','Gallimard: Folio Policier',NULL,NULL,NULL,'own copy','First poche edition.
Includes postfaces by Didier Daeninckx and Jean-Bernard Pouy, after the incident when someone tried to assume Daeninckx\'s identity.
',''),('MeresGlorieuses','2007','prose','Didier Daeninckx','\'Mères Glorieuses, Mères Angoissées\' (in Histoire et faux-semblants)',NULL,'','','','34 [27-61]','Lagrasse','2007','Verdier',NULL,NULL,NULL,'Brotherton','Short story in Histoire et faux-semblants: Présentation de l\'éditeur
Dans ces quatre nouvelles, qui auraient pu s\'intituler « Doubles vies », l\'histoire refuse que l\'on assemble trop vite les bribes qui la constituent. Les apparences s\'avèrent toujours trompeuses : rêvant de la mère, on rencontre la fille, sans se douter des dangers d\'une telle confusion. Sosies et jumeaux, faux « nègre » et vrai Canaque, chacun dissimule, est victime du pouvoir de l\'illusion ou du prêt-à-penser. Les manouches et les saltimbanques sont tout désignés pour figurer des assassins. Mais l\'art de celui qui – par profession ou par goût – est en quête consiste à trouver le moment opportun et le seul indice sur lequel il doit s\'arrêter afin que – déréglant les perspectives –, naisse sous nos yeux une interprétation nouvelle des faits.
Ajoutons à cela l\'humour, et la langue qui sait se faire chez Daeninckx si savoureusement populaire, et aussi sa volonté constante – visible jusque dans la description des paysages urbains de banlieue – d\'historiciser le présent.
',''),('Meurtresprmemoire','1983','prose','Daeninckx, Didier','Meurtres pour memoire',NULL,'','','','215','Paris','1983','Gallimard: série noire',NULL,NULL,NULL,'(BNF)','',''),('Meurtresprmemoire','1988','prose','Daeninckx, Didier','Meurtres pour memoire',NULL,'','','','','Paris','1998','Gallimard',NULL,NULL,NULL,'Own copy','First Folio edition
',''),('Meurtresprmemoire','1991b','prose','Daeninckx, Didier','Murders in Memoriam',NULL,'Heron, Liz','English','','','London','1991','Serpent\'s Tail',NULL,NULL,NULL,'','First translation
',''),('Meurtresprmemoire','1995','prose','Daeninckx, Didier','Meurtres pour memoire',NULL,'','','','','Paris','1995','Gallimard',NULL,NULL,NULL,'','',''),('Meurtresprmemoire','1998','prose','Daeninckx, Didier','Meurtres pour mémoire',NULL,'','','','','Paris','1998','Gallimard',NULL,NULL,NULL,'','',''),('Meurtresprmemoire','1999','prose','Daeninckx, Didier','Meurtres pour mémoire',NULL,'','','','','Paris','1999','Gallimard',NULL,NULL,NULL,'','',''),('Meurtresprmemoire','2001','prose','Daeninckx, Didier','Meurtres pour mémoire',NULL,'','','','','Paris','2001','Cercle Polar',NULL,NULL,NULL,'','',''),('Meurtresprmemoire','2002','prose','Daeninckx, Didier','Meurtres pour mémoire',NULL,'','','','','Paris','2002','France Loisirs',NULL,NULL,NULL,'','',''),('Meurtresprmemoire','2005','prose','Daeninckx, Didier','Murders in Memoriam',NULL,'Heron, Liz','English','','','London','2005','Serpent\'s Tail',NULL,NULL,NULL,'','',''),('Meurtresprmemoire','1985','film','Heynemann, Laurent','Meurtres pour mémoire','','','','TF1/Hamster',NULL,'France','',NULL,'1985','','','','Screened on TF1
',''),('missak','2009','prose','Didier Daeninckx','Missak',NULL,'','','','295','Paris','2009','Perrin',NULL,NULL,NULL,'own copy (BNF)','Back Cover: 21 février 1944. A quelques heures de son exécution par les Allemands, Missak Manouchian écrit une lettre bouleversante à sa femme Mélinée.
Janvier 1955. Louis Dragère, journaliste à L\'Humanité, est missionné par le parti communiste pour retracer le parcours de ce héros de la Résistance à Paris. C\'est ainsi qu\'il exhume l\'ultime lettre de ce communiste arménien engagé, qui contient de nombreux points de suspension, preuves d\'une curieuse censure.
De rencontres en découvertes d\'archives inédites, Dragère comble les blancs au fur et à mesure d\'une enquête passionnante où se croisent Jacques Duclos, Louis Aragon, l\'ancien chef des Francs-tireurs et partisans Charles Tillon, le peintre Krikor Bedikian ou encore Henri Krasucki. Et se dessine peu à peu le profil étonnant d\'un homme bien éloigné de l\'image véhiculée par l\'Affiche rouge.
Daeninckx joue à la frontière ténue qui sépare le romancier de l\'historien. Il signe ici le premier livre consacré à la mémoire d\'un personnage encore trop peu honoré, Missak Manouchian, héros d\'une population immigrée engagée dans la Résistance.
p. 7 : A Jocelyne et Aurélie p.9: « Certes, nous sommes des enfants, les uns et les autres. Nous n\'avons jamais prétendu être des héros, il ne faut pas trop nous en demander. » Fernand Zalkinov, fusillé le 9 mars 1942 au mont Valérien.
','L\'Humanité, 3. 12. 2009; Le Monde, 30.09.2009.
'),('missakenfant','2009','prose','','Missak, l\'enfant de l\'affiche rouge',NULL,'','','','','Paris','2009','Rue de Monde éditions',NULL,NULL,NULL,'','illustrator: Laurent Courvaisier
',''),('Mortnoubliepersonne','1990','prose','Daeninckx, Didier','La Mort n\'oublie personne',NULL,'','','','','Paris','1990','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Mortnoubliepersonne','1998','prose','Daeninckx, Didier','La Mort n\'oublie personne',NULL,'','','','','Paris','1998','Editions de la Seine',NULL,NULL,NULL,'','',''),('Mortnoubliepersonne','1999','prose','Daeninckx, Didier','La Mort n\'oublie personne',NULL,'','','','190','Paris','1999','Gallimard',NULL,NULL,NULL,'own copy','Folio edition. Dedicated to Jean Meckert.
',''),('Nazismetro','1996','prose','Didier Daeninckx','Nazis dans le métro',NULL,'','','','149','Paris','1996','Baleine',NULL,NULL,NULL,'own copy (BNF)','',''),('Pagecornee','1994','prose','Didier Daeninckx','\'La Page cornée\' in Main courante',NULL,'','','','','Lagrasse','1994','Verdier',NULL,NULL,NULL,'Brotherton Library','','For La Main courante: Extracts on the publisher\'s site: http://www.editions-verdier.fr/v3/oeuvre-maincourante.html
'),('Psyshowpathe','1992','prose','Didier Daeninckx','\'Le Psyshowpathe\' in Zapping',NULL,'','','','8 [93-100]','Paris','1992','Denöel',NULL,NULL,NULL,'BL','Short story in Zapping which was awarded the Prix Louis Guilloux in 1993.
',''),('Routerom','2003','prose','Didier Daeninckx','La Route du Rom',NULL,'','','','182','Paris','2003','Baleine',NULL,NULL,NULL,'own copy (BNF)','',''),('Trainoublies','2003','prose','Didier Daeninckx','Le Train des oubliés',NULL,'','','','64','Paris','2003','EP éditions',NULL,NULL,NULL,'BNF','Black and white illustrations by Mako
',''),('forteresse','1950','prose','Pierre Daix','La Dernière Forteresse',NULL,'','','','409','Paris','1950','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','',''),('forteresse','1954','prose','Pierre Daix','La Derniere Forteresse',NULL,'','','','','Paris','1954','Les Editeurs français réunis',NULL,NULL,NULL,'','Preface by Louis Aragon, postface by the author
',''),('revenantes','2008','prose','Pierre Daix','Les Revenantes',NULL,'','','','446','Paris','2008','Fayard',NULL,NULL,NULL,'','',''),('mortdEric','1943','prose','Serge Dalens','La Mort d\'Eric',NULL,'','','','190','Paris','1943','Éditions Alsatia',NULL,NULL,NULL,'BNF','Illustrations by Pierre Joubert.
',''),('mortdEric','1976','prose','Serge Dalens','La Mort d\'Eric',NULL,'','','','221','Paris','1976','Epi',NULL,NULL,NULL,'','Republished alongside all of the other novels in the Prince Eric series.
',''),('Hidden','1975','prose','Salvador Dali','Hidden Faces',NULL,'Haakon Chevalier','English','','318','London','1975','Picador',NULL,NULL,NULL,'own copy','Haakon Chevalier\'s foreword makes it clear that he worked closely with Dali in producing this English version of a manuscript originally written in French. Note that French versions published as Visages cachés are substantially longer.
',''),('Idyllequartier','1952','prose','Emile Danoën','Idylle dans un quartier muré',NULL,'','','','220','Paris','1952','Julliard',NULL,NULL,NULL,'Brotherton Library','',''),('Idyllequartier','1953','prose','Emile Danoën','The Wind rises',NULL,'Glasgow, Mary','English','','254','London','1953','Staples Press',NULL,NULL,NULL,'','First translation. Translation of the two volumes of Une maison soufflée aux vents.
','Nouvelles Littéraires, 09/10/1952
'),('Bataillesroute','1949','prose','Frédéric Dard','Batailles sur la route',NULL,'','','','','Saint-Etienne','1949','Editions Dumas',NULL,NULL,NULL,'','',''),('Bataillesroute','2004','prose','Frédéric Dard','Batailles sur la route',NULL,'','','','245','Paris','2004','Libraire Arthème Fayard',NULL,NULL,NULL,'BNF','P.7 A MM. Adolphe Philibert et Louis Ambland qui connaissent les secrets de la route (...) [remercie] également la Maison Bonharde et la Compagnie de transports internationaux B.A.C. (…)
p.9 Ceci n\'est que l\'histoire d\'un homme qui cherche sa vérité à travers la folie d\'une époque, les rigueurs de son métier, la force de son amour.
Vous allez assister à son aventure et sans doute aurez-vous fréquemment envie de lui souffler à l\'oreille le parti à prendre, la conduite à observer, tellement vous le verrez anxieux et désemparé.
Mais laissez-le chercher sa route et réservez votre pitié, car cet homme-là, c\'est peut-être vous…
p.11 Maudit soit celui qui déplace les bornes de son prochain (extrait de la Bible)
BACK COVER
« Cest en s\'oubliant qu\'on parvient à être soi-même. » Frédéric Dard
S\'oublier. Totalement. Ses préjugés aussi. Surtout ceux qui empêchent l\'humilité.
Un regard croisé avec cette femme. Peut-être déjà un sentiment. Une femme ? Plus vraiment, puisque l\'honneur est bafoué. Son crâne rasé d\'avoir aimé l\'ennemi.
Alors oublier, oui, et recommencer différemment ; pour elle. Passer à autre chose, chercher refuge dans un travail difficile, éprouvant : la route.
La retrouver enfin, elle qui m\'attend.
Mais retrouver aussi le plus terrible des secrets, de ceux qui rongent une éternité, assombrissent vos jours, dévorent vos nuits, parce qu\'il vit à vos côtés, indissociable et omniprésent.
Pourtant, j\'ai pris le parti d\'oublier.
Saint-Chef en Dauphiné, où repose Frédéric Dard, rebaptisé ici Saint-Theudère, sert de cadre à ce roman.
C\'est là qu\'Hélène, sœur du milicien Petit Louis, dont l\'auteur nous raconte l\'exécution sommaire de façon si poignants, trouve refuge auprès du narrateur, un jeune résistant lyonnais. Celui-ci s\'éprend de cette victime de l\'épuration qu\'il aimerait pouvoir soustraire définitivement à l\'ardeur vengeresse des FFI.
Publié en 1949 aux Editions Dumas \'a Saint-Etienne, ce roman est inspiré d\'un voyage effectué par l\'auteur avec les gens de la route.
Cette même année 1949 fut par ailleurs prolifique et prémonitoire : c\'est elle, en effet, qui vit la parution du premier livre d\'où découlera, servie par un hasard singulier, la célèbre série du commissaire SAN-ANTONIO.
',''),('Creve','1946','prose','Frédéric Dard','La Crève',NULL,'','','','','Lyon','1946','Confluences',NULL,NULL,NULL,'','only 500 copies printed (according to 1989 edition)
',''),('Creve','1989','prose','Frédéric Dard','La Crève',NULL,'','','','139','Paris','1989','Editions Fleuve Noir',NULL,NULL,NULL,'BNF','Inside Front cover
C\'est un fait réel qui inspira ce livre :
A la Libération, Frédéric DARD avait assisté à une exécution sommaire, la nuit, en pleine rue ; expérience terrible qui le hanta longtemps et que sans doute il tenta d\'exorciser
en la transposant dans un roman.
Inside back cover
Frédéric DARD est né à Bourgoin-Jallieu (Isère).
Il est le \"père du célèbre commissaire San-Antonio (139 titres à ce jour).
Avec son dernier grand roman La vieille qui marchait dans la mer, la critique a salué en San-Antonio /Frédéric Dard l\'un des écrivains majeurs de son époque.
Back cover
1944 - La Libération. Le drame d\'une famille qui a mal choisi son camp et dont le châtiment sera impitoyable.
Huis clos d\'une nuit où défilent dans la tête et le cœur de chacun, les rivalités, les rancœurs, les regrets et les souvenirs heureux.
Ecrit en 1945, paru à Lyon en 1946, La Crève fut tiré à 500 exemplaires, jamais réimprimé depuis.
Pourtant, il s\'agit d\'un très grand livre où l\'auteur, malgré sa jeunesse, donne la pleine matière de son talent d\'écrivain et révèle déjà sa nature d\'humaniste.
En Exergue, p.7
Ne nous emportons point contre les hommes en voyant leur dureté, leur ingratitude, leur injustice, leur fierté, l\'amour d\'eux-mêmes, et l\'oubli des autres ; ils sont ainsi faits, c\'est leur nature : c\'est ne pouvoir supporter que la pierre tombe ou que le feu s\'élève. LA BRUYÈRE
P.9 A la gloire d\'un héros et à la mémoire de sa victime
Celui qui tenait la lampe
',''),('Batterieerrante','1941','prose','Yves Dautun','La Batterie errante',NULL,'','','','286','Paris','1941','Editions Baudinière',NULL,NULL,NULL,'BNF','',''),('Quatrestalag','1944','prose','Yves Dautun','Quatre du stalag',NULL,'','','','250','Paris','1944','Editions Baudinière',NULL,NULL,NULL,'BNF','',''),('Guadeloupe1943','2003','prose','Davy, Pierre','Guadeloupe 1943: Sous le vent de la guerre (Antan Sorin)',NULL,'','','','','Paris','2003','Nathan',NULL,NULL,NULL,'BNF','Short biography of author, map of Guadeloupe and Martinique and Dominica, short bibliography about the Second World War in the French West Indies, as well as a short historical summary entitled \"Quand les Antilles rallièrent la France libre\".
',''),('reinedeuxempires','2005','prose','Pierre Davy','La Reine aux deux empires',NULL,'','','','128','Paris','2005','Nathan',NULL,NULL,NULL,'own copy','Includes map of Indochina; bibliography, historical background
',''),('Souriredieux','2005','prose','Davy, Pierre','Le Sourire des Dieux',NULL,'','','','','Paris','2005','Nathan',NULL,NULL,NULL,'BNF','Includes Map of French Indochina in 1942, brief historical explaination entitled \'Le Coup de force japonais en Indochine\' and very brief biographical information about the author.
',''),('Justepourplaisir','2009','prose','Mercedès Deambrosis','Juste pour le plaisir',NULL,'','','','460','Paris','2008','Buchet Chastel',NULL,NULL,NULL,'BNF','',''),('mareebasse','1949','prose','Roger Debouzy','A marée basse: Chronique du temps des miradors',NULL,'','','','318','Paris','1949','R.Debresse',NULL,NULL,NULL,'BNF','',''),('cimetieres','1945','prose','Gilbert Debrise','Cimetières sans tombeaux',NULL,'','','','189','','1945','La Bibliothèque françaisee',NULL,NULL,NULL,'BNF','Préface d\'Aragon: \'Le Rendez-vous de Valence\', pp. 9-29. The preface tells the story of their first clandestine meeting, of Debrise\'s arrest, and of the impact of meeting him again in 1945 on his return from the camps.
',''),('cimetieres','1979','prose','Gilbert-Dreyfus','Cimetières sans tombeaux',NULL,'','','','','Paris','1979','Plon',NULL,NULL,NULL,'BNF','Dedications:
A ma femme Jacqueline G.-D., officer des FFC, médaillée de la Résistance, entrée dans la lutte dès 1941.
A François Wetterwald, compagnon fraternel dans les jours les pires comme dans les meilleurs.
A la mémoire de mes grands amis Paul Arrighi and Paul Tillard.
Avant-propos: \'La Résistance des déportés\' (\"Point de vue\" de l\'auteur publiè dans Le Figaro du 22 novembre 1978), pp. 9-11. Where the author insists on the resistance activities of deportees in the camps which he considers has not had the attention is deserves .
Annexe:Poèmes composés à Ebsensee et Mauthausen.
',''),('Soldatfrancaoui','2007','prose','Jean-Louis Debry','Le Soldat françaoui - De Sotteville à Sétif',NULL,'','','','94','Paris','2007','L\'Insomniaque',NULL,NULL,NULL,'own copy','Includes a number of black and white photographs from the period showing France and Algeria.
',''),('Jourfinitplus','1951','prose','Georges-André Decotter','Le Jour n\'en finit plus',NULL,'','','','','Port Louis (Mauritius)','1951','Presses de Claude Marrier d\'Unienville',NULL,NULL,NULL,'','',''),('Jourfinitplus','1995','prose','Georges-André Decotter','Le Jour n\'en finit plus',NULL,'','','','233','Saint-Denis de la Réunion','1995','Editions Grand Océan',NULL,NULL,NULL,'CHRD (L)','Includes colour illustrations by the author. In the collection Roman Colonial. Preface by Sir Maurice Rault, \'hero\' of the RAF.
',''),('barreindochine','1949','prose','Amiral Decoux','A La Barre de l\'Indochine: histoire de mon gouvernement général, 1940-1945',NULL,'','','','507[iii]','Paris','1949','Plon',NULL,NULL,NULL,'BL','Plates, maps
',''),('101avhenrimartin','1985','prose','Deforges, Régine','101 avenue Henri Martin',NULL,'','','','','Paris','1985','Ramsay',NULL,NULL,NULL,'','',''),('101avhenrimartin','1986','prose','Deforges, Régine','101 avenue Henri Martin',NULL,'Schwartz, Ros','English','','','London','1986','W.H.Allen',NULL,NULL,NULL,'','',''),('101avhenrimartin','1987','prose','Deforges, Régine','101 avenue Henri Martin',NULL,'','','','','Paris','1987','Libraire générale française',NULL,NULL,NULL,'','First poche edition
',''),('101avhenrimartin','2000','film','Binisti, Thierry','101, avenue Henri Martin','','Dabadie, Jean-Loup and Pinoteau, Claude','','France 2',NULL,'','13/10/2000',NULL,'2000','60 mins','','','Screened on France 2.
La Bicyclette bleue was screened the preceeding week on the same night and the La Diable rit encore was screened on the same night the following week.
',''),('Bicyclettebleue','1981','prose','Deforges, Régine','La Bicyclette bleue',NULL,'','','','','Paris','1981','Ramsay',NULL,NULL,NULL,'Brotherton','',''),('Bicyclettebleue','1983','prose','Deforges, Régine','La Bicyclette bleue',NULL,'','','','','Paris','1983','Fayard',NULL,NULL,NULL,'Brotherton Library','First poche edition, no. 5885
',''),('Bicyclettebleue','1985','prose','Deforges, Régine','The Blue Bicycle',NULL,'Schwartz, Ros','English','','','London','1985','W.H.Allen',NULL,NULL,NULL,'','',''),('Bicyclettebleue','2000','film','Binisti, Thierry','La Bicyclette bleue','','Dabadie, Jean-Loup and Pinoteau, Claude','','France 2',NULL,'','09/10/2000',NULL,'2000','60 mins','','','Screened on France 2.
101 avenue Henri Martin and the La Diable rit encore were screened on the same night in following two weeks.
',''),('Diableritencore','1985','prose','Deforges, Régine','La Diable rit encore',NULL,'','','','','Paris','1985','Ramsay',NULL,NULL,NULL,'Brotherton','',''),('Diableritencore','1987','prose','Deforges, Régine','The Devil is still laughing',NULL,'Schwartz, Ros','English','','','London','1987','W.H.Allen',NULL,NULL,NULL,'','',''),('Diableritencore','2000','film','Binisti, Thierry','La Diable rit encore','','Dabadie, Jean-Loup and Pinoteau, Claude','','France 2',NULL,'','26/10/2000',NULL,'2000','60 mins','','','Screened on France 2.
Bicyclette bleue and 101 avenue Henri Martin were screened on the same night in preceeding two weeks.
',''),('Noirtango','1991','prose','Deforges, Régine','Noir Tango',NULL,'','','','','Paris','1991','Ramsay',NULL,NULL,NULL,'','',''),('Noirtango','1993','prose','Deforges, Régine','Noir Tango',NULL,'','','','','Paris','1993','Fayard',NULL,NULL,NULL,'Brotherton Library','',''),('quandviendra','2007','prose','Régine Deforges','Et Quand Viendra La Fin du voyage',NULL,'','','','479','Paris','2007','Fayard',NULL,NULL,NULL,'BNF','',''),('Perruche','1945','prose','Maurice Dekobra','La Perruche bleue',NULL,'','','','','New York','1945','Brentano\'s',NULL,NULL,NULL,'','',''),('Perruche','1959','prose','Maurice Dekobra','La Perruche bleue: journal d\'une courtisane',NULL,'','','','255','Paris','1959','Les Éditions du Scorpion',NULL,NULL,NULL,'BNF','',''),('40ansjournalisme','1946','prose','Eugène Delahaye','Quarante ans de journalisme: 1906-1946',NULL,'','','','399','Rennes','1946','Imprimerie Provinciale de l\'Ouest',NULL,NULL,NULL,'BNF','',''),('BagneAurigny','1945','prose','Yves Delbars','Le Bagne d\'Aurigny',NULL,'','','','31','Paris','1945','Les Œuvres libres,',NULL,NULL,NULL,'BL','Published in Les Œuvres libres, (1945) n° 280, nouvelle série 4
',''),('AuschwitzI','1970','prose','Charlotte Delbo','Auschwitz et après I: Aucun de nous ne reviendra',NULL,'','','','183','Paris','1970','Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','From back cover:
Charlotte Delbo était une des 230 femmes qui, dans Le Convoi du 24 janvier, partirent en 1943 de Compiègne pour Auschwitz.
Aucun de nous ne reviendra est, plus qu\'un récit, une suite de moments restitués. Ils se détachent sur le fond d\'une réalité impossible à imaginer pour ceux qui ne l\'ont pas vécue. Charlotte Delbo évoque les souffrances subies et parient à les porter à un degré d\'intensité au-delà duquel il ne reste que l\'inconsicence ou la mort. Elle n\'a pas voulu raconter son histoire, non plus que celle de ses compagnes ; peine parfois des prénoms. Car il n\'est plus de place en ces lieux pour l\'individu.
« Une vois qui chuchote, déchirante. Un chuchotement à fleur de vie et d\'horreur. Cette voix une fois entendue vous obsède, ne vous quitte plus. Je ne connais pas d\'œuvre comparable à celle de Charlotte Delbo, sinon Guernica, sinon le film Nuit et brouillard, même pudeur, même déchirure, même atroce tendresse, chez cette femme, chez Alain Resnais. Cette douloureuse et bouleversante incantation est de ces livres rares qui laissent soudain le lecteur en pays étranger à lui-même. »
François Bott (L\'Express)
P.7 (en exergue): Aujourd\'hui, je ne suis pas sûre que ce que j\'ai écrit soit vrai. Je suis sûre que c\'est véridique.
',''),('AuschwitzII','1970','prose','Charlotte Delbo','Auschwitz et apres II: Une Connaissance inutile',NULL,'','','','191','Paris','1970','Les Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','From the back cover: Alors vous saurez/qu\'il ne faut pas parler avec la mort/c\'est une connaissance inutile
Une connaissance inutile est le troisième ouvrage de Charlotte Delbo sur les camps de concentration. Après deux livres aussi different par leur forme et leur écriture que Aucun de nous ne reviendra et Le Convoi du 24 janvier, c\'est dans un autre ton qu\'on lira ici Auschwitz et Ravensbrück. On y lira plus encore une sensibilité qui se dévoile à travers les déchirements. Si les deux precedents pouvaient apparaître Presque impersonnels par leur dépouillement, dans celui-ci elle parle d\'elle. L\'amour et le désespoir de l\'amour -l\'amour et la mort; l\'amitié et le désespoir de l\'amitié - l\'amitié et la mort; les souffrances, la chaleur de la fraternité dans le froid mortel d\'un univers qui se dépeuple jour à jour, les mouvements de l\'espoir qui s\'éteint et renaît, s\'éteint encore et s\'acharne…
p.7 en exergue: Nous arrivions de trop loin pour mériter votre croyance. Paul Claudel.
',''),('AuschwitzIII','1971','prose','Charlotte Delbo','Mesure de nos jours',NULL,'','','','214','Paris','1971','Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','from the back cover: Et toi, comment as-tu fait? pourrait être le titre de ce troisième volume de Auschwitz et après. Comment as-tu fait en revenant? Comment ont-ils fait, les rescapés des camps, pour se remettre à vivre, pour reprendre la vie dans ses plis? C\'est la question qu\'on se pose, qu\'on n\'ose pas leur poser. Avec beaucoup d\'autres questions. Car si l\'on peut comprendre comment tant de déportés sont mort là-bas, on ne comprend pas, ni comment quelques-uns ont survécu, ni surtout comment ses survivants ont pu redevenir des vivants. Dans Mesure de nos jours Charlotte Delbo essaie de répondre, pour elle-même et pour d\'autres, hommes et femmes, à qui elle prête sa voix.
',''),('AuschwitzIII','1995','prose','Charlotte Delbo','Auschwitz and After',NULL,'Rosette C. Lamont','English','','355','New Haven and London','1995','Yale University Press',NULL,NULL,NULL,'own copy','with an introduction by Lawrence L. Langer pp. ix-xviii; from the back cover: This unique and profoundly moving memoir of life in the concentration camps and afterward was written by a French female resistance leader, a non-Jew who became an important literary figure in postwar France. Now available in English in its entirety for the first time, this book includes vignettes, poems, and prose poems that speak eloquently of horror, heroism, and conscience.
',''),('leconvoi','1965','prose','Charlotte Delbo','Le Convoi du 24 janvier',NULL,'','','','303','Paris','1965','Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','from back cover: Et toi, comment as-tu fait? Pourrait être le titre de ce troisième volume de Auschwitz et après. Comment as-tu fait en revenant? Comment ont-ils fait, les rescapés des camps, pour se remettre à vivre, pour reprendre la vie dans ses plis? C\'est la question qu\'on se pose, qu\'on n\'ose pas leur poser. Avec beaucoup d\'autres questions. Car si l\'on peut comprendre comment tant de déportés sont mort là-bas, on ne comprend pas, ni comment quelques-uns ont survécu, ni surtout comment ses survivants ont pu redevenir des vivants. Dans Mesure de nos jours Charlotte Delbo essaie de répondre, pour elle-même et pour d\'autres, hommes et femmes, à qui elle prête sa voix. p.7 en exergue: \"Voici comment tout s\'est passé, et jamais je n\'invente.\" Electre, Acte II, sc. IX. J. Giraudoux.
',''),('memoirejours','1985','prose','Charlotte Delbo','La Mémoire et les jours',NULL,'','','','183','Paris','1985','Berg',NULL,NULL,NULL,'(BNF)','',''),('memoirejours','1990','prose','Charlotte Delbo','Days and Memory',NULL,'Rosette Lamont','','','122','Marlboro, Vermont','1990','The Marlboro Press',NULL,NULL,NULL,'own copy','',''),('Bleusurpeau','1998','prose','Del Pappas','Bleu sur la peau',NULL,'','','','236','Marseille','1998','Jigal',NULL,NULL,NULL,'BILIPO','Includes glossary of Marseille slang.
',''),('dissidence2','1991','prose','Alice Delpech','La Dissidence: roman antillais',NULL,'','','','297','Paris','1991','L\'Harmattan',NULL,NULL,NULL,'own copy (BNF)','p.5 Ce livre est dédié avec une infinie tendresse a tous ces jeunes qui ont trouvé l\'unique lieu ou n\'existent ni Patrie, ni Race, ni Passion, ni Haine, ni Mensonges, car ils font corps avec la Mer, matrice de l\'Humanité. Des profondeurs incalculables à la surface des océans, miroirs des cieux, gardiens de la Beauté, de la Solitude, ils sont délivrés de la souffrance dans l\'absolue Liberté. Une pensée pour l\'Ami fidèle J.Z… dont j\'ai suivi le conseil : \"Ne vous retournez jamais\". p.7 : \"France, France, sans toi le monde serait seul.\" Gabriele d\'Annunzio p.9 : AVERTISSEMENT Cette dissidence antillaise, centrée sur la Martinique où se déroule le roman La Dame de Balata, relate, dans une rigoureuse authenticité, les événements importants et insuffisamment connus de la Seconde Guerre mondiale. / Personnages plus ou moins fictifs, faits réels.
',''),('Antanrobe','1994','prose','Tony Delsham','An Tan Robe - Roman Antillais',NULL,'','French, Creole','','187','Martinique','1994','Editions MGG',NULL,NULL,NULL,'Nottingham University Library','',''),('KZ','1987','prose','Gérard Delteil','KZ - retour vers l\'enfer',NULL,'','','','','Paris','1987','Vertiges du Nord/ Carrère',NULL,NULL,NULL,'BILIPO','',''),('KZ','1990','prose','Gérard Delteil','KZ - retour vers l\'enfer',NULL,'','','','','Paris','1990','Métailié',NULL,NULL,NULL,'','First poche edition
',''),('satraperouge','1993','prose','Gérard Delteil','Mort d\'un satrape rouge',NULL,'','','','270','Paris','1993','Editions Métailié',NULL,NULL,NULL,'Brotherton','',''),('Herosdiscret','1989','prose','Jean-François Deniau','Un héros très discret',NULL,'','','','','Paris','1989','Olivier Orban',NULL,NULL,NULL,'','',''),('Herosdiscret','1991','prose','Jean-François Deniau','Un héros très discret',NULL,'','','','','Paris','1991','Pocket',NULL,NULL,NULL,'own copy','',''),('Herosdiscret','1996','film','Audiard, Jacques','Un Héros très discret','','Alain Le Henry et Jacques Audiard','','',NULL,'','15 mai 1996',NULL,'1996','107','','','Un Essentiel Amazon.fr
: Deuxième film de Jacques Audiard après Regarde les hommes tomber, Un héros très discret est l\'histoire d\'une imposture : celle d\'un homme ordinaire, Albert Dehousse, qui va réussir un exploit hors du commun : profiter des confusions de l\'après-guerre 1944-1945 pour se faire passer pour un héros. Un artiste du mensonge, en somme. En brossant le portrait d\'une sorte de Zelig à la française, d\'un homme sans qualités, véritable vampire social, Jacques Audiard dresse également le tableau d\'une France déboussolée, en perte de repères. Mais à la différence d\'un Jean-Pierre Melville ou d\'un René Clément, il le fait avec un certain machiavélisme - et un peu de cynisme, même, diront certains. Car tel est pris qui croyait prendre. De même que Dehousse invente sa propre vie sans qu\'on sache s\'il affabule ou pas, Jacques Audiard se joue du spectateur : images d\'archives, voix-off, témoignages de contemporains et d\'historiens parsèment cette enquête sur un héros de notre temps, de façon à brouiller la frontière entre la vérité et le mensonge, l\'histoire officielle et les témoignages, l\'art et la réalité. Du grand art ! Qu\'on peut sans hésiter rapprocher de Mankiewicz et d\'Orson Welles. Donc, un film remarquablement écrit et mis en scène, dans lequel Matthieu Kassovitz fait une composition sidérante de justesse et de malice. Àses côtés, il faut citer Albert Dupontel, d\'un charisme saisissant en résistant gaulliste, Sandrine Kiberlain et Anouk Grinberg en initiatrice, et Jean-Louis Trintignant, en Dehousse âgé. --Sylvain Lefort
. Synopsis
Dans l\'époque trouble et confuse de l\'hiver 1944-1945, à Paris, un homme qui n\'a pas participé à la guerre va se faire passer pour un héros en s\'inventant une vie admirable. A force de mensonge, il va construire par omissions et allusions un personnage hors du commun.
',''),('Borsalino','1970','film','','Borsalino','','Jardin, Pascal','','',NULL,'','1970 (01/03/1970)',NULL,'1970','110','','','',''),('Notessudafricaines','1946','prose','Susan Deroisin','Notes sud-africaines: Capetown 1941-1944',NULL,'','','','13','Brussels','1946','Revue générale belge',NULL,NULL,NULL,'BL','Revue générale belge, 14 (décember 1946), 220-33
',''),('Memoiresjeune','1945','prose','Guy des Cars','Mémoires d\'un jeune',NULL,'','','','320','Paris','1945','Fayard',NULL,NULL,NULL,'BNF','',''),('officier','1941a','prose','Guy des Cars','L\'Officier sans nom',NULL,'','','','175','Cannes','1941','Editions de l\'Imprimerie Robaudy',NULL,NULL,NULL,'BNF','',''),('officier','1941b','prose','Guy des Cars','',NULL,'','','','224','Paris','1941','Librairie Arthème Fayard',NULL,NULL,NULL,'BNF','small format, brown paper cover
',''),('officier','1955','prose','Guy des Cars','L\'Officier sans nom',NULL,'','','','211','Paris','1955','Flammarion',NULL,NULL,NULL,'BNF','Collection: \"L\'aventure vécue\". A new edition with photographs and comments. There are a series of significant changes from the 1941 editions, details of which are given under \'synopsis and notes\'
Cover: :
L\'Officier sans nom! Un de ces innombrables officiers subalternes de réserve, parti, comme tant d\'autres, un 2 Septembre 1939, rentré le 25 juin suivant après maintes pérégrinations. Il n\'eut même pas l\'occasion de faire acte d\'héroïsme : il ne fut qu\'un être souffrant, ayant les réflexes de ses pareils devant des faits qui dépassaient son entendement.
Dans le livre, l\'auteur n\'a pas voulu faire œuvre d\'historien, il est l\'observateur qui raconte ce qu\'il a connu, vu et entendu. Tout son récit est inspiré, dirigé et commandé par les faits. Rien n\'en a pu changer, malgré les éditions successives et le temps.
L\'auteur s\'est appliqué seulement, dans cette nouvelle édition, à rendre plus parfaite la forme, pour que sa voix, celle d\'un simple civil mobilisé comme tant d\'autres, une voix « sans nom et sans visage » puisse mieux atteindre ceux qui cherchent la vérité et, par là même, contribuer à rectifier des jugements parfois sommaires, à refuser le sentiment d ;abdiation qui tente d\'envahir les âmes, à libérer enfin les consciences opprimées.
Gives biographical details : born in Paris in 1911, and knew from childhood on he was going to devote himself to writing. \'Il prend part à la campagne de 1939-40 en qualité de lieutenant d\'infanterie et reçoit la Croix de guerre. Après l\'armistice, il publie L\'Officer sans nom qui connut un très grand succès et donc voici la nouvelle impression (…).
p.5 Préface
Emphasis has changed from earlier editions, \'les hommes\' being replaced by \'l\'officier, simple civil\'. Described as a \'roman - vécu\'. Wanted to work on the writing, not changing any facts, because the text : \'rédigé hâtivement en cinq semaines, avec la rage au cœur et dans l\'humiliation de la défaite, avait un style bien à lui : haché, heurté, immodéré.\' (p.6). \'Le nouveau style parlera davantage aux lecteurs, et surtout aux « jeunes » pour qui la pitoyable campagne 39-40 doit déjà faire figure d\'une histoire ancienne et peu glorieuse.\'
p.205 new chapter : Sans Conclusion, where author reflects on whether the France won or lost. Certainly it was \'libérée\'. Les Anglais et les Américains ont voulu réparer l\'isolement dans lequel ils avaient laissé notre pays quand il fut seul à supporter le poids de l\'attque allemande le 10 mai 1940. Angleterre en est sortie appauvrie de tout cela, l\'Allemagne semble triomphante. Les Français restent confondus.\' Ends with a plea not to forget the soldiers, they made a difference.
\'Refonte complète et définitive 10/1/55 - 24/4/55
',''),('senvatenguerre','1953','prose','Guy des Cars','L\'Amour s\'en va-t-en guerre',NULL,'','','','253','Paris','1953','Flammarion',NULL,NULL,NULL,'BNF','p.249 Cette histoire française ne pouvait être imaginée et écrite que dans une toute petite ville de l\'Ouest. 1er Sept 1952-25 Mai 1953
','NB reprinted 1976, 1977
'),('Condamne','1956a','prose','André Devigny','Un Condamné à mort s\'est échappé',NULL,'','','','','Paris','1956','Gallimard',NULL,NULL,NULL,'BNF','',''),('Condamne','1956b','film','Bresson, Robert','Un condamné à mort s\'est échappé','','','','',NULL,'','1956',NULL,'1955','99','','','',''),('Jefus','1978','prose','André Devigny','Je fus ce condamné',NULL,'','','','','Paris','1978','Presses de la Cité',NULL,NULL,NULL,'BNF','',''),('LieutenantKouta','1979','prose','Massa Makan Diabaté','Le lieutenant de Kouta',NULL,'','','','','Paris','1979','Hatier',NULL,NULL,NULL,'','',''),('Prisonnierregard','1975','prose','Lamine Diakhaté','Prisonnier du regard',NULL,'','','','89','Dakar','1975','Nouvelles Editions Africaines',NULL,NULL,NULL,'BL','Title story. This edition also includes the short story Le Madihou de Pikine.
',''),('Prisonstragiques','1947','prose','Docteur Lucien Diamant Berger','Prisons tragiques, prisons comiques, prisons grivoises',NULL,'','','','308[10]','Monte Carlo','1947','Solar',NULL,NULL,NULL,'BNF','Prefaced by André Gillois
',''),('Incendie','1954','prose','Mohammed Dib','L\'Incendie',NULL,'','','','','Paris','1954','Seuil',NULL,NULL,NULL,'','',''),('Incendie','2001','prose','Mohammed Dib','L\'Incendie',NULL,'','','','188','Paris','2001','Seuil',NULL,NULL,NULL,'Brotherton','Points edition (P952)
',''),('Metiertisser','1957','prose','Mohammed Dib','Le métier à tisser',NULL,'','','','','Paris','1957','Seuil',NULL,NULL,NULL,'','',''),('Metiertisser','1974','prose','Mohammed Dib','Le métier à tisser',NULL,'','','','202','Paris','1974','Seuil',NULL,NULL,NULL,'','First paperback (points - P937) edition
',''),('Metiertisser','1988','prose','Mohammed Dib','Le métier à tisser',NULL,'','','','204','Paris','1988','Seuil',NULL,NULL,NULL,'Brotherton','Collection Méditerranée
1988 printing of 1957 edition
',''),('Sarzan','1955a','prose','Birago Diop','Contes d\'Amadou Koumba',NULL,'','','','14 [173-187]','Paris','1955','Présence africaine',NULL,NULL,NULL,'Brotherton','',''),('Sarzan','1955b','theatre','Birago Diop','Sarzan',NULL,'','','','','','1955','',NULL,NULL,NULL,'','Performed for the first time in 1955 in Dakar, Senegal.
',''),('Thiaroyeterrerouge','1981','prose','Boubacar Boris Diop','Thiaroye, terre rouge',NULL,'','','','','Paris','1981','L\'Harmattan',NULL,NULL,NULL,'BNF','Published alongside the novel \'Le Temps de tamango\', which criticises corruption in post-independence African states.
',''),('retourfront','1940','prose','Dorgelès, Roland','Retour au front',NULL,'','','','316','Paris','1940','Albin Michel',NULL,NULL,NULL,'BNF','Later published in La Drôle de guerre 1939-1940 (Paris: Albin Michel, 1957)
',''),('Souvenirs19181944','1944','prose','René de Dorlodot','Souvenirs 1918-1944',NULL,'','','','178+160+160','Brussels','1944-1946','A. Goemaere',NULL,NULL,NULL,'','Three volumes;
I: Lendemains de victoire 1918-1929, 1945, 178pp.
II: 1929-1934: Crime ou folie? 1940-1944. Larmes de sang, 1944, 160pp.
III: La Douceur de vivre, 1946, 160pp
',''),('MortspourFrance','1983','prose','Doumbi-Fakoly','Morts pour la France (Roman)',NULL,'','','','','Paris','1983','Karthala',NULL,NULL,NULL,'','',''),('MortspourFrance','2007','prose','Doumbi-Fakoly','Morts pour la France',NULL,'','','','150','Paris','2007','Editions Menaibuc',NULL,NULL,NULL,'BNF','',''),('2joursChurchill','2008','prose','Jacques Duchese','Deux jours avec Churchill',NULL,'','','','','Paris','2008','L\'Aube',NULL,NULL,NULL,'BNF','',''),('Maisonmortes','1945','prose','Denise Dufournier','La Maison des mortes',NULL,'','','','219','Paris','1945','Hachette',NULL,NULL,NULL,'BNF','',''),('Maisonmortes','1948','prose','Denise Dufournier','Ravensbrück: The Women\'s camp of death',NULL,'McPherson, F.W','English','','150[xiv]','London','1948','Allen & Unwin',NULL,NULL,NULL,'BL','',''),('Criprofondeurs','1951','prose','Georges Duhamel','Cri des profondeurs',NULL,'','','','246','Paris','1951','Mercure de France',NULL,NULL,NULL,'BNF','',''),('LesChaleursaout','1945','prose','Raymond Dumay','Les Chaleurs d\'août',NULL,'','','','82','Paris','1945','Juillard',NULL,NULL,NULL,'BNF','',''),('Pluscalmevisage','1942','prose','Raymond Dumay','Mon plus calme visage',NULL,'','','','','Alger','1942','Patrie',NULL,NULL,NULL,'BL','Published in Les Suppléments des Patrie, 6
',''),('Pluscalmevisage','1943','prose','Raymond Dumay','Mon plus calme visage',NULL,'','','','184','Paris','1943','Gallimard',NULL,NULL,NULL,'BNF','Extended edition
',''),('Tempsillusions','1985','prose','Deforges, Régine','La Diable rit encore',NULL,'','','','','Paris','1985','Ramsay',NULL,NULL,NULL,'Brotherton','',''),('Tempsillusions','1946b','prose','Henry Du Moulin de Labarthète','Le Temps des illusions: Souvenirs (juillet 1940 - avril 1942)',NULL,'','','','436','Geneva','1946','Éditions du Cheval Ailé',NULL,NULL,NULL,'BL','',''),('Journeesdaout','1945','prose','S Duplin de Lacoste','Les Journées d\'août, Paris 1944: Souvenirs et méditations',NULL,'','','','110','Paris','1945','L\'Expansion scientifique française',NULL,NULL,NULL,'BNF','Prefaced by L. Justin-Besançon
',''),('Jairepondu','1948','prose','Jean Dupontel','J\'ai répondu (1940-1941). Un Béret rouge (1941-1947): Roman vécu dans les bataillons parachutistes',NULL,'','','','396','Perros-Guirec','1948','Imprimerie de R. Chevalier',NULL,NULL,NULL,'BNF','',''),('Jairepondu','1952','prose','Serge Vaculik','Béret rouge: Scènes de la vie des commandos parachutistes S.A.S',NULL,'','','','326','Paris','1952','Arthaud',NULL,NULL,NULL,'','Ouvrage orné de 20 héliogrammes. (Collection \'Les Clefs de l\'aventure\', 1)
',''),('Sautez','1949','prose','Serge Vaculik alias Jean Dupont','Sautez! Souvenirs d\'un saboteur parachutiste dans les S.A.S. français et anglais',NULL,'','','','217','Rennes','1949','Imprimerie H. Riou-Reuzé',NULL,NULL,NULL,'BNF','',''),('Etpourtant','2003','prose','Jacques Duquesne','Et pourtant nous étions heureux',NULL,'','','','243','Paris','2003','Albin Michel',NULL,NULL,NULL,'BNF','',''),('GrandeTriche','1977','prose','Jacques Duquesne','La Grande Triche',NULL,'','','','252','Paris','1977','Grasset',NULL,NULL,NULL,'BNF','',''),('JosephLondres','1994','prose','Pierre Durand','Joseph ou les hommes de Londres',NULL,'','','','273','Pantin','1994','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','preface by Gilles Perrault
',''),('AlbertCapitales','1985','prose','Duras, Marguerite','Albert des Capitales',NULL,'','','','28 [135-162 of La Douleur]','Paris','1985','POL',NULL,NULL,NULL,'Brotherton','See La Douleur volume entry for subsequent editions
',''),('AureliaParis','1985','prose','Duras, Marguerite','Aurélia Paris',NULL,'','','','','Paris','1985','POL',NULL,NULL,NULL,'Brotherton','See entry for La Douleur volume for subsequent editions.
',''),('Douleurvolume','1985','prose','Duras, Marguerite','La Douleur (volume)',NULL,'','','','','Paris','1985','POL',NULL,NULL,NULL,'Brotherton','',''),('Douleurvolume','1985b','prose','Duras, Marguerite','La Douleur',NULL,'','','','','Paris','1985','Gallimard',NULL,NULL,NULL,'','',''),('Douleurvolume','1986','prose','Duras, Marguerite','La Douleur',NULL,'Bray, Barbara','English','','','London','1986','Collins',NULL,NULL,NULL,'','',''),('Douleurvolume','1986b','prose','Duras, Marguerite','The War',NULL,'Bray, Barbara','English','','','New York','1986','Pantheon',NULL,NULL,NULL,'','First translation
',''),('Douleurvolume','1987','prose','Duras, Marguerite','La Douleur',NULL,'Bray, Barbara','English','','','London','1987','Flamingo',NULL,NULL,NULL,'','',''),('Douleurvolume','1992','prose','Duras, Marguerite','La Douleur',NULL,'','','','','Paris','1992','POL',NULL,NULL,NULL,'','',''),('Douleurvolume','1993','prose','Duras, Marguerite','La Douleur',NULL,'','','','','Paris','1993','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Douleurvolume','1994','prose','Duras, Marguerite','The War',NULL,'Bray, Barbara','English','','','New York','1994','New Press',NULL,NULL,NULL,'','',''),('Douleurvolume','1998','theatre','Marguerite Duras','La Douleur',NULL,'','','','','','1998','',NULL,NULL,NULL,'','Director: Julien Téphany
Cast: Arlette Téphany
Staged in Paris at the Théâtre de la Main d\'or on the 9th of Marche 1998
',''),('MonsieurX','1985','prose','Duras, Marguerite','Monsieur X. dit ici Pierre Rabier',NULL,'','','','','Paris','1985','POL',NULL,NULL,NULL,'Brotherton','See entry for La Douleur volume for subsequent editions.
',''),('MonsieurX','2005','theatre','Marguerite Duras','Monsieur X. dit ici Pierre Rabier',NULL,'','','','','','2005','',NULL,NULL,NULL,'','Director: Jacques Lassalle
Cast: Marianne Basler, Jean-Philippe Puymartin, Anne-Laure Brasey
Staged in Paris at the Théâtre Artisic-Athévains on the 1st April 2005
',''),('Ortiebrisee','1985','prose','Duras, Marguerite','L\'Ortie brisée',NULL,'','','','','Paris','1985','POL',NULL,NULL,NULL,'Brotherton','See entry for La Douleur volume for subsequent editions.
',''),('TerMilicien','1985','prose','Duras, Marguerite','Ter le Milicien',NULL,'','','','[163-182]','Paris','1985','POL',NULL,NULL,NULL,'Brotherton','See entry for La Douleur volume for subsequent editions.
',''),('douleurstory','1985','prose','Marguerite Duras','\'La Douleur\' (story)',NULL,'','','','','Paris','1985','Gallimard',NULL,NULL,NULL,'','See La Douleur volume entry for subsequent editions
',''),('Bonbeurre','1952','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémier',NULL,'','','','','Paris','1952','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Bonbeurre','1952b','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémier',NULL,'','','','','Paris','1952','Gallimard',NULL,NULL,NULL,'','First Folio edition
',''),('Bonbeurre','1953','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémier',NULL,'','','','','Paris','1953','Gallimard',NULL,NULL,NULL,'','',''),('Bonbeurre','1955a','prose','Dutourd, Jean','The Milky Way',NULL,'Chancellor, Robert','English','','','London','1955','Museum Press',NULL,NULL,NULL,'','',''),('Bonbeurre','1955b','prose','Dutourd, Jean','The Best Butter',NULL,'Chancellor, Robin','English','','','New York','1955','Simon and Schuster',NULL,NULL,NULL,'','First translation
',''),('Bonbeurre','1956a','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémier',NULL,'','','','','Paris','1956','Gallimard',NULL,NULL,NULL,'','',''),('Bonbeurre','1956b','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémier',NULL,'','','','','Paris','1956','Clb du livre du mois',NULL,NULL,NULL,'','',''),('Bonbeurre','1969','prose','Dutourd, Jean','Best Butter',NULL,'Chancellor, Robin','English','','','New York','1969','Greenwood Press',NULL,NULL,NULL,'','',''),('Bonbeurre','1972a','prose','Dutourd, Jean','Au bon beurre: scènes de la vie sous l\'Occupation',NULL,'','','','','Paris','1972','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Bonbeurre','1972b','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémier',NULL,'','','','','Monte-Carlo','1972','Éditions André Sauret',NULL,NULL,NULL,'','Preface by Robert Kanters and lithographs by Walter Spitzer
',''),('Bonbeurre','1977','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémier',NULL,'','','','','Paris','1977','Rombaldi',NULL,NULL,NULL,'','',''),('Bonbeurre','1981a','prose','Dutourd, Jean','Au bon beurre: scènes de la vie sous l\'Occupation ',NULL,'','','','','Paris','1981','Gallimard',NULL,NULL,NULL,'','',''),('Bonbeurre','1981b','prose','Dutourd, Jean','Au bon beurre: scènes de la vie sous l\'Occupation ',NULL,'','','','','Paris','1981','France loisir',NULL,NULL,NULL,'','',''),('Bonbeurre','1994','prose','Dutourd, Jean','Au bon beurre: ou, Dix ans dans la vie d\'un crémieri>',NULL,'','','','','Paris','1994','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Bonbeurre','1980','film','Molinaro, Edouard','Au bon beurre','','','French','Taurus films',NULL,'France','1980',NULL,'1980','180 mins','','','VHS - 1996
DVD - 2004 and 2006
','Télérama n.1841, 24 April 1985, p.93-94
'),('MarieOctobre','1948','prose','Robert, Jacques','Marie-Octobre',NULL,'','','','208','Paris','1948','J. d\'Halluin',NULL,NULL,NULL,'BNF','',''),('MarieOctobre','1959','film','Julien Duvivier','Marie-Octobre','','','','',NULL,'','1959 (24/04)',NULL,'1958','94','','','',''),('MarieOctobre','2008','film','Josée Dayan','Marie-Octobre','','','','',NULL,'France','16/10/2008',NULL,'2007','','','','TV adaptation - France 3, 16/10/2008
','Le Monde TV & Radio, 13-19/10/2008
'),('Courir','2008','prose','Jean Echenoz','Courir',NULL,'','','','144','Paris','2008','Les éditions de minuit',NULL,NULL,NULL,'BNF','',''),('Turne3','1945','prose','Noële Edmond-About','Turne 3',NULL,'','','','371','Paris','1945','Editions Sociales Françaises',NULL,NULL,NULL,'BNF','Je dédie ce livre à la mémoire d\'YVES CALABRE, FFI, FTP, assassiné par les Allemands le 29 août 1944, sur la côte de Néry: HONNEUR ET PATRIE
',''),('Lesannees','2008','prose','Annie Ernaux','Les Années',NULL,'','','','','Paris','2008','Gallimard',NULL,NULL,NULL,'','',''),('Detourprenfer','1987','prose','Emmanuel Errer','Un détour par l\'enfer',NULL,'','','','220','Paris','1987','Ed de l\'instant',NULL,NULL,NULL,'BNF','',''),('Ellipseloup','2004','prose','Patrick Esteve','L\'Ellipse du loup',NULL,'','','','','Paris','204','Publibook',NULL,NULL,NULL,'','',''),('Ellipseloup','2006','prose','Patrick Esteve','L\'ellipse du loup',NULL,'','','','59','Paris','2006','Publibook',NULL,NULL,NULL,'CHRD (L)','',''),('enfantetsoldat','2006','prose','Etienne, Marie','L\'Enfant et le soldat',NULL,'','','','','Paris','2006','La Table ronde',NULL,NULL,NULL,'Brotherton','',''),('Commescorpion','1997','prose','René Evrard and Aimé Vielzeuf','Comme le scorpion sous la lauze',NULL,'','','','','Nîmes','1997','C.Lacour',NULL,NULL,NULL,'','',''),('Commescorpion','2008','prose','René Evrard and Aimé Vielzeuf','Comme le scorpion sous la lauze',NULL,'','','','','Riom (Puy-de-Dôme)','2008','Editions de Borée',NULL,NULL,NULL,'BNF','',''),('Souvenirsdetheatre','1947','prose','Émile Fabre','De Thalie à Melpomène: Souvenirs de théâtre',NULL,'','','','238 [1]','Paris','1947','Hachette',NULL,NULL,NULL,'BL','',''),('Aprespluie','1998','prose','Frédéric H. Fajardie','Après la pluie',NULL,'','','','','Paris','1998','La Table ronde',NULL,NULL,NULL,'','',''),('Aprespluie','2000','prose','Frédéric H. Fajardie','Après la pluie',NULL,'','','','331','Paris','2000','La Table ronde: Folio',NULL,NULL,NULL,'BILIPO','Folio Policier no. 164
',''),('PontsurLoire','2001','prose','Frédéric H. Fajardie','Un pont sur la Loire',NULL,'','','','234','Paris','2001','La Table ronde',NULL,NULL,NULL,'Brotherton','','ML, no.409, Mai 2002, p.74
'),('PontsurLoire','2006','prose','Frédéric H. Fajardie','Un pont sur la Loire',NULL,'','','','266','Paris','2006','Table Ronde',NULL,NULL,NULL,'','In La petite vermillon series - first paperback edition
',''),('PontsurLoire','2005','film','Philippe Venault','Trois jours en juin','','Philippe Venault','','Cinétévé; France 2',NULL,'France','19th September 2005',NULL,'2004','90','','','Screened on France 2, on the 19th of September 2005 at 20.55. Released on DVD in November 2005.
',''),('Theorie1','1981','prose','Frédéric H. Fajardie','La Théorie du 1%',NULL,'','','','','Paris','1981','Neo/ Le miroir obscur',NULL,NULL,NULL,'BILIPO','',''),('Boubousoldat','1981','prose','Frédéric H. Fajardie','La Théorie du 1%',NULL,'','','','','Paris','1981','Neo/ Le miroir obscur',NULL,NULL,NULL,'BILIPO','',''),('Dejeunerssoleil','1942','prose','Léon-Paul Farge','Déjeuners de soleil',NULL,'','','','224','Paris','1942','Gallimard',NULL,NULL,NULL,'BNF','',''),('Dejeunerssoleil','1996','prose','Léon-Paul Farge','Déjeuners de soleil',NULL,'','','','196','Paris','1996','Gallimard',NULL,NULL,NULL,'BNF','',''),('chaquemin','1953','prose','Yves Farge','Chaque minute compte',NULL,'','','','','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','The seventh short story in the collection Un Simple Mot
',''),('echo','1953','prose','Yves Farge','L\'Echo des batailles',NULL,'','','','pp. 46-58','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','The fourth short story in the collection Un Simple Mot
',''),('exode','1953','prose','Yves Farge','L\'Exode',NULL,'','','','pp. 27-31','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','Second short story in the collection Un Simple Mot
',''),('lesarbres','1953','prose','Yves Farge','Les Arbres restent bons',NULL,'','','','pp. 59-71','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','',''),('Lesvaches','1953','prose','Yves Farge','Les Vaches sont casaniers',NULL,'','','','153-158','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','The 14th of the 22 short stories in the collection Un Simple Mot
',''),('Onnepeut','1953','prose','Yves Farge','On ne peut vivre sans rien faire',NULL,'','','','pp. 72-83','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','The sixth story in the collection Un Simple Mot
',''),('Rebellessoldats','1946','prose','Yves Farge','Rebelles, soldats et citoyens: Carnet d\'un commissaire de la République',NULL,'','','','332','Paris','1946','Grasset',NULL,NULL,NULL,'BL','(\'Les Témoins\', Collection dirigée par François Crémieux)
',''),('Rebellessoldats','1971','prose','Yves Farge','Histoire vécue de la Résistance. Rebelle soldat et citoyen, carnet d\'un Commissaire de la République',NULL,'','','','','Geneva','1971','',NULL,NULL,NULL,'','',''),('revnat','1953','prose','Yves Farge','La Révolution nationale',NULL,'','','','pp. 32-45','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','Third story in the collection Un Simple Mot
',''),('simplemot','1953','prose','Yves Farge','Un Simple Mot',NULL,'','','','pp. 9 - 26','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','The first story in the collection Un Simple Mot.
',''),('UnSimple','1953','prose','Yves Farge','Un Simple Mot',NULL,'','','','203','Paris','1953','Les Editeurs français réunis',NULL,NULL,NULL,'BNF','The eight short stories relevant to work on the war and occupation are entered separately.
',''),('Chantherissons','1997','prose','Solange Fasquelle','Le Chant des hérissons',NULL,'','','','263','Paris','1997','Grasset',NULL,NULL,NULL,'BL','',''),('Colonnenuees','1948','prose','Jacques-Napoléon Faure-Biguet','La Colonne des nuées: Récit',NULL,'','','','222','Paris','1948','Éditions de Flore',NULL,NULL,NULL,'BNF','',''),('PelotonLeclerc','2002','prose','Jacques Fenouillère','Le Peloton du général Leclerc',NULL,'','','','219','Issy-les-Moulineaux','2002','Muller editions',NULL,NULL,NULL,'BNF','',''),('EnferBreendonck','1944','prose','Frans Fischer','L\'Enfer de Breendonck: Souvenirs vécus',NULL,'','','','156','Brussels','1944','Éditions Labor',NULL,NULL,NULL,'','',''),('Furenthommes','1948','prose','Conrad L. Flavian','Ils furent des hommes: Essais et documents',NULL,'','','','380','Paris','1948','Nouvelles Éditions Latines',NULL,NULL,NULL,'BNF','Préface par Georges Broussine. Lettre-préface du général de Gaulle.
Illustrated.
',''),('Nuitverslumiere','1946','prose','Conrad L. Flavian','De la nuit vers la lumière',NULL,'','','','210','Paris','1946','J. Peyronnet',NULL,NULL,NULL,'','[Croquis du lieutenant Raymond Petiau.]
',''),('RegneBete','1948','prose','Ernest Florian-Parmentier','Le Règne de la Bête; ou, La Tragique et Sublime Épopée de 1939-1946',NULL,'','','','308','Paris','1948','P. Clairac',NULL,NULL,NULL,'','',''),('Aubeafricaine','1951','prose','Keïta Fodéba','Aube africaine',NULL,'','','','80 [67-80]','Paris','1951','Seghers',NULL,NULL,NULL,'BNF','Illustrations by the students at the School of FIne Art in Conakry.
',''),('Aubeafricaine','1994','prose','Keïta Fodéba','Aube africaine',NULL,'','','','','Paris','1994','Présence Africaine',NULL,NULL,NULL,'','',''),('Godillotslourds','1948','prose','Maurice Fombeure','Les Godillots sont lourds: Récit',NULL,'','','','213 [2]','Paris','1948','Gallimard',NULL,NULL,NULL,'BNF','',''),('Hommebarbele','2009','prose','Béatrice Fontanel','L\'homme barbelé',NULL,'','','','304','Paris','2009','Grasset',NULL,NULL,NULL,'BNF','',''),('Prisonnieremaquis','1949','prose','Nicole Fontclaire','Prisonnière au maquis: Souvenirs d\'une jeune fille',NULL,'','','','266[1]','Paris','1949','Plon',NULL,NULL,NULL,'BNF','',''),('Prisonnieremaquis','2002','prose','Carré-Tornézy, Hélène','Enlevée par le maquis: mon extravagante aventure, 1944',NULL,'','','','338','Paris','2002','Éd. des écrivains',NULL,NULL,NULL,'','',''),('ainsiexiles','1970','prose','Forrester, Viviane','Ainsi des exilés',NULL,'','','','','Paris','1970','Denoël',NULL,NULL,NULL,'Personal','',''),('ainsiexiles','1985','prose','Forrester, Viviane','Ainsi des exilés',NULL,'','','','','Paris','1985','Gallimard',NULL,NULL,NULL,'','First Folio edition, no.1672
',''),('nuitetbrouill','1948','prose','Yves Fougères','Nuit et brouillard (nacht und nebel)',NULL,'','','','192','Paris','1948','S.E.P.E',NULL,NULL,NULL,'own copy (Bilipo)','fair number of typos.
',''),('JusquaBergen','1947','prose','Louis Francis','Jusqu\'à Bergen',NULL,'','','','315','Paris','1947','J. Vigneau',NULL,NULL,NULL,'BNF','',''),('Courtepaille','1977','prose','Dominique François-Poncet','La Courte Paille',NULL,'','','','153','Paris','1977','Flammarion',NULL,NULL,NULL,'BNF','',''),('Carnetscaptif','1952','prose','André François-Poncet','Carnets d\'un captif',NULL,'','','','426','Paris','1952','Fayard',NULL,NULL,NULL,'BL','First published in two parts in Les Œuvres libres.
Le Château d\'Itter: souvenirs, CCXLV, nouvelle série 19 (1947). Ma libération, CCLXIII, nouvelle série 38 (1949).
',''),('2ansOranienburg','1946','prose','Robert Franqueville','\'Rien à signaler\': Deux ans à Oranienburg',NULL,'','','','206','Paris','1946','Victor Attinger',NULL,NULL,NULL,'BNF','Préface de Francis Ambrière.
',''),('Nostalgiemaquis','1947','prose','Maurice Fraysse','Nostalgie du maquis: Souvenirs',NULL,'','','','125','Paris','1947','Société des Journaux et Publications du Centre',NULL,NULL,NULL,'BNF','Illustrated.
',''),('Nuitfinira','1973','prose','Henri Frenay','La Nuit finira: Mémoires de Résistance, 1940-1945',NULL,'','','','607','Paris','1973','Robert Laffont',NULL,NULL,NULL,'Brotherton','',''),('Nuitfinira','1974','prose','','La Nuit finira: Mémoires de Résistance, 1940-1945',NULL,'','','','','Paris','1974','Le livre de poche',NULL,NULL,NULL,'','First paperback edition
Le livre de poche, nos. 4051-4052
',''),('Nuitfinira','1976','prose','Henri Frenay','The night will end: Memoirs of a Revolutionary',NULL,'Hofstadter, Dan','English','','469','London','1976','Abelard-Schuman',NULL,NULL,NULL,'','First translation
',''),('Collabos','1946','prose','Jean Fréville','Les Collabos',NULL,'','','','232','Paris','1946','Flammarion',NULL,NULL,NULL,'BNF','This is a collection of 6 short stories, preceded by a preface: \'En guise de préface\'. Titles: \'Les Collabos\', \'Descente dans la nuit\', \'Sans appel\', \'Un bon fromage\', \'L\'heure des trusts\', \'Le dernier cercle\'.
',''),('Pleinvent','1951','prose','Jean Fréville','Plein Vent',NULL,'','','','275','Paris','1951','Flammarion',NULL,NULL,NULL,'BNF','',''),('Commeunverger','1978','prose','Brigitte Friang','Comme un verger avant l\'hiver',NULL,'','','','344','Paris','1978','Julliard',NULL,NULL,NULL,'BL','',''),('Regardetoi','1970','prose','Brigitte Friang','Regarde-toi qui meurs',NULL,'','','','','Paris','1970','Laffont',NULL,NULL,NULL,'','',''),('Regardetoi','1997','prose','Brigitte Friang','Regarde-toi qui meurs',NULL,'','','','','Paris','1970','Éditions du Félin',NULL,NULL,NULL,'','',''),('Traversgrandegrille','1946-1955','prose','Marie-Thérèse Gadala','A travers la grande grille',NULL,'','','','303 + 319','Paris','1946-1955','Éditions du Grand siècle ; Éditions de la Plume d\'or',NULL,NULL,NULL,'BNF','2 volumes: I: Mai 1940 à octobre 194 (Paris: Éditions du Grand Siècle, 1946).
II: Octobre 1941 à juillet 1945 (Paris: Éditions de la Plume d\'Or, 1955)
',''),('Fontainesmort','1944','prose','Robert Gaillard','Aux fontaines de la mort (Poste de secours)',NULL,'','','','217[2]','Paris','1944','SPLE',NULL,NULL,NULL,'BNF','',''),('Jourspenitence','1942','prose','Robert Gaillard','Jours de pénitence, mes évasions: Journal d\'un prisonnier de guerre en Allemagne',NULL,'','','','[11]-125','Paris','1942','R. Debresse',NULL,NULL,NULL,'','Préface de Paul Marion.
',''),('Jourspenitence','1946','prose','Robert Gaillard','Jours de pénitence, mes évasions',NULL,'','','','191','Paris','1946','Éditions Dumas',NULL,NULL,NULL,'BNF','',''),('Pacteassassins','2008','prose','Max Gallo','Le Pacte des assassins',NULL,'','','','371','Paris','2008','Fayard',NULL,NULL,NULL,'BNF','',''),('Patriotes','2001','prose','Max Gallo','Les Patriotes',NULL,'','','','781','Paris','2001','France Loisirs',NULL,NULL,NULL,'BNF','Contains the first two volumes.
',''),('Patriotes','2002','prose','Max Gallo','Les Patriotes. Le Prix du sang',NULL,'','','','315','Paris','2002','Livre de poche',NULL,NULL,NULL,'BNF','',''),('Accentmonpere','2002','prose','Jacques Gandebeuf','L\'Accent de mon père',NULL,'','','','','Metz','2002','Éd. Serpenoise',NULL,NULL,NULL,'BNF','',''),('A26','1999','prose','Pascal Garnier','L\'A26',NULL,'','','','102','Paris','1999','Zulma',NULL,NULL,NULL,'BILIPO','',''),('Niceprmemoire','1980','prose','Garnier, Dominique','Nice pour mémoire',NULL,'','','','','Paris','1980','Seuil',NULL,NULL,NULL,'','',''),('Cerfsvolants','1980','prose','Romain Gary','Les cerfs-volants',NULL,'','','','370','Paris','1980','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Grandvestiaire','1948','prose','Romain Gary','Le grand vestiaire',NULL,'','','','305','Paris','1948','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Grandvestiaire','1950','prose','Romain Gary','Company of men',NULL,'Barnes, Joseph','English','','','New York','1950','Simon and Schuster',NULL,NULL,NULL,'','',''),('Grandvestiaire','1988','prose','Romain Gary and André Verret','Le grand vestiaire',NULL,'','','','','Paris','1988','Gallimard',NULL,NULL,NULL,'','BD adaptation
',''),('Promesseaube','1960','prose','Romain Gary','La promesse de l\'aube',NULL,'','','','390','Paris','1960','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Promesseaube','1961','prose','Romain Gary','Promise at dawn',NULL,'Markham, John','English','','340','New York','1961','Harper',NULL,NULL,NULL,'','',''),('Promesseaube','1970','film','Jules Dassin','La promesse de l\'aube','','','','',NULL,'','1970',NULL,'1969','','','','',''),('Tulipe','1946a','prose','Romain Gary','Tulipe',NULL,'','','','173','Paris','1946','Calmann-Lévy',NULL,NULL,NULL,'Brotherton','Dedicated to Léon Blum.
',''),('Tulipe','1970','prose','Romain Gary','Tulipe',NULL,'','','','175','Paris','1970','Gallimard',NULL,NULL,NULL,'','Labelled as the definitive edition
',''),('Tulipe','1946b','theatre','Romain Gary','Tulipe ou la protestation',NULL,'','','','','','1946','',NULL,NULL,NULL,'','The novel was adapted into a play in 1946 but only published by Gallimard in 2007. An adaptation of the play was staged in Aubervilliers in 2009. www.theatredelacommune.com/index.php/spectacles/saison-2008-2009/louis-jouvet-romain-gary
',''),('Prisonsjaponaises','1950','prose','Marcel Gaultier','Prisons japonaises: Récit vécu',NULL,'','','','313','Monte-Carlo','1950','Regain',NULL,NULL,NULL,'BNF','Illustrated
',''),('Magnus','2005','prose','Sylvie Germain','Magnus',NULL,'','','','220','Paris','2005','Albin Michel',NULL,NULL,NULL,'Brotherton','',''),('Magnus','2008','prose','Sylvie Germain','Magnus',NULL,'Donougher, Christine','English','','196','London','2008','Dedalus World',NULL,NULL,NULL,'','',''),('RadioToulouse','1948','prose','G Gildas','Radio-Toulouse',NULL,'','','','457','Paris','1948','Librairie Honoré Champion',NULL,NULL,NULL,'BNF','',''),('Mirador','1992','prose','Élisabeth Gille','Le Mirador',NULL,'','','','','Paris','1992','Presses de la Renaissance',NULL,NULL,NULL,'','',''),('Mirador','2000','prose','Élisabeth Gille','Le Mirador',NULL,'','','','','Paris','2000','Stock',NULL,NULL,NULL,'','',''),('Paysagecendres','1996','prose','Élisabeth Gille','Un paysage de cendres',NULL,'','','','','Paris','1996','Seuil',NULL,NULL,NULL,'','',''),('Paysagecendres','1998','prose','Élisabeth Gille','Un paysage de cendres',NULL,'','','','','Paris','1998','Seuil',NULL,NULL,NULL,'','',''),('coupon44','1956','prose','Daniel Gillès','Le Coupon 44',NULL,'','','','','Paris','1956','Julliard',NULL,NULL,NULL,'BNF','',''),('jetons','1954','prose','Daniel Gillès','Jetons de présence',NULL,'','','','266','Paris','1954','Julliard',NULL,NULL,NULL,'BNF','from \'du même auteur\' Le Coupon 44:
Les Publicains I Jetons de présence
II Le Coupon 44
(p.7): De telles gens ne sont ni parents, ni amis, ni citoyens, ni chrétiens, ni peut-être des hommes: ils ont de l\'argent.
',''),('Justeapresguerre','1998','prose','Giorda','C\'était juste après la guerre',NULL,'','','','86','Paris','1998','Pocket Jeunesse',NULL,NULL,NULL,'BNF','',''),('Amitraitre','1977','prose','José Giovanni','Mon ami le traître',NULL,'','','','','Paris','1977','Gallimard',NULL,NULL,NULL,'','',''),('Amitraitre','1988','prose','José Giovanni','Mon ami le traître',NULL,'','','','','Paris','1988','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Mesevasions','1946','prose','Général Giraud','Mes évasions',NULL,'','','','185','Paris','1946','Juillard',NULL,NULL,NULL,'BNF','',''),('Seulbutvictoire','1949','prose','Général Giraud','Un seul but, la victoire, Alger, 1942-1944',NULL,'','','','383','Paris','1949','Julliard',NULL,NULL,NULL,'BNF','',''),('Appelbled','1942','film','Maurice Gleize','L\'Appel du bled','','Gleize, Maurice','','Production Générale Française Cinématographique',NULL,'France','1942',NULL,'1942','','','','Photos from the film and the film poster are avaliable to view at the BNF Richelieu site. The film is also known as Femme de bonne volonté.
',''),('echappee','2007','prose','Valentine Goby','L\'Echappée',NULL,'','','','227','Paris','2007','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('echappee','2008','prose','Valentine Goby','L\'Echappée',NULL,'','','','261','Paris','2008','Gallimard: Folio',NULL,NULL,NULL,'own copy (BNF)','From back cover: L\'échappée ou le destin d\'une jeune paysanne bretonne coupable d\'avoir aimé un pianiste allemand pendant l\'Occupation. Avec ce quatrième livre, Valentine Goby signe un livre tragique et puissant sur l\'identité et la liberté
',''),('Quitouchecorps','2008','prose','Valentine Goby','Qui touche à mon corps, je le tue',NULL,'','','','136','Paris','2008','Gallimard',NULL,NULL,NULL,'Brotherton Library','',''),('Feuilleauvent','1948','prose','Pierre Godefroy','Comme la feuille au vent. (Un Normand au pays des Tziganes)',NULL,'','','','216[2]','Paris','1948','J. Susse',NULL,NULL,NULL,'BNF','Préface de J. et J. Tharaud
',''),('Zaide','1988','prose','Daniel Goldenberg','Le Zaïde',NULL,'','','','201','Paris','1998','Calmann-Lévy',NULL,NULL,NULL,'BNF','',''),('Zaide','1994','film','Kurc, Stéphane','J\'aime pas qu\'on m\'aime','','','','France 2',NULL,'France','1994',NULL,'1993','','','','Screened on France 2
',''),('DickVercors','1945','prose','C.A. Gonnet','Dick-Vercors - Le roman de la résistance',NULL,'','','','110','Lyon','1945','Editions Optic',NULL,NULL,NULL,'CHRD (L)','In the collection \'La clef du mystère\'.
',''),('Nuitbrascasses','2003','prose','Maurice Gouiran','La Nuit des bras cassés',NULL,'','','','265','Marseille','2003','Jigal',NULL,NULL,NULL,'BILIPO','',''),('Sspaves','2005','prose','Maurice Gouiran','Sous les pavés, la rage',NULL,'','','','263','Marseille','2005','Jigal',NULL,NULL,NULL,'BILIPO','',''),('Trainbleunoir','2007','prose','Maurice Gouiran','Train bleu, train noir',NULL,'','','','228','Marseille','2007','Jigan',NULL,NULL,NULL,'BILIPO','',''),('Vraisdurs','2008','prose','Maurice Gouiran','Les vrais durs meurent aussi',NULL,'','','','289','Marseille','2008','Jigal',NULL,NULL,NULL,'Brotherton','',''),('Balconenforet','1958','prose','Gracq, Julien','Un balcon en forêt',NULL,'','','','','Paris','1958','Corti',NULL,NULL,NULL,'','',''),('Balconenforet','1969','prose','Gracq, Julien','Un balcon en forêt',NULL,'','','','Study guide','London','1969','Methuen Educational',NULL,NULL,NULL,'','Original French text published with 42 pages of notes in English and twelve pages of vocabulary explanations. Ed. By P.J. Whyte
',''),('Balconenforet','1986','prose','Gracq, Julien','Un balcon en forêt',NULL,'','','','','Paris','1986','Corti',NULL,NULL,NULL,'','',''),('Balconenforet','1992','prose','Gracq, Julien','A Balcony in the Forest',NULL,'Howard, R','English','','','London','1992','Harville',NULL,NULL,NULL,'','',''),('Balconenforet','2004','prose','Gracq, Julien','Un balcon en forêt',NULL,'','','','','Paris','2004','Corti',NULL,NULL,NULL,'','',''),('Balconenforet','1979','film','Mitrani, M','Un balcon en forêt','','','','Antenne 2',NULL,'France','1979',NULL,'1978','155 mins','','','','Positif, n.216 , March 1979, p.75
Télérama n.1520 , 28 February 1979, p.93
'),('Autre','1971','prose','Julien Green','L\'Autre',NULL,'','','','471','Paris','1971','Plon',NULL,NULL,NULL,'Brotherton','',''),('Autre','1973','prose','Julien Green','The other one',NULL,'Wall, Bernard Joseph','English','','282','London','1973','Collins, Harvill Press',NULL,NULL,NULL,'','',''),('Lonekhussard','2000','prose','Jean-Jacques Greif','Lonek le hussard',NULL,'','','','276','Paris','2000','Ecole des Loisirs',NULL,NULL,NULL,'BNF','',''),('Mesenfants','2002','prose','Jean-Jacques Greif','Mes enfants, c\'est la guerre',NULL,'','','','163','Paris','2002','Ecole des loisirs',NULL,NULL,NULL,'BNF','',''),('Ringmort','1998','prose','Jean-Jacques Greif','Le Ring de la mort',NULL,'','','','','Paris','1998','Ecole des loisirs',NULL,NULL,NULL,'CHRD (L)','',''),('Ringmort','2006','prose','Jean-Jacques Greif','The Fighter',NULL,'Greif, Jean-Jacques','English','','288','New York','2006','Bloomsbury',NULL,NULL,NULL,'','First translation into English
',''),('Sansaccent','2001','prose','Jean-Jacques Greif','Sans accent',NULL,'','','','329','Paris','2001','Ecole des loisirs',NULL,NULL,NULL,'BNF','',''),('avantune','1971','prose','Roger Grenier','Avant Une Guerre',NULL,'','','','192','Paris','1971','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Oeilauberge','2009','prose','Yveline Grimbert','L\'oeil de l\'auberge',NULL,'','','','260','Paris','2009','Archipel',NULL,NULL,NULL,'BNF','',''),('Secret','2004','prose','Philippe Grimbert','Un secret',NULL,'','','','','Paris','2004','Grasset et Fasquelle',NULL,NULL,NULL,'','',''),('Secret','2008','prose','Philippe Grimbert','Un secret',NULL,'','','','185','Paris','2008','Grasset',NULL,NULL,NULL,'own copy','Cover features scene from the film. Paperback edition.
