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Appropriating the Real

Knox, Gillian (2024) Appropriating the Real. University of Leeds. [Dataset] https://doi.org/10.5518/1498

Dataset description

Appropriating the ‘real’ is a practice-led investigation that researches the extent to which verbatim theatre techniques can be appropriated to create a fictional performance. Criticisms of verbatim theatre’s ‘truth claims’ – that it is a re-presentation of the ‘real’ – are both dramaturgical and ethical. Addressing these concerns, the practice presented here sets out to experiment with “indecidability” (Lehmann, 2006:101), heightening the audience’s perception of the gap between ‘truth’ and ‘fiction’, chiefly by drawing attention to the role of the theatre maker. The practice-led research is made up by this trilogy of performances: The Unsettling; Everybody Always Tells the Truth; and Is It Different Now? and an accompanying thesis.

Additional information: Access to the recording of "Is It Different Now?" is restricted. Request access using the link below to the RADAR repository. You will receive an initial response to your request within five working days
Keywords: Theatre, Performance, Applied Theatre, Verbatim Theatre, Indecideability, Fictional Verbatim.
Subjects: W000 - Creative arts & design > W400 - Drama
Divisions: Faculty of Arts, Humanities and Cultures > School of Performance and Cultural Industries
Related resources:
LocationType
https://radar.researchdata.leeds.ac.uk/50/Dataset
License: Creative Commons Attribution 4.0 International (CC BY 4.0)
Date deposited: 18 Mar 2024 15:53
URI: https://archive.researchdata.leeds.ac.uk/id/eprint/1261

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