',''),('Secret','2007','film','Claude Miller','Un secret','','','','UGC, France 3 cinema',NULL,'France','2007',NULL,'2006','','','Personal','','Blumenfeld, ,Samuel, \'Philippe Grimbert - L\'empreinte du frère\', Le Monde, 02/10/2007
'),('Journalaquatre','1962','prose','Benoîte & Flora Groult','Journal à quatre mains',NULL,'','','','','Paris','1962','Denoël',NULL,NULL,NULL,'','',''),('Journalaquatre','1974','prose','Benoîte & Flora Groult','Journal à quatre mains',NULL,'','','','','Paris','1974','Gallimard, Folio',NULL,NULL,NULL,'','',''),('officiertradition','1954','prose','Serge Groussard','Un officier de tradition',NULL,'','','','239','Paris','1954','Gallimard',NULL,NULL,NULL,'BNF','',''),('PromeneurchampsMars','2005','film','Robert Guédiguian','Le Promeneur du champs de Mars','','Benamou, Georges-Marc','','',NULL,'France','2005',NULL,'2005','117','','Edward Boyle','',''),('Journalannees','1947','prose','Jean Guéhenno','Journal des années noires',NULL,'','','','','Paris','1947','Gallimard',NULL,NULL,NULL,'','',''),('Journalannees','1973','prose','Jean Guéhenno','Journal des années noires',NULL,'','','','','Paris','1973','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Poulpes','1953','prose','Raymond Guérin','Les Poulpes',NULL,'','','','','Paris','1953','Gallimard',NULL,NULL,NULL,'','',''),('Poulpes','1983','prose','Raymond Guérin','Les Poulpes',NULL,'','','','571','Paris','1983','Le Tout sur le Tout',NULL,NULL,NULL,'','',''),('Represailles','2006','prose','Raymond Guérin','Représailles',NULL,'','','','','Bordeaux','2006','Finitude',NULL,NULL,NULL,'personal','',''),('Hommesmeilleursvie','1991','prose','Liliane Guignabodet','Car les hommes sont meilleurs que leur vie',NULL,'','','','386','Paris','1991','Albin Michel',NULL,NULL,NULL,'Brotherton','',''),('Jeupatience','1949','prose','Louis Guilloux','Le Jeu de patience: Roman',NULL,'','','','811','Paris','1949','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('okjoe','1976','prose','Guilloux, Louis','O.K. Joe',NULL,'','','','','Paris','1976','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('okjoe','2003','prose','Guilloux, Louis','O.K. Joe',NULL,'Kaplan, Alice','English','','','Chicago','2003','University of Chicago Press',NULL,NULL,NULL,'','First translation.
With introduction by the translator
',''),('salido','1976','prose','Guilloux, Louis','Salido',NULL,'','','','','Paris','1976','Gallimard',NULL,NULL,NULL,'','',''),('salido','1978','prose','Guilloux, Louis','Salido',NULL,'','','','','Paris','1978','Rombaldi',NULL,NULL,NULL,'','Includes interview with author by Laurence Paton.
',''),('salido','1992','prose','Guilloux, Louis','Salido',NULL,'','','','','Paris','1992','Gallimard',NULL,NULL,NULL,'','First Folio edition, published with O.K. Joe
',''),('Nouvelleprison','1955','prose','Georges Guingouin','Nouvelle de prison',NULL,'','','','','Limoges','1955','Comité de défense de Georges Guigouin',NULL,NULL,NULL,'BNF','',''),('Quatreanslutte','1974','prose','Georges Guingouin','Quatre ans de lutte sur le sol limousin',NULL,'','','','','Paris','1974','Hachette',NULL,NULL,NULL,'BNF','',''),('Quatreans','1947','prose','Sacha Guitry','Quatre ans d\'occupations',NULL,'','','','','Paris','1947','Éditions de l\'Élan',NULL,NULL,NULL,'BNF','',''),('Journalcaptivite','1943','prose','Jean Guitton','Journal de captivité 1942-43: Extraits',NULL,'','','','199','Aubier','1943','Éditions Montaigne',NULL,NULL,NULL,'BNF','',''),('HotelRetour','1991','prose','Claude Gutman','L\'Hôtel du Retour',NULL,'','','','113','Paris','1991','Gallimard',NULL,NULL,NULL,'CHRD (L)','',''),('maisonvide','1990','prose','Claude Gutman','La Maison vide',NULL,'','','','189','Paris','1989','Gallimard',NULL,NULL,NULL,'BNF','',''),('RueParis','1993','prose','Claude Gutman','Rue de Paris',NULL,'','','','187','Paris','1993','Gallimard',NULL,NULL,NULL,'CHRD (L)','',''),('Baraque3','1942','prose','Robert Gaillard','Jours de pénitence, mes évasions: Journal d\'un prisonnier de guerre en Allemagne',NULL,'','','','[11]-125','Paris','1942','R. Debresse',NULL,NULL,NULL,'','Préface de Paul Marion.
',''),('PetitsVaincus','1942','prose','Robert Gaillard','Jours de pénitence, mes évasions: Journal d\'un prisonnier de guerre en Allemagne',NULL,'','','','[11]-125','Paris','1942','R. Debresse',NULL,NULL,NULL,'','Préface de Paul Marion.
',''),('Souvenirscaptivite','1942','prose','Marcel Haedrich','Souvenirs de captivité, \"Monsieur le marquis\"',NULL,'','','','','','1942 (4 février)','Le Figaro',NULL,NULL,NULL,'BNF','Le Figaro, 117e année, 29, 1942 (4 février)
',''),('Sanglotsfete','1996','prose','Roger Hanin','Les Sanglots de la fête',NULL,'','','','287','Paris','1996','Grasset',NULL,NULL,NULL,'CHRD (L)','',''),('6moisFresnes','1946','prose','Noémi Hany-Lefebvre','Six mois à Fresnes',NULL,'','','','251','Paris','1946','Flammarion',NULL,NULL,NULL,'BNF','',''),('Amerevictoire','1955','prose','René Hardy','Amère victoire',NULL,'','','','','Paris','1955','Laffont',NULL,NULL,NULL,'','',''),('Amerevictoire','1971','prose','René Hardy','Amère victoire',NULL,'','','','','Geneva','1971','Éditions de Crémille',NULL,NULL,NULL,'BNF','',''),('Amerevictoire','1957','film','Ray, Nicolas','Bitter Victory','','','','',NULL,'','1957',NULL,'1956','','','','',''),('Derniersmots','1984','prose','René Hardy','Derniers mots',NULL,'','','','572','Paris','1984','Fayard',NULL,NULL,NULL,'','',''),('Livrecolere','1951','prose','René Hardy','Le Livre de la colère',NULL,'','','','','Paris','1951','Laffont',NULL,NULL,NULL,'BNF','',''),('Troisiemenuit','1952','prose','René Hardy','La Troisième Nuit',NULL,'','','','','','1952','Les Oeuvres libres',NULL,NULL,NULL,'','This story appeared in a periodical (June 1952, pp.109-30).
',''),('Selguerre','2008','prose','Jérôme Harlay','Le Sel de la guerre',NULL,'','','','417','Paris','2008','Belfond',NULL,NULL,NULL,'BNF','',''),('AParissousoccupation','2000','prose','Yaël Hassan','A Paris sous l\'occupation',NULL,'','','','46','Paris','2000','Casterman',NULL,NULL,NULL,'BNF','Illustrations by Ginette Hoffmann.
Part of Des enfants dans l\'histoire series.
',''),('grandperetombeciel','1996','prose','Yaël Hassan','Un grand-père tombé du ciel',NULL,'','','','111','Paris','1996','Casterman',NULL,NULL,NULL,'BNF','Illustrations by Marcelino Truong
',''),('JaifuiAllemagnenazie','2007','prose','Yaël Hassan','J\'ai fui l\'Allemagne nazie: journal d\'Ilse, 1938-1939',NULL,'','','','108','Paris','2007','Gallimard Jeunesse',NULL,NULL,NULL,'BNF','Part of the Mon histoire series. Includes an one page bibliography.
',''),('LeonoreFrance3945','2005','prose','Yaël Hassan','Pendant la Seconde guerre mondiale: Léonore, France, 1939-1945',NULL,'','','','60','Paris','2005','Gallimard jeunesse',NULL,NULL,NULL,'BNF','Illustrations by Olivier Tallec and Nicolas Wintz.
Historical overview.
Part of the Le Journal d\'un enfant (pour découvrir et partager la vie quotidienne des enfants d\'hier) series.
(http://www.gallimard-jeunesse.fr/3nav/3contenu.php?page=collection&tri=titre_resume&num=1&type=collection&id_collection=299)
',''),('Profmusique','2000','prose','Yaël Hassan','Le professeur de musique',NULL,'','','','136','Paris','2000','Casterman',NULL,NULL,NULL,'BNF','Illustrations by Serge Bloch
',''),('Promesse','1999','prose','Yaël Hassan','La Promesse',NULL,'','','','119','Paris','1999','Flammarion',NULL,NULL,NULL,'BNF','',''),('QuandAnnariait','1999','prose','Yaël Hassan','Quand Anna riait',NULL,'','','','114','Paris','1999','Casterman',NULL,NULL,NULL,'BNF','Illustrations by Marcelino Truong.
',''),('Taxitobrouk','1961','prose','René Havard','Un taxi pour Tobrouk',NULL,'','','','190','Paris','1961','Juillard',NULL,NULL,NULL,'BL','',''),('esthermazel','2000','prose','Frédérique Hébrard','Esther Mazel',NULL,'','','','','Paris','2000','Plon',NULL,NULL,NULL,'','P.7 A la mémoire des Justes
p.9 \"Les cèdres du Liban, les roses de Saron, étaient les arbres de nos montagnes, les fleurs d\'églantines de nos vallées et, meme avant de les avoir vus de mes yeux, je les avais découverts dans les images des Écritures.\" André Chamson Le Chiffre de nos jours
',''),('esthermazel','2002','prose','Frédérique Hébrard','Esther Mazel',NULL,'','','','253','Paris','2002','Plon Pocket',NULL,NULL,NULL,'own copy','',''),('Legout','1953','prose','André Héléna','Le Goût du sang',NULL,'','','','189','Lyon','1953','E. Vinay Editeur',NULL,NULL,NULL,'BNF','',''),('salaudsviedure','1949','prose','Héléna, André','Les Salauds ont la vie dure',NULL,'','','','','Paris','1949','World Press',NULL,NULL,NULL,'','',''),('salaudsviedure','1953','prose','Héléna, André','Les Salauds ont la vie dure',NULL,'','','','','Paris','1953','Edition le Trotteur',NULL,NULL,NULL,'','',''),('salaudsviedure','1960','prose','Héléna, André','Pour des prunes ',NULL,'','','','','Paris','1960','S.E.P.F.E',NULL,NULL,NULL,'','The title of the original had caused the book to be banned for \'outrage aux bonnes mœurs\'.
',''),('salaudsviedure','1986','prose','Héléna, André','Les Salauds ont la vie dure',NULL,'','','','','Paris','1986','Union générale d\'éditions',NULL,NULL,NULL,'','First poche edition
',''),('salaudsviedure','2001','prose','Héléna, André','Les Salauds ont la vie dure',NULL,'','','','','Paris','2001','E-dite',NULL,NULL,NULL,'','Prefaced by Michel Marmin.
',''),('Harmattan','1944','prose','Guy Hénard','Harmattan',NULL,'','','','149','Marseille','1944','René Laffont',NULL,NULL,NULL,'BNF','Frontispice de Toursky. Illustrated
',''),('Jetaisespion','1945','prose','Lieutenant Henriot','J\'étais un espion; ou, Quatre ans de combat dans les Forces françaises de l\'intérieur',NULL,'','','','161[10]','Brussels','1945','Mutuelle d\'Édition de Publicité et d\'Imprimerie',NULL,NULL,NULL,'','',''),('1vie3guerres','1943','prose','Abel Hermant','Une vie, trois guerres: Témoignages et souvenirs',NULL,'','','','263[1]','Paris','1943','P. Lagrange',NULL,NULL,NULL,'BNF','',''),('Episodes19401944','1950','prose','Edouard Herriot','Épisodes 1940-1944',NULL,'','','','207[2]','Paris','1950','Flammarion',NULL,NULL,NULL,'BL','',''),('Ouragan','1952','prose','Hivert, Madeleine','L\'Ouragan',NULL,'','','','','Paris','1952','Éditions du Conquistador',NULL,NULL,NULL,'','',''),('Ouragan','1983','prose','Hivert, Madeleine','L\'Ouragan',NULL,'','','','','Paris','1983','Albatros',NULL,NULL,NULL,'Bibliothèque Marguerite Durand, Paris','',''),('Ankoulevetoi','2008','prose','Frédérick Houdaer','Ankou, lève-toi',NULL,'','','','173','Brest','2008','AK editions',NULL,NULL,NULL,'BNF','',''),('Apres4ansoccupation','1945','prose','Marcel Houtman','Après quatre ans d\'occupation',NULL,'','','','294[1]','Brussels','1945','Ferdinand Larcier',NULL,NULL,NULL,'','Préface de F.-J. Van de Meulebrœck.
',''),('Bunker','2008','prose','Philippe Huet','Bunker',NULL,'','','','218','Paris','2008','Éditions Payot et Rivages',NULL,NULL,NULL,'BNF','',''),('Souvenirsresistance','1946','prose','Agnès Humbert','Souvenirs de résistance. Paris 1940-1941. Le Bagne. Occupation en Allemagne',NULL,'','','','[9]-412','Paris','1946','Émile-Paul Frères',NULL,NULL,NULL,'BNF','',''),('Souvenirsresistance','2008','prose','Agnès Humbert','Resistance: Memoirs of Occupied France',NULL,'Mellor, Barbara','English','','','London','2008','Bloomsburg',NULL,NULL,NULL,'','',''),('Origineviolence','2009','prose','Fabrice Humbert','L\'Origine de la violence',NULL,'','','','','Paris','2009','Le Passage',NULL,NULL,NULL,'','',''),('Empreinteange','1998','prose','Nancy Huston','L\'Empreinte de l\'ange',NULL,'','','','328','Arles','1998','Actes Sud',NULL,NULL,NULL,'Brotherton Library','reprinted in J\'ai Lu edition in 2001, 2007. From back cover of 2007 edition: Paris, 1957. Saffie, vingt ans, arrive d\'Allemagne. Rien ne semble lui donner envie de profiter de la vie. Elle s\'éveille de pourtant lorsqu\'elle rencontre András, un juif hongrois émigré lui aussi. Ensemble, ils font face aux souvenirs, aux traumatismes que la guerre leur a fait subir à l\'un comme à l\'autre.
Ce roman questionne l\'Histoire, celle du passé, celle à venir, qui en découle. Il montre comment elle imprègne nos vies, sans distinction, sans récompense, et nous pousse subrepticement à toujours rester sur nos gardes.
',''),('Empreinteange','1999','prose','Nancy Huston','The Mark of the Angel',NULL,'Huston, Nancy','','','222','Toronto','1999','McArthur & Co',NULL,NULL,NULL,'','',''),('Lignesfaille','2006','prose','Nancy Huston','Lignes de faille',NULL,'','','','487','Arles','2006','Actes Sud',NULL,NULL,NULL,'Brotherton','',''),('lapeau','1949','prose','','La Peau et les os',NULL,'','','','173','Paris','1949','editions du scorpion J. d\'Halluin',NULL,NULL,NULL,'','preface by Raymond Guérin
',''),('lapeau','1998','prose','Georges Hyvernaud','La Peau et les os',NULL,'','','','159','Paris','1998','Le Dilettante - Pocket',NULL,NULL,NULL,'own copy','',''),('wagonvaches','1953','prose','Georges Hyvernaud','Le Wagon à vaches',NULL,'','','','243','Paris','1953','Denoël',NULL,NULL,NULL,'(BNF)','',''),('wagonvaches','1997','prose','Georges Hyvernaud','Le Wagon à vaches',NULL,'','','','207','Paris','1997','Le Dilettante',NULL,NULL,NULL,'own copy (BNF)','From back cover: Dans son premier livre, Georges Hyvernaud décrivait la condition du prisonnier de guerre. Le Wagon à vaches peut se définir comme le journal d\'un prisonnier de l\'après-guerre - un homme quelconque - enfermé dans son petit métier, dans des fréquentations médiocres et des souvenirs banals, captif de sa ville. Incompréhensible.
Bourladou - l\'homme des conforts et des conformismes.
(…) Malgré le soutien de Sartre, Martin du Gard et Cendrars, [La Peau et les os] passe pratiquement inaperçu. Après l\'échec encore plus cuisant du Wagon à vaches paru en 1953, Georges Hyvernaud, las, meurtri et découragé, renonce à toute publication.
Lorsqu\'il meurt, le 24 mars 1983, un seul critique, (Jean-José Marchand) évoque sa disparition.
',''),('nosdeserts','1950','prose','Roger Ikor','A Travers nos déserts',NULL,'','','','485','Paris','1950','Editions Albin Michel',NULL,NULL,NULL,'BNF','p.5: And a dark desert all around...
BLAKE
p.7 A LA MEMOIRE DE MON AMI
STEPHANE PIOBETTA
HONNETE HOMME
TUÉ EN COMBATTANT
',''),('Carnetsderoute','1942','prose','Claude Jamet','Carnets de déroute',NULL,'','','','318','Paris','1942','Éditions Fernand Sorlot',NULL,NULL,NULL,'BL','(Les Écrivains du siècle). ] (One of the entries, \'Les Roses de septembre\', was reproduced as \'Rêves sur le thème du retour vagabond: Les Roses de septembre\' in Le Figaro, 117e année, 23 (28 janvier 1942),
',''),('Fifiroi','1947','prose','Claude Jamet','Fifi roi',NULL,'','','','','Paris','1947','Éditions de l\'Élan',NULL,NULL,NULL,'BNF','',''),('Journaltresintime','1948','prose','Claude Jamet','Journal très-intime',NULL,'','','','iii+319','Paris','1948','Éditions Jean Froissart',NULL,NULL,NULL,'','',''),('Amourcommeguerre','1991','prose','Dominique Jamet','A l\'amour comme à la guerre',NULL,'','','','211','Paris','1991','Flammarion',NULL,NULL,NULL,'','',''),('Notreapresguerre','2003','prose','Dominique Jamet','Notre après-guerre: comment notre père nous a tués : 1945-1954',NULL,'','','','248','Paris','2003','Flammarion',NULL,NULL,NULL,'BL','',''),('Notreapresguerre','2005','prose','Dominique Jamet','Notre après-guerre: comment notre père nous a tués : 1945-1954',NULL,'','','','157','Paris','2005','J\'ai Lu',NULL,NULL,NULL,'','First poche edition.
J\'ai lu : récit ; 7664
',''),('TraitreJ','2008','prose','Dominique Jamet','Un traître',NULL,'','','','396','Paris','2008','Flammarion',NULL,NULL,NULL,'BNF','',''),('UnpetitParisien','2000','prose','Dominique Jamet','Un petit Parisien, 1941-1945',NULL,'','','','','Paris','2000','Flammarion',NULL,NULL,NULL,'BL','',''),('UnpetitParisien','2001','prose','Dominque Jamet','Un petit Parisien, 1941-1945',NULL,'','','','218','Paris','2001','J\'ai lu',NULL,NULL,NULL,'','J\'ai lu ; 5950
FIrst poche edition
',''),('UnpetitParisien','2002','film','Sébastien Grall','Un petit Parisien','','','','',NULL,'','2002',NULL,'2001','120','','','Made for television
','Film won les prix du Meilleur téléfilm, Meilleure mise en scène, Meilleure musique au Festival de Saint Tropez 2002
'),('Betebon','1980a','prose','Pascal Jardin','La Bête à bon Dieu',NULL,'','','','','Paris','1980','Flammarion',NULL,NULL,NULL,'','',''),('Betebon','1980b','prose','Pascal Jardin','La Bête à bon Dieu',NULL,'','','','','Paris','1980','Livre de poche',NULL,NULL,NULL,'','',''),('Guerreguerre','1973','prose','Pascal Jardin','Guerre après guerre',NULL,'','','','','Paris','1973','Grasset & Fasquelle',NULL,NULL,NULL,'','',''),('Guerreguerre','1995','prose','Pascal Jardin','Guerre après guerre',NULL,'','','','','Paris','1995','Grasset',NULL,NULL,NULL,'','',''),('Guerreneuf','1971','prose','Pascal Jardin','La Guerre à neuf ans',NULL,'','','','','Paris','1971','Grasset',NULL,NULL,NULL,'','',''),('Guerreneuf','1989','prose','Pascal Jardin','La Guerre à neuf ans',NULL,'','','','','Paris','1989','Grasset',NULL,NULL,NULL,'','',''),('Nainjaune','1978','prose','Pascal Jardin','Le Nain jaune',NULL,'','','','','Paris','1978','Julliard',NULL,NULL,NULL,'','',''),('Enfantspays','2006','film','Pierre Javaux','Les Enfants du pays','','Mauro, Emmanuel','French','BAC films and France 2',NULL,'France','2006',NULL,'2005','83','DVD','Edward Boyle','',''),('babyfoot','1977','prose','Joffo, Joseph','Baby-foot',NULL,'','','','','Paris','1977','J.C. Lattès',NULL,NULL,NULL,'Brotherton','',''),('Sacdebilles','1973','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1973','Jean-Claude Lattès',NULL,NULL,NULL,'','',''),('Sacdebilles','1973b','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1973','Club français du livre',NULL,NULL,NULL,'','',''),('Sacdebilles','1974','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1974','France loisir',NULL,NULL,NULL,'','',''),('Sacdebilles','1975','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1975','Hachette',NULL,NULL,NULL,'','',''),('Sacdebilles','1975b','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1975','Manoir du mad',NULL,NULL,NULL,'','Published with illustrations by Lucien Moretti
',''),('Sacdebilles','1975c','prose','Joffo, Joseph','Bag of Marbles',NULL,'Sokolinsky, Martin','English','','','Boston','1975','J.K. Hall',NULL,NULL,NULL,'','',''),('Sacdebilles','1975d','prose','Joffo, Joseph','Bag of Marbles',NULL,'Sokolinsky, Martin and Judith Landry','English','','','London','1975','Corgi',NULL,NULL,NULL,'','',''),('Sacdebilles','1976','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1976','Rombaldi',NULL,NULL,NULL,'','',''),('Sacdebilles','1976b','prose','Joffo, Joseph','Bag of Marbles',NULL,'Sokolinsky, Martin and Judith Landry','','','','London','1976','Corgi',NULL,NULL,NULL,'','',''),('Sacdebilles','1977','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1977','Hachette',NULL,NULL,NULL,'','',''),('Sacdebilles','1978','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Geneva','1978','Editio-service',NULL,NULL,NULL,'','',''),('Sacdebilles','1982','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1982','Livre de poche',NULL,NULL,NULL,'','Poche edition, illustrations by Claude Lapointe
',''),('Sacdebilles','1983','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1983','Hachette',NULL,NULL,NULL,'','',''),('Sacdebilles','1985','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1985','INJA',NULL,NULL,NULL,'','Braille edition
',''),('Sacdebilles','1988','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1988','Editions de la Seine',NULL,NULL,NULL,'','',''),('Sacdebilles','1988b','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1988','Hachette',NULL,NULL,NULL,'','Poche edition, illustrations by Claude Lapointe
',''),('Sacdebilles','1989','prose','Joffo, Joseph','Un sac de billes',NULL,'','','Brooke, P.A','','London','1989','Routledge',NULL,NULL,NULL,'Brotherton','Text in French, Introduction and notes in English
',''),('Sacdebilles','1992','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Besançon','1992','CRDP',NULL,NULL,NULL,'','Special edition for use by classes of CM2, ed. by D. Berbis and H. Metzger
',''),('Sacdebilles','1992b','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1992','Jean-Claude Lattès',NULL,NULL,NULL,'','',''),('Sacdebilles','1994','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1994','LGF',NULL,NULL,NULL,'','Poche edition nº 5641
',''),('Sacdebilles','1997','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','1997','Hachette Jeunesse',NULL,NULL,NULL,'','Poche edition, published with Baby Foot
',''),('Sacdebilles','2000','prose','Joffo, Joseph','Bag of Marbles',NULL,'Sokolinsky, Martin','','','','Chicago','2000','University of Chicago Press',NULL,NULL,NULL,'','New afterword by translator
',''),('Sacdebilles','2001','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','2001','Hachette Jeunesse',NULL,NULL,NULL,'','Poche edition, illustrations by Claude Lapointe
',''),('Sacdebilles','2002','prose','Joffo, Joseph','Un sac de billes',NULL,'','','','','Paris','2002','Hachette Jeunesse',NULL,NULL,NULL,'','Poche edition, published as a trilogy - t1. Agates et calots, t2. Un sac de billes, t3. Baby Foot
',''),('Sacdebilles','1975e','film','Doillon, Jacques','Un sac de billes','','','','',NULL,'France','1975',NULL,'1975','100 mins','','','Released on Video in 1984 and on DVD in 2004
','Télérama n.2317 , 08 June 1994, p.150
Image et Son n.303 , February 1976, p.102-107, French
Positif n.178 , February 1976, p.66-67
Film Français, n.1607 , 09 January 1976, p.57
Jeune Cinéma (0758-4202) n.92 , January 1976, p.33-35
'),('Rage','2002','prose','François Joly','La Rage',NULL,'','','','226','Paris','2002','Gallimard',NULL,NULL,NULL,'Brotherton','Série noire no.2645
',''),('Moloch','1998','prose','Thierry Jonquet','Moloch',NULL,'','','','383','Paris','1998','Gallimard',NULL,NULL,NULL,'BILIPO','Série noire, no. 2489.
',''),('Moloch','2001','prose','Thierry Jonquet','Moloch',NULL,'','','','','Paris','2001','Gallimard',NULL,NULL,NULL,'','First poche edition.
',''),('Orpailleurs','1993','prose','Thierry Jonquet','Les Orpailleurs',NULL,'','','','','Paris','1993','Gallimard',NULL,NULL,NULL,'Personal','',''),('passetablerase','1982','prose','Hervé Delouche','Du passé faisons table rase',NULL,'','','','','Paris','1982','Albin Michel',NULL,NULL,NULL,'','',''),('passetablerase','1998','prose','Thierry Jonquet','Du passé faisons table rase',NULL,'','','','280','Paris','1998','Actes Sud',NULL,NULL,NULL,'Cambridge','Cover illustration: Black and White Photograph of the Xe congrès du parti communiste à la porte de Versailles, Paris, juin 1945
','Postface by Hervé Delouche
'),('ArbreGoethe','1965','prose','Pierre Julitte','L\'Arbre de Goethe',NULL,'','','','','Paris','1965','Presses de la Cité',NULL,NULL,NULL,'','',''),('ArbreGoethe','1975','prose','Pierre Julitte','L\'Arbre de Goethe',NULL,'','','','377','Paris','1975','Presses Pocket',NULL,NULL,NULL,'BNF','Preface by Joseph Kessel.
',''),('Resistant','1972','prose','Bertène Juminer','Le Résistant',NULL,'','','','2 (25-26)','Paris','1972 (October)','AWA: La revue de la femme noire',NULL,NULL,NULL,'','',''),('Resistant','1996','prose','Bertène Juminer','Le Résistant',NULL,'','','','5 [117-121]','','1996','',NULL,NULL,NULL,'Brotherton','In Complete Narratives of Francophone Caribbean Tales, edited by Rouben C. Cholakian, Caribbean Studies, Volume 3, Edwin Mellor Press, Lampeter.
',''),('tempsangoisse','1946','prose','Jacques Jurquet','Du temps d\'angoisse: Souvenirs et nouvelles',NULL,'','','','180[1]','Besançon','1946','Éditions Servir',NULL,NULL,NULL,'BNF','',''),('3chiensmorts','1992','prose','Kââ','Trois chiens morts',NULL,'','','','215','Paris','1992','Editions Fleuve Noir',NULL,NULL,NULL,'BILIPO','',''),('Aventureambigue','1961','prose','Cheikh Amidou Kane','L\'Aventure ambiguë',NULL,'','','','205','Paris','1961','Juillard',NULL,NULL,NULL,'BL','Preface about the author written by Vincent Monteil.
',''),('Armeeombres','1943','prose','Kessel, Joseph','L\'Armée des ombres',NULL,'','','','','London','1943','Penguin',NULL,NULL,NULL,'Brotherton','Published concurrently in Algiers
(Algiers; Charlot, 1943)
',''),('Armeeombres','1944','prose','Kessel, Joseph','Army of Shadows',NULL,'Chevalier, Haakon','English','','','London','1944 (October)','Cresset Press',NULL,NULL,NULL,'','Reprinted February 1945
',''),('Armeeombres','1945a','prose','Kessel, Joseph','L\'Armée des ombres',NULL,'','','','','Paris','1945','Juillard',NULL,NULL,NULL,'','',''),('Armeeombres','1945b','prose','Kessel, Joseph','L\'Armée des ombres',NULL,'','','','','London','1945','Penguin',NULL,NULL,NULL,'Brotherton','',''),('Armeeombres','1977','prose','Kessel, Joseph','Army of Shadows: a novel of the Resistance',NULL,'Harris, John','English','','','London','1977','Hutchinson',NULL,NULL,NULL,'','Maps included. Reprinted (London: Arrow books, 1978)
',''),('Armeeombres','1990a','prose','Kessel, Joseph','L\'Armée des ombres',NULL,'','','','','Paris','1990','Plon',NULL,NULL,NULL,'','Published with Les Maudrus, Écrit à Londres, Le bataillon du ciel, Tous n\'étaient pas des anges
',''),('Armeeombres','1990b','prose','Kessel, Joseph','L\'Armée des ombres',NULL,'','','','','Paris','1990','Presse Pocket',NULL,NULL,NULL,'','First poche edition
',''),('Armeeombres','1969','film','Melville, Jean-Pierre','L\'Armée des ombres','','','','Films Corona (Nanterre), Fono Roma',NULL,'France, Italy','1969',NULL,'1969','143mins','','Edward Boyle','',''),('Bataillon','1947','prose','Joseph Kessel','Le Bataillon du ciel',NULL,'','','','','Paris','1947','Julliard',NULL,NULL,NULL,'','',''),('Bataillon','1974','prose','Joseph Kessel','Le Bataillon du ciel',NULL,'','','','219','Paris','1974','Gallimard (Folio)',NULL,NULL,NULL,'Personal','',''),('Lesmaudru','1945','prose','Joseph Kessel','Les Maudru',NULL,'','French','','124','Paris','1945','Julliard',NULL,NULL,NULL,'Brotherton','',''),('memoiretatouee','1971','prose','Abdelkebir Khatibi','La Mémoire tatouée: Autobiographie d\'un décolonisé',NULL,'','','','192','Paris','1971','Denoël (Les Lettres nouvelles)',NULL,NULL,NULL,'BL','',''),('Notesrefugie','1945','prose','Abbé Félix Klein','Notes d\'un réfugié: 1940, l\'exode, l\'armistice, la politique de Vichy',NULL,'','','','108','Paris','1945','Bloud et Gay',NULL,NULL,NULL,'BNF','',''),('OrdenerLabat','1994','prose','Kofman, Sarah','Rue Ordener, Rue Labat',NULL,'','','','','Paris','1994','Galilée',NULL,NULL,NULL,'Brotherton','',''),('OrdenerLabat','1996','prose','Kofman, Sarah','Rue Ordener, Rue Labat',NULL,'Smock, Anne','English','','','Omaha','1996','University of Nebraska Press',NULL,NULL,NULL,'','First translation
',''),('PasKaddish','1994','prose','Konop','Pas de Kaddish pour Sylberstein',NULL,'','','','','Paris','1994','Gallimard/ Série noire',NULL,NULL,NULL,'BILIPO','',''),('PasKaddish','1997','film','Arcady, Alexandre','K','','Arcady, Alexandre','','',NULL,'France','1997',NULL,'1996','135 mins','','BNF','',''),('AttendantEliane','1996','prose','Alain Korkos','En attendant Eliane',NULL,'','','','75','Paris','1996','Syros',NULL,NULL,NULL,'BNF','Cover illustration by Marcellino Truong
',''),('Monneoutragesdefis','1990','prose','Ahmadou Kourouma','Monnè, outrages et défis',NULL,'','','','','Paris','1990','Seuil',NULL,NULL,NULL,'Brotherton','',''),('Monneoutragesdefis','1992','prose','Ahmadou Kourouma','Monnè, outrages et défis',NULL,'','','','','Paris','1992','Seuil',NULL,NULL,NULL,'','First paperback edition. Points no. 513
',''),('Monneoutragesdefis','1993','prose','Ahmadou Kourouma','Monnew',NULL,'Poller, Nidra','','','','San Francisco','1993','Mercury House',NULL,NULL,NULL,'','',''),('SouvenirBerlin','1990','prose','Frédéric Krivine','Un souvenir de Berlin',NULL,'','','','318','Paris','1990','Denoël',NULL,NULL,NULL,'BL','',''),('Petitgarcon','1990','prose','Philippe Labro','Le Petit Garçon',NULL,'','','','299','Paris','1990','Gallimard',NULL,NULL,NULL,'','',''),('Petitgarcon','1992','prose','Philippe Labro','Le Petit Garçon',NULL,'','','','315','Paris','1992','Gallimard',NULL,NULL,NULL,'own copy','Folio edition
',''),('Petitgarcon','1995','film','Granier-Deferre, Pierre','Le Petit Garçon','','Pierre Granier-Deferre and Colo Tavernier','','',NULL,'filmed primarily in Le Lauragais','1995',NULL,'1995','107','','','',''),('Nousvoila','2009','prose','Jean-Marie Laclavetine','Nous voilà',NULL,'','','','352','Paris','2009','Gallimard',NULL,NULL,NULL,'BNF','',''),('Liberations','1945','prose','Jacques de Lacretelle','Libérations',NULL,'','','','144','New York','1945','Brentano\'s',NULL,NULL,NULL,'BL','',''),('Nuitlongue','1945','prose','Jacques de Lacretelle','La Nuit longue: Lettre à un Américain',NULL,'','','','[3]-20','','1945','',NULL,NULL,NULL,'BL','in Les Œuvres libres, CCXXX, nouvelle série 4
',''),('Ceuxvivent','1947','prose','Jean Laffitte','Ceux qui vivent',NULL,'','','','422[1]','','1947','Éditions Hier et Aujourd\'hui',NULL,NULL,NULL,'BNF','',''),('Ceuxvivent','1958','prose','Jean Laffitte','Ceux qui vivent',NULL,'','','','381','Paris','1958','Les Éditeurs Français Réunis',NULL,NULL,NULL,'BNF','',''),('RoseFrance','1950','prose','Jean Laffitte','Rose France: Roman',NULL,'','','','266','Paris','1950','Les Éditeurs Français Réunis',NULL,NULL,NULL,'BNF','',''),('Trainsoir','1983','prose','Guy Lagorce','Le Train du soir',NULL,'','','','259','Paris','1983','Grasset',NULL,NULL,NULL,'St Andrews','',''),('Trainsoir','1985','prose','Guy Lagorce','Le Train du soir',NULL,'','','','255','Paris','1985','Livre de poche',NULL,NULL,NULL,'own copy','First paperback edition. Présentation de l\'éditeur La province française. Paris, l\'Algérie, Saïgon, Téhéran, New York... Le Train du soir a traversé les jours, les nuits et le monde...
Mariages, divorces, excitations du journalisme, violences du sport, folies du cinéma, rêves de la littérature, nuits blanches d\'éclats de rire, d\'alcool et d\'anxiété, guerres... Celle de. 39-45 qui marque au fer des enfances jusqu\'alors merveilleuses, celles de la décolonisation qui secouent et tétanisent des sensibilités... Que deviendra Monique, la petite juive, qu\'ont sauvée Antoine et Julien alors qu\'ils étaient enfants ? Que deviendront ces existences, trajectoires - tendues et lumineuses -, balles traçantes dans la nuit ?
Faudra-t-il qu\'un jour Julien révèle le vrai visage d\'Antoine? Ou bien, par fidélité à l\'amitié, choisira-t-il de mentir en sachant qu\'il va payer cher ce mensonge?
Julien se pose la question qui hante tous ceux qui approchent la cinquantaine : faut-il rester dans « le Train du soir » qui va vers la sagesse et les renoncements ou brûler ce qu\'il faut bien se résoudre à appeler « sa vie » dans une interminable fuite en avant?
Roman à suspense de trois êtres liés jusqu\'à la tombe par un secret trop lourd, il est aussi celui d\'une génération.
Lagorce nous donne un livre fou, beau. Celui que nous attendions.
',''),('Crimeevacuations','1940','prose','Jean de Lahire','Le Crime des évacuations: Les Horreurs que nous avons vues',NULL,'','','','190','Paris','1940','Tallandier',NULL,NULL,NULL,'BNF','Suivi de quatre témoignages signés Yvonne Jobey, Claude Sylvane, Gaston Ronceret, Un vieil officier
',''),('Reveurcasque','1972','prose','Christian de La Mazière','Le Rêveur casqué',NULL,'','','','','Paris','1972','Laffont',NULL,NULL,NULL,'Durham','',''),('Reveurcasque','1976','prose','Christian de la Mazière','Ashes of Honour',NULL,'Stuart, Francis','','','319','London','1976','W.H. Allen',NULL,NULL,NULL,'own copy','Front cover, under title: \'A Frenchman in the WAFFEN SS - traitor or misguided patriot?
Back cover: In a frozen hell of mud and snow, burning towns and villages, slaughtered soldiers and civilians, Nazi Germany\'s crack troops, the elite Waffen SS, attempted to stem the advance of the Russian armies on the eastern borders of the Reich.
But the men who fought under the SS insignia were not all Germans. They included men who from conviction, cowardice or expediency, had thrown their lot with their conquerors. Among them was Christian de la Maziere.
What made him, and his fellow-Frenchmen in the Charlemagne Division, ally themselves with the cause of Naziism (sic)?
',''),('Cendrefumee','1942','prose','','La Cendre et la fumée, [I:] Le Temps des amandiers',NULL,'','','','297[2]','','1942','Corrêa',NULL,NULL,NULL,'BNF','',''),('nommeLangdon','1950','prose','George Langelaan','Un nommé Langdon: Mémoires d\'un agent secret',NULL,'','','','296','Paris','1950','René Laffont',NULL,NULL,NULL,'BNF','',''),('bagages','1962','prose','Anna Langfus','Les Bagages de sable',NULL,'','','','243','Paris','1962','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('bagages','1981','prose','Anna Langfus','Les Bagages de sable',NULL,'','','','219','Paris','1981','Gallimard Folio',NULL,NULL,NULL,'own copy','Back cover : Peu d\'années après la guerre, Maria, une jeune Polonaise, erre dans Paris. Sa famille a été exterminée, et, depuis, les préoccupations humaines lui sont devenues incompréhensibles. Pour elle, tout vaut et rien ne vaut. Elle suit dans le Midi un vieux monsieur, Michel Carron, qui s\'est attaché à elle. Mais, arrivés là-bas, son compagnon lui signifie que la tendresse et l\'amitié ne sauraient lui suffire. Une lutte sournoise s\'engage entre eux. Maria tente de ressusciter l\'enchantement de sa propre enfance auprès d\'un groupe d\'enfants. Le suicide d\'une fillette l\'incite à aller, elle aussi, à sa façon, « jusqu\'au bout ». Elle cède au vieil homme. Mais l\'arrivée soudaine de la femme de son amant rompt de nouveau l\'équilibre. Maria doit partir et affronter la réalité du monde, tenter de vivre peut-être, encore seule.
',''),('sautebarb','1965','prose','Anna Langfus','Saute, Barbara',NULL,'','','','261','Paris','1965','Gallimard',NULL,NULL,NULL,'','',''),('selsoufre','1960','prose','Anna Langfus','Le Sel et le soufre',NULL,'','','','315','Paris','1960','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('selsoufre','1983','prose','Anna Langfus','Le Sel et le soufre',NULL,'','','','375','Paris','1983','Gallimard Folio',NULL,NULL,NULL,'own copy','Back cover : Une jeune femme juive, qui n\'a jamais connu que le petit monde calme, confortable, que lui ont aménagé ses parents puis son mari, se voit soudain jetée dans la réalité de la guerre, en Pologne, sous l\'occupation allemande. Ses parent meurent, ensuite son mari. Et ce sont les caves de la Gestapo. Libérée, elle recherche la mort, mais se voit condamnée à vivre. Seule. Ce livre décrit un destin particulier mêlé à des événements qui ont concerné des millions d\'hommes. Il n\'est pas dans les intentions de l\'auteur d\'en tirer une morale ou une philosophie. Mais c\'est un document admirable sur l\'homme.
p.7 Soufre et sel, toute la terre est un brasier. Deutéronome, XXIX
',''),('Quandlamer','1963','prose','Armand Lanoux','Quand la mer se retire',NULL,'','','','','Paris','1963','Famot',NULL,NULL,NULL,'','','Won Prix Goncourt in 1963.
'),('Quandlamer','1972','prose','Armand Lanoux','Quand la mer se retire',NULL,'','','','255','Paris','1972','Bibliothèque du temps présent',NULL,NULL,NULL,'BNF','',''),('CalvaireBreendonck','1945','prose','Pierre Lansvreugt and Robert Lemaître','Le Calvaire de Breendonck',NULL,'','','','79','Paris','1945','Éditions Serge Baguette',NULL,NULL,NULL,'','',''),('Centurions','1960','prose','Jean Lartéguy','Les Centurions',NULL,'','','','412','Paris','1960','Presses de la cité',NULL,NULL,NULL,'BL','',''),('niagara','1956','prose','Raymond Las Vergnas','Le Mystère Niagara',NULL,'','','','234','Paris','1956','Editions Albin Michel',NULL,NULL,NULL,'BNF','',''),('dormeurdebout','1986','prose','Jacques Laurent','Le Dormeur debout',NULL,'','','','','Paris','1986','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('dormeurdebout','1988','prose','Jacques Laurent','Le Dormeur debout',NULL,'','','','410','Paris','1988','Gallimard: Folio',NULL,NULL,NULL,'own copy','From the back cover:
On dit que la vie est un songe. Pour Léon-Léon Faypoul, le héros de Jacques Laurent, elle est plutôt un conte à dormer debout. A-t-il été terroriste en 1937? Pendant l\'Occupation, a-t-il servi la milice ou la Résistance? Qu\'a-t-il commis à Ulm, en 1945? Et quelles femmes a-t-il aimées? Huguette, ou Blanche, ou aucune?
Les feuillets qu\'il nous laisse avant de disparaître ne font qu\'épaissir ces mystères. Dans cette chronique, trompeusement ancrée dans les événements politiques et historiques de notre époque, le veritable héros, c\'est l\'imaginaire.
',''),('Petitcanard','1954','prose','Jacques Laurent','Le Petit Canard',NULL,'','','','','Paris','1954','Grasset',NULL,NULL,NULL,'','',''),('Souvenirsbagne','1950','prose','Marcel Leboucher','Souvenirs de bagne d\'un grand-père, de Caen à Oranienburg: Récit d\'un déporté politique.',NULL,'','','','118[1]','Caen','1950','Imprimerie de Ozanne',NULL,NULL,NULL,'BNF','Préface du R. P. Riquet.
',''),('Temoignage','1945','prose','Albert Lebrun','Témoignage',NULL,'','','','iii+260','Paris','1945','Plon',NULL,NULL,NULL,'BL','',''),('memoirechacale','1983','prose','Antoine Le Carvennec','La mémoire chacale',NULL,'','','','305','Paris','1983','Hachette',NULL,NULL,NULL,'BNF','',''),('Souvenirsexil','1946','prose','Jean-Pierre Leclère','Souvenirs d\'exil',NULL,'','','','95','Metz','1946','Marius Mutelet',NULL,NULL,NULL,'BNF','',''),('Ritournellefaim','2008','prose','J.M.G. Le Clézio','Ritournelle de la faim',NULL,'','','','207','Paris','2008','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Deprisonenprison','1947','prose','Louis Lecoin','De prison en prison',NULL,'','','','253','','1947','',NULL,NULL,NULL,'BL','Couverture de Vlaminck, Antony: Édité par l\'auteur
',''),('Cellule16','1944','prose','Abbé Robert Lefebvre','Cellule 16: Journal d\'un détenu politique de Loos',NULL,'','','','204','','1944','Éditions Bonduelle',NULL,NULL,NULL,'BNF','',''),('Combatpournoscadavres','1948','prose','Jacques Le Gallois','Combat pour nos cadavres',NULL,'','','','95[1]','Paris','1948','Éditions Fortuny',NULL,NULL,NULL,'BNF','',''),('Nopassaran','1996','prose','Christian Lehmann','No passaràn, le jeu',NULL,'','','','233','Paris','1996','L\'Ecole des loisirs',NULL,NULL,NULL,'BILIPO','',''),('tribulations','1996','prose','','Tribulations d\'un commis voyageur',NULL,'','','','126','Pantin','1996','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('armenien','1973','prose','Clément Lépidis','L\'Arménien',NULL,'','','','219','Paris','1973','Seuil',NULL,NULL,NULL,'(BNF)','',''),('armenien','1976','prose','Clément Lépidis','L\'Arménien',NULL,'','','','215','Paris','1976','Le Livre de poche',NULL,NULL,NULL,'(BNF)','',''),('armenien','2007','prose','Clément Lépidis','L\'Arménien',NULL,'','','','','','2007','Desmos',NULL,NULL,NULL,'','Réédition, sous les auspices de Richard Tchélébidès (le fils de l\'auteur), qui signe un avant-propos [from same website]
',''),('Rouille','1954','prose','Herbert Le Porrier','La Rouille',NULL,'','','','218','Paris','1954','Seuil',NULL,NULL,NULL,'BNF','',''),('Nouslesterroristes','2008','prose','Valentine Goby','Qui touche à mon corps, je le tue',NULL,'','','','136','Paris','2008','Gallimard',NULL,NULL,NULL,'Brotherton Library','',''),('Furioso','1971','prose','Voldemar Lestienne','Furioso',NULL,'','','','','Paris','1971','Fayard',NULL,NULL,NULL,'','',''),('Furioso','1973','prose','Voldemar Lestienne','Furioso',NULL,'','','','511','Paris','1973','Livre de poche',NULL,NULL,NULL,'Personal','',''),('LePasseur','2008','prose','Antoine de Lévis Mirepoix','Le Passeur',NULL,'','','','171','Monaco','2008','Éd. du Rocher',NULL,NULL,NULL,'BNF','',''),('Journalexile','1949','prose','Paul Lévy','Journal d\'un exilé',NULL,'','','','302','Paris','1949','Grasset',NULL,NULL,NULL,'BNF','',''),('Enfantsliberte','2007','prose','Marc Levy','Les Enfants de la liberté',NULL,'','','','','Paris','2007','Laffont',NULL,NULL,NULL,'Personal','',''),('Enfantsliberte','2008','prose','Marc Levy','The Children of Freedom',NULL,'Sue Dyson','','','','London','2008','Harper',NULL,NULL,NULL,'','',''),('Grandemeutte','1944','film','Jean de Limur','La grande meute','','','','Pathé cinema',NULL,'France','1944',NULL,'1944','','','','Based on a novel by Paul Vialar
',''),('Bienveillantes','2006','prose','Jonathan Littell','Les Bienveillantes',NULL,'','','','','Paris','206','Gallimard',NULL,NULL,NULL,'Durham','',''),('Bienveillantes','2009','prose','Jonathan Littell','The Kindly Ones',NULL,'Charlotte Mandell','English','','984','London','2009','Chatto & Windus',NULL,NULL,NULL,'','The translation is generally readable and fluent, despite odd howlers in handling basic idioms and prepositions, and an irritating mixture of British and American idioms and spellings.
',''),('medecinfrancais','1949','prose','Docteur Paul Lohéac','Un médecin français en déportation, Neuengamme et kommandos',NULL,'','','','302','Paris','1949','Bonne Presse',NULL,NULL,NULL,'BNF','Préface de Pasteur Vallery-Radot
',''),('MemoiresFrancais','1948','prose','Loustaunau-Lacau, Commandant Georges [Navarre]','Mémoires d\'un Français rebelle: 1914-1948',NULL,'','','','365[2]','Paris','1948','René Laffont',NULL,NULL,NULL,'BNF','',''),('drolevie','1949','prose','Corinne Luchaire','Ma drôle de vie',NULL,'','','','244','Paris','1949','Sun',NULL,NULL,NULL,'BL','L\'Amour et la politique
',''),('Labièvre','1997','prose','André Luzy-Poussy','La Bièvre coulait encore sous les étoiles',NULL,'','','','360','Pantin','1997','Le Temps des cerises',NULL,NULL,NULL,'','picture from amazon.fr, 10/08/2010
',''),('CarnetsGoumier','1945','prose','Pierre Lyautey','Carnets d\'un Goumier: Allemagne 1945',NULL,'','','','155','Paris','1945','Juillard',NULL,NULL,NULL,'Kings College, London','Contains maps showing the French army\'s advance into Germany.
',''),('EchellesLevant','1996','prose','Amin Maalouf','Les Echelles du Levant',NULL,'','','','254','Paris','1996','Grasset',NULL,NULL,NULL,'Personal','',''),('unbaiser','1942','prose','Magali','Un Baiser sur la route',NULL,'','','','256','Paris','1942','J. Tallandier',NULL,NULL,NULL,'BNF','40e édition.
',''),('ungrison','1998','prose','Pierre Magnan','Un Grison d\'Arcadie',NULL,'','','','285','Paris','1998','Denoël',NULL,NULL,NULL,'(BNF)','','http://www.lexpress.fr/culture/livre/un-grison-d-arcadie_802914.html
'),('ungrison','2000','prose','Pierre Magnan','Un Grison d\'Arcadie',NULL,'','','','332','Paris','2000','Gallimard: Folio',NULL,NULL,NULL,'(BNF)','',''),('deuxfoislememe','1971','prose','Jean-Marie Magnan','Deux Fois dans le même fleuve',NULL,'','','','259','Paris','1971','Robert Laffont',NULL,NULL,NULL,'BNF','FROM THE BACK COVER : L\'adolescence, c\'est peut-être, dans notre existence l\'instant du plus émouvant partage. Les yeux de Gilles, un jeune Arlésien, s\'ouvrent à la vie, à l\'histoire : il découvre les jeux - les plaisirs de l\'amour, les cruautés de la guerre - nous sommes en 1944, les allies ont débarqué, les bombardements meurtrissent la ville; et, du lycée, il se trouve projeté dans la Résistance et participle modestement aux combats d\'Arles, tel Fabrice à Waterloo.
Mais ses yeux, aussi, sont lourds de rêve et de fantasmes venus de l\'enfant et que gouverne l\'image de sa mere, Laurence, morte en 1940 dans un accident d\'auto en allant rejoindre, à Marseille, un amant qui ne se résignait pas à la défaite. Pour Gilles, elle s\'est identifiée à la petite fille dont il a la photographie dans sa chamber et qu\'il apprivoise en la réinventant. Car telle est la grande aventure de son existence: faire en sorte que la petite fille reste sa compagne secrète. Il imagine, sans trêve, de la disputer à son père, Georges Donadieu, devenu, dans son rêve, écolier comme lui, comme elle: Gilles châtie Georges, le rosse, et puisque, malgré tout, Laurence s\'éprend de celui-ci, il s\'efforce de la protéger contre la maladresse de son soupirant, qu\'il initie à l\'amour en lui procurant des filles - Henriette ou Dominique au choix - issues de ce quartier réservé d\'Arles qui fut si cher à Henry Miller. (…) Jean-Marie Magnan (…) nous dépeint cette montée à l\'âge d\'homme qui est sans aucun doute, le thème le plus riche et le plus déchirant de toute la littérature romanesque.
',''),('enmourir','1973','prose','Jean-Marie Magnan','A En Mourir',NULL,'','','','248','Paris','1973','Robert Laffont',NULL,NULL,NULL,'BNF','En exergue: \"Car chacun de nous tue ce qu\'il aime, pourtant chacun n\'a pas à en mourir.\" Oscar Wilde, Ballade de la geôle de Reading
','FROM BACK COVER: Enfant, Alain Amadieu a perdu sa mère dans des conditions mystérieuses au cours d\'une partie en mer. Elle était seule, à bord d\'un voilier que s\'est retourné, avec Gilbert Beau, un notable d\'Arles, son amant. Gilbert sera sauvé. Mais il n\'y a pas eu de témoins et les racontars tournent la tête d\'Alain. Il voudrait se boucher les oreilles. En vain! Une douzaine d\'années plus tard, à la Libération, il sera mis en présence de cet homme devenu chef de la Résistance. Il épiera ses moindres faits et gestes pour savoir s\'il se trouve en face d\'un type bien ou d\'un salaud. Mais l\'époque - ambiguë - ne permet guère de s\'y reconnaître. Une sorte de fascination l\'entraîne vers Gilbert, qu\'il veut détester, qu\'il tient pour responsable de la mort de sa mère, mais dont l\'autorité et le rayonnement le séduisent. Telle est la passionnante enquête à laquelle se livre Jean-Marie Magnan et qu\'il nous propose de reconstituer à sa suite. Chacun est libre d\'aboutir à une conclusion à sa convenance, car l\'auteur souhaiterait disparaître derrière les paroles et les actes de ses personnages et ne se trahir autant qu\'il se trahissent. (…)
'),('Etoilenoire','1990','prose','Maillet, Michèle','L\'Etoile noire',NULL,'','','','','Paris','1990','F. Bourrin',NULL,NULL,NULL,'','',''),('Etoilenoire','2006','prose','Maillet, Michèle','L\'Etoile noire',NULL,'','','','','Paris','2006','OH! Editions',NULL,NULL,NULL,'BNF','Poche edition
Preface written by Simone Veil
',''),('120ruegare','1943','prose','Malet, Leo','120, rue de la gare',NULL,'','','','','Paris','1943','SEPE',NULL,NULL,NULL,'','',''),('120ruegare','1971','prose','Malet, Leo','120, rue de la gare',NULL,'','','','','Evreux','1971','le Cercle du Bibliophile',NULL,NULL,NULL,'','Preface by Gilbert Sigaux.
',''),('120ruegare','1977','prose','Malet, Leo','120, rue de la gare',NULL,'','','','','Paris','1977','Presse Pocket',NULL,NULL,NULL,'','First Poche edition
',''),('120ruegare','1983','prose','Malet, Leo','120, rue de la gare',NULL,'','','','','Paris','1983','Fleuve noir',NULL,NULL,NULL,'','',''),('120ruegare','1988a','prose','Malet, Leo','120, rue de la gare',NULL,'','','','','Paris','1988','Presse Pocket',NULL,NULL,NULL,'','Poche edition
',''),('120ruegare','1988b','prose','Malet, Léo','120, rue de la gare',NULL,'','','','','Paris','1988','Union générale de l\'édition',NULL,NULL,NULL,'','',''),('120ruegare','1990','prose','Malet, Léo','120, rue de la gare',NULL,'','','','','Paris','1990','Presse de la cité',NULL,NULL,NULL,'','',''),('120ruegare','1991','prose','Malet, Léo','120, rue de la gare',NULL,'Hudson, Peter','English','','','London','1991','Pan',NULL,NULL,NULL,'','',''),('120ruegare','1996','prose','Malet, Léo','120, rue de la gare',NULL,'','','','','Paris','1996','Fleuve noir',NULL,NULL,NULL,'BILIPO (Bibliothèque des littératures policières), Paris','',''),('120ruegare','1946','film','Daniel-Norman, Jacques','120, rue de la gare','','','','',NULL,'','1946',NULL,'1946','','','','',''),('Aurevoirenfants','1987','film','Louis Malle','Au revoir les enfants','','','','',NULL,'France','1987 (7th October)',NULL,'1986','104','','Edward Boyle','',''),('LacombeLucien','1974','film','Louis Malle','Lacombe Lucien','','Modiano, Patrick','French','',NULL,'France','1974 (January 30th)',NULL,'1973','138','','Edward Boyle','',''),('Soussignetriangle','1949','prose','Mireille Mallet','Sous le signe du triangle',NULL,'','','','116[3]','Dijon','1949','Imprimerie de Jobard',NULL,NULL,NULL,'BNF','',''),('Collineoubliee','1952','prose','Mouloud Mammeri','La Colline oubliée',NULL,'','','','','Paris','1952','Plon',NULL,NULL,NULL,'','',''),('Collineoubliee','1978','prose','Mammeri, Mouloud','La Colline Oubliée',NULL,'','','','','Paris','1978','Plon',NULL,NULL,NULL,'Brotherton','First poche edition
',''),('Collineoubliee','1997','film','Bouguermouh, Abderrahmane','La Colline oubliée','','Mammeri, Mouloud','Berber','Centre Algérien pour les arts et l\'industrie',NULL,'France/ Algeria','1997',NULL,'1997','90mins','','Personal','This was the first film ever to be made in the Berber language.
',''),('Sommeiljuste','1955','prose','Mouloud Mammeri','Le sommeil du juste',NULL,'','','','','Paris','1955','Plon',NULL,NULL,NULL,'','',''),('Sommeiljuste','1982','prose','Mouloud Mammeri','Le sommeil du juste',NULL,'','','','254','Paris','1982','Union générale d\'éditions',NULL,NULL,NULL,'Brotherton','',''),('Fatale','1977','prose','Jean-Patrick Manchette','Fatale',NULL,'','','','','Paris','1977','Gallimard',NULL,NULL,NULL,'','',''),('Fatale','1998','prose','Jean-Patrick Manchette','Fatale',NULL,'','','','151','Paris','1998','Gallimard',NULL,NULL,NULL,'Brotherton','Folio edition
',''),('Queos','1976','prose','Manchette, Jean-Patrick','Que d\'os',NULL,'','','','','Paris','1976','Gallimard',NULL,NULL,NULL,'','',''),('Queos','1988','prose','Manchette, Jean-Patrick','Que d\'os',NULL,'','','','217','Paris','1988','Gallimard',NULL,NULL,NULL,'Brotherton','First Folio edition
',''),('Queos','1981','film','Delon, Alain','Sous le peau d\'un flic','','Alain Delon and Christopher Frank','','Adel Productions',NULL,'Paris','1981',NULL,'1980','','','','',''),('Corpsnoir','2004','prose','Manotti, Dominique','Le Corps noir',NULL,'','','','','Paris','2004','Seuil',NULL,NULL,NULL,'','',''),('Corpsnoir','2006','prose','Manotti, Dominique','Le corps noir',NULL,'','','','','Paris','2006','Points',NULL,NULL,NULL,'Personal','First poche edition
',''),('Nosfantastiques','2001','prose','Dominique Manotti','Nos fantastiques années fric',NULL,'','','','','Paris','2001','Rivages',NULL,NULL,NULL,'Edinburgh','Rivages-Noir n°483
',''),('Nosfantastiques','2003','prose','Dominque Manotti','Nos fantastiques années fric',NULL,'','','','256','Paris','2003','Rivages',NULL,NULL,NULL,'','',''),('pasperdutemps','1982','prose','Jean Marcenac','Je n\'ai pas perdu mon temps',NULL,'','','','382','Pantin','1982','Le Temps des cerises: Fonds Messidor',NULL,NULL,NULL,'(BNF)','préface d\'Alain Guérin; Paris, Les Temps actuels, 1982 (BNF entry).
',''),('Aupayslimousi','1946','prose','Marie-France','Au pays limousin: Journal de Marie-France',NULL,'','','','151','Paris-Limoges','1946','Société des Journaux et Publications du Centre',NULL,NULL,NULL,'','',''),('Cellule209','1949','prose','Mary Marquet','Cellule 209',NULL,'','','','','Paris','1949','Fayard',NULL,NULL,NULL,'BNF','',''),('AffairePeiper','1994','prose','Roger Martin','L\'Affaire Peiper',NULL,'','','','174','Paris','1994','Dagorno',NULL,NULL,NULL,'BL','Prefaced by Frédéric Pottecher (history of the Affaire Peiper)
',''),('Jusqumortensuive','2008','prose','Roger Martin','Jusqu\'à ce que mort s\'ensuive',NULL,'','','','366','Paris','2008','Le Cherche Midi',NULL,NULL,NULL,'Brotherton','',''),('Hommebete','1947','prose','Louis Martin-Chauffier','L\'Homme et la bête',NULL,'','','','243[5]','Paris','1947','Gallimard',NULL,NULL,NULL,'BL','',''),('Guerregusses','1982','prose','Georges M. Mattéi','La Guerre des gusses',NULL,'','','','235','Paris','1982','Balland',NULL,NULL,NULL,'','',''),('Guerregusses','1995','prose','Georges M. Mattéi','La Guerre des gusses',NULL,'','','','197','Paris','1995','Editions de l\'Aube',NULL,NULL,NULL,'Nottingham','First poche edition
',''),('Deboutcesiecle','1998','prose','','Debout dans ce siècle anthracite',NULL,'','','','','Pantin','1998','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','propos recueillis par Christiane Rorato; image from amazon.fr 10/08/2010
',''),('Ombrepere','1978','prose','Jean-Luc Maxence','L\'Ombre d\'un père',NULL,'','','','251','Paris','1978','Éditions Libres Hallier',NULL,NULL,NULL,'BNF','',''),('Dissidences','2004','prose','Daniel Maximin','Dissidences',NULL,'','','','24 [145-169]','Paris','2004','Hoëbeke',NULL,NULL,NULL,'Brotherton','published in the short story collection, Paradis brise: nouvelles des Caraïbes
',''),('Isolesoleil','1981','prose','Daniel Maximin','L\'Isolé soleil',NULL,'','','','','','1981','',NULL,NULL,NULL,'','',''),('Ditesle','1990','prose','Matéo Maximoff','Dites-le avec des pleurs',NULL,'','','','','Romainville','1990','M. Maximoff',NULL,NULL,NULL,'','',''),('Ursitory','1946','prose','Matéo Maximoff','Les Ursitory',NULL,'','','','194','Paris','1946','Flammarion',NULL,NULL,NULL,'Brotherton (Special Collections)','Prefaced by Me Jacques Isorni (Lawyer who defended first the Communists during the Occupation and then Pétain and Brasillach).
',''),('laseptieme','1969','prose','Matéo Maximoff','La Septième Fille',NULL,'','','','','','1969','Concordia',NULL,NULL,NULL,'','',''),('Ladenonciation','2009','prose','Jacques Mazeau','La dénonciation',NULL,'','','','320','Riom (Puy-de-Dôme)','2009','Editions de la Borée',NULL,NULL,NULL,'BNF','In the collection \'Terre de poche\'.
',''),('Nstsassassins','1952a','prose','Jean Meckert','Nous sommes tous des assassins',NULL,'','','','','Paris','1952','Gallimard',NULL,NULL,NULL,'BNF','','NL 5/6/52
'),('Nstsassassins','1952b','film','André Cayotte','Nous sommes tous des assassins','','','','',NULL,'France','1952',NULL,'1952','111','','Edward Boyle','Watched the 2007 DVD version
',''),('Carrefoursolitudes','1957','prose','Christian Mégret','Le Carrefour des solitudes',NULL,'','','','437','Paris','1957','Juillard',NULL,NULL,NULL,'Brotherton','','NL, 26/9/57
'),('Statuesel','1953','prose','Memmi, Albert','La Statue de sel',NULL,'','','','','Paris','1953','Correa',NULL,NULL,NULL,'','Prefaced by Albert Camus
',''),('Statuesel','1956','prose','Memmi, Albert','The Pillar of Salt',NULL,'Roditi, Edouard d\'Israeli','English','','','London','1956','Elek books',NULL,NULL,NULL,'','First translation into English.
',''),('Statuesel','1972','prose','Albert Memmi','La Statue de sel',NULL,'','','','','Paris','1972','Gallimard',NULL,NULL,NULL,'own copy','First Folio edition
',''),('Mortmetier','1952','prose','Robert Merle','La Mort est mon métier',NULL,'','','','325','Paris','1952','Gallimard',NULL,NULL,NULL,'Brotherton','Dedication: A qui puis-je dédier ce livre, sinon aux victimes de ceux pour qui la Mort est un Métier?
',''),('Mortmetier','1965','prose','Robert Merle','La Mort est mon métier',NULL,'','','','435','Paris','1965','Gallimard',NULL,NULL,NULL,'','First poche edition, no. 688
',''),('Mortmetier','2001','prose','Soazig Aaron','Le Non de Klara',NULL,'','','','186','Paris','2001','Maurice Nadeau',NULL,NULL,NULL,'Personal','',''),('Mortmetier','1977','film','Kotulla, Theodor','Aus einem deutschen Leben','','Kotulla, Theodor','German','',NULL,'Germany, Poland','1977',NULL,'1976','145','','','Title of film translates as Excerpts from a German life. Released under title Death is my trade in USA
',''),('WendZudycoote','1949','prose','Merle, Robert','Week-end à Zuydcoote',NULL,'','','','','Paris','1949','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('WendZudycoote','1950','prose','Merle, Robert','Week-end at Zudycoote',NULL,'Rebillon-Lambley, K.','English','','','London','1950','John Lehmann',NULL,NULL,NULL,'','First English translation
',''),('WendZudycoote','1957','prose','Merle, Robert','Week-end à Zudycoote',NULL,'','','','','Paris','1957','Librarire générale française',NULL,NULL,NULL,'','First poche edition
',''),('WendZudycoote','1964','film','Verneuil, Henri','Week-end à Zuydcoote','','','','Société Nouvelle des Etablissements Gaumont',NULL,'France/ Italy','1964',NULL,'1964','119 mins','','','Editions Montparnasse, 1989 (VHS)
Fil à Film, 1992
Editions Montparnasse, 1993
Studio Canal vidéo 1998
M6 interactions, 2002 (DVD)
',''),('Treize','1997','prose','René Merle','Treize reste raide',NULL,'','','','','Paris','1997','Gallimard, Série noire',NULL,NULL,NULL,'BNF','',''),('Ventsdeterre','1956','prose','Jean Merrien','Vents de terre, vents de mer (Qui vaille de mourir)',NULL,'','','','302','Paris','1956','La Table ronde',NULL,NULL,NULL,'BNF','The novel is in three parts: 1 Où est donc la patrie? 2 D\'Amour et de mort 3. Est-ce cela, la patrie?
dédicace p.7 : A la mémoire de mes quatre amis :
JEAN LEFAUCHEUX, mort de la « drôle de guerre »
YANN BRICLER, patriote breton, assassiné chez lui
NOEL DE TISSOT, tué dans la L.V.F., en Russie
LOUIS KREBS, chef de la Résistance à Concarneau, tué par les Allemands
Ainsi qu\'à ceux qui survivent, libres ou en exil, rescapés :
de Norvège et la marine régulière,
de la débâcle,
des camps,
de Vichy,
du Parti National Breton et de « la Bretagne »,#
de F.F.L.,
de la Résistance
de l\'épuration
de l\'armée Leclerc et de l\'armée canadienne,
et qui, vivants et morts, se tendent la main
','FROM BACK COVER:
Toutes les familles françaises one été secouées par le « vent de la terre » de l\'occupation et le « vent de mer » du débarquement et de la libération.
C\'est dans cette épreuve que Jean Merrien nous montre René Quintin, héros de Qui vaille de vivre, sa femme, ses quatre enfants devenus grands - et tout le petit peuple de Brigneau sur la côte de Bretagne.
Chacun de ses personnages a pris, selon sa nature, une position différents ; c\'est avec la même sincérité que Marie se dévoue dangereusement à la Résistance, que Luc flirte avec la collaboration, et hésite à s\'engager dans la L.V.F., que Gildas, l\'infirme, se lance corps et âme dans le « mouvement breton » (si mal connu, et que ce livre éclaire, à un moment où les événements d\'Algérie lui donnent une sorte d\'actualité), que Ghislain fait du marché noir avant de combattre dans le maquis, que la femme de Luc, la charmante Thérèse, se donne avec élan à l\'amour, qui est toujours actuel ; tandis que Gisèle, leur mère, presque aveugle, cherche à aider tout le monde, ce qui lui coûtera de tragiques aventures et que René, en retrait, quelque peu désabusé, couvre cependant chaque membre de ce petit univers contradictoire, comme le capitaine d\'un navire se tient pour responsable de son équipage et de ses passagers, quels qu\'ils soient.
Chacun a, sinon raison, du moins ses raisons. Tous se dévouent, en somme, à leur « patrie » telle qu\'ils la conçoivent, avec ou sans frontières. Mais existe-t-il une patrie géographique ou idéologique qui vaille de mourir.
On a pu dire que Qui vaille de vivre était le roman du courage devant la vie quotidienne et du refus de la laideur. Il s\'agit ici d\'unir le refus d\'autres formes de laideur avec le courage de penser ce que l\'on pense et d\'agir en conséquence.
Pour l\'auteur aussi c\'est le livre du courage : celui d\'aborder un sujet scabreux mais nécessaire.
Toutefois, en contant cette histoire si chargée de significations, Jean Merrien n\'oublie jamais le décor impassible, indifférent aux drames humains : vent de la mer, beauté de la côte et de la campagne bretonnes qu\'il sait si bien faire aimer.
'),('Ceuxquinedormaientpas','1957','prose','Jacqueline Mesnil-Amar','Ceux qui ne dormaient pas (1944-1946. Fragments de journal)',NULL,'','','','190','Paris','1957','Editions de Minuit',NULL,NULL,NULL,'BL','',''),('Ceuxquinedormaientpas','2009','prose','Jacqueline Mesnil-Amar','Ceux qui ne dormaient pas',NULL,'','','','','Paris','2009','Stock',NULL,NULL,NULL,'','',''),('Jenetaispasprisonnier','1950','prose','Adrien Metzger','Je n\'étais pas prisonnier',NULL,'','','','251','Paris','1950','Éditions Réunies',NULL,NULL,NULL,'BNF','[Illustrations de l\'auteur]
',''),('Rueliberte','1955','prose','Edmond Michelet','Rue de la liberté',NULL,'','','','','Paris','1955','Seuil',NULL,NULL,NULL,'','',''),('Rueliberte','[2]','prose','Edmond Michelet','Rue de la liberté: Dachau 1943-1945',NULL,'','','','251','Paris','1970','Seuil: Le Livre de vie',NULL,NULL,NULL,'own copy','p.7: Letter from de Gaulle, 8 juin 1955
pp.9-10: Préface pour l\'édition allemande by Konrad Adenauer
',''),('Laminoirrecitdeporte','1947','prose','Serge Miller','Le Laminoir: Récit d\'un déporté',NULL,'','','','299','Paris','1947','Calmann-Lévy',NULL,NULL,NULL,'BNF','Préface de François Mitterrand.
',''),('Jollec','1994','prose','KKrist Mirror','Le Jollec: chronique du camp de Montreuil-Bellay',NULL,'','','','66','Paris','1994','Editions de l\'Anjou',NULL,NULL,NULL,'','copyright image of the cover can be seen at: http://sigot.montreuil.free.fr/bibliographie/ouvrage%20sur%20montreuil%20bellay/pages%20de%20livres/livre%20quinze.htm
',''),('Tsiganes','2008','prose','Kkrist Mirror','Tsiganes : 1940-1945, le camp de concentration de Montreuil-Bellay',NULL,'','','','96','Paris','2008','Emmanuel Proust',NULL,NULL,NULL,'BNF','','http://www.actuabd.com/spip.php?page=imprimir_articulo&id_article=8023; http://memoire2000.org/2010/01/08/a-lire-2/
'),('Carcasse','1950','prose','Serge Mit','Carcasse à vendre',NULL,'','','','','Paris','1950','Dominique Wapler',NULL,NULL,NULL,'','',''),('Carcasse','2001','prose','Serge Mit','Carcasse à vendre',NULL,'','','','213','Paris','2001','L\'Homme libre',NULL,NULL,NULL,'BNF','',''),('bellestunis','1983','prose','Nine Moati','Les Belles de Tunis',NULL,'','','','347','Paris','1983','Seuil',NULL,NULL,NULL,'','Front cover is a copy of painting by J.F Lewis, Life in a harem, 1858, London Victoria and Albert Museum
',''),('MitterrandVichy','2008','film','Serge Moati','Mitterrand à Vichy','','Moati and Christophe Barbier','','',NULL,'France','2008',NULL,'2007','90','','','',''),('VillaJasmin','2003','prose','Serge Moati','Villa Jasmin',NULL,'','','','','Paris','2003','Fayard',NULL,NULL,NULL,'','',''),('VillaJasmin','2005','prose','Moati, Serge','Villa Jasmin',NULL,'','','','','Paris','2005','LGF',NULL,NULL,NULL,'Brotherton','First Poche edition, no.30305
Includes bibliography of works about the history of Tunisia (especially during the Occupation), the French Socialist Party during the Second World War and about Paris during the Occupation.
',''),('VillaJasmin','2008','film','Boughedir, Ferid','Villa Jasmin','','Moati, Sege','','',NULL,'','2008',NULL,'2007','','','','To be screened on France 3 in 2008
','Cornu, François, \'Retour de Serge Moati en Tunisie\', Le Monde TV & Radio, 1-2 July 2007
'),('boulevardsceinture','1972','prose','Patrick Modiano','Les Boulevards de ceinture',NULL,'','','','208','Paris','1972','Gallimard',NULL,NULL,NULL,'Brotherton','Dedicated to Rudy and Dominique.
',''),('boulevardsceinture','1974','prose','Patrick Modiano','Ring Roads',NULL,'Hillier, Caroline','English','','','London','1974','Victor Gollancz',NULL,NULL,NULL,'','',''),('boulevardsceinture','1978','prose','Patrick Modiano','Les boulevards de ceinture',NULL,'','','','','Paris','1978','Gallimard',NULL,NULL,NULL,'','First paperback edition - Folio (n° 1033). Cover illustration by Pierre Le Tan.
',''),('DoraB','1997','prose','Modiano, Patrick','Dora Bruder',NULL,'','','','','Paris','1997','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('DoraB','1997b','prose','Modiano, Patrick','Dora Bruder',NULL,'','','','','Paris','1997','Le Livre du mois',NULL,NULL,NULL,'','',''),('DoraB','1997c','prose','Modiano, Patrick','Dora Bruder',NULL,'','','','','Paris','1997','France Loisir',NULL,NULL,NULL,'','',''),('DoraB','1999','prose','Modiano, Patrick','Dora Bruder',NULL,'','','','','Paris','1999','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('DoraB','1999b','prose','Modiano, Patrick','Dora Bruder',NULL,'Kilmartin, Joanna','English','','','Berkeley, California','1999','University of California Press',NULL,NULL,NULL,'','',''),('DoraB','2000','prose','Modiano, Patrick','The Search Warrant',NULL,'Kilmartin, Joanna','English','','','London','2000','Harvill',NULL,NULL,NULL,'','',''),('DoraB','2003','prose','Modiano, Patrick','Dora Bruder',NULL,'','','','','Paris','2003','Ellipses',NULL,NULL,NULL,'','',''),('DoraB','2004','prose','Modiano, Patrick','Dora Bruder',NULL,'','','','','Paris','2004','Gallimard',NULL,NULL,NULL,'','Explanatory notes by Bruno Doucey
',''),('DoraB','2005','prose','Modiano, Patrick','Dora Bruder',NULL,'','','','','Paris','2005','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Fleursruine','1991','prose','Patrick Modiano','Fleurs de ruine',NULL,'','','','141','Paris','1991','Seuil',NULL,NULL,NULL,'Brotherton','',''),('Livretfamille','1977','prose','Patrick Modiano','Livret de famille',NULL,'','','','178','Paris','1977','Gallimard',NULL,NULL,NULL,'','Dedicated to Modiano\'s brother Rudy.
',''),('Livretfamille','1981','prose','Patrick Modiano','Livret de famille',NULL,'','','','214','Paris','1981','Gallimard',NULL,NULL,NULL,'Brotherton','First paperback edition - Collection Folio, 1293
',''),('PlaceEtoile','1968','prose','Modiano, Patrick','La Place de l\'Etoile',NULL,'','','','','Paris','1968','Gallimard',NULL,NULL,NULL,'Brotherton','Prefaced by Jean Cau
',''),('PlaceEtoile','1978','prose','Modiano, Patrick','La Place de l\'Etoile',NULL,'','','','','Paris','1978','Gallimard',NULL,NULL,NULL,'','',''),('PlaceEtoile','1985','prose','Modiano, Patrick','La Place de l\'Etoile',NULL,'','','','','Paris','1985','Gallimard',NULL,NULL,NULL,'','',''),('PlaceEtoile','1997','prose','Modiano, Patrick','La Place de l\'Etoile',NULL,'','','','','Paris','1997','Gallimard',NULL,NULL,NULL,'','',''),('Remisepeine','1998','prose','Patrick Modiano','Remise de peine',NULL,'','','','165','Paris','1998','Seuil',NULL,NULL,NULL,'Brotherton','',''),('rondenuit','1969','prose','Patrick Modiano','La Ronde de nuit',NULL,'','','','','Paris','1969','Gallimard',NULL,NULL,NULL,'','',''),('rondenuit','1971','prose','Patrick Modiano','Night Rounds',NULL,'','English','','','London','1971','Alfred A. Knopf',NULL,NULL,NULL,'','Dedicated to Rudy Modiano and \"Maman\"
',''),('rondenuit','1976','prose','Patick Modiano','La Ronde de nuit',NULL,'','','','','Paris','1976','Gallimard',NULL,NULL,NULL,'','First paperback edition - Folio (N° 835).
',''),('Voyagenoces','1990','prose','Patrick Modiano','Voyage de noces',NULL,'','','','156','Paris','1990','Gallimard',NULL,NULL,NULL,'Brotherton','Dedicated to Robert Gallimard
',''),('Voyagenoces','1992','prose','Patrick Modiano','Voyage de noces',NULL,'','','','','Paris','1992','Gallimard',NULL,NULL,NULL,'','First paperback edition - Folio (N°2330), cover illustration by Pierre Le-Tan
',''),('Voyagenoces','1992b','prose','Patrick Modiano','Honeymoon',NULL,'Wright, Barbara','English','','119','London','1992','Harvill',NULL,NULL,NULL,'','',''),('CampagneItalie','1965','prose','Michel Mohrt','La Campagne d\'Italie',NULL,'','','','','Paris','1965','Gallimard',NULL,NULL,NULL,'','',''),('CampagneItalie','1973','prose','Michel Mohrt','La Campagne d\'Italie',NULL,'','','','315','Paris','1973','Gallimard (Folio)',NULL,NULL,NULL,'BNF','Described as a \'nouvelle édition augmentée\'.
',''),('Guerrecivile','1986','prose','Michel Mohrt','La Guerre civile',NULL,'','','','','Paris','1986','Gallimard',NULL,NULL,NULL,'','',''),('Guerrecivile','1998','prose','Michel Mohrt','La Guerre civile',NULL,'','','','392','Paris','1998','Gallimard (Folio)',NULL,NULL,NULL,'BNF','',''),('Rapaces','2005','prose','Anna Moï','Rapaces',NULL,'','','','189','Paris','2005','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('morthomme','1946','prose','Pierre Molaine','Mort d\'homme',NULL,'','','','257','Paris','1946','Editions Corrêa',NULL,NULL,NULL,'BNF','',''),('violences','1944','prose','Pierre Molaine','Violences',NULL,'','','','246','Paris','1944','Corrêa',NULL,NULL,NULL,'BNF','p.5 Il a été tiré de cet ouvrage 30 exemplaires ... de la première édition détruite par les Allemands en 1943. La présente édition comporte 50 exemplaires .... Ces deux tirages constituent l\'édition originale.
p.6 A Charles Plisnier
',''),('Deblancvêtu','1945','prose','Pierre Molaine','De Blanc Vêtu...',NULL,'','','','199','Paris','1945','Editions Corrêa',NULL,NULL,NULL,'own copy','En exergue: ne me demande plus, jeune homme, qui je suis./ Je suis, dans le désert, l\'eau morte au fond d\'un puits. Maurice du Plessys.
',''),('lesang','1967','prose','Pierre Molaine','Le Sang',NULL,'','','','301','Paris','1967','Calmann-Lévy',NULL,NULL,NULL,'(BNF)','',''),('bataillesmourir','1945','prose','Pierre Molaine','Batailles pour mourir',NULL,'','','','245','Paris','1945','Corrêa',NULL,NULL,NULL,'(BNF)','',''),('oujevais','1975','prose','Jean-Luc Fabert','',NULL,'','','','','Paris','1975','Denoël',NULL,NULL,NULL,'(BNF)','',''),('Fantomebarrage','1997','prose','Jacques Mondoloni','Le Fantôme du barrage in Haute Tension',NULL,'','','','240 (11-108)','Chambéry','1997','Editions Comp\'Act',NULL,NULL,NULL,'BILIPO','In the collection Par-dessus le marché. Published alongside Delteil\'s novel Allumez le gourou in Haute Tension: Deux romans policiers
',''),('Assassinfrere','1955','prose','Gilles Morris','Assassin mon frère',NULL,'','','','221','Paris','1955','Presses de la Cite',NULL,NULL,NULL,'','',''),('Assassinfrere','1990','prose','Gilles Morris','Assassin mon frère',NULL,'','','','215','Monaco','1990','Ed du Rocher',NULL,NULL,NULL,'BNF','',''),('Soldatssansespoir','1947','prose','Morvan-Lebesque','Soldats sans espoir',NULL,'','','','394[3]','Paris','1947','R. Laffont',NULL,NULL,NULL,'BNF','',''),('LesCarnets','1949','prose','René Mouchotte','Les Carnets de René Mouchotte, 1940-1943',NULL,'','','','257','Paris','1949','Flammarion',NULL,NULL,NULL,'BNF','Présentés par André Dezarrois
',''),('Premiercombat','1947','prose','Jean Moulin','Premier combat: Journal posthume. (Chartres 14-18 juin 1940)',NULL,'','','','169','Paris','1947','Éditions de Minuit, 1947',NULL,NULL,NULL,'BNF','Préface du Général de Gaulle. Avant-propos de Laure Moulin.
',''),('Premiercombat','1983','prose','Jean Moulin','Premier combat: Journal posthume. (Chartres 14-18 juin 1940)',NULL,'','','','169','Paris','1983','Edition de Minuit',NULL,NULL,NULL,'Brotherton','',''),('RadeauMeduse','1945','prose','Léon Moussinac','Le Radeau de la Méduse: Journal d\'un prisonnier politique 1940-1941',NULL,'','','','285[2]','Paris','1945','Éditions Hier et Aujourd\'hui',NULL,NULL,NULL,'BL','',''),('Petitefille','1991','prose','Annette Muller','La Petite Fille du Vel\' d\'Hiv\'',NULL,'','','','116','Paris','1991','Denoël',NULL,NULL,NULL,'BNF','',''),('NegrePotemkine','1988','prose','Blaise N\'Djehoya','Le Nègre Potemkine',NULL,'','','','','Paris','1988','Lieu Commun',NULL,NULL,NULL,'Cardiff','',''),('Suitefrancaise','2004','prose','Némirovsky, Irène','Suite française',NULL,'','','','','Paris','2004','Denöel',NULL,NULL,NULL,'','',''),('Suitefrancaise','2006','prose','Némirovsky, Irène','Suite française',NULL,'','','','','Paris','2006','Gallimard',NULL,NULL,NULL,'','Folio edition
',''),('Suitefrancaise','2006b','prose','Némirovsky, Irène','Suite française',NULL,'Smith, Sandra','English','','','London','2006','Chatto',NULL,NULL,NULL,'','',''),('Actualitesfr','1992','prose','Eric Neuhoff','Actualités françaises',NULL,'','','','','Paris','1992','Albin Michel',NULL,NULL,NULL,'Durham','',''),('Carrefourenfantsperdus','1943','film','Yvan Noé','Le Carrefour des enfants perdus','','Pizella, Stéphane','','',NULL,'France','1943',NULL,'1943','','','','',''),('Camaradesmorts','1947','prose','Pierre Nord','Mes Camarades sont morts',NULL,'','','','296+262+unknown','Paris','1947','Libraire des Champs-Elysées',NULL,NULL,NULL,'BL','3 volumes:
I: La Guerre du renseignement, 1947,
II: Le Contre-Espionnage, 1947
III: La Préparation du débarquement, 1949.
',''),('peloton','1945','prose','Pierre Nord','Peloton d\'exécution 1944',NULL,'','','','','Paris','1945','Libraire des champs-elysées collection Le Masque',NULL,NULL,NULL,'BNF','Publication date registered as 1945 because, although copyright: libraire des champs-elysées 1944, the dépot légal 3e trimestre 1945
',''),('peloton','1952','prose','Pierre Nord','Peloton d\'exécution 1944',NULL,'','','','','Paris','1952','Le livre de poche,',NULL,NULL,NULL,'personal copy','c. Fayard et cie
ADD final sentence
',''),('peloton','1945b','film','Berthomieu, André','Peloton d\'exécution','','','','',NULL,'','1945b',NULL,'1945','','','','From the last page of the 1945 Le Masque edition:
Peloton d\'exécution
Adapté de son roman par
Pierre Nord
réalisé par
André Berthomieu
Grâce à une mise en scène magistrale et à une interpretation particulièrement bien choisie et enthousiaste, où chaque acteur a su incarner son personage, vous retrouverez l\'atmosphère exacte et l\'esprit meme de l\'oeuvre initiale que vous venez de lire.
',''),('peloton','1991','film','Andrieu, Michel','Firing squad','','Hole, Jeremy','English','',NULL,'Canada/ France','1991',NULL,'1991','','','','',''),('Delirelogique','1948','prose','Julien Segnaire','Le Délire logique',NULL,'','','','','Paris','1948','Gallimard',NULL,NULL,NULL,'','First published under a pseudonym.
',''),('Delirelogique','1999','prose','Paul Nothomb','Le Délire logique',NULL,'','','','','Paris','1999','Phébus',NULL,NULL,NULL,'Durham','This edition includes prefatory biographical details, a concluding essay by the author, and three letters from Malraux supporting him.
',''),('Acide','2005','prose','Amélie Nothomb','Acide sulfurique',NULL,'','','','','Paris','2005','Albin Michel',NULL,NULL,NULL,'','',''),('Nomcode','2008','prose','','Nom de code: La Murène',NULL,'','','','','Paris','2008','Seuil',NULL,NULL,NULL,'Bilipo','',''),('Allemande','1973','prose','François Nourissier','Allemande',NULL,'','','','378','Paris','1973','Grasset',NULL,NULL,NULL,'Brotherton','',''),('Enavant','1987','prose','François Nourrisier','En avant, calme et droit',NULL,'','','','270','Paris','1987','Grasset',NULL,NULL,NULL,'Brotherton','',''),('Gardienruines','1992','prose','François Nourissier','Le Gardien des ruines',NULL,'','','','','Paris','1992','Grasset',NULL,NULL,NULL,'Brotherton','',''),('ChansonHannah','1990','prose','Jean-Paul Nozière','La Chanson de Hannah',NULL,'','','','140','Paris','1990','Nathan',NULL,NULL,NULL,'CHRD (L)','Illustrations by Solweig von Kleist. Dedicated to a guide at the Camp of Struthof, which the author visited in 1953.
',''),('UnefoisMJoseph','2007','prose','Fabien Nury and Sylvain Vallée','Il était une fois en France: L\'Empire de Monsieur Joseph',NULL,'','','','54','Paris','2007','Glénat',NULL,NULL,NULL,'','',''),('UnefoisVolnoir','2008','prose','Fabien Nury','Il était une fois en France: Le vol noir des corbeaux',NULL,'','','','56','Paris','2008','Glénat',NULL,NULL,NULL,'','',''),('PlaisirDieu','1974','prose','Jean d\'Ormesson','Au plaisir de Dieu',NULL,'','','','','Paris','1974','Gallimard',NULL,NULL,NULL,'','',''),('PlaisirDieu','2007','prose','Jean d\'Ormesson','Au plaisir de Dieu',NULL,'','','','626','Paris','2007','France Loisirs',NULL,NULL,NULL,'BNF','',''),('montagnechacals','1981','prose','Malek Ouary','La Montagne aux chacals',NULL,'','','','217','Paris','1981','Garnier Frères',NULL,NULL,NULL,'BL','',''),('moulinfoulon','1986','prose','Louis Oury','Le Moulin à foulon',NULL,'','','','288','Pantin','1986','Le Temps des cerises (Fonds Messidor)',NULL,NULL,NULL,'(BNF)','Vol 1 of Les Années noires novel sequence.
',''),('commandos','1987','prose','Louis Oury','Commandos sur l\'estuaire',NULL,'','','','289','Paris','1987','Messidor',NULL,NULL,NULL,'(BNF)','Vol 2 of Les Années noires
',''),('dumaquis','1989','prose','Louis Oury','Ohé! du maquis',NULL,'','','','262','Pantin','1989','Le Temps des cerises: Fonds Messidor',NULL,NULL,NULL,'(BNF)','vol 3 of Les Années noires
',''),('ausoleil','1999','prose','Louis Oury','Au Soleil de la victoire',NULL,'','','','212','Pantin','1999','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','vol 4 of Les Années noires
',''),('50otages','1990','prose','Louis Oury','50 Otages',NULL,'','','','119','Pantin','1990','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('lecourscinquante','1990','prose','Louis Oury','Le Cours des cinquante otages',NULL,'','','','','','1990','Ville de Saarbrücken',NULL,NULL,NULL,'','Details from author\'s website
',''),('rueroi','1997','prose','Louis Oury','Rue du Roi-Albert: les otages de Nantes, Chateaubriant, et Bordeaux',NULL,'','','','342','Pantin','1997','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('rueroi','2002','prose','Louis Oury','Rue du Roi-Albert: les otages de Nantes, Chateaubriant, et Bordeaux',NULL,'','','','391','Pantin','2002','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','réédition du 60e anniversaire.
',''),('rueroi','not known','prose','Louis Oury','Rue du Roi-Albert: 98 otages de Nantes, Chateaubriant, et Bordeaux',NULL,'','','','','Pantin','','Le Temps des cerises',NULL,NULL,NULL,'','reference on back cover to : 3e edition; title slightly different; no copy in BNF
',''),('duneenfance','2002','prose','Louis Oury','D\'une enfance dans la guerre aux combats d\'un écrivain',NULL,'','','','140','Pantin','2002','Le Temps des cerises',NULL,NULL,NULL,'','',''),('VieuxNegremedaille','1956','prose','Ferdinand Oyono','Le Vieux Nègre et la médaille',NULL,'','','','187','Paris','1956','Julliard',NULL,NULL,NULL,'own copy','','NL 8/11/1956
'),('Evasion44','1949','prose','Yvonne Pagniez','Évasion 44',NULL,'','','','268','Paris','1949','Flammarion',NULL,NULL,NULL,'Brotherton','',''),('ressusciteront','1950','prose','Yvonne Pagniez','Ils ressusciteront d\'entre les morts',NULL,'','','','228','Paris','1950','Flammarion',NULL,NULL,NULL,'BNF','',''),('Scenesviebagne','1947','prose','Yvonne Pagniez','Scènes de la vie du bagne',NULL,'','','','195[1]','Paris','1947','Flammarion',NULL,NULL,NULL,'BNF','',''),('Fillepuisateur','1940','film','Marcel Pagnol','La Fille du puisateur','','','','Films Marcel Pagnol',NULL,'France','1940',NULL,'1940','','','','Film\'s poster can be consulted at the BNF\'s Richelieu site.
',''),('Adieucamarades','1977','prose','Roger Pannequin','Adieu camarades',NULL,'','','','374','Paris','1977','Le Sagittaire',NULL,NULL,NULL,'BNF','',''),('Amisitutombes','1976','prose','Roger Pannequin','Ami si tu tombes',NULL,'','','','','Paris','1976','Le Sagittaire',NULL,NULL,NULL,'','',''),('Amisitutombes','2000','prose','Roger Pannequin','Ami si tu tombes',NULL,'','','','','Paris','2000','Babel',NULL,NULL,NULL,'Personal','',''),('Socrate','1950','prose','Brice Parain','La Mort de Socrate',NULL,'','','','225','Paris','1950','',NULL,NULL,NULL,'BNF','','NL, 23/2/50
'),('Presbyterebagnesnazis','1946','prose','Abbé Paul Parguel','De mon presbytère aux bagnes nazis: Mémoires d\'un prêtre déporté en Allemagne',NULL,'','','','170','Paris','1946','Éditions Spès',NULL,NULL,NULL,'BNF','Lettre-préface de Mgr Gabriel Brunhes
',''),('Commando','1980','prose','Alain Paris','Le Commando des salopards',NULL,'','','','','Paris','1980','Belfond',NULL,NULL,NULL,'','',''),('Commando','1982','prose','Alain Paris','Le Commando des salopards',NULL,'','','','382','Paris','1982','Livre de poche',NULL,NULL,NULL,'BNF','',''),('paillenoire','1944','prose','Margeride','Paille noire des étables',NULL,'','','','','Geneva','1944','Edtions des Trois Collines',NULL,NULL,NULL,'','Published under his clandestine pseudonym of \'Margeride\'
',''),('paillenoire','1945','prose','Louis Parrot','Paille noire des étables',NULL,'','','','','Paris','1945','Robert Laffont',NULL,NULL,NULL,'Northwestern University Library','with illustrations by Valentine Hugo
',''),('paillenoire','2006','prose','Louis Parrot','Paille noire des étables, suivi de Ursule la laide',NULL,'','','','','Tours','2006','Farrago',NULL,NULL,NULL,'own copy','',''),('ursule','1947','prose','Louis Parrot','Ursule la laide',NULL,'','','','','Neuchâtel','1947','Ides et calendes',NULL,NULL,NULL,'','',''),('ursule','2006','prose','Louis Parrot','Paille noire des étables, suivi de Ursule la laide',NULL,'','','','','Tours','2006','Farrago',NULL,NULL,NULL,'personal copy','Note de l\'auteur at the end: attempts to publish in the \'zone libre\' failed in December 1942. Fragments published in Les Cahiers du sud soon after the Liberation. in December 1944, publication was authorised apart from one passage (from last paragragh on p. 111 to end of p.113, on the basis that these passages constitute a defence of betrayal and could be interpreted as a justification of collaborationnism. It is ironic, since the passages in question involve betrayal of an oppressive, collaborationist town to ensure the victory of those working for its destruction.
',''),('Souvenirs','1947','prose','Colonel Passy','Souvenirs',NULL,'','','','236[1]+ 387+ 439','','1947-1951','Raoul Solar (I, II) Plon (III)',NULL,NULL,NULL,'BL','3v: I: 2e Bureau Londres, Monte Carlo: Raoul Solar, 1947
.
II: 10, Duke Street, Londres: Le B.C.R.A., Monte Carlo: Raoul Solar, 1947.
III: Missions secrètes en France, novembre 1942-juin 1943: Souvenirs du B.C.R.A., Paris: Librairie Plon, 1951
',''),('Entredeuxguerres','1945','prose','J Paul-Boncour','Entre deux guerres: Souvenirs sur la IIIe République',NULL,'','','','297+ 435+ 330','Paris','1945-46','Plon',NULL,NULL,NULL,'BL','3 volumes: I: Les Luttes républicaines, 1877-1918 .
II: Les Lendemains de la victoire, 1919-1934
III: Sur les chemins de la défaite, 1935-1940
',''),('nuitmerveilleuse','1940','film','Jean-Paul Paulin','La Nuit merveilleuse','','Antoine, André-Paul','','',NULL,'France','1940',NULL,'1940','','','','',''),('Bldbranques','2005','prose','Patrick Pécherot','Boulevard des Branques',NULL,'','','','296','Paris','2005','Gallimard/ Série noire',NULL,NULL,NULL,'BNF','Juin 1940, dans un Paris vidé par l\'exode, Nestor, détective à l\'agence Bohman, veille sur un psychiatre dépressif. Mais le métier d\'ange gardien n\'est pas une sinécure. Surtout en temps de guerre. Comme des rats alléchés par la mort, une faune sinistre s\'apprête à envahir la capitale : truands, nazis, collabos... Quand l\'or se mêle au plomb, la folie s\'en donne à coeur joie et brouille tous les repères. Existe-t-il un lien entre le suicide d\'un savant, l\'appel au secours d\'un inconnu et les fantômes de la guerre d\'Espagne ? Quel secret un antifasciste allemand devenu aphasique peut-il détenir ? Pourquoi de faux policiers s\'attachent-ils à ses pas ? Que cachent les hauts murs des asiles d\'aliénés ? Pour le savoir, Nestor manquera de perdre la raison. Cette année-là, c\'était bien la dernière chose à faire.
',''),('rireogre','2005','prose','Péju, Pierre','Le Rire de l\'ogre',NULL,'','','','','Paris','2005','Gallimard',NULL,NULL,NULL,'','',''),('rireogre','2007','prose','Péju, Pierre','Le Rire de l\'ogre',NULL,'','','','','Paris','2007','Gallimard',NULL,NULL,NULL,'own copy','Folio edition no. 4478
',''),('rireogre','2007b','prose','Péju, Pierre','Clara\'s tale',NULL,'Cameron, Euan','English','','','London','2007','Harvill Secker',NULL,NULL,NULL,'','',''),('Bonheurogres','1988','prose','Pennac, Daniel','Au bonheur des ogres',NULL,'','','','','Paris','1988','Gallimard',NULL,NULL,NULL,'','',''),('Bonheurogres','1995','prose','Pennac, Daniel','Au bonheur des ogres',NULL,'','','','','Paris','1995','Gallimard',NULL,NULL,NULL,'Brotherton','First Folio edition no. 1972
',''),('Bonheurogres','1998','prose','Pennac, Daniel','The Scapegoat',NULL,'Monk, Ian','English','','','London','1998','Harvill',NULL,NULL,NULL,'','First translation
',''),('Sanglotslongs','1970','prose','Gilles Perrault','Les Sanglots longs',NULL,'','','','209','Paris','1970','Fayard',NULL,NULL,NULL,'BL','',''),('Exiljoconde','2005','prose','Jean-Louis Perrier','L\'Exil de la Joconde',NULL,'','','','','Paris','2005','Albin Michel',NULL,NULL,NULL,'BNF','',''),('Exiljoconde','2008','prose','Jean-Louis Perier','L\'Exil de la Joconde',NULL,'','','','256','Paris','2000','Livre de Poche',NULL,NULL,NULL,'','',''),('4anneesaupouvoir','1949','prose','Philippe Pétain','Quatre années au pouvoir',NULL,'','','','178','Paris','1949','La Couronne Littéraire',NULL,NULL,NULL,'','Avec un avertissement de Jacques Isorni et une bibliographie des œuvres du Maréchal. 7 gravures hors texte
',''),('goumiersaid','1950','prose','Joseph Peyré','La Légende du Goumier Saïd',NULL,'','','','249','Paris','1950','Flammarion',NULL,NULL,NULL,'','',''),('goumiersaid','1958','prose','Peyré, Joseph','La Légende du Goumier Saïd',NULL,'','','','255','Paris','1958','Ditis',NULL,NULL,NULL,'SOAS','J\'ai lu edition. First paperback edition.
',''),('LouveVichy','2002','prose','Colette Piat','La Louve de Vichy',NULL,'','','','283','Paris','2002','Éditions du Rocher',NULL,NULL,NULL,'BNF','',''),('Marchaismalgremoi','2006','prose','Dorothée Piatek','Je marchais malgré moi dans les pas du diable',NULL,'','','','','Paris','2006','Petit à Petit',NULL,NULL,NULL,'BNF','Cover illustration by David Cren
',''),('Bonnesmauvaises','1956','prose','Renée Pierre-Descaves','Les Bonnes et les Mauvaises',NULL,'','','','187','Paris','1956','Julliard',NULL,NULL,NULL,'BNF','The author\'s name is printed as Pierre-Descaves, whereas the BNF catalogue lists her as Descaves, R.-P.
',''),('Prisondeportation','1947','prose','Monsignor Gabriel Piguet','Prison et déportation: Témoignage d\'un évêque français',NULL,'','','','190','Paris','1947','Éditions Spès',NULL,NULL,NULL,'BNF','',''),('simpleverite','1961','prose','Christian Pineau','La Simple Vérité 1940-1945',NULL,'','','','634','Paris','1961','Julliard',NULL,NULL,NULL,'own copy (BNF)','BNF and other sites give 1960 as date of publication; the orange publicity strip bears the legend: l\'aspect humain de la Résistance\'.
',''),('Amepreteeoiseaux','1998','prose','Pineau, Gisèle','L\'Ame prêtée aux oiseaux',NULL,'','','','','Paris','1998','Stock',NULL,NULL,NULL,'Brotherton','',''),('Parolesterrelarmes','1996','prose','Gisèle Pineau','Paroles de terre en larmes',NULL,'','','','17[237-253]','Montréal','1996','L\'Instant-même',NULL,NULL,NULL,'Brotherton','in Cottenet-Hage, Madeleine and Jean-Philippe Imbert (eds) Parallèles: anthologie de la nouvelle féminine de langue française (Montréal: L\'Instant-même, 1996)
',''),('PrisonnierP','1958','prose','Bernard Pingaud','Le Prisonnier',NULL,'','','','287','Paris','1958','La Table ronde',NULL,NULL,NULL,'BL','',''),('Valisenoire','2008','prose','Jeannine Poitau','La valise noire: 3 nouvelles',NULL,'','','','55','Toulon','2008','Les Presses du Midi',NULL,NULL,NULL,'BNF','',''),('PrisonniersaNeufBrisach','1945','prose','M Poizot','Prisonniers à Neuf-Brisach',NULL,'','','','167','','1945','Éditions J. Vautrain',NULL,NULL,NULL,'','',''),('SergeantJunot','1948','prose','Léon Porcher','Sergeant Junot...Goumier, roman d\'action',NULL,'','','','','Paris','1948','',NULL,NULL,NULL,'BNF','Preface written by General Giraud.
',''),('Deuilen24','1942','prose','Vladimir Pozner','Deuil en 24 heures',NULL,'','','','','New York','1942','Brentano\'s',NULL,NULL,NULL,'','',''),('Deuilen24','1982a','prose','Vladimir Pozner','Deuil en 24 heures',NULL,'','','','310','Paris','1982','Temps actuels',NULL,NULL,NULL,'BNF','May be film version.
',''),('Deuilen24','1982b','film','Frank Cassenti','Deuil en 24 heures','','','','TV series',NULL,'','1982',NULL,'1982','','','','',''),('Genspays','1943','prose','Vladimir Pozner','Les Gens du pays',NULL,'','','','274','New York','1943','Éditions de la Maison française',NULL,NULL,NULL,'BNF','',''),('AutrefoisDiana','2007','prose','Predali, Jean-Baptiste','Autrefois Diana',NULL,'','','','154','Arles','1997','Actes Sud',NULL,NULL,NULL,'Brotherton','',''),('Chroniquelorraine','1945','prose','Adrien Printz','Chronique lorraine (1940-1944)',NULL,'','','','120[2]','Paris','1945','Denoël',NULL,NULL,NULL,'BL','Préface de Jean Schlumberger
',''),('Souvenirsguerre','1947','prose','Général Prioux','Souvenirs de guerre: 1939-1943',NULL,'','','','271','Paris','1947','Flammarion',NULL,NULL,NULL,'BL','',''),('miroirsded','1976','prose','Suzanne Prou','Miroirs d\'Edmée',NULL,'','','','','Paris','1976','Calmann-Lévy',NULL,NULL,NULL,'','',''),('miroirsded','1978','prose','Suzanne Prou','Miroirs d\'Edmée',NULL,'','','','','Paris','1978','Le Livre de poche',NULL,NULL,NULL,'own copy','Calmann-Lévy poche edition in 1994
',''),('miroirsded','1994','prose','','Miroirs d\'Edmée',NULL,'','','','','Paris','1994','Calmann-Lévy',NULL,NULL,NULL,'','collection Littérature francaise
',''),('Traversee','1981','prose','Georges-Marie Proux','La Traversée',NULL,'','','','134','Guéret','1981','Lecante',NULL,NULL,NULL,'BNF','',''),('Mavie','1948','prose','Pierre Pucheu','Ma vie: Notes écrites à Ksar-es-Souk, à la prison civile de Meknès et à la prison militaire d\'Alger',NULL,'','','','380','Paris','1948','Amiot-Dumont',NULL,NULL,NULL,'BNF','',''),('Refus','1999','theatre','Jean Quercy','Le Refus',NULL,'','','','','','1999','',NULL,NULL,NULL,'','Director: Sotigui Kouyaté. Théâtre Averse et La Compagnie Coups de Pion.
It was later restaged in Paris in 2006 between 7and 16 September at Lavoir Moderne Parisien, the 24 November 2006 at the Vingtième théâtre and the 27 November at Théâtre Silvia Monfort
',''),('Aimerapeine','2002','prose','Michel Quint','Aimer à peine',NULL,'','','','','Paris','2002','Editions Joëlle Losfeld',NULL,NULL,NULL,'','',''),('EffroyablesJardins','2000','prose','Michel Quint','Effroyables Jardins',NULL,'','','','62','Paris','2000','Editions Joelle Losfeld',NULL,NULL,NULL,'Personal','',''),('EffroyablesJardins','2001','prose','Michel Quint','Strange gardens',NULL,'Bray, Barbara','English','','70','London','2001','Viking',NULL,NULL,NULL,'','',''),('EffroyablesJardins','2002','theatre','Michel Quint','Effroyables Jardins',NULL,'','','','','','2002','',NULL,NULL,NULL,'','Produced during the Avignon Theatre festival of Summer 2002 at the Théâtre du Chêne noir.
',''),('EffroyablesJardins','2003','film','Becker, Jean','Effroyables Jardins','','Cosmos, Jean','','France 2 cinéma',NULL,'France','2003',NULL,'2002','93','','','',''),('Maldelicieux','2003','prose','Michel Quint','Et mon mal est délicieux',NULL,'','','','84','Paris','2004','Gallimard/ Editions Joelle Losfeld',NULL,NULL,NULL,'own copy (Leeds)','',''),('Max','2008','prose','Michel Quint','Max',NULL,'','','','','Paris','2008','Perrin',NULL,NULL,NULL,'(BNF)','',''),('Max','2010','prose','Michel Quint','Max',NULL,'','','','248','Paris','2010','Perrin: Pocket',NULL,NULL,NULL,'own copy','Front cover: Les derniers jours de Jean Moulin.
Nb. The BN records a 2009 paperback Pocket edition of 247 pages.
',''),('Uneombre','2008','prose','Michel Quint','Une ombre, sans doute',NULL,'','','','208','Paris','2008','Joëlle Losfeld',NULL,NULL,NULL,'Brotherton','',''),('Bonheurnazi','1972','prose','Michel Rachline','Le Bonheur nazi, ou la mort des autres',NULL,'','','','','Paris','1972','Éditions Guy Authier',NULL,NULL,NULL,'','',''),('Bonheurnazi','1975','prose','Michel Rachline','Le Bonheur nazi, ou la mort des autres',NULL,'','','','413','Paris','1975','Livre de poche',NULL,NULL,NULL,'BNF','presentation de l\'éditeur: La mort des autres se pardonne si facilement !...
Le héros de ce livre n\'a cessé d\'être un nazi que le temps nécessaire à la cicatrisation, même superficielle, de quelques blessures; plus intelligent que d\'autres, il a compris que la victoire de Hitler n\'était qu\'une question d\'années: les temps sont arrivés.
Alors, il chante cette victoire, dont il voit les effets dans tous les pays, chez tous les hommes; naguère en Algérie, aujourd\'hui au Vietnam, en Irlande, en Afrique, au Moyen-Orient, demain en France, peut-être. Frédéric Marais, alias Marelle, sait que les nazis ont gagné, et que le monde est à jamais empoisonné par cette victoire de la Mort.
Il exalte l\'horreur, le crime, la persécution, la haine, le racisme, car c\'est ce livre-là que les anciens nazis auraient dû écrire, qu\'ils n\'ont pas écrit que, seul, Marelle, ou Marais ose publier, un livre à la gloire du national socialisme.
Si les Juifs, les Français et tant d\'autres avaient su lire Mein Kampf, le destin du monde eût changé, Si les néofascistes d\'aujourd\'hui, les partisans de l\'Ordre Nouveau, les nationalistes acharnés, acceptent de livrer à la méditation de leurs consciences, les cris poussés par le héros de ce livre devant la renaissance du racisme, de l\'antisémitisme, du fascisme et même du nazisme, la face du monde ne changera peut-être pas, mais l\'auteur du Bonheur nazi emportera la conviction d\'avoir livré son combat, avec ses armes,\' contre les hordes du malheur, et contre sa propre peur d\'avoir à quitter de force la terre, la terre bien-aimée, à qui les hommes donnent la forme de l\'Enfer.
',''),('Soeuryeuxasie','1982','prose','Michel Ragon','Ma soeur aux yeux d\'Asie',NULL,'','','','','Paris','1982','Albin Michel',NULL,NULL,NULL,'','',''),('Soeuryeuxasie','1990','prose','Michel Ragon','Enfance Vendéenne: Ma soeur aux yeux d\'Asie',NULL,'','','','533','Paris','1990','Albin Michel',NULL,NULL,NULL,'Brotherton','Also includes the novels, L\'accent de ma mère and Enfance Vendéene
',''),('Nour','2001','prose','Rahrimanana','Nour, 1947',NULL,'','','','','Paris','2001','Le Serpent à Plumes',NULL,NULL,NULL,'','',''),('Nour','2003','prose','Rahrimanana','Nour, 1947',NULL,'','','','','Paris','2003','Le Serpent à Plumes',NULL,NULL,NULL,'Brotherton','',''),('Champion','2005','prose','Gilles Rapaport','Champion',NULL,'','','','30','Paris','2005','Circonflexe',NULL,NULL,NULL,'BNF','',''),('PassageLigne1','1949','prose','Paul Rassinier','Passage de la Ligne: Du vrai à l\'humain',NULL,'','','','186','Bourg-en-Bresse','1949','Éditions Bressanes',NULL,NULL,NULL,'BNF','',''),('Decombres','1942','prose','Lucien Rebatet','Les Décombres',NULL,'','','','669','Paris','1942','Denoël',NULL,NULL,NULL,'Brotherton','',''),('matiere','2002','prose','Denis Fernández Recatalá','Matière: un palimpseste',NULL,'','','','217','Pantin','2002','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('ilscroyaienteternite','2007','prose','Predali, Jean-Baptiste','Autrefois Diana',NULL,'','','','154','Arles','1997','Actes Sud',NULL,NULL,NULL,'Brotherton','',''),('Soutane','1977','prose','Silvain Reiner','La Soutane',NULL,'','','','409','Paris','1977','Albin Michel',NULL,NULL,NULL,'BNF','',''),('Chroniqueguerreperdue','1979','prose','Colonel Rémy','Chronique d\'une guerre perdue',NULL,'','','','','','1979-1983','Editions France-Empire',NULL,NULL,NULL,'Brotherton','6 volumes;
Tome 1, L\'Entre-Deux-Guerres
Tome 2, Le 10 mai 1940
Tome 3, Sedan
Tome 4, De la Norvège aux Flandres
Tome 5, La Bataille de France
Tome 6, Fors l\'Honneur
',''),('Lignedemarcation','1964','prose','Colonel Rémy','La Ligne de démarcation',NULL,'','','','','Paris','1964','Perrin',NULL,NULL,NULL,'','21 volumes in total were published
',''),('Lignedemarcation','1966','film','Chabrol, Claude','La ligne de démarcation','','Chabrol, Claude','','Rome Paris Films',NULL,'France','1966',NULL,'1965','120','','Personal (Leeds)','A small town in the Jura is divided by the Demarcation Line. The film depicts how this physical divide serves to highlight the intellectual and ideological divides in the community. The Germans have set up their headquarters in the local castle, owned by a count morally destroyed by his time as a POW and his pro-Resistance English wife. The rest of the town is populated with often stereotypical characters personifying either cowardly collaborators or brave patriots. Tensions come to a head when the countess is arrested for hiding a Britsh airman.
',''),('Memoiresagentsecret','1947','prose','Colonel Rémy','Mémoires d\'un agent secret de la France Libre',NULL,'','','','','Monte Carlo','1947-1950','Raoul Solar',NULL,NULL,NULL,'BL','6 volumes
[I:] Mémoires d\'un agent secret de la France Libre: Juin 1940-juin 1942. Avant-propos par Maurice Schumann, Paris: Aux Trois Couleurs, [1946], 552pp.: ill. L/C; 1948, 492pp. (Répertoire des noms et des pseudonymes, pp. [463]-485)
[II:] Le Livre du courage et de la peur: Juin 1942-novembre 1943. Préface de Joseph Kessel, 2 v., Paris: Aux Trois Couleurs, [1946]. L/C; Monte Carlo: Raoul Solar, [1947], 218,[3]pp.; 169,[35]pp. (Répertoire des noms et des pseudonymes, v. 2, pp. [181]-[199]).
[III:] Comment meurt un réseau: Fin 1943, 1947, 193pp. (Répertoire des noms et des pseudonymes, pp. [189]-193
[IV:] Une affaire de trahison. Avec un poème de Jean Cayrol, 1949, c1948, 384,[25]pp.: documents.
[V:] Les Mains jointes: 1944. Préface de Francis Pickens Miller, 1949, c1948, 277,[7]pp.
[VI:] Mais le temple est bâti: 1944-1945, 1950, 250pp. BL 09100.d.5/6.
',''),('Noussommesainsifaits','1950','prose','Colonel Rémy','Nous sommes ainsi faits',NULL,'','','','433','Paris','1950','Chavanne',NULL,NULL,NULL,'Brotherton','',''),('Chatte','1958a','prose','Jacques Rémy','La Chatte',NULL,'','','','','Paris','1958','Éditions de Paris',NULL,NULL,NULL,'BNF','',''),('Chatte','1958b','film','Decoin, Henri','La Chatte','','','','',NULL,'','1958',NULL,'1957','105','','','',''),('Chatte','1960','film','','La Chatte sort ses griffes','','','','',NULL,'','1960',NULL,'1960','102','','','',''),('grandhomme','2005','prose','Pierre-Jean Remy','Un Grand Homme',NULL,'','','','184','Paris','2005','Albin Michel',NULL,NULL,NULL,'(BNF)','',''),('grandhomme','2007','prose','Pierre-Jean Remy','Un Grand Homme',NULL,'','','','155','Paris','2007','LGF Livre de poche',NULL,NULL,NULL,'own copy','',''),('4ansdanslombre','1949','prose','Capitaine Martin Rendier','Quatre ans dans l\'ombre',NULL,'','','','235','Condom','1949','André Bousquet',NULL,NULL,NULL,'BNF','',''),('4ansdanslombre','2003','prose','Capitaine Martin Rendier','Le réseau Victoire dans le Gers',NULL,'','','','192','Saint-Cyr-sur-Loire','2003','A. Sutton',NULL,NULL,NULL,'BNF','documents rassemblés par Jeanne et Michèle Robert.
',''),('Souvenirsdeportation','1947','prose','François Rendu','Souvenirs de déportation: Neuengamme, Bergen-Belsen, 19 mai 1944-3 juin 1945',NULL,'','','','80','Lyon','1947','L\'Auteur; Éditions du Sud-Est',NULL,NULL,NULL,'BNF','',''),('MesprisonsSouvenirs','1947','prose','Paul Reynaud','Mes prisons: Souvenirs',NULL,'','','','[3]-36','Paris','1947','',NULL,NULL,NULL,'BL','in Les Œuvres libres, CCXLIV, nouvelle série 18
',''),('Tempscatastrophes','1947','prose','Georges Ribemont-Dessaignes','Le Temps des catastrophes: Récits',NULL,'','','','254 [1]','Paris','1947','Calmann-Lévy',NULL,NULL,NULL,'BL','',''),('Faireface','1947','prose','Marthe Richard','Faire face',NULL,'','','','269','Paris','1947','S.L.I.M',NULL,NULL,NULL,'Brotherton','',''),('Hauteursville','1948','prose','Emmanuel Roblès','Les Hauteurs de la ville',NULL,'','','','280','Algiers','1948','Charlot',NULL,NULL,NULL,'BNF','',''),('Debonneguerre','2006','prose','Philippe Roch','De bonne guerre',NULL,'','','','215','Paris','2006','Laffont',NULL,NULL,NULL,'BNF','',''),('ChuteBarcelone','1952','prose','Jacques-Francis Rolland','La Chute de Barcelone',NULL,'','','','348','Paris','1952','Gallimard',NULL,NULL,NULL,'BNF','',''),('Dimancheinoubliable','1984','prose','Jacques-Francis Rolland','Un dimanche inoubliable près des casernes',NULL,'','','','311','Paris','1984','Grasset',NULL,NULL,NULL,'BNF','',''),('Surrivesrien','1949','prose','Willy Paul Romain','Sur les rives de rien: Récit',NULL,'','','','147 [2]','Paris','1949','Éditions du Globe',NULL,NULL,NULL,'BNF','With drawings by Marc Dumas.
',''),('sappelaitsarah','2006','prose','Tatiana de Rosnay','Elle s\'appelait Sarah',NULL,'','','','356','Paris','2006','Ed Héloïse d\'Ormesson',NULL,NULL,NULL,'(BNF)','translated from English by Agnès Michaux.
',''),('sappelaitsarah','2010','film','Paquet-Brenner, Gilles','Elle s\'appelait Sarah','','Serge Joncour','','',NULL,'','2010',NULL,'2010','','','','',''),('memoiremurs','2002','prose','Tatiana de Rosnay','La Mémoire des murs',NULL,'','','','138','Paris','2002','Plon',NULL,NULL,NULL,'(BNF)','',''),('Derniereballeperdue','1997','prose','Jacques Roubaud','La Dernière Balle perdue',NULL,'','','','133','Paris','1997','Fayard',NULL,NULL,NULL,'CHRD (L)','',''),('Parcsauvage','2008','prose','Jacques Roubaud','Parc sauvage',NULL,'','','','136','Paris','2008','Seuil',NULL,NULL,NULL,'Brotherton','',''),('Joursnotremort','1947','prose','David Rousset','Les Jours de notre mort',NULL,'','','','786','Paris','1947','Éditions du Pavois',NULL,NULL,NULL,'Brotherton','',''),('Journaldessine','1942','prose','Antoine de Roux','Journal dessiné d\'un prisonnier de guerre: 1940-1941',NULL,'','','','175','Marseille','1942','Robert Laffont',NULL,NULL,NULL,'BNF','',''),('Journaldessine','1945','prose','Antoine de Roux','Journal dessiné d\'un prisonnier de guerre: 1940-1941',NULL,'','','','191','Paris','1945','Robert Laffont',NULL,NULL,NULL,'BNF','',''),('Valleeheureuse','1946','prose','Jules Roy','La Vallée heureuse',NULL,'','','','289[2]','Paris','1946','Charlot',NULL,NULL,NULL,'BL','Avant-propos de Pierre Jean Jouve.
',''),('Bonheuroccas','1945','prose','Roy, Gabrielle','Bonheur d\'occasion',NULL,'','','','','','1945','',NULL,NULL,NULL,'Brotherton','',''),('Saisonviolente','1945','prose','Claude Roy','Saison violente: Journal d\'un témoin 1940-1945',NULL,'','','','[7]-239','Paris','1945','Julliard',NULL,NULL,NULL,'BNF','',''),('Chasseurzero','1996','prose','Pascale Roze','Le Chasseur Zéro',NULL,'','','','163','Paris','1996','Albin Michel',NULL,NULL,NULL,'Brotherton','',''),('Itsik','2008','prose','Pascale Roze','Itsik',NULL,'','','','120','Paris','2008','Stock',NULL,NULL,NULL,'BNF','',''),('Itsik','2009','prose','Pascale Roze','Itsik',NULL,'','','','110','Paris','2009','Gallimard Folio',NULL,NULL,NULL,'own copy','Back cover :
« Il est parti, comme un oiseau qu\'on pousse en avant, chassé par son père, chassé par Maryem, emportant sa prière sous son aile : vite, fais vite. Son premier voyage en train. Il avait dix-neuf ans. Il est mort dix-neuf ans plus tard et il a pris huit fois le train. Ce jour-là, des lignes de paysans rayaient les champs. On moissonnait l\'orge. Il est mort dix-neuf ans plus tard, et chantait la même saison, la saison de l\'orge. Il s\'appelle Yitzhok Gersztenfeld. Son père disait qu\'il portait bien le nom de la famille parce que Gersztenfeld signifie champ d\'orge et que ses cheveux étaient d\'un blond presque blanc, comme l\'orge mûre. Ma couronne. Itsik. Prends au moins un petit châle, chantait sa mère. »
Pascale Roze trace le destin d\'un jeune juif polonais, arrivé en France dans les années vingt. Elle restitue ses efforts et ses réussites avant qu\'il ne soit convoqué par les autorités françaises en 1941. Emmené au camp de Pithiviers, il sera confronté à l\'histoire.
p.9 Pour Gabriel Garran qui a accepté que je m\'inspire d\'une partie de l\'histoire de sa famille. Merci aussi à J. pour les souvenirs qu\'elle m\'a confiés.
p.11 Ô mon Dieux, donne à chacun sa propre mort,/Donne à chacun la mort née de sa propre vie/Où il connut l\'amour et la misère R.M. Rilke Le Livre de la pauvreté et la mort
',''),('Amoursansresistance','2003','prose','Gilles Rozier','Un Amour sans résistance',NULL,'','','','','Paris','2003','Denoël',NULL,NULL,NULL,'','',''),('Amoursansresistance','2005','prose','Gilles Rozier','Un Amour sans résistance',NULL,'','','','','Paris','2005','Gallimard',NULL,NULL,NULL,'personal copy','collection Folio
',''),('Projectionsprivees','2008','prose','Gilles Rozier','Projections privées',NULL,'','','','320','Paris','2008','Denoël',NULL,NULL,NULL,'Personal','',''),('Sanglotslongsviolons','2004','film','Jacques and Rodolphe Rutman','Les Sanglots longs des violons','','','','Arte France and 13 productions',NULL,'France','2004',NULL,'2003','52','','','Broadcast on Arte on 02/05/2006
',''),('Wagon','2010','prose','Arnaud Rykner','Le Wagon',NULL,'','','','141','Rodez','2010','Rouergue',NULL,NULL,NULL,'personal','',''),('sourisverte','1990','prose','Sabatier, Robert','La Souris verte',NULL,'','','','','Paris','1990','Albin Michel',NULL,NULL,NULL,'','',''),('sourisverte','1992','prose','Sabatier, Robert','La Souris verte',NULL,'','','','','Paris','1992','Albin Michel',NULL,NULL,NULL,'Personal','First poche edition, no. 9502
présentation de l\'éditeur : La Souris verte est un roman d\'amour fou en temps de guerre. -Le narrateur est le personnage. Son prénom est Marc. Etudiant,\' il parcourt les rues de son quartier d\'Auteuil ou se rend à la Sorbonne pour ses cours. Apparaît le Paris de l\'Occupation, Paris, la ville blessée, Paris comme un être vivant, palpitant, espérant, le Paris d\'une époque dans laquelle le lecteur va vivre comme si le temps s\'inversait.
Et surgit l\'étincelle d\'un immense amour, d\'un amour interdit par l\'histoire, l\'amour de Marc et de Maria.
Comme dans ses Allumettes suédoises, avec une grande intensité, Robert Sabatier évoque la vie quotidien, les êtres, les objets, les coutumes, le climat particulier d\'une époque en mille détails révélateurs.
Dans cette Souris verte, le naturel, la sobriété de l\'écriture sont au service d\'une narration émouvante où les tourments, les ardeurs, les passions ont la spontanéité et le charme de la jeunesse. Marc et Maria, main dans la main, ne cesseront plus de cheminer dans
la pensée du lecteur.
',''),('Cageombres','1950','prose','Madeleine Sabine','La Cage aux ombres',NULL,'','','','310','Paris','1950','Stock',NULL,NULL,NULL,'BNF','Préface de Gabriel Marcel.
',''),('Chassecourre','1949','prose','Maurice Sachs','La Chasse à courre',NULL,'','','','245','Paris','1949','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Suitesabbat','1948','prose','Maurice Sachs','Suite au sabbat (1940-1942)',NULL,'','','','','Paris','1948','Les Temps modernes',NULL,NULL,NULL,'Brotherton','Published in Les Temps modernes, 3e année, 30 (mars 1948), [1684]-1708; 3e année, 31 (avril 1948), [1845]-1879
',''),('Guerrelasse','1985','prose','Sagan, Françoise','De guerre lasse',NULL,'','','','221','Paris','1985','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Guerrelasse','1986','prose','Sagan, Françoise','De guerre lasse',NULL,'','','','','Paris','1986','Gallimard',NULL,NULL,NULL,'','First Poche edition
',''),('Guerrelasse','1987a','prose','Sagan, Françoise','De guerre lasse',NULL,'','','','','Paris','1987','Gallimard',NULL,NULL,NULL,'','',''),('Guerrelasse','1987b','prose','Sagan, Françoise','De guerre lasse',NULL,'','','','','Paris','1987','France Loisir',NULL,NULL,NULL,'','',''),('Guerrelasse','1987c','prose','Sagan, Françoise','Engagements of the Heart',NULL,'Donougher, Christine','English','','','London','1987','W H Allen',NULL,NULL,NULL,'','First translation
',''),('Guerrelasse','1988','prose','Sagan, Françoise','Engagements of the Heart',NULL,'Donougher, Christine','English','','','London','1988','Allison & Busby',NULL,NULL,NULL,'','',''),('Guerrelasse','1987d','film','Enrico, Robert','De guerre lasse','','','','Canal +',NULL,'France','1987',NULL,'1987','123 mins','','','Released in UK under the title of Engagements of the Heart.
Cast - Nathalie Baye (Alice), Christophe Malavoy (Charles Sambrat) and Pierre Arditi (Jérôme)
','Positif n.324 , February 1988, p.72
Revue du Cinéma/Image et Son n.433 , December 1987, p.43-45
Film Français n.2169 , 27 November 1987, p.14
'),('sangaquarelle','1987','prose','Françoise Sagan','Un sang d\'aquarelle',NULL,'','','','279','Paris','1987','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('sangaquarelle','1988','prose','Françoise Sagan','Painting in blood',NULL,'Bell, Anthea','English','','253','Henley-on-Thames','1988','Ellis',NULL,NULL,NULL,'','',''),('Perceval','1947','prose','Alain Saint-Clair','Perceval. [Journal d\'Alain Saint-Clair, 1 novembre 1941-10 décembre 1944. Lettres adressées à Aline et Nicole Vallaux, 14 octobre 1944-26 décembre 1944',NULL,'','','','285','Paris','1947','J. Tallandier',NULL,NULL,NULL,'BNF','Edited by Simone Saint-Clair
',''),('Ravensbruckenferfemmes','1945','prose','Simone Saint-Claire','Ravensbrück, l\'enfer des femmes',NULL,'','','','252','Paris','1945','Tallandier',NULL,NULL,NULL,'BNF','Preceded by the Message de Thomas Manes broadcast on radio on the 12th May 1945
',''),('Lettreotage','1943','prose','Antoine de Saint-Exupéry','Lettre à un otage',NULL,'','','','72','New York','1943','Bretanos',NULL,NULL,NULL,'','',''),('Lettreotage','1944','prose','Antoine de Saint-Exupéry','Lettre à un otage',NULL,'','','','70','Paris','1944','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('pilotedeguerre','1942','prose','Saint-Exupéry, Antoine de','Pilote de guerre',NULL,'','','','253','New York','1942','Les Editions de la Maison française',NULL,NULL,NULL,'','Collection \'Voix de France\'
',''),('pilotedeguerre','1942b','prose','Saint-Exupéry, Antoine de','Pilote de guerre',NULL,'','','','','Paris','1942','Gallimard',NULL,NULL,NULL,'','',''),('pilotedeguerre','1942c','prose','Saint-Exupéry, Antoine de','Flight to Arras',NULL,'Galantière, Lewis','English','','','New York','1942','Reynal & Hitchcock',NULL,NULL,NULL,'','First published in English in The Atlantic Monthly, New York, February-April 1942, then as book under title Flight to Arras.
',''),('pilotedeguerre','1942d','prose','Saint-Exupéry, Antoine de','Flight to Arras',NULL,'Galantière, Lewis','English','','','London','1942','Heinemann',NULL,NULL,NULL,'','',''),('Clotilde','1985','prose','Cécil Saint-Laurent','Clotilde Jolivet. Le Hasard des rencontres',NULL,'','','','515','Paris','1985','Le Pré aux Clercs',NULL,NULL,NULL,'BL','Presented as a revised edition of Prénom Clotilde (1957) and Ici Clotilde (1958), though the changes made are not clear and the narrative stops in 1942 without reference to a sequel.
',''),('Heretiques','1965','prose','Saint-Loup','Les Hérétiques',NULL,'','','','','Paris','1965','Presses de la Cité',NULL,NULL,NULL,'','',''),('Volontaires','1963','prose','Saint-Loup','Les Volontaires',NULL,'','','','507','Paris','1963','Les Presses de la Cité',NULL,NULL,NULL,'','',''),('tempsheroiques','1949','prose','Raymond Saladin','Les Temps héroïques de l\'aviation: Souvenirs',NULL,'','','','213','Paris','1949','Éditions Arcadiennes',NULL,NULL,NULL,'BNF','Hommages aux anciens by René Fonck. Lettre-préface by Pierre Clostermann. Preface by Léon Bathiat
',''),('femmesombre','2008a','prose','Laurent Vauchaut','Les Femmes de l\'ombre',NULL,'','','','248','Paris','2008','Perrin',NULL,NULL,NULL,'','Novel/ Screenplay taken from film by Jean-Paul Salomé, Les Femmes de l\'ombre.
',''),('femmesombre','2008b','film','Jean Paul Salomé','Les femmes de l\'ombre','','Jean-Paul Salomé, Laurent Vachaud','','',NULL,'France','2008 (5th of March)',NULL,'2007','120','','','Released in UK/ US as Female Agents
',''),('TirailleursSenegalais','2003','prose','Fayez Samb','Tirailleurs Sénégalais à Lyon (La patrouille de Caporal Samba)',NULL,'','','','','Paris','2003','L\'Harmattan',NULL,NULL,NULL,'own copy','',''),('TirailleurVosges','2007','prose','Fayez Samb','Le tirailleur des Vosges (La patrouille du Caporal Samba)',NULL,'','','','51','Paris','2007','L\'Harmattan',NULL,NULL,NULL,'BNF','',''),('laisseztomber','1950','prose','San-Antonio','Laissez Tomber La Fille',NULL,'','','','222','Paris','1950','Editions Fleuve noir',NULL,NULL,NULL,'own copy (BNF has subsequent editions)','',''),('Villagedelallemand','2008','prose','Boualem Sansal','Le Village de l\'Allemand ou le Journal des frères Schiller',NULL,'','','','254','Paris','2008','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Nudite','1951','prose','Michèle Saro','Nudité',NULL,'','','','188','Paris','1951','Julliard',NULL,NULL,NULL,'BNF','p.7 A toi, morte le jour de la fête des Mères et qui dressas tes mains croisées vers le Ciel au moment de la mise en bière.
M.S.
p.9: \"...toi aussi tu videras le calice: tu seras enivrée, et ru découvriras ta nudité\" Les Lamentations IV-21
',''),('Eveils','1943','prose','Antoine de Saint-Exupéry','Lettre à un otage',NULL,'','','','72','New York','1943','Bretanos',NULL,NULL,NULL,'','',''),('EnfantNoe','2004','prose','Eric-Emmanuel Schmitt','L\'Enfant de Noé',NULL,'','','','188','Paris','2004','Albin Michel',NULL,NULL,NULL,'','',''),('EnfantNoe','2008','prose','Eric-Emmanuel Schmitt','L\'Enfant de Noé',NULL,'','','','128','Paris','2008','Le livre de poche',NULL,NULL,NULL,'BNF','',''),('Partautre','2001','prose','Eric-Emmanuel Schmitt','La Part de l\'autre',NULL,'','','','','Paris','2001','Albin Michel',NULL,NULL,NULL,'Personal','',''),('Partautre','2003','prose','Eric-Emmanuel Schmitt','La Part de l\'autre',NULL,'','','','503','Paris','2003','Le livre de poche',NULL,NULL,NULL,'','First poche edition
',''),('Adieuauroi','1969','prose','Pierre Schoendoerffer','L\'Adieu au roi',NULL,'','','','299','Paris','1969','Grasset',NULL,NULL,NULL,'BNF','',''),('Frontstalag','1946','prose','Serge Seignol','D\'un front-stalag à Londres: Récit',NULL,'','','','123[2]','','1946','Éditions Perfrac',NULL,NULL,NULL,'BNF','Illustrations by Jean Fromentin.
',''),('Vieuxdemons','2008','prose','Joël Selo','Les Vieux Démons',NULL,'','','','348','Riom (Puy-de-Dôme)','2008','Editions de la Borée',NULL,NULL,NULL,'BNF','',''),('Campthiaroye','1987','film','Sembène, Ousmane','Camp de Thiaroye','','Sembène, Ousmane and Sow, Thierno Faty','','ENAPROC/Films Domireew/Films Kajoor/SATPEC/Sociéte Nouvelle Pathé Cinéma',NULL,'Senegal','1987',NULL,'1986','153 mins','','Personal (Leeds)','',''),('Grandvoyage','1963','prose','Semprun, Jorge','Le Grand voyage',NULL,'','','','','Paris','1963','Gallimard',NULL,NULL,NULL,'','',''),('Grandvoyage','1963b','prose','Semprun, Jorge','Le Grand voyage',NULL,'','','','','Paris','1963','Gallimard',NULL,NULL,NULL,'','First poche edition
',''),('Grandvoyage','1964','prose','Semprun, Jorge','The Long Voyage',NULL,'Seaver, Richard','English','','','London','1964','Weidenfeld & Nicolson',NULL,NULL,NULL,'','Republished (New York: Grove Press, 1964)
',''),('Grandvoyage','1993','prose','Semprun, Jorge','The Cattle Truck',NULL,'Seaver, Richard','','','','London','1993','Serif',NULL,NULL,NULL,'','',''),('Grandvoyage','2000','prose','Semprun, Jorge','Le Grand voyage',NULL,'','','','279','Paris','2000','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Gurs','2004','theatre','Jorge Semprun','Gurs: une tragédie européene',NULL,'','','','','','2004','',NULL,NULL,NULL,'','Director: Daniel Benoin
First staged in Seville, then in Nice at the Thèâtre Nationale and in Paris at the Théâtre du Rond-Point, between the 10th March and 15th April 2006.
',''),('Mortquilfaut','2001','prose','Jorge Semprun','Le Mort qu\'il faut',NULL,'','','','247','Paris','2001','Gallimard',NULL,NULL,NULL,'','',''),('Mortquilfaut','2003','prose','Jorge Semprun','Le Mort qu\'il faut',NULL,'','','','','Paris','2003','Gallimard',NULL,NULL,NULL,'','With explanatory notes for school pupils
',''),('Marque','2007','prose','Michel Séonnet','La Marque du père',NULL,'','','','104','Paris','2007','Gallimard',NULL,NULL,NULL,'own copy','',''),('Quediraije','1994','prose','Michel Séonnet','Que dirai-je aux enfants de la nuit',NULL,'','','','192','Lagrasse','1994','Verdier',NULL,NULL,NULL,'','',''),('Louise','2009','prose','Catherine Servan-Screiber','Louise et Juliette',NULL,'','','','384','Paris','2009','JC Lattès',NULL,NULL,NULL,'(BNF)','',''),('Passesupplementaire','1979','prose','Pascal Sevran','Le Passé supplémentaire',NULL,'','','','191','Paris','1979','Olivier Orban',NULL,NULL,NULL,'BNF','',''),('Vichydancing','1980','prose','Pascal Sevran','Vichy-dancing',NULL,'','','','196','Paris','1980','Olivier Orban',NULL,NULL,NULL,'','',''),('ClanOstendais','1947','prose','Georges Simenon','Le Clan des Ostendais',NULL,'','','','','Paris','1947','Gallimard',NULL,NULL,NULL,'Brotherton','',''),('Train','1961','prose','Georges Simenon','Le Train',NULL,'','','','229','Paris','1961','Presses de la Cité',NULL,NULL,NULL,'British Library','',''),('Train','1964','prose','Georges Simenon','The train',NULL,'','','Baldick, Robert','142','London','1964','H. Hamilton',NULL,NULL,NULL,'','',''),('Train','1974','prose','Georges Simenon','Le Train',NULL,'','','','','Paris','1974','Presses Pocket',NULL,NULL,NULL,'','First paperback edition, no.914
',''),('Neigesale','1948','prose','Georges Siminon','La Neige était sale',NULL,'','','','','Paris','1948','Presses de la Cité',NULL,NULL,NULL,'','',''),('Seulennemi','1943','prose','Paul Simon','Un seul ennemi: l\'envahisseur',NULL,'','','','182','Tananarive','1943','Imprimerie officielle',NULL,NULL,NULL,'BNF','Preface by General de Gaulle.
',''),('Seulennemi','1943b','prose','Paul Simon','One Enemy only - The Invader. A Record of French Resistance',NULL,'Corp, W.G.','English','','167[1]','London','1943','Hodder & Stoughton',NULL,NULL,NULL,'','Preface by General de Gaulle.
',''),('Corderaide','1947','prose','Claude Simon','La Corde raide',NULL,'','','','187','Paris','1947','Éditions du Sagittaire',NULL,NULL,NULL,'BNF','',''),('mallunes','1995','prose','Pierre Siniac','Les Mal Lunés',NULL,'','','','','Paris','1995','Editions Payot & Rivages',NULL,NULL,NULL,'own copy','From the back cover
Un mercenaire au chômage, un ancient milicien (Légion des volontaires pour le front de l\'est) reconverti dans la location de chaises longues et de parasols et un ex-flic, interne en psychiatre à la suite d\'une bavure envers un ouvrier algérien, sont plutôt mal lunés parce que l\'histoire ne va pas dans leur sens. Ils en sont réduits à squatter dans un bidonville. C\'est alors qu\'une troupe de theatre s\'avise de monter Les Tortionnaires, la pièce d\'un émigré espagnol qui s\'attaque aux polices parallèles en France, aux anciens mercenaries et aux anciens collabos. Dès lors, le sang des trois affreux ne fait qu\'un tour. Et ils vont transformer la pièce en \'reality show\'.
',''),('Petainiste','1980','prose','Pierre Siniac','L\'unijambiste de la cote 284',NULL,'','','','284','Paris','1980','Gallimard/ Série noire',NULL,NULL,NULL,'BNF','',''),('Femmeallemand','2007','prose','Marie Sizun','La Femme de l\'Allemand',NULL,'','','','250','Paris','2007','Arléa',NULL,NULL,NULL,'BNF','Présentation de l\'éditeur
Le monde de la petite Marion vacille. Elle aime sa mère, Fanny, mais une dissonance s\'installe dans leur relation. Une voix un peu trop haute, des emportements inexplicables, un silence embarrassé à propos de ce père allemand dont Marion ne sait rien ou presque. Avec le temps, Marion apprend : Fanny est maniaco-dépressive. Les rôles s\'inversent alors. L\'adolescente endosse cette raison qui doucement quitte sa mère. Elle la protège, la couvre en taisant ses excès. Mais l\'amour ne suffit pas pour terrasser la folie. Nous retrouvons dans ce texte magnifique et douloureux le talent que Marie Sizun a déployé dans Le Père de la petite pour dire avec émotion et pudeur l\'amour qui rapproche et sépare les êtres.
',''),('Perepetite','2005','prose','Marie Sizun','Le Père de la petite',NULL,'','','','140','Paris','2005','Arléa',NULL,NULL,NULL,'BNF','',''),('Perepetite','2008','prose','Marie Sizun','Le père de la petite',NULL,'','','','150','Paris','2008','Arléa',NULL,NULL,NULL,'','Folio edition
',''),('Sakebrumes','2002','prose','Romain Slocombre','Saké des brumes',NULL,'','','','516','Paris','2002','Seuil',NULL,NULL,NULL,'BILIPO','Collection Le Poulpe, No 245.
',''),('liberationoiseaux','2004','prose','Betrand Solet','La Libération des oiseaux',NULL,'','','','','Paris','2004','Rue du monde',NULL,NULL,NULL,'BNF','Illustrated by Marcelino Truong.
',''),('Etoilesang','1943','prose','Georges Sonnier','Étoile de sang: Notes retrouvées d\'un combattant',NULL,'','','','252[1]','Paris','1943','Albin Michel',NULL,NULL,NULL,'','',''),('Medecinchars','1943','prose','André Soubiran','J\'étais médecin avec les chars: Journal de guerre',NULL,'','','','308','Paris','1943','Didier',NULL,NULL,NULL,'BNF','Preface by Georges Duhamel
',''),('OdeLondresbombardee','1943','prose','Philippe Soupault','Ode à Londres bombardée',NULL,'','','','','Alger','1943','',NULL,NULL,NULL,'','Published in the review Fontaine in May 1943. At the end of the poem is a dedication to the team which broadcast the BBC radio programme, \'Les Français parlent aux Français\'.
',''),('OdeLondresbombardee','1944','prose','Philippe Soupault','Ode to bombed London/ Ode à Londres bombardée',NULL,'Cameron, Norman','French/ English','','19','Alger','1944','Charlot',NULL,NULL,NULL,'BNF','',''),('Tempsdesassassins','1945','prose','Philippe Soupault','Le Temps des assassins. Histoire d\'un détenu no. 1234',NULL,'','','','347','New York','1945','La Maison française du livre',NULL,NULL,NULL,'BNF','',''),('Tousensemble','1947','theatre','Philippe Soupault','Tous ensemble au bout du monde',NULL,'','','','71','Alger','1947','Charlot',NULL,NULL,NULL,'BNF','',''),('Enverscontretout','1947','prose','Jacques Soustelle','Envers et contre tout',NULL,'','','','','Paris','1947-1950','René Laffont',NULL,NULL,NULL,'BL','Tome I: De Londres à Alger: Souvenirs et documents sur la France Libre, 1940-1942, 1947, 473pp.
Tome II: D\'Alger à Paris: Souvenirs et documents sur la France Libre, 1942-1944, 1950, viii+456pp.
',''),('Crevassemaquisards','1984','prose','Henri Spade','La Crevasse des maquisards',NULL,'','','','186','Paris','1984','Livre de poche',NULL,NULL,NULL,'BNF','Published in \'Jeunesse\' series, aimed at teenagers, and illustrated by Élisabeth Tournier.
',''),('Renaissante','1969','prose','Henri Spade','Les Enfants de la guerre: la renaissante',NULL,'','','','361','Paris','1969','Éditions France-Empire',NULL,NULL,NULL,'BNF','',''),('Tempscerises','1968','prose','Henri Spade','Les Enfants de la guerre: le temps des cerises',NULL,'','','','281','Paris','1968','Éditions France-Empire',NULL,NULL,NULL,'BNF','',''),('Tombesperdues','1990','prose','Spiess, René','Les Tombes Perdues',NULL,'','','','','Strasbourg','1990','DNA/ La Nuée bleue',NULL,NULL,NULL,'CHRD - Lyon','',''),('Tonkinoise','1995','prose','Morgan Sportès','Tonkinoise',NULL,'','','','460','Paris','1995','Seuil',NULL,NULL,NULL,'BL','Selected critical bibliography; Map of French Indochina, China and South-East Asia. Dedication - \"Aux tirailleurs sénégalais\".
',''),('Chaquehomme','1946','prose','Roger Stéphane','Chaque homme est lié au monde',NULL,'','','','261','','1946-1954','Éditions du Sagittaire',NULL,NULL,NULL,'BNF','Preface by \'Emmanuel d\'Astier. 2 volumes.
I: Carnets [août 1939-août 1944], 1946. II: Fin d\'une jeunesse, 1954, 261pp.
',''),('Reseauclandestin','1967','prose','Claude Stokis','Réseau clandestin',NULL,'','','','186','Paris','1967','Hachette',NULL,NULL,NULL,'','Illustrations by Maurice Paulin. The novel forms part of La Bibliothèque verte, a Hachette collection aimed at children and young adolescents. It was created in 1924.
',''),('Reseauclandestin','1970','prose','Claude Stokis','Réseau clandestin',NULL,'','','','124','Edinburgh','1970','Oliver & Boyd',NULL,NULL,NULL,'Personal','Abridged edition for use in British schools. Contains French - English vocabulary section and notes section in English. Illustrations by Maurice Paulin.
',''),('Histoirepetitnegre','1945','prose','St-Rémy','L\'Histoire du petit nègre',NULL,'','','','20','Toulouse','1945 (20 November)','Chantal',NULL,NULL,NULL,'BNF (Richelieu)','',''),('Etoileautres','1967','prose','René Sussan','L\'Etoile des autres: chroniques errantes',NULL,'','','','311','Paris','1967','Denöel',NULL,NULL,NULL,'Nottingham','',''),('LourdSilence','1999','prose','Murielle Szac','Un lourd silence',NULL,'','','','171','Paris','1999','Seuil',NULL,NULL,NULL,'BNF','',''),('Affairefemmes','1988a','prose','Francis Szpiner','Une affaire de femmes : Paris 1943, exécution d\'une avorteuse',NULL,'','','','217','Paris','1988','Balland',NULL,NULL,NULL,'BL','',''),('Affairefemmes','1988b','film','Claude Chabrol','Une affaire des femmes','','Colo Tavernier O\'Hagan and Claude Chabrol','','MK2 editions',NULL,'France','1988',NULL,'1997','178','','Personal','Isabelle Huppert - Best Actress award at the 1988\'s Venice International Film Festival
',''),('Honteappartient','2002','prose','Maud Tabachnik','La Honte leur appartient',NULL,'','','','285','Paris','2002','Editions du Masque',NULL,NULL,NULL,'BILIPO','',''),('Honteappartient','2004','prose','Maud Tabachnik','La honte leur appartient',NULL,'','','','','Paris','2004','J\'ai lu',NULL,NULL,NULL,'','First paperback edition, no. 6913
',''),('Belleinsoumise','2008','prose','Bernard Tabary','La Belle insoumise',NULL,'','','','289','Riom (Puy-de-Dôme)','2008','Editions de Borée',NULL,NULL,NULL,'BNF','',''),('Laissezpasser','2002','prose','Jean Devaivre','Action!: mémoires, 1930-1970',NULL,'','','','577','Paris','2002','N. Philippe',NULL,NULL,NULL,'','Autobiography on which Betrand Tavernier based his film Laissez-passer (2001)
',''),('Laissezpasser','2001','film','Bertrand Tavernier','Laissez-passer','','Cosmos, Jean & Bernard Tavernier','','',NULL,'France/ Germany/ Spain','2001',NULL,'2001','163','','Edward Boyle','Released in UK and US as Safe Conduct
',''),('Egares','2003','film','Téchiné, André','Les Égarés','','Perrault, Gilles and Téchiné, André','','Production, France 2 Cinéma, Spice Factory, Canal+, Gimages 6, Centre national de la cinématographie, Wild Bunch (Paris)',NULL,'France','2003',NULL,'2002','95','','Edward Boyle','2003 DVD includes interviews with Gilles Perrault (where he discusses the adaptation of his novel and the violence of the exodus), André Téchiné and Gaspard Ulliel.
',''),('NancyMunster','1941','prose','Louis Thomas','Nancy-Münster, six mois de captivité',NULL,'','','','213','Paris','1941','Delemain et Boutelleau',NULL,NULL,NULL,'BL','',''),('Arrestation','1943','prose','Auxois','L\'Arrestation',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'','The sixth of the seven short stories in Contes d\'Auxois. pp 49-56
',''),('Arrestation','1945','prose','Thomas, Edith','L\'Arrestation',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('Evades','1943','prose','Auxois','Les Evadés',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'(BNF)','The fifth of the seven short stories in Contes d\'Auxois. pp. 41-47
',''),('Evades','1945','prose','Thomas, Edith','Les Evadés',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('FTP','1943','prose','Auxois','Contes d\'Auxois (Transcrit du réel)',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'(BNF)','The last of the seven short stories in Contes d\'Auxois. pp. 57- 67
',''),('FTP','1945','prose','Thomas, Edith','Contes d\'Auxois (Transcrit du réel)',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('MoulesProfesseur','1943','prose','Auxois','Les Moules et le Professeur',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'(BNF)','The first of the seven short stories in Contes d\'Auxois: pp. 7-13
',''),('MoulesProfesseur','1945','prose','Thomas, Edith','Les Moules et le Professeur',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('Releve','1943','prose','Auxois','La Relève',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'','The second of the seven short stories in Contes d\'Auxois. pp. 15 -23
',''),('Releve','1945','prose','Auxois','La Relève',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('Tilleul','1943','prose','Auxois','Le Tilleul',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'(BNF)','The fourth of the seven short stories in Contes d\'Auxois. pp 31-39
',''),('Tilleul','1945','prose','Thomas, Edith','Contes d\'Auxois (Transcrit du réel)',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('Veillee','1943','prose','Auxois','Veillée',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'','The third of the seven short stories in Contes d\'Auxois. pp 25 -30
',''),('Veillee','1945','prose','Thomas, Edith','Veillée',NULL,'','','','','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('Contesdauxois','1943','prose','','Contes d\'Auxois',NULL,'','','','69','Paris','1943','Editions de minuit',NULL,NULL,NULL,'(BNF)','Title page (p. 3): Contes d\'Auxois
p. 5: Contes d\'Auxois (transcrit du réel)
',''),('Contesdauxois','1945','prose','','Contes d\'Auxois',NULL,'','','','69','Paris','1945','Editions de minuit',NULL,NULL,NULL,'Brotherton','facsimile edition.
',''),('Contesdauxois','1946','prose','','Contes d\'Auxois',NULL,'','','','69','Paris','1946','Editions de minuit',NULL,NULL,NULL,'own copy','\'édition publique réservée a la Belgique, par un accord conclu avec les \"Editions de minuit\". p.4
Auxois était, en clandestinité, le pseudonyme de Edith Thomas. p.4
',''),('Combattantsnuit','1947','prose','Paul Tillard','Les Combattants de la nuit: Roman',NULL,'','','','223','Paris','1947','La Bibliothèque Française',NULL,NULL,NULL,'BNF','',''),('Mauthausen','1945','prose','Paul Tillard','Mauthausen',NULL,'','','','78[1]','Paris','1945','Éditions Sociales',NULL,NULL,NULL,'BNF','Preface by Jean-Richard Bloch.
',''),('Onsebat','1946','prose','Paul Tillard','On se bat dans la ville: Roman',NULL,'','','','177','Paris','1946','Éditions Charlot',NULL,NULL,NULL,'BL','',''),('Ravensbruck','1975','prose','Germaine Tillion','Ravensbrück: an eyewitness account of a women\'s concentration camp',NULL,'','English','','256','Garden City','1975','Anchor Press',NULL,NULL,NULL,'','',''),('Ravensbruck','1988','prose','Germaine Tillion','Ravensbrück, Suivi de Les Exterminations par gaz à Ravensbrück / par Anise Postel-Vinay. Les Exterminations par gaz à Hartheim, Mauthausen et Gusen / par Pierre Serge Choumoff',NULL,'','','','468','Paris','1988','Seuil',NULL,NULL,NULL,'(BNF)','Nouvelle Edition entièrement refondue
',''),('Rechercheverite','1946','prose','Germaine Tillion','A la recherche de la vérité',NULL,'','','','pp. 11-88','Neuchâtel','1946','Editions de la Baconnière',NULL,NULL,NULL,'(BNF)','in Ouvrage collectif, Ravensbrück, 216pp.
Témoignages réunis sous le contrôle de l\'Association des déportées et internées de la Résistance (BNF catalogue)
',''),('Rechercheverite','2001','prose','Germaine Tillion','A la recherche du vrai et du juste: à propos rompus avec le siècle',NULL,'','','Tzvetan Todorov','415','Paris','2001','Seuil',NULL,NULL,NULL,'','',''),('VerfugbarEnfers','2005','theatre','Germaine Tillion','Le Verfügbar aux Enfers: une opérette à Ravensbrück',NULL,'','','','225','Paris','2005','La Martinière',NULL,NULL,NULL,'(BNF)','',''),('VerfugbarEnfers','2007','theatre','Germaine Tillion','Le Verfügbar aux Enfers',NULL,'','','','','','2007','',NULL,NULL,NULL,'','Staged at the Théâtre du Châtelet in June 2007 to celebrate the centenary of the author\'s birth. Director - Géraldine Keiflin.
',''),('VerfugbarEnfers','2008','film','Unger, David','Le Verfügbar aux Enfers','','','','',NULL,'France','2008',NULL,'2007','60','','','Broadcast on Arte on Monday 20/04/2009. The documentary interweaves three stories the concentrationnaire experience, scenes from the opera and backstage footage from the Théâtre du Châtelet. There are also interviews with five of Tillion\'s fellow deportees.
',''),('FrancaiseLibre','1981','prose','Tereska Torrès','Les années anglaises : journal intime de guerre, 1939-1945',NULL,'','','','277','Paris','1981','Seuil',NULL,NULL,NULL,'','first title
',''),('FrancaiseLibre','2000','prose','Tereska Torrès','Une Française Libre : journal, 1939-1945',NULL,'','','','300','Paris','2000','Phébus',NULL,NULL,NULL,'Brotherton','an earlier publication was
',''),('Maisonshantees','2005','prose','Tereska Torrès','Les Maisons hantées de Meyer Levin',NULL,'','','','208','Paris','2005','Phébus',NULL,NULL,NULL,'','',''),('Pasencore','1958','prose','Tereska Torrès','Pas encore',NULL,'','','','','Paris','1958','Del Duca',NULL,NULL,NULL,'','',''),('Pasencore','1959','prose','Tereska Torrès','Not yet',NULL,'Levin, M','English','','192','London','1959','W.H. Allen',NULL,NULL,NULL,'','',''),('Womensbarracks','1950','prose','Tereska Torrès','Women\'s Barracks',NULL,'','English','','','London','1950','Fawcett',NULL,NULL,NULL,'','',''),('Womensbarracks','2005','prose','Tereska Torrès','Women\'s barracks',NULL,'Cummings, George','English','','235','New York','2005','Feminist Press at the City University of New York',NULL,NULL,NULL,'Brotherton','Afterword by Judith Mayne.
Interview with the author by Joan Schenkar.
Bibliographical references (p.232-233)
',''),('Victoirepleurant','1981','prose','Comtesse Béatrix de Toulouse-Lautrec','La Victoire en pleurant',NULL,'','','','236','Paris','1981','France-Empire',NULL,NULL,NULL,'','',''),('Victoirepleurant','1991','prose','Comtesse Béatrix de Toulouse-Lautrec','J\'ai eu vingt ans à Ravensbrück: La Victoire en pleurant',NULL,'','','','342','Paris','1991','Perrin',NULL,NULL,NULL,'','',''),('Petitefillesemaphore','2008','prose','Josette Tournerie','La Petite Fille du sémaphore',NULL,'','','','145','Versailles','2008','TBD éditions',NULL,NULL,NULL,'BNF','',''),('Roiaulnes','1970','prose','Michel Tournier','Le Roi des Aulnes',NULL,'','','','','Paris','1970','Gallimard',NULL,NULL,NULL,'','',''),('Roiaulnes','1972','prose','Michel Tournier','The Erl-King',NULL,'Bray, Barbara','English','','','London','1972','Collins',NULL,NULL,NULL,'','First translation
',''),('Roiaulnes','1978','prose','Michel Tournier','Le Roi des Aulnes',NULL,'','','','','Paris','1978','Gallimard',NULL,NULL,NULL,'own copy','First Folio edition
',''),('Roiaulnes','1996','prose','Tournier, Michel','Le Roi des Aulnes',NULL,'','','','','Paris','1996','Gallimard',NULL,NULL,NULL,'','Folio Plus, with critical material by Jean-Bernard Vray.
',''),('Milleregrets','1942','prose','Elsa Triolet','Mille Regrets',NULL,'','','','238','Paris','1942','Denoël',NULL,NULL,NULL,'(BNF)','ORC vol 3; \'Le Destin personnel\' is reprinted in Elsa Triolet choisie par Aragon
',''),('Milleregrets','1981','prose','Elsa Triolet','Mille Regrets',NULL,'','','','245','Paris','1981','Gallimard: Folio',NULL,NULL,NULL,'own copy (BNF)','pp. 3-4: extract from Elsa Triolet choisie par Aragon with details of the composition and publication of MIlle Regrets during the Occupation. From back cover: Mille regrets : une femme réfugiée à Nice pendant la guerre glisse dans la misère, les privations et, pour finir, la mort. Henri Castellat, c\'est le portrait d\'un homme lâche : en amour, en politique, en tout. Le destin personnel raconte un drame, à la campagne, sous l\'Occupation, un drame qui démasque la fausse apparence du bonheur. La belle épicière, mariée à un homme-serpent, va se perdre dans les amours de quartier, puis tomber dans la prostitution et trouver une mort tragique. Ces quatre nouvelles peignent le monde d\'avant-guerre, de la guerre et des débuts de l\'Occupation.
Elles en restituent miraculeusement le climat social et sentimental, tout ce qui fait l\'air du temps.
',''),('Melanie','1943','prose','','Quel est cet étranger qui n\'est pas d\'ici? ou le mythe de la Baronne Mélanie',NULL,'','','','','Paris','1943','Poésie 1943 mai-juin',NULL,NULL,NULL,'Brotherton Library','',''),('Melanie','1944','prose','','Quel est cet étranger qui n\'est pas d\'ici? ou Le Mythe de la Baronne Mélanie',NULL,'','','','82','Paris','1944','Seghers',NULL,NULL,NULL,'(BNF)','also reprinted in Elsa Triolet choisie par Aragon, Gallimard, 1960 (copy consulted); ORC vol 3
',''),('Amantsdavignon','1943','prose','Laurent Daniel','Les Amants d\'Avignon',NULL,'','','','90','Paris','1943','Editions de minuit',NULL,NULL,NULL,'(BNF)','reprinted in 1943-4 (Editions Charlot), 1944 (Editions des Trois Collines), and in the Editions de minuit public facsimile edition (1945), all under the clandestine pseudonym Laurent Daniel; reprinted under her own name in 1947 (Bibliothèque française).
reprinted in Le Premier Accroc coûte deux cents francs, 1945 and subsequent editions; and in Six entre autres nouvelles
',''),('Chevalblanc','1943','prose','Elsa Triolet','Le Cheval blanc',NULL,'','','','532','Paris','1943','Denoël',NULL,NULL,NULL,'(BNF)','',''),('premieraccroc','1945','prose','Elsa Triolet','Le Premier Accroc coûte deux cents francs',NULL,'','','','418','Paris','1945','Denoël',NULL,NULL,NULL,'own copy (BNF)','achevé d\'imprimer le 25 mars 1945
',''),('premieraccroc','1945a','prose','','',NULL,'','','','365','Paris','1945a','Denoël',NULL,NULL,NULL,'own copy','achevé d\'imprimer le 20 juillet 1945
','Aubier, Dominique, \'Le Premier Accroc coûte deux cents francs\', Les Nouvelles Littéraires, 10/5/1945. \"Par l\'accumulation des détails, par leur exactitude, voire même leur banalité, l\'auteur a su rendre l\'atmosphere de la France pendant l\'occupation.. ..Des images précieuses alternent avec des fautes de français.\"
Kemp, Robert, \'Prix Goncourt\', Les Nouvelles Littéraires, 05/07/1945
'),('premieraccroc','1964','prose','Elsa Triolet','Le Premier Accroc coûte deux cents francs',NULL,'','','','','Paris','1964','Le livre de poche',NULL,NULL,NULL,'own copy (BNF)','p.1:Ce volume a pour titre une de ces phrases mystérieuses que l\'on entendait à la radio pendant l\'occupation, langage chiffré par lequel Alger et Londres communiquaient avec la Résistance sur le sol français.
Quatre nouvelles, dont la première « Les Amants d\'Avignon », avait paru clandestinement aux Editions de Minuit, les manuscrits des trois autres, enterrés près de la maison habitée par l\'auteur, n\'ont vu le jour qu\'après la Libération.
Dans ces quatre nouvelles, la vie privée des personnages est inévitablement liée au destin du pays. Personne ne peut tirer son épingle du jeu. Que ce soit la petite dactylo, Juliette, en qui les circonstances révèlent l\'héroïsme latent, ou Louise Delfort, journaliste en temps de apx, avec son courage conscient et insensé, ou Alexis Slavsky, l\'artiste peintre qui croyait pourvoir vivre pour l\'art seul… la vie privée, le destin personnel de chacun, amour famille, vocation, sont tressés avec les événements historiques.
Un livre témoin de son époque.
',''),('premieraccroc','1980','prose','Elsa Triolet','Le Premier Accroc coûte deux cents francs',NULL,'','','','443','Paris','1980','Gallimard: Folio',NULL,NULL,NULL,'own copy','pp. 7-26: \'Préface à la clandestinité\' (juin 1964);
From back cover: Le titre de ce livre est une de ces phrases mystérieuses que l\'on entendait à la radio pendant l\'occupation, un message chiffré destiné à la Résistance. Des quatre nouvelles qui le composent, la première « Les Amants d\'Avignon », avait paru clandestinement aux Editions de Minuit. Les manuscrits des trois autres, enterrés près de la maison habitée par Elsa Triolet, n\'ont vu le jour qu\'après la Libération.
Dans ces quatre nouvelles, les personnages ne peuvent échapper au destin du pays. La vie privée, l\'amour, la famille, la vocation deviennent inséparables des événements historiques.
Prix Goncourt 1944.
',''),('passageligne2','1945','prose','Elsa Triolet','Ce n\'était qu\'un passage de ligne',NULL,'','','','27','','1945','Seghers',NULL,NULL,NULL,'(BNF)','',''),('passageligne2','2002','prose','Elsa Triolet','Ce n\'était qu\'un passage de ligne, suivi de Les Souliers grillés',NULL,'','','','60','Rambouilet','2002','Société des amis d\'Aragon et de Triolet',NULL,NULL,NULL,'(BNF)','Ce texte est complété par un autre récit des
aventures clandestines du couple Aragon-Triolet : Les souliers grillés. Ces deux
récits étaient introuvables depuis 1950, si ce n\'est chez les libraires spécialisés. [From Le Temps des cerises catalogue, accessed on-line August 2010]
',''),('Yvette','(1944)','prose','','Yvette, récit de 1943',NULL,'','','','24','s.l.s.d.','(1944)','Bibliothèque française',NULL,NULL,NULL,'(BNF)','Daté de mai 1944. reprinted in Six entre autres nouvelles and in Aury and Paulhan (eds.), La Patrie se fait tous les jours.
',''),('personne','1946','prose','','Personne ne m\'aime',NULL,'','','','253','Paris','1946','La Bibliothèque française',NULL,NULL,NULL,'(BNF)','',''),('Fantomes','1947','prose','Elsa Triolet','Les Fantômes armés',NULL,'','','','331','Paris','1947','La Bibliothèque française',NULL,NULL,NULL,'Brotherton Library','',''),('Inspecteur','1948','prose','','L\'Inspecteur des ruines',NULL,'','','','312','Paris','1948','La Bibliothèque française',NULL,NULL,NULL,'(BNF)','',''),('sixentre','1945','prose','Elsa Triolet','Six entre autres nouvelles',NULL,'','','','282','Lausanne','1945','La Guilde du livre',NULL,NULL,NULL,'(BNF)','',''),('vieprivee','1945','prose','Elsa Triolet','La Vie privée ou Alexis Slavsky Artiste-Peintre',NULL,'','','','pp 95-264 of Le Premier Accroc coûte deux cents francs','Paris','1945','Denoël',NULL,NULL,NULL,'own copy (BNF)','p.264: Saint-Donat, september 1943
',''),('Cahiers','1945','prose','Elsa Triolet','Cahiers enterrés sous un pêcher',NULL,'','','','pp. 265-380 of Le Premier Accroc','Paris','1945','Denoël',NULL,NULL,NULL,'own copy (BNF)','March 1945 edition. p.380: Un fragment de la nouvelle Cahiers enterrés sous un pêcher a été publiée illégalement dans les Lettres françaises, en mai 1944. (also reprinted in Six entre autres nouvelles)
',''),('Clairlune','1942','prose','Elsa Triolet','Clair de lune',NULL,'','','','','Paris','1942','Poésie 42',NULL,NULL,NULL,'Brotherton Library','Reprinted in Six entre autres nouvelles 1945; ORC vol 3
',''),('premaccrocthestory','1945','prose','Elsa Triolet','\'Le Premier Accroc coûte deux cents francs\'',NULL,'','','','pp. 381-417 of Le Premier Accroc','Paris','1945','Denoël',NULL,NULL,NULL,'own copy','March 1945 edition; p.417: Paris, novembre 1944. NB. pp. 383-387 (to end of first paragraph, and with the addition of the phrase: \'Mais vous allez voir\') were printed in L\'Eternelle Revue, Editions de la Jeune Parque, 1er déc. 1944, pp. 29-32.
',''),('DernierMetro','1980','film','François Truffaut','Le Dernier Métro','','Schiffmanm, Suzanne and François Truffaut','','',NULL,'France','1980',NULL,'1979','130','','Edward Boyle','',''),('Memoirescuremaquis','1950','prose','Abbé Jean Truffy','Les Mémoires du curé du maquis de Glières',NULL,'','','','115','Annecy','1950','Imprimerie de Abry',NULL,NULL,NULL,'BNF','',''),('Sangor','1946','prose','Julien Unger','Le Sang et l\'or: Souvenirs de camps allemands',NULL,'','','','234[1]','Paris','1946','Gallimard',NULL,NULL,NULL,'BNF','',''),('Droledejeu','1945','prose','Roger Vailland','Drôle de jeu',NULL,'','','','','Paris','1945','Corrêa',NULL,NULL,NULL,'','',''),('Droledejeu','1968','prose','Roger Vailland','Drôle de jeu',NULL,'','','','433','Paris','1968','Livre de poche',NULL,NULL,NULL,'own copy','',''),('Jeunehommeseul','1951','prose','Vailland, Roger','Un jeune homme seul',NULL,'','','','','Paris','1951','Corrêa',NULL,NULL,NULL,'','',''),('Jeunehommeseul','1967','prose','Vailland, Roger','Un jeune homme seul',NULL,'','','','','Paris','1967','Livre de Poche',NULL,NULL,NULL,'','First Poche edition
',''),('Jeunehommeseul','1985','prose','Vailland, Roger','Un jeune homme seul',NULL,'','','ed. by J.E. Flower & C.H.R. Niven','','London','1985','Methuen',NULL,NULL,NULL,'','Critical material in English
',''),('Jeunehommeseul','1992','prose','Vailland, Roger','Un jeune homme seul',NULL,'','','','','Paris','1992','Grasset',NULL,NULL,NULL,'','Les Cahiers Rouge
',''),('Alsacevousparle','1946','prose','Benjamin Vallotton','L\'Alsace vous parle',NULL,'','','','213','Lausanne','1946','F. Rouge',NULL,NULL,NULL,'','Illustrated
',''),('FascistesnazisProvence','1945','prose','Benjamin Vallotton','Fascistes et nazis en Provence: Journal d\'un Suisse pendant l\'Occupation 1942-1944',NULL,'','','','202','Paris','1945','Mercure de France',NULL,NULL,NULL,'','',''),('Feuillesvent','1941','prose','Benjamin Vallotton','Feuilles dans le vent',NULL,'','','','','Lausanne','1941','Librairie Rouge',NULL,NULL,NULL,'','',''),('Armesdelanuit','1946','prose','Vercors','Les Armes de la nuit',NULL,'','','','113','Paris','1946 (November and December)','Editions de minuit',NULL,NULL,NULL,'Brotherton','',''),('Armesdelanuit','1947','prose','Vercors','Les Armes de la nuit',NULL,'','','','','Paris','1947','Editions de Minuit',NULL,NULL,NULL,'','',''),('Armesdelanuit','1951','prose','Vercors','Les Armes de la nuit',NULL,'','','','','Paris','1951','Albin Michel',NULL,NULL,NULL,'','',''),('Armesdelanuit','1991','prose','Vercors','Les Armes de la nuit',NULL,'','','','','Paris','1991','Points',NULL,NULL,NULL,'','Poche edition. Published with its sequel, La Puissance du jour.
',''),('Cejourla','1943','prose','Vercors','Ce jour-là',NULL,'','','','','','1943','',NULL,NULL,NULL,'','',''),('ChevalMort','1944','prose','Vercors','Le Cheval et la Mort',NULL,'','','','','','1944','',NULL,NULL,NULL,'','',''),('Impuissance','1944','prose','Vercors','L\'Impuissance',NULL,'','','','','','1944 (février)','',NULL,NULL,NULL,'','reprinted in Le Silence de la mer et autres récits
',''),('Marcheetoile','2007','prose','Predali, Jean-Baptiste','Autrefois Diana',NULL,'','','','154','Arles','1997','Actes Sud',NULL,NULL,NULL,'Brotherton','',''),('Marcheetoile','1945a','prose','Vercors','La Marche à l\'étoile',NULL,'','','','59','London','1945','Les cahiers du silence',NULL,NULL,NULL,'own copy/ p.Brotherton','front cover: Paris 1943 Londres 1945;
p.5: Ce volume publié sous l\'oppression aux dépens de quelques lettrés patrioties à (sic) été achevé d\'imprimer le jour de noël 1943.
reprinted also with Les Animaux dénaturés, Livre de poche, 1956;
',''),('Marcheetoile','1945b','prose','Vercors','La Marche à l\'étoile',NULL,'','','','95','Paris','1945','Editions de minuit',NULL,NULL,NULL,'','facsimile edition, first public edition. La Marche à l\'étoile has been reprinted in many further editions, including 1956 livre de poche with Les Animaux dénaturés, and 1980 livre de poche with Le Silence de la mer et autres récits
',''),('Marcheetoile','1946','prose','Vercors','Guiding Star',NULL,'Sutton, Eric','English','','56','London','1946','Macmillan',NULL,NULL,NULL,'','First translation into English
',''),('Mots','1947','prose','Vercors','Les Mots',NULL,'','','','52','Paris','1947','Editions de minuit',NULL,NULL,NULL,'own copy','collection: nouvelles originales
',''),('Mots','1998','prose','Vercors','Les Mots',NULL,'','','','61','Paris','1998','Actes Sud',NULL,NULL,NULL,'','from chapitre.com, probably taken from back cover:
près de cinquante ans après avoir été publié, voici, retrouvé par le truchement des \" belles oubliées \", un petit texte que vercors -l\'inoubliable auteur du silence de la mer - écrivit en 1944, après avoir eu connaissance du massacre d\'oradour-sur-glane.
inspiré par l\'insoutenable interrogation du créateur devant la barbarie, ce livre, dans la nuit de la mémoire, ressemble à un filament incandescent.
',''),('Mots','2004','prose','Vercors','Les Mots',NULL,'','','','80','paris','2004','Editions Alternatives',NULL,NULL,NULL,'','Illustrations et calligraphies d\'Els Baekelandt.
from back cover:
Luc est poète. Caché sur une colline, il assiste impuissant au massacre d\'Oradour-sur-Glane en juin 1944 alors qu\'un officier allemand peint la beauté du paysage... Dans cette courte nouvelle écrite en 1946, Vercors condense nombre des interrogations qui l\'ont saisi au sortir de la Seconde Guerre mondiale. qu\'en est-il de l\'art face à la barbarie ? qu\'en est-il de notre humanité? le travail d\'els baekelandt donne toute sa force déchirante à ce texte d\'une éternelle actualité.
',''),('Silencemer','1942','prose','Vercors','Le Silence de la mer',NULL,'','','','','Paris','1942','Editions de minuit',NULL,NULL,NULL,'','Clandestine edition
',''),('Silencemer','1943','prose','Vercors','Le Silence de la mer',NULL,'','','','46 + preface','London','1943','Cahiers du silence',NULL,NULL,NULL,'own copy','Front cover: Le Silence de la mer: Récit. Ecrit en France - 1943 - publié à Londres
Préface Les Cahiers du silence. M.D. [Maurice Druon] (5pp, no pagination)
p.2 Première édition. Editions de Minuit - Paris. Ce volume publié aux dépens d\'un patriote, a été achevé d\'\'imprimer sous l\'occupation Nazie le 20 février 1942.
',''),('Silencemer','1943b','prose','Vercors','Le Silence de la mer',NULL,'','','','','London','1943','Les Cahiers du Silence',NULL,NULL,NULL,'','',''),('Silencemer','1944','prose','Vercors','Put Out the Light, a translation by Cyril Connolly of \"Le Silence de la mer\" by Vercors',NULL,'Connolly, Cyril','English','','xii+40','London','1944','Macmillan',NULL,NULL,NULL,'(BNF)','translation of the préface by Maurice Druon (for 1943 London edition)
',''),('Silencemer','1948','film','Melville, Jean-Pierre','Le Silence de la mer','','','','',NULL,'','1948',NULL,'1948','','','','',''),('Silencemer','1944a','prose','Vercors','Le Silence de la mer',NULL,'','','Edited with notes and vocabulary by Thomas Mark','63','London','1944','Macmillan',NULL,NULL,NULL,'own copy','',''),('Silencemer','1944b','prose','Vercors','Le Silence de la mer',NULL,'','','','56','Algers','1944','Editions Charlot',NULL,NULL,NULL,'own copy','includes Maurice Druon\'s Préface Cahiers du silence (pp. 7-12)
',''),('Silencemer','1964','prose','Vercors','Le Silence de la mer ; [suivi du] Manifeste des Éditions de Minuit par Pierre de Lescure et Vercors ; [suivi de] la Conférence demandée par les Universités américaines à Vercors',NULL,'','','','228','Paris','1964','Libraires associés',NULL,NULL,NULL,'(BNF)','Le Silence de la mer [Texte imprimé] / par Vercors. [suivi du] Manifeste des Éditions de Minuit par Pierre de Lescure et Vercors ; [suivi de] la Conférence demandée par les Universités américaines à Vercors / et de la Préface à l\'édition de Londres par Maurice Druon
',''),('Silencemer','1991','prose','Vercors','The Silence of the Seas',NULL,'Brown, J.W. & Stokes, L.D.','English','','','Oxford/ New York','1991','Berg',NULL,NULL,NULL,'','',''),('Songe','1945','prose','Vercors','Le Songe',NULL,'','','','45','Paris','1945','Les Editions de minuit',NULL,NULL,NULL,'Brotherton','Achevé d\'imprimer à Paris, le 25 mai 1945. -
IUne note, au verso du titre, porte que Le Songe, écrit en novembre 1943, a été publié pour la première fois dans la revue Traits, en Suisse, au début de 1944, puis dans le premier numéro non clandestin des Lettres françaises, en septembre 1944
',''),('Songe','1949','prose','','Le Songe précédé de Ce Jour là',NULL,'','','','','Paris','1949','Pierre Seghers',NULL,NULL,NULL,'Brotherton','p.31 Le Songe par Vercors est la Trentième brochure d\'une série publiée par \"Poésie 49\".
',''),('silencemeretautres','1951','prose','','Le Silence de la mer et autres récits',NULL,'','','','187','Paris','1951','Albin Michel',NULL,NULL,NULL,'Brotherton','',''),('silencemeretautres','1960','prose','','Le Silence de la mer et autres récits',NULL,'','','','','','1960','Livre de poche',NULL,NULL,NULL,'','Poche edition, including seven other stories: Désespoir est mort, Ce jour-là, Le Songe, L\'Impuissance, Le Cheval et la mort, L\'Imprimerie de Verdun
',''),('silencemeretautres','1980','prose','','',NULL,'','','','','','1980','Livre de poche',NULL,NULL,NULL,'','livre de poche + la marche a l\'etoile. others after
',''),('Bataillesilence','1967','prose','','La Bataille du silence: souvenirs de minuit',NULL,'','','','','Paris','1967','Presses de la cité',NULL,NULL,NULL,'','',''),('Lenord','1944','prose','','Le Nord',NULL,'','','','','Paris','1944','Pierre Seghers',NULL,NULL,NULL,'Brotherton Library','Poésie no pp
',''),('sabletemps','1945','prose','','Le Sable du temps',NULL,'','','','','','1945','',NULL,NULL,NULL,'BNF','Contains \'Souffrance de mon pays\' (essay first published in English translation in Life, New York, November 1944, then Carrefour, version originale, 2/12/1944 (p.14); \'Le Nord\', short story, and \'Le Sable du temps\' (various essays, lectures).
',''),('sabletemps','1946','prose','','Le Sable du temps',NULL,'','','','','','1946','',NULL,NULL,NULL,'Brotherton','',''),('souffrance','1945','prose','','Souffrance de mon pays',NULL,'','','','','','1945','',NULL,NULL,NULL,'','not necessarily first edition?
',''),('Imprimerie','1947','prose','Vercors','L\'Imprimerie de Verdun',NULL,'','','','95','Paris','1947','La Bbliothèque française',NULL,NULL,NULL,'own copy','Collection of short stories containing: 1. L\'Imprimerie de Verdun 2. Désespoir est mort 3. L\'Impuissance 4. Les Pas exténuants 5. Le Cheval et la Mort 6. Agir selon sa pensée.
p.2: \'Le document reproduit sur la couverture représente \"Margot l\'Enragée\" de P. BRUEGHEL (Photo Giraudon).
',''),('desespoir','1944','prose','','Désespoir est mort',NULL,'','','','pp x - x, Chroniques interdites','','1944','',NULL,NULL,NULL,'','',''),('Nuitpasnuit','1948','prose','André Verdet','La Nuit n\'est pas la nuit: Roman',NULL,'','','','402[1]','Paris','1948','Pré-aux-clercs',NULL,NULL,NULL,'BNF','',''),('','','prose','','',NULL,'','','','','','','',NULL,NULL,NULL,'','',''),('Traverseefrontieres','2004','prose','Jean-Pierre Vernant','La Traversée des frontières',NULL,'','','','196','Paris','2004','Seuil',NULL,NULL,NULL,'BNF','',''),('Armeesecretebasalpine','1947','prose','Jean-Antoine Vial','Un de l\'Armée secrète bas-alpine: Souvenirs d\'un résistant',NULL,'','','','198','Marseille','1947','Imprimerie de Villard',NULL,NULL,NULL,'BNF','Preface by Max Juvenal. Drawings by O. Girard. Illustrations by E. Decory, from the original art work of J. Schnebelen
',''),('Cinqhommes','1954','prose','Paul Vialar','Cinq hommes de ce monde',NULL,'','','','571','Paris','1954','Flammarion',NULL,NULL,NULL,'','',''),('Cinqhommes','1956','prose','Paul Vialar','Destination Berlin',NULL,'John Stead','English','','317','London','1956','Staples Press',NULL,NULL,NULL,'BL','The style is often clunky and unconvincing.
',''),('dansons','1950','prose','Paul Vialar','Dansons la capucine',NULL,'','','','279','Paris','1950','Editions Domat',NULL,NULL,NULL,'British Library','',''),('lahaute','1951','prose','Paul Vialar','La Haute Mort',NULL,'','','','363','Paris','1951','Editions Domat',NULL,NULL,NULL,'British Library','',''),('lamort','1946','prose','Paul Vialar','La Mort est un commencement',NULL,'','','','','Paris','1946-1951','Editions Domat',NULL,NULL,NULL,'British Library','',''),('Lebal','1946','prose','Paul Vialar','Le Bal des sauvages',NULL,'','','','238','Paris','1946','Editions Domat',NULL,NULL,NULL,'British Library','',''),('Lebouc','1949','prose','Paul Vialar','Le Bouc étourdi',NULL,'','','','275','Paris','1949','La Table ronde',NULL,NULL,NULL,'BNF','',''),('courtevie','1995','prose','Claude Vinci','La Trop Courte Vie d\'Adrien',NULL,'','','','99','Pantin','1995','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','BNF catalogue: 1995 publication; Temps des cerises catalogue: 1998 publication.
',''),('Amipere','2000','prose','Frédéric Vitoux','L\'Ami de mon père',NULL,'','','','218','Paris','2000','Seuil',NULL,NULL,NULL,'BL','',''),('Dahlias','2003','prose','Frédéric Vitoux','Des dahlias rouge et mauve',NULL,'','','','259','Paris','2003','Seuil',NULL,NULL,NULL,'BL','','Magazine littéraire, no.422, Juillet-Aout 2003
'),('Greouforce','2007','prose','Jean-Pierre Vittori','De gré ou de force: service du travail obligatoire, 1942-1945',NULL,'','','','112','Paris','2007','Nathan',NULL,NULL,NULL,'','Collection : Les romans de la mémoire ;no. 18
',''),('Sabots','2003','prose','Jean-Pierre Vittori','Les Sabots: 1944-1945',NULL,'','','','120','Paris','2003','Nathan',NULL,NULL,NULL,'','Collection : Les romans de la mémoire ; no. 7
',''),('Didineautres','1940','prose','Colette Vivier','Didine et les autres',NULL,'','','','','London','1940','A & C Black',NULL,NULL,NULL,'BL','',''),('maison4vents','1946','prose','Colette Vivier','La Maison des quatre-vents',NULL,'','','','','','1946','',NULL,NULL,NULL,'','',''),('maison4vents','1989','prose','Colette Vivier','La Maison des quatres vents',NULL,'','','','201','Paris','1989','Rouge et Or',NULL,NULL,NULL,'BNF','Illustrations by Lusse
',''),('Memorial','2005','prose','Cécile Wajsbrot','Mémorial',NULL,'','','','174','Paris','2005','Zulma',NULL,NULL,NULL,'BL','',''),('EcritsdeMarseille','2008','prose','Simone Weil','Ecrits de Marseille - Oeuvres Completes IV (1940-1942)',NULL,'','','','622','Paris','2008','Gallimard',NULL,NULL,NULL,'','',''),('Tempshonte','1945','prose','André Weil-Curiel','Le Temps de la honte',NULL,'','','','','Paris','1945-1947','Éditions du Myrte',NULL,NULL,NULL,'BNF','3 volumes
I: Le Jour se lève à Londres, 1945, 362pp
II: Éclipse en France, 1946, 351pp III: Un voyage en enfer, 1947, 301pp.
',''),('Cequefemmeveut','1946','prose','Louise Weiss','Ce que femme veut: Souvenirs de la IIIe République',NULL,'','','','332','Paris','1946','Gallimard',NULL,NULL,NULL,'BNF','',''),('Dernieresvoluptes','1979','prose','Louise Weiss','Dernières voluptés',NULL,'','','','','Paris','1979','ALbin Michel',NULL,NULL,NULL,'BL','',''),('DameIzieu','2007','film','Alain Wermus','La Dame d\'Izieu','','Kaminka, Stéphane and Alain Stern','','',NULL,'France','2007',NULL,'2006','2 x 85','','','Broadcast on TF1 on the 12/03/2007 and 19/03/2007
',''),('Souille','1970','prose','Paul Werrie','La Souille',NULL,'','','','293','Paris','1970','Mercure de France',NULL,NULL,NULL,'BL','','QL, no. 107, 1-15/12/70
'),('Deposition','1946','prose','Léon Werth','Déposition: Journal, 1940-1944',NULL,'','','','563','Paris','1946','Grasset',NULL,NULL,NULL,'Brotherton','',''),('Deposition','1992','prose','Léon Werth','Déposition: Journal, 1940-1944',NULL,'','','','733','Paris','1992','V. Hamy',NULL,NULL,NULL,'BNF','Presentation and notes by Jean-Pierre Azéma.
',''),('FrancaiseFrancais','1988','prose','François Weyergans','Françaises, Français',NULL,'','','','','Paris','1988','Gallimard',NULL,NULL,NULL,'Brotherton','Folio edition.The novel first appeared under the title of Les Figurants (Paris: Editions Ballard, 1980)
',''),('Memoires','1950','prose','Général Maxime Weygand','Mémoires',NULL,'','','','','Paris','1950-1957','Flammarion',NULL,NULL,NULL,'BNF and Brotherton','I: Idéal vécu, 1953
II: Mirages et réalité, 1957
III: Rappelé au service, 1950
',''),('Nuit','1958','prose','Elie Wiesel','La Nuit',NULL,'','','','178','Paris','1958','Editions de Minuit',NULL,NULL,NULL,'BL','Preface by François Mauriac, who befriended author and assisted book\'s publication, after an earlier version in Yiddish failed to arouse much interest.
',''),('Jeanne','2003','prose','Michel Winock','Jeanne et les siens',NULL,'','','','272','Paris','2003','Editions du Seuil',NULL,NULL,NULL,'','',''),('Jeanne','2004','prose','','Jeanne et les siens',NULL,'','','','267','Paris','2004','Editions du Seuil collection Points',NULL,NULL,NULL,'own copy','',''),('HeurestragiquesEmpire','1947','prose','X','Général, Aux heures tragiques de l\'Empire (1938-1941)',NULL,'','','','299','Paris','1947','Office Colonial d\'Édition',NULL,NULL,NULL,'','',''),('Nedjma','1956','prose','Kateb Yacine','Nedjma',NULL,'','','','255','Paris','1956','Seuil',NULL,NULL,NULL,'','',''),('Nedjma','1981','prose','Kateb Yacine','Nedjma',NULL,'','','','256','Paris','1981','Seuil',NULL,NULL,NULL,'','First paperback edition
',''),('Nedjma','1991','prose','Kateb Yacine','Nedjma',NULL,'Howard, Richard','English','','','Charlottesville','1991','University of Virginia Press',NULL,NULL,NULL,'','Introduction by Bernard Aresu.
',''),('BldHirondelles','1992','film','Josée Yann','Boulevard des Hirondelles','','','','M.J.N. Productions',NULL,'France','1992',NULL,'1991','90','','','',''),('BelgianManor2Wars','1949','prose','Charles de Ydewalle','A Belgian Manor in Two Wars',NULL,'Sutton, Eric','English','','lx+199,[1]','London','1949','Macmillan & Co.',NULL,NULL,NULL,'BL','',''),('CroquisLondresguerre','1945','prose','Charles de Ydewalle','Croquis de Londres en guerre',NULL,'','','','[191]-222','Paris','1945','',NULL,NULL,NULL,'BL','[in] Les Oeuvres libres CCXXXI, nouvelle série 5 (1945)
',''),('IciLondres','1945','prose','Charles de Ydewalle','Ici Londres...',NULL,'','','','255','Paris','1945','Arthème Fayard',NULL,NULL,NULL,'BNF','',''),('InterludeSpain','1944','prose','Charles de Ydewalle','An Interlude in Spain',NULL,'Sutton, Eric','English','','viii+212,[1]','London','1944','Macmillan & Co',NULL,NULL,NULL,'BL','',''),('Amourtempete','2004','prose','Aude Yung - de Prévaux','Un Amour dans la tempête de l\'histoire: Jacques et Lotka de Preévaux',NULL,'','','','224','Paris','2004','Le Félin poche',NULL,NULL,NULL,'personal copy','First published 1998, Editions du Félin
Citations en exergue p.5:
Combattants de la Résistance tués aux maquis ou aux poteaux d\'exécution, vous tous qui, à votre dernier souffle, avez hurlé le nom de la France, c\'est vous qui avez exalté les courages, sanctifié l\'effort, inventé la résolution. Vous avez pris la tête de l\'immense et magnifique cohorte des fils et filles de France qui ont, dans les épreuves, attesté sa grandeur.
GÉNÉRAL DE GAULLE, Préface au Mémorial des compagnons de la Libération
Des héros, c\'est-à-dire des êtres qui ne veulent pas être domptés.
JEAN GIONO
préface de Michel Debray, vice-amiral, président de l\'Institut Charles-de-Gaulle, pp. 9-11.
Appendices: Key dates of the military career of Jacques de Prévaux (pp. 209-210); \'Principales décorations et citations\' of Jacques de Prévaux (211-3) and Lotka de Prévaux (p.214)
',''),('BoucherGuelma','2007','prose','Francis Zamponi','Le Boucher de Guelma',NULL,'','','','270','Paris','2007','Seuil',NULL,NULL,NULL,'Brotherton','',''),('VoixdelaMuette','2003','film','Daniela Zanzotto','Les Voix de la Muette','','','','',NULL,'France','2003',NULL,'2002','53','','','Released to English language audiences as If the Walls Could Speak.
',''),('Souvenirssolitude','1948','prose','Jean Zay','Souvenirs et solitude',NULL,'','','','xi+489','Paris','1948','Juillard',NULL,NULL,NULL,'BL','Preface by Jean Cassou.
',''),('Tempsrencontres','1948','prose','Michel Zéraffa','Le Temps des rencontres',NULL,'','','','757','Paris','1948','Albin Michel',NULL,NULL,NULL,'','',''),('Tempsrencontres','1952','prose','Michel Zéraffa','The Living and the Lost',NULL,'J.M. Cohen','English','','543','London','1952','Bodley Head',NULL,NULL,NULL,'BL','Rather clumsy not to say bizarre use of English makes this translation highly unreliable (e.g. the composer \'John Sebastian Bach\').
',''),('Surlenjeu','1946','prose','Roger Caillois','Sur l\'enjeu d\'une guerre',NULL,'','','','67','Paris','1946','Sagittaire',NULL,NULL,NULL,'Brotherton Library','',''),('Deroute','1945','prose','Jacques Debû-Bridel','Déroute',NULL,'','','','347','Paris','1945','Gallimard',NULL,NULL,NULL,'own copy (BNF)','copy inscribed on title page by author: a Beb Hearnden en souvenir du boulevard St Michel, ces pages un peu noires de mon roman de la DÉROUTE en attendant celui de la revanche. Avec mes meilleures amitiés Jacques Debû-Bridel le 20.I. 1947
',''),('bete','1946','prose','Pierre Leforestier','Bête à Vivre',NULL,'','','','364','Paris','1946','Editions du Chêne',NULL,NULL,NULL,'Brotherton Library','',''),('Aunom','Original','prose','Fabre-Luce Alfred','Au Nom des Silencieux',NULL,'','','','179','Paris','1945','Diffusion du Livre',NULL,NULL,NULL,'Brotherton','',''),('adolescente','1979','prose','Henriette Jelinek','L\'Adolescente*',NULL,'','','','','','1979','Editions Albatros',NULL,NULL,NULL,'(BNF)','d\'après un scénario d\' Henriette Jelinek et Jeanne Moreau
',''),('linutile','1953','prose','Jean Masarès','L\'Inutile*',NULL,'','','','','Paris','1953','Julliard',NULL,NULL,NULL,'(BNF)','','NL 5/11/1953
'),('abeillesguepe','2002','prose','François Maspero','Les Abeilles et la guêpe*',NULL,'','','','','Paris','2002','Seuil',NULL,NULL,NULL,'own copy (BNF)','',''),('tempsital','1994','prose','François Maspero','Le Temps des italiens*',NULL,'','','','','Paris','1994','Seuil',NULL,NULL,NULL,'(BNF)','',''),('sourirechat','1984','prose','François Maspero','Le Sourire du chat*',NULL,'','','','','Paris','1984','Seuil',NULL,NULL,NULL,'own copy (BNF)','',''),('lerefus','1962','prose','Ludovic Massé','Le Refus*',NULL,'','','','','','1962','L\'Amitié pour le livre',NULL,NULL,NULL,'(BNF)','','NL 27/1/62
'),('sangruches','1996','prose','Violaine Massenet','Le Sang des ruches*',NULL,'','','','','Paris','1996','Denoël',NULL,NULL,NULL,'(British Library)','',''),('betequatern','1963','prose','Renée Massip','La Bête quaternaire*',NULL,'','','','','Paris','1963','Gallimard',NULL,NULL,NULL,'','',''),('ideesrestent','1941','prose','Henri Massis','Les Idées restent*',NULL,'','','','','Lyon','1941','H. Lardanchet',NULL,NULL,NULL,'(BNF)','',''),('requiscivil','1945','prose','Loys Masson','Le Requis civil*',NULL,'','','','','Paris','1945\'','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('levivant','1995','prose','Françoise Matthey','Le Vivant, jusqu\'à la pierre*',NULL,'','','','','','1995','Canevas Editeur Frasne',NULL,NULL,NULL,'(CHRD L)','',''),('uneteentre','2003','prose','Yvon Mauffret','Un été entre deux feux*',NULL,'','','','','','2003','Rageot',NULL,NULL,NULL,'(BNF)','',''),('monjournal','1996','prose','Yvon Mauffret','Mon Journal de guerre*',NULL,'','','','','','1996','Rageot',NULL,NULL,NULL,'(BNF)','',''),('jardinenfants','1991','prose','Yvon Mauffret','Le Jardin des enfants perdus*',NULL,'','','','','','1991','Milan',NULL,NULL,NULL,'(CHRD L)','',''),('clossaint','1956','prose','Michel Maurette','Le Clos Saint-Michel*',NULL,'','','','','','1956','La Nef de Paris',NULL,NULL,NULL,'(BNF)','','NL 12/1/1958
'),('terrassede','1977','prose','Claude Mauriac','La Terrasse de Malagar*',NULL,'','','','','Paris','1977','Grasset',NULL,NULL,NULL,'(BNF)','4th volume of Le Temps immobile
','QL no 255, 1-15 mai 1977.
'),('cahiernoir','1943','prose','Forez','Le Cahier noir*',NULL,'','','','','Paris','1943','Editions de minuit',NULL,NULL,NULL,'','clandestine publication under the pseudonym Forez
',''),('poidsvivre','1981','prose','Violette Maurice','Le Poids de vivre*',NULL,'','','','','','1981','Maison Rhodanienne de Poésie',NULL,NULL,NULL,'(BNF)','collection of short stories
',''),('puitscorbeaux','2009','prose','René de Maximy','Le Puits aux corbeaux*',NULL,'','','','224','Riom (Puy-de-Dome)','2009','',NULL,NULL,NULL,'','',''),('lepassage','1961','prose','Daniel May','Le Passager*',NULL,'','','','','(BNF)','1961','Gallimard',NULL,NULL,NULL,'','','NL 30/11/61
'),('larmeslum','1952','prose','Camille Mayran','Larmes et lumière à Oradour*',NULL,'','','','','Paris','1952','Plon',NULL,NULL,NULL,'(BNF)','',''),('collabosong','1981','prose','Jean Mazarin','Collabo-song*',NULL,'','','','','Paris','1981','Fleuve noir',NULL,NULL,NULL,'own copy (BNF)','',''),('pecheveniel','1995','prose','','Péché véniel... péché mortel...*',NULL,'','','','','Bordeaux','1995','Le Castor Astral',NULL,NULL,NULL,'(Britsh Library)','Film of same name. Synopsis - Le journal intime d\'une petite fille de 11 ans. Céline décrit la vie chez sa grand-mère, à la campagne, après la Libération. Au milieu des jeux innocents de son enfance, le coiffeur du village, un homme séduisant de 50 ans, lui fait découvrir sa sexualité.
',''),('lecarrefour','1957','prose','Christian Mégret','Le Carrefour des solitudes*',NULL,'','','','','Paris','1957','Julliard',NULL,NULL,NULL,'(Brotherton)','','NL 26/9/57
'),('franchise','1955','prose','Christian Mégret','Franchise militaire*',NULL,'','','','','Paris','1955','Julliard',NULL,NULL,NULL,'(BNF)','','NL 3/3/55
'),('jacques','1941','prose','Christian Mégret','Jacques*',NULL,'','','','','Paris','1941','Plon',NULL,NULL,NULL,'(British Library)','',''),('labrigade','1984','prose','Léon Mercadet','La Brigade Alsace-Lorraine*',NULL,'','','','','Paris','1984','Grasset',NULL,NULL,NULL,'(Durham)','',''),('lesoleilni','1950','prose','Jacques Mercanton','Le Soleil ni la mort*',NULL,'','','','','Paris','1950','Fasquelle',NULL,NULL,NULL,'(BNF)','','NL 6/7/50
'),('hautcastel','2000','prose','Jean Mergeal','Hautcastel*',NULL,'','','','','','2000','Editions Racine',NULL,NULL,NULL,'(CHRD L)','',''),('4anneesdur','1945','prose','Henri Michel','Quatre années dures*',NULL,'','','','','Paris','1945','Grasset',NULL,NULL,NULL,'(BNF)','',''),('lememebat','1950','prose','Thérése Milhaud','Le Même Bâteau',NULL,'','','','','Paris','1950','Gallimard',NULL,NULL,NULL,'(BNF)','','NL 16/3/1950
'),('lepassant','2010','prose','Christian Millau','Le Passant de Vienne: un certain Adolf*',NULL,'','','','','Monaco','2010','Editions du Rocher',NULL,NULL,NULL,'','',''),('vieillefra','2004','prose','Hélène Millerand','Vieille France*',NULL,'','','','','Paris','2004','Stock',NULL,NULL,NULL,'(BNF)','','ML no 431, mai 2004
'),('accompagn','1992','film','','L\'Accompagnatrice*','','','','',NULL,'','1992',NULL,'1992','','','','',''),('jehaiscette','1979','prose','Juliette Minces','Je hais cette France-là*',NULL,'','','','','Paris','1979','Seuil',NULL,NULL,NULL,'','',''),('quatresoldats','2003','prose','Hubert Mingarelli','Quatre soldats*',NULL,'','','','','Paris','2003','Seuil',NULL,NULL,NULL,'(British Library)','','ML no 416 jan 2003
'),('cheminsnuit','1959','prose','Paul Minot','Les Chemins de la nuit*',NULL,'','','','','Paris','1959','Debresse',NULL,NULL,NULL,'(BNF)','','NL 18/6/59
'),('armeset','1951','prose','Pierre Moinot','Armes et bagages*',NULL,'','','','','Paris','1951','Gallimard',NULL,NULL,NULL,'(Brotherton)','(Brotherton
','NL 6/9/51
'),('nousdepeyrac','1982','prose','Thalie de Molènes','Nous de Peyrac en Périgord*',NULL,'','','','','Paris','1982','Flammarion',NULL,NULL,NULL,'(CHRD L)','',''),('Sobibor','2003','prose','Jean Molla','Sobibor*',NULL,'','','','','Paris','2003','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('journalsuzan','1991','prose','Hélène de Monferrand','Journal de Suzanne*',NULL,'','','','','','1991','Ed de Fallois',NULL,NULL,NULL,'','',''),('memoirecru','1958','prose','Louis de Monicault','Mémoire cruelle*',NULL,'','','','','Paris','1958','Julliard',NULL,NULL,NULL,'(BNF)','','NL 13/3/58
'),('latourmente','1956','prose','Pierre Montabé','La Tourmente*',NULL,'','','','','Paris','1956','Julliard',NULL,NULL,NULL,'(BNF)','T2 of Nicolas Perrin
','NL 20/9/56
'),('chantiersjeune','2005','prose','Hélène Montardre','Les Chantiers de la jeunesse 1940-1944: une vie en suspens*',NULL,'','','','','Paris','2005','Nathan',NULL,NULL,NULL,'(BNF)','',''),('maisonquatre','1997','prose','Hélène Montardre','La Maison aux quatre étoiles*',NULL,'','','','103','Paris','1997','Syros Jeunesse',NULL,NULL,NULL,'(BNF)','',''),('chocretour','2009','prose','Hubert Monteilhet','Choc en retour',NULL,'','','','155','Paris','2009','Editions de Fallois',NULL,NULL,NULL,'','',''),('pertevue','1986','prose','Hubert Monteilhet','La Perte de vue: roman des temps de la Kollaboration*',NULL,'','','','','Paris','1986','Denoël',NULL,NULL,NULL,'(BNF)','',''),('retourcendres','1961','prose','Hubert Monteilhet','Le Retour des cendres*',NULL,'','','','','Paris','1961','Denoël',NULL,NULL,NULL,'(BNF)','',''),('solsticejuin','1941','prose','Henry de Montherlant','Le Solstice de juin*',NULL,'','','','','Paris','1941','Grasset',NULL,NULL,NULL,'(Brotherton)','',''),('marquehomme','1944','prose','Mortagne','La Marque de l\'homme*',NULL,'','','','89','Paris','1944','Editions de minuit',NULL,NULL,NULL,'own copy (BNF)','clandestine publication
',''),('lamarquedelh','1946','prose','Claude Morgan','La Marque de l\'homme*',NULL,'','','','235','Paris','1946','Editions de minuit',NULL,NULL,NULL,'Brotherton','includes the section published clandestinely as a short story in 1944
',''),('miraclesleg','2007','prose','Richard Morgiéve','Miracles et légendes de mon pays en guerre*',NULL,'','','','','Paris','2007','Denoël',NULL,NULL,NULL,'(BNF)','','QL 1/9/2007; ML September 2007, Lire september 2007
'),('voyageap','1995','prose','Jean-Claude Moscovici','Voyage à Pitchipoï*',NULL,'','','','','','1995','Ecole des loisirs',NULL,NULL,NULL,'(LSE)','',''),('lestabor','2006','prose','Emmanuel Moses','Les Tabor*',NULL,'','','','','Paris','2006','Stock',NULL,NULL,NULL,'','','ML no 457 October 2006
'),('ungarconsans','1972','prose','Marcel Mouloudji','Un Garçon sans importance*',NULL,'','','','','Paris','1972','Gallimard',NULL,NULL,NULL,'(British Library)','',''),('laguerrebuiss','1959','prose','Marcel Mouloudji','La Guerre buissonnière*',NULL,'','','','','Paris','1959','Gallimard',NULL,NULL,NULL,'','','NL 14/5/59
'),('chateaufer','1957','prose','Gérard Mourgue','Château-fer*',NULL,'','','','','Paris','1957','La Table ronde\'',NULL,NULL,NULL,'(British library)','','NL 21/2/57
'),('miroirmite','1972','prose','Maurice Mourier','Le Miroir mité*',NULL,'','','','','Paris','1972','Gallimard',NULL,NULL,NULL,'(Cambridge)','','QL no 152, 16-30 nov 1972
'),('lebalafre','1998','prose','Jean-Claude Mourlevat','Le Balafre*',NULL,'','','','','Paris','1998','Pocket jeunesse',NULL,NULL,NULL,'(BNF)','',''),('printempsfou','1991','prose','Claude Mourthé','Le Printemps fou*',NULL,'','','','','Paris','1991','La Table ronde',NULL,NULL,NULL,'(British library)','',''),('unparfund','1991','prose','Marcel Moussy','Un Parfum d\'absinthes*',NULL,'','','','','Paris','1991','Albin Michel',NULL,NULL,NULL,'','',''),('dacapo','2008','prose','Claude Muller','Da Capo*',NULL,'','','','','Le Havre','2008','Edtions GiGa',NULL,NULL,NULL,'(BNF)','http://moisson-noire.over-blog.com/categorie-10205606.html.
',''),('mledepute','1988','prose','Alain Nallet','Monsieur le député ou le sang des autres*',NULL,'','','','','Paris','1988','Fleuve noir',NULL,NULL,NULL,'(Bilipo)','',''),('lebacva','1977','prose','Jeanne Robert Naud','Le Bac va et revient*',NULL,'','','','','','1977','Pensée universelle',NULL,NULL,NULL,'(BNF)','',''),('rengainez','1952','prose','Pierre Nemours','Rengainez, c\'est une erreur*',NULL,'','','','','Paris','1952','Fleuve noir',NULL,NULL,NULL,'(BNF)','',''),('lajeunessede','1957','prose','Pierre Neyrac','La Jeunesse de l\'enfer*',NULL,'','','','','Paris','1957','Gallimard',NULL,NULL,NULL,'(BNF)','Also published under the title of La Jeunesse d\'Elias
','NL 14/2/1957
'),('lacorrida','1964','prose','Elisabeth de Neyrat','La Corrida des vendanges*',NULL,'','','','','Paris','1964','Gallimard',NULL,NULL,NULL,'(BNF)','','Nl 1/10/1964
'),('lesableentre','1956','prose','Elisabeth de Neyrat','Le Sable entre les doigts*',NULL,'','','','','Paris','1956','Gallimard',NULL,NULL,NULL,'(BNF)','','NL 2/8/56
'),('lehussard','1950','prose','Roger Nimier','Le Hussard bleu',NULL,'','','','','Paris','1950','Gallimard',NULL,NULL,NULL,'(BNF)','','NL 9/11/1950
'),('lesepees','1948','prose','Roger Nimier','Les Epées*',NULL,'','','','','Paris','1948','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('lateteaux','1960','prose','Jacques Nobécourt','La Tête aux Français*',NULL,'','','','','Paris','1960','Seuil',NULL,NULL,NULL,'(BNF)','','NL 26/12/60
'),('horsita','1999','prose','Lorette Nobécourt','Horsita*',NULL,'','','','','Paris','1999','Grasset',NULL,NULL,NULL,'(BNF)','',''),('laguerreavant','1940','prose','Maurice Noël','La Guerre des avant-postes*',NULL,'','','','','Paris','1940','Plon',NULL,NULL,NULL,'(BNF)','',''),('solutionfin','1966','prose','Richard Nollier','La Solution finale*',NULL,'','','','','Paris','1966','Flammarion',NULL,NULL,NULL,'(BNF)','',''),('marmenil','1964','prose','Pierre Northomb','Marménil',NULL,'','','','','Paris','1964','Plon',NULL,NULL,NULL,'(BNF)','','NL 13/2/1964
'),('lesbeauxjours','1996','prose','Ana Novac','Les Beaux jours de ma jeunesse*',NULL,'','','','','Paris','1996','Balland',NULL,NULL,NULL,'(Durham)','',''),('irreductib','1958','prose','Zoë Oldenbourg','Les Irréductibles*',NULL,'','','','','Paris','1958','Gallimard',NULL,NULL,NULL,'(BNF)','','NL 17/7/58
'),('reveillesde','1956','prose','Zoé Oldenbourg','Réveillés de la vie*',NULL,'','','','','Paris','1956','Gallimard',NULL,NULL,NULL,'(British Library)','','NL 13/12/56
'),('deconnection','1988','prose','Claude Ollier','Déconnection*',NULL,'','','','','Paris','1988','Flammarion',NULL,NULL,NULL,'(Durham)','',''),('lofficierdu','1958','prose','Eric Ollivier','L\'Officier du soleil*',NULL,'','','','','Paris','1958','Denoël',NULL,NULL,NULL,'(BNF)','','NL 25/9/58
'),('maxflanag','1967-68','prose','Bramante Onofrio','Max Flanagan*',NULL,'','','','','','1967-68','Editions Lug',NULL,NULL,NULL,'','',''),('chagrinpitie','1970','film','Marcel Ophuls','Le Chagrin et la pitié*','','','','',NULL,'','1970',NULL,'1970','','','','',''),('hoteltermin','Original','film','Marcel Ophuls','Hotel Terminus*','','','','',NULL,'','',NULL,'','','','','',''),('feuaulac','2000','prose','Jean-Hugues Oppel','Le Feu au lac*',NULL,'','','','','Paris','2000','Albin Michel',NULL,NULL,NULL,'(BNF)','',''),('loyola','1974','prose','Erik Orsenna','Loyola\'s blues*',NULL,'','','','','Paris','1974','Seuil',NULL,NULL,NULL,'(British Library)','',''),('lacalanque','1959','prose','Georgette Oudoir','La Calanque d\'amour*',NULL,'','','','','','1959','Scorpion',NULL,NULL,NULL,'(BNF)','','NL 22/10/1959
'),('grandevadr','1966','film','Gérard Oury','La Grande Vadrouille*','','','','',NULL,'','1966',NULL,'1966','','','','',''),('plongeon','1964','prose','Jacques Ouvard','Le Plongeon du frère Boileau*',NULL,'','','','','Paris','1964','Le Masque Librairie des Champs-Elysées',NULL,NULL,NULL,'','',''),('parcoursde','2005','film','Euzhan Palcy','','','','','',NULL,'','2005',NULL,'2005','','','','',''),('latondue2','2000','prose','Marie de Palet','La Tondue*',NULL,'','','','','','2000','Editions de la Borée',NULL,NULL,NULL,'(BNF)','',''),('sixpetits','1942','prose','A Paluel-Marmont','Six Petits Enfants et treize étoiles*',NULL,'','','','','','1942','',NULL,NULL,NULL,'','',''),('rosedescoll','1999','prose','Danielle Pampuzac','Rose des collines*',NULL,'','','','','Paris','1999','J.C. Lattès',NULL,NULL,NULL,'(CHRD L)','',''),('menuetharic','1958','prose','Albert Paraz','Le Menuet des haricots*',NULL,'','','','','','1958','',NULL,NULL,NULL,'','',''),('valsezsauc','1949','prose','Albert Paraz','Valsez saucisses*',NULL,'','','','','','1949','Amiot-Dumont\'',NULL,NULL,NULL,'(British library)','',''),('legalades','1946','prose','Albert Paraz','Le Gala des vaches*',NULL,'','','','','','1946','Editions de l\'Elan',NULL,NULL,NULL,'(British library)','',''),('leventdes','1993','prose','Franck Pavloff','Le Vent des fous*',NULL,'','','','','Paris','1993','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('lavantdernierso','1962','prose','Pellerin, Pierre','L\'Avant-dernier sommeil*',NULL,'','','','','','1962','Karolus',NULL,NULL,NULL,'(BNF)','','NL 26/4/62
'),('autrementqu','1991','prose','Antoine Pelletier','Autrement qu\'ainsi*',NULL,'','','','','','1991','Quinette',NULL,NULL,NULL,'(CHRD L)','',''),('letangdela','1960','prose','Jacqueline Pelletier-Doisy','L\'Etang de la Breure*',NULL,'','','','','Paris','1960','Julliard',NULL,NULL,NULL,'(BNF)','','NL 28/4/60
'),('Woulesouv','975','prose','Georges Perec','W ou le souvenir d\'enfance*',NULL,'','','','','Paris','1975','Denoël',NULL,NULL,NULL,'(BNF)','',''),('nuitsupplic','1978','prose','Maurice Perisset','La Nuit des suppliciés*',NULL,'','','','','','1978','Le Condor',NULL,NULL,NULL,'(BNF)','',''),('etememorable','1998','prose','Jean Pérol','Un été mémorable*',NULL,'','','','','Paris','1998','Gallimard',NULL,NULL,NULL,'','',''),('bandeapart','1951','prose','Jacques Perret','Bande à part*',NULL,'','','','','Paris','1951','Paris',NULL,NULL,NULL,'(BNF)','','NL 13/12/1951
'),('caporalepingle','1947','prose','Jacques Perret','Le Caporal épinglé*',NULL,'','','','','Paris','1947','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('Chienslouves','1999','prose','Jean-Pierre Perrin','Chiens et louves',NULL,'','','','275','Paris','1999','Gallimard, Série noire',NULL,NULL,NULL,'own copy','',''),('lequation','2003','prose','Marc Petit','L\'Équation de Kolmogoroff*',NULL,'','','','','Paris','2003','Ramsay',NULL,NULL,NULL,'(British Library)','',''),('architectedes','1991','prose','Marc Petit','Architecte des glaces: autobiographie fictive*',NULL,'','','','','','1991','Editions de l\'aube',NULL,NULL,NULL,'(Cambridge)','',''),('nuitalleman','1967','prose','Jacques Peuchmaurd','La Nuit allemande*',NULL,'','','','','','1967','',NULL,NULL,NULL,'(British Library)','',''),('pleinete','1958','prose','Jacques Peuchmard','Le Plein Eté*',NULL,'','','','','Paris','1958','Robert Laffont',NULL,NULL,NULL,'(British library)','',''),('lafindes','1953','prose','Roger Peyrefitte','La Fin des ambassades*',NULL,'','','','','Paris','1953','Flammarion',NULL,NULL,NULL,'(Brotherton)','',''),('lairetla','2003','prose','Pierre Philippe','L\'Air et la chanson*',NULL,'','','','','Paris','2003','Grasset',NULL,NULL,NULL,'(CHRD L)','',''),('lamelodie','1990','prose','Adam Pianko','La Mélodie d\'Alzenheimer*',NULL,'','','','','','1990','Eds François Bourin',NULL,NULL,NULL,'(BNF)','',''),('jemarchais','2006','prose','Dorothée Piatek','Je marchais malgré moi dans les pas du diable*',NULL,'','','','','','2006','Petit à Petit',NULL,NULL,NULL,'(BNF)','',''),('resilience','2007','prose','Philippe Picheral','Résilience: un enfant dans la tourmente',NULL,'','','','','self published by author','2007','',NULL,NULL,NULL,'','',''),('letempsjul','1987','prose','André Pierjean','Le Temps de Julie*',NULL,'','','','','Paris','1987','Flammarion',NULL,NULL,NULL,'(BNF)','',''),('onlappeltam','1970','prose','André Pierrard','On l\'appelait Tamerlan*',NULL,'','','','','Paris','1970','Julliard',NULL,NULL,NULL,'','',''),('jeanjacques','1938-1940','prose','Pierre-Pierre','Jean-Jacques Ardant*',NULL,'','','','','','1938-1940','Société Parisienne (hebdo junior)',NULL,NULL,NULL,'','Dessin René Pellos
',''),('passonsla','1951','prose','André Piljean','Passons la monnaie*',NULL,'','','','','Paris','1951','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('espiontimide','1960','prose','Eric-Piquet-Wicks','L\'Espion timide: le plus extravagant des agents secrets*',NULL,'','','','','Paris','1960','Gallimard',NULL,NULL,NULL,'(CHRD L)','',''),('lavieestdev','1946','prose','René Pleiber','La Vie est devant eux*',NULL,'','','','','','1946','Sève',NULL,NULL,NULL,'(CHRD L)','',''),('lesavides','1957','prose','Robert de Poccadaz','Les Avides*',NULL,'','','','','Paris','1957','Grasset',NULL,NULL,NULL,'(BNF)','',''),('longdetour','1967','prose','Jean Poindessault','Le Long Détour*',NULL,'','','','','','1967','La Jeune Parque',NULL,NULL,NULL,'(British library)','',''),('unesilongue','1995','prose','Raymond Poirrier','Une si longue marche*',NULL,'','','','','','1995','Siloé',NULL,NULL,NULL,'(CHRD L)','',''),('confessionmatin','1999','prose','Maurice Polard','Confession d\'un matin de Pâques*',NULL,'','','','','Rennes','1999','Editions Ouest-France',NULL,NULL,NULL,'(National Lib Wales)','',''),('Latondue','2009','theatre','Nicolas Pomiès','La Tondue*',NULL,'','','','','','2009','',NULL,NULL,NULL,'','',''),('pavesenfer','1950','prose','Dominique Ponchardier','Les Pavés de l\'enfer: roman',NULL,'','','','','Paris','1950','Gallimard',NULL,NULL,NULL,'own copy','',''),('lerendezvousb','1966','prose','','Le Rendez-vous de Bassara*',NULL,'','','','','','1966','',NULL,NULL,NULL,'(British Library)','',''),('hommeguerre','1957','prose','François Ponthier','L\'Homme de guerre*',NULL,'','','','','Paris','1957','Robert Laffont',NULL,NULL,NULL,'(British Library)','',''),('LebeauFr','1997','prose','Francis Pornon','Le Beau Frank: la vie aventureuse d\'un homme de l\'internationale*',NULL,'','','','','Pantin','1997','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('Laravissante','1958','prose','Jean Portail','La Ravissante et le mauvais garçon*',NULL,'','','','','','1958','Le Scorpion',NULL,NULL,NULL,'(BNF)','','NL 9/1/58
'),('Unfousevade','1997','prose','André Postel-Vinay','Un fou s\'évade: souvenirs de 1941-2*',NULL,'','','','','','1997','Editions du Félin',NULL,NULL,NULL,'(Cambridge)','',''),('Rosescendre','2005','prose','Erik Poulet-Reney','Les Roses de cendre*',NULL,'','','','','Paris','2005','Syros Jeunesse',NULL,NULL,NULL,'(BNF)','',''),('linsaisissable','1950-1957','prose','Jean Prado ét Rémy Bourlès','L\'Insaisissable*',NULL,'','','','','','1950-1957','Tarzan (hebdo)',NULL,NULL,NULL,'','',''),('Lesentier','1959','prose','Richard Prentout','Le Sentier*',NULL,'','','','','','1959','Aubanet',NULL,NULL,NULL,'(BNF)','','NL 30/4/1959
'),('Bonnechance','1958','prose','Alain Prévost','Bonne Chance quand même*',NULL,'','','','','Paris','1958','Seuil',NULL,NULL,NULL,'(BNF)','','NL 17/7/58
'),('lepeupleimp','1956','prose','Alain Prévost','Le Peuple impopulaire',NULL,'','','','','Paris','1956','Seuil',NULL,NULL,NULL,'(BNF)','',''),('aupieddu','1959','prose','Bernard Privat','Au pied du mur*',NULL,'','','','','Paris','1959','Gallimard',NULL,NULL,NULL,'(British Library)','','NL 26/11/1959
'),('convoioslo','1991','prose','Henri Queffélec','Convoi pour Oslo*',NULL,'','','','','Paris','1991','Stock',NULL,NULL,NULL,'(British library)','',''),('laculbute','1946','prose','Henri Queffélec','La Culbute',NULL,'','','','','Paris','1946','Stock',NULL,NULL,NULL,'(BNF)','',''),('journalsal','1944','prose','Henri Queffélec','Journal d\'un salaud',NULL,'','','','','Paris','1944','Stock, Delamain & Boutelleau',NULL,NULL,NULL,'(BNF)','',''),('leprixdu','2003','prose','Mathieu Quéméneur','Le Prix du visage ou La Dénonciation*',NULL,'','','','','','2003','Eds de l\'officine',NULL,NULL,NULL,'(CHRD L)','',''),('Quenretrouvant','1957','prose','Marise Querlin','Qu\'en retrouvant l\'amant*',NULL,'','','','','Paris','1957','Fasquelle',NULL,NULL,NULL,'(BNF)','',''),('Quandlevent','1998','prose','Viviane Rabine','Quand le vent se lève*',NULL,'','','','','','1998','Editions Luce Wilquin',NULL,NULL,NULL,'CHRD - L','',''),('bonheursdela','1973','prose','Roger Rabiniaux','Les Bonheurs de la guerre*',NULL,'','','','','Paris','1973','Buchet Chastel',NULL,NULL,NULL,'(BNF)','',''),('crisansvoix','1985','prose','Henri Raczymow','Un cri sans voix*',NULL,'','','','','Paris','1985','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('reglejeu','1990','prose','Raymond Radiguet','Règle du jeu*',NULL,'','','','','Monaco','1990','Editions du Rocher',NULL,NULL,NULL,'(BNF)','',''),('loccupation','1991','prose','Michèle Ramond','L\'Occupation*',NULL,'','','','','Paris','1991','editions des femmes',NULL,NULL,NULL,'(Brotherton)','',''),('viechateau','1965','film','Jean-Paul Rappeneau','La Vie de château*','','','','',NULL,'','1965',NULL,'1965','','','','',''),('ilebleue','1988','prose','Jean Raspail','L\'Ile bleue*',NULL,'','','','','Paris','1988','Robert Laffont',NULL,NULL,NULL,'(British Library)','',''),('monica','1957','prose','Jean Ratinaud','Monica*',NULL,'','','','','','1957','Amiot-Dumont',NULL,NULL,NULL,'(BNF)','','NL 25/4/1957
'),('concertopour','1994','prose','Claude Rancy','Le Concerto pour la main gauche*',NULL,'','','','85','Paris','1994','Casterman',NULL,NULL,NULL,'','',''),('atlantique','1974','prose','Jules Ravelin','L\'Atlantique du Palais-Royal*',NULL,'','','','','Paris','1974','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('sangciel','1961','prose','Piotr Rawicz','Le Sang du ciel*',NULL,'','','','','Paris','1961','Gallimard',NULL,NULL,NULL,'','','NL 23/11/61
'),('deuxetendard','1951','prose','Lucien Rebatet','Les Deux Etendards*',NULL,'','','','','','1951','',NULL,NULL,NULL,'(BNF)','',''),('lesdecombres','1942','prose','Lucien Rebatet','Les Décombres*',NULL,'','','','','Paris','1942','Denoël',NULL,NULL,NULL,'Brotherton','',''),('grandemisere','1948','prose','Maisie Renault','La Grande Misère*',NULL,'','','','','','1948','',NULL,NULL,NULL,'','',''),('hiroshimaamour','1959','film','Alain Resnais','Hiroshima mon amour','','','','',NULL,'','1959',NULL,'1959','','','','',''),('nuitbrouillard','1955','film','Alain Resnais','Nuit et brouillard','','','','',NULL,'','1955',NULL,'1955','','','','',''),('secretrachel','2006','prose','Florence Reynaud','Le Secret de Rachel*',NULL,'','','','','Paris','2006','Hachette jeunesse',NULL,NULL,NULL,'(BNF)','',''),('franziska','1956','prose','','Franziska*',NULL,'','','','','Paris','1956','Fayard',NULL,NULL,NULL,'(BNF)','','NL 21/6/1956
'),('jardinenfer','2001','prose','Jean-Pierre Richard','Un jardin en enfer*',NULL,'','','','','Paris','2001','Albin Michel',NULL,NULL,NULL,'','',''),('lecondabime','2003','prose','Michel Rio','Leçon d\'abîme*',NULL,'','','','','Paris','2003','Seuil',NULL,NULL,NULL,'','',''),('petitmatin','1968','prose','Christine de Rivoyre','Le Petit Matin*',NULL,'','','','','Paris','1968','Grasset',NULL,NULL,NULL,'(British Library)','',''),('silallemagne','1950','prose','Randolph Robban','Si l\'Allemagne avait vaincu*',NULL,'','','','','','1950','Ed de la tour du guet',NULL,NULL,NULL,'(BNF)','','NL 27/f4/50
'),('miroirrevient','1984','prose','Alain Robbe-Grillet','Le Miroir qui revient*',NULL,'','','','','Paris','1984','Editions de minuit',NULL,NULL,NULL,'(Brotherton)','',''),('dejeuntrieste','1974','prose','Michel Robida','Le Déjeuner de Trieste*',NULL,'','','','','Paris','1974','Julliard',NULL,NULL,NULL,'(BNF|)','',''),('letempspatience','1946','prose','Michel Robida','Le Temps de la longue patience*',NULL,'','','','','Paris','1946','Julliard',NULL,NULL,NULL,'(BNF)','',''),('mathildejean','2004','prose','Ann Rocard','Mathilde, Jean, Paul et les autres*',NULL,'','','','','Paris','2004','Grasset jeunesse',NULL,NULL,NULL,'(BNF)','',''),('55ruedu','2002','prose','Geneviève Roch','55 rue du quotidien*',NULL,'','','','','Pantin','2002','Le Temps des cerises',NULL,NULL,NULL,'(BNF)','',''),('desmonts','????','prose','Florence-Hélène Roche','Des monts de résistance*',NULL,'','','','282','Riom','','Borée',NULL,NULL,NULL,'','',''),('bateauiles','1971','prose','Guy Rohou','Le Bateau des îles*',NULL,'','','','','Paris','1971','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('lesparques','1961','prose','Maurice Rondeau','Les Parques de septembre*',NULL,'','','','','','1961','Del Duca',NULL,NULL,NULL,'(BNF)','',''),('danslamarche','2004','prose','Daniel Rondeau','Dans la marche du temps*',NULL,'','','','','Paris','2004','Grasset & Fasquelle',NULL,NULL,NULL,'(BNF)','',''),('tenuefantoc','1961','prose','François Rongier','La Tenue fantoche*',NULL,'','','','','Paris','1961','Julliard',NULL,NULL,NULL,'(British Library)','',''),('sangnos','1941','prose','René Roques','Le Sang de nos fautes*',NULL,'','','','','Paris','1941','Albin Michel',NULL,NULL,NULL,'(BNF)','',''),('villachimeres','2002','prose','Louis Rossi','La Villa des chimères*',NULL,'','','','','Paris','2002','Flammarion',NULL,NULL,NULL,'(Cambridge)','','ML no 413 oct 2002
'),('prixserment','1975','prose','Pierre Rostaing','Le Prix d\'un serment: 1941-1945, des plaines de Russie à l\'enfer de Berlin*',NULL,'','','','','Paris','1975','La Table ronde',NULL,NULL,NULL,'(British Library)','',''),('touchonsdu','1990','prose','Renée Roth-Hano','Touchons du bois*',NULL,'','','','','Paris','1990','Flammarion',NULL,NULL,NULL,'','',''),('2004','2004','prose','Patrick Rotman','L\'Âme au poing*',NULL,'','','','','Paris','2004','Seuil',NULL,NULL,NULL,'(BNF)','',''),('nousallions','1991','prose','Pierre Rouanet','Nous allions être bien à Karlovy Vary*',NULL,'','','','','Paris','1991','Albin Michel',NULL,NULL,NULL,'(CHRD L)','',''),('avantguerre','1983','prose','Jean-Marie Rouart','Avant-guerre*',NULL,'','','','','Paris','1983','Grasset',NULL,NULL,NULL,'(BNF)','',''),('hommesillustres','1993','prose','Jacques Rouaud','Des Hommes illustres*',NULL,'','','','','Paris','1993','Editions de minuit',NULL,NULL,NULL,'(BNF)','',''),('lessacapoux','1992','prose','Jacques Rouland','Les Sacapoux*',NULL,'','','','','','1992','L\'Archipel',NULL,NULL,NULL,'(CHRD L)','',''),('lapeurdu','1995','prose','André-Louis Rouquier','La Peur du noir*',NULL,'','','','','Paris','1955','Actes Sud',NULL,NULL,NULL,'(British Library)','',''),('rueoued','1954','prose','Suzanne Rovier','La Rue de l\'oued*',NULL,'','','','','Paris','1954','Gallimard',NULL,NULL,NULL,'','','NL 25/11/54
'),('avenirderriere','1950','prose','Jean-Henri Roy','L\'Avenir est derriere nous*',NULL,'','','','','Paris','1950','Gallimard',NULL,NULL,NULL,'(BNF)','','NL 9/11/1950
'),('baladeclamp','2004','prose','Laurent Ruller et Stanislas Barthélemy','La Balade des clampins*',NULL,'','','','','','2004','Humanoïdes Associés',NULL,NULL,NULL,'','',''),('Manou','1955','prose','Virginie de Sabliaux','Manou*',NULL,'','','','','Paris','1955','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('printempspour','1945','prose','Jeanne Cricq','Printemps pour les morts*',NULL,'','','','','','1945','Ed Hier et aujourd\'hui',NULL,NULL,NULL,'(BNF)','','NL 26/7/45
'),('zigetpuce','1941','prose','Alain Saint-Ogan','Zig et Puce et le professeur Médor*',NULL,'','','','','Paris','1941','Hachette',NULL,NULL,NULL,'(BNF)','',''),('zigpucepresent','1939','prose','Alain Saint-Ogan','Zig et Puce présentent: M. Poche et le système D*',NULL,'','','','','Paris','1939','Hachette',NULL,NULL,NULL,'(BNF)','',''),('soldatoubl','1967','prose','Guy Sajer','Le Soldat oublié*',NULL,'','','','','Paris','1967','Robert Laffont',NULL,NULL,NULL,'(British Library)','',''),('nuitscolere','1947','theatre','Armand Salacrou','Les Nuits de la colère*',NULL,'','','','','Paris','1947','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('compagniespect','1997','prose','Lydie Salvayre','La Compagnie des spectres*',NULL,'','','','','Paris','1997','Seuil',NULL,NULL,NULL,'(BNF)','',''),('louiseletemps','1989','prose','René Sanglier','Louise le temps des vacances*',NULL,'','','','','Paris','1989','La Pensée universelle',NULL,NULL,NULL,'(BNF)','',''),('lamortdans','1949','prose','Jean-Paul Sartre','La Mort dans l\'âme',NULL,'','','','','Paris','1949','Gallimard',NULL,NULL,NULL,'(BNF)','Volume 3 of the Chemins de la liberté trilogy
',''),('lesmouches','1943','theatre','Jean-Paul Sartre','Les Mouches*',NULL,'','','','','Paris','1943','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('undenormandie','1950','prose','Pierre Savage','Un de Normandie-Niémen*',NULL,'','','','','','1950','Editions André Martel',NULL,NULL,NULL,'','',''),('4445sabots','2003','prose','G Scheid','1944-1945: Les Sabots*',NULL,'','','','','Paris','2003','Nathan',NULL,NULL,NULL,'','',''),('dernierjust','1959','prose','André Schwartz-Bart','Le Dernier des Justes*',NULL,'','','','','Paris','1950','Edtions du Seuil',NULL,NULL,NULL,'(BNF)','',''),('journom','2009','prose','Olivier Sebban','Le Jour de votre nom*',NULL,'','','','','Paris','2009','Seuil',NULL,NULL,NULL,'(BNF)','',''),('lesmorts','1950','prose','Olivier Séchan','Les Morts n\'en sauront rien*',NULL,'','','','','','1950','Ed de Flore',NULL,NULL,NULL,'(BNF)','','NL 1/6/50
'),('rendezvousviv','1962','prose','Julien Segnaire','Le Rendez-vous des vivants*',NULL,'','','','','Paris','1962','Julliard',NULL,NULL,NULL,'(British Library)','','NL 5/7/62
'),('professionouv','2009','prose','David Seigneur','Profession, ouvriers saboteurs: à la rencontre des hommes et des femmes qui ont fait la résurrection de Peugeot, 1943*',NULL,'','','','103','Besançon','2009','Cêtre',NULL,NULL,NULL,'','roman historique
',''),('lagueule','1999','prose','','La Gueule*',NULL,'','','','','Cadeilhan','1999','Zulma',NULL,NULL,NULL,'','',''),('dernierstemps','1946','prose','Victor Serge','Les Derniers Temps*',NULL,'','','','','Paris','1946','Grasset',NULL,NULL,NULL,'(Durham)','',''),('voieshonn','1988','prose','Pierre Sergent','Les Voies de l\'honneur*',NULL,'','','','','Paris','1988','Presses de la Cité',NULL,NULL,NULL,'(British Library)','',''),('deuxcerisiers','2005','prose','Alain and Zaü Serres','Hiroshima, deux cerisiers et un poisson-lune*',NULL,'','','','','','2005','Rue du monde',NULL,NULL,NULL,'(BNF)','',''),('lesdieuxnous','1950','prose','Max Servais','Les Dieux ne nous aiment pas*',NULL,'','','','','Paris','1950','Corrêa',NULL,NULL,NULL,'(BNF)','',''),('uneboule','1980','prose','Pierre Serval','Une boule de neige en enfer*',NULL,'','','','','Paris','1980','Albin Michel',NULL,NULL,NULL,'','',''),('lumierecoll','1997','prose','Christian Signol','La Lumière des collines*',NULL,'','','','','Paris','1997','Albin Michel',NULL,NULL,NULL,'','',''),('cheminsetoile','1987','prose','Christian Signol','Les Chemins de l\'étoile*',NULL,'','','','','Paris','1987','Robert Laffont',NULL,NULL,NULL,'(Durham)','',''),('lesmenthes','1985','prose','Christian Signol','Les Menthes sauvages*',NULL,'','','','','Paris','1985','Robert Laffont',NULL,NULL,NULL,'','',''),('uneaubergeen','1945','prose','Andrée Sikorska','Une Auberge en zone libre*',NULL,'','','','','Paris','1945','Flammarion',NULL,NULL,NULL,'(CHRD L)','',''),('portraitdun','1958','prose','Pierre-Henri Simon','Portrait d\'un officier*',NULL,'','','','','Paris','1958','Seuil',NULL,NULL,NULL,'(BNF)','',''),('elsinfor','1956','prose','Pierre-Henri Simon','',NULL,'','','','','Paris','1956','Seuil',NULL,NULL,NULL,'(BNF)','','NL 14/6/56
'),('hommesneveul','\'1953','prose','Pierre-Henri Simon','Les Hommes ne veulent pas mourir*',NULL,'','','','','Paris','1953','Seuil',NULL,NULL,NULL,'(BNF)','',''),('terredeviolence','1959','prose','Jean-Pierre Simon','Terre de violence*',NULL,'','','','','Paris','1959','Albin Michel',NULL,NULL,NULL,'(BNF)','',''),('wazemmes','2005','prose','Noël Simsolo','Wazemmes*',NULL,'','','','','','2005','L\'Ecailler du Sud',NULL,NULL,NULL,'(BNF)','',''),('exterminateur','2001','prose','Noël Simsolo','Exterminateurs*',NULL,'','','','','Paris','2001','Seuil',NULL,NULL,NULL,'(BNF)','',''),('lesemplumes','1997','prose','Pierre Sogno','Les Emplumés*',NULL,'','','','','Paris','1997','Calmann-Lévy',NULL,NULL,NULL,'','',''),('labelleeduc','1977','prose','Pierre Sogno','La Belle Education*',NULL,'','','','','Paris','1977','Flammarion',NULL,NULL,NULL,'(BNF)','',''),('lesetoilescach','1989','prose','Régine Soszewicz','Les Étoiles cachées*',NULL,'','','','','Paris','1989','Flammarion',NULL,NULL,NULL,'(BNF)','',''),('lesboisde','1953','prose','Willy de Spens','Les Bois de Dompierre*',NULL,'','','','','','1953','Amiot-Dumont',NULL,NULL,NULL,'(BNF)','','NL 28/5/1953
'),('leroideberg','1955','prose','Willy de Spens','Le Roi de Bergame*',NULL,'','','','','Paris','1955','Plon',NULL,NULL,NULL,'(BNF)','','NL 3/11/1955
'),('lehussardmal','1976','prose','Willy de Spens','Le Hussard malgré lui*',NULL,'','','','','Paris','1976','La Table ronde',NULL,NULL,NULL,'(British Library)','',''),('labaieperd','1956','prose','M Sperber','La Baie perdue*',NULL,'','','','','','1956','',NULL,NULL,NULL,'','',''),('lebochet1','1991','prose','Eric Stalner and Daniel Bardet','Le Boche T1: L\'Enfant de paille*',NULL,'','','','','Grenoble','1991','Glénat',NULL,NULL,NULL,'(BNF)','',''),('lebochet2','1991','prose','Eric Stalner and Daniel Bardet','Le Boche T2: Zigzags*',NULL,'','','','','Grenoble','1991','Grénat',NULL,NULL,NULL,'(BNF)','',''),('lebochet3','1992','prose','Eric Stalner and Daniel Bardet','Le Boche T3: Entre la chair et l\'os*',NULL,'','','','','Grenoble','1992','Glénat',NULL,NULL,NULL,'(BNF)','',''),('lebochet4','1993','prose','Eric Stalner and Daniel Bardet','Le Boche T4: Cheval bleu*',NULL,'','','','','Grenoble','1993','Grénat',NULL,NULL,NULL,'(BNF)','',''),('lebochet5','1994','prose','','Le Boche T5: Dans la peau d\'un neutre*',NULL,'','','','','Grenoble','1994','Glénat',NULL,NULL,NULL,'(BNF)','',''),('lacollection','2009','prose','Gérard Streiff','La Collection*',NULL,'','','','160','Marseille','2009','L\'Ecailler',NULL,NULL,NULL,'','',''),('cetaitcelanotre','1970','prose','Marie Susini','C\'était cela notre amour*',NULL,'','','','','Paris','1971','Denoël',NULL,NULL,NULL,'(BNF)','',''),('unefemmeall','2008','prose','Fabienne Swiatly','Une femme allemande*',NULL,'','','','','','2008','La Fosse aux ours',NULL,NULL,NULL,'(BNF)','',''),('gueuledebois','1990','prose','jacques Tardi','Gueule de bois en plomb: scénario et dessins de Tardi*',NULL,'','','','','Paris','1990','Casterman',NULL,NULL,NULL,'(BNF)','',''),('lasoupeau','2009','prose','Claude Tatilon','La Soupe au pistou*',NULL,'','','','','','2009','Cherche-Midi',NULL,NULL,NULL,'','',''),('lecomptoir','1998','film','Sophie Tatischeff','Le Comptoir*','','','','',NULL,'','1998',NULL,'1998','','','','',''),('unpeuplusloin','1979','prose','Guy Teisseire','Un peu plus loin que l\'occident*',NULL,'','','','','Paris','1979','J-C Lattès',NULL,NULL,NULL,'(BNF)','',''),('lepetitsoleil','2003','prose','Janine Teisson','Le Petit Soleil jaune*',NULL,'','','','','Paris','2003','Syros Jeunesse',NULL,NULL,NULL,'(BNF)','',''),('legeste','2006','prose','Gérald Tenenbaum','Le Geste*',NULL,'','','','','Paris','2006','Ed Héloïse d\'Ormesson',NULL,NULL,NULL,'(BNF)','','ML, no 451, mars 2006
'),('souslesbombes','2007','prose','Victoria Thérame','Sous les bombes avec Charlotte*',NULL,'','','','244','Paris','2007','Atlantica',NULL,NULL,NULL,'(BNF)','','QL 16-30 novembre 2007
'),('notredamedes','1997','prose','','Notre-Dame des ombres*',NULL,'','','','','','1997','Cherche Midi',NULL,NULL,NULL,'(BNF)','',''),('letramwaydes','1974','prose','','Le Tramway des officiers*',NULL,'','','','','Paris','1974','Gallimard',NULL,NULL,NULL,'(Cambridge Univ. Library)','','QL no 189, 16-30 juin 1974
'),('onchantait','1977','prose','','On chantait rouge*',NULL,'','','','','Paris','1977','Laffont',NULL,NULL,NULL,'(British Library)','',''),('leswagonsde','1983','prose','Marc Tolédano','Les Wagons de Veynes*',NULL,'','','','','Paris','1983','Editions France-Empire',NULL,NULL,NULL,'(British Library)','',''),('franciscain','1969','prose','Marc Tolédano','Le Franciscain de Bourges*',NULL,'','','','','Paris','1969','J\'ai Lu',NULL,NULL,NULL,'(British Library)','',''),('toubabbi','1992','film','','Toubab bi*','','','','',NULL,'','1992',NULL,'1992','','','','',''),('degreoude','2006','prose','Mathilde Tournier','De gré ou de force*',NULL,'','','','','','2006','Privat',NULL,NULL,NULL,'(BNF)','',''),('evadeedu','2006','prose','A Traube','Évadée du Vel d\'hiv*',NULL,'','','','','','2006','Le Manuscrit Fondation de la Shoah',NULL,NULL,NULL,'(BNF)','',''),('tantquedure','Original','prose','','Tant que dure le jour*',NULL,'','','','','Paris','','Plon',NULL,NULL,NULL,'','',''),('dandiamond','1970','prose','Giorgio Trevisan','',NULL,'','','','','','1970','Editions Lug (pocket Rodéo)',NULL,NULL,NULL,'','',''),('toutemavie','1987','prose','Henri Troyat','Toute ma vie sera mensonge*',NULL,'','','','','Paris','1987','Flammarion',NULL,NULL,NULL,'own copy, (British Library)','',''),('larencontre2','1958','prose','Henri Troyat','La Rencontre*',NULL,'','','','','Paris','1958','Plon',NULL,NULL,NULL,'','','NL 20/3/1958
'),('latetesurles','1951','prose','Henri Troyat','La Tête sur les épaules',NULL,'','','','','Paris','1951','Plon',NULL,NULL,NULL,'own copy','','NL 5/4/51
'),('judithmad','1940','prose','Henri Troyat','Judith Madrier*',NULL,'','','','','Paris','1940','Plon',NULL,NULL,NULL,'(British library)','',''),('lespasseurs','Original','prose','Gisèle Tuaillon-Nass','Les Passeurs de l\'aube*',NULL,'','','','','','','Presses du Belvedère',NULL,NULL,NULL,'','',''),('Ottoauto','1999','prose','Tomi Ungerer','Otto, autobiographie d\'un ours en peluche*',NULL,'','','','','','1999','Lutin poche',NULL,NULL,NULL,'','',''),('larencontre','1958','prose','Francine Vald','La Rencontre insolite*',NULL,'','','','','Paris','1958','Plon',NULL,NULL,NULL,'Durham','','NL 13/02/1958
'),('lespatates','1962','prose','Jacques Vaucherot','Les Patates*',NULL,'','','','','Paris','1962','Flammarion',NULL,NULL,NULL,'(BNF)','','NL 10/05/1962
'),('groomcrime','1980','prose','Jean Vautrin','Groom: crime-journal d\'un enfant du siècle*',NULL,'','','','','','1980','Mazarine',NULL,NULL,NULL,'(BNF)','',''),('leviolon','1997','prose','Patrick Vendamme','Le Violon assassiné*',NULL,'','','','','Paris','1997','La Découverte/Syros jeunesse',NULL,NULL,NULL,'(BNF)','',''),('sixjours','1958','prose','Alain de Verdel','Six Jours à Paris*',NULL,'','','','','Paris','1958','Buchet-Chastel',NULL,NULL,NULL,'','','NL 27/11/1958
'),('lesviolons','2006','prose','Agnès Verlet','Les Violons brûlés*',NULL,'','','','','','2006','Ed de la différence',NULL,NULL,NULL,'','','ML no 457, October 2006
'),('jeanneavec','1942','prose','Claude Vermorel','Jeanne avec nous*',NULL,'','','','','','1942','Editions Balzac',NULL,NULL,NULL,'','',''),('seronsnous','2006','prose','Françoise Verny','Serons-nous vivantes le 2 janvier 1950?*',NULL,'','','','','Paris','2006','Grasset',NULL,NULL,NULL,'','preface by Patrick Modiano.
','ML no 449, jan 2006
'),('lefidele','1942','prose','Alexandre Vialatte','Le Fidèle Berger*',NULL,'','','','','','1942','Gallimard',NULL,NULL,NULL,'','',''),('lesfourmis','1966','prose','Boris Vian','Les Fourmis*',NULL,'','','','','','1966','Le Terrain vague',NULL,NULL,NULL,'','',''),('vercoquin','1947','prose','Boris Vian','Vercoquin et le plancton*',NULL,'','','','','Paris','1947','Gallimard',NULL,NULL,NULL,'(BNF)','',''),('lesgrelots','1951','prose','Pierre Viaud','Les Grelots de Triboulet*',NULL,'','','','','','1951','André Bonne',NULL,NULL,NULL,'','','NL 29/03/1951
'),('verdures','1964','prose','Albert Vidalie','Les Verdures de l\'ouest*',NULL,'','','','','Paris','1964','Julliard',NULL,NULL,NULL,'(BNF)','','NL 30/04/1964
'),('jaichoisi','1979','prose','J\'ai choisi l\'exil','J\'ai choisi l\'exil*',NULL,'','','','','Paris','1979','Seuil',NULL,NULL,NULL,'','',''),('fillecalvaire','1997','prose','Jean-François Vilar','La Fille du calvaire*',NULL,'','','','','','1997','La Voûte/Métropolice',NULL,NULL,NULL,'(BNF)','',''),('bastilletan','1986','prose','Jean-François Vilar','Bastille-Tango*',NULL,'','','','','Paris','1986','Presses de la Renaissance',NULL,NULL,NULL,'(BNF)','',''),('etatdurg','1985','prose','Jean-François Vilar','Etat d\'urgence*',NULL,'','','','','Paris','1985','Presses de la Renaissance',NULL,NULL,NULL,'(BNF)','',''),('lettresdeprison','Original','prose','','',NULL,'','','','','','','',NULL,NULL,NULL,'','',''),('journal','Original','prose','','Journal*',NULL,'','','','','','','',NULL,NULL,NULL,'','',''),('lechateau365','1961','prose','Josette Villefranque','Le Château aux 365 fenêtres*',NULL,'','','','','Paris','1961','Gallimard',NULL,NULL,NULL,'(BNF)','','NL 26/10/61
'),('walther','1954','prose','Henri Vincenot','Walther, ce Boche mon ami*',NULL,'','','','','Paris','1954','Denoël',NULL,NULL,NULL,'(British Library)','',''),('ellevoulait','2005','prose','Yves Viollier','Elle voulait toucher le ciel*',NULL,'','','','','','2005','Éd France Loisirs',NULL,NULL,NULL,'(BNF)','',''),('linconnuede','2008','prose','Louis-Olivier Vitté','L\'Inconnue de la Maison-Haute*',NULL,'','','','','Paris','2008','Presses de la Cité',NULL,NULL,NULL,'','Romans Terres de France
',''),('lacathedrale','2002','prose','Maxime Vivas','La Cathédrale au fond du jardin*',NULL,'','','','','','2002','Atout éditions',NULL,NULL,NULL,'','',''),('Altosolo','1991','prose','Antoine Volodine','Alto solo Paris*',NULL,'','','','','Paris','1991','Editions de Minuit',NULL,NULL,NULL,'(Brotherton)','',''),('homicide','1996','prose','Alain Wagneur','Homicide à bon marché*',NULL,'','','','','Paris','1996','Gallimard Série noire',NULL,NULL,NULL,'(BNF)','',''),('sousleregne','2005','prose','Georges Walter*','Sous le règne de Magog 1939-1945*',NULL,'','','','','Paris','2005','Denoël',NULL,NULL,NULL,'','','ML, no. 443, juin 2005
'),('laballade','1971','prose','G Walter','La Ballade de Sacramento Slim',NULL,'','','','','Paris','1971','Grasset',NULL,NULL,NULL,'','','QL no. 128, 1-15/11/71
'),('lhommequimar','2007','prose','Marie-Hélène Westphalen','L\'Homme qui marche au bord du monde*',NULL,'','','','','Paris','2007','Albin Michel',NULL,NULL,NULL,'','',''),('lebruitdes','2009','prose','Tony Willer','Le Bruit des bottes*',NULL,'','','','345','','2009','Atria',NULL,NULL,NULL,'','',''),('aleurmesure','1960','prose','Pierre-René Wolf','A leur mesure*',NULL,'','','','','Paris','1960','Albin Michel',NULL,NULL,NULL,'(BNF)','','NL, 28/4/60
'),('Marfa1943','1960','prose','','Marfa 1943*',NULL,'','','','','Paris','1960','Albin Michel',NULL,NULL,NULL,'(BNF)','',''),('JusticeDunk','1960','prose','Claude Yernaux','Justice à Dunkerque*',NULL,'','','','','Paris','1960','Julliard',NULL,NULL,NULL,'(BNF)','',''),('seultemoin','1958','prose','Gisèle Ziegler','Le Seul Témoin*',NULL,'','','','','','1958','Julliard',NULL,NULL,NULL,'','','NL 31/07/1958
'),('Etoiledelor','1998','prose','Daniel Zufferey','L\'Etoile de l\'or*',NULL,'','','','','','1998','Librairie des Champs-elysées',NULL,NULL,NULL,'(BNF)','',''); /*!40000 ALTER TABLE `editions` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `editions_cast` -- DROP TABLE IF EXISTS `editions_cast`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `editions_cast` ( `comp_code` varchar(50) NOT NULL, `ed_code` varchar(50) NOT NULL, `cast_member` varchar(100) NOT NULL, PRIMARY KEY (`comp_code`,`ed_code`,`cast_member`), FULLTEXT KEY `name` (`cast_member`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `editions_cast` -- LOCK TABLES `editions_cast` WRITE; /*!40000 ALTER TABLE `editions_cast` DISABLE KEYS */; INSERT INTO `editions_cast` VALUES ('101avhenrimartin','2000','Jean-Claude Brialy'),('101avhenrimartin','2000','Laetita Casta'),('101avhenrimartin','2000','Stéphane Audran'),('Affairefemmes','1988b','Dani'),('Affairefemmes','1988b','Dominique Blanc'),('Affairefemmes','1988b','Francois Cluzet'),('Affairefemmes','1988b','Francois Maistre'),('Affairefemmes','1988b','Isabelle Huppert'),('Affairefemmes','1988b','Marie Trintignant'),('Affairefemmes','1988b','Nils Tavernier'),('Armeeombres','1969','Jean-François Jardie: Jean-Pierre Cassel'),('Armeeombres','1969','Luc Jardie: Paul Meurisse'),('Armeeombres','1969','Mathilde: Simone Signoret'),('Armeeombres','1969','Philippe Gerbier: Lino Ventura'),('Aurevoirenfants','1987','François Négret; Gaspard Manesse; Raphaël Fejtö'),('Balconenforet','1979','Aina Walle'),('Balconenforet','1979','Humbert Balsan'),('Balconenforet','1979','Yves Afonso'),('Bicyclettebleue','2000','Jean-Claude Brialy'),('Bicyclettebleue','2000','Laetita Casta'),('Bicyclettebleue','2000','Stéphane Audran'),('BldHirondelles','1992','Elisabeth Bourgine (Lucie Aubrac);'),('BldHirondelles','1992','Pierre-Loup Rajot (Raymond Aubrac)'),('Bonbeurre','1980','Andréa Ferréol'),('Bonbeurre','1980','Roger Hanin'),('Borsalino','1970','Alain Delon - Roch Siffredi'),('Borsalino','1970','Jean-Paul Belmondo'),('Campthiaroye','1987','Eloi Coly'),('Campthiaroye','1987','Hamed Camara'),('Campthiaroye','1987','Innocence Coly'),('Campthiaroye','1987','Ismaël Lô'),('Campthiaroye','1987','Ismaila Cissé'),('Campthiaroye','1987','Moussa Cissoko'),('Campthiaroye','1987','Philippe Chamelat'),('Campthiaroye','1987','Sidiki Bakaba'),('Croixmer','2001','Isabelle Renauld - Marie'),('Croixmer','2001','Laurent Malet - Jean'),('DameIzieu','2007','Gaëla Le Devehat (Léa)'),('DameIzieu','2007','Véronique Genest (Sabine Zlatin)'),('DameIzieu','2007','Vincent Winterhalter (Miron Zlatin)'),('demonsaube','1946','Claude - Georges Marcal'),('demonsaube','1946','Lilly - Simone Signoret'),('demonsaube','1946','Serge - André Valmy'),('demonsaube','1946','Simone - Jacqueline Pierreux'),('DernierMetro','1980','Catherine Deneuve (Marion Steiner)'),('DernierMetro','1980','Gérard Depardieu (Bernard Granger)'),('Deuilen24','1982b','Alain Cuny'),('Deuilen24','1982b','Pierre Clémenti'),('Deuilen24','1982b','Richard Bohringer'),('Diableritencore','2000','Jean-Claude Brialy'),('Diableritencore','2000','Laetita Casta'),('Diableritencore','2000','Stéphane Audran'),('DrPetiot','1991','Michel Serrault - Docteur Petiot'),('EffroyablesJardins','2003','Dussollier, André'),('EffroyablesJardins','2003','Lhermitte, Thierry'),('EffroyablesJardins','2003','Villeret, Jacques'),('Egares','2003','Cathy: Clémence Meyer'),('Egares','2003','l Philippe: Gregoire Leprince-Ringuet'),('Egares','2003','Odile : Emmanuelle Béart'),('Egares','2003','Yvan: Gaspard Ullie'),('Enfantspays','2006','Michel Serrault - Grandfather (Gustave)'),('Enfantspays','2006','Pascal Nzonzi - Baye Dame'),('Enfantspays','2006','William Nadylam - Malick'),('femmesombre','2008b','Déborah François - Gaëlle Lemenech'),('femmesombre','2008b','Julie Depardieu - Jeanne Faussier'),('femmesombre','2008b','Marie Gillain - Suzy Desprez'),('femmesombre','2008b','Sophie Marceau - Louise Desfontaines'),('fortunat','1960','Bourvil'),('fortunat','1960','Frédéric Mitterrand'),('fortunat','1960','Michèle Morgan'),('Gang','1976','Alain Delon (dedicatee of original book)'),('gibier','1951','details in web link on \'personal details\''),('gibier','1951','Dominique Nicole COURCEL'),('gibier','1951','Emilie Dancourt Simone PARIS'),('gibier','1951','Ernest Marcel MOULOUDJI'),('gibier','1951','Frère Bénédict André CARNÈGE'),('gibier','1951','Générique Artistique'),('gibier','1951','Ginette Renée COSIMA'),('gibier','1951','Henriette Mona GOYA'),('gibier','1951','La tante Consuelo Marie VENTURA'),('gibier','1951','Le boucher Robert DALBAN'),('gibier','1951','Le père Quentin Pierre DUX'),('gibier','1951','M Paul, le photographe Pierre PALAU'),('gibier','1951','Madame Alice ARLETTY'),('gibier','1951','Marceau Le Guern Georges MARCHAL'),('Grandcarnival','1983','Richard Berry, Jean-Pierre Bacri, Gerard Darmon, Marthe Villalonga'),('grandevadr','1966','Bourvil, Louis de Funès'),('guichets','1974','Alexandre Rignault... Le voisin / Neighbour'),('guichets','1974','Alice Sapritch... La vieille dame / Old Lady'),('guichets','1974','André Thorent... L\'agent de la gestapo / Gestapo man'),('guichets','1974','Christian Rist ... Paul'),('guichets','1974','Christine Pascal... Jeanne'),('guichets','1974','Evelyne Istria... La mère / Mother'),('guichets','1974','Françoise Bertin... La teinturière'),('guichets','1974','Henri Garcin... Ernst Jünger, le grand écrivain allemand alors officier'),('guichets','1974','Jacques Debary... Le curé / Priest'),('guichets','1974','Jacques Rispal'),('guichets','1974','Jean-Claude Amyl... Lardy'),('guichets','1974','Judith Magre... Mme Ash'),('guichets','1974','Michel Auclair... M. Edmond'),('guichets','1974','Michel Robin... Le cousin / Cousin'),('Herosdiscret','1996','Albert Dupontel : Dionnet;'),('Herosdiscret','1996','Anouk Grinberg : Servane;'),('Herosdiscret','1996','Armand de Baudry d\'Asson : Un anglais;'),('Herosdiscret','1996','Bernard Bloch : Ernst;'),('Herosdiscret','1996','Bruno Putzulu : Meyer;'),('Herosdiscret','1996','Clotilde Mollet : Odette;'),('Herosdiscret','1996','Danièle Lebrun : Madame Dehousse;'),('Herosdiscret','1996','François Berléand : Monsieur Jo;'),('Herosdiscret','1996','François Chattot : Louvier;'),('Herosdiscret','1996','Jean-Louis Trintignant : Albert Dehousse âgé;'),('Herosdiscret','1996','Mathieu Kassovitz : Albert Dehousse;'),('Herosdiscret','1996','Nadia Barentin : La femme du general;'),('Herosdiscret','1996','Philippe Duclos : Caron;'),('Herosdiscret','1996','Sandrine Kiberlain : Yvette;'),('Herosdiscret','1996','Un héros très discret'),('Herosdiscret','1996','Wilfred Benaïche : Nervoix;'),('Indigenes','2006','Bernard Blancan'),('Indigenes','2006','Jamel Debbouze'),('Indigenes','2006','Rochdy Zem'),('Indigenes','2006','Sami Boujiala'),('Indigenes','2006','Samy Naceri'),('LacombeLucien','1974','Albert-Holger Löwenadler'),('LacombeLucien','1974','Bella-Therese Giehse'),('LacombeLucien','1974','France-Aurore Clément'),('LacombeLucien','1974','Jean-Bernard-Stéphane Bouy'),('LacombeLucien','1974','Lucien Lacombe-Pierre Blaise'),('Laissezpasser','2001','Jean Aurenche - Denis Podalydès'),('Laissezpasser','2001','Jean Devaivre - Jacques Gamblin'),('Laissezpasser','2001','Simone Devaivre - Marie Desgranges'),('Laissezpasser','2001','Suzanne Raymond - Charlotte Kady'),('Lignedemarcation','1966','Jean Seberg; Jean Yanne;'),('MarieOctobre','1959','Danielle Darrieux'),('MarieOctobre','2008','Jacques Spiesser'),('MarieOctobre','2008','Nathalie Baye'),('MarieOctobre','2008','Sam Karmann'),('MitterrandVichy','2008','Mathieu Bisson - François Mitterrand'),('MonsieurLeon','2006','Arthur Vaughan-Whitehead (Yvon)'),('MonsieurLeon','2006','Clémentine Célarié (Raymonde)'),('MonsieurLeon','2006','Florence Pernel (Irène)'),('MonsieurLeon','2006','Georges Claisse (Ziegler).'),('MonsieurLeon','2006','Michel Serrault (Léon Chapuis)'),('Mortmetier','1977','Götz George - Fritz Lang'),('Nstsassassins','1952b','Antoine Balpétré'),('Nstsassassins','1952b','Claude Laydu'),('Nstsassassins','1952b','Julien Verdier'),('Nstsassassins','1952b','Marcel Mouloudji'),('Nstsassassins','1952b','Raymond Pellegrin'),('PasKaddish','1997','Joseph Katz - Pinkas Braun'),('PasKaddish','1997','Sam Benamou - Patrick Bruel'),('peloton','1945b','Dalbert - Abel Jacquin'),('peloton','1945b','De Juste - Pierre Magnier'),('peloton','1945b','Françoise - Yvonne Gaudeau'),('peloton','1945b','Haus - Lucien Coedel'),('peloton','1945b','le colonel - Pierre Renoir'),('peloton','1945b','Martin - Georges Lannes'),('peloton','1945b','Schmidt - Robert Dalban'),('peloton','1945b','Von Angel - Jean Toulout'),('peloton','1991','Cedric Smith ... Lt. Col. Harfield'),('peloton','1991','Malcolm Stewart ... Maj. Tom McGuire'),('Petitgarcon','1995','Jacques Weber, Brigitte Roüan, Stanislas Crevillén, Ludmila Mikaël, Serge Reggiani, Thierry Frémont'),('Piege','1991c','André Dussollier'),('Piege','1991c','Grace de Capitani'),('Piege','1991c','Pierre Dux'),('PontsurLoire','2005','Elsa Lunghini'),('PontsurLoire','2005','Étienne Chicot'),('PontsurLoire','2005','Guy Marchand'),('PontsurLoire','2005','Marc Betton'),('PontsurLoire','2005','Patrick Catalifo'),('PromeneurchampsMars','2005','Jalil Lespert - Antoine Moreau'),('PromeneurchampsMars','2005','Michel Bouquet - Le Président'),('Promesseaube','1970','Assaf Dayan'),('Promesseaube','1970','Melina Mercouri'),('Ptesnuits','1946','Yves Montand - Diego'),('Queos','1981','Alain Delon - Tarpon'),('Secret','2007','Cécile de France, Patrick Bruel, Ludvine Sagnier'),('Silencemer','1948','Nicole Stéphane and Howard Vernon'),('Uranus','1990','Gérard Depardieu'),('Uranus','1990','Jean-Pierre Marielle'),('Uranus','1990','Michel Blanc'),('Uranus','1990','Philippe Noiret'),('vertemoisson','1959b','Claude Brasseur'),('vertemoisson','1959b','Dany Saval'),('vertemoisson','1959b','Jacques Higelin'),('vertemoisson','1959b','Jacques Perrin'),('vertemoisson','1959b','Pierre Dux'),('VillaJasmin','2008','La Mère - Elsa Mollien'),('VillaJasmin','2008','Le Père - Arnaud Giovaninetti'),('WendZudycoote','1964','Jean-Paul Belmondo; Jean-Pierre Marielle'); /*!40000 ALTER TABLE `editions_cast` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `editions_illustrations` -- DROP TABLE IF EXISTS `editions_illustrations`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `editions_illustrations` ( `comp_code` varchar(50) NOT NULL, `ed_code` varchar(50) NOT NULL, `illustration` varchar(300) NOT NULL ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `editions_illustrations` -- LOCK TABLES `editions_illustrations` WRITE; /*!40000 ALTER TABLE `editions_illustrations` DISABLE KEYS */; INSERT INTO `editions_illustrations` VALUES ('Nonklara','2004a','Images\\Front covers\\nonklara.jpg'),('Village1940','2009a','M:\\ahrc project\\FRAME database and records\\Images\\ADE Un village francais.jpg'),('Village1940','2009b','M:\\ahrc project\\FRAME database and records\\Images\\village fr 1 and 2.jpg'),('demonsaube','1946','Images\\Film posters\\Demonsaube.jpg'),('etsiunreve','2005','M:\\ahrc project\\FRAME database and records\\Images\\amiel et si un reve.jpg'),('rafle','1993','M:\\ahrc project\\FRAME database and records\\Images\\amiel la rafle.jpg'),('Luneomaha','2003','Images\\Front covers\\LuneOmaha.jpg'),('lancien','1999','M:\\ahrc project\\FRAME database and records\\Images\\amoz l\'ancien crime.jpg'),('lafoi','1961','M:\\ahrc project\\FRAME database and records\\Images\\anglade lafoi 1961.jpg'),('lafoi','1985','M:\\ahrc project\\FRAME database and records\\Images\\anglade lafoi.jpg'),('Grandcarnival','1983','Images\\Film posters\\grandcarnaval.jpg'),('quinzeans','1954','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\arnothy j\'ai quinze ans.jpg'),('dusilence','2008','..\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\aymard dusilence.jpg'),('vielente','2010','..\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\aymard vielente.jpg'),('Uranus','1990','Images\\Film posters\\Uranus 2.jpg'),('Uranus','1990','Images\\Film posters\\Uranus.jpg'),('alecoute','1990','..\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\baldran alecoute.jpg'),('LHotel','1994','M:\\ahrc project\\FRAME database and records\\entries to be submitted\\ballet gares novel.jpg'),('laplusbelle','2006','..\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\bantman laplusbelle.jpg'),('LeonM','1961','Images\\Film posters\\Leon morin prete.jpg'),('Quoideneuf','2002b','Images\\Film posters\\Mondepresquepaisible.jpg'),('Jeudisaint','2007','Images\\Portraits\\Borzeix_JeanMarie.jpg'),('Indigenes','2006','Images\\Film posters\\indigenes 2.jpg'),('Indigenes','2006','Images\\Film posters\\indigenes.jpg'),('Piege','1945','Images\\Front covers\\piege.jpg'),('fortunat','1960','..\\My Documents\\My Pictures\\FRAME\\frame fortunat film.jpg'),('OmahaCrimes','2007','Images\\Front covers\\omahacrimes.jpg'),('Lauriersdulac','1974','Images\\Front covers\\laurierslacconstance.jpg'),('Manteaunoir','1998','Images\\Front covers\\manteaunoir.jpg'),('Grandcirque','1953','Images\\Portraits\\Clostermann.jpg'),('Dissidence1','2002','Images\\Front covers\\confiant-dissidence.jpg'),('Ravinesdevantjour','1995','Images\\Front covers\\ravinesdevantjour.jpg'),('Placerouge','1961','Images\\Front covers\\placerouge.jpg'),('gibier','1951','C:\\Documents and Settings\\fllmka\\My Documents\\My Pictures\\d829b6f7-836f-4bd6-8737-36d1904a4891.jpg'),('Cartonjaune','1999','Images\\Front covers\\Cartonjaune.jpg'),('Meurtresprmemoire','2002','Images\\Front covers\\Meurtresprmemoire.jpg'),('missak','2009','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\FRAME\\frame missak.jpg'),('missakenfant','2009','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\FRAME\\frame missak lenfant.jpg'),('Mortnoubliepersonne','1999','Images\\Front covers\\Mortnoubilepersonne.jpg'),('Nazismetro','1996','Images\\Front covers\\Nazimetro.jpg'),('JosephLondres','1994','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\durand joseph.jpg'),('Bonbeurre','1952','Images\\Front covers\\bonbeurre.jpg'),('Bonbeurre','1980','Images\\Film posters\\aubonbeurre (2).jpg'),('enfantetsoldat','2006','Images\\Front covers\\enfantetsoldat.jpg'),('PontsurLoire','2001','Images\\Front covers\\Pontsurloire.jpeg'),('PontsurLoire','2005','Images\\Film posters\\3joursenjuin.jpg'),('Grandvestiaire','1988','Images\\Front covers\\grandvestiaireBD.jpg'),('Promesseaube','1961','Images\\Front covers\\Promesseaube.jpg'),('Magnus','2008','Images\\Front covers\\Magnus (eng).jpg'),('Zaide','1988','Images\\Front covers\\Zaide.jpg'),('Hommesmeilleursvie','1991','Images\\Front covers\\hommesmeilleursvie.jpeg'),('RueParis','1993','Images\\Front covers\\rueparis.jpg'),('salaudsviedure','1949','Images\\Front covers\\salaudsviedure.jpg'),('Lignesfaille','2006','Images\\Front covers\\lignesfailles.jpg'),('Enfantspays','2006','Images\\Film posters\\Enfantspays.jpg'),('tribulations','1996','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\tribulations.jpg'),('armenien','2007','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\lepidis-clement-armenien2007.jpg'),('Labièvre','1997','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\luzy-poussy grande.jpg'),('Queos','1988','Images\\Front covers\\quedos.jpg'),('Queos','1981','Images\\Film posters\\1981_Pour_la_peau_d_un_flic.jpg'),('Corpsnoir','2004','Images\\Front covers\\Corps noir.bmp'),('Deboutcesiecle','1998','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\debout mauberret.jpg'),('Isolesoleil','1981','Images\\Front covers\\isolesoleil.jpg'),('Statuesel','1972','Images\\Front covers\\La Statue de sel.jpg'),('Mortmetier','1977','Images\\Film posters\\Aus einem deutschen Leben.jpg'),('WendZudycoote','1964','Images\\Film posters\\weekendazuydcoote.jpg'),('WendZudycoote','1964','Images\\Film posters\\weekzuydcoote 2.jpg'),('Jollec','1994','Images\\Front covers\\LeJollec.jpg'),('VillaJasmin','2005','Images\\Front covers\\Villa Jasmin.jpg'),('Nomcode','2008','Images\\Front covers\\Lamurene.jpeg'),('rueroi','not known','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\Rue%20du%20Roi%20Albert.jpg'),('Bonheurogres','1988','Images\\Front covers\\bonheurogres 1.jpg'),('Bonheurogres','1988','Images\\Front covers\\bonheurogres 2.jpg'),('Bonheurogres','1988','Images\\Front covers\\bonheurogres 3.jpg'),('Exiljoconde','2005','Images\\Front covers\\Exiljoconde.jpg'),('Exiljoconde','2008','Images\\Front covers\\exiljoconde2.jpg'),('Marchaismalgremoi','2006','Images\\Front covers\\Jemarchais.jpg'),('Amepreteeoiseaux','1998','Images\\Front covers\\Amepreteeoiseaux.jpg'),('AutrefoisDiana','2007','Images\\Front covers\\autrefoisdiana.jpg'),('miroirsded','1994','Images\\9782702101193-G.jpg'),('EffroyablesJardins','2001','Images\\Front covers\\Strange gardens.bmp'),('Nour','2001','Images\\Front covers\\nour1947.jpg'),('matiere','2002','..\\My Documents\\black machine documents\\My Documents\\RESEARCH\\WAR\\ahrc project\\FRAME work\\images\\matiere recatala.jpg'),('ilscroyaienteternite','2007','Images\\Front covers\\autrefoisdiana.jpg'),('Amoursansresistance','2005','Images\\un-amour-sans-resistance.jpg'),('Projectionsprivees','2008','Images\\Front covers\\projectionsprivees.bmp'),('Guerrelasse','1987d','Images\\Film posters\\deguerrelasse.jpg'),('femmesombre','2008b','Images\\Film posters\\femmesombres.jpg'),('Partautre','2003','Images\\Front covers\\Partautre.jpg'),('Perepetite','2008','Images\\Front covers\\perepetite.jpg'),('liberationoiseaux','2004','Images\\Front covers\\liberationoiseaux.jpg'),('Tonkinoise','1995','Images\\Front covers\\tonkinoise.jpg'),('Affairefemmes','1988b','Images\\Film posters\\affairedefemmes.jpg'),('Laissezpasser','2001','Images\\Film posters\\laissezpasser.jpg'),('Marcheetoile','2007','Images\\Front covers\\autrefoisdiana.jpg'),('Mots','1998','Images\\Front covers\\les mots 1998.jpg'),('Mots','2004','Images\\Front covers\\les mots 2004.jpg'),('Silencemer','1948','Images\\Film posters\\Silencemer.jpg'),('courtevie','1995','M:\\ahrc project\\FRAME database and records\\entries to be submitted\\claude vinci novel.jpg'),('EcritsdeMarseille','2008','Images\\Front covers\\Ecritsmarseille.jpg'),('FrancaiseFrancais','1988','Images\\Front covers\\francaisesfrancais.jpg'),('BoucherGuelma','2007','Images\\Front covers\\BoucherGuelma.jpg'); /*!40000 ALTER TABLE `editions_illustrations` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `events` -- DROP TABLE IF EXISTS `events`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `events` ( `event_code` varchar(70) NOT NULL, `title` varchar(100) NOT NULL, `dates` varchar(50) DEFAULT NULL, `summary` text, PRIMARY KEY (`event_code`), FULLTEXT KEY `title` (`title`), FULLTEXT KEY `summary` (`summary`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `events` -- LOCK TABLES `events` WRITE; /*!40000 ALTER TABLE `events` DISABLE KEYS */; INSERT INTO `events` VALUES ('17october1961','Demonstrations of 17th October 1961','17/10/1961','Demonstration by Algerian nationalists and their families in several areas of Paris and its suburbs on the 17th of October 1961. They were protesting against a curfew instigated by the Préfet de Police, Maurice Papon. This event took place during the Algerian war of Independence (1954-1962), which was fought both in the colony and in metropolitan France.
'),('6Feb1934','6th of February 1934','',''),('912Feb1934','9th or 12th February 1934','',''),('AlgerianWar','Algerian War of Independence','1954-1962',''),('AlliedbombingsFr','Allied bombings of France','',''),('AlliedbombingsGer','Allied bombings of Germany','',''),('AntanSorin','Antan Sorin (The rule of Amiral Robert in the Antilles)','1940-1943',''),('Antisemit1981','Antisemitic attacks in France 1981','',''),('AntiSemiticattacks81','Anti-Semitic attacks in France in 1981','',''),('Armistice','Armistice','',''),('ArrestJeanMoulin','Arrest of Jean Moulin','',''),('Atlantpockets','Atlantic Pockets','1944-1945','Pockets of German Resistance to the Allies
'),('Bataille1940','Bataille de France','May-June 1940','Fighting in France from the invasion of the German Army on 10 May 1940 to the request for an armistice communicated by Pétain to the French nation in a radio broadcast on 17 June 1940
'),('BirHakeim','Battle of Bir Hakeim','February 1941',''),('Boves','Boves (Italy) massacre','',''),('Burmesethailandrailway','Building of the Burmese-Thailand railway','1942-1944',''),('Campinternement','Camps d\'internement en France','1938 - 1946','The Ligue des droit de l\'homme estimates at 600, 000 the number of men, women and children held in internement camps on French soil between 1938 and 1946. At first they held Spanish Republicans and then after the outbreak of war citizens of enemy powers. Under Vichy, Jews, Gypsies, Homosexuals and Communists were imprisoned. These camps were controlled by French policemen and soldiers. From these camps more than 75, 000 Jews and those of others from different groups were deported to the concentration camps.
'),('Combat','Combat movement and newspaper','',''),('cometline','Comet Line','',''),('DDaylandings','D-Day landings','06/06/1944',''),('debacle','Débâcle','','Rout of the French Army in May-June 1940
'),('defeat1940','Defeat 1940','1940','Defeat of France
'),('DemarcationLine','Demarcation Line','',''),('Deportation','Deportation to concentration/ extermination camps','',''),('Diablesbleus','Demonstration at the monument aux Diables bleus, Grenoble','11/11/1943','Over 1500 people gathered at the Monument to the Chasseurs Alpins in Grenoble (whose nickname is Les Diables bleus) on the 11th of November 1943. The gathering was organised by a number of Resistance organisations. More than a thousand were arrested by German soldiers, and 395 were later deported to German concentration camps. The brutality of the German response meant that no other demonstration was organised in the city until its liberation.
'),('Dissidence','La Dissidence (Resistance in the Antilles)','',''),('Droleguerre','Drôle de guerre','',''),('Egyptiancampaign','Egyptian campaign','',''),('Escapenetworks','Escape networks','May 1940 -','Comet Line - The Comet Line was formed in May 1940 to help allied airmen who had been shot down return home. The line began in Brussels, the men were then transported through France and Spain and back to England via Gibraltar.
'),('Exode','Exode','May-June 1940','Exodus of civilians from the cities of Belgium and of France fleeing ahead of the advance of the German Army.
'),('FFI','Forces Françaises de l\'Intérieur','',''),('FFL','Forces Françaises Libres','1940-1944',''),('Germaninvasion','German invasion of France','06/1940',''),('GuerreRif','Guerre du Rif','07/1921 - 05/1926','War between the tribes of the Rif mountains of Northern Morocco, led by Abdelkrim el Khattabi, and the French and Spanish.
'),('Hiroshima','Hiroshima Bomb','',''),('InternmentRomanies','Internment and Deportation of French Romani population','',''),('invasioncorsica','Invasion of Corsica','','Invasion of Corsica by the Italian Army
'),('InvasionVercors','Invasion of the Vercors plateau by German troops','21/07/1944',''),('Izieu','Deportation of Jewish children from Izieu','06/04/1944','On the 6th April 1944 the Lyon Gestapo on the orders of Klaus Barbie rounded up the 44 children and 7 adults, all Jewish who had been sheltering in a house in Izieu. One person escaped, 42 were deported to Auschwitz-Birkenau where they were gased and two were shot in Estonia. There was only one survivor. After Barbie\'s trial in 1987, Sabine Zlatin, the founder of the home (in 1943) created an association which has reopened the Maison d\'Izieu to the public and organises activities for schools about the Holocaust and Crimes against Humanity.
Between 1943 and 1944, the Zlatin and her husband had hidden and cared for over one hundred Jewish children.
In 1994 the then French President Jacques Chirac inaugurated a museum and memorial in the house.
'),('JapaneseIndochina','Japanese Occupation of French Indochina','1941-1946','In 1941, Vichy granted the Japanese full use of the Aerodromes in Indochina, allowed them to station their troops in the colony and provided them with rice and raw materials. On the 9th of March 1945, the Japanese took over full control of the territory from French command and shot or imprisoned a large number of French army officers and officials. The Japanese withdrew from the colony between September 1945 and December 1946, after reinforcing the position of the Vietminh.
'),('Jeannedarcday','Vichy commemoration day for Jeanne d\'Arc','',''),('Lebensborn','Lebensborn','1935-1945','Organisation established by Himmler to place suitable ayran foreign children, either those born from relationships between foreign women and German soldiers, or other simply kidnapped from occupied countries, in German family. Such a policy was meant to replace the large numbers of German soldiers killed by the war. In the Lebensborn centres the children were Germanised. Post-war the United Nations helped more than forty thousand such children return to their families.
'),('Liberation','Liberation of France','',''),('LiberationAlsace','Liberation of Alsace','',''),('LiberationAuschwitz','Liberation of Auschwitz-Birkenau','27/01/1945',''),('LiberationBergen','Liberation of the Bergen-Belsen camp','',''),('LiberationBrittany','The Liberation of Brittany','',''),('LiberationItaly','Liberation of Italy','',''),('LiberationParis','Liberation of Paris','19/08/1944 - 24/08/1944',''),('Libya/Tunisia','Fighting in Libya and Tunisia','',''),('LibyaTunisiabattles','Battles fought by Free French Forces in Libya and Tunisia.','',''),('LorraineLafayette','Groupes Lorraine and Lafayette','',''),('Malgrenous','Malgré nous','',''),('Malmedy','Malmedy massacre','',''),('Massacresalgeria1945','Massacres in Eastern Algeria in 1945','8th of May 1945 to end of June 1945','The events were officially recognised as having been massacres by the French ambassador to Algeria, during a visit he made to Sétif on the 26th of February 2005.
'),('Massacresmadagascar1947','Post-war colonial massacres in Madagascar','29th March 1947','The massacres began after a revolt by Malgache nationalists in the eastern part of the island on the 29th of March 1947. Madagascar had been declared a Territoire d\'Outre-Mer in 1946, but was still governed like a colony. Figures for the death toll vary, but it can be estimated to be around 80-90, 000. Like most colonial campaigns, it was labeled as \'a pacification\' measure. During the state visit of President Chirac to the island in July 2005, the French government recognised for the first time the events status as a massacre and apologised for it.
'),('Massacrestirailleurs1940','Massacres of colonial troops in June 1940','May - June 1940','During the German invasion of France in May and June 1940, large numbers of colonial troops, especially those from Central and West Africa were massacred by the German army. The largest and most well documented of these massacres took place in Chasselay near Lyon and ... in the Ardennes.
'),('May1968','May 1968','',''),('Muratlantique','Le Mur de l\'Atlantique','March 1942 - 1945','In March 1942, Hitler ordered the construction of the Atlantic Wall to protect the Atlantic and Channel coasts of France from Allied invasion. It was later to form part of a defensive line that stretched from the Spanish Border to the north of Norway. The wall was designed by Fritz Todt, the architect of the earlier Siegfried Line.
'),('NAfrLandings','Allied landings in North Africa','08/11/1942','The operation was named Torch and was led by General Eisenhower. 75 000 British and American troops landed on the beaches of Morocco and Algeria. The French admiral Darlan, who was on a visit to Algiers at that time, signed the rendition of the city and joined the Allies.
'),('NormandieNiemen','Normandie-Niémen','','pilotes francais libres partis se battres a cote des Sovietiques. 98 pilots and ten officers.
'),('Nurembergtrials','Nuremberg war crime trials','October 1945-1949','The most prominent Nazi leaders were tried in the German city of Nuremberg, in front of judges from the United States, The Soviet Union, Britain and France, for War Crimes and Crimes against Humanity. These trials are seen as the precursor for modern forms of international law and justice, as well as the International Convention on Human rights and the Geneva Convention.
'),('OccupationCorsica','Occupation of Corsica by the Italian army','11/11/1942','Corsica was under the control of the Vichy government of non-occupied zone until the Axis invasion of this Southern zone on the 11th of November 1942. Corsica was invaded by the Italian army.
'),('OccupGermany','Allied Occupation of Germany','',''),('OccupTunisia','Occupation of Tunisia by German forces','November 1942',''),('OperationdynamoDunkirk','Operation Dynamo','26/05/1940-04/06/1940','Operation to evacuate more than three hundred thousand British and French soldiers from Dunkirk, under German aerial bombing. It was named Dynamo after the command room in Dover from where Churchill followed the operation. The successful outcome of the event and especially the participation of ordinary civilians in the more than 700 \'little ships\' boosted British moral and inspired the phrase \'Dunkirk spirit\'.
'),('OradoursurGlane','Massacre of Oradour-sur-Glane','10/06/1944','On the 10th of June 1944 the Der Führer Regiment of the 2nd Waffen-SS Panzer Division Das Reich, travelling northwards to Normandy, massacred virtually the entire population (more than 640 people) of the town of Oradour-sur-Glane in the Haute-Vienne. The men were rounded up and shot and the women and children were imprisoned in the church which was set on fire.
Post-war the town of Oradour was rebuilt near to ruins. The ruins themselves have been kept in their original state to bear witness to the memory of the massacre.
'),('OutlawingFrenchbrothels','The outlawing of brothels in France','13/04/1946','Brothels were outlawed in France in a law passed on the 13th of April 1946. The fight for this ban was led by a former prostitute, Marthe Richard, who had served as a pilot and a spy for the Free French during World War Two and the law now carries her name.
'),('PartiNationalBreton','PartiNationalBreton','','This Breton nationalist party believed that a policy of collaboration with the German occupying forces would faciliate their wish for an independent Brittany. They published a collaborationist and antisemitic newspaper entitled L\'Heure bretonne .
In 1943 a Breton SS unit, named Bretonischer Waffenverbände, was established. They were also know as the Bezen Perrot (Perrot Milce Unit)
'),('PetainMarseille','Petain visits Marseille','November 1940',''),('PetainParis','Petain visits Paris','1944',''),('PogromConstantine','Anti-Jewish Pogroms in Constantine, Algeria','03/08/1934 - 04/08/1934',''),('PopFront','Popular Front','1936-1939',''),('Provencelandings','Provence landings','15/08/1944','The code name for these landings was Anvil Dragoon. The majority of the 100,000 landing forces were Free French and of those more than 50 % were colonial troops. They were commanded by De Lattre de Tassingy. By the first evening, Fréjus had already been liberated and Marseille was liberated on the 28th of August more than a month ahead of schedule. The meeting between the armies of the two landings (Normandy and Provence) took place in Langrès on the 12th of September 1944.
'),('RafleMarseille','Largest round up of the war in Marseille','22/01/1943 - 24/01/1943','More than one thousand eight hundred and sixty-five people were rounded up across the city of Marseille by the French police and deported first to Drancy then on to concentration camps in occupied Europe.
The areas of the city from which these people were taken were then destroyed by the German army. (to be verified) Stopped in doing this by an old priest who refused to leave his church. Population from these areas sent to former tirailleurs\' camp in Fréjus.
'),('RafleVeldHiv','Rafle du Vélodrome d\'Hiver, Paris','July 1942',''),('RemovalartLouvre','Removal of artworks from Louvre','',''),('ReturnPOWs','Return of French Prisoners of War','',''),('Ruhr','Occupation of the Ruhr','',''),('SOE','Special Operations Executive (SOE)','1940-1946','Organisation established by Hugh Dalton and Winston Churchill to enourage and faciliate spying and sabotage missions behind enemy lines, mainly in Occupied Europe, but also in the Far East.
The RF section of the SOE was run in conjunction with De Gaulle\'s FFL.
In May 1991 a memorial to the French agents of the SOE was unveiled at Valençay in the Indré department.
'),('SpoilationJews','Spoilation of France\'s Jewish population','',''),('SSDasReich','Das Reich SS division','',''),('STO','Service de Travail Obligatoire','Autumn 1940 to Summer 1944','Began with La Réléve. Men would volunteer to go to Germany to work in factories. For every three French workers sent to Germany, one French prisoner of war would be freed. From February 1943, the STO became obligatory, men sent by age group, like military service. Those who refused (about 150, 000 - 200,000) were arrested, imprisoned and sometimes deported (6,000) or fled and joined Resistance groups or the Free French.
'),('Stolenart','Stealing of artworks by the Nazis','',''),('Thiaroyemassacre','Massacre of colonial troops at Thiaroye','01/12/1944','West African tirailleurs were placed in the transit camp of Thiaroye on the outskirts of Dakar (Senegal) on their return from fighting in France or from captivity in German Prisoner of War camps. There they re-entered the colonial logic - racism, second class treatment (food, clothing, leave). The greatest grievance was over pay, the military authorities exchanged the soldiers francs for CFA for a derisory sum and constantly delay paying the soldiers. The African soldiers took a French officer hostage on the 30th of November in order to draw attention to their plight. On the 1st of December, the French army attacked the camp with heavy artillery, killing hundreds of the unarmed tirailleurs.
'),('TrialBarbie','Trial of Klaus Barbie','11/05/1987-03/07/1987','Between November 1942 and the Summer of 1944, Klaus Barbie was in charge of the fourth section of the Gestapo in Lyon, responsible for stopping resistance activities.
After being tracked down to Bolivia by the Klarsfeld, on the 11th May 1987 he was put on trial in Lyon on several charges of Crimes Against Humanity (Deportation of more than 600 Jews and members of the Resistance as well as the children of Izieu, Torture of Resistance fighters). He was sentenced on the 3rd of July 1987 to life in prison on seventeen charges of Crimes Against Humanity.
Barbie died in prison in Lyon on the 25th of September 1991 and was buried in Bolivia.
'),('TrialLaval','Pierre Laval\'s trial','',''),('TrialPapon','Trial of Maurice Papon','',''),('TrialPetain','Pétain\'s trial','',''),('VichyJapan','Vichy and Japan Treaty','',''),('Vlassov','Vlassov army','1944-1945','The Vlassov army (also known as the Russian Liberation Army) were a military organisation funded and equiped by Nazi Germany during the Second World War, which fought alongside the Germany army. It was composed of White Russian emigres, Soviet prisoners of war and Ostarbeiter (workers from the east) and its aim was to overthrow the Soviet Communist state. As well as fighting on the Russian front, its members also served in many countries in Occupied Europe, including France and Belgium. At the end of the war many of its members were captured by the advancing Soviet army, tried and executed or sent to Siberian goulags.
'),('WW1','First World War','1914-1918',''),('invasionzonesud','Invasion of Southern Zone','11 November 1942','After the Allied Landings in North Africa on 8 November 1942, the German Army crossed the Demarcation Line and invaded the southern zone.
'); /*!40000 ALTER TABLE `events` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `events_edit_history` -- DROP TABLE IF EXISTS `events_edit_history`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `events_edit_history` ( `event_code` varchar(50) NOT NULL, `user` varchar(50) NOT NULL, `date` date NOT NULL DEFAULT '0000-00-00', PRIMARY KEY (`event_code`,`user`,`date`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `events_edit_history` -- LOCK TABLES `events_edit_history` WRITE; /*!40000 ALTER TABLE `events_edit_history` DISABLE KEYS */; INSERT INTO `events_edit_history` VALUES ('17october1961','Nina','2007-06-29'),('17october1961','Nina','2007-07-02'),('17october1961','Nina','2007-07-11'),('17october1961','Nina','2008-03-11'),('6Feb1934','Nina','2007-11-16'),('912Feb1934','Nina','2007-11-16'),('AlgerianWar','Margaret','2011-08-03'),('AlliedbombingsFr','Nina','2008-01-21'),('AlliedbombingsFr','Nina','2008-02-01'),('AlliedbombingsFr','Nina','2008-02-10'),('AlliedbombingsFr','Nina','2008-03-11'),('AlliedbombingsGer','Nina','2008-02-01'),('AlliedbombingsGer','Nina','2008-02-10'),('AntanSorin','Nina','2007-07-11'),('AntanSorin','Nina','2008-04-08'),('Antisemit1981','Margaret','2011-08-03'),('AntiSemiticattacks81','Nina','2007-07-11'),('AntiSemiticattacks81','Nina','2008-02-10'),('Armistice','Nina','2008-01-21'),('ArrestJeanMoulin','Margaret','2011-08-03'),('ArrestJeanMoulin','Nina','2008-10-07'),('Atlantpockets','Margaret','2011-08-03'),('Bataille1940','Margaret','2011-08-03'),('BirHakeim','Nina','2009-03-26'),('BirHakeim','Nina','2009-09-03'),('Boves','Nina','2008-02-06'),('Boves','Nina','2008-02-10'),('Burmesethailandrailway','Nina','2007-11-08'),('Burmesethailandrailway','Nina','2008-02-10'),('Campinternement','Nina','2008-01-14'),('Campinternement','Nina','2008-03-11'),('Combat','Nina','2008-02-10'),('Combat','Susan','2008-01-29'),('cometline','Margaret','2011-08-03'),('DDaylandings','Nina','2007-07-11'),('debacle','Margaret','2011-08-03'),('defeat1940','Margaret','2011-08-03'),('DemarcationLine','Susan','2008-08-11'),('Deportation','Nina','2007-07-02'),('Deportation','Nina','2007-07-11'),('Deportation','Nina','2008-03-11'),('Diablesbleus','Nina','2007-07-02'),('Diablesbleus','Nina','2007-07-11'),('Dissidence','Nina','2007-11-22'),('Dissidence','Nina','2008-02-10'),('Dissidence','Nina','2008-04-08'),('Droleguerre','Nina','2007-07-11'),('Droleguerre','Nina','2008-01-21'),('Egyptiancampaign','Nina','2007-11-09'),('Escapenetworks','Nina','2008-03-11'),('Escapenetworks','Susan','2008-01-17'),('Exode','Margaret','2011-08-03'),('Exode','Nina','2007-07-11'),('Exode','Nina','2008-03-11'),('FFI','Nina','2007-11-16'),('FFL','Nina','2008-01-17'),('FFL','Nina','2008-03-11'),('Germaninvasion','Nina','2007-07-02'),('Germaninvasion','Nina','2007-07-11'),('GuerreRif','Nina','2007-08-22'),('GuerreRif','Nina','2008-02-10'),('Hiroshima','Nina','2008-08-26'),('InternmentRomanies','Nina','2008-02-06'),('InternmentRomanies','Nina','2008-02-10'),('InternmentRomanies','Nina','2008-03-11'),('InternmentRomanies','Nina','2008-05-07'),('invasioncorsica','Margaret','2011-08-03'),('InvasionVercors','Nina','2007-07-11'),('invasionzonesud','Margaret','2011-08-31'),('Izieu','Nina','2009-02-04'),('Izieu','Nina','2009-03-10'),('JapaneseIndochina','Nina','2007-06-29'),('JapaneseIndochina','Nina','2007-07-02'),('JapaneseIndochina','Nina','2007-07-11'),('Jeannedarcday','Nina','2007-11-23'),('Jeannedarcday','Nina','2008-02-10'),('Jeannedarcday','Nina','2008-03-11'),('Lebensborn','Nina','2008-02-11'),('Lebensborn','Nina','2008-03-11'),('Liberation','Nina','2008-01-21'),('Liberation','Nina','2008-03-11'),('LiberationAlsace','Margaret','2011-08-03'),('LiberationAuschwitz','Nina','2009-03-15'),('LiberationBergen','Margaret','2011-08-03'),('LiberationBrittany','Margaret','2011-08-03'),('LiberationItaly','Nina','2007-11-05'),('LiberationParis','Nina','2007-07-02'),('Libya/Tunisia','Margaret','2011-08-03'),('LibyaTunisiabattles','Nina','2008-08-30'),('LorraineLafayette','Nina','2009-03-26'),('LorraineLafayette','Nina','2009-09-03'),('Malgrenous','Nina','2008-02-19'),('Malmedy','Nina','2008-02-06'),('Massacresalgeria1945','Nina','2007-08-02'),('Massacresalgeria1945','Nina','2008-03-11'),('Massacresalgeria1945','Nina','2008-03-26'),('Massacresmadagascar1947','Nina','2007-07-02'),('Massacresmadagascar1947','Nina','2007-07-11'),('Massacresmadagascar1947','Nina','2008-03-11'),('Massacresmadagascar1947','Nina','2008-03-15'),('Massacresmadagascar1947','Nina','2008-03-26'),('Massacrestirailleurs1940','Nina','2008-04-29'),('May1968','Nina','2007-07-02'),('May1968','Nina','2008-03-11'),('Muratlantique','Nina','2007-10-02'),('NAfrLandings','Nina','2007-07-02'),('NAfrLandings','Nina','2007-07-11'),('NormandieNiemen','Nina','2009-03-25'),('Nurembergtrials','Nina','2007-06-29'),('Nurembergtrials','Nina','2007-07-11'),('OccupationCorsica','Nina','2007-07-02'),('OccupationCorsica','Nina','2007-07-11'),('OccupationCorsica','Nina','2007-11-05'),('OccupGermany','Margaret','2011-08-03'),('OccupTunisia','Nina','2007-07-02'),('OccupTunisia','Nina','2007-07-11'),('OperationdynamoDunkirk','Nina','2007-06-29'),('OperationdynamoDunkirk','Nina','2007-07-11'),('OperationdynamoDunkirk','Nina','2009-02-20'),('OradoursurGlane','Nina','2008-04-16'),('OutlawingFrenchbrothels','Nina','2008-08-28'),('OutlawingFrenchbrothels','Nina','2009-03-10'),('PartiNationalBreton','Nina','2008-04-09'),('PetainMarseille','Margaret','2011-08-03'),('PetainParis','Margaret','2011-08-03'),('PogromConstantine','Nina','2008-09-03'),('PogromConstantine','Nina','2009-03-10'),('PopFront','Margaret','2011-08-03'),('Provencelandings','Nina','2007-07-02'),('Provencelandings','Nina','2007-07-11'),('Provencelandings','Nina','2009-03-10'),('RafleMarseille','Nina','2008-08-26'),('RafleMarseille','Nina','2008-08-27'),('RafleMarseille','Nina','2009-03-10'),('RafleVeldHiv','Nina','2008-04-10'),('RemovalartLouvre','Nina','2008-06-10'),('ReturnPOWs','Nina','2007-07-11'),('Ruhr','Margaret','2011-08-03'),('SOE','Nina','2008-03-26'),('SpoilationJews','Nina','2008-09-01'),('SSDasReich','Nina','2008-04-28'),('STO','Nina','2008-01-04'),('STO','Nina','2008-03-26'),('Stolenart','Nina','2008-08-28'),('Thiaroyemassacre','Nina','2007-07-02'),('Thiaroyemassacre','Nina','2007-07-11'),('TrialBarbie','Nina','2009-02-04'),('TrialLaval','Nina','2008-05-07'),('TrialPapon','Nina','2008-02-06'),('TrialPetain','Nina','2008-05-07'),('VichyJapan','Margaret','2011-08-03'),('Vlassov','Nina','2008-03-31'),('WW1','Margaret','2011-08-03'); 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Sorin (1940-1943) (Pointe-à-Pitre: Editions Jasor, 1984)'),('Campinternement','Peschanski, Denis, La France des camps : l\'internement, 1938-1946 (Paris: Gallimard, 2002)'),('Dissidence','Sempaire, Eliane, La dissidence an tan Sorin (1940-1943) (Pointe-à-Pitre: Editions Jasor, 1989)'),('Exode','Viadalenc, Jean, L\'Exode de Mai-Juin 1940 (Paris: PUF, 1957)'),('GuerreRif','Ayache, Germain, La Guerre du Rif (Paris: L\'Harmattan, 1996)'),('InternmentRomanies','Bernadac, Christian, L\'holocauste oublié : le massacre des tsiganes (Paris : Éditions France-Empire, c1979)'),('Izieu','Biscarat, Pierre-Jérome, Dans la tourmente de la Shoah - Les enfants d\'Izieu (Paris: Michel Lafon, 2008)'),('Izieu','Biscarat, Pierre-Jérôme, Les enfants d\'Izieu 6 avril 1944 - Un crime contre l\'humanité (Veurey: éditions Le Dauphiné, collection Les Patrimoines, 2003)'),('Izieu','Schittly, Richard, Izieu, L\'innocence assassinée (Seyssel: Comp\'Act, 1994)'),('JapaneseIndochina','Jennings, Eric, \'L\'Indochine de l\'Amiral Decoux\' in Cantier, Jacques and Eric Jennings (eds), L\'Empire colonial sous Vichy (Paris: Odile Jacob, 2004)'),('Jeannedarcday','Jennings, Eric, \'\'Reinventing Jeanne\': The Iconology of Joan of Arc in Vichy Schoolbooks, 1940-44\', Journal of Contemporary History, 29(4) (Oct., 1994), pp. 711-734'),('Lebensborn','Hillel, Marc, Au nom de la race (Paris: Fayard, 1975)'),('Massacresalgeria1945','Les Massacres de Sétif, un certain 8 mai 1945 Documentary (Mehdi Lallaoui, 2005)'),('Massacresalgeria1945','Planche, Jean-Louis, Histoire d\'un massacre annoncé(Paris: Perrin, 2006)'),('Massacresmadagascar1947','Arzalier, Francis and Jean Suret-Canale (eds), Madagascar 1947: la tragédie oubliée (Pantin: Le Temps des Cerises, 1999)'),('Massacresmadagascar1947','Duval, Eugène-David, La Révolte de Sagaies: Madagascar 1947 (Paris: L\'Harmattan, 2002)'),('Massacresmadagascar1947','Rabemanajara, Raymond William, Madagascar: l\'affaire de mars 1947 (Paris: L\'Harmattan, 2000)'),('Massacresmadagascar1947','Tronchon, Jacques, L\'insurrection malgache de 1947: essai d\'interprétation historique (Paris : Karthala, 1986)'),('Massacrestirailleurs1940','Le Tata (Patrice Robin and Evelyne Berruezo, 1992) - documentary about massacre of Senegalese troops at Chasselay, near Lyon in June 1940.'),('Massacrestirailleurs1940','Scheck, Raffael, \'\"They are just savages\": German massacres of black soldiers from the French army in 1940\', The Journal of Modern History, 77, June 2005, 325-344'),('NormandieNiemen','Donjon, Yves, Ceux de Normandie-Niémen (Paris: Editions Astore, 2002)'),('Nurembergtrials','Tusa, Anne and Peter Tusa, The Nuremberg Trial (London: Macmillan, 1983)'),('OperationdynamoDunkirk','Holmes, Richard (ed.), \'Dunkirk evacuation\', In The Oxford Companion to Military History, (Oxford: Oxford University Press, 2001)'),('OradoursurGlane','Farmer, Sarah, Martyred Village: Commemorating the 1944 Masacre at Oradour-sur-Glane (University of California Press, 1999)'),('PartiNationalBreton','Hamon, Kristian, Les Nationalistes bretons sous l\'Occupation (Kergleuz, 2001)'),('PartiNationalBreton','Leach, Daniel, \'Bezen Perrot: The Breton nationalist unit of the SS, 1943-5\', E-Keltoi (Journal of Interdisciplinary Celtic Studies), Volume 4'),('Provencelandings','Barré, Jean-Luc, Le Débarquement en Provence (Caen: Memorial de Caen, 2006)'),('RafleMarseille','Oppetit, Christian, Marseille, Vichy et les nazis: Le temps des rafles, la déportation des juifs (Marseille: Amicale des Déportés d\'Auschwitz et des Camps de Haute-Silésie, 1993)'),('RafleMarseille','Ryan, Donna, The Holocaust and the Jews of Marseille; The Enforcement of Anti-Semitic Policies in Vichy France (Chicago: University of Illinois Press, 1996)'),('SOE','Foot, M.R.D., The Special Operations Executive 1940-1946 (London: Pimlico, 1999) - first edition published in 1966.'),('SOE','Siedentopf, Monika, Parachutées en terre ennemie - L\'histoire vraie des espionnes françaises de Churchill (Paris: Perrin, 2008)'),('STO','Vittori, Jean-Pierre, Eux, les S.T.O(Paris: Temps Actuels, 1982)'),('Thiaroyemassacre','Onana, Charles, La France et ses tirailleurs, enquête sur les combattants de la République (Paris: Editions Duboiris, 2003)'); /*!40000 ALTER TABLE `events_reading` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `events_web_links` -- DROP TABLE IF EXISTS `events_web_links`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `events_web_links` ( `event_code` varchar(70) NOT NULL, `web_link` varchar(200) NOT NULL, PRIMARY KEY (`event_code`,`web_link`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `events_web_links` -- LOCK TABLES `events_web_links` WRITE; /*!40000 ALTER TABLE `events_web_links` DISABLE KEYS */; INSERT INTO `events_web_links` VALUES ('17october1961','http://17octobre1961.free.fr/index.htm'),('Diablesbleus','http://lythosav.edres74.ac-grenoble.fr/cnrd2003/man11no.htm'),('Diablesbleus','http://www.resistance-en-isere.com/mr/index/num/1/lan/1'),('Escapenetworks','http://home.clara.net/clinchy/neeb2.htm'),('Izieu','http://www.izieu.alma.fr/'),('LiberationParis','http://www.v1.paris.fr/musees/memorial/index.html'),('Massacresalgeria1945','http://www.ldh-toulon.net/spip.php?article530'),('Muratlantique','http://users.skynet.be/bs903065/historique.htm#histor'),('Muratlantique','http://www.atlantikwall.fr/'),('OperationdynamoDunkirk','http://www.adls.org.uk/main.html'),('OradoursurGlane','http://www.oradour.org/'),('Provencelandings','hthttp://provence44.free.fr/'),('Provencelandings','http://www.cheminsdememoire.gouv.fr/page/affichelieu.php?idLang=fr&idLieu=1354'),('SOE','http://www.fco.gov.uk/servlet/Front?pagename=OpenMarket/Xcelerate/ShowPage&c=Page&cid=1050510206588'); /*!40000 ALTER TABLE `events_web_links` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `people` -- DROP TABLE IF EXISTS `people`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `people` ( `person_code` varchar(50) NOT NULL, `known_as` varchar(100) DEFAULT NULL, `full_name` varchar(100) DEFAULT NULL, `sex` char(1) DEFAULT NULL, `birth_date` varchar(20) DEFAULT NULL, `death_date` varchar(20) DEFAULT NULL, `birth_place` varchar(100) DEFAULT NULL, `death_place` varchar(100) DEFAULT NULL, `relationships` varchar(500) DEFAULT NULL, `prewar` text, `wartime` text, `postwar` text, `other_works` varchar(1500) DEFAULT NULL, `compositions` int(11) NOT NULL, PRIMARY KEY (`person_code`), FULLTEXT KEY `name` (`known_as`,`full_name`), FULLTEXT KEY `text` (`prewar`,`wartime`,`postwar`) ) ENGINE=MyISAM DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `people` -- LOCK TABLES `people` WRITE; /*!40000 ALTER TABLE `people` DISABLE KEYS */; INSERT INTO `people` VALUES ('Aaron1949','','Aaron, Soazig','F','1949','','Rennes','','','','','Aaron ran a bookshop in Paris before she began to write in her middle age.
','',1),('Aba1921','','Aba, Noureddine','M','16/11/1921','19/09/1996','Sétif (Algeria)','Paris','','Studied at the lycée in Sétif alongside Kateb Yacine, who was a life-long friend.
','Studied law in Algiers.
','Attended the Nuremberg war trials as a journalist. He then returned to Paris to train as a playwright. Member of the Haut Conseil de la Francophonie.
','Je hais les trains depuis Auschwitz, Paris, L\'Harmattan, 1996 (poetry).
',1),('Abbas1899','','Abbas, Ferhat','M','24/08/1899','24/12/1985','Taher (Algeria)','Algiers (Algeria)','','','','First president of the independent Algerian state.
','',0),('Abellio1907','Soulès, Georges','Abellio, Raymond','M','11/11/1907','26/08/1986','Toulouse','Nice','','','He joined the Vichy regime during the Second World War and in 1942 became secretary general of Eugène Deloncle\'s far-right Mouvement Social Révolutionnaire (MSR). In April and September 1943 he took part in the Days of the Mont-Dore, an assembly of collaborationist personalities under the patronage of Philippe Pétain. After the Liberation, he was sentenced to 20 years imprisonment in absentia for collaboration, and escaped to Switzerland (wikipedia)
','','',3),('Abetz1903','','Abetz, Otto','M','26/05/1903','05/05/1958','Schwetzeigen (Germany)','Langenfeld (Germany)','','','Abetz was the German ambassador to the Vichy administration.
He fled from France with the evacuation of the German army in September 1944. He was captured by Allied authorities in 1945
','In July 1949 he was sentenced to twenty years imprisonment by a French court for war crimes, especially in his role in the deportation of French Jews. He was released in 1952.
','',1),('Adam1908','','Adam, George','M','16/06/1908','10/04/1963','Carrière, Belgium','','','','George Adam played a major role in the Lettres françaises clandestines, including arranging for the production of printed copies from October 1943.
The BN records he was \'naturalisé français\' in 1940.
','','',2),('Ade','','Ade, Alain','M','','','','','','','','','',2),('aderca','','Aderca, Juliette','F','','','Corabia (Roumanie)','','','Born Juliette Léon de Bouton. Aderca is her married name.
','','','',1),('Adler1971','','Adler, Guillaume','M','1971','','','','','','','','',1),('Agenor1940','','Agénor, Monique','F','1940','','Saint-Denis de la Réunion','','','','','Arrived in Paris in 1960. Actress and cinema producer.
','',1),('Aime1902','','Aimé Denise','F','1902','','','','','','','','',1),('Alboni','','Alboni, François','M','','','','','','','','','',1),('Albrand1927','Laforest, Michèle','Albrand, Michèle','F','07/02/1927','','','','','','','','',1),('Allegret1907','','Allégret, Yves','M','13/10/1907','31/01/1987','Asnières (Hauts-de-Seine))','Paris','','','','','',1),('Allemand1927','','Allemand, André','M','1927','','','','','','','','',1),('Amat','','Amat, Jorge','M','','','','','','','','','',1),('Ambriere1907','','Ambrière, Francis','M','27/09/1907','01/07/1998','','','','Theatre critic.
','Prisoner of war.
','Publisher and writer.
','',1),('Amette','','Amette, Jacques-Pierre','M','18/05/1943','','','','','','','writes also as Paul Clément
','',1),('Amiel1926','','Amiel, Jo','M','1926','','','','','','','','',3),('Amila1910','Meckert, Jean','Amila, Jean','M','24/11/1910','06/03/1995','Paris','Paris','','Meckert\'s father was shot for cowardice during the First World War, an event that was to inspire his novel Le Boucher des Hurlus (1982). His mother was then placed in an asylum and Meckert in an orphanage. He began his working life at age thirteen in a factory.
','He was mobilised in 1939, but never saw combat. He published his first novel (Les Coups) in 1941 and in 1942 left his job at the Paris city council to write full-time.
','In 1950 Meckert wrote his first polar at the request of the director of the Série Noire (Marchel Duhamel), and took pseudonym of John or Jean Amila. His works were not traditional polar intrigues, but in common with the traditions of the genre, they focus upon the lives of the most marginal in society. Meckert was also a screenwriter for films such as Yves Allégret, Quand la femme s\'en mêle (1957).
After the publication of his anti-nuclear thriller in 1971, La Vierge et le Taureau, he was seriously beaten up, and suffered from bouts of amnesia for the rest of his life. This event was the inspiration for Daeninckx\'s short polar, Nazis dans le métro1997, part of Le Poulpe series.
','',2),('Amiot1935','','Amiot, Yves','M','1935','','','','','','','','',1),('AmiralRobert1875','','Robert, Georges','M','1875','','','','','Illustrious naval career, he reached the rank of Vice-Admiral for the Mediterranean.
','High Commissioner for Vichy in the Antilles and Guyane. In july 1942, Robert escaped to Lisbon. He was arrested in September 1944 by the Free French Forces.
','Robert was put on trial for treason in March 1947.
','',0),('Amoz1955','Ozanam, Anne-Marie','Amoz, Claude','F','1955','','','','','','','Writer of romans noirs; professeur de lettres classiques; translator.
','',2),('anceau','','Anceau, Roger','M','','','','','','','','','',1),('Andre1920','','André, Robert','M','30/08/1020','21/11/2001','Paris','','','','','','',1),('Andreu1909','','Andreu, Pierre','M','1909','1987','Carcassonne','Paris','','Journalist and writer, generally seen as sympathetic to right-wing.
','Prisoner of war 1940-1942.
','Worked for ORTF.
','',1),('Andrevon1937','','Andrevon, Jean-Pierre','M','19/09/1937','','Bourgoin-Jallieu (Isère)','','','','','Writer and illustrator of children\'s novels. He also wrote detective novels for Fleuve noir using the pseudonym of Alphonse Brutsche and worked as a journalist on ecology and science fiction journals.
','',1),('Angel1938','','Angel, Jean-Pierre','M','1938','','','','','','','Author co-founder of Fédération des enfants juifs survivants. His immediate family survived the Occupation.
','',1),('Anglade1915','','Anglade, Jean','M','18/03/1915','','Les Bonnets (Puy-de-Dôme)','','','','','Prolific author of novels and non-fiction.
','',2),('Anouilh1910','','Anouilh, Jean','M','23/06/1910','03/10/1987','Bordeaux','Lausanne','','','','An
','',2),('Antelme1917','','Antelme, Robert','M','1917','25/10/1990','Sartène (Corsica)','Paris','Husband of Marguerite Duras (1939-1947)
','','He worked for the Préfecture de Police in Paris and joined the Resistance in 1943. He was arrested on the 1st of June 1944 by the Gestapo and sent to the camp at Compiègne from where he was deported to Buchenwald. He was brought back by François Mitterrand from Dachau in 1945, emaciated and suffering from typhoid.
','Post-war he ran the publishers, \'La cité universelle\' with Duras, wrote for Les Temps Modernes and was a member of the Parti Communiste Français until 1956. During the Algerian war, Antelme signed the Manifesto of the 121.
','',1),('Antier1928','','Antier, Jean-Jacques','M','06/10/1928','','','','','','','Novelist and journalist
','',1),('Antona1923','','Antona, René','M','03/01/1923','','','','','','Réfractaire du STO. Participated in the liberation of Paris.
','Teacher and Headmaster.
','',1),('Appanah1973','','Appanah, Nathacha','F','24/05/1973','','Mahébourg (Mauritius)','','','','','After working as a journalist in Mauritius, she arrived in France 1998 to continue her studies in the fields of journalism and publishing. Her first novel Les Rochers de Poudre d\'Or won the prix RFO du Livre 2003.
','',1),('Aragon1897','Andrieux, Louis','Aragon, Louis','M','03/10/1897','24/12/1982','Paris','Paris','','Poet and writer; surrealist; member of the French Communist Party
','Mobilised in 1939. Demobilised in August 1940, and lived with his wife Elsa Triolet in various locations in the southern zone. Published novels, clandestine short stories and poems and \'contraband\' texts and poems under a variety of pseudonyms. One of founders of Les Etoiles, clandestine literary newspaper in the southern zone, and of La Bibliothèque française, clandestine publishing house in the southern zone. A major figure in the literary épuration at the Liberation.
','Writer and poet.
','Le Musée Grévin; Le Creve-Coeur
',9),('Arban','Huttner, Nathalie','Arban, Dominique','F','13/10/1903','24/06/1991','Moscou','Paris','','Jewish, born in Russia, later converting to catholicism.
Worked in publishing, including Marianne
','According to the website on Jewish women in France, she spent the Occupation years in hiding (Marguerite Duras gave her shelter at one point) and wrote her novel after learning of the deportation of her parents.
','Journalist, including at Combat, literary critic and novelist; researcher at the CNRS from 1963 (BNF catalogue). Her papers were deposited at IMEC in 2000
','Je me retournerai souvent, autobiography. \'Mort d\'un témoin\', Libération, n.s., no 3140, 27/6/1991 p.31. J Savigneau, \'Une inlassable lectrice\', Monde des livres, no 14436, 28/6/91 p.22.
',1),('Arcady1947','','Arcady, Alexandre','M','17/03/1947','','Algiers','','','','','Repatriated from Algeria with his family as a young teenager. His Pied-Noir identity has constantly shaped both his cinematographic and literary works.
','',1),('Arega1908','','Aréga,Léon','M','1908','','','','','','The author served with the 22e Regiment de marche des Volontaires Etrangers during the France Campaign 1940 (www.cervons.net/legionbbs123/showthread.php?t=1712, accessed 25/11/2009)
','mentioned as Jewish writer publishing \'Sans Trace\' (sic: should be Aucune Trace) in 1963 in American Jewish yearbook.
','',2),('Arland1899','','Arland, Marcel','M','05/07/1899','12/01/1986','Varennes-sur-Amance (Haute-Marne)','','','Taught in a collège. Founded the reviews Aventures and Dés. First novel published in 1923 and then becomes a contributor to the NRF, rises to the rank of editor in 1953.
','Was in charge of the literary section of Comoedia
','Elected to the Académie française on the 20th of June 1968.
','',1),('Armoux1884','','Arnoux, Alexandre','M','27/02/1884','04/01/1973','Digne','Paris','','','','Romancier, dramaturge, poète, scénariste, journaliste. - Auteur d\'oeuvres radiophoniques. - Membre de l\'Académie Goncourt (1947). - Co-fondateur avec Georges Charensol (1889-1995), de la revue de cinéma \"Pour vous\"
','',1),('Arnaud1928','Arnaud, Georges-Camille','Arnaud, Georges Jean','M','03/07/1928','','Saint-Gilles du Gard (Camargue)','','','','Arnaud was accused of the murder of his father and aunt at the family estate near Perigueux in 1941. He spent 19 months in prison, before he was declared innocent in 1943. He then went to Algeria.
','813, les amis de la littérature policière, n°61, décembre 1997 for a complete bibliography of his works
','',3),('Arnold1899','','Arnold, Boris','M','05/07/1899','12/01/1986','Varennes-sur-Amance (Haute-Marne)','','','','','','',1),('Arnothy1930','Kovach de Szendrö, Christine','Arnothy, Christine','F','20/11/1930','','Budapest','','married Claude Bellanger (1910-1978), resister and author of book on the clandestine press.
','','Lives through the siege of Budapest.
','Leaves Hungary for Paris in 1948. Writer and journalist.
','',3),('ascot1928','Askolovitch, Roger','Ascot, Roger','M','','','','','','','','writer and journalist
','',2),('Assouline1953','','Assouline, Pierre','M','17/04/1953','','Casablanca','','','','','Pierre Assouline has worked as a journalist, writer and lecturer on the creative writing course at the IEP of Paris. He writes Le Monde\'s literary blog, which is entitled \'La République des livres\'.
','Assouline, P, 1944-1945: l\'épuration des intellectuels (Brussels, Éditions Complexe, 1990)
',3),('Astierdela','','Astier, Emmanuel d\'','M','06/01/1900','12/06/1969','Paris','Paris','','full surname: d\'Astier de la Vigerie
','Starts Resistance activities from September 1940; co-founder of the Libération-Sud movement; composed \'La Complainte du partisan\' in London in 1943.
','journalist, politician and writer. Ministre de l\'intérieur in the Provisional Government (August to September 1944); Communist député 1946 - 1958. . One of interviewees in Ophuls\'s Le Chagrin et la pitié, repeating his favourite thesis that Resisters were socially maladjusted (hence willing to rebel).
','',5),('Attali1943','','Attali, Jacques','M','01/11/1943','','Algers','','','','','economist, political advisor, writer
','',1),('Aubert','','Aubert, Éliane','F','','','','','','','','Described by cover blurb as a \'professeur d\'histoire et auteur de romans historiques et règionalistes\'.
','',2),('Auboyneau','','Auboyneau, Robert','M','1924','','','','','Date of birth is tentative.
','','Engagé volontaire à 15 ans, Robert Auboyneau commence très jeune une brillante carrière de journaliste. Il est le premier reporter occidental à pouvoir pénétrer en U.R.S.S. après la mort de Staline. Par la suite, de Saigon à Suez, d\'Alger à Budapest, on le voit - souvent associé Paul Bonnecarrère - partout où il se passe « quelque chose ».
','',1),('Aubrac1912','Samuel, Lucie (née Bernard)','Aubrac, Lucie','F','29/06/1912','14/03/2007','Mâcon (Saône-et-Loire),','Issy-les-Molineaux (Hautes-de-Seine)','Wife of Raymond Aubrac (Raymond Samuel), whom she married on the 14th of December 1939.
','Taught history in secondary school. Active member of the young Communists.
','She managed to have her husband liberated from prison in Sarrebourg (Moselle) in August 1940. The couple moved to Lyon, where she taught in a lycée and they joined the Resistance movement, Libération. Her role was to write and print the clandestine newsletter of the movement. From 1942, she becomed involved in the movement of arms and money and in organising suitable hiding places. In 1943, she took an extremely active role in liberating both her husband and other members of the group from prison, through a mixture of .... Having liberated Raymond from Gestapo custody in October 1943, the family went into hiding. Lucie and her son were evacuated to London in February 1944, where she gave birth a few days later to her daughter.
Following the liberation, she was made a member of the consultative assembly, which preceeded the first full French parliament of the post liberation era.
','She continued to fight for social issues - sans papiers.
She also devoted a large amount of time to giving talks in schools about the Resistance.
An active promoter of Resistance memory, she became a legendary but controversial figure.
','Film - Lucie Aubrac (Berrie, 1997)
Cette exigeante liberté 1997
',1),('Auclair 1920','','Auclair, Georges','M','27/05/1920','04/04/2004','','','','','Resistance activity.
','A journalist accredited to the French military government in occupied Germany, 1945-46. Subsequently a writer and teacher.
','',1),('Audiard1920','','Audiard, Michel','M','15/05/1920','27/07/1985','Paris','Dourdan (Essonne)','father of film director Jacques Audiard
','','','scriptwriter and film director, novelist
','',2),('Audinet','','Audinet, Pierre','M','','','','','','','','','',1),('Audouard1914','','Audouard, Yvan','U','27/02/1914','21/03/2004','Hô Chi Minh-ville (Saïgon)','Paris','','teacher
','teaching in Arles 1940-1942, journalist
','Journalist, 30 years at Le Canard enchaîné
','',1),('Augieras1925','','Augiéras, François','M','18/07/1925','13/12/1971','Rochester (USA)','Périgueux','','','','Writer and painter.
','',1),('Aujoulat1928','','Aujoulat, Noël','M','1928','','','','','','','Professor of Greek at Toulouse university.
','',1),('AuryPaulhan','','Aury, Dominique and Jean Paulhan','F','','','','','','','both involved in resistance activities during the war
','','',1),('Aveline1901','Avtsine, Eugène','Aveline, Claude','M','19/07/1901','04/11/1992','Paris','Paris','','writer, publisher, artist, critic.
','contributed to clandestine literature under the pseudonym \'Minervois\'.
','writer, publisher, artist, critic.
','L\'Heure du choix [Texte imprimé], Claude Aveline, Jean Cassou, André Chamson... [et al.], Editions de minuit, 1947
',2),('axelrad1956','','Axelrad, Catherine','F','1956','','','','','','','','',1),('Aymard1954','','Aymard, Sylvie','F','1954','','','','','','','','',2),('Ayme1902','','Aymé, Marcel','M','29/03/1902','14/10/1967','Joigny (Yonne)','Paris','','','Though not generally perceived as a politically committed writer, during the war he wrote stories and cultural articles for the collaborationist newspapers La Gerbe and Je suis partout. He received an informal reprimand from the cinema purging committee for writing a script for the German-controlled production company Continental Films.
','He campaigned in 1945 without success for a pardon for Robert Brasillach.
','',4),('Ba1913','','Bâ, Mamadou Addi','M','25/12/1913','18/12/1943','Guinée','Epinal','','Mamadou Addi Bâ arrived in France around 1937-1938 when a former colonial administrator retired to metropolitan France.
','In November 1939, he joined the army and in May 1940 was sent as part of the 12th RTS (Régiment des Tirailleurs Sénégaleses) to the Ardennes.
On the 19th of June 1940 Bâ was taken prisoner. After a few days he managed to escape and found refuge in the dense Vosgien forest, where he joined a local Resistance group. He later became the head of the Camp de la Délivrance, one of the largest of the Vosgien maquis.
Bâ was arrested and shot on the 18th of December 1943 in Epinal.
','','',0),('Bachir','Bouhaoune, Baya (Mme)','Bachir, Bediya','F','','','','','','','','French citizen. Wife of Jacques Jurquet (b.1921) , who was the editor of the Algerian daily newspaper L\'Humanité Rouge in 1974. Often the husband and wife wrote together under the name of Bediya Bachir.
From the backcover of L\'Oued en crue, \" Bediya Bachir, petite fille de fellahs, fille d\'un ouvrier agricole venu du Constantinois à Alger au début du siècle n\'a fréquenté l\'école (française) que jusqu\'à l\'âge de 11 ans.
Anticolonialiste, sans jamais nourrit de haine contre le peuple français en tant que tel elle a conçu L\'oued en crue pendant la guerre d\'Algérie. Mais, à l\'époque, aucune maison d\'éditions française n\'a accepté la responsabilité de l\'éditer...\"
','',1),('Baconnet','','Baconnet, Marc','M','','','','','','','','','',1),('Baguet1922','','Baguet, Georges','M','14/01/1922','','Paris','','','','','Journalist and photojournalist
','',1),('Bailhache1911','','Bailhache, Jean','M','1911','','','','','','','','',1),('Balbaud','','Balbaud, René','M','','','','','','','','','',1),('Baldran1930','','Baldran, Jacqueline','F','20/10/1930','','','','','','','','Baldran and Bochurberg, Brasillach ou la célébration du mépris, AJ Presse, 1988.
',1),('Ballet','','Ballet, René','M','','','','','','','','Grand reporter, romancier (BNF); René Ballet est un écrivain français, communiste et résistant. Grand reporter, essayiste et romancier, il est aussi rédacteur en chef de La revue Commune et membre fondateur des Éditions du Temps des cerises.
(wikipedia 02/08/2010)
; specialist of the works of Roger Vailland.
','',2),('Ballyot1903','','Ballyot, Georges-J.','M','08/01/1903','','','','','Police officer.
','','','',1),('Bantman1950','','Bantman, Béatrice','F','1950','','','','','','','Doctor, journalist
','',1),('Barbeau1952','','Barbeau, Philippe','M','1952','','Blois','','','','','Primary school teacher and writer of children\'s literature.
','',1),('Barbey1900','','Barbey, Bernard','M','1900','1970','','','','','','','',1),('Barbie1913','','Barbie, Klaus','M','25/10/1913','25/09/1991','Bad Godesburg (Germany)','Lyon','','In 1933, Barbie joined the Hilter Youth Movement and soon became a member of the SS.
','In November 1942, Barbie was put in charge of the fourth section of the Gestapo in Lyon, responsible for stopping resistance activities. He was responsible for the arrrest and torture of Jean Moulin. At the end of the summer of 1944, Barbie fled to Germany to rejoin his wife and family.
','Barbie was recruited by the American secret service who provided him with protection from possible prosecution, including by the French authorities, who wished to call him as a witness in the trial of René Hardy in 1948.
In 1951 with the help of the American authorities and the Vatician he was smulgged out of Europe to Bolivia.
Between 1952 and 1954 he was sentenced, in his absence, in France for Crimes Against Humanity.
In 1972, the Klarsfelds tracked Barbie down to Bolivia and attempted to have him extradicted to France.
Barbie was heavily involved in organising the military coup in Bolivia in 1980.
On the 4th of February 1983, Barbie was expelled from Bolivia, arrested and flown to France. His trial on several charges of Crimes Against Humanity (Deportation of more than 600 Jews and members of the Resistance as well as the children of Izieu, Torture of Resistance fighters) began on the 11th of May 1987
He was sentenced on the 3rd of July 1987 to life in prison on seventeen charges of Crimes Against Humanity.
He died in prison in Lyon on the 25th of September 1991 and was buried in Bolivia.
','Mon meilleur ennemi (Kevin Macdonald, 2007)www.monmeilleurennemi.com
',0),('barbier1911','Guérin, Renée','Barbier, Elisabeth','F','25/04/1911','19/06/1996','Nîmes','Avignon','','','','Author of the novel sequence Les Gens de Mogador, made into a very popular television series.
','',1),('Barjavel1911','','Barjavel, René','M','24/01/1911','24/11/1985','Nyons','Paris','','Worked for publisher Denoël.
','Corporal in army supply corps in 1940, then returned to work for Denoël and associated with collaborationist circles.
','Novelist and script-writer.
','',3),('baroncelli1914','','baroncelli, jean de','M','25/03/1914','1998','Paris','','son of the film director jacques de Baroncelli; married to the actress Sophie Desmarets
','','','','',1),('Barre1886','','Barré, Georges (General)','M','26/11/1886','1970','','','','','','','',1),('bartillat1930','','Bartillat, Christian de','M','25/02/1930','','','','','','','novelist, essayist
','',1),('Bassompierre1914','','Bassompierre, Jean','M','23/10/1914','20/04/1948','Honfleur','','','','member of the Légion des Volontaires Français, and of the Milice. In charge of the Milice in the zone nord in 1944.
','Tried in 1948 and condemned to death for his role in the suppression of the mutiny at La Santé prison.
','',1),('Bataille1897','','Bataille, Georges','M','10/09/1897','08/07/1962','Billom','Paris','','After abandoning studies for priesthood, became a librarian.
','','Novelist, essayist and thinker who explores sacred, transgression and eroticism.
','',1),('Bauchau1913','','Bauchau, Henry','M','1913','','','','','Studied law at the University of Louvain.
','Mobilised in 1939. Then joined an armed resistance group in the Ardennes.
','Established a publishing house in Paris. Then trained as a pyschiatrist.
','',1),('Bayen','','Bayen, Maurice','M','','','','','','','','','',1),('Bayle','','Bayle, Georges','M','','','','','','','','','',1),('Beauvoir1908','','Beauvoir, Simone de','F','09/01/1908','14/04/1986','Paris','Paris','compagne de Jean-Paul Sartre.
','Born into the upper classes. After traditional Catholic education, she went to the Sorbonne, and met Sartre and others studying at the Ecole Normale Supérieure. She passed the agrégation de philosophie brilliantly in 1929, took up a post as a teacher in Marseille and started to write.
','Visited Sartre in the north before the invasion; In Paris during the Occupation. She worked as a teacher until suspended after a complaint from a parent, then did some work for Radio Vichy. She published L\'Invitée in 1943.
','Leading intellectual, had immense influence through her publications, including Le Deuxieme Sexe in 1949, her involvement in opposition to the Algerian war and the women\'s movement.
','Details of her life are set out in her multi-volume autobiography and Deirdre Bair, Simone de Beauvoir: A Life. Huge number of publications and websites devoted to her.
',3),('Beauvois','','Beauvois, Pierre','M','','','','','','','','','',1),('Beck1914','','Beck, Béatrix','F','30/07/1914','30/11/2008','Villars-sur-Ollon (Switzerland)','Saint-Clair-sur-Epte','','Belgian citizen. School in Paris, law degree in Grenoble. Married 1936, husband died in the fighting in April 1940.
','','Became a secretary to André Gide who encouraged her to write.
','',3),('Belleval1926','','belleval, guy de','M','27/01/1926','','région parisienne','','','','','Il entreprend très tôt une vie aventureuse, aujourd\'hui il est reporter photographe et continue de parcourir le monde.
','',1),('Benjamin1885','','Benjamin, René','M','20/03/1885','04/10/1948','','Tours','','Won Prix Goncourt for novel Gaspard in 1915. Elected to Académie Goncourt in 1938.
','Apologist for Pétain and Vichy regime.
','Expelled from Académie Goncourt in 1947.
','Le Maréchal et son peuple (1941)
Les Sept Étoiles de France (1948)
',3),('benoist1901','','Benoist-Méchin, Jacques','M','01/07/1901','24/02/1983','Paris','Paris','','','Strong supporter of collaboration, and took various official roles during the Occupation. Tried, condemned to death, but pardoned in 1947. Benefited from reduced sentence, and then amnesty in 1954.
','','He published letters from soldiers in the First World War in 1943 (whose accuracy is contested: see www.crid1418.org/.../benoist-mechin-jacques-1901-1983); various texts on the war and occupation are published posthumously in the 1980s.
',1),('Benouville1914','','Bénouville, Guillain de','M','08/08/1914','12/2001','','','','','Founder, in 1942, of the Mouvements unis de résistance which turned in 1943 into the Mouvement de la libération nationale (MLN).
','Journaliste, général et homme politique. - Administrateur de sociétés. - Fondateur (1942) des - Membre du conseil de direction du Rassemblement du peuple français (1949). - Directeur de rédaction de \"Jours de France\" (1954-1967), président-directeur général de la société de presse Jours de France (1967-1986). - Député de Paris (1970-1993)
','',1),('Benson1959','','Benson, Stéphanie','F','1959','','London','','','','','Moved to France in 1981. First novel published (in French) in 1995. Writer and teacher.
','',1),('Bentegeat','','Bentégeat, Hervé','M','','','','','','','','The author is a journalist who writes for Le Figaro.
','',1),('Berenboom','','Berenboom, Alain','M','08/01/1947','','Schaerbeek (Belgium)','','','','','Copyright lawyer and lecturer at the Université Libre of Brussels.
','',1),('Bergeret','','Bergeret, H.G','U','','','','','','','','','',1),('Bergot1930','','Bergot, Erwan','M','1930','1993','','','','','','After doing his military service he voluntered for service in Indochina in 1951. He began the first editor of the French Army\'s magazine established in 1962.
','',1),('Bernard','','Bernard, Pierre','M','','','','','','','','','',1),('Bernardi','','Bernardi, Mathias','M','','','','','','','','','',1),('Bernie','','Bernie, Georges.','M','','','','','','','','','',1),('Berr1921','','Berr, Hélène','F','27/03/1921','04/1945','Paris','Bergen-Belsen','Mariette Job is Hélène Berr\'s niece
','','Having completed her English degree, Vichy\'s anti-Jewish laws prevented her from preparing her Agrégation d\'anglais. She was arrested in March 1944 and deported via Drancy to Bergen Belsen, where she died only a few days before the camp was liberated.
','','',1),('Bertho1922','','Bertho, Yves','M','1922','','Nantes','','','','','Bookseller in Rennes.
','',1),('Berthomieu1903','','Berthomieu, André','M','16/02/1903','10/04/1960','Rouen','','','Director and Screenwriter. Also directed film under the pseudonym of Arveyrès, Modeste
','','','',1),('Bertin1920','','Bertin Célia','F','22/10/1920','','Paris','','','','Resistance activist
','Writer
','Femmes sous l\'Occupation (Stock, 1993)
',1),('Besnault','','Besnault, Claude','F','','','','','','','Won the Croix de guerre, aged eighteen.
','','',1),('Besson1927','','Besson, André','M','27/10/1927','','','','','','','Novelist, journalist and historian.
','',1),('Bialot1923','','Bialot, Joseph','M','10/08/1923','','Warsaw','','','He moved to France with his family in 1930, settling in the Belleville area of Paris.
','He left Paris for Bordeaux during the exodus. Arrested for his resistance activities in Grenoble and imprisoned in the prison Saint-Paul in Lyon and was then deported to Auschwitz in 1944
','He worked in the field of fashion until he took a degree in psychology in 1969. He began writing at the age of 55 and his first novel was published in 1979. Many of his books were based in his home district of Belleville or in Le Sentier where he worked.
','',3),('Biette','','Biette, Emile','M','','','','','','','','','',1),('Bigot1933','','Bigot, Robert','M','1933','','','','','','','','',1),('Billy1882','','Billy, André','M','13/12/1882','11/04/1971','Saint-Quentin (Aisne)','Fontainebleau (Seine-et-Marne)','','Well known literary critic and essayist
','','','Tartière, Drue, The House near Paris,(New York: Simon & Schuster, 1946), 318pp, BNF
',1),('Binet','','Binet, Laurent','M','','','','','','','','','',1),('Blanchot1907','','Blanchot, Maurice','M','22/12/1907','20/02/2003','Quain (Saône et Loire)','Paris','','','During the early war years, Maurice Blanchot was active as a journalist and intellectual for the far right, writing articles for \"Le Rampart\", \"Combat\", \"L\'insurgé\", and \"Reaction\". He also wrote for the Petainist \"Journal des debats\". He turned down André Gide\'s offer of the editorship of \"Nouvelle Revue Française, to write for the Vichy journal \"Jeune France\" aimed at promoting fascist-oriented cultural revolution. However, he opposed Robert Brasillach, the principal leader of the pro-Nazi cultural youth movement. During the war, Blanchot was in correspondence with René Char, a member of the resistance, and he also protected Levinas\'s family, who were Jewish, at serious personal risk.
','After the war his political activities shifted decisively to the left. He rejected De Gaulle\'s continuation for the war on Algeria and made a public appearance in May 1968 in support of the Left.
','',1),('Blancpain1909','','Blancpain, Marc','M','27/09/1909','07/04/2001','Nouvion-en-Thiérache','Neuilly-sur-Seine','','','Lieutentant en artillerie; prisoner of war in Germany from 1940-1943 or 1944 (depending on sources)
','','nb Some sources suggest Marc Blancpain was the pseudonym of Marc Benoni; others, including BNF, register the latter as Blancpain\'s pseudonym.
',1),('BleusteinBlanchet1906','','Bleustein-Blanchet, Marcel','M','21/08/1906','11/04/1996','Enghien-les-Bains (Val d\'Oise)','Paris','','MBB was born Marcel Bleustein and added Blanchet, the name he used in the Resistance, after the war.
','','He died in April 1996, universally mourned as the creator of modern publicity.
','Les Ondes de la Liberté: Sur mon antenne 1934-1984, (Paris: J.C. Lattès, 1984), 281pp.
',2),('Bloch1906','','Bloch, Jean-Pierre','M','1906','','','','','','','','',1),('BlochMichel1912','','Bloch-Michel, Jean','M','1912','','','','','','','','',1),('Blot1923','Ivan Gontcharov','Blot, Jean','M','31/03/1923','','Moscow','','','Grew up in France and England. \'Licencié-ès-lettres, docteur en droit\'.
','\'Membre de la Résistance et des maquis de l\'Ain\'
','Joined the United Nations in 1946. Spent two years in Greece.
','',1),('Bober1931','','Bober, Robert','M','17/11/1931','','Berlin','','','Bober family fled to France to escape Nazism in 1933.
','','Bober became one of Truffaut\'s assistants and later a television director, responsible for more than one hundred documentaries. He also worked with Perec on Récits d\'Ellis Island. He won the Grand Prix (1991) de la société civile des auteurs multimédia pour l\'ensemble de son oeuvre.
','',2),('Bochurberg1942','','Bochurberg, Claude','M','04/02/1942','','','','','','','co-author of short stories with Jacqueline BALDRAN (see separate entry under her name)
','',0),('Bodin1909','','Bodin, Paul','M','16/04/1909','10/03/1996','','','','','','','',1),('Bohec1919','','Bohec, Jeanne','F','1919','','','','','','Resistance agent and saboteur for BCRA.
','Maths teacher.
','',1),('BoileauNarcejac1906','Boileau, Pierre & Pierre Ayraud','Boileau-Narcejac','M','28/04/1906','1989','Paris','Beaulieu-sur-Mer','','Thomas Narcejac (aka Pierre Ayraud) was born 03/07/1908 in Rochefort-sur-Mer and died in Nice in 1998. He began his career as a philosophy teacher.
','Boileau was a POW between 1940 and 1942.
','Their voluminous jointly-authored publication of thrillers, screenplays and essays began in 1950.
','',2),('Bonnamy','','Bonnamy, Georges','M','','','','','','','','','',3),('Bonnet1908','','Bonnet, Gabriel Georges Marcel','M','1908','','','','','','Colonel, Historien.
Wrote for the Vichy weekly newspaper Compagnons
Member of the Resistance in Guinea (1940)????? (on BNF catalogue)
','Politican.
','Mémorial de l\'Empire: à la gloire des troupes coloniales: exergue du maréchal Pétain, récits recueillis par le Colonel Gilles Bonnet, 1941 (on microfilm at the BNF)
',1),('Bonte1890','','Bonte, Florimond','M','22/01/1890','19/11/1977','Tourcoing (Nord)','Fleury-Mérogis (Essonne)','','Editor of L\'Humanité (1929-1931)
','','Teacher; Politician;
','Bonte, Florimond, Les antifascistes allemands dans la résistance française (Paris: Maitron, 1969)
',1),('Bood1926','','Bood, Micheline','F','12/04/1926','','','','','','','','',1),('Borniche1919','','Borniche, Roger','M','07/06/1919','','Vineuil-Saint-Firmin','','','','','Borniche was a police officer who worked for the Renseignements généraux and subsequently became a prolific author. His books are ostensibly based on his exploits pursuing major criminals.
','',1),('Borschak1895','Borshchak, Il\'ko','Borschak, Élie','M','1895','1959','','','','','','','',1),('Bory1919','','Bory, Jean-Louis','M','25/06/1919','11/06/1979','Méréville (Essonne)','Méréville (Essonne)','','','Served in the French army in 1939 and 1940.
','Taught French at senior school level until 1960, then became a journalist and a playwright.
','\'L\'Odeur de la guerre\', in Une Vieille Ville d\'Alsace. Haguenau face à la détresse, évoque son passé, affirme son avenir, force son relèvement!, Haguenau, Imprimerie de Haguenau (S.A.R.L.), 1946, pp. 27-30. (in BNF)
',2),('Borzeix1941','','Borzeix, Jean-Marie','M','01/08/1941','','Limousin','','','','','Worked as a journalist at Combat, Quotidien de Paris, Paris Match and Nouvelles littéraires. He was also a literary director at the publishing house Seuil, director of France Culture and advisor to the President of the Bibliothèque nationale de France.
','',1),('Bost1901','','Bost, Pierre','M','05/09/1901','09/12/1975','Lassalle, Gard (France)','Paris','Brother: the writer Jacques-Laurent Bost
','Started publishing in 1920s, embarked upon life long career in the cinema as scriptwriter.
','Prisoner in 40, freed in 1941. Continued work in cinema. Published clandestinely the short story La Haute Fourche, using the pseudonym Vivarais.
','Continues collaborations with Jean Aurenche. They collaborated on the script for René Clément\'s film Jeux interdits. Singled out by François Truffaut in his polemical attack on the \'cinéma de qualité\' in \'Une Certaine Tendance du cinéma francais\'.
','René Clément (dir), Jeux interdits, 1952.
',2),('Bost1916','','Bost, Jacques-Laurent','M','1916','1990','','','Younger brother of Pierre Bost.
','','','','',1),('Bott','','Bott, François','M','','','','','','','','Bott was editor of the Le Monde des Livres.
','',1),('Bouchareb1959','','Bouchareb, Rachid','M','01/09/1959','','Paris','','','','','Bouchareb began his working life making short films for television and working as a director\'s assistant. His features have focused on issues of multiculturalism in France and on the place of immigrant communities from the former French colonies.
','L\'Ami y\'a bon - Short (9mn) Animated film about Senegalese soldiers during the Second World War.
',1),('Bouchaud1936','','Bouchaud, Jean','M','1936','','Marseille','','','','','Bouchaud began his career as an actor in Paris. From 1966 onwards he also wrote and directed plays and wrote dramas and musicals for television.
','',1),('Boucheron','','Boucheron, Marie-Laurence','F','','','','','','','','','',1),('Boudard','','Boudard, Alphonse','M','','','','','','','','','',3),('Boudou1935','','Boudou, Josette','F','1935','','La Tour-d\'Auvergne','','','','','Primary schoolteacher and headteacher.
','',1),('Bouissounouse1903','','Bouissounouse, Janine','F','1903','1977','','','','','','','Villefosse, Louis de, Souvenirs d\'un marin de la France libre, (Paris: Les Éditeurs Français Réunis, 1951), 326pp
',1),('Boulenger','Boulenger, Jacques-Romain','Boulenger, Jacques','M','1870','1944','','','','Writer and journalist (brief details wikipédia)
','','','',1),('Boulle1912','','Boulle, Pierre','M','21/02/1912','30/01/1994','Avignon','Paris','','Becomes an engineer, works in Malaysia
','From Asia, joins Resistance and France libre. Involved in fighting against Japanese. 1942, captured by \'militaires français du gouvernement de Vichy\' (wikipedia). Escapes from Saigon in 1944. Joins SOE in Calcutta. REceives Croix de Guerre 1939-1945 and Médaille de la Résistance.
','Successful novelist
','',3),('Bounemeur1945','','Bounemeur, Azzédine','M','','','','','','','','','',1),('Bourcier','','Bourcier, Emmanuel','M','','','','','','','','','',1),('Bourguiba1903','','Bourguiba, Habib','M','03/08/1903','06/04/2000','Monastir (Tunisia)','Monastir (Tunisia)','','Bourguiba was educated in the French school system in Paris and subsequently studied law and political science in Paris.
','Bourguiba was transferred from prison in Tunisia to the Fort St Nicolas in Marseilles in 1940 then to the Fort Montluc in November 1942. In order to gain Tunisia support, the Germans authorities released Bourguiba and invited him on an official state visit to Italy in January 1943. Bourguiba however, always refused to adopt such a stance, on his return to Tunisia in April 1943, he preached support for the Allied campaign.
','In 1945 he travelled in secret to Cairo where he established his headquarters to promote the Tunisian independence struggle. In 1954 he led the negociations for Tunisia independence. Bourguiba became the first President of Tunisa on the 25th of July 1957 and remianed in power until he was deposed and placed under house arrest by his then Prime Minister, later President Ben Ali, in November 1987. He died while still until house arrest.
Bourguiba is credited for making Tunisia one of the most liberal countries in the Arab world, by reforming the divorce laws and outlawing polygamy.
','',0),('bourrette1894','','Bourrette, Marcel','M','7/01/1894','20/12/1961','commune de Saint-Jean-Roure, Ardèche','Grenoble','','BN Professeur de français 1921-1951 et romancier
Google books has extensive extracts of his 1938 Contes et fariboles du pays de Saint-Agrève, including preface by Pierre Brun \'Hommage à un maître: Marcel Bourrette. Biographical details here taken from this.
','Révoqué from l\'Education nationale in 1941 (having belonged to an association promoting Republican values since before 1940). Reinstated in 1944 (Brun quotes Bourrette\'s account deposited in the archives of the Département of Isère. According to a researcher wanting to consult them, he contributed articles to L\'Effort : le quotidien socialiste de la reconstruction nationale in 1941 and 1942
','traces portrait of his father in character of M. Bourret in Tout renaîtra.
some works reprinted from 1997. P Brun writes preface to La Maison des veuves in 1998.
','',1),('boussinot1921','','Boussinot, Roger','M','02/05/1921','15/05/2001','Tunis','Bassanne','','studied philosophy in Bordeaux and Paris.
','','journalist, specialising in cinema, and writer. biography on wikipédie, and at \'ephemeride anarchiste\' (details used for wikipédie)
date of death recorded above from BN catalogue, clashes with wikipédie and others (14/05/2001).
','',2),('Bouthillier1901','','Bouthillier, Yves','M','1901','','','','','','Minister in the Vichy government
','','',1),('Bouton','','Bouton, Alain','M','','','','','','','','','',1),('Boutron1912','','Boutron, Michel','M','1912','1979','Cherbourg','','','','','Wrote novels, short stories and travel essays (Le Mériden de Dakar, 1957). He also worked as a sports journalist.
','',3),('Boutron1947','','Boutron, Pierre','M','1947','','Portugal','','','','','Arrived in France as a small child.
Also directed a TV version of Léon Morin prêtre by Béatrix Beck in 1991.
','',1),('Bouverat1922','','Bouverat, Maurice','M','1922','','','','','','','','',1),('Bove1898','','Bove, Emmanuel','M','20/04/1898','13/07/1945','Paris','Paris','','Writer.
','Bove was sent to work at a steel works in the Cher in 1940 for 4 months, he then moved around the zone libre with his wife for two years. He escaped to Algiers at the beginning of November 1942, just before Allied landings, where he became a part of the Comité National des Ecrivains. Returns to Paris in 1944.
','','Also wrote under the pseudonym of Dugast, Pierre
',1),('Boyer1920','','Boyer, François','M','30/03/1920','24/05/2003','Sézanne','Saint-Germain-en-Laye','','','','Script writer with impressive list of films to his credit.
','',1),('Brami1950','','Brami, Emile','M','1950','','Souk el-Arba (Tunisia)','','','','','Owned and ran a bookshop in Paris.
','',2),('Breitman','','Breitman, Michel','M','','','','','','','','','',1),('Brenner1922','','Brenner, Jacques','M','16/09/1922','21/02/2001','Saint Dié (Vosges)','','','','','','',1),('Bresson1901','','Bresson, Robert','M','25/09/1901','18/12/1999','Puy-de-Dôme (Auvergne)','Paris','','','Spent a year in a German prisoner of war camp.
','','',1),('Brest','','Brest, René','M','','','','','','','','','',1),('Brunel','','Brunel, Henri-Victor','M','','','','','','','','No detailed biographical information available. Brunel was a schoolteacher, and the author of five other books, one of which (Marche à l\'exil) won an Académie Française prize. When I met him briefly in the late 1970s, he stated that La Verte Moisson was based on fact and that the novel was rather overshadowed by the film version.
','',1),('Bujeaud','','Bujeaud, Louise','F','','','','','','','','','',1),('Bureau1912','','Bureau, Jacques','M','1912','28/09/2008','Paris','','','From Back Cover of Coldie: Jacques Bureau est né à Paris en 1912. Queques étapes: études à L\'Institut national agronomique, recherches de biologie végétale, puis délectronqiue médicale, fondation avec Hugues Panassie du \"Hot Club de France\", Jacques Bureau est avant tout physicien (il a créé un cerveau électronique inventeur de thèmes musicaux); il poursuit partout ses recherches et ses observations. (continued under details on Coldie. One notes there is no mention of the wartime activities desciribed on Wikipedia and the \'Jazzman.fr\' obituary where further details also given of his radio and cultural (poetry, dada, surrealisme, la Main à plume )
','member of SOE, and of the Prosper network. Arrested in 1943, prisoner in Berlin and in Brunswick.
','works in the Ministry of health.
','',1),('BurkoFalcman1935','','Burko-Falcman, Berthe','F','15/02/1935','','Paris','','','','','Teacher and writer.
','',2),('Bussi1965','','Bussi, Michel','M','29/04/1965','','Louvriers (Eure)','','','','','Professor of geography at the University of Rouen.
','',1),('Busson','','Busson, Suzanne','F','','','','','Wife of Adolphe Busson
','','','','',1),('Caceres1916','','Cacérès, Benigno','M','16/10/1916','15/10/1991','','','','','','Compagnon charpentier et docteur en sciences sociales. - Historien, animateur d\'éducation populaire, fondateur de l\'association Peuple et culture. - Directeur de la série \"Rue des archives\", 1981 (BNF website)
','',1),('Calet1904','Barthelmess, Raymond Théodore','Calet, Henri','M','03/03/1904','14/07/1956','Paris','Vence','','','','','',4),('Carne1906','','Carné, Marcel','M','18/08/1906','31/10/1996','Paris','Clamart (Hauts-de-Seine)','','In 1936 Carné made his first full length film alongside the scriptwriter and poet Jacques Prévert. The pair\'s later film started the poetic realism movement.
','Carne worked in the Southern zone, where he made Les Visiteurs du soir and Les Enfants du paradis.
','Dethroned by the French New wave he made his last film in 1976.
','',1),('Carre1908','Bélard, Mathilde-Lucie','Carré, Mathilde-Lily','F','29/06/1908','','','','','','A notorious double agent who betrayed many members of the Resistance.
','It seems unlikely she died in 1970, as many websites claim, since she published a book in 1975.
','',2),('Carrere1957','','Carrère, Emmanuel','M','09/12/1957','','Paris','','Son of the historian Hélène Carrère d\'Encausse who wrote extensively on the history of the Soviet Union.
','','','Carrère was an author, screenwriter and director (including of several of his own novels). He studied at Sciences-Po in Paris.
','Retour à Kotelnitch (Carrère, 2004) - the documentary that sparked the novel Un roman russe.
Trailer: http://www.allocine.fr/video/player_gen_cmedia=18360324&cpersonne=46323.html
',1),('CartaultdOlive1913','','Cartault d\'Olive, Frédéric','M','1913','','','','','','','','',1),('Castillo','','Castillo, Michel del','M','02/08/1933','','Madrid','','','Born of a French father and a Spanish mother.
','Interned with his mother in the camp at Rieucros, near Mende in 1940.
','Writer
','',1),('Catroux1877','Catroux, Georges Albert Julien','Catroux, Général','M','1877','1969','','','','','','','',2),('Cau1925','','Cau, Jean','M','08/07/1925','18/06/1993','Bram','Paris','','','','Secretary of Jean-Paul Sartre, journalist, and prolific writer.
','',1),('Cayatte','','Cayatte, André','M','','','','','','','','','',1),('Celine1894','Destouches, Louis-Ferdinand','Céline, Louis-Ferdinand','M','27/05/1894','01/07/1961','Courbevoie (Hautes-de-Seine)','Paris','','Fought in the First World War and then worked in the French African colonies as a doctor.
','During the war he openly adopted collaborationist and racist positions. At the end of the war, Céline escaped trial by fleeing to Germany (1944) and later to Denmark (1945)
','He was condemned by default (1950) in France to one year of imprisonment Amnestied, he returned to France in 1951.
','',1),('Cendrars1887','Sauser, Frédéric-Louis','Cendrars, Blaise','M','1887','1961','','','','','','','',2),('Cesaire1913','','Césaire, Aimé','M','26/06/1913','17/04/2008','Basse-Pointe','Fort-de-France','','In 1931, travelled to Paris to attend the Lycée Louis le Grand. In 1935 he entered the Ecole Normale Supérieure and began the revue, L\'Etudiant noir, with Léopold Sédar Senghor and Léon Damas. In 1939 he moved back to Martinique where he began teaching at the Lycée Schoelcher in Fort-de-France.
','In 1941 he founded the literary review Tropiques. He was heavily influenced by the surrealist poet and writer André Breton, who spent much time in Martinique during the war.
','In 1945 he was elected as mayor of Fort-de-France and as MP for the island, under a communist ticket. He later publicly resigned from the party in 1956, following the Hungarian uprising.
','',1),('Cestac1949','','Cestac, Florence','F','18/07/1949','','Pont-Audemer','','','','','Cartoonist and founder of the publishing house Futuropolis.
','',1),('Chaboud','','Chaboud, Jack','M','','','','','','','','','',1),('chabrol1925','','Chabrol, Jean-Pierre','U','11/06/1925','01/12/2001','Chamborigaud (Gard)','Génolhac (Gard)','','','','','',1),('Chaix1942','','Chaix, Marie','F','03/02/1942','','Lyon','','daughter of Albert Beugras, leading member of PPF, and sister of singer Anne Sylvestre (wikipedia)
','','','Started writing in 1974 after working in publishing.
','',2),('Chalonge1937','','Chalonge, Christian de','M','21/01/1937','','Douai (Nord)','','','','','','',1),('Chamoiseau1953','','Chamoiseau, Patrick','M','03/12/1953','','Fort-de-France','','','','','Studied law in Paris.
','',1),('Chamson1900','','Chamson, André','M','06/06/1900','09/11/1983','Nîmes','','Married Lucie Mazauric (writer) in 1924
The writer Frédérique Hébrard is his daughter
','Studied at the Ecole des Chartes, qualifying in 1920. He published his first book in 1924, and had great sucess with Roux le bandit in 1925, a novel of desertion from WW1 because of pacifism. His novels are set in the Cévennes, and explore its traditions of protestantism and rebellion. L\'Année des vaincus (1934) tackles the rise of Nazism in Germany. One of the committed intellectuals in the 1930s taking a public stance against fascism, he was one of the founders of the left-wing weekly Vendredi (with Jean Guéhenno and Andrée Viollis) in 1935. He spent a month in Spain during the Spanish Civil War.
','Called up in 1939, he served as a Captain in the \'Chasseurs alpins\'.
Oversaw the evacuation of art-works of the Louvre. Active in the resistance in the Lot. Founded the Brigade Alsace-Lorraine, with André Malraux, and fought with the 1ère Armée 1944-5.
Croix de guerre 1939-1945, and Médaille de la résistance\'.
','Became Conservateur at the Petit-Palais in 1945. 1959 Director of the Archives nationales 1959-1971
Elected to the Académie française
in 1956
Grand-Croix de la Légion d\'honneur
Grand Officier de l\'ordre national du mérite
','Quatre Mois: carnet d\'un officier de liaison, Paris, Flammarion, 1940
Fragments d\'un liber veritatis (1941-1942), Paris, Gallimard, 1946.
La Reconquête 1944-1945, Paris, Plon, 1975.
Il faut vivre vieux, Paris, Grasset, 1984 (autobiography)
',2),('Chapelle1960','','Chapelle, Philippe','M','03/03/1960','','Berchem Sainte Agathe (Belgium)','','','','','','',1),('Char1907','','Char, René','M','14/06/1907','19/02/1988','Isle-sur-la-Sorgue','Paris','','','During the occupation, Char lead the Service Action Parachutage of the zone Durance. His headquarters were situated at Céreste in the Alpes de Haute Provence.
','','',1),('Chauffin1905','','Chauffin, Yvonne','F','26/03/1905','06/12/1995','Lille','Caudan','','Jacquette de Jean Randier
From original book cover bound into the hardback volume in BNF of La Brûlure, cote 8.Y288744
Née à Lille où son grand-père était professeur de médicine à la Faculté Catholique, Yvonne Chauffin appartient à une ancienne famille de marins, de soldats et de savants.
Elle a vécu jusqu\'à seize ans en Egypte où son père était attaché à la compagnie du Canal de Suez.
Mariée à dix-neuf ans avec un officer du génie, elle fait l\'expérience de la vie de garnison en Allemagne et en France.
','A la declaration de guerre, elle s\'installe avec ses trois enfants au voisinage de Lorient, à Berluhec.
Après des années de guerre difficiles dans cette région tenue par les Allemands et bombardée sans relâche par la R.A.F., Yvonne Chauffin subit en avril 1944 l\'attaque brutale de la maladie, expérience cruelle dont elle a tire Marqués sur l\'épaule.
','Après ce premier livre, elle a entrepris la série des Rambourt (Que votre volonté soit faite,le Combat de Jacob, La porte des Hébreux, Le voyage de Tobie) qui lui a valu en 1956 le Grand prix catholique de littérature.
','',2),('chavardes1924','','Chavardès, Maurice','M','08/10/1929','06/10/2006','','','','','','','',1),('Chawaf1943','','Chawaf, Chantal','F','15/11/1943','','Paris','','','','','In 2000 Chawaf created the Esprits Libres collection at the Editions du Rocher.
','Chawaf also writes under her madien name Marie de la Montluel.
',2),('Cherer1961','','Cherer, Sophie','F','1961','','','','','','','Journalist, author of children\'s literature.
','',1),('Chevalier','','Chevalier, L','M','','','','','','','','','',1),('Chevallier1895','','Chevallier, Gabriel','M','1895','1969','','','','','','','',2),('Chevallier19xx','princesse Mourousy','Chevallier, Simone','F','','07/01/1980','','','','Date of birth unknown
','','Franz Weber a partagé sa vie.
Chevallier et Weber fondèrent La Voix des poètes.
Celle qui aima Jésus republished in 2006.
','',1),('Chevrillon1907','','Chevrillon, Claire','F','1907','','','','','Chevrillon was an English teacher.
','','','',1),('ChoiseulPraslin','','Choiseul-Praslin','M','21/06/1920','','Paris','','','','','','',1),('Choux11887','','Choux, Jean','M','1887','1946','','','','Of Swiss nationality. Director and screenwriter.
','','','',1),('Cixous1937','','Cixous, Hélène','F','05/06/1937','','Oran (Algeria)','','','','','She founded the Centre for Women Studies at Paris VIII in 1974, the first of its kind in Europe. Her major academic research focused on the links between sexuality and language. Themes that she has also explored in her fiction.
','La suite dans les idées, France Culture, 28/03/2000
',2),('Clavel1923','','Clavel, Bernard','M','29/05/1923','','Lons-le-Saunier (Jura)','','','From 1937-1939 he was an apprentice pâtissier in Dôle.
','In 1942 he joined the Armistice army. When the German army invaded the Southern zone he deserted and returned to his native Jura and worked in the area\'s vineyards, under a fake identity. At the Liberation, he joined the army for several months.
','In the immediate post-war period he attempted unsuccessfully to make a living as a painter and was forced to take at job in the Lyon social security office to support his family. It is during this period that he began to write. In 1958 he became a journalist at Le Progrès de Lyon and started to write radio plays, his first works being published by Gallimard at this time. In the 1960s he travelled extensively in the Eastern Bloc and the USSR.
','',6),('Claverie1943','','Claverie, Agnès','F','13/08/1943','','Bordeaux','','She is the daughter of the historian Henri Amouroux.
','','','Best-known as a journalist for Sud-Ouest and the author of cookery books. Les Femmes de l\'ombre was her first novel.
','',1),('Clebert1926','','Clébert, Jean-Paul','M','1926','','','','','','Joined Resistance in 1943.
','','',1),('Clement','','Clément, René','M','','','','','','','','','',2),('Clostermann1921','','Clostermann, Capitaine Pierre Henri','M','28/02/1921','22/03/2006','Curitiba (Brazil)','Montesquieu des Albères (Pyrénées-Orientales)','','','','','',1),('Coatmeur1925','','Coatmeur, Jean-François','M','1925','','Douarnenez (Finistère)','','','','He was a pupil in the Petit Séminaire de Pont Croix (Brittany). He claims (on his personal website) that he was marked by the collaboration of the church authorities with the occupying power.
5th August 1944, he is held as a hostage by the Germans, lined up against a wall with machine guns pointed at him (inspired plot of Les Croix sur la mer)
','French literature teacher and writer of detective novels and radio plays.
','',1),('Coffinet','','Coffinet, Christian','M','','','','','','','','','',1),('Colette1873','Colette, Sidonie Gabrielle','Colette','F','28/01/1873','03/08/1954','','','','','','','',2),('CommandantGuyenne','','Le Commandant de Guyenne','M','','','','','','','','','',13),('Conde1937','','Condé, Maryse','F','11/02/1937','','Pointe-à-Pitre, Guadeloupe','','','','','In 1953 her parents sent her to study at senior school and then at university in Paris, where she majored in English. Between 1959 she lived in West African with her first husband and taught in Guinea, Ghana and Senegal. From the early eighties until 2004 she taught at university level, at Nanterre and through the USA. In 2004 she was invite to preside the Comité pour la Mémoire de l\'Esclavage, established by the French Parliament.
','',1),('Confiant1951','','Confiant, Raphaël','M','1951','','Martinique','','','','','He wrote his first novels in Creole, not French. He now teaches at the University of Les Antilles et Guyanne.
','',3),('Conombo1917','','Conombo, Joseph Issoufou','M','09/02/1917','20/12/2008','Tampuncko (Burkina-Faso)','','','Medical studies.
','Part of 18th RTS that liberated Southern France and Alsace.
','In 1948 he was elected MP for Haute-Volta. In 1954 he became a secretary of state in Pierre Mendès-France\'s government. Elected as a MP in the Haute Voltian parliament. Prime minister of Haute-Volta (now Burkina-Faso) from 1978 to 1980.
','',1),('Conte1920','','Conte, Arthur','M','31/03/1920','','','','','','','Journalist and historian; député 1951-1962, 1958-1972; Président-Directeur Général de l\'ORTF 1972-1973 (from BNF catalogue)
','Août 1944, la libération; Août 1944 Paris libéré, La Drôle de guerre.
',1),('cordelier1912','Poirier, Charles','Cordelier, Jean','M','27/07/1912','01/01/1980','Dinan','','','from inside back cover of Les Yeux de la tête: Né en 1912 à Dinan. (...) Faculté de Médecine, passe sa thèse en juillet 1939 (sur l\'agonie et la mort dans le roman).
','[part] en qualité de médecin-lieutenant, vers la Frontière. Prisonnier mai 1940 près de Calais. 5 annèes de \"grandes vacances\" pendant lesquelles il soignera, en Thuringa et en Saxe, tous les gefang du Grand Reich, et surtout les Russes, dans des conditions difficilement imaginables par ceux qui ne les ont pas connues. Retour juin 1945
','','',2),('Coulonges1923','','Coulonges, Georges','M','04/04/1923','12/06/2003','Lacanau','Pern','','','Member of Resistance.
','A prolific author of novels, plays, scripts and songs.
','',3),('Coulonges1936','','Coulonges, Henri','M','11/07/1936','','','','','','','Artist, novelist and journalist
','',2),('Courtade1915','','Courtade, Pierre','M','03/01/1915','14/05/1963','Bagnères-de-Bigorre (Hautes-Pyrénnes)','Paris','','Worked as a journalist on Le Progrès de Lyon, before moving onto Action.
','He was a member of a Communist Resistance group.
','Courtade ran the international news section of L\'Humanité and in his last years was the newspaper\'s correspondent in Moscow.
','',1),('Cribeillet','','Cribeillet, Paul','M','','','','','','','','','',1),('Crifo','','Crifo, Thierry','M','','','','','','','','Cameraman. Wrote screenplays for detective series for TF1 and short detective stories for Le Monde and Libération. Ran writing workshops.
','',1),('Crouzet1873','','Crouzet, Paul','M','1873','','','','','','','','',1),('Curtis1917','Laffitte, Louis','Curtis, Jean-Louis','M','22/05/1917','11/11/1995','Orthez (Basses-Pyrénées)','','','According to Paulette Roy: English degree; 1937 English Language Assistant in Bradford UK, followed by teaching in London.
','Called up to infanterie in Auch, Gers. Demobilised in 1940, took up teaching post at the lycée in Bayonne. Passed the \'aggrégation d\'anglais\' in 1943. Joined up at the liberation and fought in Alsace (Académie française biography).
','Abandoned teaching for a writing career in 1953.
Elected to Académie française in 1986 (see web link for biog and \'discours de réception\' by his successor)
','',5),('Daeninckx1949','','Daeninckx, Didier','M','27/04/1949','','Saint-Denis','','','','','Daeninckx worked as a printer and a journalist before becoming a novelist.
In 1994 he was awarded the Prix Paul Féval de Littérature populaire for his entire body of work.
','',20),('Daix1922','','Daix, Pierre','M','24/06/1922','','Ivry-sur-Seine','','','','Militant au Parti communiste, Pierre Daix participe à la Résistance pendant la Seconde Guerre mondiale, ce qui lui vaut d\'être fait prisonnier dans le camp de concentration de Mauthausen, une expérience à l\'origine de l\'essai qu\'il consacre en 2008 aux femmes déportées, \'Les Revenantes\'. (www.evene.fr)
Il adhère au Parti communiste français, à 17 ans, en 1939. En juillet 1940, Pierre Daix crée un club étudiant du Centre laïque des auberges de la jeunesse (Claj) qui servait de paravent légal aux étudiants communistes clandestins. Résistant, il est arrêté. Prisonnier des prisons vichystes, il passe de Fresnes à Clairvaux puis au camp de Mauthausen. Connaissant l\'allemand, Pierre Daix travaille avec l\'organisation de résistance internationale clandestine et aide à sauver des résistants français sans distinction d\'origine politique.
A la Libération, il est nommé chef de cabinet du ministre communiste Charles Tillon au ministère de l\'Air, de l\'Armement et de la Reconstruction. (wikipedia)
','Rédacteur en chef of Lettres françaises 1948-1972.
Resté fidèle à son engagement politique après la Libération , c\'est naturellement que le militant s\'implique dans la presse engagée à Ce soir et surtout aux Lettres françaises, qu\'il co-dirige de 1948 à 1972 avec Louis Aragon. D\'abord aveugle face aux atrocités commises en Union Soviétique, Daix dément dans un premier temps l\'existence d\'un système concentrationnaire, avant de revenir sur ses propos dans les années 1960, choqué, entre autre, par la répression du Printemps de Prague. Il contribue d\'ailleurs à faire connaître le dissident Alexandre Soljenitsyne en France et rompt avec le Parti en 1974. Cette évolution idéologique, l\'écrivain la retrace dans plusieurs autobiographies dont \'J\' ai cru au matin en 1976 ou \'Tout mon temps\' en 2001 et dans un essai \'Dénis de mémoires\'. Ami de Pablo Picasso, une grande partie de l\'oeuvre de Pierre Daix est consacrée à la peinture et au maître. (www.evene.fr)
','Dénis de mémoire, Fayard, 2008 (on Communist Party between German-Soviet Pact in 1939 and the invasion of the Soviet Union in 1941, and on the negation of the Soviet Camps and of the Holocaust); Bréviaire pour Mauthausen, Gallimard, 2005 (an account of the camp, including his personal experiences).
',2),('Dalens1910','','Dalens, Serge','M','03/10/1910','09/01/1998','Albertville (Savoie)','Saint-Cloud (Hauts-de-Seine)','','','Worked for the Secrétariat général à la jeunesse of the Vichy government. Is credited with using his position to save numerous young men from the STO,
','Magistrate, writer.
','',1),('Dali1904','','Dalí i Domènech, Salvador','M','11/05/1904','23/01/1989','Figueres','Figueres','','','Lived in USA.
','','',1),('Danoen1920','','Danoën, Emile','M','1920','1999','Brittany','','','','','Writer and literary reviewer for numerous newspapers.
','',1),('Dard1921','','Dard, Frédéric','M','29/06/1921','06/06/2006','Bourgoin-Jallieu (Isère)','Bonnefontaine (Suisse)','','','','','',2),('Darquier1897','Darquier, Louis','Darquier de Pellepoix, Louis','M','19/12/1897','29/08/1980','Cahors','Madrid','','From the early 1920s, he invited a noble linage for himself, calling himself, Darquier de Pellepox. He was injuried during the right-wing riots in Paris on the 6th of February 1934. Darquier subsequently established a victim\'s association, his first money-making operation. He was elected to the Paris City Council on the Comité d\'Union et de Rénovation Nationale ticket in 1935. From 1938 onwards he was being funded by the Nazi party\'s representatives in France, mainly for the numerous anti-Semitic newspapers that he launched (l\'AntiJuif, La France enchainée).
','Darquier served in the French Army. He was captured and sent to a Prisoner of War camp in Poland, from where the German occuping authorities had him released.
','Like many other collaborationists, Darquier fled to Franco\'s Spain at the end of the war.
','Callil, Carmen, Bad Faith - A story of Family and Fatherland (London: Jonathan Cape, 2006)
',0),('Dautun','','Dautun, Yves','M','','','','','','','Prisoner of war, released in 1941. Associated with PPF.
','Continued links with far right.
','',2),('Davy1939','','Davy, Pierre','M','1939','','','','','','','Writer of children\'s books.
','',3),('Deambrosis1955','','Deambrosis, Mercedès','F','01/10/1955','','','','','','','Novelist
','',1),('Debouzy','','Debouzy, Roger','M','','','','','','','','','',1),('Debrise1902','Dreyfus, Gilbert','Debrise, Gilbert','M','17/08/1902','','','','','','','','Debrise, Gilbert, Week-end à Dachau, Paris, 1947. Goldschmitt, Franz, Elsasser und Lothringer in Dachau, Sarreguemines, Metz, 1945-6.
',1),('Debry','','Debry, Jean-Louis','M','','','','','','','','','',1),('Decotter','','Decotter, Georges-André','M','','','','','','','Fought in the British Army during the Second World War.
','Author, playwright, painter and art critic. Decotter was the editor of ESSOR, the first literature review to be based in the Francophone territories of the Indian Ocean.
He was also in charge for a time, of helping the re-insertion into society of war veterans.
','',1),('Decoux1884','','Decoux, Jean (Amiral)','M','1884','1963','Bordeaux','Paris','','','Commander in chief of the French navy forces in the Far East (1939). Named governor of French Indochine the 25th of June 1940.
','','',1),('Deforges1935','','Deforges, Régine','F','15/08/1935','','Montmorillon (Vienne)','','','','','Deforges worked as a bookseller, before entering the world of publishing, creating her own publishing house. She became best known in the early 1960s for publishing erotic literature, well before the period of sexual revolution. Many of these works were censured and she was often taken to court.
She writes a regular column for the Communist daily, L\'Humanité, commenting on issues in society. These columns have been subsequently published in a book format.
','',5),('DeGaulle1890','','Gaulle, Charles, de','M','22/11/1890','09/11/1970','Lille','Colombey-les-Deux-Églises (Haute-Marne)','','In 1908 he entered Saint-Cyr, leaving in 1912 to join the infantry, coming under the command of Pétain.
He was taken prisoner in 1916 and is only released at the end of the war.
He married Yvonne Vendroux in 1921.
','in 1940 De Gaulle commanded tank brigades in Northern France. He was made a general on the first of June 1940 and a few days later was named under secretary for defence.
Upon learning of the armistice, he left for London on the 17th of June.
On the 18th he delivered his \'appel\' on the BBC.
In London he organised the Free French Forces.
','','',0),('Dekobra1885','Tessier, Maurice','Dekobra, Maurice','M','26/5/1885','01/06/1973','Paris','Paris','','','','Prolific author, notably of thrillers, translator and traveller.
','',1),('Delahaye','','Delahaye, Eugène','M','','','','','','','','','',1),('Delbars','','Delbars, Yves','M','','','','','','','','','',1),('Delbo1913','','Delbo, Charlotte','F','10/08/1913','01/03/1985','Vigneux-sur-Seine nr Paris','Paris','married to Georges Dudach, shot for Resistance activities in May 1942
','Worked as assistant to Louis Jouvet
','Returned to France from theatrical tour in South America in 1941. Arrested with her husband in Paris in 1942. She was deported to Auschwitz with other women political deportees in January 1943. Released to the Red Cross in April 1945, and repatriated via Sweden in June.
','Writer, poet and playwright. Worked for Louis Jouvet, the United Nations, and with the philosopher Henri Lefebvre at the CNRS (Centre National de la Recherche Scientifique).
','',5),('DelPappas1949','','Del Pappas, Gilles','M','1949','','Marseille','','','','','','',1),('Delpech1921','','Delpech, Alice','F','05/05/1921','','Fort de France, Martinique','','','','','','',1),('Delsham1946','Pétricien, André','Delsham, Tony','M','04/02/1946','','Fort de France (Martinique)','','','','','Journalist and editor of the weekly newspaper Antilla.
On his return to Martinique in 1970, after studying and undertaking his military service in the metropole, Delsham realises that all the island\'s news comes from mainland France. He therefore establishes his own weekly newspaper Martinique Hebdo.
','',1),('Delteil1939','','Delteil, Gérard','M','1939','','','','','','','Attended but did not finish his education at Beaux-Arts. He then was an artist, creating chalk drawings on Parisian streets. He became a free-lance journalist and novelist in 1983
','',2),('Deniau1928','','Deniau, Jean-François','M','31/10/1928','24/01/2007','Paris','Paris','','','','Politician, ambassador, writer, elected to Académie française in 1992.
','',1),('Deray','','Deray, Jacques','M','','','','','','','','','',1),('Deroisin','','Deroisin, Susan','F','','','','','','','','','',1),('DesCars1911','','Des Cars, Guy','M','06/05/1911','21/12/1993','Paris','Paris','','','Lieutenant in the infantery, he was awarded the Croix de Guerre. Following the armistice, he went to live in the Southern zone, near Nice.
','writer
','',3),('Desnos1900','','Desnos, Robert','M','04/07/1900','08/06/1945','Paris','Teresin camp, Czechoslovakia','','','','','',0),('Devigny1916','','Devigny, André','M','25/05/1916','12/02/1999','Habère-Lullin','','','','Army officer, member of Gilbert network in Resistance.
','Ended his military career as a general.
','',2),('Diabate1938','','Diabaté, Massa Makan','M','1938','27/01/1988','Kita (Mali)','Bamako (Mali)','','','','Worked at UNICEF and UNESCO, before return to Mali to work as a civil servant.
','',1),('Diakhate1928','','Diakhaté, Lamine','M','18/09/1928','25/01/1987','Saint-Louis (Senegal)','','','','','Minister for Information in Senegal (1962-1969), then named Senegal\'s ambassador to UNESCO.
Diakhaté was one of the leading figures of the Négritude movement in his role as a literary critic and editor of the publisher Éditions Présence Africaine.
','',1),('Diamant Berger','','Diamant Berger, Lucien','M','','','','','','','','','',1),('Dib1920','','Dib, Mohammed','M','21/07/1920','02/05/2003','Tlemcen (Algeria)','La Celle-Saint-Cloud','','','On the outbreak of war, he became an accountant in the military headquarters in Oujda. He served as an interpreter for French and British military units in Morocco.
','In 1950 he became a journalist for Alger Républican. In 1959 he was expelled from Algeria by the colonial administration for pro-nationalist activities and went to live in France, where Malraux and Camus petitioned the French government to allow him to remain. He later went on to teach at university in both Paris and Los Angeles.
','',2),('Diop1906','','Diop, Birago','M','11/12/1906','25/11/1989','Ouakam (Senegal)','Dakar (Senegal)','','While studying veterinary science in Paris in the early to mid 1930s he met the writers of the Négritude movement who encouraged him to write. He then returned to Senegal to work as an veterinary inspector.
','He found himself trapped in France by the war. In 1942 he was head of zoological service in the Ivory Coast.
','Post-independence Diop was made Senegal\'s ambassador to Tunisia.
','',1),('Diop1946','','Diop, Boubacar Boris','M','26/10/1946','','Dakar, Senegal','','','','','Philosophy teacher and literary critic for the monthly news magazine Afrique-Tribune.
','',1),('Dorgeles1885','','Dorgelès, Roland','M','15/06/1885','19/03/1973','Amiens (Somme)','Paris','','','','','',1),('Doriot1918','','Doriot, Jacques','M','26/09/1898','22/02/1945','Bresles (Oise)','Württemburg (Germany)','','Doriot began his career in the French Communist Party where he reached the position of Secretary for the French federation of young Communists and MP for Saint-Denis. Excluded from the party in 1934 for having created with the socialists the Front commun contre le fascisme , Doriot founded in 1936 le Parti Populaire Français (PPF), an increasingly fascist organisation.
','After the French defeat in June 1940, Doriot supported the policy of collaboration and Maréchal Pétain. Doriot made a name for himself on the collaborationist mouthpiece Radio-Paris. With Déat he established the Légion des Volontaires Français contre le Bolchevisme (LVF), which sent its first group of members to fight on the Eastern Front under German orders in September 1941. He is himself awarded the Iron Cross in 1943 and in the same year entered the Vichy government. He was killed while in German uniform by Allied planes. Marie Chaix in Les Lauriers du lac de Constance suggests that the aircraft were in fact German and that the assassination was organised by the SS.
','','',0),('Dorlodot','','Dorlodot, René (Baron) de','M','','','','','','','','','',1),('DoumbiFakoly','','Doumbi-Fakoly','M','','','Mali','','','','','Author, researcher.
','',1),('Duchese','','Duchese, Jacques','M','','','','','','','','','',1),('Dufournier1915','Clark, James McAdam (Mrs)','Dufournier, Denise','F','1915','1994','','','','','','','',1),('Duhamel1884','','Duhamel, Georges','M','30/06/1884','13/04/1966','Paris','Valmondois','','After qualifing as a doctor and working as an army surgeon during the first war, Duhamel thereafter became a full-time and prolific author. He was elected to the Académie française in 1935
','Duhamel rejected pacifism in 1939 and his hostility to the Germans and to pétainisme led to the banning of his works during the Occupation.
','Member of CNE, but resigned in 1946 in protest at excesses of liberation purges.
','',1),('Dumay1916','','Dumay, Raymond','M','06/11/1916','1999','','','','','','','',2),('DuMoulin','','Du Moulin de Labarthète, Henry','M','','','','','','','','','',1),('Dupin','','Dupin de Lacoste, S','U','','','','','','','','','',1),('Dupontel1919','Vaculik, Serge','Dupontel, Jean','M','','','','','','','','','',2),('Duquesne1930','','Duquesne, Jean','M','18/03/1930','','Dunkirk','','','','','A well-known journalist and prolific author, his other books include Les Catholiques français sous l\'Occupation (1966).
','',2),('Durand1923','','Durand, Pierre','M','30/08/1923','06/05/2002','','','','','Communist and Resister. Deported to Buchenwald in 1944.
','Journaliste, historien, docteur en sciences juridiques politiques et sociales (BNF); Communiste, résistant aux côtés du colonel Fabien, journaliste (à L\'Humanité) et historien, il fut président du comité International Buchenwald-Dora et Kommandos. (wikipedia)
','Other works by Pierre Durand: La Résistance des Français à Buchenwald et à Dora, Le Temps des Cerises: Fonds Messidor, 1991; Le Train des fous, (le génocide des malades mentaux en France de 1939 1945), Le Temps des cerises: Fonds Messidor, 1988; Qui a tué Fabien?, Le Temps des Cerises: Fonds Messidor, 1985; Jeunes pour la liberté (participation des jeunes à la Résistance, racontée par un de ceux qui l\'ont vécue), Le Temps des cerises, 1989.
',1),('Duras1914','Donnadieu, Marguerite','Duras, Marguerite','F','04/04/1914','03/03/1996','Gia Dinh, near Saigon in French Indochina','Paris','Married Robert Antelme in 1939, divorced him in 1947.
','Lived in colonial Indochina until 1933 when she came to Paris to continue her studies. Worked for the Ministry of Colonies from 1938 until 1940.
','Joined the Resistance in Paris with her husband and François Mitterrand.
','Wrote novels and screenplays and directed several films.
','Duras, Marguerite, Cahiers de guerre et autres textes (Paris: POL, 2006)
Extracts from Duras\' diary from the period of the Occcupation and initial drafts of many of her later works.
',7),('Dutourd1920','','Dutourd, Jean','M','14/01/1920','','Paris','','','','Mobilised in 1940. Taken prisoner in June 1940. He escaped and returned to Paris, where he studied for a degree in philosophy. He joins the Resistance in 1942, was arrested in 1944, but managed to escape and took part in the Liberation of Paris.
','Elected to the Académie française in 1978
','',1),('Duvivier','','Duvivier, Julien','M','','','','','','','','','',1),('Echenoz1947','','Echenoz, Jean','M','26/12/1947','','Oranges','','','','','','',1),('EdmondAbout1914','','Edmond-About, Noële','F','1914','','','','','','','','',1),('Eluard1895','Grindel, Émile Paul','Éluard, Paul','M','14/12/1895','18/11/1952','St Denis, Seine St Denis','','','','Eugène Émile Paul Grindel
','','',0),('Ernaux1940','','Ernaux, Annie','F','01/09/1940','','Lillebonne (Normandy)','','','','','French literature teacher and author (mainly of largely autobiographical works)
','',1),('Errer1934','Rey, René-Charles','Errer, Emmanuel','M','1934','','','','','','','','He also wrote under the name of Jean Mazarin, mainly novels about the exiled Pied-Noir community in southern France.
',1),('Esteve','','Esteve, Patrick','M','','','','','','','','','',1),('Etienne1945','','Etienne, Marie','F','1945','','Menton','','','','','She spent her childhood firstly in South East Asia, then in Sub Saharan Africa. She is a poet and a novelist and the biographer of Antoine Vitez.
','',1),('Evrard1920','','Evrard, René','M','1920','','Alsace','','','','At the outbreak of the war Evrard left Alsace and began a Resistance network in the Lozère and the Gard.
','','',1),('Fabre1869','','Fabre, Émile','M','1869','1955','','','','','','','',1),('Fajardie1947','Moreau, Ronald','Fajardie, Frédéric H.','M','28/08/1947','05/05/2008','Paris','','','','','Novelist of both classic and detective novels and short stories, as well as plays and screenplays. He also worked as a journalist for L\'Humanité (1986-1991) and Charlie-Hebdo (1993-1996).
','',3),('Fanton','','Fanton, Roger','M','','','','','','','','','',1),('Farge1876','','Farge, Léon-Paul','M','04/03/1876','24/11/1947','Paris','Paris','','','','','',1),('Farge1899','','Farge, Yves','M','19/08/1899','31/03/1953','Salon-de-Provence','Tbilissi (Georgia)','','','','','Author of Toulon, éditions de Minuit clandestines, 1943.
',10),('Fasquelle1933','','Fasquelle, Solange','F','1933','','Paris','','','','','Prolific author of novels.
','',1),('FaureBiguet1893','','Faure-Biguet, Jacques-Napoléon','M','1893','1954','','','','Critique littéraire à \"l\'Echo de Paris\", puis directeur littéraire. - A publié des romans policiers sous le pseudonyme de Jacques Decrest
','','','',1),('Fenouillere1925','','Fenouillère, Jacques','M','1925','','','','','','In 1943 (aged 18) he joins the \'antenne parisienne d\'un reseau de Résistance de l\'Aube\'. He has to flee Paris after two bombings of the Renault factory. He returns with the 2ème DB of Leclerc and takes part in the Liberation of Paris. After driving fuel lorries between Paris and Cherbourg he joins the 2ème DB fighting units, seeing action in Alsace.
','Vice-President of the Anciens de la 2ème DB. President of the Boûches du Rhône section.
','',1),('Fischer1875','','Fischer, Frans','M','1875','','','','','','','','',1),('Flavian1902','','Flavian, Conrad L.','M','','','','','','','','','',2),('FlorianParmentier1879','','Florian-Parmentier, Ernest','M','1879','1951','','','','','','','',1),('Fodeba','','Fodéba, Keïta','M','','','','','','','','Keïta Fodéba founded the \'Théâtre Africain\'.
','',1),('Fombeure1906','','Fombeure, Maurice','M','1906','1981','','','','','','','',1),('Fontanel1957','','Fontanel, Béatrice','F','11/08/1957','','','','','','','Journalist and novelist.
','',1),('Fontclaire1923','Carré-Tornézy, Hélène','Fontclaire, Nicole','F','1923','','','','','','','Nurse, served in the French army medical corps in Indochina (Infirmière en Indochine : 1950-1952 : d\'amour et de détresse , Panazol : Lavauzelle, 1999)
','',1),('Forrester1927','','Forrester, Viviane','F','29/09/1927','','Paris','','','','Because they were Jewish, Forrestier (a teenager at the time) had to leave Paris and hide.
','She has worked as a literary journalist and critic at Le Monde, Le Nouvel Observateur and La Quinzaine Littéraire and was a member of the jury for the Prix Femina. Forrestier was one of the founding members of the French anti-globisation movement, Attac and her political views are reflected in works such as L\'Horreur économique, Fayard, 1996 which won the Prix Médicis Essais.
','',1),('fougeresyves','Le Souchu, Yves','Fougères, Yves','M','','','','','','','','Writer of romans policiers
','',1),('Francis1900','Rolland, Louis','Francis, Louis','M','1900','1959','','','','','','','',1),('FrancoisPoncet','','François-Poncet, Dominique','F','','','','','','','','The author is a journalist and La Courte Paille is her first novel (cover).
','',1),('FrancoisPoncet1887','','François-Poncet, André','M','13/06/1887','08/01/1978','Provins (Seine-et-Marne)','','','','','Ambassadeur de France. - Membre de l\'Académie française (élu en 1952) et de l\'Académie des sciences morales et politiques (élu en 1961)
','',1),('Franqueville','','Franqueville, Robert','M','','','','','','','','','',1),('Fraysse1920','','Fraysse, Maurice','M','1920','','','','','','','','',1),('Frenay1905','','Frenay, Henri','M','11/11/1905','06/08/1988','Lyon','Porte Vecchio','','He joined the army and studies at Saint-Cyr. He rose to the rank of Captain. He then studied at the centre for Germanic Studies in Strasbourg.
','He was captured in the Vosges during the German invasion. He escaped from a prisoner of war camp on the 27th of June 1940 and went to Marseille. After initially supporting Pétain, he joined the Resistance in February 1941 and was involved in the foundation of the group Combat and several clandestine newspapers; Les Petities Ailes and Vérités. He aided Jean Moulin in the creation of the Conseil National de la Resistance (CNR). After Moulin\'s arrest, Frenay escaped to Algeria. In November 1943, General Charles De Gaulle appointed Frenay as minister of prisoners, deportees and refugees. Frenay served in De Gaulle\'s first government after the Liberation.
','He was made a compagnon of the Ordre de la Libération.
','Frenay, Henri, L\'énigme Jean Moulin (Paris: Robert Laffont, 1977
',1),('Freville1895','Eugène Schkaff','Fréville, Jean','M','25/05/1895','06/1971','Kharkov, Russia','Paris','','Lawyer, journalist and writer; took French nationality (naturalisé français) in 1925; member of the French Communist Party; literary critic for L\'Humanité from 1931 (information from BNF catalogue)
','','','',2),('Friang1924','Friang, Élizabeth','Friang, Brigitte','F','23/01/1924','','Paris','','','','A Resistance activist, who survived arrest and deportation.
','Journalist and war correspondent.
','',2),('Gadala1881','','Gadala, Marie-Thérèse','F','1881','1970','','','','','','','',1),('Gaillard1909','','Gaillard, Robert','M','1909','1975','','','','','','','',2),('Gallo1932','','Gallo,Max','M','07/01/1932','','Nice','','','','','Author of over fifty novels and innumerable essays and biographies. Elected to Académie française in 2007.
','',2),('Gandebeuf1926','','Gandebeuf, Jacques','M','14/08/1926','','Auvergne','','','','','Journalist and editorialist in Saint-Etienne and then for the Republicain Lorrain in Metz from 1965 to 1992. On his retirement he conducted research for publication about the history of the Moselle during the Second World War and wrote his first novel.
','Gandebeuf, Jacques, La Parole retrouvée: près de 200 Mosellans racontent leur vie entre 1940 et 1945 (Metz: Editions Serpenoise, 1998)
Gandebeuf, Jacques, Le Silence rompu: la Moselle racontée aux Français de l\'intérieur (Metz: Editions Serpenoise, 1996)
',1),('Garnier1949','','Garnier, Pascal','M','04/07/1949','','Paris','','','','','Author of polars and children\'s literature.
','',1),('Garnier1954','','Garnier, Dominique','F','06/11/1954','','Nice','','','','','Dominique Garnier is a journalist and a screenwriter.
','Wrote the screenplay for Chalonge1937, Dr Petiot.
',1),('Gary1914','','Gary, Romain','M','08/05/1914','02/12/1980','Vilnius (Lithuania)','Paris','','Moved to France at the age of fourteen. Studied law in Aix-en-Provence and Paris. Learnt to fly.
','During World War II Gary was a pilot with the Free French Forces in Europe, North and West Africa and the Middle East. Between 1943 and 1944 Gary flew many missions over France, Belgium, and Holland, and after the war he was awarded the Croix de Guerre and the Légion d\'Honneur.
','Worked in the French diplomatic service as well as writing a large number of novels, essays, plays and screenplays.
','Ode à l\'homme qui fut la France (Paris, Calmann-Lévy, 1997). Edition Folio (n°3371) - 2000. A collection of Gary\'s essays about Charles de Gaulle.
Gary co-wrote the screenplay for the film The Longest Day (Annakin & Marton, 1962) about the D-Day landings.
',4),('Gaultier','','Gaultier, Marcel','M','','','','','','','','','',1),('Germain1954','','Germain, Sylvie','F','1954','','Châteauroux','','','','','After gaining her PhD in philosophy she worked for the Ministry of Culture. From 1986 to 1993, she worked as an archivist and philosophy teacher in the lycée français in Prague.
','Germain,Sylvie, Etty Hillesum, (Paris: Éditions Pygmalion/Gérard Watelet, 1999) - biography of a Dutch Jew deported to Auschwitz, who kept a diary of life in Amsterdam under German occupation.
',1),('Gide1869','','Gide, André','M','22/11/1869','19/02/1951','Paris','Paris','','','He lived first in Southern Zone and then from 1942 onwards in Tunisia.
','He won the Nobel prize for literature in 1947.
','',0),('Gildas','','Gildas, G','F','','','','','','','','','',1),('Gille1937','','Gille, Elisabeth','F','20/03/1937','30/09/1996','','','Younger daughter of Irène Némirovsky (Nemirovsky1903)
','','Both her Jewish parents were deported and she spent 1942-44 in hiding.
','Worked as translator and in publishing.
','',2),('Gilles1917','','Pélichy, Daniel Gillès de','M','1917','1981','','','','Belgian national
','','','',2),('Giorda1938','Giordanengo, Jean-Pierre or Gardi, François','Giorda','M','20/12/1938','03/2004','Marseille','Aix-en-Provence','','','','','',1),('Giovanni1923','Joseph Damiani','Giovanni, José','M','22/06/1923','24/04/2004','Paris','Lausanne','','','','Involved in racketeering after Liberation and sentenced to death after involved in killings; his sentence was commuted and he was released from prison in 1956. Became writer and film-maker.
','',1),('Giraud1897','','Giraud, Henri','M','1897','1949','','','','','','','',2),('Giraud1903','','Giraud, Marie-Louise','F','17/11/1903','30/07/1943','','Paris','','','Giraud was executed for her role as an abortionist. It was claimed that she had carried out more than twenty-seven abortions in the Cherbourg region.
','','',0),('Giraudoux1882','Giraudoux, Hippolyte Jean','Giraudoux, Jean','M','29/10/1882','31/01/1944','Bellac, Haute-Vienne','','','','','','',0),('Gleize1898','','Gleize, Maurice','M','1898','1974','','','','','','','',1),('Goby','','Goby, Valentine','F','1974','','Grasse','','','','','Teacher, works in theatre, published writer from 2002.
','',2),('Godefroy','','Godefroy, Pierre','M','','','','','','','','','',1),('Goebbels1897','','Goebbels, Joseph','U','29/10/1897','01/05/1945','','','','','','','',0),('Goldenberg1931','','Goldenberg, Daniel','M','1931','','','','','','','Writer and screenwriter
','Pivert, un résistant ordinaire, work of non-fiction written with Raymond Kojitsky, 1991
Évadé du Vel d\'Hiv, work of non-fiction written with Gabriel Wachmann, 2006.
',1),('Gonnet','','Gonnet, Charles-A.','M','','','','','','','','','',1),('Gouiran1946','','Gouiran, Maurice','M','21/03/1946','','Rove (Bouches-du-Rhône)','','','','','','',4),('Gracq1910','Poirier, Louis','Gracq, Julien','M','27/07/1910','22/12/2007','Saint-Florent-le-Vieil (Maine-et-Loire)','Paris','','','Served in French army in Dunkirk area, then was a prisoner of war between 1940-1941. Gracq recounts his own war experiences in his essay, Lettrines (1967).
','','',1),('Green1900','','Green, Julien','M','06/09/1900','13/08/1998','Paris','','','Born in Paris of American parents, but he wrote primarily in French.
','In 1940 he returned to the USA. In 1942 he was mobilised and worked at the US Office of War Information Service in New York. He authored weeekly radio broadcasts to France on the Voice of America, working alongside André Breton.
','He returned to France in 1945. He was elected to the Académie Française in 1971, the first non French writer to receive such an award.
','',1),('Greif1944','','Greif, Jean-Jacques','M','23/09/1944','','Paris','','','','','Journalist, Author.
','',4),('Grenier1919','','Grenier, Roger','M','19/09/1919','','Caen','','','Childhood in Pau, studies in Clermont-Ferrand and Bordeaux.
','In Paris at the time of the Liberation. Camus recruits him for Combat.
','Journalist, writer.
','Essay on justice at the liberation, Le Rôle de l\'accusé, 1949
',1),('Grimbert','','Grimbert, Yveline','F','','','','','','','','','',1),('Grimbert1948','','Grimbert, Philippe','F','1948','','','','','','','Psycho-analyst.
','',1),('Groult1920','','Groult, Benoîte & Flora','F','31/01/1920','','','','Co-author her sister Flora (1924-2001)
','','','Journalist and feminist.
','',1),('Groussard1921','','Groussard, Serge','M','18/01/1921','','Niort','','','','Infantry officer in 1939-40, then Resistance activist who was deported and survived to recount his experiences in Le Crépuscule des vivants (1946).
','Writer and journalist.
','',1),('Guediguian1953','','Guédiguian, Robert','M','1953','','Marseille','','','','','','',1),('Guehenno1890','Guéhenno, Marcel-Jules-Marie','Guéhenno, Jean','M','25/03/1890','22/09/1978','Fougères','Paris','','Teacher, writer, journalist.
','Contributed to intellectual Resistance.
','Elected to Académie française 1962.
','',1),('Guerin1905','','Guérin, Raymond','M','02/08/1905','12/09/1955','','','','','Prisoner of war: he spent three years in the stalags of Münsingen and Malschbach.
','','',2),('Guignabodet','','Guignabodet, Liliane','F','','','','','','','','','',1),('Guilloux1899','','Guilloux, Louis','M','15/01/1899','14/10/1980','Saint-Brieuc','Saint-Brieuc','','Guilloux worked as a journalist and a translator at L\'Intransigeant, between 1921 and 1924, before he began to write full-time. From 1937 to 1939 he co-ordinated the rehoming of Spanish refugees in Brittany.
','Was involved in Resistance activities in northern Brittany. In 1944 he worked as a translator for the American army.
','Guilloux as well as writing also worked as translator of English language novels into French.
','Carnets 1, 1921-1944 (Paris: Gallmard, 1978)
Carnets 2, 1944-1974 (Paris: Gallimard, 1982)
',3),('Guingouin1913','','Guingouin, Georges','M','02/02/1913','27/10/2005','Magnac-Laval','Troyes','','Primary school teacher and PCF militant.
','Became leader of FTP maquis in Limousin. Suspected of instigating summary executions at Liberation.
','Expelled from PCF in 1952, imprisoned in 1953, but charges against him were dropped and he was \'rehabilitated\' by the communists in 1998.
','',2),('Guitry1885','Guitry, Alexandre Georges-Pierre','Guitry, Sacha','M','21/02/1885','24/07/1957','Saint Petersburg','Paris','','Prolific author and director of plays and films.
','Arrested in August 1944 and imprisoned for two months; the investigation into his alleged collaboration was dropped in 1947.
','','60 Jours de prison (1949)
',1),('Guitton1901','','Guitton, Jean','M','1901','','','','','','','','',1),('Gutman1946','','Gutman, Claude','M','27/12/1946','','Petach-Ticqwa (Israel)','','','','','Former senior school teacher. Novelist, scriptwriter and director of a children\'s literature publisher.
','',3),('Haedrich','','Haedrich, Marcel','M','','','','','','','','','',3),('Hanin','','Hanin, Roger','M','','','','','','','','Actor
','',1),('HanyLefebvre','','Hany-Lefebvre, Noémi','F','','','','','','','','','',1),('Hardy1911','','Hardy, René','M','31/10/1911','12/04/1987','Mortrée','Melle','','','A Resistance cadre who was accused of betraying Jean Moulin and other Resistance leaders to the Gestapo in June 1943.
','He was arrested in 1944, spent several years in detention, but despite the evidence against him and two trials escaped being convicted.
','',4),('Harlay1968','','Harlay, Jérôme','M','1968','','Marseille','','','','','Studied Sociology at university. Sound engineer and novelist.
','',1),('Hassan1952','','Hassan, Yaël','F','1952','','','','','','','Of Jewish Polish heritage. After working in the tourism industry, she began to write in 1997.
Many of her novels depict relationships between grandparents and their grandchildren. She claims that this is because she never knew her own grandparents who were killed during the Holocaust.
','',7),('Havard1923','','Havard, René','M','20/12/1923','07/12/1987','Paris','Paris','','','','Actor, author and screenwriter.
','',1),('Hebrard1927','Velle, Frédérique','Hébrard, Frédérique','F','07/06/1927','','Nîmes','','Daughter of André Chamson and Lucie Mazauric. Married to actor Louis Velle.
','','','Writer and actress;
','',1),('Helena1919','','Héléna, André','M','07/04/1919','18/11/1972','Narbonne (Aude)','Leucate (Aude)','','','He was excused from military service in 1939 and spent most of the phoney war and the Occupation in Leucate (on the Mediterranean coast near Perpignan). He later joined the maquis in the Pyrénées.
','','Also wrote under the pen names of Noël Vexin, Buddy Wesson, Terry Crane.
',2),('Henard','','Hénard, Guy','M','','','','','','','','','',1),('Henriot','','Henriot, Lieutenant','M','','','','','','','','','Also known as Herdu
',1),('Hermant1862','','Hermant, Abel','M','1862','1950','','','','','','','',1),('Herriot1872','','Herriot, Edouard','M','1872','1957','','','','','','','',1),('Hess1894','','Hess, Rudolf','U','26/04/1894','17/08/1987','Alexandria, Egypt','Berlin','','','','','',0),('Hitler1889','','Hitler, Adolf','M','20/04/1889','30/04/1945','Braunau am Inn (Austria)','Berlin','','','','','',0),('Hivert','','Hivert, Madeleine','F','','','','','','','','','',1),('Hoss1900','','Höss, Rudolf','M','1900','16/04/1947','Baden-Baden (Germany)','Auschwitz','','Fought in Iraq, Turkey and Palestine during First World War.
In 1934, at Himmler\'s request he joined the SS. Throughout the 1930s he held more and more important positions of responsibility in numerous concentration camps; Dauchau, Sachsenhausen
','Between 1940 and late 1943 he was commander of Auschwitz.
','He was captured on the 11th of March 1946. He was called as a witness for several of the Nuremberg trials and then handed over to the Polish to be tried himself. He was sentenced to death by hanging and executed on the 16th of April 1947.
','Höss, Rudolph and Paskuly, Steven (ed), Death Dealer: The Memoirs of the SS Kommandant at Auschwitz (Da Capo Press, 1996) - edited, translated version of Höss\' autobiography
',0),('Houdaer1969','','Houdaer, Frédérick','M','1969','','','','','','','','',1),('Houtman','','Houtman, Marcel','M','','','','','','','','','',1),('Huet1942','','Huet, Philippe','M','24/04/1942','','','','','','','Journalist, former chief editor of Paris-Normandie.
','',1),('Humbert1896','','Humbert, Agnès','M','1896','1923','','','','','An art historian, Humbert was a member of one of the first Resistance groups in France, based at the Musée de l\'Homme. She was arrested, imprisoned for a year and then sent to German to a work camp.
','','Also known as Madame Georges-Hanna Sabagh
',1),('Humbert1970','','Humbert, Fabrice','M','1970','','','','','','','French literature teacher.
','',1),('Huston1953','','Huston, Nancy','F','16/09/1953','','Calgary (Canada)','','','','','','',2),('hyvernaud1902','','Hyvernaud, Georges','M','1902','24/03/1983','St-Yrieix-sur-Charente','Paris','','trained as an instituteur
','Captured in Lille in May 1940. Oflag in Pomerania. Liberated April 1945.
','worked as a teacher. full details on the site of the Société des lecteurs de Georges Hyvernaud, www.hyvernaud.org
','',2),('Ikor1912','','Ikor, Roger','M','28/05/1912','17/11/1986','Paris','Paris','','','','','',1),('Jamet1910','','Jamet, Claude','M','23/07/1910','1993','','','Father of writer Dominique Jamet (Jamet1936) (author of Un traître, 2008).
','Teacher and journalist.
','Sympathetic to collaboration.
','','',3),('Jamet1936','Jamet, Benjamin','Jamet, Dominique','M','16/02/1936','','Poitiers','','Son of Claude Jamet, collaborationist journalist.
','','','Journalist, Writer, Literary critic, President of the Bibliothèque Nationale de France (1989-1994) and therefore responsible for overseeing the project to build the library\'s new site at Tolbiac.
','',4),('Jardin1934','','Jardin, Pascal','M','14/05/1934','31/07/1980','Paris','','Son of Jean Jardin (official in Vichy government), and father of novelist Alexandre Jardin
','','','','',4),('Javaux','','Javaux, Pierre','M','','','','','','','','','',1),('Joanovici1905','','Joanovici, Joseph','M','20/02/1905','1965','Bessarbie (Romania)','','','Arrived in France in 1925 and begins work as a scrap metal merchant in Clichy (Northern Parisian suburb).
','As a Jew Joanovici knew that his life was a risk. He supplied the German occupying authorities and army as well as the Resistance with metal through out the war, making him millions. It is claimed that he was also a Gestapo agent. At the Liberation he denonced many members of the French gestapo leading to their arrest. He was arrest numerous times becuase of collaborationist activities but was always released, the then head of the DST claimed that Joanovici was protected by the police.
','Left France straight after the war. Turned himself into the police in 1947 and was put on trial in 1949 when he was sentenced to five years imprisonment. He was liberated in 1952. He then tried to emigrate to Israel, but this was refused because of his collaborationist past.
','L\'étrange Monsieur Joseph, a 2001 téléfilm directed by Josée Dayan, scenario by Eric-Emmanuel Schmitt, inspired by the novel by Alphonse Boudard.
',0),('Joffo1931','','Joffo, Joseph','M','1931','','Paris','','','','','Worked as a hairdresser in the family firm. Started writing in 1971 after skiing accident.
','',2),('Joly','','Joly, François','M','1939','','','','','','','Secondary school teacher and polar author. Joly founded the Polar festival at Vienne, called Sang d\'Encre.
','',1),('Jonquet1954','','Jonquet, Thierry','M','19/01/1954','08/09/2009','','','','','','','also writes under pseudonym Ramon Mercader
',3),('Julitte1910','','Julitte, Pierre','M','24/05/1910','15/08/1991','Chevannes','','','','Trained as an engineer, Julitte was an army officer in 1940 and joined the Free French in London after the armistice. He became an active figure in the Resistance network Confrérie Notre-Dame in the occupied zone. He was arrested in March 1943 and survived deportation to Buchenwald and other camps. His heroic endeavours earned him many prestigious decorations.
','Senior administrator, company director and author.
','',1),('Juminer1927','','Juminer, Bertène','M','1927','','French Guiana','','','','','Doctor and novelist
','',1),('Jurquet1922','','Jurquet, Jacques','M','02/04/1922','','','','','becomes politically active very young, including trying to volunteer for the Republicans during the Spanish Civil War.
','According to the many websites devoted to him, he joins, or tries to join the Communist Party in 1941. Escapes from the train taking him to Germany (STO) in 1943 and lives in the Jura forests. Active in the Resistance and in battles of the liberation
','a long career of political activism, in the communist party, and later in marxist-leninist groups. Writer and journalist
','',1),('Kaa1945','','Kââ','U','1945','2002','','','','','','','',1),('Kane1928','','Kane, Cheikh Hamidou','M','02/04/1928','','Matam (Senegal)','','','','','First post-independence governor of Thiès (1961)
','',1),('Kessel1898','','Kessel, Joseph','M','10/02/1898','23/07/1979','Clara, Entre Rios, Argentina','Averne, Val d\'Oise','Uncle of Maurice Druon.
','Kessel arrived in France from Argentina in 1908, the son of Jewish immigrants. He was awarded the Croix de Guerre for his actions in both world wars. In WWI he served in the artilllery and aviation. Kessel was a newspaper reporter as well as a novelist throughout his professional life.
','Kessel worked a war correspondent in 1939/ 1940 and following the surrender he escaped over the Pyrenees to join the Free French in London. There he wrote L\'Armée des Ombres as well as the Chant des Partisans with Druon, which became the emblematic song of the Resistance. At the end of the war he flew missions over France to provide logistical support to the Resistance.
','Kessel was elected to the Académie Française in 1962.
','',3),('Khatibi1938','','Khatibi, Abdelkebir','M','1938','','','','','','','Doctorate in Sociology from Paris in 1965
','',1),('Klein1862','','Klein, Abbé Félix [Philippe]','M','1862','1953','','','','','','','',1),('Kofman1934','','Kofman, Sarah','F','14/09/1934','15/10/1994','Paris','Paris','','','','Kofman was a philosopher, most well known for her work on Freud\'s ideas on female sexuality. She died in 1994 by committing suicide, in the year that Rue Ordener, rue Labat was published.
','Kofman, Sarah, Paroles suffoquées (1987) is dedicated to the memory of her father, Berek Kofman who was killed at Auschwitz.
',1),('Konop1948','Konopnicki, Guy','Konop','M','1948','','Paris','','','','','He was a journalist at Marianne and for France Culture as a well as regional councillor for the Green Party.
','Konopnicki, Guy, Né apres (Paris: La Martinière, 2004) Konopnicki recounts his own life, especially his relationship with his Jewish faith, the place of anti-semitism in contemporary French society and his family\'s past during the Shoah.
',1),('Korkos1955','','Korkos, Alain','M','1955','','Paris','','','','','Author and illustrated of Bande Dessinée.
','',1),('Kourouma1927','','Kourouma, Ahmadou','M','24/11/1927','11/12/2003','Boundiali (Ivory Coast)','Lyon','','','','He fought in the French Army during the Indochinese war. Following the Ivory Coast independence in 1960 he was jailed repeatedly for his opposition to Houphouët-Boigny\'s regime and then lived in exile in Algeria, Cameroon and Togo.
','',1),('Krivine1959','','Krivine, Frédéric','M','10/07/1959','','','','','','','Krivine was a screenwriter for French television, specialising in crime dramas. He wrote a series for France Television entiteld \'Un village français\' about a sous-préfecture during the Occupation (see separate entry: Alain Ade).
','',1),('Labro1936','','Labro, Philippe','M','27/08/1936','','Montauban','','','','','Writer and media personality (director of TV company)
','',1),('Laclaventine1954','','Laclaventine, Jean-Marie','M','17/02/1954','','Bordeaux','','','','','Novelist, editor at Gallimard.
','',1),('Lacretelle1888','','Lacretelle, Jacques, de','M','1888','1985','','','','','','','',2),('Laffitte','','Laffitte, Jean','M','','','','','','','','','',2),('Lagorce1937','','Lagorce, Guy','M','1937','','','','','','','Novelist and Journalist. Former editor of L\'Express(1988)
','',1),('Lahire1878','Espie de La Hire, Adolphe','Lahire, Jean de','M','1878','','','','','','','','AEdLH writes also as Paul Yaki.
',1),('LaMaziere1922','','La Mazière, Christian de','M','22/08/1922','15/02/2006','Tunis','','','','In French army 1939-42. Joined Waffen SS in 1944.
','Imprisoned 1946-48. Became journalist and impresario. Interviewed in Ophuls\'s Le Chagrin et la pitié.
','Le Rêveur blessé (2003)
',1),('Landry1909','','Landry, Charles François','M','1909','','','','','','','','',1),('Langelaan','','Langelaan, George','M','','','','','','','','','',1),('Langfus1920','','Langfus, Anna','F','02/01/1920','12/05/1966','Lublin','Paris','','Born Anna-Regina Szternfinkiel to a comfortably off Jewish family in Poland. At 18, she married Jakub Rajs. After time in Belgium, they return to Warsaw in 1939.
','After time in the ghettos of Lublin and Warsaw in 1942, she escaped with her husband. She worked for a time for a Polish resistance group. She was arrested and tortured by the Gestapo, and witnessed her husband\'s execution. Freed by the Soviet Army, she returned to Lublin on foot.
','Moved to France in 1946. Married Aron Langfus in 1948, and had a daughter Maria. Wrote 3 novels and several plays. Died of a heart attack in 1966. Is buried in Bagneux cemetery, Paris.
nb there is also a biographical summary of her life at the front of the Folio editions of her first two novels.
','',3),('Lanoux1913','','Lanoux, Armand','M','24/10/1913','23/03/1983','Paris','Champs-sur-Marne','','','Prisoner of war 1940-42.
','Although his only qualification was the brevet élémentaire, he became a prolific, prize-winning author of novels and critical biographies. Elected to Académie Goncourt 1969.
','Several.
',1),('Lansvreugt','','Lansvreugt, Pierre and Robert Lemaître','M','','','','','','','','','',1),('Larteguy1920','Osty, Lucien','Lartéguy, Jean','M','05/09/1920','','Lozère','','','','He escaped from France into Spain in March 1942. At the beginning of 1943 he joined the Free French and fought in the Liberation of Italy, of Eastern France and Germany.
','Journalist. He was a war reporter and covered the wars in Indochina and Algeria.
','',1),('Lasvergnas1902','','Las Vergnas, Raymond','M','09/12/1902','26/03/1994','Saint-Junien (Haute Vienne)','Paris','','','','','',1),('Laurent1919','Laurent-Cély, Jacques','Laurent, Jacques','M','05/01/1919','29/12/2000','Paris','Paris','','','Worked as minor civil servant for Vichy government.
','Prolific novelist (often under pseudonyms) and polemicist associated with right and \'Hussards\'. Elected to Académie française 1986.
','',2),('Laval1883','','Laval, Pierre','M','28/06/1883','15/10/1945','','','','','','','',0),('Leboucher','','Leboucher, Docteur Marcel','M','','','','','','','','','',1),('Lebrun1871','','Lebrun, Albert [François]','M','29/08/1871','06/03/1950','Mercy-le-Haut, Meurthe et Moselle','Paris','','President of France 1932-1940.
','','','',1),('LeCarvennec','','Le Carvennec, Antoine','M','','','','','','','','French literature university lecturer. Completed his military service during the Algerian war.
','',1),('Leclerc1902','','Leclerc de Hautecloque, Philippe','M','22/11/1902','28/11/1947','Belloy-Saint-Léonard (Somme)','Colomb-Béchar (Algeria)','','','Philippe François Marie, comte de Hauteclocque changed his legal name in 1945 to incorporate his French resistance alias, Jacques-Philippe Leclerc. He is generally known as Maréchal Leclerc.
','','',0),('Leclere','','Leclère, Jean-Pierre','M','','','','','','','','','',1),('LeClezio1940','','Le Clézio, Jean-Marie Gustave','M','13/04/1940','','Nice','','','','Lived with his mother at Roquebillière, near Nice. His father was working as a doctor for the British Army in Nigeria.
','In 1948 he travelled to Nigeria with his mother and brother to rejoin his father.
In his early twenties he taught French in England, he then went on to live in Mexico and New Mexico for more than a decade in the 1970s.The concepts of travel and discovery has been very influential on his work; he has also written about the Western Sahara, from where his second wife comes from as well as about Mauritius, where his ancestors lived for nearly two hundred years.
Le Clézio won the 2008 Nobel Prize for Literature.
','',1),('Lecoin1888','','Lecoin, Louis','M','1888','1971','','','','','','','',1),('Lefebvre','','Lefebvre, Abbé Robert','M','','','','','','','','','',1),('LeGallois','Salce, Jacques','Le Gallois, Jacques','M','','','','','','','','','',1),('Lehmann1958','','Lehmann, Christian','M','15/08/1958','','','','','','','Novelist and GP.
','',1),('lepidis1920','Tchélébidès, Kléanthis','Lépidis, Clément','M','02/04/1920','26/08/1997','Paris','','','','','romancier et poète
','',2),('LePorrier1913','','Le Porrier, Herbert','M','30/03/1913','1977','Cernauti, Romania (now Ukraine)','Paris','Distant relative of Otto Preminger
','Emigrated to France and trained as doctor.
','','Writer and journalist.
','',1),('Leproux1898','','Leproux, Marc','M','1898','','','','','','','','',1),('Lestienne1932','','Lestienne, Voldemar','M','1932','','','','','','','Writer and journalist.
','',1),('LevisMirepoix1942','','Lévis Mirepoix, Antoine de','M','1942','','','','','','','Diplomat and novelist.
','',1),('Levy1876','','Lévy, Paul','M','1876','','','','','','','','',1),('Levy1961','','Levy, Marc','M','16/10/1961','','Boulogne-Billancourt','','','','','Best-selling and prolific author of novels since 2000.
','',1),('Limur','','Limur, Jean de','M','','','','','','','','','',1),('Littell1967','','Littell, Jonathan','M','10/10/1967','','New York','','Son of writer Robert Littell
','','','Awarded French nationality after success of Les Bienveillantes.
','',1),('Loheac','','Lohéac, Docteur Paul','M','','','','','','','','','',1),('LoustaunauLacau1896','Anselme, Augustin','Loustaunau-Lacau, Commandant Georges [Navarre]','M','1896','','','','','','','','',1),('Luchaire1921','','Luchaire, Corinne','F','1921','1959','','','','','','','',1),('LuzyPoussy','','Luzy-Poussy, André','M','','','','','','','','','',1),('Lyautey1893','','Lyautey, Pierre','M','20/01/1893','01/11/1976','','','Nephew of Maréchal Lyautey
','','Capitain of a Goum (unit of Moroccan colonial troops), part of the 1st French Army under the command of General de Lattre de Tassigny.
','Historian
','',1),('Maalouf1949','','Maalouf, Amin','M','25/02/1949','','Beirut (Lebanon)','','','','','Journalist and novelist. Amin Maalouf moved to France to live there permanently in 1975 at the beginnng of the civil war in Lebanon. He won the 1993 Prix Goncourt for his novel, Le Rocher de Tanios.
','',1),('magali1898','Philibert, Jeanne','Magali','F','06/03/1898','05/02/1986','Limoux, Aude','Narbonne, Aude','','travelled to Algeria, as a teacher, aged 17. Gave birth to illegitimate daughter Anne. Married writer and journalist Marcel Idiers in 1926, worked as his ghost-writer. Left him and became successful writer and journalist in her own right. (from Holmes, Romance and Readership in 20th century France, p.62)
','When war broke out, she volunteered as a driver, then under the Occupation became part of teh resistance network Berthaux, near Toulouse, establishing a small publishing house - the Editions Chantal - which published romances and children\'s fiction as a cover for its clandestine output of pro-Resistance material. (Holmes p.62)
','first winner of the Prix Littéraire Max du Veuzit, awarded by the Société des gens de lettres for the highest-selling works of romantic fiction (Holmes p.62)
','',1),('magnan1922','','Magnan, Pierre','M','19/09/1922','','Manosque','','long relationship with the novelist Thyde Monnier
','','Resistance.
','Novelist, crime novelist
','',1),('Magnan1929','','Magnan, Jean-Marie','M','04/12/1929','','Arles','','','','','','The Resistance figures in the life story, spanning 1920s to 1968, of the central protagonist Vincent, in the novel Les Revenants de midi, editions du Rocher, 2004.
',2),('Maillet1948','','Maillet, Michèle','F','1948','','Martinique','','','','','Maillet has worked as an actor both on stage and on the television. She has also directed and producted television programmes in her native Martinique.
','',1),('Malet1909','','Malet, Léo','M','07/03/1909','03/03/1996','Montpellier','Paris','','Surrealist. member of the Main à Plume group.
','During the war he was imprisoned in a German prisoner of war camp for eight months (1941). On his return to Paris he published with the Collection Minuit (published by Georges Ventillard, editor Louis Chavance) eg Johnny Métal under the pseudonym Frank Harding.
','Song writer, journalist and novelist. He also wrote under the pen names of Frank Harding, Léo Latimer and Omer or Louis Refreger.
','',1),('Malle1932','','Malle, Louis','M','30/10/1932','23/11/1995','Thumeries (Nord)','Beverly-Hills (USA)','','','','Worked first as a cameraman and assistant, including to Robert Bresson on his film Un condamné à mort s\'est échappé.
','',2),('Mallet','','Mallet, Mireille','F','','','','','','','','','',1),('Mammeri1917','','Mammeri, Mouloud','M','28/12/1917','25/02/1989','Taourirt Mimoune (Algeria)','Aïn Delfa (Algeria)','','After secondary school studies in Algeria, he came to France to prepare the entrance exam for the Ecole Normal Superier, an attempt that was curtailed by the outbreak of war.
','He was called up in 1939, captured and then freed in October 1940. He then returned to Algiers to study at university. He ws called up for a second time in 1942 and fought in Italy, France and Germany.
','Mammeri qualified as a teacher and returned to Algeria to teach. He was expelled from Algeria in 1957 because of his pro-Independence stance and went to live in Morocco until Algerian independence in 1962, when he returned to teach anthropology at Algiers University. He also published and lectured on Berber poetry and it was the cancellation of one of his lectures that was at the origin of the Berber uprising of 1980. In 1982 he found the Berber Studies programme at the EHESS in Paris. He became both the spokesperson and the figurehead for the Berber identity in Algeria.
','',2),('Manchette1942','','Manchette, Jean-Patrick','M','19/12/1942','03/06/1995','Marseille','Paris','','','','','',2),('Manotti1942','','Manotti, Dominique','F','1942','','Paris','','','','','Taught economic history at university level. Strongly involved in left-wing politics since the middle of the Algerian War of Independence. Her website claimed that she began to write polars several years after Mitterand\'s acession to power, when she understood that this event wouldn\'t naturally change the social order in France.
','',2),('Marcenac1913','','Marcenac, Jean','M','16/11/1913','1984','','','','','','','',1),('Marchais1920','','Marchais, Georges','M','07/06/1920','16/11/1997','La Hoguette (Calvados)','Paris','','','In 1940 he went to Germany to work in a Messerschmitt factory. In the 1970s there was great discussion about whether he had volunteered or simply been transferred. Two court judgements ruled that he had been forced to go.
He returned to France after the defeat of nazi Germany.
','He joined the Communist Party in 1947.
In December 1972 he was elected Secretary General of the party, a position that he held until 1994.
','',0),('MarieFrance','','Marie-France','F','','','','','','','','','',1),('Marquet1895','Marquet, Micheline Marguerite Delphine','Marquet, Mary','F','14/04/1895','29/08/1979','Saint Petersburg','Paris','','Actress at Comédie Française and in films.
','Her son François was deported to Buchenwald in 1943, where he died aged twenty-one. She was detained at the Liberation but escaped prosecution.
','','',1),('Martin1950','','Martin, Roger','M','1950','','Rochin (Nord)','','','','','Teacher (of English) and muncipal council member for the Communist Party first in Mont-Saint-Martin (Lorraine) then in Carpentras (Vacluse). Anti-Far-Right campaigner. In Mont-Saint-Martin he created a literary festival entitled Rencontres Policières.
','',2),('MartinChauffier1894','','Martin-Chauffier, Louis','M','1894','1980','','','','','','','',1),('Mattei1933','','Mattéi, Georges M.','M','26/11/1933','12/12/2000','','Paris','','','','Anti-colonial militant, second in command to Henri Curiel in a FLN support network during the Algerian War of Independence (1954-1962). He also directed two films about Latin American resistance fighters.
The historian Jean-Luc Einaudi wrote a biography of Mattéi entitled Franc-tireur - George Mattéi, de la guerre d\'Algérie à la guérilla (Paris: Danger Public, 2004)
','',1),('Mauberret1906','','Mauberret, Louis','M','1906','','','','','','','','',1),('Maxence1946','','Maxence, Jean-Luc','M','03/06/1946','','Paris','','','','','Poet and publisher.
','',1),('Maximin1947','','Maximin, Daniel','M','09/04/1947','','Saint-Claude (Guadeloupe)','','','','','He moved to France with his family at the age of thirteen. From 1980-1989 he was literary director of Présence africaine. In 1989 he return to Guadeloupe, having been appointed as Regional Director of Cultural Affairs. In 1997 he was placed in charge of the 150th anniversary celebrations of the abolition of slavery.
','',2),('Maximoff1917','','Maximoff, Matéo','M','17/01/1917','24/11/1999','Barcelona','Paris','','','','Author and Evangelical Pastor.
','',3),('Mazeau1949','','Mazeau, Jacques','M','1949','','Paris','','','','','Journalist.
','',1),('Meckert','','Meckert, Jean','M','','','','','','','','','',1),('Megret','','Mégret, Christian','M','','','','','','','','','',1),('Memmi1920','','Memmi, Albert','M','15/12/1920','','Tunis','','','Educated at the Lycee Carnot in Tunis, then at the University of Algiers and the Sorbonne where he studied philosophy.
','He was imprisoned in a German work camp in Tunisia in 1943.
','In 1953 he began teaching philosophy at his former lycee in Tunis. Despite having support Tunisian independence movements, he left Tunis in 1956 and taught at various universities in Paris for the rest of his career.
','',1),('Merle1908','','Merle, Robert','M','29/08/1908','29/03/2004','Tébessa (Algeria)','Montfort-l\'Amaury (Yvelines)','','Merle moved to metropolitan France in 1918. He became a secondary school English teacher in the early 1930s.
','He was called up in 1939, becoming an agent de liaison for the British, because of his language skills. He was captured during the evacuation of Dunkirk.
','He qualified as an university professor and taught throughout France. He was heavily involved in the student protests of May 1968 in Nanterre, where he was teaching at the time
','',2),('Merle1936','','Merle, René','M','1936','','','','','','','Historian and novelist based in Toulon.
','',1),('Merrien1905','René Marie de la Poix de Fréminville','Merrien, Jean','M','03/06/1905','07/06/1972','','','','Auteur également de romans policiers sous les pseudonyms de \'Christophe Paulin\' et \'René Madec\'.
','','','The Quintin family at the centre of this novel, has already featured in two of Merrien\'s novels: Qui vaille de vivre and Le Mutilé de l\'océan.
',1),('MesnilAmar','Perquel, Jacqueline','Mesnil-Amar, Jacqueline','F','23/04/1909','1987','Lorraine','Paris','','','In 1942, Mesnil-Amar\'s husband André joined the Organisation Juive de Combat, a resistance network operating in the south of France. He was arrested in July 1944 and deported on the last train from France to Auschwitz, but later managed to escape from this train. All of his family died in Auschwitz.
','After the war her husband André and other members of the Organisation Juive de Combat founded the Service Central des Déportés Israélites (SCDI). Jacqueline was involved in writing and editing the SCDI publication. Although Mesnil-Amar and her husband had been secular Jews before the war, affected by what they had seen and lived through they became practising Jews. She took the place of Jews in French life as the primary theme of her post war writing.
','',1),('Metzger','','Metzger, Adrien','M','','','','','','','','','',1),('michelet1899','','Michelet, Edmond','M','08/10/1899','09/10/1970','Paris','Marcillac (Corrèze)','Father of the writer Claude Michelet
','involved in Catholic youth organisations and Action Française
','Resister, active in movements. Became head of the \'Region 5\' of Combat. Deported to Dachau in 1943
','Pursues a political career. Minister in de Gaulle\'s governments in 1946 and late 50s/early 60s. From BNF catalogue: Député de la Corrèze (1945-1951). Député du Finistère (1967 ; 1968-1969). Sénateur de la Seine (1952-1958). - Ministre des Armées (1945-1946). Ministre des anciens combattants et victimes de guerre (1958-1959). Garde des sceaux (1959-1961). Ministre d\'Etat, chargé de la fonction publique (1967-1968). Ministre d\'État chargé des affaires culturelles (1969-1970). - Membre du Conseil constitutionnel (1962-1967)
','',1),('Miller1917','','Miller, Serge','M','','','','','','','','','',1),('Mirror1958','','Mirror, Kkrist','M','01/01/1958','','Saumur','','','','','From the site kkristmirror.com:
Christian (futur Kkrist) est né dans une famille très marquée par les 2 dernières Guerres Mondiales. Tout petit déjà, il préfère s\'adonner au dessin et surtout à la bande dessinée, plutôt qu\'à ses études, ce qui ne l\'empêche pas de faire ses 5 ans de Beaux Arts ainsi que la fac d\'Arts Plastiques. Parallèlement il commence à publier ses dessins pour Libération, Rock & Folk, etc., et surtout ses BD chez Métal Hurlant. Auteur du premier album édité sans prépublication chez Les Humanoïdes Associés, Christian devient Kkrist MIRROR. Au moment du mouvement punk, il reçoit le Grand Prix de la ville de Paris en 1982: un comble ! S\'ensuit une période de 10 ans comme illustrateur pigiste dans la presse généraliste, faute de presse BD alors moribonde, de directions artistiques et travaux d\'art en tout genre. Survient alors une rencontre avec une histoire qui entraînera le petit Christian dans une aventure qui durera près de 25 ans. Il s\'agit de l\'étude d\'un camp de concentration prés de chez lui pendant la seconde Guerre Mondiale, où étaient principalement enfermés les Tsiganes. Kkrist en tirera plusieurs albums et obtient le Prix de la Vocation, promotion centenaire de l\'Institut Pasteur pour son travail. Son nom est associé à l\'année commémorative 2010 \"Une mémoire française. Les Tsiganes pendant la Seconde Guerre mondiale, 1939-1946 \", sous le parrainage de Tony Gatlif.
','',2),('Mit','','Mit, Serge','M','','','','','','','','','',1),('Mitterrand1916','','Mitterrand, François','M','1916','1996','Jarnac (Charente)','Paris','','He studied Political Science and Law in Paris and then completed his military service between 1937 and 1939.
','He was mobilised in 1939, and taken prisoner in 1940. In December 1941 he escaped from a prisoner of war camp. The Institut François Mitterrand (www.mitterrand.org) and most official literature insists that he join the Resistance immediately after his escape. However, in the early 1990s such a version was called in doubt and his past as an official in the Vichy government, until the summer of 1943, was revealed. He even received the Vichy merit award of the l\'Ordre de la francisque. He then assumed a clandestine life, was received by De Gaulle in London (November 1943) and was a leader of the Mouvement national des prisonniers de guerre et déportés.
','In 1946 he became a MP for the Nièvre, receiving his first ministerial post a year later. He subsequently held the posts of Minister for the Outre-Mer, Minister for the Interior (at the beginning of the Algerian war) and Minister for Justice. In 1971 he became the leader of the Socialist Party. He was elected as French President in 1981, winning a second mandate in 1988, which ended in 1995.
','',0),('Moati1938','','Moati, Nine','F','1940','','Tunis (Tunisia)','','','','','Journalist at RTF then Elle. Novelist
','',1),('Moati1946','Moati, Henri','Moati, Serge','M','17/08/1946','','Paris','','Brother of the novelist Nina Moati; son of the journalist Serge Moati who was arrested for Resistance activities and deported to Sachsenhausen; father of the actor Felix Moati
','','','Moati has worked as an actor, director, Television journalist, Screen Writer and Novelist.
','Began work on 2007 on a documentary for television about François Mitterrand\'s role in the Vichy government
',2),('Modiano1945','','Modiano, Patrick','M','30/07/1945','','Boulogne-Billancourt','','','','','Modiano began writing novels in 1967, engaging with the theme of the Occupation right from the start of his career. He draws heavily on the story of his parents who met in Occupied Paris and had to live clandestinely because his father was Jewish. He has also written plays and screenplays.
','',8),('Mohrt1914','','Mohrt, Michel','M','28/04/1914','','Morlaix','','','','Army officer 1939-40, posted to Alpine region on Italian border.
','After practising as a barrister, he taught French literature in the USA and became a professional writer. Elected to Académie Française in 1985.
','',2),('Moi1955','','Moï, Anna','F','1955','','Saïgon (Vietnam)','','','','','','',1),('Molaine1906','Faure, Léopold','Molaine, Pierre','M','29/04/1906','17/10/2000','Voiron (Isère)','Lyon','','Joined the Army in 1927.
','Served with de Gaulle in 1940. Remained in the French Army after the defeat.
','','',6),('Mondoloni','','Mondoloni, Jacques','M','','','','','','','','','',1),('Morris1924','Dumoulin, Gilles-Maurice','Morris, Gilles','M','1924','','','','','','','He also wrote science fiction.
','',1),('MorvanLebesque1911','Lebesque, Maurice','Morvan-Lebesque','M','1911','1970','','','','','','','',1),('Mouchotte1914','','Mouchotte, René','M','1914','1943','','','','','','','',1),('Moulin1899','','Moulin, Jean','M','1899','1943','','','','','','','Pseudonym - Max
',1),('Moussinac1890','','Moussinac, Léon','M','1890','','','','','','author of the essay La Pensée patiente published clandestinely under the pseudonym \'Thimerais\' by the Editions de minuit
','','',1),('Muller1933','','Muller, Annette','F','1933','','','','','','','','',1),('NDjehoya1953','','N\'Djehoya, Blaise','M','1953','','Bangui (Central African Republic)','','','','','Went to France in 1973 to study and has resided there ever since (2009). As well as writing, N\'Djehoya also worked as a documentary filmmaker and organised the 2005 and 2006 Banlieue Blues festival in the Northern Parisian suburbs.
','',1),('Nemirovsky1903','','Némirovsky, Irène','F','11/02/1903','1942','Kiev (Ukraine)','Auschwitz (Poland)','Mother of Elisabeth Gille
','Némirovsky and her family emigrated to France in 1919. Her father was a wealthy Jewish banker. After studying for a licence de lettres at the Sorbonne, she married Michel Epstein in 1926. Her novel David Golder (1929) launched her literary career. Despite critical acclaim for her work and her husband\'s financial success, neither Irène nor Michel managed to acquire French nationality (which they belatedly requested in 1938).
','They refused to leave France at the outbreak of war and were effectively trapped in the occupied zone after the armistice in 1940. Irène continued to publish under pseudonyms, but was arrested on 13 July 1942 by French gendarmes and deported to Auschwitz where she died on 17 August. Michel died in Auschwitz in November 1942; their two daughters Denise (1929-) and Elisabeth (1937-96) were rescued by family friends and survived the Occupation.
','','',1),('Neuhoff1956','','Neuhoff, Eric','M','04/07/1956','','','','','','','Writer and journalist
','',1),('Noe','','Noé, Yvan','M','','','','','','','','','',1),('Nord1900','Brouillard, André Léon','Nord, Pierre','M','15/4/1900','10/12/1985','Cateau (Nord)','Monte-Carlo','','','','','1939 version of Peloton d\'exécution (Paris: Librairie des Champs-Elysées, 1939) 244p
Plot opens on 24th of December 1915.
',2),('Nothomb1913','','Nothomb, Paul','M','1913','27/02/2006','Brussels','','Great-uncle of Amélie Nothomb.
','Belgian writer, communist and aviator. Fought in Spanish Civil War and encountered Malraux.
','In resistance, arrested by Gestapo, and became a double agent to protect his family. He was imprisoned at the Liberation but subsequently rehabilitated.
','','',1),('Nothomb1967','','Nothomb, Amélie','F','13/08/1967','','Kobe (Japan)','','','','','Belgian francophone writer.
','',1),('Notin1970','','Notin, Jean-Christophe','M','25/07/1970','','','','','','','','1061 compagnons (Paris: Perrin, 2000) Prix Espoir de la Fondation Charles de Gaulle.
La campagne d\'Italie (Paris: Perrin, 2004), about French victories in Italy in WWII, Prix maréchal Foch awarded by l\'Académie française, Prix des Écrivains combattants and the Prix Raymond Poincaré
Les vaincus seront les vainqueurs (Paris: Seuil, 2004),about the French army in Germany in 1944/1945.
He also published in 2005 a biography of General Leclerc.
',1),('Nourissier1927','','Nourissier, François','M','18/05/1927','','Paris','','','','','','',3),('Noziere1943','','Nozière, Jean-Paul','M','1943','','','','','','','Author and librarian in a secondary school
','',1),('Nury1976','','Nury, Fabien','M','23/05/1976','','','','','','','','',2),('Ormesson1925','','Ormesson, Jean d\'','M','16/06/1925','','Paris','','','','','Normalien, agrégé, journalist, novelist, elected to the Académie française in 1973.
','',1),('Ouary1916','','Ouary, Malek','M','27/01/1916','21/12/2001','Ighil Ali (Algeria)','Argles-Gazot','','','','Algerian berber (kabyle) writer and journalist. Worked for Radio-Algiers then French radio and television stations.
','',1),('Oury1933','','Oury, Louis','M','23/09/1933','','Maumusson (Loire inférieure)','','','','','very full details on his life on his website: http://louis.oury.pagesperso-orange.fr/. Rural background, leaves school at 13, apprenticeship training and qualified in \'chaudronnier-fer\'. Continues with further education, and starts writing at the age of 1937. First book Les Prolos published in 1973.
','See \'mon combat d\'écrivain\' on the author\'s website for details of his investigations and publications on executions of hostages
',8),('Oyono','','Oyono, Ferdinand','M','','','','','','','','','',1),('Pagniez1896','','Pagniez, Yvonne','F','','','','','','','','','',3),('Pagnol1895','','Pagnol, Marcel','M','28/02/1895','18/04/1974','Aubagne (Bouches-du-Rhône)','Paris','','','','Novelist, Director. Member of Académie française (1946-1974)
','',1),('Pannequin1920','','Pannequin, Roger','M','1920','2001','','','','','Primary schoolteacher and active in FTP in Nord. Escaped from detention several times.
','Communist activist in Nord and member of PCF central committee, until expulsion after death of Stalin (1953).
','',2),('Parain1897','','Parain, Brice','M','1897','1971','','','','','','Well known as a philosopher, with particular interest in language. Famously appeared in a Godard film.
','La Mort de Jean Madec (1945) a novel covering end 19th century to First World War, and with theme of faith.
',1),('Parguel','','Parguel, Abbé Paul','M','','','','','','','','','',1),('Paris1947','','Paris, Alain','M','28/09/1947','','Issoire','','','','','Part-time journalist and teacher of maladjusted children. Writes SF novels.
','',1),('Parrot1906','','Parrot, Louis','M','1906','1948','','','','Started publishing poetry in 1927.
','Involved in the intellectual resistance. Took over editing of Eternelle Revue (founded by Paul Eluard with 2 clandestine issues appearing) from summer 1944. 6 post-liberation issues appeared (the last a double issue). (Issues 1-4 nouvelle série in Special Collections, Brotheron Library Leeds).
','Wrote the first volume of the series \'Poètes d\'aujourd\'hui\' on Eluard.
','L\'Intelligence en guerre, Paris, La Jeune Parque, 1945. A detailed overview of the intellectual resistance, republished by Le Castor Astral in 1990.
',2),('Passy1911','Dewavrin, André E.V','Passy (Colonel)','M','09/06/1911','21/12/1998','','','','','He was involved in a British-French expedition to retake the northern Norwegian port of Narvik from the Germans in 1940. Following the recall of this mission, Dewavrin ended up stranded with the other French officers near Manchester, England.
On the 1st of July 1940, he founded the headquarters that de Gaulle had just set up in London and was given the job of organising the Free French operational and intelligence organizations. Dewavrin picked his Resistance pseudonyms from a map of the Paris Metro. He chose Passy, a station near his home in the 16th Arrondissement. In 1942 and 1943 his Bureau Central de Renseignements et d\'Action recruited Jean Moulin and his organisation went on to organise numerous sabotage operations and passed much information onto the Allies that was later used to plan the D-Day landings. He was himself parachuted into Brittany in August 1944 and helped take charge of a force of 2,500 Resistance soldiers operating with advancing American units. In 1945 Dewavrin became director general of the precursor of the present-day French foreign intelligence service, the Direction Generale de la Securite Exterieure (DGSE).
','In February 1946, he was arrested and charged with setting up secret bank accounts in Britain and Paris with diverted intelligence money. He was imprisoned for three months. He received the Grand Cross of the Legion of Honour in 1981.
','Dewarin played himself in L\'armée des ombres (Melville, 1969)
',1),('PaulBoncour1873','','Paul-Boncour, J[oseph],','M','1873','1972','','','','','','','',1),('Paulin1902','','Paulin, Jean-Paul','M','29/03/1902','03/06/1976','Paris','Paris','','','','','',1),('Pecherot1953','','Pécherot, Patrick','M','1953','','Courbevoie','','','','','Journalist and novelist.
','',1),('Peju1946','','Péju, Pierre','M','1946','','Lyon','','','','','Philosphy teacher at the International school in Grenoble and consequentially the majority of his novels take Grenoble and the Vercors, at least in part, for their setting.
','',1),('Pennac1944','','Pennac, Daniel','M','01/12/1944','','Casablanca (Morocco)','','','','','','',1),('Perrault1931','Peyroles, Jacques','Perrault, Gilles','M','19/03/1931','','Paris','','','','','Writer and journalist.
','Author of many non-fiction works on aspects of World War Two.
',1),('Perrier1948','','Perrier, Jean-Louis','M','1948','','Veyrac (Lot)','','','','','Novelist for both adults and children. Former customs inspector.
','',1),('Petain1856','','Pétain, Philippe','M','1856','1951','Cauchy à la Tour (Pas de Calais','Ile de Yeu (Vendée)','Godfather to De Gaulle\'s son, Philippe.
','Pétain entered Saint-Cyr in 1876. From 1901 to 1912 he was an instructor at the Ecole de Guerre.
Pétain was made Maréchal in 1918. In the 1920s he led troops during the Guerre du Rif in Morocco.
','','Pétain is put on trial in (July-August) 1945, where he is condemned to death, which De Gaulle alters to life-imprisonment, which he served on the Ile de Yeu. In the 1970s several attemppts were made by Pétain sympathisers to have his ashes transferred to Verdun. Mitterrand placed or had placed wreaths on his tomb on the anniversary of his death, every year from 1984 to 1992, until stopped by Jewish protests.
','Ferro, Marc, Pétain (Paris: Hachette, 1992)
',1),('Peyre1895','','Peyré, Joseph','M','13/03/1895','26/12/1968','Aydie (Pyrénées-Atlantiques)','Cannes (Alpes-Maritimes)','','Peyré studied law and philosophy at university, gaining a PhD in the former. He then worked as a journalist.
Peyré wrote numerous novels about French colonial pacification of the Sahara region. He however never visited the area, but instead was inspired by first hand testimony from his brother who had worked as a doctor in the colonial army.
He won the Prix Goncourt of 1934 for his novel about bull-fighting in Spain.
','In preface to 1950 edition of La Légende du Goumier Saïd, Peyré stated that he had first hand knowledge of the theatres of war of Corsica and the Ile d\'Elbe.
','','',1),('Philipe1922','Philip, Gérard','Philipe, Gérard','M','04/12/1922','25/11/1959','Cannes','Paris','','','','Actor
','',0),('Piat19xx','','Piat, Colette','F','','','','','','','','A prolific author of historical fiction, who also writes thrillers as Patricia Lumb.
','',1),('Piatek1969','','Piatek, Dorothée','F','1969','','Haubourdin (Northern France)','','','','','Author of children\'s literature
','',1),('PierreDescaves19xx','','Pierre-Descaves, Reneé','F','','','','','','','','This author also wrote as Henriette Saint-Amant.
','',1),('Piguet1887','','Piguet, Monsignor Gabriel','M','1887','','','','','','Bishop of Clermont-Ferrand.
','','',1),('pineau1904','','Pineau, Christian','M','14/10/1904','05/04/1995','Chaumont (Haute-Marne)','Paris','','Worked at the Banque de France; dismissed after strike action; active unionist
','Resister, one of founder members of movement Libération-Nord, sent to make contact with de Gaulle in London. worked as inspector in the Miinistère du Ravitaillement. arrested with Jean Cavaillès , manages to escape. Founded information networks. Returns from second visit to London with Jean Moulin and Général Delestraint. Arrested, interrogated by Klaus Barbie and deported, along with his father-in-law Tristan Bonamour du Tartre, to Buchenwald in 1943.
','Politician and minister; writer, including of children\'s stories. Compagnon de la Libération.
','',1),('Pineau1956','','Pineau, Gisèle','F','18/05/1956','','Paris','','','','','Born in 1956 in Paris of Guadeloupean parents. Her father left the island in 1943 to join the Free French Forces, remaining in the French army after the war. From 1970 to 1972, the family went to live in Martinique, where Pineau discovered the Creole language and its culture, building on cultural legacy of her Grandmother. In 1973, her father retired and the family moved back to Guadeloupe. In 1975, she finished two years of studies in the literature faulty at Nanterre. In 1979 she qualified as a psychiatric nurse and returned to Guadeloupe with her husband. 2000 marked her return to Paris, where she undertook a dual career of a writer and a nurse.
','',2),('Pingaud1923','','Pingaud Bernard','M','1923','','Paris','','','','','Novelist and essayist
','',1),('Poitau1923','','Poitau, Jeannine','F','08/05/1923','','','','','','','Novelist and poet.
','',1),('Poizot','','Poizot, M','M','','','','','','','','','',1),('Porcher','','Porcher, Léon','U','','','','','','','','','',1),('Pozner1905','','Pozner, Vladimir','M','1905','1992','Paris','Paris','','','Author spent part of war years in US, writing screenplays.
','Prolific author of books and screenplays. A communist militant during Algerian conflict (see Le Lieu du supplice, 1959), he was injured by an OAS bomb in 1962. IMEC possesses substantial archival material about him.
','',2),('Predali1959','','Predali, Jean-Baptiste','M','1959','','','','','','','Predali works as a political journalist at France 2. He is a Corsican specialist and his first novel (Une affaire insulaire, Actes Sud, 2003) was about the contemporary Independence struggle on the island
','',1),('Printz','','Printz, Adrien','M','','','','','','','','','',1),('Prioux1879','','Prioux, Général, [René Jacques Adolphe],','M','','','','','','','','','',1),('Prou1920','','Prou, Suzanne','F','11/07/1920','30/12/1995','Port Grimaud','Paris','','','','Settled in Paris. Published first book in 1966. Became a member of the Femina jury in 1981. Obtained the Prix Cazes for Mechamment les oiseaux (1972) and the Prix Renaudot for La Terrasse des Bernadini (1973)
','',1),('Proux1914','','Proux, Georges-Marie','M','1914','','La Souterraine (Creuse)','','','','','Served for twenty years as a colonial administrator in Annam, Madagascar and Togo.
','',1),('Pucheu1899','','Pucheu, Pierre [Firmin]','M','27/06/1899','20/04/1944','','','','','','','',1),('Quercy','','Quercy, Jean','M','','','','','','','','','',1),('Quint1949','','Quint, Michel','M','17/11/1949','','Pas-de-Calais','','','','','Literature and theatre studies teacher. He wrote polars, novels and plays.
','',5),('Rachline1933','','Rachline, Michel','M','05/06/1933','','Paris','','','','','Rachline was literary director of Éditions Authier, the first publisher of Le Bonheur nazi. He points out that he is Jewish in preface to novel.
','',1),('Ragon1924','','Ragon, Michel','M','1924','','Marseille','','','','','Writer, critic, art historian.
','',1),('Rahrimanana1967','Rahrimanana, Jean-Luc','Rahrimanana','M','1967','','Antananarivo (Madagascar)','','','','','Writer and school teacher, living in France (2002)
','',1),('Rapaport1965','','Rapaport, Gilles','M','23/01/1965','','','','','','','Illustrator.
','',1),('Rassinier','','Rassinier, Paul','M','','','','','','','Member of the Resistance, deported to Buchenwald.
','Became of the leading exponents of négationnisme, from the publication of Le Mensonge d\'Ulysse in 1950.
','',1),('Rebatet1903','','Rebatet, Lucien','M','1903','1972','','','','','','','',1),('Recatala19','','Recatalá, Denis Fernández','M','','','','','','','','Journaliste et écrivain.
From Amazon.fr: Denis Fernandez Recatalà a publié une trentaine d\'ouvrages fictions, essais, poèmes, pamphlets, scénarios, dialogues... Actuellement, il co-anime avec Pierre Borker et Gianni Burattoni, le groupe et la revue-courrier Métastases.
','\'Ces Espagnols qui ont libéré Paris\', Le Monde diplomatique, Août 2004 (http://www.monde-diplomatique.fr/2004/08/FERNANDEZ_RECATALA/11465)
',1),('Regina1947','','Régina, Norbert','M','1947','','Oran (Algeria)','','','','','','',1),('Reiner1921','','Reiner, Silvain','M','1921','2001','','','','','','','',1),('Remy1904','Renault, Gilbert','Rémy, Colonel','M','06/08/1904','29/07/1984','Vannes','Guincamp','','','Gaullist, Resistance fighter. Joins the FFL in 1940, returns to France as secret agent; founds the information network Confrérie-Notre-Dame and does important work liaising with other networks and movements.
','Joins Gaullist RPF. Publishes article \'La Justice et l\'opprobre\' in Carrefour in 1950, arguing for rehabilitation of Pétain; joins Associations de la Défense à la Mémoire du maréchal Pétain; disowned by de Gaulle, resigns from RPF. Writer of many volumes of popular history of the Resistance and the Occupation,
','',4),('Remy1911','Assayas, Jacques Rémy','Rémy, Jacques','M','21/06/1911','01/12/1981','Constantinople','','Father of Olivier Assayas
','','In South America
','Prolific script-writer
','',1),('Remy1937','Angremy, Jean-Pierre','Remy, Pierre-Jean','M','21/03/1937','28/04/2010','Angoulême','Paris','','','','Writer and diplomat, elected to the Académie Française from 1988; 1994-7: Director of the Académie de France in Rome; 1997-2002: Président of the Bibliothèque nationale de France. In 2005 he delivered the \'discours de réception\' on the occasion of Assia Djebar\'s election to the Académie française. Author of more than 60 works, he received several literary prizes. Both the wikipedia and Académie pages write Remy as Rémy, but there is no accent on Remy on the cover or title pages of Un Grand Homme.
','',1),('Rendier1903','','Rendier, Capitaine Martin','M','1903','1984','','','','','','','',1),('Rendu','','Rendu, François','M','','','','','','','','','',1),('Reynaud1878','','Reynaud, Paul','M','15/10/1878','21/09/1966','Barcelonette','','','','Prime Minister from 21st March 1940 to 16th June 1940.
','','',1),('RibemontDessaignes1884','','Ribemont-Dessaignes, Georges','M','1884','1974','','','','','','','',1),('Richard1889','Richer, Marthe','Richard, Marthe','F','1889','1980','','','','','','','',1),('Robles','','Roblès, Emmanuel','M','','','','','','','','','',1),('Roch1961','','Roch, Philippe','M','1961','','','','','','','','',1),('Rolland1922','','Rolland, Jacques-Francis','M','1922','','','','','','Rolland was a communist militant and resister, asssociated with Roger Vailland (who portrays him as Rodrigue in Drôle de jeu, according to Yves Courrière\'s biography of Vailland, 1991).
','Journalist, writer and history teacher. Excluded from PCF in 1956.
','',2),('Romain1899','','Romain, Willy Paul','M','1899','','','','','','','','',1),('Rosnay1961','','Rosnay, Tatiana de','F','28/09/1961','','','','','','','Journalist and writer. Of English/French parentage; two of her novels, including Elle s\'appelait Sarah have been written in English.
','Sarah\'s Key, St Martin\'s Press, 2007.
',2),('Roubaud1932','','Roubaud, Jacques','M','1932','','Caluire-et-Cuire (Rhône)','','','','','Poet and Mathematician. Raymond Queneau proposed his entry into the Oulipo club in 1966.
','',2),('Rousset1912','','Rousset, David','M','18/01/1912','13/12/1997','Roanne (Loire)','Paris','','In 1936 he founded the Parti Ouvrier Internationaliste, after being excluded from the SFIO the previous year.
','The POI was outlawed and Rousset reorganised the party in a clandestine form. He was arrested in 1943 for attempting to recruit members of the Wehrmacht to his political cause. He was deported first to Buchenwald then Neuengamme.
','He continued to actively campaign against French colonisation and the Gulags in the USSR (he was the first person to use such a term).
In 1968 he was elected as a MP for the Isère.
','In L\'Univers concentrationnaire (Paris: Éditions du Pavois, 1946) DR gives a totally impersonal view of the concentration camps and the SS, with no mention of himself or of other individual cases. This was to establish an objective evaluation.
',1),('Roux','','Roux, Antoine de','M','','','','','','','','','',1),('Roy1907','','Roy, Jules','M','22/10/1907','15/06/2000','Rovigo (Algeria)','Vézelay','','','He was an officer in a regiment of Tirailleur Algérien. After the Allied landings in North Africa, he left to join the Free French forces in London, where he commanded a squadon that was responsible for bombing the Ruhr valley.
','','',1),('Roy1909','','Roy, Gabrielle','F','22/03/1909','13/07/1983','St Bonifice (Canada)','','','After teaching for seven years in her home town, she travelled to France, where she spent two years (1937-1939) in Paris.
','She returned to Canada on the outbreakk of war, where she worked as a journalist and a writer in Montreal.
','She returned to France with her husband between 1947 and 1950.
','Roy, Gabrielle, La Détresse et l\'enchatement (, 1984) - her autobiography.
',1),('Roy1915','Orland, Claude','Roy, Claude','M','1915','','','','','','','','',1),('Roze1954','','Roze, Pascale','F','1954','','Saigon (Vietnam)','','','','','Writer and playwright
','',2),('Rozier1963','','Rozier, Gilles','M','1963','','la Tronche, Isère (nr Grenoble)','','','','','Born to a Polish Jewish mother and French father, Rozier learnt Hebrew and started learning Yiddish during a stay in Israel after leaving school. He has a doctorate in Yiddish literature, and is Director of the La Maison de la culture yiddish-Bibliothèque Medem in Paris. Yiddish was the language of his grandfather (died in Auschwitz) and grandmother (died in Paris in 1942).
','Fugue à Leipzig, Denoël, 2005. Account of trip to Germany to promote Un Amour de résistance, and continues his reflections on language and writing, and on German, \'the language of Goethe and Goebbels\'.
',2),('Rutman','','Rutman, Jacques and Rodolphe','M','','','','','','','','','',1),('Rykner1966','','Rykner Arnaud','M','1966','','','','','','','Academic and novelist.
','',1),('Sabatier1923','','Sabatier, Robert','M','17/08/1923','','Paris','','','He began his working life at the age of 13 in his own printing press and printed his first collection of poems, himself in 1939.
','He was a member of the Saugues Resistance movement in the Haute-Loire.
','Novelist, poet, literary critic.
He worked as an editor at the Presses Universitaires françaises and then at Albin Michel, until he entered the Académie Goncourt in 1971. He edited between 1975 and 1988, a nine volume edition of the Histoire de la Poésie française.
','',1),('Sabine','','Sabine, Madeleine','F','','','','','','','','','',1),('Sachs1906','Ettinghausen, Maurice','Sachs, Maurice','M','16/09/1906','14/04/1945','Paris','Germany','','','Described in the synopsis for the two compositions.
','','The circumstances of MS\'s death are described by Philippe Monceau and André Du Dognon in Le Dernier Sabbat de Maurice Sachs: (Hambourg 1943-1945, Paris: Amiot-Dumont, 1950). This tells of the last days of MS\'s life in a Gestapo prison where he was sent for being a Jew and for conspiracy and homosexuality. Monceau, who says he was in prison with him, gives an account of his fearful death at the hands of fellow-prisoners, who tortured him in revenge for the atrocities he had committed, but this episode was later proved to be an invention.
A publication described as MS\'s last book: Derrière cinq barreaux (Paris: Gallimard, 1952), contains \'La fin de Maurice Sachs\' by Étienne Guéland and Henri Perrin, pp.7-11, which disproves Monceau\'s statement and gives what is now the accepted truth of MS\'s death, that he was shot by the Germans in April 1945 when he fell out exhausted from a convoy of prisoners. This book, compiled and presented by Yves Belaval, contains a miscellany of \'pensées\' on many subjects written in prison, letters and other fragments with much self-scrutiny.
',2),('Sagan1935','Quoirez, Françoise','Sagan, Françoise','F','21/06/1935','24/09/2004','Cajarc (Lot)','','','','During the war her family moved from their home in the occupied zone first to Lyon then to Switzerland, and finally to Paris after the city\'s liberation in August 1944.
','','',2),('SaintClair','','Saint-Clair, Alain','M','','','','','','','','','',1),('SaintClair1896','','Saint-Claire, Simone','F','','','','','','','','','',1),('SaintExupery1900','','Saint-Exupéry, Antoine de','M','29/06/1900','31/07/1944','Lyon','Grenoble','','Born in Lyon on 29 June 1900, he inherited his father\'s title of count in 1904, became a commercial pilot in North Africa and South America, and then a test pilot, surviving several crashes.
','He left France for Lisbon in 1940, writing Pilote de guerre in New York in 1941. He rejoined his unit in North Africa in May 1943 and disappeared during a mission over Grenoble on 31 July 1944. He became a legendary figure through his personal endurance and captivating meditations on the experience of aviation.
','','',2),('SaintLaurent1919','Laurent-Cély, Jacques','Saint-Laurent, Cécil','M','05/01/1919','29/12/2000','Paris','Paris','','See under Jacques Saint-Laurent.
','','','',1),('SaintLoup1908','Augier, Marc','Saint-Loup','M','19/03/1908','16/12/1990','Bordeaux','Paris','','Nazi sympathiser.
','Associated with PPF, joined LVF and Waffen SS as press correspondent.
','In Argentina, returned to France after 1953 amnesty.
','',2),('Saladin','','Saladin, Raymond','M','','','','','','','','','',1),('Salome1960','','Salomé, Jean-Paul','M','1960','','','','','','','','',1),('Samb','','Samb, Fayez','M','','','','','','','','','',2),('SanAntonio','Dard, Frédéric','Dard, Frédéric','M','','','','','','','','','',1),('Sansal1949','','Sansal, Boualem','M','1949','','Algeria','','','','','Trained as an engineer, with a PhD in economic, he was a high ranking civil servant in the ministry of Industry in Algeria. Began writing on his forced retirement at the age of fifty.
','',1),('Saro','','Saro, Michèle','F','','','','','','','','','',1),('Schlumberger1877','','Schlumberger, Jean','M','1877','1968','','','','','','','',1),('Schmitt1960','','Schmitt, Eric-Emmanuel','M','28/03/1960','','Sainte-Foy-lès-Lyon (Rhône)','','','','','Author and dramatist
','',2),('Schoendoerffer1928','','Schoendoerffer, Pierre','M','05/05/1928','','Chamalières','','','','','Writer and film-maker.
','',1),('Seignol','','Seignol, Serge','M','','','','','','','','','',1),('Selo1943','','Selo, Joël','M','1943','','La Rochelle','','','','','','',1),('Sembene1923','','Sembène, Ousmane','M','01/01/1923','10/06/2007','Ziguinchor (Senegal)','Dakar (Senegal)','','','Sembène fought in the Free French Forces during the Liberation of France.
','He worked for ten years in the docks in Marseille, returning to Senegal on the country\'s independence in 1960. His experiences formed the basis of his first novel in 1956. Following a scholarship to the Gorky Film Institute in Moscow, Sembene began to make films in 1962 in order to reach the country\'s largely illiterate population.
His novels and films addressed numerous issues including corruption in postcolonial West Africa, French colonial miltiary conscription, patriarchy. Traditional animalistic beliefs and story-telling featured strongly in his works.
','',1),('Semprun1923','','Semprun, Jorge','M','10/12/1923','','Madrid','Paris','','','Seprum was a Spanish Communist, who joined the MOI as a student in Paris, then Gaullist resistance movement Jeanne d\'Arc in Burgundy. After being arrested by the Gestapo he was deported to Buchenwald in 1943.
','He was one of the leaders of the Spanish underground Communist party and fought in the anti-Franco resistance.
','',3),('Seonnet1953','','Séonnet Michel','M','17/11/1953','','Nice','','Son of Joseph Séonnet, member of Milice and Waffen-SS, tried and convicted in Marseille 1945.
','','','Writer, worked with theatre director Armand Gatti.
','',2),('ServanSchreiber1962','','Servan-Schreiber, Catherine','F','1962','','','','Daughter of Brigitte Gros and niece of Jean-Jacques.
','','','','',1),('Sevran1945','','Sevran, Pascal','M','16/10/1945','','','','','','','The author, best known as a television presenter and songwriter, was a friend of Emmanuel Berl.
','',2),('Simenon1903','','Simenon, Georges','M','13/02/1903','04/09/1989','Liège (Belgium)','Lausanne','','','In 1939 he was appointed commissioner for Belgian refugees in La Rochelle. He lived the Vendée during the war. His life during this period is the subject of my controversy, it is claimed that he was a collaborator because he negociated the film rights to several of his books with German film companies. This led to him being banned in 1950 from publishing any of his work for five years.
','','',3),('Simon','','Simon, Paul','M','','','','','','','He was the editor of a short-lived clandestine newspaper Valmy and was soon obliged to escape to England.
','','',1),('Simon1913','','Simon, Claude','M','1913','','','','','','','','',1),('Siniac1928','','Siniac, Pierre','M','15/06/1928','11/04/2002','','','','','','','',2),('Sizun1940','','Sizun, Marie','F','1940','','Belgium','','','','','She taught French literature in Paris, Belgium and Germany.
','',2),('Slocombe1953','','Slocombe, Romain','M','1953','','Paris','','','','','Illustrator, photographer, novelist. Specialist on Japan and bondage.
','',1),('Solet1933','Soletchnik, Bertrand','Solet, Bertrand','M','20/08/1933','','Paris','','','','','Started writing children\'s literature in the 1970s.
','',1),('Sonnier1918','','Sonnier, Georges','M','','','','','','','','','',1),('Soubiran1910','','Soubiran, André','M','1910','','','','','','','','',1),('Soupault1897','','Soupault, Philippe','U','02/08/1897','12/03/1990','Chaville (Hauts-de-Seine)','Paris','','Co-editor of the first issue of the Surrealist review Littérature with André Breton and Louis Aragon in 1919.
Went to live in Tunis in 1938 where he was commissioned by Léon Blum to establish Radio-Tunis which aimed to counter act the radio broadcasts from Fascist Italy.
','On the outbreak of war he was made Directeur de l\'Information de Tunis. He was sacked from this post in June 1940, by the incoming Vichy government. Soupault was later accused of high treason and imprisoned in Tunis between 13 March and 13 September 1942. Soupault had been passing information to the Allies, however it is unclear whether this was the reason for his arrest. In November 1942 he escaped to Algiers.
','','',3),('Soustelle1912','','Soustelle, Jacques','M','03/02/1912','06/08/1990','Montpellier','Neuilly-sur-Seine','','Anthropologist.
','In June 1940 he joined De Gaulle in London. In 1941 he was sent to South America to co-ordinate Free French Forces activity on the continent. In 1943 he became head of the Free French Secret Services in Algiers. After the Liberation he was named préfet of Bordeaux and the Mayenne.
','MP for the Rhône. After De Gaulle return to power in 1958 he was put in charge of French Algeria for two years until he criticised De Gaulle\'s policy for independence. He then joined the OAS, leading to his political and territorial exile.
','',1),('Spade1921','','Spade, Henri','M','1921','','','','','','','Spade is a prolific author and well-known television producer.
','',3),('Spiess1922','','Spiess, René','M','1922','','Guebwiller (Haut-Rhin)','','','','Spiess was enrolled by forces into the German navy.
','Spiess set up his own bakery in his native town of Guebwiller, near Mulhouse.
','Spiess, René, Le Pain de l\'espoir: un compagnon boulanger dans la tourmente
(Strasboug : Bineb et Reumaux, 1985) - autobiography about his forced enrolment into the German navy.
',1),('Sportes1947','','Sportès, Morgan','M','10/12/1947','','Algiers','','','','','Most of Sportes\' work depicts Indochina and South-East Asia.
','',1),('Stephane1919','Worms, Roger','Stéphane, Roger','M','1919','','','','','','','','',1),('Stokis','','Stokis, Claude','M','','','','','','','','','',1),('StRemy','','St-Rémy','M','','','','','','','','','',1),('Sussan1925','','Sussan, René','M','1925','','Algiers','','','','','Novelist (including works of science fiction and detective novels). Illustrator
','Also wrote detective novels under the names, René Reouven and Allbert Davidson.
',1),('Szac1964','','Szac, Murielle','F','1964','','Lyon','','','','','The author is a journalist and author of a book about Dominique Voynet (1998).
','',1),('Szpiner','','Szpiner, Francis','M','','','','','','','','','',1),('Tabachnik1938','','Tabachnik, Maud','F','12/11/1938','','Paris','','','','','','',1),('Tabary1943','','Tabary, Bernard','M','1943','','Guérande (Loire-Atlantique)','','','','','Secondary school literature teacher.
','',1),('Tavernier1941','','Tavernier, Bertrand','M','25/04/1941','','Lyon','','','','','','',1),('Techine1943','','Téchiné, André','M','13/03/1943','','Valence-d\'Agen (Tarn-et-Garonne)','','','','','','',1),('Thomas1885','','Thomas, Louis','M','1885','','','','','','','','',1),('Thomas1909','','Thomas, Edith','F','23/01/1909','07/12/1970','Montrouge (Hauts de Seine)','Paris','','Having trained as an archivist, Thomas made her name as a writer and journalist, most especially for her reports on the Spanish civil war.
','She joined the French Communist party (PCF) in 1942 and was a member of the intellectual resistance. She was one of the founding members (along with Jean Paulhan and Claude Morgan) of the Comité national des écrivains in 1943 and most of the northern branch of the Comité\'s meeting were held in her home.
','At the Liberation she became head of the women\'s section of PCF, Femmes françaises and was appointed to a post in the Archives Nationales.
','La Libération de Paris (Paris, 1945) with illustration plates.
',8),('Tillard1914','','Tillard, Paul','M','1914','1966','','','','','','','',3),('Tillion1907','','Tillion, Germaine','F','30/05/1907','19/04/2008','Allègre (Haute-Loire)','Saint-Mandé (Val-de-Marne)','','Ethnologist in Algeria, working on the Berber and Chaoui people in the Aures.
','In June 1940, she founded one of the first Resistance groups, which took the name of her work place, Le musée de l\'homme. She was arrested in 1942, spent a year in prison in Fresnes and was then deported to Ravensbrück in 1943.
She received the Croix de guerre 1939-1945, she was also médaillée de la Résistance avec rosette et médaillée de la déportation pour faits de résistance.
','She continued her ethnographical work on Algeria and was an outspoken critic of French governmental and military policy during the Algerian War of Independence (1954-1962). From 1975 she turned her attention to the situation of immigrant women in France, presiding a government commission on this subject.
She was one of only five women (in 2008) to have be named as a Grand-croix de la Légion d\'honneur.
','Tillion, Germaine, La traversée du mal: entretien avecJean Lacouture (Paris : Arléa, c1997) - about her Resistance activities, deportation and the Algerian war.
Tillion, Germaine, Le Verfügbar aux enfers : une opérette à Ravensbrück (Paris : La Martinière, c2005)
',3),('Torres1924','','Torrès, Tereska (née Szwarc)','F','1924','','Paris','','Her first husband (married May 1944) was Georges Torres, stepson of pre-war French-Jewish Prime Minister Leon Blum.
Second husband was the American filmmaker and novelist, Meyer Levin.
','Born to Polish Jewish parents.
','In 1940 she went to London via Lisbon. Her father, serving in the Polish Armed Forces in the West, was evacuated from La Rochelle by the British. She enlisted in the Free French Forces, working as a secretary in De Gaulle\'s headquarters.
','In 1947 she assisted Meyer Levin (later to become her second husband) while he made a documentary on Polish Jewish communities who had survived the Holocaust and who were transiting through Western European refugee camps, attempting to get to Israel. They undertook the same, often illegal, journey and were imprisoned by the British on their arrival in Israel. She wrote an account of this journey, that was only published in German.
','Torrès, Tereska, Les maisons hantees de Meyer Levin (Paris: Editions Phebus, 1974)about her husband\'s 30-year long obsession with a play he wrote based on the Diary of Anne Frank.
Torrès, Tereska, Unerschrocken - about the postwar journey of Jewish refugees from Poland to Israel.
Al Tafhidunu (Levin, 1947) - documentary about the postwar journey of Jewish refugees from Poland to Israel.
',4),('ToulouseLautrec1924','','Toulouse-Lautrec, Comtesse Béatrix de','F','1924','','','','','','','','',1),('Tournerie1939','','Tournerie, Josette','F','22/12/1939','','','','','','','Novelist.
','',1),('Tournier1924','','Tournier, Michel','M','19/12/1924','','Paris','','','','','After studying philosophy in France and Germany, Tournier\'s ambition to become a lycée or university teacher was thwarted when he failed the agrégation and he became a journalist and translator. His first novel was Vendredi ou les limbes du Pacifique (1967), a rewriting of Defoe\'s Robinson Crusoe. He was elected to the Académie Goncourt in 1972.
','Le Vent Paraclet (Gallimard, 1977). An intellectual autobiography which includes a section on the writing of Le Roi des aulnes.
',1),('Triolet1896','','Triolet, Elsa','F','25/09/1896','16/06/1970','Moscow','Saint-Arnoult (Yvelines)','Born Elsa Kagan; sister of Lili Brik; married to Louis Aragon.
','In 1918 she emigrated to France and the following year married a French calavry officer, André (Pierre-Marie-André) Triolet. She wrote her first novels in Russian.
','She married Louis Aragon in February 1939 and with him joined a Resistance movement working in the Southern zone, mainly around Lyon and in the Drôme, where she was in part responsible for the clandestine newspapers La Drôme en armes and Les Etoiles.
She was a reporter at the Nuremberg trials and her reports were later published in Les Lettres françaises.
','She was a member of the Comité National des Ecrivains. She also continued to write as well as translating Aragon\'s works into Russian. Aragon wrote the following poems about Triolet, Les yeux d\'Elsa, Elsa au miroir, Plus belle que les larmes.
','Also wrote under name of Laurent Daniel during the war. nb detailed summaries of many of her works can be found at http://luc.vigier.pagesperso-orange.fr/ERITA/TRIOLET/synelsa.htm; Les Œuvres romanesques croisées d\'Elsa Triolet et Aragon, Jaspard, Polus et Cie : R. Laffont, 1965, reprint Triolet\'s short stories and novels. Referred to elsewhere as ORC.
',15),('Truffaut1932','','Truffaut, François','U','06/02/1932','21/10/1984','Paris','Neuilly-sur-Seine (Hauts-de-Seine)','','','','Film director. Film Critic on Les Cahiers du Cinéma.
','preface to André Bazin, Le Cinéma de l\'Occupation et de la Résistance, 10/18, 1975.
',1),('Truffy','','Truffy, Abbé Jean','M','','','','','','','','','',1),('Unger','','Unger, Julien','M','','','','','','','','','',1),('Vailland1907','','Vailland, Roger','M','16/10/1907','12/05/1965','Acy-en-Multien (Oise)','Meillonnas (Aisne)','','After studying for a licence de philosophie at the Sorbonne, Vailland was associated with the surrealist group known as the \'Grand Jeu\'. He was evicted from the group in 1929 at Breton\'s instigation, and spent the next fifteen years as a fairly successful journalist. From 1935 onwards, Vailland suffered long periods of drug addiction and alcoholism.
','He joined the Resistance (BCRA) in early 1943, spent the final months of the Occupation in hiding, and became a war correspondent after the Liberation, following the allied armies\' advance into Germany. His experiences in the Resistance allowed him to make the transition from journalism to creative writing and to more overt ideological commitment.
','Member of the French Communist Party 1952-9. He also wrote under the names of Georges Omer and Robert François.
','Les Années de cendres (Articles de Vailland parus dans Présent 1941-1942),
Collectif Roger Vailland, Les Cahiers Roger Vailland no 16, 2002.
',2),('Vallotton1877','','Vallotton, Benjamin','M','10/01/1877','19/05/1962','Gryon','Sanary','His daughters Annie and Gritou kept a wartime journal, C\'était au jour le jour (Payot, 1995).
','Swiss writer, long-term resident in France, particularly Alsace.
','','','',3),('Vercors1902','Bruller, Jean','Vercors','M','26/02/1902','10/06/1991','Paris','Paris','','Bruller was an artist and a sculptor pre-war.
','In 1939 he was mobilised into the Chasseur Alpins and having been injured he was sent to Romans-sur-Isère, on the edge of the Vercors, to convalesce. It was memories of this period that encourage him to choose this mountain range for his clandestine name. He was demobilised in 1940. During the war he joined the Resistance, wrote resistance literature and created the clandestine publishing house, Les Editions de Minuit with Pierre de Lescure in 1941. His immediate family remained unaware of his identity as Vercors.
','Post-war he continued to write novels, plays and fables. He became president of the communist-dominated CNE, but ceased to be a fellow traveller after 1956.
','',15),('Verdet','','Verdet, André','M','','','','','','','','','',1),('Verdier1912','','Verdier, Jean','M','31/08/1912','','','','','','Docteur à Sainte-Maxime, Jean Verdier a fait la campagne de France (39-40) comme médecin miltaire. Il est décoré de la Légion d\'honneur à titre militaire. (from sleeve notes)
','Co-author with Robert Auboyneau of La Gamelle dans le dos (Details of publication entered under Auboyneau).
','',1),('Vernant1914','','Vernant, Jean-Pierre','M','04/01/1914','09/01/2007','Provins','Sèvres','','','Schoolteacher in Toulouse. Member of PCF (joined 1932, left in 1969), active in Libération-Sud, and commander of FFI in Haute-Garonne as \'Colonel Berthier\'. Appointed Compagnon de la Libération.
','Anthropologist and historian, specialising in Ancient Greece and myths. He ended his career as a professor at the Collège de France.
','',1),('Vial','','Vial, Jean-Antoine','M','','','','','','','','','',1),('Vialar1898','','Vialar, Paul','M','18/09/1898','08/01/1996','Paris','Vaucresson (Hauts-de-Seine)','','Fought in the First World War. After studying at H.E.C., he wrote poetry and plays. Received the Prix Femina for La Rose de la mer in 1939, which was a huge success.
','According to the detailed biography on the site thqat Henri Thyssens is constructing devoted to the publisher Robert Denoël, who published Vialar from 1939, continued to operate during the occupation, publishing pro-German works and Céline\'s pamphlets, and who was assassinated in December 1945, Vialar followed the government to Bordeaux in 1940 (having been appointed directeur de la Radio d\'Etat in 1935). He settled in St Tropez in September 1940, with the woman who was to become his second wife. He became involved in the Resistance from 1943, using the fact he spoke German to obtain useful information for the Allies. He had to flee to Paris in 1944.
','Wrote \'roman-cycles\', of which La Mort est un commencement was the first. Had also great success with sport and hunting novels.
','L\'Enfant parmi les hommes, 1990, gives details of his Resistance activities (H Thyssens).
',6),('Vinci1932','Caillaut, Claude','Vinci, Claude','M','27/05/1932','','Frédille (Indre)','','','Born in small village in the Indre.
','Was in the maquis. article for Humanité gives an account of the novel being focused on an older boy killed by the Germans.
','Singer and writer; deserted from the army during the Algerian war.
from BNF catalogue: Auteur-interprète. - Syndicaliste. - Fils d\'un instituteur Résistant (créateur de la compagnie FTP 2223)
','',1),('Vitoux1944','','Vitoux, Frédéric','M','19/08/1944','','Vitry-aux-Loges (Loiret)','','Son of collaborationist journalist Pierre Vitoux.
','','','Author, elected to Académie Française 2001.
','',2),('Vittori1941','','Vittori, Jean-Pierre','M','1941','','Lot et Garonne','','','','','November 1960 to November 1962, he undertook his military service in Algeria. From 1965 he became a journalist. Between 1970 and 1988 he was the editor of Patriote Résistant,the newspaper of the largest association of former deportees and members of the resistance. He also wrote books (historical texts and novels) about the Algerian war, for both adults and children.
','Vittori, Jean-Pierre, Eux, les S.T.O (Paris: Temps Actuels, 1982)
Vittori, Jean-Pierre, Une Histoire d\'honneur: la Résistance (Paris : Ramsay, 1984)
',2),('Vivier1898','Lejeune, Colette','Vivier, Colette','F','04/07/1898','09/09/1979','Paris','','','Award winning writer of children\'s literature.
','Member of a Resistance network
','Award winning writer of children\'s literature.
','',2),('Wajsbrot1954','','Wajsbrot Cécile','F','1954','','Paris','','','','','Writer and broadcaster.
','La Trahison (1997)
Beaune-la-Rolande (2004)
',1),('Weil1909','','Weil, Simone','F','03/02/1909','24/08/1943','Paris','London','','She passed her agrégation in philosophy in 1931 at the ENS in Paris and began teaching in Le Puy-en-Velay. She was very active in the trade union movement in the town. Between 1934 and 1935 she worked in a Renault factory, an experience which led her to write the essay La condition oeuvrière
','In 1940 she fled from Paris to the Southern zone with her parents. She then accompanied her parents to America in 1942 and continued onto London, where she joined De Gaulle\'s administration, working first as an editor and later as part of a group who were drafting France\'s future postwar constitution (published in part in her work, L\'Enracinement : prélude à une déclaration des devoirs envers l\'être humain). It is thought that she starved to death, in an over zealous attempt to emulate the food rationing in Occupied France.
','','',1),('WeilCuriel','','Weil-Curiel, André','M','','','','','','','','','',1),('Weiss1893','','Weiss, Louise','F','1893','26/05/1983','Arras','Paris','','Sufragette and journalist.
','Was a member of a Resistance movement and chef editor of the cladestine newspaper Nouvelle République.
','Documentary filmmaker. MEP (1979).
','',2),('Wermus','','Wermus, Alain','M','','','','','','','','Director, mainly for television.
','',1),('Werrie1901','','Werrie, Paul','M','1901','1974','','','','','','Belgian writer.
','',1),('Werth1878','','Werth, Léon','M','1878','1955','','','','','','','',1),('Weyergans1941','','Weyergans, François','M','08/1941','','','','','','','Film director of both feature films and shorts. His first novel was published in 1973. He is a Belgian citizen.
','',1),('Weygand1867','','Weygand, Général Maxime','M','21/01/1867','28/01/1965','Brussels','Paris','','','Delegate-General of the Vichy government in North Africa. He was arrested by Vichy officials following the Allied invasion in November 1942. He was taken into American custody in 1945.
','He was released from prison in 1946 and pardoned in 1948.
','',1),('Wiesel1928','','Wiesel Elie','M','30/09/1928','','Sighet (Hungary, now Romania)','','','','Deported with family to Auschwitz-Birkenau and Buchenwald in spring 1944; he was the sole survivor, with two older sisters.
','Studied philosophy at Sorbonne, became writer, obtained US citizenship in 1963. His foundation for the memory of the Holocaust was defrauded by Bernard Madoff in 2008. Much of his work is written in French and English.
','',1),('Wiesenthal1908','','Wiesenthal, Simon','M','31/12/1908','20/09/2005','Buczacz (Ukraine)','Vienna','','','','','',0),('Winock1937','','Winock, Michel','M','1937','','Paris','','','','','He became a secondary school history teacher, moving into university teaching in 1968, first at Vincennes then at the IEP in Paris. His specialisms were the history of the French Republic, intellectual movements, antisemitism and the far-right. In 1978 he founded the review, L\'Histoire. He was also a literary director at the publishers, Le Seuil.
','',1),('X','','X','U','','','','','','','','','',1),('Yacine1929','Kateb, Yacine','Yacine, Kateb','M','02/08/1929','28/10/1989','Condé-Smendou (Algeria)','Grenoble','','','In May 1945 Yacine took part in the demonstrations in Sétif in Eastern Algeria. He was arrested and imprisoned for four months.
','Between 1949 and 1951 Yacine worked as a journalist for Alger Républician. He then worked as a docker in Algeria and France. He travelled widely in Europe during the late 1950s as a means of avoiding the pressure placed on him by Algerian nationalists.
','',1),('Yanne','','Yanne, Josée','F','','','','','','','','','',1),('Ydewalle1901','Van Outryve, M. J. Paul André Corneille','Ydewalle, Charles de','M','1901','','Belgium','','','','','','',4),('YoungPerez1911','','Young Perez, Victor','M','18/10/1911','','Tunis','','','On the 8th of February 1930 he became French feather weight boxing champion and a year later he became world champion.
','He worked as an actor in films. He was arrested on the 21st of September 1943 and sent to Drancy from where he was deported to Auschwitz on the 7th of October 1943 on the convoy no. 60, which arrived three days later. He left the camp during its evacuation by German troops on the 18th of January 1945, but was shot four days later.
','','',0),('Yung1943','','Yung - de Prévaux, Aude','F','1943','','','','Daughter of Jacques and Lotka de Prévaux
','','','','BBC film \'World War One from above\', shown on BBC2 on 9/11/2010. 48 minutes of aerial footage of the trenches filmed by Jacques Trolley de Prévaux who features in the footage; the film includes an interview between the presenter (Fergal Keane) and Aude de Prévaux who is very moved at the sight of film of her father.
',1),('Zamponi1947','','Zamponi, Francis','M','08/04/1947','','Constantine (Algeria)','','','','','The author\'s father was a Corsican in the French colonial police force and his mother was a Pied-Noir.
Zamponi lived in Algeria until the age of eleven. This was 1958, the height of the Algerian War of Independence. After obtaining a degree in Sociology from Nanterre, Zamponi worked as an assistant director, as a screenplay writer and as a journalist for both television (FR 3 Languedoc Roussillon) and newspapers (Liberation).
','',1),('Zanzotto','','Zanzotto, Daniela','U','','','','','','','','','',1),('Zay1904','','Zay, Jean','M','06/08/1904','20/06/1944','Orléans','Molles','','MP for the Loiret in 1932. In June 1936 he was named as Minister for Education in the Popular Front government.
','After serving in the army, he joined other MPs for the last meeting of the French pre-war government. He was one of the MPs that embarked on the Massilia. After they were arrested in Morocco, he was sent back to France and imprisoned in Clermont-Ferrand. He was tried in October 1940 and sentenced to deportation, later commuted to life-imprisonment. In June 1944, a group of pararmilitaries invented a prison transfer in order to assassinate Zay.
','','',1),('Zeraffa1918','','Zéraffa, Michel','M','1918','1985','','','','','','Writer and translator.
','',1),('Caillois1913','','Caillois, Roger','M','03/03/1913','21/12/1978','Reims','Kremlin-Bicêtre','','','Caillois left France for Argentina in 1939 and spent the War period there, during which time he was an active opponent of the spread of Nazism in Latin America.
','','',1),('Debu-Bridel1902','','Debû-Bridel, Jacques','M','22/08/1902','20/10/1993','Mézières-en-Drouais, Eure-et-Loir','Paris','','Writer and politician
','Resister from 1940, member of the Conseil national de la Résistance, founder member of the Comité national des écrivains
','journalist, politician and writer
','Various essays and studies: Angleterre, published clandestinely under the pseudonym Argonne in 1943 (Editions de minuit) and in 1944 by Les Cahiers du silence in London; Les Editions de minuit: historique et bibliographie (Paris: Editions de minuit, 1945), Histoire du marché noir 1939-1947 (Paris: La Jeune Parque, 1947); editor of La Résistance intellectuelle (Paris: Julliard, 1970)
',1),('Leforestier','','Leforestier, Pierre','M','','','','','','','','','',1),('fabreluce1899','','Fabre-Luce, Alfred','M','16/05/1899','17/05/1983','Paris','Paris','','','','','Le Mystère du Maréchal: Le Procès Pétain (Genève: Editions du Cheval Ailé, 1945), Double Prison (paris: 1946)
',1),('Jelinek','','Jelinek, Henriette*','F','','','','','','','','','',1),('Masares','','Masarès, Jean*','M','','','','','','','','','',1),('Maspero','','Maspero, François*','M','','','','','','','','','',3),('Masse','','Massé, Ludovic*','M','','','','','','','','','',1),('Massenet','','Massenet, Violaine*','F','','','','','','','','','',1),('Massip','','Massip, Renée*','F','','','','','','','','','',1),('Massis','','Massis, Henri*','M','','','','','','','','','',1),('Masson','','Masson, Loys*','M','','','','','','','','','',1),('Matthey','','Matthey, Françoise*','F','','','','','','','','','',1),('Mauffret','','Mauffret, Yvon*','M','','','','','','','','','',3),('Maurette','','Maurette, Michel*','M','','','','','','','','','',1),('MauriacC','','Mauriac, Claude*','M','','','','','son of François Mauriac
','','','','',1),('MauriacF','','Mauriac, François*','M','','','','','','','','','',1),('Maurice','','Maurice, Violette*','F','','','','','','','','','',1),('Maximy','','Maximy, René de','M','','','','','','','','','',1),('May','','May, Daniel*','M','','','','','','','','','',1),('Mayran','','Mayran, Camille*','U','','','','','','','','','',1),('Mazarin1934','Rey, René Charles','Mazarin, Jean*','M','','','','','','','','writes also as Emmanuel Errer, Charles Nécrorian, Nécrorian.
','',1),('Meffre','','Meffre, Pomme*','U','','','','','','','','','',1),('Mercadet','','Mercadet, Léon*','M','','','','','','','','','',1),('Mercanton','','Mercanton, Jacques*','M','','','','','','','','','',1),('Mergeal','','Mergeal, Jean*','M','','','','','','','','','',1),('Michel1907','','Michel, Henri','U','28/07/1907','05/06/1986','Vidauban (Var)','Paris','','','','Historian and second world war specialist. Author of a large number of important studies of the war.
','',1),('Milhaud','','Milhaud, Thérèse','M','','','','','','','','','',1),('Millau','','Millau, Christian*','M','','','','','','','','','',1),('Millerand','','Millerand, Hélène*','F','','','','','','','','','',1),('MillerC','','Miller, Claude*','U','','','','','','','','','',1),('Minces','','Minces, Juliette','F','','','','','','','','','',1),('Mingarelli','','Mingarelli, Hubert*','M','','','','','','','','','',1),('Minot','','Minot, Paul*','M','','','','','','','','','',1),('Moinot','','Moinot, Pierre*','M','','','','','','','','','',1),('Molenes','','Molènes, Thalie de*','F','','','','','','','','','',1),('Molla','','Molla, Jean*','M','','','','','','','','','',1),('Monferrand','','Monferrand, Hélène de*','F','','','','','','','','','',1),('Monicault','','Monicault, Louis de','M','','','','','','','','','',1),('Montabe','','Montabé, Pierre*','M','','','','','','','','','',1),('Montardre','','Montardre, Hélène*','F','','','','','','','','','',2),('Monteilhet1928','','Monteilhet, Hubert*','M','','','','','','','','','',3),('Montherlant','','Montherlant, Henry de*','M','','','','','','','','','',1),('Morgan','','Morgan, Claude *','M','','','','','','','','','',2),('Morgieve','','Morgiève, Richard*','M','','','','','','','','','',1),('Moscovici','','Moscovici, Jean-Claude*','M','','','','','','','','','',1),('Moses','','Moses, Emmanuel*','M','','','','','','','','','',1),('Mouloudji','','Mouloudji, Marcel*','M','','','','','','','','','',2),('Mourgue','','Mourgue, Gérard','M','','','','','','','','','',1),('Mourier','','Mourier, Maurice*','M','','','','','','','','','',1),('Mourlevat','','Mourlevat, Jean-Claude*','M','','','','','','','','','',1),('Mourthe','','Mourthé, Claude*','U','','','','','','','','','',1),('Moussy','','Moussy, Marcel*','M','','','','','','','','','',1),('MullerC','','Muller, Claude*','U','','','','','','','','','',1),('Nallet','','Nallet, Alain*','M','','','','','','','','','',1),('Naud','','Naud, Jeanne Robert*','F','','','','','','','','','',1),('Nemours','','Nemours, Pierre*','M','','','','','','','','','',1),('Neyrac','','Neyrac, Pierre*','M','','','','','','','','','',1),('Neyrat','','Neyrat, Elisabeth de*','F','','','','','','','','','',2),('Nimier','','Nimier, Roger*','M','','','','','','','','','',2),('NobecourtJ','','Nobécourt, Jacques','M','','','','','','','','','',1),('NobecourtL','','Nobécourt, Lorette*','F','','','','','','','','','',1),('Noel','','Noël, Maurice','M','','','','','','','','','',1),('Nollier','','Nollier, Richard*','M','','','','','','','','','',1),('Northomb','','Northomb, Pierre*','M','','','','','','','','','',1),('Novac','','Novac, Ana*','F','','','','','','','','','',1),('Oldenbourg1916','','Oldenbourg, Zoé*','F','','','','','','','','','',2),('Ollier','','Ollier, Claude*','M','','','','','','','','','',1),('Ollivier','','Ollivier, Eric*','M','','','','','','','','','',1),('Onofrio','','Onofrio, Bramante*','U','','','','','','','','','',1),('Ophuls','','Ophuls, Marcel*','M','','','','','','','','','',2),('Oppel','','Oppel, Jean-Hugues*','U','','','','','','','','','',1),('Orsenna','','Orsenna, Erik*','M','','','','','','','','','',1),('Oudoire','','Oudoire, Georgette*','F','','','','','','','','','',1),('OuryG','','Oury, Gérard*','M','','','','','','','','','',1),('Ouvard','Guichardan, Roger','Ouvard, Jacques*','M','','','','','','','','','',1),('Palcy','','Palcy, Euzhan*','U','','','','','','','','','',1),('Palet','','Palet, Marie de*','F','','','','','','','','','',1),('PaluelMarmont','','Paluel-Marmont, A*','U','','','','','','','','','',1),('Pampuzac','','Pampuzac, Danielle*','F','','','','','','','','','',1),('Paraz','','Paraz, Albert*','M','','','','','','','','','',3),('Pavloff','','Pavloff, Franck*','M','','','','','','','','','',1),('Pellerin','','Pellerin, Pierre*','M','','','','','','','','','',1),('Pelletier','','Pelletier, Antoine*','M','','','','','','','','','',1),('PelletierDoisy','','Pelletier-Doisy, Jacqueline*','F','','','','','','','','','',1),('Perec','','Perec, Georges','M','','','','','','','','','',1),('Perisset','','Perisset, Maurice*','M','','','','','','','','','',1),('Perol','','Pérol, Jean','M','','','','','','','','','',1),('Perret','','Perret, Jacques','M','','','','','','','','','',2),('Perrin1951','','Perrin, Jean-Pierre','M','1951','','','','','','','Journalist and writer.
','',1),('Petit','','Petit, Marc*','M','','','','','','','','','',2),('Peuchmaurd','','Peuchmaurd, Jacques*','M','','','','','','','','','',2),('Peyrefitte','','Peyrefitte, Roger*','M','','','','','','','','','',1),('Philippe','','Philippe, Pierre*','M','','','','','','','','','',1),('Pianko','','Pianko, Adam*','M','','','','','','','','','',1),('Piatek','','Piatek, Dorothée*','F','','','','','','','','','',1),('Picheral','','Picheral, Philippe','M','','','','','','','','','',1),('Pierjean','','Pierjean, André*','M','','','','','','','','','',1),('Pierrard','','Pierrard, André*','M','','','','','','','','','',1),('PierrePierre','','Pierre-Pierre*','M','','','','','','','','','',1),('Piljean','','Piljean, André*','M','','','','','','','','','',1),('PiquetWicks','','Piquet-Wicks, Eric*','M','','','','','','','','','',1),('Pleiber','','Pleiber, René','M','','','','','','','','','',1),('Poccadaz','','Poccadaz, Robert de*','M','','','','','','','','','',1),('Poindessault','','Poindessault, Jean*','M','','','','','','','','','',1),('Poirrier','','Poirrier, Raymond*','M','','','','','','','','','',1),('Polard','','Polard, Maurice*','M','','','','','','','','','',1),('Pomies','','Pomiès, Nicolas*','M','','','','','','','','','',1),('Ponchardier','','Ponchardier, Dominique*','M','','','','','','','','','',1),('Ponthier','','Ponthier, François*','M','','','','','','','','','',2),('Pornon','','Pornon, Francis*','M','','','','','','','','','',1),('Portail','','Portail, Jean*','M','','','','','','','','','',1),('PostelVinay','','Postel-Vinay, André*','M','','','','','','','','','',1),('PouletReney','','Poulet-Reney, Erik*','M','','','','','','','','','',1),('Prado','','Prado, Jean and Rémy Bourlès*','M','','','','','','','','','',1),('Prentout','','Prentout, Richard*','M','','','','','','','','','',1),('PrevostAlain','','Prévost, Alain*','M','','','','','','','','','',2),('Privat','','Privat, Bernard*','M','','','','','','','','','',1),('Queffelec','','Queffélec, Henri*','M','','','','','','','','','',3),('Quemeneur','','Quéméneur, Mathieu*','M','','','','','','','','','',1),('Querlin','','Querlin, Marise*','F','','','','','','','','','',1),('Rabine','','Rabine, Viviane*','F','','','','','','','','','',1),('Rabiniaux','','Rabiniaux, Roger*','M','','','','','','','','','',1),('Raczymow','','Raczymow, Henri*','M','','','','','','','','','',1),('Radiguet','','Radiguet, Raymond*','M','','','','','','','','','',1),('Ramond','','Ramond, Michèle*','F','','','','','','','','','',1),('Rappeneau','','Rappeneau, Jean-Paul *','M','','','','','','','','','',1),('Raspail','','Raspail, Jean*','M','','','','','','','','','',1),('Ratinaud','','Ratinaud, Jean*','M','','','','','','','','','',1),('Raucy','','Raucy, Claude*','U','','','','','','','','','',1),('Ravelin','','Ravelin, Jules*','M','','','','','','','','','',1),('Rawicz','','Rawicz, Piotr*','M','','','','','','','','','',1),('Rebatet','','Rebatet, Lucien*','M','','','','','','','','','',2),('Renault','','Renault, Maisie*','F','','','','','sister of Colonel Rémy
','','','','',1),('Resnais','','Resnais, Alain*','M','','','','','','','','','',2),('Reynaudfl','','Reynaud, Florence*','F','','','','','','','','','',1),('Ribardiere','','Ribardière, Diane*','F','','','','','','','','','',1),('Richard1937','','Richard, Jean-Pierre*','M','14/07/1937','','','','','','','','',1),('Rio','','Rio, Michel','M','','','','','','','','','',1),('Rivoyre','','Rivoyre, Christine de*','F','','','','','','','','','',1),('Robban','','Robban, Randolph','M','','','','','','','','','',1),('RobbeGrillet','','Robbe-Grillet, Alain*','M','','','','','','','','','',1),('Robida','','Robida, Michel*','M','','','','','','','','','',2),('Rocard','','Rocard, Ann*','F','','','','','','','','','',1),('Roch','','Roch, Geneviève*','F','','','','','','','','','',1),('Roche','','Roche, Florence-Hélène*','F','','','','','','','','','',1),('Rohou','','Rohou, Guy*','M','','','','','','','','','',1),('Ronceray','','Ronceray, Maurice*','M','','','','','','','','','',1),('Rondeau','','Rondeau, Daniel*','M','','','','','','','','','',1),('Rongier','','Rongier, François*','M','','','','','','','','','',1),('Roques','','Roques, René*','M','','','','','','','','','',1),('Rossi','','Rossi, Louis*','M','','','','','','','','','',1),('Rostaing','','Rostaing, Pierre*','M','','','','','','','','','',1),('RothHano','','Roth-Hano, Renée*','F','','','','','','','','','',1),('Rotman','','Rotman, Patrick*','M','','','','','','','','','',1),('Rouanet','','Rouanet, Pierre*','M','','','','','','','','','',1),('Rouart','','Rouart, Jean-Marie*','M','','','','','','','','','',1),('Rouaud','','Rouaud, Jacques*','M','','','','','','','','','',1),('Rouland','','Rouland, Jacques*','M','','','','','','','','','',1),('Rouquier','','Rouquier, André-Louis*','M','','','','','','','','','',1),('Rovier','','Rovier, Suzanne*','F','','','','','','','','','',1),('Royjh','','Roy, Jean-Henri*','M','','','','','','','','','',1),('Rullerbarthelemy','','Ruller, Laurent and Stanislas Barthélemy*','M','','','','','','','','','',1),('Sabliaux','','Sabliaux, Virginie de*','F','','','','','','','','','',1),('SaintCricq','','Saint-Cricq, Jeanne*','M','','','','','','','','','',1),('SaintOgan','','Saint-Ogan, Alain*','M','','','','','','','','','',2),('Sajer','','Sajer, Guy*','M','','','','','','','','','',1),('Salacrou','','Salacrou, Armand*','M','','','','','','','','','',1),('Salvayre','','Salvayre, Lydie*','F','','','','','','','','','',1),('Sanglier','','Sanglier, René*','M','','','','','','','','','',1),('Sartre1905','','Sartre, Jean-Paul*','M','','','','','','','mobilised; sent to front; prisoner of war
','leading intellectual, writer, philosopher
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1920','Chris','2007-10-22'),('Auclair 1920','Margaret','2010-07-16'),('Audiard1920','Margaret','2010-11-20'),('Audinet','Margaret','2007-11-05'),('Audinet','Margaret','2007-11-07'),('Audinet','Nina','2009-02-06'),('Audouard1914','Margaret','2010-11-20'),('Augieras1925','Chris','2009-08-19'),('Augieras1925','Nina','2009-08-25'),('Aujoulat1928','Nina','2009-06-25'),('AuryPaulhan','Margaret','2010-11-20'),('Aveline1901','Margaret','2010-07-12'),('axelrad1956','Margaret','2010-11-21'),('Aymard1954','Margaret','2010-11-21'),('Ayme1902','Nina','2007-02-13'),('Ba1913','Nina','2008-08-26'),('Bachir','Nina','2007-12-14'),('Baconnet','Margaret','2010-11-21'),('Baguet1922','Margaret','2010-11-21'),('Bailhache1911','Susan','2007-10-29'),('Balbaud','Susan','2007-10-29'),('Baldran1930','Margaret','2010-11-21'),('Ballet','Margaret','2010-08-02'),('Ballyot1903','Chris','2009-08-26'),('Ballyot1903','Nina','2009-08-27'),('Bantman1950','Margaret','2010-11-21'),('Barbeau1952','Nina','2007-12-14'),('Barbey1900','Susan','2007-10-29'),('Barbie1913','Nina','2007-12-14'),('Barbie1913','Nina','2008-01-03'),('Barbie1913','Nina','2009-02-04'),('barbier1911','Margaret','2010-04-13'),('barbier1911','Margaret','2010-07-18'),('Barjavel1911','Chris','2009-08-19'),('Barjavel1911','Nina','2009-08-25'),('baroncelli1914','Margaret','2010-11-21'),('Barre1886','Susan','2007-10-29'),('Barre1886','Susan','2008-01-16'),('bartillat1930','Margaret','2010-11-21'),('Bassompierre1914','Margaret','2010-11-21'),('Bassompierre1914','Margaret','2010-11-23'),('Bataille1897','Chris','2009-08-25'),('Bataille1897','Nina','2009-08-27'),('Bauchau1913','Nina','2008-02-07'),('Bayen','Susan','2007-10-29'),('Bayle','Margaret','2009-02-01'),('Bayle','Nina','2009-02-06'),('Beauvoir1908','Margaret','2010-05-21'),('Beauvoir1908','Margaret','2010-05-26'),('Beauvois','Susan','2007-10-29'),('Beck1914','Margaret','2010-07-20'),('Beck1914','Nina','2007-02-12'),('Beck1914','Nina','2009-02-04'),('Belleval1926','Margaret','2010-01-20'),('Benjamin1885','Chris','2007-10-22'),('benoist1901','Margaret','2010-07-14'),('benoist1901','Margaret','2010-11-03'),('Benouville1914','Margaret','2010-07-21'),('Benouville1914','Susan','2007-10-29'),('Benson1959','Nina','2007-12-14'),('Bentegeat','Chris','2009-08-19'),('Bentegeat','Nina','2009-08-21'),('Bentegeat','Nina','2009-08-25'),('Berenboom','Margaret','2010-07-20'),('Berenboom','Nina','2009-03-24'),('Bergeret','Susan','2007-10-29'),('Bergot1930','Nina','2009-03-16'),('Bernard','Margaret','2010-01-20'),('Bernardi','Nina','2009-03-24'),('Bernie','Margaret','2010-11-22'),('Bernie','Nina','2009-03-17'),('Berr1921','Margaret','2010-07-20'),('Berr1921','Nina','2008-01-16'),('Bertho1922','Chris','2010-06-03'),('Bertho1922','Margaret','2010-07-20'),('Berthomieu1903','Nina','2009-01-09'),('Berthomieu1903','Nina','2009-01-12'),('Bertin1920','Chris','2010-06-03'),('Besnault','Chris','2010-06-03'),('Besnault','Margaret','2010-07-06'),('Besnault','Margaret','2010-11-22'),('Besson1927','Nina','2009-06-30'),('Bialot1923','Margaret','2010-07-20'),('Bialot1923','Nina','2008-04-17'),('Bialot1923','Nina','2009-03-15'),('Biette','Susan','2007-10-29'),('Bigot1933','Nina','2007-12-15'),('Bigot1933','Nina','2008-04-18'),('Billy1882','Margaret','2010-07-20'),('Billy1882','Nina','2008-04-18'),('Billy1882','Susan','2007-10-30'),('Binet','Margaret','2010-11-22'),('Blanchot1907','Nina','2007-02-21'),('Blancpain1909','Margaret','2009-08-12'),('Blancpain1909','Margaret','2009-08-25'),('Blancpain1909','Nina','2009-08-27'),('BleusteinBlanchet1906','Margaret','2010-07-20'),('BleusteinBlanchet1906','Nina','2008-04-18'),('BleusteinBlanchet1906','Susan','2007-10-30'),('Bloch1906','Susan','2007-10-30'),('BlochMichel1912','Susan','2007-10-30'),('Blot1923','Margaret','2009-02-06'),('Blot1923','Nina','2009-02-06'),('Bober1931','Nina','2007-02-13'),('Bochurberg1942','Margaret','2010-11-21'),('Bochurberg1942','Margaret','2010-11-22'),('Bodin1909','Margaret','2010-01-21'),('Bohec1919','Chris','2009-08-26'),('Bohec1919','Nina','2009-08-27'),('BoileauNarcejac1906','Chris','2008-05-19'),('BoileauNarcejac1906','Margaret','2010-07-20'),('BoileauNarcejac1906','Nina','2008-05-21'),('Bonnamy','Margaret','2010-01-24'),('Bonnet1908','Margaret','2010-11-22'),('Bonnet1908','Nina','2008-08-30'),('Bonte1890','Margaret','2010-07-20'),('Bonte1890','Nina','2008-04-18'),('Bonte1890','Susan','2007-10-30'),('Bood1926','Chris','2009-08-19'),('Bood1926','Nina','2009-08-25'),('Borniche1919','Chris','2008-05-07'),('Borniche1919','Nina','2008-05-07'),('Borschak1895','Susan','2007-10-30'),('Bory1919','Margaret','2010-02-04'),('Bory1919','Nina','2007-02-12'),('Borzeix1941','Nina','2008-05-23'),('Bost1901','Margaret','2007-08-02'),('Bost1901','Nina','2007-08-03'),('Bost1916','Margaret','2007-08-02'),('Bost1916','Nina','2008-04-11'),('Bott','Nina','2008-10-07'),('Bouchareb1959','Margaret','2010-07-20'),('Bouchareb1959','Nina','2007-04-17'),('Bouchareb1959','Nina','2007-07-10'),('Bouchaud1936','Nina','2007-05-11'),('Boucheron','Chris','2009-08-19'),('Boucheron','Nina','2009-08-25'),('Boudard','Nina','2008-09-04'),('Boudou1935','Nina','2009-06-25'),('Bouissounouse1903','Nina','2008-04-18'),('Bouissounouse1903','Susan','2007-10-30'),('Boulenger','Margaret','2010-07-21'),('Boulenger','Susan','2007-10-30'),('Boulle1912','Margaret','2009-08-12'),('Boulle1912','Margaret','2010-07-21'),('Boulle1912','Nina','2009-08-27'),('Bounemeur1945','Nina','2007-07-24'),('Bourcier','Susan','2007-10-30'),('Bourguiba1903','Nina','2007-05-08'),('bourrette1894','Margaret','2010-01-25'),('bourrette1894','Margaret','2010-07-21'),('boussinot1921','Margaret','2010-01-21'),('Bouthillier1901','Margaret','2010-07-21'),('Bouthillier1901','Susan','2007-10-30'),('Bouton','Chris','2009-08-19'),('Bouton','Nina','2009-08-25'),('Boutron1912','Nina','2008-04-11'),('Boutron1947','Margaret','2010-11-22'),('Boutron1947','Nina','2009-02-04'),('Bouverat1922','Nina','2007-11-09'),('Bove1898','Margaret','2010-07-21'),('Bove1898','Nina','2007-03-28'),('Boyer1920','Margaret','2009-03-06'),('Boyer1920','Nina','2009-03-15'),('Brami1950','Nina','2008-08-27'),('Breitman','Margaret','2010-01-25'),('Brenner1922','Margaret','2009-02-06'),('Brenner1922','Nina','2009-02-06'),('Bresson1901','Nina','2009-03-16'),('Brest','Margaret','2010-01-27'),('Brunel','Chris','2007-10-23'),('Brunel','Margaret','2010-11-22'),('Bujeaud','Chris','2007-10-23'),('Bureau1912','Margaret','2010-01-27'),('BurkoFalcman1935','Nina','2007-12-15'),('BurkoFalcman1935','Nina','2007-12-18'),('Bussi1965','Nina','2008-09-10'),('Busson','Nina','2007-11-09'),('Caceres1916','Susan','2008-01-14'),('Caillois1913','Margaret','2011-02-15'),('Caillois1913','Margaret','2011-08-31'),('Calet1904','Margaret','2007-08-09'),('Carne1906','Nina','2009-06-09'),('Carne1906','Nina','2009-08-04'),('Carre1908','Chris','2009-08-26'),('Carre1908','Nina','2009-08-27'),('Carrere1957','Nina','2008-03-17'),('CartaultdOlive1913','Susan','2008-01-14'),('Castillo','Margaret','2010-11-22'),('Castillo','Nina','2008-09-19'),('Catroux1877','Susan','2008-01-14'),('Cau1925','Chris','2010-05-04'),('Cayatte','Nina','2009-06-09'),('Celine1894','Nina','2007-02-13'),('Celine1894','Nina','2007-03-27'),('Cendrars1887','Susan','2008-01-14'),('Cendrars1887','Susan','2008-01-29'),('Cesaire1913','Margaret','2010-07-21'),('Cesaire1913','Nina','2008-07-14'),('Cestac1949','Nina','2009-07-25'),('Cestac1949','Nina','2009-08-04'),('Chaboud','Nina','2008-08-30'),('chabrol1925','Margaret','2010-02-21'),('Chaix1942','Margaret','2010-07-21'),('Chaix1942','Nina','2007-02-13'),('Chalonge1937','Nina','2009-03-17'),('Chamoiseau1953','Nina','2008-06-15'),('Chamson1900','Margaret','2007-07-22'),('Chamson1900','Margaret','2007-07-27'),('Chamson1900','Margaret','2007-08-01'),('Chamson1900','Margaret','2011-08-31'),('Chapelle1960','Chris','2009-08-19'),('Chapelle1960','Nina','2009-08-25'),('Char1907','Susan','2008-01-29'),('Chauffin1905','Margaret','2007-09-29'),('Chauffin1905','Margaret','2007-10-01'),('Chauffin1905','Margaret','2010-11-22'),('Chauffin1905','Nina','2008-01-11'),('chavardes1924','Margaret','2010-01-29'),('Chawaf1943','Nina','2007-03-30'),('Cherer1961','Nina','2007-12-15'),('Cherer1961','Nina','2008-01-14'),('Chevalier','Susan','2008-01-14'),('Chevallier1895','Susan','2008-01-14'),('Chevallier19xx','Margaret','2007-11-08'),('Chevallier19xx','Margaret','2009-02-01'),('Chevallier19xx','Margaret','2011-08-03'),('Chevallier19xx','Nina','2009-02-15'),('Chevrillon1907','Nina','2008-10-29'),('ChoiseulPraslin','Margaret','2010-07-21'),('ChoiseulPraslin','Susan','2008-01-14'),('Choux11887','Nina','2009-01-12'),('Cixous1937','Nina','2008-03-05'),('Cixous1937','Nina','2008-03-07'),('Cixous1937','Nina','2008-04-22'),('Clavel1923','Margaret','2010-07-21'),('Clavel1923','Nina','2007-08-14'),('Claverie1943','Chris','2007-11-01'),('Claverie1943','Nina','2008-01-23'),('Clebert1926','Chris','2009-08-20'),('Clebert1926','Nina','2009-08-27'),('Clement','Nina','2008-09-18'),('Clostermann1921','Susan','2008-01-14'),('Coatmeur1925','Nina','2007-12-21'),('Coffinet','Margaret','2007-11-05'),('Colette1873','Susan','2008-01-14'),('CommandantGuyenne','Nina','2009-03-23'),('Conde1937','Nina','2007-10-01'),('Confiant1951','Nina','2007-02-13'),('Conombo1917','Margaret','2010-07-21'),('Conombo1917','Nina','2008-09-06'),('Conte1920','Margaret','2009-02-01'),('Conte1920','Nina','2009-02-06'),('cordelier1912','Margaret','2010-01-29'),('cordelier1912','Margaret','2010-02-04'),('Coulonges1923','Chris','2009-08-20'),('Coulonges1923','Nina','2009-08-27'),('Coulonges1936','Nina','2007-12-14'),('Courtade1915','Nina','2007-02-13'),('Courtade1915','Nina','2007-03-26'),('Courtade1915','Nina','2007-10-22'),('Cribeillet','Susan','2008-01-15'),('Crifo','Nina','2009-07-18'),('Crouzet1873','Susan','2008-01-15'),('Curtis1917','Margaret','2008-05-23'),('Curtis1917','Nina','2008-06-01'),('Daeninckx1949','Nina','2007-02-12'),('Daeninckx1949','Nina','2007-03-26'),('Daeninckx1949','Nina','2008-04-10'),('Daix1922','Margaret','2010-01-31'),('Daix1922','Margaret','2010-02-01'),('Daix1922','Margaret','2010-02-23'),('Daix1922','Margaret','2010-11-22'),('Dalens1910','Nina','2008-07-17'),('Dalens1910','Nina','2008-07-21'),('Dali1904','Chris','2010-02-16'),('Dali1904','Peter','2010-12-02'),('Danoen1920','Nina','2007-10-02'),('Dard1921','Margaret','2010-04-13'),('Darquier1897','Margaret','2010-11-22'),('Darquier1897','Nina','2007-05-10'),('Darquier1897','Nina','2007-06-07'),('Darquier1897','Nina','2007-07-10'),('Dautun','Chris','2010-05-04'),('Davy1939','Nina','2007-05-21'),('Davy1939','Nina','2007-06-06'),('Deambrosis1955','Nina','2009-02-15'),('Debouzy','Susan','2008-01-15'),('Debrise1902','Margaret','2007-10-01'),('Debrise1902','Margaret','2007-11-16'),('Debrise1902','Margaret','2010-11-22'),('Debrise1902','Nina','2007-11-16'),('Debrise1902','Nina','2008-01-11'),('Debry','Nina','2008-08-23'),('Debu-Bridel1902','Margaret','2011-01-16'),('Debu-Bridel1902','Margaret','2011-08-31'),('Decotter','Nina','2008-09-05'),('Decotter','Nina','2008-10-06'),('Decoux1884','Susan','2008-01-15'),('Deforges1935','Margaret','2010-07-22'),('Deforges1935','Nina','2007-04-03'),('Deforges1935','Nina','2007-05-09'),('Deforges1935','Nina','2007-07-10'),('DeGaulle1890','Margaret','2010-11-22'),('DeGaulle1890','Nina','2008-01-17'),('Dekobra1885','Chris','2008-05-13'),('Dekobra1885','Margaret','2010-07-22'),('Delahaye','Susan','2008-01-16'),('Delbars','Susan','2008-01-16'),('Delbo1913','Margaret','2010-05-27'),('DelPappas1949','Nina','2009-03-25'),('Delpech1921','Margaret','2010-08-19'),('Delpech1921','Margaret','2010-08-23'),('Delsham1946','Nina','2007-10-05'),('Delsham1946','Nina','2007-10-22'),('Delteil1939','Margaret','2010-11-22'),('Delteil1939','Nina','2007-12-21'),('Deniau1928','Chris','2009-08-26'),('Deniau1928','Nina','2009-08-27'),('Deray','Nina','2009-03-25'),('Deroisin','Susan','2008-01-16'),('DesCars1911','Margaret','2010-02-04'),('DesCars1911','Margaret','2010-11-22'),('DesCars1911','Nina','2008-01-16'),('Desnos1900','Margaret','2011-08-03'),('Devigny1916','Chris','2009-08-26'),('Devigny1916','Margaret','2010-11-11'),('Diabate1938','Nina','2008-09-30'),('Diakhate1928','Nina','2009-05-19'),('Diamant Berger','Susan','2008-01-16'),('Dib1920','Nina','2008-03-31'),('Diop1906','Nina','2008-04-29'),('Diop1946','Margaret','2010-11-22'),('Diop1946','Nina','2007-05-23'),('Diop1946','Nina','2007-06-06'),('Dorgeles1885','Nina','2008-01-17'),('Doriot1918','Margaret','2010-11-22'),('Doriot1918','Nina','2007-05-09'),('Doriot1918','Nina','2007-07-10'),('Dorlodot','Susan','2008-01-29'),('DoumbiFakoly','Nina','2008-08-26'),('Duchese','Nina','2008-09-16'),('Dufournier1915','Susan','2008-01-17'),('Duhamel1884','Chris','2008-05-07'),('Duhamel1884','Nina','2008-05-07'),('Dumay1916','Susan','2008-01-17'),('DuMoulin','Susan','2008-01-29'),('Dupin','Susan','2008-01-29'),('Dupontel1919','Susan','2008-01-29'),('Duquesne1930','Chris','2008-05-07'),('Duquesne1930','Nina','2008-05-07'),('Duquesne1930','Nina','2009-01-29'),('Durand1923','Margaret','2010-08-03'),('Durand1923','Margaret','2010-08-10'),('Duras1914','Nina','2007-02-12'),('Duras1914','Nina','2007-03-26'),('Duras1914','Nina','2007-05-09'),('Duras1914','Nina','2008-05-15'),('Dutourd1920','Nina','2007-02-12'),('Dutourd1920','Nina','2007-03-26'),('Duvivier','Nina','2008-10-17'),('Echenoz1947','Nina','2008-10-07'),('EdmondAbout1914','Margaret','2009-02-01'),('EdmondAbout1914','Nina','2009-02-06'),('Eluard1895','Margaret','2011-08-03'),('Ernaux1940','Nina','2008-03-20'),('Errer1934','Nina','2008-05-01'),('Esteve','Nina','2008-09-05'),('Etienne1945','Margaret','2010-11-22'),('Etienne1945','Nina','2007-02-12'),('Etienne1945','Nina','2007-03-26'),('Etienne1945','Nina','2008-05-23'),('Evrard1920','Nina','2009-06-25'),('Fabre1869','Nina','2008-02-04'),('fabreluce1899','Margaret','2011-02-16'),('fabreluce1899','Margaret','2011-08-31'),('Fajardie1947','Margaret','2010-11-22'),('Fajardie1947','Nina','2008-03-27'),('Fanton','Nina','2008-08-30'),('Fanton','Nina','2009-01-29'),('Farge1876','Nina','2008-02-06'),('Farge1876','Susan','2008-02-05'),('Farge1899','Margaret','2010-04-13'),('Farge1899','Margaret','2010-11-22'),('Farge1899','Nina','2008-02-06'),('Farge1899','Susan','2008-02-04'),('Fasquelle1933','Chris','2009-08-26'),('Fasquelle1933','Nina','2009-08-27'),('FaureBiguet1893','Nina','2008-02-06'),('FaureBiguet1893','Susan','2008-02-04'),('Fenouillere1925','Nina','2009-03-21'),('Fischer1875','Susan','2008-02-04'),('Flavian1902','Susan','2008-02-04'),('FlorianParmentier1879','Susan','2008-02-05'),('Fodeba','Nina','2008-09-06'),('Fombeure1906','Susan','2008-02-05'),('Fontanel1957','Nina','2009-06-30'),('Fontanel1957','Nina','2009-08-04'),('Fontclaire1923','Margaret','2010-11-22'),('Fontclaire1923','Nina','2008-02-06'),('Fontclaire1923','Susan','2008-02-05'),('Forrester1927','Nina','2007-04-20'),('Forrester1927','Nina','2007-07-10'),('fougeresyves','Margaret','2010-05-26'),('Francis1900','Susan','2008-02-05'),('FrancoisPoncet','Chris','2008-05-15'),('FrancoisPoncet','Nina','2009-07-06'),('FrancoisPoncet1887','Nina','2008-02-06'),('FrancoisPoncet1887','Susan','2008-02-05'),('Franqueville','Susan','2008-02-05'),('Fraysse1920','Susan','2008-02-06'),('Frenay1905','Margaret','2010-11-22'),('Frenay1905','Nina','2008-04-16'),('Freville1895','Margaret','2009-01-29'),('Freville1895','Nina','2009-02-06'),('Friang1924','Chris','2009-08-26'),('Friang1924','Nina','2009-08-27'),('Gadala1881','Susan','2008-02-06'),('Gaillard1909','Susan','2008-02-06'),('Gallo1932','Chris','2009-08-27'),('Gallo1932','Nina','2009-08-28'),('Gandebeuf1926','Nina','2007-06-06'),('Gandebeuf1926','Nina','2007-07-03'),('Gandebeuf1926','Nina','2007-07-10'),('Garnier1949','Nina','2008-09-10'),('Garnier1954','Nina','2007-02-12'),('Garnier1954','Nina','2009-03-17'),('Gary1914','Nina','2008-10-13'),('Gary1914','Nina','2008-10-15'),('Gary1914','Nina','2009-02-10'),('Gaultier','Susan','2008-02-13'),('Germain1954','Nina','2008-01-31'),('Germain1954','Nina','2008-02-01'),('Gide1869','Margaret','2010-11-22'),('Gide1869','Nina','2007-03-26'),('Gildas','Susan','2008-02-13'),('Gille1937','Chris','2009-08-27'),('Gille1937','Margaret','2010-05-27'),('Gille1937','Margaret','2010-11-22'),('Gille1937','Nina','2009-08-28'),('Gilles1917','Margaret','2007-11-07'),('Gilles1917','Margaret','2007-11-16'),('Gilles1917','Nina','2008-04-11'),('Gilles1917','Nina','2009-02-06'),('Giorda1938','Nina','2007-12-15'),('Giorda1938','Nina','2008-01-14'),('Giovanni1923','Chris','2009-08-27'),('Giraud1897','Nina','2009-03-21'),('Giraud1903','Nina','2008-11-16'),('Giraudoux1882','Margaret','2011-08-03'),('Gleize1898','Nina','2009-01-09'),('Gleize1898','Nina','2009-01-12'),('Goby','Margaret','2010-07-20'),('Goby','Nina','2008-11-16'),('Godefroy','Susan','2008-02-13'),('Goebbels1897','Margaret','2011-08-03'),('Goldenberg1931','Nina','2008-07-17'),('Gonnet','Margaret','2010-11-22'),('Gonnet','Nina','2008-09-04'),('Gouiran1946','Nina','2008-08-26'),('Gouiran1946','Nina','2008-08-27'),('Gracq1910','Nina','2007-02-13'),('Gracq1910','Nina','2007-03-26'),('Gracq1910','Nina','2007-07-10'),('Gracq1910','Nina','2007-12-24'),('Green1900','Margaret','2010-11-22'),('Green1900','Nina','2008-01-07'),('Green1900','Nina','2008-01-09'),('Greif1944','Nina','2008-07-21'),('Grenier1919','Margaret','2009-04-05'),('Grenier1919','Nina','2009-08-04'),('Grimbert','Nina','2009-06-30'),('Grimbert1948','Nina','2008-08-25'),('Grimbert1948','Nina','2008-08-30'),('Groult1920','Chris','2009-08-27'),('Groussard1921','Chris','2010-05-04'),('Guediguian1953','Nina','2009-01-13'),('Guehenno1890','Chris','2009-08-27'),('Guehenno1890','Nina','2009-08-28'),('Guerin1905','Margaret','2007-08-02'),('Guerin1905','Nina','2008-04-11'),('Guignabodet','Nina','2008-09-23'),('Guilloux1899','Margaret','2010-11-22'),('Guilloux1899','Nina','2007-03-22'),('Guilloux1899','Nina','2007-03-26'),('Guilloux1899','Nina','2007-07-10'),('Guingouin1913','Chris','2009-08-27'),('Guingouin1913','Nina','2009-08-28'),('Guitry1885','Chris','2009-08-27'),('Guitry1885','Nina','2009-08-28'),('Guitton1901','Susan','2008-02-13'),('Gutman1946','Margaret','2010-11-22'),('Gutman1946','Nina','2008-07-21'),('Haedrich','Susan','2008-02-13'),('Hanin','Nina','2008-09-04'),('HanyLefebvre','Susan','2008-02-13'),('Hardy1911','Chris','2009-08-27'),('Harlay1968','Nina','2009-03-10'),('Harlay1968','Nina','2009-03-21'),('Hassan1952','Nina','2008-07-17'),('Havard1923','Nina','2007-11-08'),('Hebrard1927','Margaret','2010-07-08'),('Hebrard1927','Margaret','2010-11-23'),('Helena1919','Margaret','2010-04-13'),('Henard','Susan','2008-02-13'),('Henriot','Susan','2008-02-14'),('Hermant1862','Susan','2008-02-21'),('Herriot1872','Susan','2008-02-21'),('Hess1894','Margaret','2011-08-03'),('Hitler1889','Nina','2008-06-11'),('Hitler1889','Nina','2009-09-03'),('Hivert','Nina','2007-06-06'),('Hoss1900','Nina','2008-01-31'),('Houdaer1969','Nina','2009-06-30'),('Houtman','Susan','2008-02-14'),('Huet1942','Nina','2009-03-10'),('Humbert1896','Nina','2008-09-26'),('Humbert1970','Nina','2009-02-05'),('Huston1953','Nina','2008-02-07'),('hyvernaud1902','Margaret','2009-08-27'),('hyvernaud1902','Margaret','2010-01-26'),('Ikor1912','Margaret','2007-11-04'),('Ikor1912','Nina','2007-11-16'),('Jamet1910','Chris','2009-08-27'),('Jamet1910','Nina','2009-08-28'),('Jamet1910','Nina','2009-09-03'),('Jamet1936','Nina','2008-10-07'),('Jamet1936','Nina','2009-02-03'),('Jardin1934','Chris','2009-08-28'),('Jardin1934','Margaret','2010-11-23'),('Javaux','Nina','2008-08-12'),('Jelinek','Margaret','2010-11-30'),('Joanovici1905','Nina','2008-11-17'),('Joffo1931','Nina','2007-02-13'),('Joly','Nina','2008-11-13'),('Jonquet1954','Margaret','2010-11-23'),('Jonquet1954','Margaret','2011-08-03'),('Jonquet1954','Nina','2008-01-24'),('Julitte1910','Chris','2008-05-15'),('Julitte1910','Nina','2008-05-19'),('Juminer1927','Nina','2008-09-26'),('Jurquet1922','Margaret','2010-11-23'),('Jurquet1922','Susan','2008-02-14'),('Kaa1945','Margaret','2010-11-23'),('Kaa1945','Nina','2009-07-23'),('Kane1928','Nina','2007-11-06'),('Kane1928','Nina','2007-11-08'),('Kessel1898','Chris','2009-09-02'),('Kessel1898','Margaret','2010-11-23'),('Kessel1898','Margaret','2011-08-31'),('Kessel1898','Nina','2007-02-26'),('Kessel1898','Nina','2007-07-10'),('Kessel1898','Nina','2009-09-04'),('Khatibi1938','Nina','2007-11-05'),('Klein1862','Susan','2008-02-21'),('Kofman1934','Margaret','2010-11-23'),('Kofman1934','Nina','2007-06-26'),('Kofman1934','Nina','2007-07-10'),('Konop1948','Nina','2007-12-21'),('Korkos1955','Nina','2008-09-03'),('Kourouma1927','Nina','2008-04-29'),('Krivine1959','Margaret','2010-11-23'),('Krivine1959','Nina','2007-12-21'),('Labro1936','Margaret','2008-06-06'),('Labro1936','Margaret','2010-11-23'),('Laclaventine1954','Nina','2009-03-16'),('Lacretelle1888','Susan','2008-02-21'),('Laffitte','Susan','2008-02-14'),('Lagorce1937','Nina','2009-01-04'),('Lahire1878','Margaret','2010-11-23'),('Lahire1878','Susan','2008-02-14'),('LaMaziere1922','Chris','2009-09-02'),('Landry1909','Susan','2008-02-14'),('Langelaan','Susan','2008-02-14'),('Langfus1920','Margaret','2010-02-04'),('Langfus1920','Margaret','2010-02-09'),('Langfus1920','Margaret','2010-05-26'),('Langfus1920','Margaret','2010-11-23'),('Lanoux1913','Chris','2008-05-06'),('Lanoux1913','Margaret','2010-11-23'),('Lanoux1913','Nina','2008-05-06'),('Lansvreugt','Susan','2008-02-14'),('Larteguy1920','Nina','2009-02-05'),('Lasvergnas1902','Margaret','2007-11-07'),('Lasvergnas1902','Nina','2009-02-06'),('Laurent1919','Chris','2009-09-02'),('Laurent1919','Margaret','2010-07-12'),('Laval1883','Nina','2009-09-03'),('Leboucher','Susan','2008-02-21'),('Lebrun1871','Margaret','2011-08-26'),('Lebrun1871','Nina','2009-01-29'),('Lebrun1871','Susan','2008-02-21'),('LeCarvennec','Nina','2008-08-26'),('Leclerc1902','Margaret','2010-11-23'),('Leclerc1902','Nina','2009-09-03'),('Leclere','Susan','2008-02-21'),('LeClezio1940','Nina','2008-11-17'),('Lecoin1888','Susan','2008-02-21'),('Lefebvre','Susan','2008-02-21'),('Leforestier','Margaret','2011-05-25'),('Leforestier','Margaret','2011-08-31'),('LeGallois','Susan','2008-02-21'),('Lehmann1958','Nina','2007-12-15'),('Lehmann1958','Nina','2008-01-14'),('lepidis1920','Margaret','2010-08-06'),('LePorrier1913','Chris','2009-09-02'),('LePorrier1913','Nina','2009-09-03'),('Leproux1898','Susan','2008-02-21'),('Lestienne1932','Chris','2010-02-16'),('LevisMirepoix1942','Nina','2009-03-10'),('Levy1876','Susan','2008-02-21'),('Levy1961','Chris','2009-08-18'),('Levy1961','Nina','2009-08-25'),('Limur','Nina','2009-01-12'),('Littell1967','Chris','2010-02-16'),('Loheac','Susan','2008-02-21'),('LoustaunauLacau1896','Susan','2008-02-21'),('Luchaire1921','Susan','2008-02-21'),('LuzyPoussy','Margaret','2010-08-10'),('Lyautey1893','Nina','2009-02-03'),('Maalouf1949','Nina','2009-01-05'),('magali1898','Margaret','2009-08-25'),('magali1898','Margaret','2010-01-26'),('magnan1922','Margaret','2010-11-21'),('Magnan1929','Margaret','2009-08-25'),('Magnan1929','Nina','2009-08-27'),('Maillet1948','Margaret','2010-11-23'),('Maillet1948','Nina','2007-05-23'),('Maillet1948','Nina','2007-06-06'),('Malet1909','Margaret','2010-11-23'),('Malet1909','Nina','2007-02-12'),('Malle1932','Nina','2008-03-04'),('Mallet','Nina','2008-02-29'),('Mammeri1917','Nina','2007-03-01'),('Mammeri1917','Nina','2007-07-10'),('Manchette1942','Nina','2007-07-25'),('Manotti1942','Nina','2007-06-27'),('Manotti1942','Nina','2009-09-03'),('Marcenac1913','Margaret','2010-08-10'),('Marchais1920','Nina','2008-01-24'),('MarieFrance','Nina','2008-02-29'),('Marquet1895','Chris','2009-09-02'),('Marquet1895','Nina','2009-09-03'),('Martin1950','Nina','2008-02-06'),('Martin1950','Nina','2008-11-17'),('MartinChauffier1894','Nina','2008-02-29'),('Masares','Margaret','2010-11-30'),('Maspero','Margaret','2010-11-30'),('Masse','Margaret','2010-11-30'),('Massenet','Margaret','2010-11-30'),('Massip','Margaret','2010-11-30'),('Massis','Margaret','2010-11-30'),('Masson','Margaret','2010-11-30'),('Mattei1933','Nina','2009-01-05'),('Matthey','Margaret','2010-11-30'),('Mauberret1906','Margaret','2010-08-10'),('Mauffret','Margaret','2010-11-30'),('Maurette','Margaret','2010-11-30'),('MauriacC','Margaret','2010-11-30'),('MauriacF','Margaret','2010-11-30'),('Maurice','Margaret','2010-11-30'),('Maxence1946','Chris','2008-05-16'),('Maxence1946','Nina','2009-07-06'),('Maximin1947','Nina','2008-03-14'),('Maximoff1917','Margaret','2010-11-23'),('Maximoff1917','Nina','2008-11-13'),('Maximy','Margaret','2010-11-30'),('May','Margaret','2010-11-30'),('Mayran','Margaret','2010-11-30'),('Mazarin1934','Margaret','2010-11-30'),('Mazeau1949','Nina','2009-06-25'),('Meckert','Nina','2008-09-16'),('Meffre','Margaret','2010-11-30'),('Megret','Margaret','2010-11-30'),('Megret','Nina','2007-12-07'),('Memmi1920','Nina','2007-06-27'),('Memmi1920','Nina','2007-07-10'),('Mercadet','Margaret','2010-11-30'),('Mercanton','Margaret','2010-11-30'),('Mergeal','Margaret','2010-11-30'),('Merle1908','Margaret','2010-11-23'),('Merle1908','Nina','2007-03-19'),('Merle1936','Chris','2009-09-02'),('Merle1936','Nina','2009-09-03'),('Merrien1905','Margaret','2009-02-01'),('Merrien1905','Nina','2009-02-06'),('MesnilAmar','Nina','2009-06-03'),('Metzger','Nina','2008-02-29'),('Michel1907','Margaret','2010-11-30'),('michelet1899','Margaret','2010-08-05'),('Milhaud','Margaret','2010-11-30'),('Millau','Margaret','2010-11-30'),('Miller1917','Susan','2008-02-29'),('Millerand','Margaret','2010-11-30'),('MillerC','Margaret','2010-11-30'),('Minces','Margaret','2010-11-30'),('Mingarelli','Margaret','2010-11-30'),('Minot','Margaret','2010-11-30'),('Mirror1958','Margaret','2010-11-23'),('Mirror1958','Nina','2008-11-09'),('Mit','Chris','2009-09-02'),('Moati1938','Nina','2007-11-05'),('Moati1946','Margaret','2010-11-23'),('Moati1946','Nina','0000-00-00'),('Moati1946','Nina','2007-03-26'),('Moati1946','Nina','2007-03-29'),('Moati1946','Nina','2007-06-06'),('Moati1946','Nina','2007-07-09'),('Modiano1945','Margaret','2010-11-23'),('Modiano1945','Nina','2007-02-12'),('Modiano1945','Nina','2008-03-02'),('Mohrt1914','Chris','2010-05-04'),('Moi1955','Nina','2008-11-17'),('Moinot','Margaret','2010-11-30'),('Molaine1906','Margaret','2009-08-25'),('Molaine1906','Margaret','2010-11-23'),('Molaine1906','Nina','2009-08-27'),('Molenes','Margaret','2010-11-30'),('Molla','Margaret','2010-11-30'),('Mondoloni','Nina','2009-07-18'),('Monferrand','Margaret','2010-11-30'),('Monicault','Margaret','2010-11-30'),('Montabe','Margaret','2010-11-30'),('Montardre','Margaret','2010-11-30'),('Monteilhet1928','Margaret','2010-11-30'),('Montherlant','Margaret','2010-11-30'),('Morgan','Margaret','2010-11-30'),('Morgieve','Margaret','2010-11-30'),('Morris1924','Nina','2007-12-19'),('MorvanLebesque1911','Susan','2008-02-29'),('Moscovici','Margaret','2010-11-30'),('Moses','Margaret','2010-11-30'),('Mouchotte1914','Susan','2008-02-29'),('Moulin1899','Susan','2008-02-29'),('Mouloudji','Margaret','2010-11-30'),('Mourgue','Margaret','2010-11-30'),('Mourier','Margaret','2010-11-30'),('Mourlevat','Margaret','2010-11-30'),('Mourthe','Margaret','2010-11-30'),('Moussinac1890','Margaret','2010-11-30'),('Moussinac1890','Susan','2008-03-17'),('Moussy','Margaret','2010-11-30'),('Muller1933','Chris','2008-05-15'),('Muller1933','Nina','2008-06-26'),('MullerC','Margaret','2010-11-30'),('Nallet','Margaret','2010-11-30'),('Naud','Margaret','2010-11-30'),('NDjehoya1953','Nina','2009-05-11'),('Nemirovsky1903','Nina','2007-02-14'),('Nemours','Margaret','2010-11-30'),('Neuhoff1956','Chris','2009-09-02'),('Neyrac','Margaret','2010-11-30'),('Neyrat','Margaret','2010-11-30'),('Nimier','Margaret','2010-11-30'),('NobecourtJ','Margaret','2010-11-30'),('NobecourtL','Margaret','2010-11-30'),('Noe','Nina','2009-01-09'),('Noel','Margaret','2010-11-30'),('Nollier','Margaret','2010-11-30'),('Nord1900','Margaret','2007-11-05'),('Nord1900','Nina','2007-11-16'),('Nord1900','Susan','2008-02-01'),('Northomb','Margaret','2010-11-30'),('Nothomb1913','Chris','2009-09-03'),('Nothomb1913','Nina','2009-09-03'),('Nothomb1967','Chris','2009-09-03'),('Nothomb1967','Nina','2009-09-03'),('Notin1970','Nina','2008-10-07'),('Nourissier1927','Nina','2008-10-29'),('Novac','Margaret','2010-11-30'),('Noziere1943','Nina','2008-09-05'),('Nury1976','Nina','2008-11-17'),('Oldenbourg1916','Margaret','2010-11-30'),('Ollier','Margaret','2010-11-30'),('Ollivier','Margaret','2010-11-30'),('Onofrio','Margaret','2010-11-30'),('Ophuls','Margaret','2010-11-30'),('Oppel','Margaret','2010-11-30'),('Ormesson1925','Chris','2009-08-20'),('Ormesson1925','Nina','2009-08-27'),('Orsenna','Margaret','2010-11-30'),('Ouary1916','Nina','2007-11-05'),('Ouary1916','Nina','2007-11-08'),('Ouary1916','Nina','2008-11-01'),('Oudoire','Margaret','2010-11-30'),('Oury1933','Margaret','2010-08-06'),('Oury1933','Margaret','2010-08-07'),('OuryG','Margaret','2010-11-30'),('Ouvard','Margaret','2010-11-30'),('Oyono','Nina','2008-04-17'),('Pagniez1896','Susan','2008-03-17'),('Pagnol1895','Nina','2009-01-12'),('Palcy','Margaret','2010-11-30'),('Palet','Margaret','2010-11-30'),('PaluelMarmont','Margaret','2010-11-30'),('Pampuzac','Margaret','2010-11-30'),('Pannequin1920','Chris','2008-05-20'),('Parain1897','Margaret','2010-04-13'),('Paraz','Margaret','2010-11-30'),('Parguel','Susan','2008-03-17'),('Paris1947','Chris','2010-05-04'),('Parrot1906','Margaret','2007-08-06'),('Parrot1906','Margaret','2007-08-07'),('Parrot1906','Margaret','2007-08-09'),('Passy1911','Margaret','2010-11-23'),('Passy1911','Susan','2008-03-17'),('PaulBoncour1873','Susan','2008-03-17'),('Paulin1902','Nina','2009-01-09'),('Paulin1902','Nina','2009-01-12'),('Pavloff','Margaret','2010-11-30'),('Pecherot1953','Nina','2008-08-30'),('Peju1946','Nina','2007-06-07'),('Pellerin','Margaret','2010-11-30'),('Pelletier','Margaret','2010-11-30'),('PelletierDoisy','Margaret','2010-11-30'),('Pennac1944','Nina','2007-06-29'),('Perec','Margaret','2010-11-30'),('Perisset','Margaret','2010-11-30'),('Perol','Margaret','2010-11-30'),('Perrault1931','Chris','2009-09-03'),('Perrault1931','Nina','2009-09-03'),('Perret','Margaret','2010-11-30'),('Perrier1948','Nina','2008-06-10'),('Perrin1951','Chris','2009-09-04'),('Petain1856','Margaret','2010-11-24'),('Petit','Margaret','2010-11-30'),('Peuchmaurd','Margaret','2010-11-30'),('Peyre1895','Nina','2007-08-22'),('Peyre1895','Nina','2008-11-02'),('Peyrefitte','Margaret','2010-11-30'),('Philipe1922','Nina','2008-01-03'),('Philippe','Margaret','2010-11-30'),('Pianko','Margaret','2010-11-30'),('Piat19xx','Chris','2008-05-14'),('Piatek','Margaret','2010-11-30'),('Piatek1969','Nina','2008-06-11'),('Picheral','Margaret','2010-11-30'),('Pierjean','Margaret','2010-11-30'),('Pierrard','Margaret','2010-11-30'),('PierreDescaves19xx','Chris','2007-11-08'),('PierrePierre','Margaret','2010-11-30'),('Piguet1887','Susan','2008-03-17'),('Piljean','Margaret','2010-11-30'),('pineau1904','Margaret','2010-08-06'),('Pineau1956','Nina','2007-06-28'),('Pineau1956','Nina','2007-07-10'),('Pineau1956','Nina','2008-07-14'),('Pingaud1923','Chris','2010-06-03'),('PiquetWicks','Margaret','2010-11-30'),('Pleiber','Margaret','2010-11-30'),('Poccadaz','Margaret','2010-11-30'),('Poindessault','Margaret','2010-11-30'),('Poirrier','Margaret','2010-11-30'),('Poitau1923','Nina','2009-06-30'),('Poizot','Susan','2008-03-17'),('Polard','Margaret','2010-11-30'),('Pomies','Margaret','2010-11-30'),('Ponchardier','Margaret','2010-11-30'),('Ponthier','Margaret','2010-11-30'),('Porcher','Margaret','2010-11-24'),('Porcher','Nina','2009-03-16'),('Pornon','Margaret','2010-11-30'),('Portail','Margaret','2010-11-30'),('PostelVinay','Margaret','2010-11-30'),('PouletReney','Margaret','2010-11-30'),('Pozner1905','Chris','2008-05-14'),('Prado','Margaret','2010-11-30'),('Predali1959','Margaret','2010-11-24'),('Predali1959','Nina','2007-03-01'),('Predali1959','Nina','2007-03-26'),('Prentout','Margaret','2010-11-30'),('PrevostAlain','Margaret','2010-11-30'),('Printz','Susan','2008-03-17'),('Prioux1879','Susan','2008-03-17'),('Privat','Margaret','2010-11-30'),('Prou1920','Margaret','2007-08-01'),('Proux1914','Nina','2008-09-06'),('Pucheu1899','Margaret','2010-11-24'),('Pucheu1899','Susan','2008-03-17'),('Queffelec','Margaret','2010-11-30'),('Quemeneur','Margaret','2010-11-30'),('Quercy','Nina','2009-05-11'),('Querlin','Margaret','2010-11-30'),('Quint1949','Nina','2008-01-03'),('Rabine','Margaret','2010-11-30'),('Rabiniaux','Margaret','2010-11-30'),('Rachline1933','Chris','2008-05-13'),('Rachline1933','Nina','2008-05-13'),('Raczymow','Margaret','2010-11-29'),('Radiguet','Margaret','2010-11-29'),('Ragon1924','Nina','2008-02-29'),('Rahrimanana1967','Nina','2007-02-13'),('Rahrimanana1967','Nina','2007-03-26'),('Ramond','Margaret','2010-11-29'),('Rapaport1965','Nina','2008-08-30'),('Rappeneau','Margaret','2010-11-29'),('Rappeneau','Margaret','2010-11-30'),('Raspail','Margaret','2010-11-29'),('Rassinier','Margaret','2010-11-24'),('Rassinier','Susan','2008-03-17'),('Ratinaud','Margaret','2010-11-29'),('Raucy','Margaret','2010-11-29'),('Ravelin','Margaret','2010-11-29'),('Rawicz','Margaret','2010-11-29'),('Rebatet','Margaret','2010-11-29'),('Rebatet1903','Nina','2008-09-26'),('Recatala19','Margaret','2010-08-03'),('Regina1947','Nina','2007-11-05'),('Reiner1921','Chris','2008-05-05'),('Remy1904','Margaret','2010-07-21'),('Remy1904','Margaret','2011-08-03'),('Remy1904','Susan','2008-08-11'),('Remy1911','Chris','2009-08-20'),('Remy1911','Nina','2009-08-27'),('Remy1937','Margaret','2010-05-20'),('Renault','Margaret','2010-11-29'),('Rendier1903','Susan','2008-08-11'),('Rendu','Susan','2008-08-11'),('Resnais','Margaret','2010-11-29'),('Reynaud1878','Susan','2008-08-11'),('Reynaudfl','Margaret','2010-11-29'),('Ribardiere','Margaret','2010-11-29'),('RibemontDessaignes1884','Susan','2008-08-11'),('Richard1889','Margaret','2010-11-29'),('Richard1937','Margaret','2010-11-29'),('Rio','Margaret','2010-11-29'),('Rivoyre','Margaret','2010-11-29'),('Robban','Margaret','2010-11-29'),('RobbeGrillet','Margaret','2010-11-29'),('Robida','Margaret','2010-11-29'),('Robles','Nina','2009-03-24'),('Rocard','Margaret','2010-11-29'),('Roch','Margaret','2010-11-29'),('Roch1961','Chris','2009-08-18'),('Roch1961','Nina','2009-08-25'),('Roche','Margaret','2010-11-29'),('Rohou','Margaret','2010-11-29'),('Rolland1922','Chris','2008-05-13'),('Rolland1922','Margaret','2010-11-24'),('Romain1899','Susan','2008-08-11'),('Ronceray','Margaret','2010-11-29'),('Rondeau','Margaret','2010-11-29'),('Rongier','Margaret','2010-11-29'),('Roques','Margaret','2010-11-29'),('Rosnay1961','Margaret','2010-11-18'),('Rossi','Margaret','2010-11-29'),('Rostaing','Margaret','2010-11-29'),('RothHano','Margaret','2010-11-29'),('Rotman','Margaret','2010-11-29'),('Rouanet','Margaret','2010-11-29'),('Rouart','Margaret','2010-11-29'),('Rouaud','Margaret','2010-11-29'),('Roubaud1932','Margaret','2010-11-24'),('Roubaud1932','Nina','2008-02-07'),('Rouland','Margaret','2010-11-29'),('Rouquier','Margaret','2010-11-29'),('Rousset1912','Margaret','2010-11-24'),('Rousset1912','Susan','2008-08-11'),('Roux','Susan','2008-08-11'),('Rovier','Margaret','2010-11-29'),('Roy1907','Susan','2008-08-11'),('Roy1909','Nina','2007-03-14'),('Roy1915','Susan','2008-08-11'),('Royjh','Margaret','2010-11-29'),('Roze1954','Margaret','2010-02-04'),('Roze1954','Nina','2008-08-15'),('Roze1954','Nina','2008-08-18'),('Rozier1963','Margaret','2007-08-13'),('Rozier1963','Nina','2008-01-21'),('Rozier1963','Nina','2008-07-08'),('Rullerbarthelemy','Margaret','2010-11-29'),('Rutman','Nina','2009-02-04'),('Rykner1966','Chris','2010-06-09'),('Sabatier1923','Nina','2007-07-09'),('Sabine','Susan','2008-08-11'),('Sabliaux','Margaret','2010-11-29'),('Sachs1906','Susan','2008-08-11'),('Sagan1935','Nina','2007-02-13'),('Sagan1935','Nina','2007-03-26'),('SaintClair','Susan','2008-08-11'),('SaintClair1896','Nina','2008-08-13'),('SaintCricq','Margaret','2010-11-29'),('SaintExupery1900','Nina','2007-02-14'),('SaintLaurent1919','Chris','2009-09-03'),('SaintLaurent1919','Margaret','2010-07-12'),('SaintLaurent1919','Nina','2009-09-03'),('SaintLoup1908','Chris','2009-09-03'),('SaintLoup1908','Nina','2009-09-03'),('SaintOgan','Margaret','2010-11-29'),('Sajer','Margaret','2010-11-29'),('Salacrou','Margaret','2010-11-29'),('Saladin','Susan','2008-08-13'),('Salome1960','Nina','2008-03-26'),('Salvayre','Margaret','2010-11-29'),('Samb','Nina','2008-08-23'),('SanAntonio','Margaret','2010-04-13'),('Sanglier','Margaret','2010-11-29'),('Sansal1949','Nina','2008-02-15'),('Saro','Margaret','2009-02-01'),('Sartre1905','Margaret','2010-11-29'),('Savage','Margaret','2010-11-29'),('Scheid','Margaret','2010-11-29'),('Schlumberger1877','Susan','2008-08-13'),('Schmitt1960','Nina','2008-06-10'),('Schoendoerffer1928','Chris','2008-05-06'),('Schoendoerffer1928','Nina','2008-05-06'),('SchwartzBart','Margaret','2010-11-29'),('Sebban','Margaret','2010-11-30'),('Sechan','Margaret','2010-11-29'),('Segnaire','Margaret','2010-11-29'),('Seigneur','Margaret','2010-11-29'),('Seignol','Susan','2008-08-13'),('Seignolle','Margaret','2010-11-29'),('Selo1943','Nina','2009-06-25'),('Sembene1923','Nina','2007-07-02'),('Semprun1923','Margaret','2011-08-03'),('Semprun1923','Nina','2007-02-13'),('Semprun1923','Nina','2007-02-26'),('Seonnet1953','Chris','2010-06-22'),('Serge','Margaret','2010-11-29'),('Sergent','Margaret','2010-11-29'),('Serres','Margaret','2010-11-29'),('Servais','Margaret','2010-11-29'),('Serval','Margaret','2010-11-29'),('ServanSchreiber1962','Chris','2010-06-09'),('ServanSchreiber1962','Margaret','2010-07-06'),('Sevran1945','Chris','2008-05-05'),('Sevran1945','Nina','2008-05-06'),('Signol','Margaret','2010-11-29'),('Sikorska','Margaret','2010-11-29'),('Simenon1903','Nina','2008-09-23'),('Simon','Susan','2008-08-13'),('Simon1903','Margaret','2010-11-29'),('Simon1913','Susan','2008-08-13'),('Simonjp','Margaret','2010-11-29'),('Simsolo','Margaret','2010-11-29'),('Siniac1928','Margaret','2007-11-07'),('Siniac1928','Nina','2008-01-14'),('Siniac1928','Nina','2008-05-06'),('Sizun1940','Nina','2008-06-09'),('Slocombe1953','Nina','2009-03-25'),('Sogno','Margaret','2010-11-29'),('Solet1933','Nina','2008-04-23'),('Sonnier1918','Susan','2008-08-13'),('Soszewicz','Margaret','2010-11-29'),('Soubiran1910','Susan','2008-08-13'),('Soupault1897','Nina','2009-02-17'),('Soustelle1912','Susan','2008-08-13'),('Spade1921','Chris','2008-05-06'),('Spens','Margaret','2010-11-29'),('Sperber','Margaret','2010-11-29'),('Spiess1922','Margaret','2010-11-24'),('Spiess1922','Nina','2007-06-06'),('Spiess1922','Nina','2007-06-07'),('Sportes1947','Margaret','2010-11-24'),('Sportes1947','Nina','2008-02-12'),('StalnerBardet','Margaret','2010-11-29'),('Stephane1919','Susan','2008-08-13'),('Stokis','Nina','2008-01-09'),('Streiff','Margaret','2010-11-29'),('StRemy','Nina','2009-03-23'),('Susini','Margaret','2010-11-29'),('Sussan1925','Nina','2008-05-14'),('Swiatly','Margaret','2010-11-29'),('Szac1964','Chris','2008-05-05'),('Szpiner','Nina','2008-04-15'),('Tabachnik1938','Nina','2008-09-16'),('Tabary1943','Nina','2009-06-25'),('Tardi','Margaret','2010-11-29'),('Tatilon','Margaret','2010-11-29'),('Tatischeff','Margaret','2010-11-29'),('Tavernier1941','Margaret','2010-11-24'),('Tavernier1941','Nina','2008-03-10'),('Tavernier1941','Nina','2008-03-11'),('Techine1943','Nina','2008-01-21'),('Techine1943','Nina','2008-01-29'),('Teisseire','Margaret','2010-11-29'),('Teisson','Margaret','2010-11-29'),('Tenenbaum','Margaret','2010-11-29'),('Therame','Margaret','2010-11-29'),('Thibaux','Margaret','2010-11-29'),('Thines','Margaret','2010-11-29'),('Thomas1885','Susan','2008-08-13'),('Thomas1909','Margaret','2010-11-24'),('Thomas1909','Nina','2007-02-13'),('Thomas1909','Nina','2007-03-26'),('Tillard1914','Susan','2008-08-13'),('Tillion1907','Margaret','2010-11-24'),('Tillion1907','Nina','2008-04-20'),('Tillion1907','Nina','2008-04-23'),('TillonCharles','Margaret','2010-11-29'),('TillonCharles','Margaret','2010-11-30'),('Toledano','Margaret','2010-11-29'),('Torres1924','Nina','2008-01-09'),('Torres1924','Nina','2008-01-14'),('Torres1924','Nina','2009-02-15'),('ToulouseLautrec1924','Susan','2008-08-13'),('Toure','Margaret','2010-11-29'),('Tournerie1939','Nina','2009-06-30'),('Tournier','Margaret','2010-11-29'),('Tournier1924','Nina','2007-02-14'),('Tournier1924','Nina','2008-05-09'),('Traube','Margaret','2010-11-29'),('Travers','Margaret','2010-11-29'),('Trevisan','Margaret','2010-11-28'),('Triolet1896','Margaret','2010-08-23'),('Troyat18','Margaret','2010-11-28'),('Truffaut1932','Margaret','2010-11-24'),('Truffaut1932','Nina','2009-02-03'),('Truffaut1932','Nina','2009-02-05'),('Truffy','Susan','2008-08-13'),('TuaillonNass','Margaret','2010-11-28'),('Unger','Susan','2008-08-13'),('Ungerer','Margaret','2010-11-28'),('Vailland1907','Margaret','2010-08-20'),('Vailland1907','Nina','2007-06-26'),('Vald','Margaret','2010-11-28'),('Vallotton1877','Chris','2010-07-08'),('Vallotton1877','Margaret','2010-07-08'),('Vallotton1877','Susan','2008-08-13'),('Vaucherot','Margaret','2010-11-28'),('Vautrin','Margaret','2010-11-28'),('Vendamme','Margaret','2010-11-28'),('Vercors1902','Nina','2007-06-26'),('Verdel','Margaret','2010-11-28'),('Verdet','Susan','2008-08-13'),('Verdier1912','Margaret','2010-08-05'),('Verdier1912','Margaret','2010-12-10'),('Verlet','Margaret','2010-11-28'),('Vermorel','Margaret','2010-11-28'),('Vernant1914','Chris','2008-05-20'),('Vernant1914','Nina','2008-05-21'),('Verny','Margaret','2010-11-28'),('Vial','Susan','2008-08-13'),('Vialar1898','Margaret','2010-02-21'),('Vialar1898','Margaret','2010-11-24'),('Vialatte','Margaret','2010-11-28'),('Vian192','Margaret','2010-11-28'),('Viaud','Margaret','2010-11-28'),('Vidalie','Margaret','2010-11-28'),('VietTran','Margaret','2010-11-28'),('Vilar194','Margaret','2010-11-28'),('Vilde','Margaret','2010-11-28'),('Villefranque','Margaret','2010-11-28'),('Vincenot','Margaret','2010-11-28'),('Vinci1932','Margaret','2010-08-20'),('Vinci1932','Margaret','2010-11-24'),('Vinci1932','Margaret','2011-08-03'),('Viollier','Margaret','2010-11-28'),('Vitoux1944','Chris','2010-06-03'),('Vitoux1944','Margaret','2010-07-06'),('Vitte','Margaret','2010-11-28'),('Vittori1941','Nina','2008-01-04'),('Vivas','Margaret','2010-11-28'),('Vivier1898','Nina','2008-07-21'),('Volodine','Margaret','2010-11-28'),('Wagneur','Margaret','2010-11-28'),('Wajsbrot1954','Chris','2010-06-03'),('Walter','Margaret','2010-11-28'),('Weil1909','Nina','2008-07-09'),('WeilCuriel','Susan','2008-08-14'),('Weiss1893','Susan','2008-08-14'),('Wermus','Nina','2009-02-04'),('Wermus','Nina','2009-02-05'),('Werrie1901','Chris','2010-06-03'),('Werrie1901','Margaret','2010-07-06'),('Werth1878','Susan','2008-08-14'),('Westphalen','Margaret','2010-11-28'),('Weyergans1941','Nina','2007-02-13'),('Weygand1867','Susan','2008-08-14'),('Wiesel1928','Chris','2010-06-03'),('Wiesenthal1908','Nina','2008-02-10'),('Willer','Margaret','2010-11-28'),('Winock1937','Margaret','2007-11-07'),('Winock1937','Margaret','2010-11-24'),('Winock1937','Nina','2008-01-11'),('Wolf','Margaret','2010-11-28'),('X','Susan','2008-08-15'),('Yacine1929','Nina','2008-03-27'),('Yanne','Nina','2009-02-05'),('Ydewalle1901','Susan','2008-08-15'),('Yernaux19','Margaret','2010-11-28'),('YoungPerez1911','Nina','2008-08-30'),('Yung1943','Margaret','2007-12-19'),('Yung1943','Margaret','2010-11-20'),('Yung1943','Nina','2009-02-06'),('Zamponi1947','Nina','2007-07-30'),('Zamponi1947','Nina','2007-08-02'),('Zanzotto','Nina','2009-01-30'),('Zay1904','Susan','2008-08-15'),('Zeraffa1918','Chris','2010-06-03'),('Zeraffa1918','Margaret','2010-07-06'),('Ziegler19','Margaret','2010-11-28'),('Zufferey19','Margaret','2010-11-28'); 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